Update to new template

.gitignore

@@ -7,3 +7,4 @@
 *.out
 *.backup
 TeX_*.toc
+Materialien

1042 - Eybler - Domine Deus HV42.def

+{
+  "output_dir": "1042 - Eybler - Domine Deus HV42",
+  "version": "2.14.0",
+  "template": "EK_Full",
+  "language": "deutsch",
+  "additionalscores": [],
+  "options": ["optimal-breaking"],
+
+  "defaults": {
+    "title": "Domine Deus",
+    "subtitle": "Graduale, HV 42",
+    "composer": "Joseph Eybler",
+    "composerdate": "1765-1846",
+
+    "year": "2011",
+    "publisher": "Edition Kainhofer, Vienna",
+    "publisherurl": "http://www.edition-kainhofer.com/",
+    "editor": "Reinhold Kainhofer",
+    "editorurl": "http://reinhold.kainhofer.com/",
+    "editormail": "reinhold@kainhofer.com",
+    "scorenumber": "EK-1042",
+    "scoreinfo": "Urtext",
+    "basename": "Eybler_DomineDeus_HV42",
+
+    "instruments": [
+        "ObI", "ObII", "FagI", "FagII",
+        "TbeI", "TbeII", "TrbI", "TrbII",
+        "Tim",
+        "VI", "VII", "Va",
+        "S", "A", "T", "B",
+        "Continuo", "VcB"
+    ],
+    "vocalvoices": ["SSolo", "S", "A", "T", "B"],
+    "noscore_instruments": ["SSolo", "S", "A", "T", "B"],
+    "scores": ["Full", "Vocal", "Choral"],
+  },
+
+  "scores": ["DomineDeus"],
+  "latex": {
+    "tex_options": ["nocolortitle"]
+  },
+}

Eybler_DomineDeus_HV42_Instrument_A.ly

-\version "2.13.1"
-\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
-
-\header {
-  instrument = \AInstrumentName
-  scorenumber = \markup{\scoreNumber \ANumber}
-}
-
-\createScore #"DomineDeus" #'("A")
-

Eybler_DomineDeus_HV42_Instrument_B.ly

-\version "2.13.1"
-\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
-
-\header {
-  instrument = \BInstrumentName
-  scorenumber = \markup{\scoreNumber \BNumber}
-}
-
-\createScore #"DomineDeus" #'("B")
-

Eybler_DomineDeus_HV42_Instrument_Continuo.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_FagI.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_FagII.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_ObI.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_ObII.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_S.ly

-\version "2.13.1"
-\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
-
-\header {
-  instrument = \SInstrumentName
-  scorenumber = \markup{\scoreNumber \SNumber}
-}
-
-\createScore #"DomineDeus" #'("S")
-

Eybler_DomineDeus_HV42_Instrument_T.ly

-\version "2.13.1"
-\include "Eybler_DomineDeus_HV42_Settings_VocalVoice.ily"
-
-\header {
-  instrument = \TInstrumentName
-  scorenumber = \markup{\scoreNumber \TNumber}
-}
-
-\createScore #"DomineDeus" #'("T")
-

Eybler_DomineDeus_HV42_Instrument_TbeI.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_TbeII.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_Tim.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_TrbI.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_TrbII.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_VI.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_VII.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_Va.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Instrument_VcB.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_Instrument.ily"
 
 \header {

Eybler_DomineDeus_HV42_Music_DomineDeus.ily

-\version "2.13.1"
+\version "2.14.0"
 
 DomineDeusTempo = "Allegro maestoso"
 
@@ -715,7 +715,7 @@ DomineDeusVIMusic = \relative c' {
   h8.[ f''16 d8. h16] g8.[ h16 d8. f16] | % 21
   e4(\p g f8[\trill e f d]) | % 22
   c4( e d8[\trill c d h]) | % 23
-  \grace {d16} c8[( h c d] e[ f g d]) | % 24
+  \grace {d16} c8[( h c d] e[ f g e]) | % 24
   f8[(\trill e f a]) g[( f d h]) | % 25
   c[(\trill h c e]) d[( c h a]) | % 26
   g[( a h c] d[ e f f,]) | % 27

Eybler_DomineDeus_HV42_Score_Choral.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_ChoralScore.ily"
 \setCreateMIDI ##t
 \setCreatePDF ##t

Eybler_DomineDeus_HV42_Score_Full.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_FullScore.ily"
 \setCreateMIDI ##t
 \setCreatePDF ##t

Eybler_DomineDeus_HV42_Score_Long.ly

-\version "2.13.1"
-\include "Eybler_DomineDeus_HV42_Settings_FullScore.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
-
-\header {
-  scoretype = \LongScoreTitle
-  scorenumber = \markup{\scoreNumber \LongScoreNumber}
-}
-
-\layout {
-  \context {  \Staff
-    \override VerticalAxisGroup #'remove-empty = ##f
-  }
-}
-
-\createNoCuesScore #"DomineDeus" #'("LongScore")

Eybler_DomineDeus_HV42_Score_Original.ly

-\version "2.13.1"
-#(ly:set-option 'ancient-style #t)
-\include "Eybler_DomineDeus_HV42_Settings_FullScore.ily"
-
-\header {
-  scoretype = \OriginalScoreTitle
-  scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
-}
-\layout {
-  \context {  \Staff
-    \override VerticalAxisGroup #'remove-empty = ##f
-  }
-}
-
-\createNoCuesScore #"DomineDeus" #'("Tim" "Tbe" "ObLong" "FagLong" "Str" "Ch" "Organ")

Eybler_DomineDeus_HV42_Score_Vocal.ly

-\version "2.13.1"
+\version "2.14.0"
 \include "Eybler_DomineDeus_HV42_Settings_VocalScore.ily"
 \setCreateMIDI ##t
 \setCreatePDF ##t

Eybler_DomineDeus_HV42_Settings.ily

+\version "2.14.0"
 #(ly:set-option 'point-and-click #f)
 
 \include "deutsch.ly"

Eybler_DomineDeus_HV42_Settings_ChoralScore.ily

+\version "2.14.0"
 \include "orchestrallily/oly_settings_choralscore.ily"
 \include "Eybler_DomineDeus_HV42_Settings.ily"

Eybler_DomineDeus_HV42_Settings_FullScore.ily

+\version "2.14.0"
 \include "orchestrallily/oly_settings_fullscore.ily"
 \include "Eybler_DomineDeus_HV42_Settings.ily"
 

Eybler_DomineDeus_HV42_Settings_Global.ily

-\version "2.13.1"
+\version "2.14.0"
+
+\include "orchestrallily/oly_settings_names.ily"
 
 scorenumber="EK-1042"
 
 \header {
   title = "Domine Deus"
+  titlepagetitle = "Domine Deus"
   subtitle = "Graduale, HV 42"
+  titlepagesubtitle = "Graduale, HV 42"
   composer = "Joseph Eybler (1765-1846)"
-  copyright = \markup \abs-fontsize #9 \column {
-    \line { "© 2010, " \concat{\with-url #"http://www.edition-kainhofer.com/" {"Edition Kainhofer, Vienna"},} \concat{\fromproperty #'header:scorenumber .} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
+  copyright = \markup \abs-fontsize #9 \column{
+      \line { 2011, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
+%       \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
   }
 }
 

Eybler_DomineDeus_HV42_Settings_Instrument.ily

+\version "2.14.0"
 \include "orchestrallily/oly_settings_instrument.ily"
 \include "Eybler_DomineDeus_HV42_Settings.ily"
 

Eybler_DomineDeus_HV42_Settings_VocalScore.ily

+\version "2.14.0"
 \include "orchestrallily/oly_settings_vocalscore.ily"
 \include "Eybler_DomineDeus_HV42_Settings.ily"

Makefile

@@ -3,19 +3,20 @@ OUT=out
 base = Eybler_DomineDeus_HV42
 SRCS = $(base)_Music_DomineDeus.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_VocalScore.ily $(base)_Settings_ChoralScore.ily $(base)_Settings_VocalVoice.ily $(base)_Settings_FullScore.ily $(base)_Settings_Instrument.ily
 instruments = ObI ObII FagI FagII TbeI TbeII TrbI TrbII Tim VI VII Va S A T B Continuo VcB
-scores = Long Full Vocal Choral Original
+scores = Full Vocal Choral
 pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
      $(scores:%=$(OUT)/$(base)_Score_%.pdf)
 
 
 texbase = Eybler_DomineDeus_HV42
-texscores = Long Full Vocal Choral Original
+texscores = Full Vocal Choral
 texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
 texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
      $(OUT)/TeX_$(texbase)_Score_Instruments.pdf
 
+distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(OUT)/$(base)_Score_Choral.pdf $(texpdfs)
 
-additionalscores = 
+additionalscores =
 
 .PHONY: all clean
 all: $(OUT) $(instruments) $(scores) $(additionalscores) tex
@@ -48,6 +49,20 @@ tex: $(additionalscores) latex
 latex: $(pdfs) $(texpdfs)
 latexpdf: $(texpdfs)
 
-$(OUT)/TeX_%.pdf : TeX_%.tex
-	TEXINPUTS=$(OUT):orchestrallily/:.//: latex --output-directory=$(OUT)/ $<
+VocalScore: $(OUT)/$(base)_Score_Vocal.pdf $(OUT)/TeX_$(base)_Score_Vocal.pdf $(SRCS)
+
 
+$(OUT)/TeX_%.pdf : TeX_%.tex
+	TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex --output-directory=$(OUT)/ $<
+
+zipdir = $(base)_Final
+dist: $(distfiles)
+	mkdir -p $(zipdir)
+	cp -r $(distfiles) $(zipdir)
+	rename 's/TeX_//' $(zipdir)/*
+	rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
+	zip -jr $(base).zip $(zipdir)
+	rm -rf $(zipdir)
+
+webshop: $(distfiles)
+	python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1061 - Eybler - Dies sanctificatus HV6.def" $(distfiles)

TeX_Eybler_DomineDeus_HV42_Include_About.itex

 \addcontentsline{toc}{section}{Vorwort / Preface}
 
-\begin{multicols}{2}
+\begin{multicols}{2}\raggedcolumns
 \prefacesection{Vorwort}
 
-Dieses vom Wiener Hofkapellmeister Josef Eybler im Jahr 1826 komponierte Graduale,
- war ursprünglich gemeinsam mit der Missa St. Mauritii in C für die
-Geburtstagsgala des Kaisers Franz I. und der Kaiserin Karoline Auguste
+Dieses vom Wiener Hofkapellmeister Josef Eybler im Jahr 1826 komponierte Graduale, 
+ war ursprünglich gemeinsam mit der Missa St. Mauritii in C für die 
+Geburtstagsgala des Kaisers Franz I. und der Kaiserin Karoline Auguste 
 bestimmt, die beide am 7. Februar geboren waren. Anlässlich dieser Gala komponierte
-Eybler jedes Jahr eine  Messe mit dem zugehörigen Graduale and tw. auch dem Offertorium.
-Aufgrund einer \q{Unpässlichkeit} der Majestäten wurde die Gala 1826 jedoch -- wie auch
-im Jahr davor -- nicht abgehalten und die neue Missa St. Mauritii mit dem
-vorliegenden Graduale zum Fest Maria Lichtmess am Donnerstag, dem 2. Februar
-1826, in der Wiener Hofburgkapelle
-uraufgeführt.\footnote{Laut den Bemerkungen im Aufführungsspiegel der Wr. Hofburgkapelle,
-siehe R. Steurer: {\em Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert},
+Eybler jedes Jahr eine  Messe mit dem zugehörigen Graduale and tw. auch dem Offertorium. 
+Aufgrund einer \q{Unpässlichkeit} der Majestäten wurde die Gala 1826 jedoch -- wie auch 
+im Jahr davor -- nicht abgehalten und die neue Missa St. Mauritii mit dem 
+vorliegenden Graduale zum Fest Maria Lichtmess am Donnerstag, dem 2. Februar 
+1826, in der Wiener Hofburgkapelle 
+uraufgeführt.\footnote{Laut den Bemerkungen im Aufführungsspiegel der Wr. Hofburgkapelle, 
+siehe R. Steurer: {\em Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert}, 
 verlegt bei Hans Scheider, Tutzing, 1998.}
 
-Dieses Graduale erschien erst im Jahr 1834 bei Tobias
-Haslinger in Druck, gemeinsam mit der Messe in C-Dur zur Krönung
-Erzherzogs Ferdinand zum König von Ungarn (HV 5) und dem Offertorium
-\q{Magna et mirabilia} (HV 108). Damit ist es das letzte von Eyblers verlegten
-Graduale, wurde jedoch in keiner der bekannten Musikperiodika der damaligen
+Dieses Graduale erschien erst im Jahr 1834 bei Tobias 
+Haslinger in Druck, gemeinsam mit der Messe in C-Dur zur Krönung 
+Erzherzogs Ferdinand zum König von Ungarn (HV 5) und dem Offertorium 
+\q{Magna et mirabilia} (HV 108). Damit ist es das letzte von Eyblers verlegten 
+Graduale, wurde jedoch in keiner der bekannten Musikperiodika der damaligen 
 Zeit rezensiert.
 
-Nach einer relativ langen Instrumentaleinleitung wechselt dieses sehr erhabene
-Graduale häufig zwischen forte- und piano-Passagen, wobei die kurzen forte-Teile
+Nach einer relativ langen Instrumentaleinleitung wechselt dieses sehr erhabene 
+Graduale häufig zwischen forte- und piano-Passagen, wobei die kurzen forte-Teile 
 (zu den majestätischen und kraftvollen Texten \q{justus}, \q{omnipotens}, \q{aeternus}, etc.)
-geprägt sind vom punktierten Rhythmus der Streicher und majestätisch stark erklingen,
-während die leisen Abschnitte (zum Text \q{et misericors} -- und barmherzig, \q{sanctifica}, etc.)
+geprägt sind vom punktierten Rhythmus der Streicher und majestätisch stark erklingen, 
+während die leisen Abschnitte (zum Text \q{et misericors} -- und barmherzig, \q{sanctifica}, etc.) 
 durch gebundene Achtelläufe in den Streichern umso ausdruckstärker demütig klingen.
-Besonders hervorstechend sind im Mittelteil die drei Läufe der Streicher,
-welche die Hauptphrase \q{Domine Deus omnium creator} vorbereiten bzw.
+Besonders hervorstechend sind im Mittelteil die drei Läufe der Streicher, 
+welche die Hauptphrase \q{Domine Deus omnium creator} vorbereiten bzw. 
 hervorheben.
 
-Trotz eines eines kraftvollen Beginns endet dieses Graduale weich und
+Trotz eines eines kraftvollen Beginns endet dieses Graduale weich und 
 demütig im Chor sowie in den Streichern, deren Schlussakkord im \q{perdendosi}
 endet.
 
@@ -41,32 +41,32 @@ endet.
 \columnbreak
 \prefacesection{Preface}
 
-This gradual was composed by the
-Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday
-gala of both the emperor Franz I. and the emperess Karoline Auguste (both were
+This gradual was composed by the 
+Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday 
+gala of both the emperor Franz I. and the emperess Karoline Auguste (both were 
 born on February 8). Since 1823, Eybler had composed a new mass for this occasion
-every year,
-mostly together with a new gradual and a new offertory. However, due to some
+every year, 
+mostly together with a new gradual and a new offertory. However, due to some 
 \q{indisposition} (as the chronicles of the Hofburgkapelle states), the gala
-was cancelled in 1826, like the year before. Instead, the premiere of the
-Missa St. Mauritii in C (HV 4) together with this gradual \q{Domine Deus,
-omnium creator} (HV 42) and the offertory \q{Magna et mirabilia} (HV 108)
-took place on Thursday, February 2, 1826 -- the feast of
+was cancelled in 1826, like the year before. Instead, the premiere of the 
+Missa St. Mauritii in C (HV 4) together with this gradual \q{Domine Deus, 
+omnium creator} (HV 42) and the offertory \q{Magna et mirabilia} (HV 108) 
+took place on Thursday, February 2, 1826 -- the feast of 
 Candlemas -- in the Hofburgkapelle (the chapel of the imperial palace) in Vienna.
 
-The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph --
-appeared in print only in 1834, published by Tobias
-Haslinger together with the mass in C major (HV 5) for the
-coronation of archduke Ferdinand as king of Hungary and the offertory
+The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph -- 
+appeared in print only in 1834, published by Tobias 
+Haslinger together with the mass in C major (HV 5) for the 
+coronation of archduke Ferdinand as king of Hungary and the offertory 
 \q{Magna et mirabilia} (HV 108). It is the last published gradual of Eybler and
 has not been reviewed in any of the noted periodicals of its time.
 
-Following a rather long instrumental introduction, the gradual frequently switches
+Following a rather long instrumental introduction, the gradual frequently switches 
 between piano and forte parts. The (relatively short) forte phrases appearing with
 majestic and powerful lyrics like \q{justus}, \q{omnipotens} or \q{aeternus}
 are marked by a dotted rhythm in the strings, resulting in imperial power.
-The piano phrases on the other hand with lyrics \q{et misericors} -- and merciful,
-\q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing
+The piano phrases on the other hand with lyrics \q{et misericors} -- and merciful, 
+\q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing 
 the expressive humbleness of the lyrics even further.
 
 Despite a powerful beginning, the piece ends in a soft and suppliant style, with

TeX_Eybler_DomineDeus_HV42_Include_ContentsMaterial.itex

-\begin{center}
-
-\begin{minipage}{0.5\textwidth}
-\tableofcontents
-\end{minipage}
+\input{TeX_Eybler_DomineDeus_HV42_Include_TOC.itex}
+\input{TeX_Eybler_DomineDeus_HV42_Include_Material.itex}
 \vfill
+\input{TeX_Eybler_DomineDeus_HV42_Include_Sources.itex}
 \vfill
-
-\end{center}
-
-
-
-\begin{center}
-
-\scorelistbox{
-Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
-
-\FullScoreName{} (-\FullScoreNumber),
-\VocalScoreName{} (-\VocalScoreNumber);
-
-\ChoralScoreName{} (-\ChoralScoreNumber),
-\SName{} (-\SNumber),
-\AName{} (-\ANumber),
-\TName{} (-\TNumber),
-\BName{} (-\BNumber);
-
-\InstrumentsName{} (-\InstrumentsNumber),
-\OrganName{} (-\OrganNumber),
-\VIName{} (-\VINumber),
-\VIIName{} (-\VIINumber),
-\VaName{} (-\VaNumber),
-\VcBName{} (-\VcBNumber),
-\ObIName{} (-\ObINumber),
-\ObIIName{} (-\ObIINumber),
-\FagIName{} (-\FagINumber),
-\FagIIName{} (-\FagIINumber),
-\TbeIName{} (-\TbeINumber),
-\TbeIIName{} (-\TbeIINumber),
-\TrbIName{} (-\TrbINumber),
-\TrbIIName{} (-\TrbIINumber),
-\TimName{} (-\TimNumber).
-}
-\end{center}
-
-\vfill
-\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
-\begin{hauptquellen}
-\item Autographe Partitur, Archiv des Schottenstifts, Wien. A-Ws Codex 571(440)/13.
-\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien. A-Whk HK.2509 Mus, 1826.
-\item Graduale \textnumero7 (\q{Domine Deus}), Originalausgabe, Tobias Haslinger, Wien, 1832. Partitur (T.H.5741) und Stimmensatz (T.H.5744).
-\end{hauptquellen}
-
-\vfill
-
-\makeatletter
-\copyrightbox{© \@year, \@publisher\newline
-1. Auflage / 1st Printing \@year\newline
-Computersatz mit \@software\newline
-Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
-
-
+\input{TeX_Eybler_DomineDeus_HV42_Include_Copyrightbox.itex}

TeX_Eybler_DomineDeus_HV42_Include_Copyrightbox.itex

+\makeatletter
+\copyrightbox{© \@year, \@publisher. 1. Auflage / 1st Printing \@year\newline
+\ifx\@scorenumber\@empty\else\@scorenumber\ifx\@ismn\@empty\else, \fi\fi\ifx\@ismn\@empty\else%
+ISMN \@ismn\fi\newline
+Computersatz mit \@software\newline
+Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
+\makeatother

TeX_Eybler_DomineDeus_HV42_Include_Material.itex

+\begin{center}
+
+\scorelistbox{
+Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
+
+\FullScoreName{} (-\FullScoreNumber),
+\VocalScoreName{} (-\VocalScoreNumber),
+\ChoralScoreName{} (-\ChoralScoreNumber);
+
+\InstrumentsName{} (-\InstrumentsNumber),
+\OrganName{} (-\OrganNumber),
+% \ContinuoName{} (-\ContinuoNumber),
+\VIName{} (-\VINumber),
+\VIIName{} (-\VIINumber),
+\VaName{} (-\VaNumber),
+\VcBName{} (-\VcBNumber),
+\ObIName{} (-\ObINumber),
+\ObIIName{} (-\ObIINumber),
+\FagIName{} (-\FagINumber),
+\FagIIName{} (-\FagIINumber),
+\TbeIName{} (-\TbeINumber),
+\TbeIIName{} (-\TbeIINumber),
+\TrbIName{} (-\TrbINumber),
+\TrbIIName{} (-\TrbIINumber),
+\TimName{} (-\TimNumber).
+
+}
+\end{center}

TeX_Eybler_DomineDeus_HV42_Include_Sources.itex

+\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
+\begin{hauptquellen}
+\item Autographe Partitur, Archiv des Schottenstifts, Wien. A-Ws Codex 571(440)/13.
+\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien. A-Whk HK.2509 Mus, 1826.
+\item Graduale \textnumero7 (\q{Domine Deus}), Originalausgabe, Tobias Haslinger, Wien, 1832. Partitur (T.H.5741) und Stimmensatz (T.H.5744).
+\end{hauptquellen}

TeX_Eybler_DomineDeus_HV42_Include_TOC.itex

+\begin{center}
+\begin{minipage}{0.5\textwidth}
+\tableofcontents
+\end{minipage}
+\vfill
+\vfill
+\end{center}

TeX_Eybler_DomineDeus_HV42_Score_Choral.tex

-\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[choralscore,nocolortitle]{editionkainhofer}
-\input{TeX_Eybler_DomineDeus_HV42_Settings.itex}
-
-\hypersetup{
-    pdftitle={\scoreTitle, \ChoralScoreType},
-}
-
-\scoretype{\ChoralScoreType}
-\scorenumber{\scoreNumber\ChoralScoreNumber}
-
-
-\begin{document}
-\input{TeX_Eybler_DomineDeus_HV42_Include_Coverpage.itex}
-\input{TeX_Eybler_DomineDeus_HV42_Include_Preface_Long.itex}
-
-
-\phantomsection
-\addcontentsline{toc}{section}{\ChoralScoreType{} \q{Domine Deus}, HV 42}
-\includescore{Score_Choral}
-
-
-\input{TeX_Eybler_DomineDeus_HV42_Include_Backpage.itex}
-\end{document}

TeX_Eybler_DomineDeus_HV42_Score_Full.tex

 \documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[fullscore]{editionkainhofer}
+\usepackage[nocolortitle,fullscore]{editionkainhofer}
 \input{TeX_Eybler_DomineDeus_HV42_Settings.itex}
 
 \hypersetup{
@@ -8,6 +8,7 @@
 
 \scoretype{\FullScoreType}
 \scorenumber{\scoreNumber\FullScoreNumber}
+% \ismn{......}
 
 \begin{document}
 \input{TeX_Eybler_DomineDeus_HV42_Include_Coverpage.itex}

TeX_Eybler_DomineDeus_HV42_Score_Instruments.tex

 \documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[instrumentalparts,nocolortitle]{editionkainhofer}
+\usepackage[nocolortitle,instrumentalparts]{editionkainhofer}