Commit f6b7db8b authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

Update to new template

parent a02d931d
......@@ -7,3 +7,4 @@
*.out
*.backup
TeX_*.toc
Materialien
{
"output_dir": "1042 - Eybler - Domine Deus HV42",
"version": "2.14.0",
"template": "EK_Full",
"language": "deutsch",
"additionalscores": [],
"options": ["optimal-breaking"],
"defaults": {
"title": "Domine Deus",
"subtitle": "Graduale, HV 42",
"composer": "Joseph Eybler",
"composerdate": "1765-1846",
"year": "2011",
"publisher": "Edition Kainhofer, Vienna",
"publisherurl": "http://www.edition-kainhofer.com/",
"editor": "Reinhold Kainhofer",
"editorurl": "http://reinhold.kainhofer.com/",
"editormail": "reinhold@kainhofer.com",
"scorenumber": "EK-1042",
"scoreinfo": "Urtext",
"basename": "Eybler_DomineDeus_HV42",
"instruments": [
"ObI", "ObII", "FagI", "FagII",
"TbeI", "TbeII", "TrbI", "TrbII",
"Tim",
"VI", "VII", "Va",
"S", "A", "T", "B",
"Continuo", "VcB"
],
"vocalvoices": ["SSolo", "S", "A", "T", "B"],
"noscore_instruments": ["SSolo", "S", "A", "T", "B"],
"scores": ["Full", "Vocal", "Choral"],
},
"scores": ["DomineDeus"],
"latex": {
"tex_options": ["nocolortitle"]
},
}
\version "2.13.1"
\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
\header {
instrument = \AInstrumentName
scorenumber = \markup{\scoreNumber \ANumber}
}
\createScore #"DomineDeus" #'("A")
\version "2.13.1"
\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
\header {
instrument = \BInstrumentName
scorenumber = \markup{\scoreNumber \BNumber}
}
\createScore #"DomineDeus" #'("B")
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
\header {
instrument = \SInstrumentName
scorenumber = \markup{\scoreNumber \SNumber}
}
\createScore #"DomineDeus" #'("S")
\version "2.13.1"
\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
\header {
instrument = \TInstrumentName
scorenumber = \markup{\scoreNumber \TNumber}
}
\createScore #"DomineDeus" #'("T")
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
\header {
......
\version "2.13.1"
\version "2.14.0"
DomineDeusTempo = "Allegro maestoso"
......@@ -715,7 +715,7 @@ DomineDeusVIMusic = \relative c' {
h8.[ f''16 d8. h16] g8.[ h16 d8. f16] | % 21
e4(\p g f8[\trill e f d]) | % 22
c4( e d8[\trill c d h]) | % 23
\grace {d16} c8[( h c d] e[ f g d]) | % 24
\grace {d16} c8[( h c d] e[ f g e]) | % 24
f8[(\trill e f a]) g[( f d h]) | % 25
c[(\trill h c e]) d[( c h a]) | % 26
g[( a h c] d[ e f f,]) | % 27
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_ChoralScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
......
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_FullScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
......
\version "2.13.1"
\include "Eybler_DomineDeus_HV42_Settings_FullScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
scoretype = \LongScoreTitle
scorenumber = \markup{\scoreNumber \LongScoreNumber}
}
\layout {
\context { \Staff
\override VerticalAxisGroup #'remove-empty = ##f
}
}
\createNoCuesScore #"DomineDeus" #'("LongScore")
\version "2.13.1"
#(ly:set-option 'ancient-style #t)
\include "Eybler_DomineDeus_HV42_Settings_FullScore.ily"
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
\layout {
\context { \Staff
\override VerticalAxisGroup #'remove-empty = ##f
}
}
\createNoCuesScore #"DomineDeus" #'("Tim" "Tbe" "ObLong" "FagLong" "Str" "Ch" "Organ")
\version "2.13.1"
\version "2.14.0"
\include "Eybler_DomineDeus_HV42_Settings_VocalScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
......
\version "2.14.0"
#(ly:set-option 'point-and-click #f)
\include "deutsch.ly"
......
\version "2.14.0"
\include "orchestrallily/oly_settings_choralscore.ily"
\include "Eybler_DomineDeus_HV42_Settings.ily"
\version "2.14.0"
\include "orchestrallily/oly_settings_fullscore.ily"
\include "Eybler_DomineDeus_HV42_Settings.ily"
......
\version "2.13.1"
\version "2.14.0"
\include "orchestrallily/oly_settings_names.ily"
scorenumber="EK-1042"
\header {
title = "Domine Deus"
titlepagetitle = "Domine Deus"
subtitle = "Graduale, HV 42"
titlepagesubtitle = "Graduale, HV 42"
composer = "Joseph Eybler (1765-1846)"
copyright = \markup \abs-fontsize #9 \column {
\line { "© 2010, " \concat{\with-url #"http://www.edition-kainhofer.com/" {"Edition Kainhofer, Vienna"},} \concat{\fromproperty #'header:scorenumber .} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
copyright = \markup \abs-fontsize #9 \column{
\line { 2011, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
% \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
}
}
......
\version "2.14.0"
\include "orchestrallily/oly_settings_instrument.ily"
\include "Eybler_DomineDeus_HV42_Settings.ily"
......
\version "2.14.0"
\include "orchestrallily/oly_settings_vocalscore.ily"
\include "Eybler_DomineDeus_HV42_Settings.ily"
......@@ -3,19 +3,20 @@ OUT=out
base = Eybler_DomineDeus_HV42
SRCS = $(base)_Music_DomineDeus.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_VocalScore.ily $(base)_Settings_ChoralScore.ily $(base)_Settings_VocalVoice.ily $(base)_Settings_FullScore.ily $(base)_Settings_Instrument.ily
instruments = ObI ObII FagI FagII TbeI TbeII TrbI TrbII Tim VI VII Va S A T B Continuo VcB
scores = Long Full Vocal Choral Original
scores = Full Vocal Choral
pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
$(scores:%=$(OUT)/$(base)_Score_%.pdf)
texbase = Eybler_DomineDeus_HV42
texscores = Long Full Vocal Choral Original
texscores = Full Vocal Choral
texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
$(OUT)/TeX_$(texbase)_Score_Instruments.pdf
distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(OUT)/$(base)_Score_Choral.pdf $(texpdfs)
additionalscores =
additionalscores =
.PHONY: all clean
all: $(OUT) $(instruments) $(scores) $(additionalscores) tex
......@@ -48,6 +49,20 @@ tex: $(additionalscores) latex
latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
TEXINPUTS=$(OUT):orchestrallily/:.//: latex --output-directory=$(OUT)/ $<
VocalScore: $(OUT)/$(base)_Score_Vocal.pdf $(OUT)/TeX_$(base)_Score_Vocal.pdf $(SRCS)
$(OUT)/TeX_%.pdf : TeX_%.tex
TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex --output-directory=$(OUT)/ $<
zipdir = $(base)_Final
dist: $(distfiles)
mkdir -p $(zipdir)
cp -r $(distfiles) $(zipdir)
rename 's/TeX_//' $(zipdir)/*
rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
zip -jr $(base).zip $(zipdir)
rm -rf $(zipdir)
webshop: $(distfiles)
python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1061 - Eybler - Dies sanctificatus HV6.def" $(distfiles)
\addcontentsline{toc}{section}{Vorwort / Preface}
\begin{multicols}{2}
\begin{multicols}{2}\raggedcolumns
\prefacesection{Vorwort}
Dieses vom Wiener Hofkapellmeister Josef Eybler im Jahr 1826 komponierte Graduale,
war ursprünglich gemeinsam mit der Missa St. Mauritii in C für die
Geburtstagsgala des Kaisers Franz I. und der Kaiserin Karoline Auguste
Dieses vom Wiener Hofkapellmeister Josef Eybler im Jahr 1826 komponierte Graduale,
war ursprünglich gemeinsam mit der Missa St. Mauritii in C für die
Geburtstagsgala des Kaisers Franz I. und der Kaiserin Karoline Auguste
bestimmt, die beide am 7. Februar geboren waren. Anlässlich dieser Gala komponierte
Eybler jedes Jahr eine Messe mit dem zugehörigen Graduale and tw. auch dem Offertorium.
Aufgrund einer \q{Unpässlichkeit} der Majestäten wurde die Gala 1826 jedoch -- wie auch
im Jahr davor -- nicht abgehalten und die neue Missa St. Mauritii mit dem
vorliegenden Graduale zum Fest Maria Lichtmess am Donnerstag, dem 2. Februar
1826, in der Wiener Hofburgkapelle
uraufgeführt.\footnote{Laut den Bemerkungen im Aufführungsspiegel der Wr. Hofburgkapelle,
siehe R. Steurer: {\em Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert},
Eybler jedes Jahr eine Messe mit dem zugehörigen Graduale and tw. auch dem Offertorium.
Aufgrund einer \q{Unpässlichkeit} der Majestäten wurde die Gala 1826 jedoch -- wie auch
im Jahr davor -- nicht abgehalten und die neue Missa St. Mauritii mit dem
vorliegenden Graduale zum Fest Maria Lichtmess am Donnerstag, dem 2. Februar
1826, in der Wiener Hofburgkapelle
uraufgeführt.\footnote{Laut den Bemerkungen im Aufführungsspiegel der Wr. Hofburgkapelle,
siehe R. Steurer: {\em Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert},
verlegt bei Hans Scheider, Tutzing, 1998.}
Dieses Graduale erschien erst im Jahr 1834 bei Tobias
Haslinger in Druck, gemeinsam mit der Messe in C-Dur zur Krönung
Erzherzogs Ferdinand zum König von Ungarn (HV 5) und dem Offertorium
\q{Magna et mirabilia} (HV 108). Damit ist es das letzte von Eyblers verlegten
Graduale, wurde jedoch in keiner der bekannten Musikperiodika der damaligen
Dieses Graduale erschien erst im Jahr 1834 bei Tobias
Haslinger in Druck, gemeinsam mit der Messe in C-Dur zur Krönung
Erzherzogs Ferdinand zum König von Ungarn (HV 5) und dem Offertorium
\q{Magna et mirabilia} (HV 108). Damit ist es das letzte von Eyblers verlegten
Graduale, wurde jedoch in keiner der bekannten Musikperiodika der damaligen
Zeit rezensiert.
Nach einer relativ langen Instrumentaleinleitung wechselt dieses sehr erhabene
Graduale häufig zwischen forte- und piano-Passagen, wobei die kurzen forte-Teile
Nach einer relativ langen Instrumentaleinleitung wechselt dieses sehr erhabene
Graduale häufig zwischen forte- und piano-Passagen, wobei die kurzen forte-Teile
(zu den majestätischen und kraftvollen Texten \q{justus}, \q{omnipotens}, \q{aeternus}, etc.)
geprägt sind vom punktierten Rhythmus der Streicher und majestätisch stark erklingen,
während die leisen Abschnitte (zum Text \q{et misericors} -- und barmherzig, \q{sanctifica}, etc.)
geprägt sind vom punktierten Rhythmus der Streicher und majestätisch stark erklingen,
während die leisen Abschnitte (zum Text \q{et misericors} -- und barmherzig, \q{sanctifica}, etc.)
durch gebundene Achtelläufe in den Streichern umso ausdruckstärker demütig klingen.
Besonders hervorstechend sind im Mittelteil die drei Läufe der Streicher,
welche die Hauptphrase \q{Domine Deus omnium creator} vorbereiten bzw.
Besonders hervorstechend sind im Mittelteil die drei Läufe der Streicher,
welche die Hauptphrase \q{Domine Deus omnium creator} vorbereiten bzw.
hervorheben.
Trotz eines eines kraftvollen Beginns endet dieses Graduale weich und
Trotz eines eines kraftvollen Beginns endet dieses Graduale weich und
demütig im Chor sowie in den Streichern, deren Schlussakkord im \q{perdendosi}
endet.
......@@ -41,32 +41,32 @@ endet.
\columnbreak
\prefacesection{Preface}
This gradual was composed by the
Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday
gala of both the emperor Franz I. and the emperess Karoline Auguste (both were
This gradual was composed by the
Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday
gala of both the emperor Franz I. and the emperess Karoline Auguste (both were
born on February 8). Since 1823, Eybler had composed a new mass for this occasion
every year,
mostly together with a new gradual and a new offertory. However, due to some
every year,
mostly together with a new gradual and a new offertory. However, due to some
\q{indisposition} (as the chronicles of the Hofburgkapelle states), the gala
was cancelled in 1826, like the year before. Instead, the premiere of the
Missa St. Mauritii in C (HV 4) together with this gradual \q{Domine Deus,
omnium creator} (HV 42) and the offertory \q{Magna et mirabilia} (HV 108)
took place on Thursday, February 2, 1826 -- the feast of
was cancelled in 1826, like the year before. Instead, the premiere of the
Missa St. Mauritii in C (HV 4) together with this gradual \q{Domine Deus,
omnium creator} (HV 42) and the offertory \q{Magna et mirabilia} (HV 108)
took place on Thursday, February 2, 1826 -- the feast of
Candlemas -- in the Hofburgkapelle (the chapel of the imperial palace) in Vienna.
The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph --
appeared in print only in 1834, published by Tobias
Haslinger together with the mass in C major (HV 5) for the
coronation of archduke Ferdinand as king of Hungary and the offertory
The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph --
appeared in print only in 1834, published by Tobias
Haslinger together with the mass in C major (HV 5) for the
coronation of archduke Ferdinand as king of Hungary and the offertory
\q{Magna et mirabilia} (HV 108). It is the last published gradual of Eybler and
has not been reviewed in any of the noted periodicals of its time.
Following a rather long instrumental introduction, the gradual frequently switches
Following a rather long instrumental introduction, the gradual frequently switches
between piano and forte parts. The (relatively short) forte phrases appearing with
majestic and powerful lyrics like \q{justus}, \q{omnipotens} or \q{aeternus}
are marked by a dotted rhythm in the strings, resulting in imperial power.
The piano phrases on the other hand with lyrics \q{et misericors} -- and merciful,
\q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing
The piano phrases on the other hand with lyrics \q{et misericors} -- and merciful,
\q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing
the expressive humbleness of the lyrics even further.
Despite a powerful beginning, the piece ends in a soft and suppliant style, with
......
\begin{center}
\begin{minipage}{0.5\textwidth}
\tableofcontents
\end{minipage}
\input{TeX_Eybler_DomineDeus_HV42_Include_TOC.itex}
\input{TeX_Eybler_DomineDeus_HV42_Include_Material.itex}
\vfill
\input{TeX_Eybler_DomineDeus_HV42_Include_Sources.itex}
\vfill
\end{center}
\begin{center}
\scorelistbox{
Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (-\FullScoreNumber),
\VocalScoreName{} (-\VocalScoreNumber);
\ChoralScoreName{} (-\ChoralScoreNumber),
\SName{} (-\SNumber),
\AName{} (-\ANumber),
\TName{} (-\TNumber),
\BName{} (-\BNumber);
\InstrumentsName{} (-\InstrumentsNumber),
\OrganName{} (-\OrganNumber),
\VIName{} (-\VINumber),
\VIIName{} (-\VIINumber),
\VaName{} (-\VaNumber),
\VcBName{} (-\VcBNumber),
\ObIName{} (-\ObINumber),
\ObIIName{} (-\ObIINumber),
\FagIName{} (-\FagINumber),
\FagIIName{} (-\FagIINumber),
\TbeIName{} (-\TbeINumber),
\TbeIIName{} (-\TbeIINumber),
\TrbIName{} (-\TrbINumber),
\TrbIIName{} (-\TrbIINumber),
\TimName{} (-\TimNumber).
}
\end{center}
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{hauptquellen}
\item Autographe Partitur, Archiv des Schottenstifts, Wien. A-Ws Codex 571(440)/13.
\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien. A-Whk HK.2509 Mus, 1826.
\item Graduale \textnumero7 (\q{Domine Deus}), Originalausgabe, Tobias Haslinger, Wien, 1832. Partitur (T.H.5741) und Stimmensatz (T.H.5744).
\end{hauptquellen}
\vfill
\makeatletter
\copyrightbox{© \@year, \@publisher\newline
1. Auflage / 1st Printing \@year\newline
Computersatz mit \@software\newline
Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
\input{TeX_Eybler_DomineDeus_HV42_Include_Copyrightbox.itex}
\makeatletter
\copyrightbox{© \@year, \@publisher. 1. Auflage / 1st Printing \@year\newline
\ifx\@scorenumber\@empty\else\@scorenumber\ifx\@ismn\@empty\else, \fi\fi\ifx\@ismn\@empty\else%
ISMN \@ismn\fi\newline
Computersatz mit \@software\newline
Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
\makeatother
\begin{center}
\scorelistbox{
Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (-\FullScoreNumber),
\VocalScoreName{} (-\VocalScoreNumber),
\ChoralScoreName{} (-\ChoralScoreNumber);
\InstrumentsName{} (-\InstrumentsNumber),
\OrganName{} (-\OrganNumber),
% \ContinuoName{} (-\ContinuoNumber),
\VIName{} (-\VINumber),
\VIIName{} (-\VIINumber),
\VaName{} (-\VaNumber),
\VcBName{} (-\VcBNumber),
\ObIName{} (-\ObINumber),
\ObIIName{} (-\ObIINumber),
\FagIName{} (-\FagINumber),
\FagIIName{} (-\FagIINumber),
\TbeIName{} (-\TbeINumber),
\TbeIIName{} (-\TbeIINumber),
\TrbIName{} (-\TrbINumber),
\TrbIIName{} (-\TrbIINumber),
\TimName{} (-\TimNumber).
}
\end{center}
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{hauptquellen}
\item Autographe Partitur, Archiv des Schottenstifts, Wien. A-Ws Codex 571(440)/13.
\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien. A-Whk HK.2509 Mus, 1826.
\item Graduale \textnumero7 (\q{Domine Deus}), Originalausgabe, Tobias Haslinger, Wien, 1832. Partitur (T.H.5741) und Stimmensatz (T.H.5744).
\end{hauptquellen}
\begin{center}
\begin{minipage}{0.5\textwidth}
\tableofcontents
\end{minipage}
\vfill
\vfill
\end{center}
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage[choralscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_DomineDeus_HV42_Settings.itex}
\hypersetup{
pdftitle={\scoreTitle, \ChoralScoreType},
}
\scoretype{\ChoralScoreType}
\scorenumber{\scoreNumber\ChoralScoreNumber}
\begin{document}
\input{TeX_Eybler_DomineDeus_HV42_Include_Coverpage.itex}
\input{TeX_Eybler_DomineDeus_HV42_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\ChoralScoreType{} \q{Domine Deus}, HV 42}
\includescore{Score_Choral}
\input{TeX_Eybler_DomineDeus_HV42_Include_Backpage.itex}
\end{document}
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage[fullscore]{editionkainhofer}
\usepackage[nocolortitle,fullscore]{editionkainhofer}
\input{TeX_Eybler_DomineDeus_HV42_Settings.itex}
\hypersetup{
......@@ -8,6 +8,7 @@
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
% \ismn{......}
\begin{document}
\input{TeX_Eybler_DomineDeus_HV42_Include_Coverpage.itex}
......
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage[instrumentalparts,nocolortitle]{editionkainhofer}
\usepackage[nocolortitle,instrumentalparts]{editionkainhofer}