Commit 8c4c4221 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

Small issues with the oly template

parent 4cc88089
OUT=out
base = Eybler_SperateInDeo_HV41
SRCS = Eybler_SperateInDeo_HV41_Settings_Global.ily Eybler_SperateInDeo_HV41_Settings.ily Eybler_SperateInDeo_HV41_Settings_VocalScore.ily Eybler_SperateInDeo_HV41_Settings_ChoralScore.ily Eybler_SperateInDeo_HV41_Settings_VocalVoice.ily Eybler_SperateInDeo_HV41_Settings_FullScore.ily Eybler_SperateInDeo_HV41_Settings_Instrument.ily Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily $(base)_Settings.ily
SRCS = $(base)_Music_GradualeSperateInDeo.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_VocalScore.ily $(base)_Settings_ChoralScore.ily $(base)_Settings_VocalVoice.ily $(base)_Settings_FullScore.ily $(base)_Settings_Instrument.ily
instruments = ObI ObII FagI FagII CorI CorII TrbI TrbII Tim VI VII Va S A T B Continuo VcB
scores = Long Full Vocal Choral Original
pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
$(scores:%%=$(OUT)/$(base)_Score_%.pdf)
$(scores:%=$(OUT)/$(base)_Score_%.pdf)
texbase = Eybler_SperateInDeo_HV41
......
......@@ -35,7 +35,6 @@ welche die concertierende Hoboe wie ein Silberband reizend durchschlängelt.}}
\columnbreak
\prefacesection{Preface}
TODO
\end{multicols}
\vfill
......@@ -14,11 +14,11 @@
\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\ChoralScoreType}
\includescore{Score_Choral}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Backpage.itex}
\end{document}
......@@ -14,10 +14,12 @@
\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\FullScoreType}
\includescore{Score_Full}
\cleardoublepage
\backmatter
\appendix
......
......@@ -14,10 +14,12 @@
\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\LongScoreType}
\includescore{Score_Long}
\cleardoublepage
\backmatter
\appendix
......
......@@ -14,10 +14,12 @@
\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\OriginalScoreType}
\includescore{Score_Original}
\cleardoublepage
\backmatter
\appendix
......
......@@ -14,11 +14,11 @@
\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\VocalScoreType}
\includescore{Score_Vocal}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Backpage.itex}
\end{document}
--- TeX_Eybler_SperateInDeo_HV41_Include_About.itex.new 2009-10-01 11:58:42.000000000 +0200
+++ TeX_Eybler_SperateInDeo_HV41_Include_About.itex 2009-10-01 11:46:49.000000000 +0200
@@ -2,9 +2,66 @@
--- TeX_Eybler_SperateInDeo_HV41_Include_About.itex.new 2009-10-05 19:16:10.000000000 +0200
+++ TeX_Eybler_SperateInDeo_HV41_Include_About.itex 2009-10-05 19:16:17.000000000 +0200
@@ -2,7 +2,37 @@
\begin{multicols}{2}
\prefacesection{Vorwort}
......@@ -38,34 +38,4 @@
+
\columnbreak
\prefacesection{Preface}
-TODO
+% This gradual, numbered HV 42 in the catalog of Herrmann, was composed by the
+% Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday
+% gala of both the emperor Franz I. and the emperess Karoline Auguste (both were
+% born on February 8). Since 1823, Eybler had annually composed a new mass for this occasion,
+% mostly together with a new gradual and a new offertory. However, due to some
+% \q{indisposition} (as the chronicles of the Hofburgkapelle states), the gala
+% was cancelled in 1826, like the year before. Instead, the premiere of the
+% Missa St. Mauritii Nr.17 in C (HV 4) together with this gradual \q{Domine Deus,
+% omnium creator} (HV 42) took place on thursday, February 2, 1826, the feast of
+% Candlemas, in the Hofburgkapelle (the chapel of the imperial palace) in Vienna.
+%
+% The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph --
+% appeared in print only in 1834 as gradual \textnumero 7, published by Tobias
+% Haslinger together with the mass \textnumero 7 in C major (HV 5) for the
+% coronation of archduke Ferdinand as king of Hungary and the offertory
+% \q{Magna et mirabilia} (HV 108). It is the last published gradual of Eybler and
+% has not been reviewed in any of the noted periodicals of its time.
+%
+% Following a rather long instrumental introduction, the gradual frequently switches
+% between piano and forte parts. The (relatively short) forte phrases appearing together
+% majestic and powerful lyrics like \q{justus}, \q{omnipotens} or \q{aeternus}
+% are marked by a dotted rhythm in the strings, resulting in imperial power.
+% The pioano phrases on the other hand with lyrics \q{et misericors -- and merciful},
+% \q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing
+% the expressive humbleness of the lyrics even further.
+%
+% Despite a powerful beginning, the piece ends in a soft and suppliant style, with
+% the strings vanishing into the final chord.
\end{multicols}
\vfill
TODO
--- TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex.new 2009-10-01 11:58:42.000000000 +0200
+++ TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex 2009-07-31 21:35:26.000000000 +0200
@@ -14,85 +14,64 @@
--- TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex.new 2009-10-05 19:15:27.000000000 +0200
+++ TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex 2009-10-05 16:24:17.000000000 +0200
@@ -14,7 +14,35 @@
\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
+\phantomsection
+\addcontentsline{toc}{section}{\ContinuoName}
+\includescore{Instrument_Continuo}
+
+\phantomsection
+\addcontentsline{toc}{section}{\SName}
+\includescore{Instrument_S}
......@@ -21,8 +21,6 @@
+\addcontentsline{toc}{section}{\BName}
+\includescore{Instrument_B}
-
-
+\phantomsection
+\addcontentsline{toc}{section}{\VIName}
+\includescore{Instrument_VI}
......@@ -38,78 +36,38 @@
\phantomsection
\addcontentsline{toc}{section}{\ObIName}
\includescore{Instrument_ObI}
-
\phantomsection
\addcontentsline{toc}{section}{\ObIIName}
\includescore{Instrument_ObII}
-
\phantomsection
\addcontentsline{toc}{section}{\FagIName}
\includescore{Instrument_FagI}
-
\phantomsection
\addcontentsline{toc}{section}{\FagIIName}
\includescore{Instrument_FagII}
-
\phantomsection
\addcontentsline{toc}{section}{\CorIName}
\includescore{Instrument_CorI}
-
\phantomsection
\addcontentsline{toc}{section}{\CorIIName}
\includescore{Instrument_CorII}
-
\phantomsection
\addcontentsline{toc}{section}{\TrbIName}
\includescore{Instrument_TrbI}
-
\phantomsection
\addcontentsline{toc}{section}{\TrbIIName}
\includescore{Instrument_TrbII}
-
@@ -43,34 +71,6 @@
\phantomsection
\addcontentsline{toc}{section}{\TimName}
\includescore{Instrument_Tim}
-\phantomsection
-\addcontentsline{toc}{section}{\VIName}
-\includescore{Instrument_VI}
-
-\phantomsection
-\addcontentsline{toc}{section}{\VIIName}
-\includescore{Instrument_VII}
-
-\phantomsection
-\addcontentsline{toc}{section}{\VaName}
-\includescore{Instrument_Va}
-
-\phantomsection
-\addcontentsline{toc}{section}{\SName}
-\includescore{Instrument_S}
-
-\phantomsection
-\addcontentsline{toc}{section}{\AName}
-\includescore{Instrument_A}
-
-\phantomsection
-\addcontentsline{toc}{section}{\TName}
-\includescore{Instrument_T}
-
-\phantomsection
-\addcontentsline{toc}{section}{\BName}
-\includescore{Instrument_B}
-
-\phantomsection
-\addcontentsline{toc}{section}{\ContinuoName}
-\includescore{Instrument_Continuo}
-
-\phantomsection
-\addcontentsline{toc}{section}{\VcBName}
-\includescore{Instrument_VcB}
-
-
-
\cleardoublepage
\backmatter
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