Continuo realization (Part 1), Piano Reduction (part 0.01)

Eybler_SperateInDeo_HV41_Instrument_Continuo.ly

@@ -4,7 +4,22 @@
 \header {
   instrument = \ContinuoInstrumentName
   scorenumber = \markup{\scoreNumber \ContinuoNumber}
+  arranger = "Generalbassaussetzung: R. Kainhofer"
 }
 
-\createScore #"GradualeSperateInDeo" #'("Continuo")
+\layout {
+  \context { \Staff
+    \override VerticalAxisGroup #'remove-empty = ##f
+  }
+%   \context { \Score
+%     \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
+%     \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
+%   }
+}
+% \paper {
+%   systems-per-page = #7
+%   page-count = #4
+% }
+
+\createScore #"GradualeSperateInDeo" #'("RealizedContinuo")
 

Eybler_SperateInDeo_HV41_Instrument_P.ly

+\version "2.13.1"
+\include "Eybler_SperateInDeo_HV41_Settings_Instrument.ily"
+
+\header {
+  instrument = \PInstrumentName
+  scorenumber = \markup{\scoreNumber \ONumber}
+  arranger = \markup{Klavierauszug: R. Kainhofer}
+}
+\layout {
+  \context { \Staff
+    \override VerticalAxisGroup #'remove-empty = ##f
+  }
+}
+
+\createScore #"GradualeSperateInDeo" #'("P")
+

Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily

@@ -1971,6 +1971,79 @@ GradualeSperateInDeoBCMusic = \relative c {
   c r r2 \bar"|."
 }
 
+GradualeSperateInDeoBCRealizationMusic = \relative c'' {
+  R1*24 | % 25
+  <e c g>2\f <f h, g> | % 26
+  <g e c>4 <e c g>2 <c g>4 | % 27
+  <c a g>2 <h g>4 <h f d> | % 28
+  <g e c>4 <c g e>2 <c g e>4 | % 29
+  <c a f>4 \twoVoice {<d h>8[ <e cis>] <f d>4 } { a,2 } <e' cis g>4 | \barNumberCheck #30
+  <f d a>2 <d a f>4 <a f d> | % 31
+  <h g d>  \twoVoice { <c a>8[ <d h>] <e c>4 } { g,2 }  <d' h f>4 | % 32
+  <e c g>2 r | % 33
+  <g, e c>2. <c g e>4 | % 34
+  <h g d> <d h g> <f d h g>2 | % 35
+  <e c g>4 <g e c>2 \twoVoice {<f d>8[ <e c>]} {a,4} | % 36
+  <e' c g>4 <d h g>2 <d c fis,>4 | % 37
+  \twoVoice { e4( g)  d4 e } { < h g>1 } | % 38
+  \twoVoice { d2 c4 r } {<a e>1 } | % 39
+  <a fis>4 <e' c fis,> <d h g> <c a fis> | \barNumberCheck #40
+  <h g> <d h g>2 <d h g>4 | % 41
+  <e c g>2 <fis d a> | % 42
+  <g d h>4 <e h g>2. | % 43
+  <e c g>2 <fis d a> | % 44
+  <g d h>4 <d h g>2. | % 45
+  <c a d,>1 | % 46
+  <h g d>4 <d h g> \twoVoice { e2 } {<h g>4 <h g>8[ <cis a>]} | % 47
+  <d h g>2 <d a fis> | % 48
+  <d h g>4 r4 r2 | % 49
+  R1*4 | \barNumberCheck #53
+  <g e c g>2 <fis d c g>4 <e c g> | % 54
+  \twoVoice { <e c>8[ <d h> <c a> <h g>] <h e,>[ <a f> <c a> <e f,>] } {g,2 e} | % 55
+  R1*13 | \barNumberCheck #68
+  <h' g d>2 <h g d>4 <c a fis> | % 69
+  \twoVoice { <h g>1 } { r4 d, d d } | \barNumberCheck #70
+  <h' g d>4 <h g e> <h g fis> <c a e> | % 71
+  <d h> <d h g> <d h g> <d h g> | % 72
+  <f d h g>1 | % 73
+  <e c>2 <g e c>~ | % 74
+  <g e c> <f c a>~ | % 75
+  <f d a> <f d a>~ | % 76
+  <f d h g> <e h g \parenthesize e> | % 77
+  <e c g> <e c a> | % 78
+  <e c a> <d h>4 <c e,> | % 79
+  <h f d>2 <a f dis> | \barNumberCheck #80
+  <h gis e>1 | % 81
+  <c a e> | % 82
+  <h gis e>4 r8 <h gis e>8 <h gis e>4 <h gis e>4 | % 83
+  <h gis e>4 <e h gis>4 r2 | % 84
+  R1*9 | \barNumberCheck #93
+  s1 | % 94
+  s1 | % 95
+  s1 | % 96
+  s1 | % 97
+  s1 | % 98
+  s1 | % 99
+  s1 | \barNumberCheck #100
+  s1 | % 101
+  s1 | % 102
+  s1 | % 103
+  s1 | % 104
+  R1*5 | % 109
+  s1 | \barNumberCheck #110
+  s1 | % 111
+  s1 | % 112
+  s4 r4 r2 | % 113
+  R1*4 | % 117
+  r4 s4 s2 | % 118
+  s1 | % 119
+  s1 | \barNumberCheck #120
+  s4 r r2 | % 121
+  R1 | % 122
+  r2 s2 | % 123
+  s1*2 \bar "|."
+}
+
 GradualeSperateInDeoBCFbMusic = \figuremode {
   \bassFigureExtendersOn
   s1\solo | % 2
@@ -2051,3 +2124,34 @@ GradualeSperateInDeoBCFbMusic = \figuremode {
   s2 \bassFigureExtendersOn  <6>4\tutti <6> | % 123
   s1*2 \bar "|."
 }
+
+
+
+%%% Klavierauszug:
+
+
+GradualeSperateInDeoPIMusic = \relative c' {
+  c4.\f h8[( d c f e]) | % 2
+  a2-> g4 r | % 3
+  e'4.\trill d16[ e] f8[( a, f' d]) | % 4
+  c2( \grace { d16[ c]} h4) e( | % 5
+  d4.) c8 h[ c f e] | % 6
+  e[ d cis d] d r f4( | % 7
+  e4. d8) cis8[( d a' g]) | % 8
+  f[( e g f)] e
+
+  % TODO
+}
+
+GradualeSperateInDeoPIIMusic = \relative c {
+  c4.\f h8([ d c f e]) | % 2
+  a2-> g4 r | % 3
+  r4 b a f | % 4
+  g g, g' r | % 5
+  r <c, e g> <c e g> r | % 6
+  r <c d f a> <c d f a> r | % 7
+  r h h r | % 8
+  r c c e | % 9
+
+  % TODO
+}

Eybler_SperateInDeo_HV41_Score_Original.ly

 \version "2.13.1"
+#(ly:set-option 'ancient-style #t)
 \include "Eybler_SperateInDeo_HV41_Settings_FullScore.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
 
 \header {
   scoretype = \OriginalScoreTitle
   scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
 }
-SClef = \clef "soprano"
-AClef = \clef "alto"
-TClef = \clef "tenor"
 
 \createNoCuesScore #"GradualeSperateInDeo" #'("TrbLong" "CorLong" "ObLong" "FagLong" "Str" "Ch" "Continuo")

Eybler_SperateInDeo_HV41_Settings_Global.ily

@@ -27,3 +27,7 @@ VcBInstrumentName = "Violone"
 TrbClef = \clef "alto"
 TrbIClef = \clef "alto"
 TrbIIClef = \clef "alto"
+
+SClef = \clef "soprano/treble"
+AClef = \clef "alto/treble"
+TClef = \clef "tenor/treble_8"

Makefile

@@ -2,7 +2,7 @@ OUT=out
 
 base = Eybler_SperateInDeo_HV41
 SRCS = $(base)_Music_GradualeSperateInDeo.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_VocalScore.ily $(base)_Settings_ChoralScore.ily $(base)_Settings_VocalVoice.ily $(base)_Settings_FullScore.ily $(base)_Settings_Instrument.ily
-instruments = ObI ObII FagI FagII CorI CorII TrbI TrbII Tim VI VII Va S A T B Continuo VcB
+instruments = ObI ObII FagI FagII CorI CorII TrbI TrbII Tim VI VII Va S A T B Continuo VcB P
 scores = Long Full Vocal Choral Original
 pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
      $(scores:%=$(OUT)/$(base)_Score_%.pdf)

Materialien

+../../Komponisten/Eybler/Werke/HV041 Sperate in deo/
\ No newline at end of file