New oly template

Eybler_LaudaSion_HV45_Music_BonePastor.ily

 \version "2.13.1"
 
-BonePastorPieceName = "Bone Pastor, panis vere"
-BonePastorPieceNameTacet = "Bone Pastor tacet"
+BonePastorPieceName = "Bone pastor, panis vere"
+BonePastorPieceNameTacet = "Bone pastor tacet"
 BonePastorTempo = "Adagio"
 
 BonePastorKey = \key c \major
@@ -68,6 +68,7 @@ BonePastorClIMusic = \relative c'' {
 }
 \addQuote "BonePastorClIMusic" { \BonePastorClIMusic }
 
+
 BonePastorClIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
@@ -176,6 +177,7 @@ BonePastorVIMusic = \relative c'' {
 }
 \addQuote "BonePastorVIMusic" { \BonePastorVIMusic }
 
+
 BonePastorVIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
@@ -269,6 +271,7 @@ BonePastorSLyrics = \lyricmode {
   in ter -- ra vi -- ven -- ti -- um.
 }
 
+
 BonePastorAMusic = \relative c' {
   R1 | % 2
   d2 g | % 3

Eybler_LaudaSion_HV45_Music_EccePanis.ily

@@ -60,6 +60,7 @@ EccePanisClIMusic = \relative c'' {
 }
 \addQuote "EccePanisClIMusic" { \EccePanisClIMusic }
 
+
 EccePanisClIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
@@ -150,6 +151,7 @@ EccePanisVIMusic = \relative c'' {
 }
 \addQuote "EccePanisVIMusic" { \EccePanisVIMusic }
 
+
 EccePanisVIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
@@ -230,6 +232,7 @@ EccePanisSLyrics = \lyricmode {
   non mit -- ten -- dus ca -- ni -- bus.
 }
 
+
 EccePanisAMusic = \relative c' {
   R1 | % 2
   d2 g | % 3

Eybler_LaudaSion_HV45_Music_InFiguris.ily

@@ -60,6 +60,7 @@ InFigurisClIMusic = \relative c'' {
 }
 \addQuote "InFigurisClIMusic" { \InFigurisClIMusic }
 
+
 InFigurisClIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
@@ -150,6 +151,7 @@ InFigurisVIMusic = \relative c'' {
 }
 \addQuote "InFigurisVIMusic" { \InFigurisVIMusic }
 
+
 InFigurisVIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
@@ -230,6 +232,7 @@ InFigurisSLyrics = \lyricmode {
   da -- tur man -- na pa -- tri -- bus.
 }
 
+
 InFigurisAMusic = \relative c' {
   R1 | % 2
   d2( g) | % 3

Eybler_LaudaSion_HV45_Music_LaudaSion.ily

 \version "2.13.1"
 
-% LaudaSionPieceName = "Lauda Sion Salvatorem"
+LaudaSionPieceName = "Lauda Sion Salvatorem"
 LaudaSionPieceNameTacet = "Lauda Sion tacet"
 LaudaSionTempo = "Allegro moderato"
 
@@ -256,6 +256,7 @@ LaudaSionTbeIMusic = \relative c'' {
 }
 \addQuote "LaudaSionTbeIMusic" { \LaudaSionTbeIMusic }
 
+
 LaudaSionTbeIIMusic = \relative c' {
   R2*8 | % 9
   e4\f e8[ e] | \barNumberCheck #10
@@ -366,6 +367,7 @@ LaudaSionCorIMusic = \relative c'' {
 }
 \addQuote "LaudaSionCorIMusic" { \LaudaSionCorIMusic }
 
+
 LaudaSionCorIIMusic = \relative c' {
   R2*8 | % 9
   e4\f e | \barNumberCheck #10
@@ -566,6 +568,7 @@ LaudaSionVIMusic = \relative c'' {
 }
 \addQuote "LaudaSionVIMusic" { \LaudaSionVIMusic }
 
+
 LaudaSionVIIMusic = \relative c' {
   <e g,>4\p c8[ g'] | % 2
   f4 d | % 3
@@ -658,6 +661,7 @@ LaudaSionVIIMusic = \relative c' {
 }
 \addQuote "LaudaSionVIIMusic" { \LaudaSionVIIMusic }
 
+
 LaudaSionVaMusic = \relative c' {
   c4.\p c8 | % 2
   d4 h | % 3
@@ -924,6 +928,7 @@ LaudaSionALyrics = \lyricmode {
   Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
 }
 
+
 LaudaSionTMusic = \relative c' {
   R2*8 | % 9
   c4.\f c8 | \barNumberCheck #10

Eybler_LaudaSion_HV45_Score_Original.ly

@@ -11,7 +11,7 @@ SClef = \clef "soprano"
 AClef = \clef "alto"
 TClef = \clef "tenor"
 
-\createNoCuesScore #"LaudaSion" #'("LongScore")
-\createNoCuesScore #"EccePanis" #'("LongScore")
-\createNoCuesScore #"InFiguris" #'("LongScore")
-\createNoCuesScore #"BonePastor" #'("LongScore")
+\createNoCuesScore #"LaudaSion" #'("OriginalScore")
+\createNoCuesScore #"EccePanis" #'("OriginalScore")
+\createNoCuesScore #"InFiguris" #'("OriginalScore")
+\createNoCuesScore #"BonePastor" #'("OriginalScore")

Haydn_LaudaSion_MH215_Music_BonePastor.ily

 \version "2.13.1"
 
 BonePastorPieceName = "Bone pastor, panis vere"
+BonePastorPieceNameTacet = "Bone pastor tacet"
 
 BonePastorKey = \key c \major
 BonePastorTimeSignature = \time 2/2
@@ -27,6 +28,7 @@ BonePastorVIMusic = \relative c'' {
 }
 \addQuote "BonePastorVIMusic" { \BonePastorVIMusic }
 
+
 BonePastorVIIMusic = \relative c' {
   e2 f4 e | % 2
   e2 e | % 3
@@ -79,6 +81,7 @@ BonePastorSLyrics = \lyricmode {
   vi -- ven -- ti -- um.
 }
 
+
 BonePastorAMusic = \relative c' {
   e2 f4( e) | % 2
   e2 e | % 3

Haydn_LaudaSion_MH215_Music_EccePanis.ily

@@ -133,6 +133,7 @@ EccePanisALyrics = \lyricmode {
   non mit -- ten -- dus ca -- ni -- bus.
 }
 
+
 EccePanisTMusic = \relative c' {
   e1 | % 2
   d | % 3

Haydn_LaudaSion_MH215_Music_InFiguris.ily

 \version "2.13.1"
 
-InFigurisPieceName = "In Figuris"
-InFigurisPieceNameTacet = "In Figuris tacet"
+InFigurisPieceName = "In figuris praesignatur"
+InFigurisPieceNameTacet = "In figuris tacet"

Haydn_LaudaSion_MH215_Music_LaudaSion.ily

 \version "2.13.1"
 
-% LaudaSionPieceName = "Lauda Sion"
+LaudaSionPieceName = "Lauda Sion Salvatorem"
 LaudaSionPieceNameTacet = "Lauda Sion tacet"
 LaudaSionTempo = "Allegro moderato"
 
@@ -67,6 +67,7 @@ LaudaSionVIMusic = \relative c'' {
 }
 \addQuote "LaudaSionVIMusic" { \LaudaSionVIMusic }
 
+
 LaudaSionVIIMusic = \relative c' {
   h4. d8 c[ a d fis] | % 2
   \grace fis8 g4 fis fis d | % 3
@@ -222,6 +223,7 @@ LaudaSionSLyrics = \lyricmode {
   quam sit dis -- par ex -- i -- tus.
 }
 
+
 LaudaSionAMusic = \relative c' {
   d4. g8 e d d fis | % 2
   \grace fis8 g4 fis d4. d8 | % 3

Makefile

 OUT=out
 
 base = Eybler_LaudaSion_HV45
-SRCS = $(base)_Music_LaudaSion.ily $(base)_Music_EccePanis.ily $(base)_Music_InFiguris.ily $(base)_Music_BonePastor.ily $(base)_Settings.ily
+SRCS = $(base)_Music_LaudaSion.ily $(base)_Music_EccePanis.ily $(base)_Music_InFiguris.ily $(base)_Music_BonePastor.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_VocalScore.ily $(base)_Settings_ChoralScore.ily $(base)_Settings_VocalVoice.ily $(base)_Settings_FullScore.ily $(base)_Settings_Instrument.ily
 instruments = Fl ClI ClII TbeI TbeII CorI CorII Tim VI VII Va S A T B Continuo VcB
 scores = Long Full Vocal Choral Original
 pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
      $(scores:%=$(OUT)/$(base)_Score_%.pdf)
 
 base2 = Haydn_LaudaSion_MH215
-SRCS2 = $(base2)_Music_LaudaSion.ily $(base2)_Settings.ily
+SRCS2 = $(base2)_Music_LaudaSion.ily $(base2)_Music_EccePanis.ily $(base2)_Music_InFiguris.ily $(base2)_Music_BonePastor.ily $(base2)_Settings_Global.ily $(base2)_Settings.ily $(base2)_Settings_VocalScore.ily $(base2)_Settings_ChoralScore.ily $(base2)_Settings_VocalVoice.ily $(base2)_Settings_FullScore.ily $(base2)_Settings_Instrument.ily
 instruments2 = VI VII S A T B Continuo
 scores2 = Full Vocal Choral Original
 pdfs2 = $(instruments2:%=$(OUT)/$(base2)_Instrument_%.pdf) \
@@ -16,7 +16,7 @@ pdfs2 = $(instruments2:%=$(OUT)/$(base2)_Instrument_%.pdf) \
 
 
 texbase = Eybler_LaudaSion
-texscores = Full Long Vocal Particell Choral Original
+texscores = Full Long Vocal Choral Original
 texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
 texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
      $(OUT)/TeX_$(texbase)_Score_Instruments.pdf

TeX_Eybler_LaudaSion_Score_Choral.tex

@@ -14,6 +14,7 @@
 \input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
 \input{TeX_Eybler_LaudaSion_Include_Preface_Long.itex}
 
+
 \basename{Eybler_LaudaSion_HV45}
 \phantomsection
 \addcontentsline{toc}{chapter}{Graduale \q{Lauda Sion Salvatorem}, HV 45}
@@ -21,7 +22,7 @@
 
 \cleardoublepage
 
-\basename{Eybler_LaudaSion_HV102}
+\basename{Haydn_LaudaSion_MH215}
 \phantomsection
 \addcontentsline{toc}{chapter}{Offertorium \q{Lauda Sion Salvatorem}, HV 102}
 \includescore{Score_Choral}

TeX_Eybler_LaudaSion_Score_Full.tex

@@ -14,6 +14,7 @@
 \input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
 \input{TeX_Eybler_LaudaSion_Include_Preface_Long.itex}
 
+
 \basename{Eybler_LaudaSion_HV45}
 \phantomsection
 \addcontentsline{toc}{chapter}{Graduale \q{Lauda Sion Salvatorem}, HV 45}
@@ -21,7 +22,7 @@
 
 \cleardoublepage
 
-\basename{Eybler_LaudaSion_HV102}
+\basename{Haydn_LaudaSion_MH215}
 \phantomsection
 \addcontentsline{toc}{chapter}{Offertorium \q{Lauda Sion Salvatorem}, HV 102}
 \includescore{Score_Full}

TeX_Eybler_LaudaSion_Score_Instruments.tex

@@ -79,10 +79,10 @@
 \cleardoublepage
 
 
-
-\basename{Eybler_LaudaSion_HV102}
+\basename{Haydn_LaudaSion_MH215}
 \phantomsection
 \addcontentsline{toc}{chapter}{Offertorium \q{Lauda Sion Salvatorem}, HV 102}
+
 \phantomsection
 \addcontentsline{toc}{section}{\ContinuoName}
 \includescore{Instrument_Continuo}
@@ -110,8 +110,6 @@
 
 
 
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
 
 \cleardoublepage
 \backmatter

TeX_Eybler_LaudaSion_Score_Long.tex

@@ -14,6 +14,7 @@
 \input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
 \input{TeX_Eybler_LaudaSion_Include_Preface_Long.itex}
 
+
 \basename{Eybler_LaudaSion_HV45}
 \phantomsection
 \addcontentsline{toc}{chapter}{Graduale \q{Lauda Sion Salvatorem}, HV 45}
@@ -21,7 +22,7 @@
 
 \cleardoublepage
 
-\basename{Eybler_LaudaSion_HV102}
+\basename{Haydn_LaudaSion_MH215}
 \phantomsection
 \addcontentsline{toc}{chapter}{Offertorium \q{Lauda Sion Salvatorem}, HV 102}
 \includescore{Score_Full}

TeX_Eybler_LaudaSion_Score_Original.tex

@@ -14,6 +14,7 @@
 \input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
 \input{TeX_Eybler_LaudaSion_Include_Preface_Long.itex}
 
+
 \basename{Eybler_LaudaSion_HV45}
 \phantomsection
 \addcontentsline{toc}{chapter}{Graduale \q{Lauda Sion Salvatorem}, HV 45}
@@ -21,7 +22,7 @@
 
 \cleardoublepage
 
-\basename{Eybler_LaudaSion_HV102}
+\basename{Haydn_LaudaSion_MH215}
 \phantomsection
 \addcontentsline{toc}{chapter}{Offertorium \q{Lauda Sion Salvatorem}, HV 102}
 \includescore{Score_Original}

TeX_Eybler_LaudaSion_Score_Vocal.tex

@@ -14,6 +14,7 @@
 \input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
 \input{TeX_Eybler_LaudaSion_Include_Preface_Long.itex}
 
+
 \basename{Eybler_LaudaSion_HV45}
 \phantomsection
 \addcontentsline{toc}{chapter}{Graduale \q{Lauda Sion Salvatorem}, HV 45}
@@ -21,10 +22,11 @@
 
 \cleardoublepage
 
-\basename{Eybler_LaudaSion_HV102}
+\basename{Haydn_LaudaSion_MH215}
 \phantomsection
 \addcontentsline{toc}{chapter}{Offertorium \q{Lauda Sion Salvatorem}, HV 102}
 \includescore{Score_Vocal}
 
+
 \input{TeX_Eybler_LaudaSion_Include_Backpage.itex}
 \end{document}

TeX_Eybler_LaudaSion_Settings.itex

+\title{Lauda Sion Salvatorem}
+\subtitle{Graduale, HV 45\\Offertorium, MH 215 (K IIa:42) / HV 102}
 \composer{Joseph Eybler}
 \composerdate{(1765-1846)}
 \composerII{Michael Haydn}
 \composerdateII{(1737-1806)}
-\title{Lauda Sion Salvatorem}
-\subtitle{Graduale, HV 45\\Offertorium, MH 215 (K IIa:42) / HV 102}
 \description{Per Coro (SATB) e Orchestra}
 \instrumentation{(Flauto, 2 Clarinetti)\\(2 Corni, 2 Trombe, Timpani)\\2 Violini, (Viola, Violoncello)\\(Contrabasso) ed Organo}
 \editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}

patches/Eybler_LaudaSion_HV45_Music_BonePastor.ily.patch

+--- Eybler_LaudaSion_HV45_Music_BonePastor.ily.new	2009-10-05 17:34:01.000000000 +0200
++++ Eybler_LaudaSion_HV45_Music_BonePastor.ily	2009-10-05 17:36:29.000000000 +0200
+@@ -2,148 +2,422 @@
+ 
+ BonePastorPieceName = "Bone pastor, panis vere"
+ BonePastorPieceNameTacet = "Bone pastor tacet"
+-BonePastorTempo = "TODO"
++BonePastorTempo = "Adagio"
+ 
+ BonePastorKey = \key c \major
+-BonePastorTimeSignature = \time 4/4
++BonePastorTimeSignature = \time 2/2
+ 
+ BonePastorSettings = \notemode {
+-  \tempo \BonePastorTempo
++  \set Score.tempoHideNote = ##t
++  \tempo \BonePastorTempo 2=70
+ }
+ 
+-
+-BonePastorFlMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorFlMusic = \relative c''' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1 | % 6
++  d1 | % 7
++  h2 g~ | % 8
++  g g | % 9
++  a g | \barNumberCheck #10
++  g g~ | % 11
++  g fis | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d4 e | % 15
++  f2 e | % 16
++  e d | % 17
++  f1 | % 18
++  e2 c4 d | % 19
++  e2 d | \barNumberCheck #20
++  c1 | % 21
++  b | % 22
++  a4 h c d | % 23
++  c2 h | \barNumberCheck #24
++  c\fermata r \bar"|."
+ }
+ \addQuote "BonePastorFlMusic" { \BonePastorFlMusic }
+ 
+-
+-BonePastorClIMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorClIMusic = \relative c'' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1 | % 6
++  d1 | % 7
++  h2 g~ | % 8
++  g g | % 9
++  a g | \barNumberCheck #10
++  g g~ | % 11
++  g fis | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d4 e | % 15
++  f2 e | % 16
++  e d | % 17
++  f1 | % 18
++  e2 c4 d | % 19
++  e2 d | \barNumberCheck #20
++  c1 | % 21
++  b1 | % 22
++  a4 h c d | % 23
++  c2 h | \barNumberCheck #24
++  c2\fermata r \bar"|."
+ }
+ \addQuote "BonePastorClIMusic" { \BonePastorClIMusic }
+ 
+ 
+ BonePastorClIIMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g g | % 4
++  g1 | % 5
++  g1 | % 6
++  g2 fis | % 7
++  g d~ | % 8
++  d d | % 9
++  f! e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g | % 14
++  g1 | % 15
++  g2 g | % 16
++  g1 | % 17
++  f2 g | % 18
++  g g4 a | % 19
++  g2 f | \barNumberCheck #20
++  e1 | % 21
++  g | % 22
++  f4 g g a | % 23
++  g2 g4 f | \barNumberCheck #24
++  e2\fermata r \bar"|."
+ }
+ \addQuote "BonePastorClIIMusic" { \BonePastorClIIMusic }
+ 
+-
+-BonePastorTbeIMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "BonePastorTbeIMusic" { \BonePastorTbeIMusic }
+-
+-
+-BonePastorTbeIIMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "BonePastorTbeIIMusic" { \BonePastorTbeIIMusic }
+-
+-
+-BonePastorCorIMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorCorIMusic = \relative c'' {
++  R1*2 | % 3
++  d1 | % 4
++  e | % 5
++  d2 r | % 6
++  R1 | % 7
++  d | % 8
++  R | % 9
++  c~  | \barNumberCheck #10
++  c | % 11
++  R1*2 | % 13
++  r2 d | % 14
++  c r | % 15
++  d e | % 16
++  e d | % 17
++  r d | % 18
++  c r | % 19
++  R1 | \barNumberCheck #20
++  c1 | % 21
++  c | % 22
++  c4 r r2 | % 23
++  e2 d | \barNumberCheck #24
++  c r \bar"|."
+ }
+ \addQuote "BonePastorCorIMusic" { \BonePastorCorIMusic }
+ 
+-
+-BonePastorCorIIMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorCorIIMusic = \relative c'' {
++  R1*2 | % 3
++  g1 | % 4
++  c1 | % 5
++  g2 r | % 6
++  R1 | % 7
++  g | % 8
++  R | % 9
++  c,~ | \barNumberCheck #10
++  c | % 11
++  R1*2 | % 13
++  r2 g' | % 14
++  e r | % 15
++  g c | % 16
++  c g | % 17
++  r g | % 18
++  e r | % 19
++  R1 | \barNumberCheck #20
++  c1 | % 21
++  c | % 22
++  c4 r r2 | % 23
++  c' g | \barNumberCheck #24
++  e r \bar"|."
+ }
+ \addQuote "BonePastorCorIIMusic" { \BonePastorCorIIMusic }
+ 
+-
+-BonePastorTimMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "BonePastorTimMusic" { \BonePastorTimMusic }
+-
+-
+-BonePastorVIMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorVIMusic = \relative c'' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1 | % 6
++  d1 | % 7
++  h2 g~ | % 8
++  g g | % 9
++  a g | \barNumberCheck #10
++  g g~ | % 11
++  g fis | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d4 e | % 15
++  f2 e | % 16
++  e d | % 17
++  f1 | % 18
++  e2 c4 d | % 19
++  e2 d | \barNumberCheck #20
++  c1 | % 21
++  b1 | % 22
++  a4 h c d | % 23
++  c2 h | \barNumberCheck #24
++  c2\fermata r \bar"|."
+ }
+ \addQuote "BonePastorVIMusic" { \BonePastorVIMusic }
+ 
+ 
+ BonePastorVIIMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g2 g | % 4
++  g1 | % 5
++  g1 | % 6
++  g2 fis | % 7
++  g d~  | % 8
++  d d | % 9
++  f! e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g | % 14
++  g1 | % 15
++  g2 g | % 16
++  g1 | % 17
++  f2 g | % 18
++  g g4 a | % 19
++  g2 f | \barNumberCheck #20
++  e1 | % 21
++  g | % 22
++  f4 g g a | % 23
++  g2 g4 f | \barNumberCheck #24
++  e2\fermata r \bar"|."
+ }
+ \addQuote "BonePastorVIIMusic" { \BonePastorVIIMusic }
+ 
+-
+-BonePastorVaMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorVaMusic = \relative c {
++  c2 e | % 2
++  g d' | % 3
++  h h | % 4
++  c1 | % 5
++  h1 | % 6
++  a | % 7
++  g | % 8
++  h2 h | % 9
++  c1 | \barNumberCheck #10
++  g2 g | % 11
++  a2 a | % 12
++  h1 | % 13
++  c2 d | % 14
++  c h4 c | % 15
++  d2 c | % 16
++  c h | % 17
++  c d | % 18
++  c c~ | % 19
++  c h | \barNumberCheck #20
++  c1 | % 21
++  e2 c | % 22
++  c4 f e d | % 23
++  e2 d | \barNumberCheck #24
++  c\fermata r \bar"|."
+ }
+ \addQuote "BonePastorVaMusic" { \BonePastorVaMusic }
+ 
+-
+-BonePastorSMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorSMusic = \relative c'' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1~ | % 6
++  d | % 7
++  h | % 8
++  g2 g | % 9
++  a g | \barNumberCheck #10
++  g g | % 11
++  g( fis) | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d4( e) | % 15
++  f2 e | % 16
++  e2 d | % 17
++  f1 | % 18
++  e2 c4 d | % 19
++  e2 d | \barNumberCheck #20
++  c1 | % 21
++  b1 | % 22
++  a4( h) c d | % 23
++  c2 h | \barNumberCheck #24
++  c\fermata r \bar"|."
+ }
+ \addQuote "BonePastorSMusic" { \BonePastorSMusic }
+ 
+ BonePastorSLyrics = \lyricmode {
+-  % TODO
++  \set stanza = "3."
++  Je -- su, no -- stri mi -- se -- re -- re,
++  tu nos pas -- ce, nos tu -- e -- re,
++  tu nos bo -- na fac vi -- de -- re
++  in ter -- ra vi -- ven -- ti -- um, 
++  in ter -- ra vi -- ven -- ti -- um.
+ }
+ 
+ 
+ BonePastorAMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g g | % 4
++  g g | % 5
++  g1( | % 6
++  g2 fis) | % 7
++  g d~  | % 8
++  d d | % 9
++  f e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g | % 14
++  g g | % 15
++  g g | % 16
++  g g | % 17
++  f( g) | % 18
++  g g4 a | % 19
++  g2 f | \barNumberCheck #20
++  e1 | % 21
++  g1 | % 22
++  f4( g) g a | % 23
++  g2 g4( f) | \barNumberCheck #24
++  e2\fermata r \bar"|."
+ }
+ \addQuote "BonePastorAMusic" { \BonePastorAMusic }
+ 
+-BonePastorALyrics = \lyricmode {
+-  % TODO
+-}
+-
++BonePastorALyrics = \BonePastorSLyrics
+ 
+ BonePastorTMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  h2 d | % 3
++  h h | % 4
++  c c | % 5
++  h1( | % 6
++  a) | % 7
++  g | % 8
++  h2 h | % 9
++  c c | \barNumberCheck #10
++  g g | % 11
++  a1 | % 12
++  h | % 13
++  c2 d | % 14
++  c h4( c) | % 15
++  d2 c | % 16
++  c h | % 17
++  c( d) | % 18
++  c2 c4 c | % 19
++  c2 h | \barNumberCheck #20
++  c1 | % 21
++  e2( c) | % 22
++  c4( f) e d | % 23
++  e2 d | \barNumberCheck #24
++  c1 \bar"|."
+ }
+ \addQuote "BonePastorTMusic" { \BonePastorTMusic }
+ 
+-BonePastorTLyrics = \lyricmode {
+-  % TODO
+-}
+-
++BonePastorTLyrics = \BonePastorSLyrics
+ 
+-BonePastorBMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorBMusic = \relative c {
++  c2 e | % 2
++  g1 | % 3
++  g | % 4
++  c,2 e | % 5
++  g1( | % 6
++  d) | % 7
++  g,1  | % 8
++  g'2 g | % 9
++  f c | \barNumberCheck #10
++  c e | % 11
++  d1 | % 12
++  g,1  | % 13
++  fis'2 f | % 14
++  e d4( c) | % 15
++  h2 c4( e) | % 16
++  g2 g, | % 17
++  a( h) | % 18
++  c2 e4 f | % 19
++  g2 gis | \barNumberCheck #20
++  a1 | % 21
++  c,2( e) | % 22
++  f4( d) e f | % 23
++  g2 g, | \barNumberCheck #24
++  c2\fermata r \bar"|."
+ }
+ \addQuote "BonePastorBMusic" { \BonePastorBMusic }
+ 
+-BonePastorBLyrics = \lyricmode {
+-  % TODO
+-}
+-
++BonePastorBLyrics = \BonePastorSLyrics
+ 
+-BonePastorContinuoMusic = \relative c' {
+-  s8
+-  % TODO
++BonePastorBCMusic = \relative c {
++  c2-. e-. | % 2
++  g1 | % 3
++  g,2 g' | % 4
++  c,2 e | % 5
++  g1 | % 6
++  d | % 7
++  g,2 g'2~ | % 8
++  g g | % 9
++  f c | \barNumberCheck #10
++  c e | % 11
++  d1 | % 12
++  g,2 g' | % 13
++  fis f | % 14
++  e d4 c | % 15
++  h2 c4 e | % 16
++  g2 g, | % 17
++  a h | % 18
++  c2 e4 f | % 19
++  g2 gis | \barNumberCheck #20
++  a2 a, | % 21
++  c2 e | % 22
++  f4 d e f | % 23
++  g2 g, | \barNumberCheck #24
++  c2\fermata r \bar"|."
++}
++\addQuote "BonePastorContinuoMusic" { \BonePastorBCMusic }
++BonePastorBCFbMusic = \figuremode {
++  \bassFigureExtendersOn
++  s1 | % 2
++  <1>2 <3> | % 3
++  <5> <5> | % 4
++  s <6> | % 5
++  <5>2 s | % 6
++  <5 4>2 <5 _+> | % 7
++  s1*2 | % 9
++  <3>2 s | \barNumberCheck #10
++  s <6> | % 11
++  <5 4> <5 _+> | % 12 % TODO: extender oder 4+???
++  s1 | % 13
++  \bassFigureExtendersOff
++  <6 5>2 <4 2> | % 14
++  <6> <8 6>4 <3> | % 15
++  <6 5>2 <3>4 <6> | % 16
++  <6 4>2 <5 3> | % 17
++  <6> <6 5> | % 18
++  s <6>4 <6> | % 19
++  <6 4>2 <7> | \barNumberCheck #20
++  s1 | % 21
++  <7->2 <6 5-> | % 22
++  s4 <6!> <6> <6> | % 23
++  <6 4>2 <5 3> | \barNumberCheck #24
++  s1
+ }
+-\addQuote "BonePastorContinuoMusic" { \BonePastorContinuoMusic }
+-
+ 
+-BonePastorVcBMusic = \relative c' {
+-  s8
+-  % TODO
+-}
++BonePastorVcBMusic = \BonePastorBCMusic
+ \addQuote "BonePastorVcBMusic" { \BonePastorVcBMusic }
+ 
+ 

patches/Eybler_LaudaSion_HV45_Music_EccePanis.ily.patch

+--- Eybler_LaudaSion_HV45_Music_EccePanis.ily.new	2009-10-05 17:34:01.000000000 +0200
++++ Eybler_LaudaSion_HV45_Music_EccePanis.ily	2009-10-05 17:25:34.000000000 +0200
+@@ -2,148 +2,363 @@
+ 
+ EccePanisPieceName = "Ecce panis Angelorum"
+ EccePanisPieceNameTacet = "Ecce panis tacet"
+-EccePanisTempo = "TODO"
++EccePanisTempo = "Adagio"
+ 
+ EccePanisKey = \key c \major
+-EccePanisTimeSignature = \time 4/4
++EccePanisTimeSignature = \time 2/2
+ 
+ EccePanisSettings = \notemode {
+-  \tempo \EccePanisTempo
++  \set Score.tempoHideNote = ##t
++  \tempo \EccePanisTempo 2=70
+ }
+ 
+-
+-EccePanisFlMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisFlMusic = \relative c''' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1 | % 6
++  d | % 7
++  h2 g~ | % 8
++  g g | % 9
++  a g | \barNumberCheck #10
++  g g | % 11
++  g fis | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d | % 15
++  d h | % 16
++  c1 | % 17
++  b2 b | % 18
++  a4( h c d) | % 19
++  e2 d | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisFlMusic" { \EccePanisFlMusic }
+ 
+-
+-EccePanisClIMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisClIMusic = \relative c'' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1 | % 6
++  d | % 7
++  h2 g~ | % 8
++  g g | % 9
++  a g | \barNumberCheck #10
++  g g | % 11
++  g fis | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d | % 15
++  c h | % 16
++  c1 | % 17
++  b2 b | % 18
++  a4( h c d) | % 19
++  e2 d | \barNumberCheck #20
++  c\fermata r \bar"|."
+ }
+ \addQuote "EccePanisClIMusic" { \EccePanisClIMusic }
+ 
+ 
+ EccePanisClIIMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g1 | % 4
++  g2 g | % 5
++  g1~ | % 6
++  g2 fis | % 7
++  g d~ | % 8
++  d d | % 9
++  f! e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g~ | % 14
++  g a | % 15
++  g f | % 16
++  e1 | % 17
++  g2 g | % 18
++  f4( g) g( a) | % 19
++  g2 g4 f | \barNumberCheck #20
++  e2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisClIIMusic" { \EccePanisClIIMusic }
+ 
+-
+-EccePanisTbeIMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "EccePanisTbeIMusic" { \EccePanisTbeIMusic }
+-
+-
+-EccePanisTbeIIMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "EccePanisTbeIIMusic" { \EccePanisTbeIIMusic }
+-
+-
+-EccePanisCorIMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisCorIMusic = \relative c'' {
++  R1*2 | % 3
++  d1 | % 4
++  e2 e | % 5
++  d r | % 6
++  R1 | % 7
++  d | % 8
++  R | % 9
++  c~  | \barNumberCheck #10
++  c | % 11
++  R1*2 | % 13
++  r2 d | % 14
++  c r | % 15
++  R1*2 | % 17
++  c2 c | % 18
++  c4 r r2 | % 19
++  e2 d | \barNumberCheck #20
++  c r\bar"|."
+ }
+ \addQuote "EccePanisCorIMusic" { \EccePanisCorIMusic }
+ 
+-
+-EccePanisCorIIMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisCorIIMusic = \relative c'' {
++  R1*2 | % 3
++  g1 | % 4
++  c2 c | % 5
++  g r | % 6
++  R1 | % 7
++  g | % 8
++  R | % 9
++  c,~ | \barNumberCheck #10
++  c | % 11
++  R1*2 | % 13
++  r2 g' | % 14
++  c, r | % 15
++  R1*2 | % 17
++  c2 c | % 18
++  c4 r r2 | % 19
++  c'2 g | \barNumberCheck #20
++  e r \bar"|."
+ }
+ \addQuote "EccePanisCorIIMusic" { \EccePanisCorIIMusic }
+ 
+-
+-EccePanisTimMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "EccePanisTimMusic" { \EccePanisTimMusic }
+-
+-
+-EccePanisVIMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisVIMusic = \relative c'' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1 | % 6
++  d | % 7
++  h2 g~ | % 8
++  g g | % 9
++  a g | \barNumberCheck #10
++  g g | % 11
++  g fis | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d | % 15
++  c h | % 16
++  c1 | % 17
++  b2 b | % 18
++  a4( h c d) | % 19
++  e2 d | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisVIMusic" { \EccePanisVIMusic }
+ 
+ 
+ EccePanisVIIMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g1 | % 4
++  g2 g | % 5
++  g1~ | % 6
++  g2 fis | % 7
++  g d~  | % 8
++  d d | % 9
++  f! e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g~ | % 14
++  g a | % 15
++  g f | % 16
++  e1 | % 17
++  g2 g | % 18
++  f4( g) g( a) | % 19
++  g2 g4 f | \barNumberCheck #20
++  e2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisVIIMusic" { \EccePanisVIIMusic }
+ 
+-
+-EccePanisVaMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisVaMusic = \relative c {
++  c2 e | % 2
++  g d' | % 3
++  h h | % 4
++  c c | % 5
++  h1 | % 6
++  a | % 7
++  g | % 8
++  h2 h | % 9
++  c c | \barNumberCheck #10
++  g g | % 11
++  a1 | % 12
++  h | % 13
++  c2 d | % 14
++  c c4 d | % 15
++  e2 d | % 16
++  c1 | % 17
++  e2 c | % 18
++  c4( f e d) | % 19
++  c2 h | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisVaMusic" { \EccePanisVaMusic }
+ 
+-
+-EccePanisSMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisSMusic = \relative c'' {
++  R1 | % 2
++  g2 h | % 3
++  d d | % 4
++  e c | % 5
++  d1~ | % 6
++  d | % 7
++  h | % 8
++  g2 g | % 9
++  a g | \barNumberCheck #10
++  g g | % 11
++  g( fis) | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d | % 15
++  c h | % 16
++  c1 | % 17
++  b2 b | % 18
++  a4( h) c( d) | % 18
++  e2 d | \barNumberCheck #20
++  c\fermata r \bar"|."
+ }
+ \addQuote "EccePanisSMusic" { \EccePanisSMusic }
+ 
+ EccePanisSLyrics = \lyricmode {
+-  % TODO
++  \set stanza = "1."
++  Fac -- tus ci -- bus vi -- a -- to -- rum: 
++  ve -- re pa -- nis fi -- li -- o -- rum,
++  non mit -- ten -- dus ca -- ni -- bus,
++  non mit -- ten -- dus ca -- ni -- bus.
+ }
+ 
+ 
+ EccePanisAMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g g | % 4
++  g g | % 5
++  g1( | % 6
++  g2 fis) | % 7
++  g d~  | % 8
++  d d | % 9
++  f e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g | % 14
++  g a | % 15
++  g f | % 16
++  e1 | % 17
++  g2 g | % 18
++  f4( g) g( a) | % 19
++  g2 g4( f) | \barNumberCheck #20
++  e2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisAMusic" { \EccePanisAMusic }
+ 
+-EccePanisALyrics = \lyricmode {
+-  % TODO
+-}
+-
++EccePanisALyrics = \EccePanisSLyrics
+ 
+ EccePanisTMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  h2 d | % 3
++  h h | % 4
++  c c | % 5
++  h1( | % 6
++  a) | % 7
++  g | % 8
++  h2 h | % 9
++  c c | \barNumberCheck #10
++  g g | % 11
++  a1 | % 12
++  h | % 13
++  c2 d | % 14
++  c c4( d) | % 15
++  e2 d | % 16
++  c1 | % 17
++  e2 c | % 18
++  c4( f) e( d) | % 19
++  c2 h | \barNumberCheck #20
++  c1 \bar"|."
+ }
+ \addQuote "EccePanisTMusic" { \EccePanisTMusic }
+ 
+-EccePanisTLyrics = \lyricmode {
+-  % TODO
+-}
+-
++EccePanisTLyrics = \EccePanisSLyrics
+ 
+-EccePanisBMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisBMusic = \relative c {
++  c2 e | % 2
++  g1 | % 3
++  g | % 4
++  c,2 e | % 5
++  g1( | % 6
++  d) | % 7
++  g,2 g'~  | % 8
++  g g | % 9
++  f c | \barNumberCheck #10
++  c e | % 11
++  d1 | % 12
++  g,2 g'( | % 13
++  fis) f | % 14
++  e f | % 15
++  g gis | % 16
++  a1 | % 17
++  c,2 e | % 18
++  f4( d) e( f) | % 19
++  g2 g, | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "EccePanisBMusic" { \EccePanisBMusic }
+ 
+-EccePanisBLyrics = \lyricmode {
+-  % TODO
+-}
+-
++EccePanisBLyrics = \EccePanisSLyrics
+ 
+-EccePanisContinuoMusic = \relative c' {
+-  s8
+-  % TODO
++EccePanisBCMusic = \relative c {
++  c2-. e-. | % 2
++  g1 | % 3
++  g,2 g' | % 4
++  c, e | % 5
++  g1 | % 6
++  d | % 7
++  g,2 g' | % 8
++  g g | % 9
++  f c | \barNumberCheck #10
++  c e | % 11
++  d1 | % 12
++  g,2 g' | % 13
++  fis f | % 14
++  e f | % 15
++  g gis | % 16
++  a1 | % 17
++  c,2 e | % 18
++  f4 d e f | % 19
++  g2 g, | \barNumberCheck #20
++  c2\fermata r \bar"|."
++}
++EccePanisBCFbMusic = \figuremode {
++  \bassFigureExtendersOn
++  s1 | % 2
++  <8>2 <3> | % 3
++  <5> <5> | % 4
++  s <6> | % 5
++  <5>2 s | % 6
++  <5 4>2 <5 _+> | % 7
++  s1*2 | % 9
++  <3>2 s | \barNumberCheck #10
++  s <6> | % 11
++  <5 4> <5 _+> | % 12 % TODO: extender oder 4+???
++  s1 | % 13
++  \bassFigureExtendersOff
++  <6 5>2 <4 2> | % 14
++  <6> <6> | % 15
++  <6 4> <7> | % 16
++  s1 | % 17
++  <7->2 <6 5-> | % 18
++  s4 <6!> <6> <6> | % 19
++  <6 4>2 <5 3> | \barNumberCheck #20
++  s1
+ }
+-\addQuote "EccePanisContinuoMusic" { \EccePanisContinuoMusic }
+-
++\addQuote "EccePanisContinuoMusic" { \EccePanisBCMusic }
+ 
+-EccePanisVcBMusic = \relative c' {
+-  s8
+-  % TODO
+-}
++EccePanisVcBMusic = \EccePanisBCMusic
+ \addQuote "EccePanisVcBMusic" { \EccePanisVcBMusic }
+ 
+ 

patches/Eybler_LaudaSion_HV45_Music_InFiguris.ily.patch

+--- Eybler_LaudaSion_HV45_Music_InFiguris.ily.new	2009-10-05 17:34:01.000000000 +0200
++++ Eybler_LaudaSion_HV45_Music_InFiguris.ily	2009-10-05 17:25:46.000000000 +0200
+@@ -2,148 +2,362 @@
+ 
+ InFigurisPieceName = "In figuris praesignatur"
+ InFigurisPieceNameTacet = "In figuris tacet"
+-InFigurisTempo = "TODO"
++InFigurisTempo = "Adagio"
+ 
+ InFigurisKey = \key c \major
+-InFigurisTimeSignature = \time 4/4
++InFigurisTimeSignature = \time 2/2
+ 
+ InFigurisSettings = \notemode {
+-  \tempo \InFigurisTempo
++  \set Score.tempoHideNote = ##t
++  \tempo \InFigurisTempo 2=70
+ }
+ 
+-
+-InFigurisFlMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisFlMusic = \relative c''' {
++  R1 | % 2
++  g4 d g h | % 3
++  d g, h d | % 4
++  e g, c e | % 5
++  d g, h d | % 6
++  d fis, a d | % 7
++  h d, g h | % 8
++  g h, d g | % 9
++  a c, e g | \barNumberCheck #10
++  g h, d g | % 11
++  g a, d fis | % 12
++  g h, d g | % 13
++  a d, h' g | % 14
++  c e a, d | % 15
++  c e, d h' | % 16
++  c g e' c | % 17
++  b c, g' b | % 18
++  a h c d | % 19
++  e g2 h,4 | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisFlMusic" { \InFigurisFlMusic }
+ 
+-
+-InFigurisClIMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisClIMusic = \relative c'' {
++  R1 | % 2
++  g4 d g h | % 3
++  d g, h d | % 4
++  e g, c e | % 5
++  d g, h d | % 6
++  d fis, a d | % 7
++  h d, g h | % 8
++  g h, d g | % 9
++  a c, e g | \barNumberCheck #10
++  g h, d g | % 11
++  a a, d fis | % 12
++  g h, d g | % 13
++  a d, h' g | % 14
++  c e a, d | % 15
++  c e, d h' | % 16
++  c g e' c | % 17
++  b c, g' b | % 18
++  a h c d | % 19
++  e g2 h,4 | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisClIMusic" { \InFigurisClIMusic }
+ 
+ 
+ InFigurisClIIMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g g | % 4
++  g2 g | % 5
++  g1~ | % 6
++  g2 fis | % 7
++  g d~ | % 8
++  d d | % 9
++  f! e | \barNumberCheck #10
++  e c | % 11
++  d1~ | % 12
++  d | % 13
++  d2 g~ | % 14
++  g a | % 15
++  g f | % 16
++  e1 | % 17
++  g2 g | % 18
++  f4 g g a | % 19
++  g2 g4 f | \barNumberCheck #20
++  e2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisClIIMusic" { \InFigurisClIIMusic }
+ 
+-
+-InFigurisTbeIMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "InFigurisTbeIMusic" { \InFigurisTbeIMusic }
+-
+-
+-InFigurisTbeIIMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "InFigurisTbeIIMusic" { \InFigurisTbeIIMusic }
+-
+-
+-InFigurisCorIMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisCorIMusic = \relative c'' {
++  R1*2 | % 3
++  d1 | % 4
++  e2 e | % 5
++  d r | % 6
++  R1 | % 7
++  d | % 8
++  R | % 9
++  c~  | \barNumberCheck #10
++  c | % 11
++  R1*2 | % 13
++  r2 d | % 14
++  c r | % 15
++  R1*2 | % 17
++  c2 c | % 18
++  c4 r r2 | % 19
++  e2 d | \barNumberCheck #20
++  c r\bar"|."
+ }
+ \addQuote "InFigurisCorIMusic" { \InFigurisCorIMusic }
+ 
+-
+-InFigurisCorIIMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisCorIIMusic = \relative c'' {
++  R1*2 | % 3
++  g1 | % 4
++  c2 c | % 5
++  g r | % 6
++  R1 | % 7
++  g | % 8
++  R | % 9
++  c, | \barNumberCheck #10
++  c | % 11
++  R1*2 | % 13
++  r2 g' | % 14
++  c, r | % 15
++  R1*2 | % 17
++  c2 c | % 18
++  c4 r r2 | % 19
++  c'2 g | \barNumberCheck #20
++  e r \bar"|."
+ }
+ \addQuote "InFigurisCorIIMusic" { \InFigurisCorIIMusic }
+ 
+-
+-InFigurisTimMusic = \relative c' {
+-  s8
+-  % TODO
+-}
+-\addQuote "InFigurisTimMusic" { \InFigurisTimMusic }
+-
+-
+-InFigurisVIMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisVIMusic = \relative c'' {
++  R1 | % 2
++  g4-. d( g h) | % 3
++  d-. g,( h d) | % 4
++  e-. g,( c e) | % 5
++  d-. g,( h d) | % 6
++  d-. fis,( a d) | % 7
++  h-. d,( g h) | % 8
++  g-. h,( d g) | % 9
++  a-. c,( e g) | \barNumberCheck #10
++  g-. h,( d g) | % 11
++  g-. a,( d fis) | % 12
++  g-. h,( d g) | % 13
++  a-. d,( h' g) | % 14
++  c( e) a,( d) | % 15
++  c e, d h' | % 16
++  c g e' c | % 17
++  b-. c,( g' b) | % 18
++  a h c d | % 19
++  e g2 h,4 | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisVIMusic" { \InFigurisVIMusic }
+ 
+ 
+ InFigurisVIIMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2 g | % 3
++  g2 g | % 4
++  g2 g | % 5
++  g1~ | % 6
++  g2 fis | % 7
++  g d~  | % 8
++  d d | % 9
++  f! e | \barNumberCheck #10
++  e c | % 11
++  d1~ | % 12
++  d | % 13
++  d2 g~ | % 14
++  g a | % 15
++  g f | % 16
++  e1 | % 17
++  g2 g | % 18
++  f4 g g a | % 19
++  g2 g4 f | \barNumberCheck #20
++  e2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisVIIMusic" { \InFigurisVIIMusic }
+ 
+-
+-InFigurisVaMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisVaMusic = \relative c {
++  c2 e | % 2
++  g d' | % 3
++  h h | % 4
++  c1 | % 5
++  h1 | % 6
++  a | % 7
++  g | % 8
++  h2 h | % 9
++  c1 | \barNumberCheck #10
++  g2 g | % 11
++  a1 | % 12
++  h | % 13
++  c2 d | % 14
++  c c4 d | % 15
++  e2 d | % 16
++  c1 | % 17
++  e2 c | % 18
++  c4 f e d | % 19
++  c2 h | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisVaMusic" { \InFigurisVaMusic }
+ 
+-
+-InFigurisSMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisSMusic = \relative c'' {
++  R1 | % 2
++  g2( h) | % 3
++  d d | % 4
++  e c | % 5
++  d1~ | % 6
++  d | % 7
++  h2 g~ | % 8
++  g2 g | % 9
++  a g | \barNumberCheck #10
++  g g | % 11
++  g( fis) | % 12
++  g1 | % 13
++  a2 h | % 14
++  c d | % 15
++  c h | % 16
++  c1 | % 17
++  b2 b | % 18
++  a4( h) c( d) | % 18
++  e2 d | \barNumberCheck #20
++  c\fermata r \bar"|."
+ }
+ \addQuote "InFigurisSMusic" { \InFigurisSMusic }
+ 
+ InFigurisSLyrics = \lyricmode {
+-  % TODO
++  \set stanza = "2."
++  Cum Isa -- ac im -- mo -- la -- tur: 
++  A -- gnus pas -- chae de -- pu -- ta -- tur: 
++  da -- tur man -- na pa -- tri -- bus, 
++  da -- tur man -- na pa -- tri -- bus.
+ }
+ 
+ 
+ InFigurisAMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  d2( g) | % 3
++  g g | % 4
++  g g | % 5
++  g1( | % 6
++  g2 fis) | % 7
++  g d~  | % 8
++  d d | % 9
++  f e | \barNumberCheck #10
++  e c | % 11
++  d1 | % 12
++  d | % 13
++  d2 g | % 14
++  g a | % 15
++  g f | % 16
++  e1 | % 17
++  g2 g | % 18
++  f4( g) g( a) | % 19
++  g2 f | \barNumberCheck #20
++  e2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisAMusic" { \InFigurisAMusic }
+ 
+-InFigurisALyrics = \lyricmode {
+-  % TODO
+-}
+-
++InFigurisALyrics = \InFigurisSLyrics
+ 
+ InFigurisTMusic = \relative c' {
+-  s8
+-  % TODO
++  R1 | % 2
++  h2( d) | % 3
++  h h | % 4
++  c c | % 5
++  h1( | % 6
++  a) | % 7
++  g | % 8
++  h2 h | % 9
++  c c | \barNumberCheck #10
++  g g | % 11
++  a1 | % 12
++  h | % 13
++  c2 d | % 14
++  c c4( d) | % 15
++  e2 d | % 16
++  c1 | % 17
++  e2 c | % 18
++  c4( f) e( d) | % 19
++  c2 h | \barNumberCheck #20
++  c1 \bar"|."
+ }
+ \addQuote "InFigurisTMusic" { \InFigurisTMusic }
+ 
+-InFigurisTLyrics = \lyricmode {
+-  % TODO
+-}
+-
++InFigurisTLyrics = \InFigurisSLyrics
+ 
+-InFigurisBMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisBMusic = \relative c {
++  c2( e) | % 2
++  g1 | % 3
++  g | % 4
++  c,2 e | % 5
++  g1( | % 6
++  d) | % 7
++  g,1   | % 8
++  g'2 g | % 9
++  f c | \barNumberCheck #10
++  c e | % 11
++  d1 | % 12
++  g,1 | % 13
++  fis'2 f | % 14
++  e f | % 15
++  g gis | % 16
++  a1 | % 17
++  c,2 e | % 18
++  f4( d) e( f) | % 19
++  g2 g, | \barNumberCheck #20
++  c2\fermata r \bar"|."
+ }
+ \addQuote "InFigurisBMusic" { \InFigurisBMusic }
+ 
+-InFigurisBLyrics = \lyricmode {
+-  % TODO
+-}
+-
++InFigurisBLyrics = \InFigurisSLyrics
+ 
+-InFigurisContinuoMusic = \relative c' {
+-  s8
+-  % TODO
++InFigurisBCMusic = \relative c {
++  c2-. e-. | % 2
++  g1 | % 3
++  g,2 g' | % 4
++  c,2 e | % 5
++  g1 | % 6
++  d | % 7
++  g, | % 8
++  g'2 g | % 9
++  f c | \barNumberCheck #10
++  c e | % 11
++  d1 | % 12
++  g, | % 13
++  fis'2 f | % 14
++  e f | % 15
++  g gis | % 16
++  a1 | % 17
++  c,2 e | % 18
++  f4 d e f | % 19
++  g2 g, | \barNumberCheck #20
++  c2\fermata r \bar"|."
++}
++\addQuote "InFigurisContinuoMusic" { \InFigurisBCMusic }
++InFigurisBCFbMusic = \figuremode {
++  \bassFigureExtendersOn
++  s1 | % 2
++  <1>2 <3> | % 3
++  <5> <5> | % 4
++  s <6> | % 5
++  <5>2 s | % 6
++  <5 4>2 <5 _+> | % 7
++  s1*2 | % 9
++  <3>2 s | \barNumberCheck #10
++  s <6> | % 11
++  <5 4> <5 _+> | % 12 % TODO: extender oder 4+???
++  s1 | % 13
++  \bassFigureExtendersOff <6 5>2 <4 2> | % 14
++  <6> <6> | % 15
++  <6 4> <7> | % 16
++  s1 | % 17
++  <7->2 <6 5-> | % 18
++  s4 <6!> <6> <6> | % 19
++  <6 4>2 <5 3> | \barNumberCheck #20
++  s1
+ }
+-\addQuote "InFigurisContinuoMusic" { \InFigurisContinuoMusic }
+-
+ 
+-InFigurisVcBMusic = \relative c' {
+-  s8
+-  % TODO
+-}
++InFigurisVcBMusic = \InFigurisBCMusic
+ \addQuote "InFigurisVcBMusic" { \InFigurisVcBMusic }
+ 
+