Commit 4cc88089 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

Add oly dir to LaTeX search path; regenerate scores

parent a6d40847
......@@ -15,10 +15,10 @@ texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
$(OUT)/TeX_$(texbase)_Score_Instruments.pdf
additionalscores = $(OUT)/Eybler_SperateInDeo_HV41_Music_AdditionalMeasures.pdf $(OUT)/Eybler_SperateInDeo_HV41_Music_AdditionalMeasures73.pdf
additionalscores = $(OUT)/Eybler_SperateInDeo_HV41_Music_AdditionalMeasures.pdf $(OUT)/Eybler_SperateInDeo_HV41_Music_AdditionalMeasures73.pdf
.PHONY: all clean
all: $(OUT) $(instruments) $(scores) $(additionalscores) tex
all: $(OUT) $(instruments) $(scores) $(additionalscores) tex
instruments: $(instruments)
scores: $(scores)
......@@ -26,6 +26,8 @@ scores: $(scores)
clean:
rm -rf $(OUT)
lily: $(pdfs) $(additionalscores)
$(OUT) :
mkdir -p $(OUT)
......@@ -47,5 +49,5 @@ latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
TEXINPUTS=$(OUT): latex --output-directory=$(OUT)/ $<
TEXINPUTS=$(OUT):orchestrallily/:.//: latex --output-directory=$(OUT)/ $<
......@@ -35,33 +35,7 @@ welche die concertierende Hoboe wie ein Silberband reizend durchschlängelt.}}
\columnbreak
\prefacesection{Preface}
% This gradual, numbered HV 42 in the catalog of Herrmann, was composed by the
% Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday
% gala of both the emperor Franz I. and the emperess Karoline Auguste (both were
% born on February 8). Since 1823, Eybler had annually composed a new mass for this occasion,
% mostly together with a new gradual and a new offertory. However, due to some
% \q{indisposition} (as the chronicles of the Hofburgkapelle states), the gala
% was cancelled in 1826, like the year before. Instead, the premiere of the
% Missa St. Mauritii Nr.17 in C (HV 4) together with this gradual \q{Domine Deus,
% omnium creator} (HV 42) took place on thursday, February 2, 1826, the feast of
% Candlemas, in the Hofburgkapelle (the chapel of the imperial palace) in Vienna.
%
% The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph --
% appeared in print only in 1834 as gradual \textnumero 7, published by Tobias
% Haslinger together with the mass \textnumero 7 in C major (HV 5) for the
% coronation of archduke Ferdinand as king of Hungary and the offertory
% \q{Magna et mirabilia} (HV 108). It is the last published gradual of Eybler and
% has not been reviewed in any of the noted periodicals of its time.
%
% Following a rather long instrumental introduction, the gradual frequently switches
% between piano and forte parts. The (relatively short) forte phrases appearing together
% majestic and powerful lyrics like \q{justus}, \q{omnipotens} or \q{aeternus}
% are marked by a dotted rhythm in the strings, resulting in imperial power.
% The pioano phrases on the other hand with lyrics \q{et misericors -- and merciful},
% \q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing
% the expressive humbleness of the lyrics even further.
%
% Despite a powerful beginning, the piece ends in a soft and suppliant style, with
% the strings vanishing into the final chord.
TODO
\end{multicols}
\vfill
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\usepackage{editionkainhofer}
\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
\hypersetup{
......
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\usepackage{editionkainhofer}
\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
\hypersetup{
......
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\usepackage{editionkainhofer}
\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
\hypersetup{
......
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\usepackage{editionkainhofer}
\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
\hypersetup{
......
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\usepackage{editionkainhofer}
\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
\hypersetup{
......
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage[vocalscore]{orchestrallily/editionkainhofer}
\usepackage[vocalscore]{editionkainhofer}
\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
\hypersetup{
......
--- Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily.new 2009-10-01 11:58:42.000000000 +0200
+++ Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily 2009-10-01 11:40:09.000000000 +0200
--- Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily.new 2009-10-05 16:22:52.000000000 +0200
+++ Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily 2009-10-05 14:19:46.000000000 +0200
@@ -1,156 +1,2053 @@
\version "2.13.1"
......@@ -12,19 +12,16 @@
-GradualeSperateInDeoTimeSignature = \time 4/4
+GradualeSperateInDeoTimeSignature = \time 2/2
-GradualeSperateInDeoSettings = \notemode {
GradualeSperateInDeoSettings = \notemode {
- \tempo \GradualeSperateInDeoTempo
-}
-
+ \set Score.tempoHideNote = ##t
+ \tempo \GradualeSperateInDeoTempo 4=85
}
-
-GradualeSperateInDeoObIMusic = \relative c' {
- s8
- % TODO
+GradualeSperateInDeoSettings = \notemode {
+ \set Score.tempoHideNote = ##t
+ \tempo \GradualeSperateInDeoTempo 4=85
+}
+
+GradualeSperateInDeoTimMusic = \relative c {
+ R1*2 | % 3
+ c2\trill\f r | % 4
......@@ -75,8 +72,8 @@
+ R1*3 | % 122
+ r2 r4 c4\f | % 123
+ g r g g | % 124
+ c r r2 \bar"|."
+
+ c r r2 \bar"|."
+
+}
+
+GradualeSperateInDeoObIMusic = \relative c'' {
......@@ -1215,7 +1212,7 @@
- % TODO
+GradualeSperateInDeoSMusic = \relative c'' {
+ R1*17 |
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \SClef {R1*2 | \barNumberCheck #20
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \SClef {R1*2 | \barNumberCheck #20
+ r2 r4 } e4\p | % 21
+ d( c) c f | % 22
+ e( d) d f | % 23
......@@ -1334,7 +1331,7 @@
+ li, ef -- fun -- di -- te co -- ram il -- lo
+ % 51
+ cor -- da ves -- tra, co -- ram il -- lo ef -- fun -- di -- te cor -- da ves -- tra.
+
+
+ % 68
+ De -- us ad -- ju -- tor, no -- ster ad -- ju -- tor in ae -- ter -- num, De -- us
+ % 75
......@@ -1343,15 +1340,15 @@
+ Spe -- ra -- te in De -- o, spe -- ra -- te in De -- o,
+ % 93
+ om -- nis con -- gre -- ga -- ti -- o po -- pu -- % 96
+ li, ef -- fun di -- te co -- ram
+ li, ef -- fun di -- te co -- ram
+ il -- lo, ef -- fun -- di -- te co -- ram il -- lo
+ % 101
+ cor -- da, cor -- da ves -- tra.
+ Spe -- ra -- te, spe -- ra -- te,
+ in De -- o spe -- ra -- te,
+ in De -- o spe -- ra -- te,
+ % 109
+ om -- nis con -- gre -- ga -- ti -- o po -- pu -- li,
+ ef -- fun -- di -- te co -- ram il -- lo
+ om -- nis con -- gre -- ga -- ti -- o po -- pu -- li,
+ ef -- fun -- di -- te co -- ram il -- lo
+ % 115
+ cor -- da ves -- tra, co -- ram il -- lo ef -- fun -- di -- te cor -- da ves -- stra,
+ % 121
......@@ -1360,7 +1357,7 @@
+
+GradualeSperateInDeoAMusic = \relative c'' {
+ R1*17 |
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \AClef {R1*2 | \barNumberCheck #20
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \AClef {R1*2 | \barNumberCheck #20
+ r2 r4 } g4\p | % 21
+ f4( e) e a | % 22
+ f2 f4 d | % 23
......@@ -1480,7 +1477,7 @@
+ De -- us ad -- ju -- tor no -- ster __ in ae -- ter -- num,
+ % 75
+ De -- us ad -- ju -- tor no -- ster __ in ae -- ter -- num.
+
+
+ % 88
+ Spe -- ra -- te in De -- o, sp -- ra -- te in De -- o,
+ % 93
......@@ -1505,7 +1502,7 @@
- s8
- % TODO
+ R1*17 |
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \TClef {R1*2 | \barNumberCheck #20
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \TClef {R1*2 | \barNumberCheck #20
+ r2 r4 } g4\p | % 21
+ h4( c) c c | % 22
+ a2 a4 a | % 23
......@@ -1618,7 +1615,7 @@
+ li, ef -- fun -- di -- te co -- ram il -- lo,
+ % 51
+ ef -- fun -- di -- te, co -- ram il -- lo ef -- fun -- di -- te cor -- da, cor -- da ves -- tra.
+
+
+ % 68
+ De -- us ad -- ju -- tor, no -- ster ad -- ju -- tor in ae -- ter -- num, De -- us
+ % 75
......@@ -1627,7 +1624,7 @@
+ Spe -- ra -- te in De -- o, spe -- ra -- te in De -- o,
+ % 93
+ om -- nis con -- gre -- ga -- ti -- o po -- pu -- % 96
+ li, ef -- fun di -- te co -- ram
+ li, ef -- fun di -- te co -- ram
+ il -- lo, ef -- fun -- di -- te co -- ram il -- lo
+ % 101
+ cor -- da, cor -- da ves -- tra.
......@@ -1647,7 +1644,7 @@
- s8
- % TODO
+ R1*17 |
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \BClef {R1*2 | \barNumberCheck #20
+ \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \BClef {R1*2 | \barNumberCheck #20
+ r2 r4 } g4\p | % 21
+ c,2 c4 c | % 22
+ c2 c4 c4 | % 23
......@@ -1686,7 +1683,7 @@
+ d4\p e d2 | % 56
+ g,4 r r2 | \barNumberCheck #57
+ R1*11 | % 68
+ g'2\f h4 a | %
+ g'2\f h4 a | %
+ g2 g | \barNumberCheck #70
+ g4( e) d( c) | % 71
+ h2 d | % 72
......@@ -1773,7 +1770,7 @@
+ li, ef -- fun -- di -- te co -- ram il -- lo,
+ % 51
+ ef -- fun -- di -- te cor -- da ves -- tra, co -- ram il -- lo ef -- fun -- di -- te cor -- da ves -- tra.
+
+
+ % 68
+ De -- us ad -- ju -- tor no -- ster __ in ae -- ter -- num, De -- us
+ % 75
......@@ -1782,7 +1779,7 @@
+ Spe -- ra -- te in De -- o, spe -- ra -- te in De -- o,
+ % 93
+ om -- nis con -- gre -- ga -- ti -- o po -- pu -- % 96
+ li, ef -- fun di -- te co -- ram
+ li, ef -- fun di -- te co -- ram
+ il -- lo, ef -- fun -- di -- te co -- ram il -- lo
+ % 101
+ cor -- da, cor -- da ves -- tra.
......@@ -2084,7 +2081,7 @@
+ s1\solo | % 56
+ s1*12 | \barNumberCheck #68
+ s2.\tutti <6\\>4 | % 69
+ s <100> <100> <100> | \barNumberCheck #70
+ s <0> <0> <0> | \barNumberCheck #70
+ \bassFigureExtendersOff
+ s4 <5 3> <6 4 _+> <6\!> | % 71
+ \bassFigureExtendersOn
......@@ -2092,7 +2089,7 @@
+ <7!> s s s | % 73
+ s1 | % 74
+ <9 7>4 <9 7> <6 3> <6 3> | % 75
+ <7> <7> <\markup{\hat \number 5}> <5> | % 76
+ <7> <7> <\markup{\tiny \hat \number 5}> <5> | % 76
+ <9 7> <9 7> <6 3> <6 3> | % 77
+ <7> <7> <5> <5> | % 78
+ <7> <7> <6 4> <6\! 4\!> | % 79
......
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