Commit 9ef47cff authored by Reinhold Kainhofer's avatar Reinhold Kainhofer
Browse files

Much new stuff, KB, part-combine, layout/spacing, inames, etc.

parent 28e2fb28
\version "2.13.1"
\include "Eybler_SperateInDeo_HV41_Settings_Instrument.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
instrument = \ContinuoInstrumentName
......@@ -8,18 +10,47 @@
}
\layout {
\context { \Staff
\override VerticalAxisGroup #'remove-empty = ##f
\context {
\RemoveEmptyStaffContext
% To use the setting globally, uncomment the following line:
% \override VerticalAxisGroup #'remove-first = ##t
\remove "Instrument_name_engraver"
}
% \context { \Score
% \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
% \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
% }
}
% \paper {
% systems-per-page = #7
% page-count = #4
% \paper { page-count = #8 }
% #(set-global-staff-size 19)
% \layout {
% \context { \Staff
% \override VerticalAxisGroup #'remove-empty = ##f
% }
% % \context { \Score
% % \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
% % \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
% % }
% }
% % \paper {
% % systems-per-page = #7
% % page-count = #4
% % }
% BCRealizationExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
% ContinuoExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
% \layout {
% \context {
% \Score
% \override SpacingSpanner
% #'base-shortest-duration = #(ly:make-moment 1 8)
% }
% }
SMIDIInstrumentName = "Accoustic Grand"
AMIDIInstrumentName = "Accoustic Grand"
TMIDIInstrumentName = "Accoustic Grand"
BMIDIInstrumentName = "Accoustic Grand"
RealizedContinuoMidiInstrument = "church organ"
BCMidiInstrument = "church organ"
\createScore #"GradualeSperateInDeo" #'("RealizedContinuo")
\createScore #"GradualeSperateInDeo" #'("Ch" "RealizedContinuo")
......@@ -12,5 +12,17 @@
}
}
\layout {
\context {
\Score
\override SpacingSpanner
#'base-shortest-duration = #(ly:make-moment 1 16)
}
}
\paper {
% systems-per-page = #8
page-count = #4
}
\createScore #"GradualeSperateInDeo" #'("P")
......@@ -4,6 +4,7 @@
\header {
instrument = \TimInstrumentName
scorenumber = \markup{\scoreNumber \TimNumber}
arranger = "Pauke von unbekannter Hand"
}
\paper {
ragged-last-bottom = ##t
......
\version "2.13.1"
#(ly:set-option 'ancient-style #t)
\include "Eybler_SperateInDeo_HV41_Settings_FullScore.ily"
#(ly:set-option 'no-aux-files)
% #(ly:set-option 'ancient-style #t)
\paper{
indent=0\mm
......@@ -26,6 +28,14 @@
composer = ##f
copyright = ##f
}
\layout {
\context {
\Score
\override BarNumber #'break-visibility = #end-of-line-invisible
% \override BarNumber #'self-alignment-X = #0
barNumberVisibility = #(every-nth-bar-number-visible 20)
}
}
ObInstrumentName = \ObShortInstrumentName
ObIInstrumentName = \ObIShortInstrumentName
......@@ -38,11 +48,12 @@ TrbIInstrumentName = \TrbIShortInstrumentName
TrbIIInstrumentName = \TrbIIShortInstrumentName
VIInstrumentName = \VIShortInstrumentName
VIIInstrumentName = \VIIShortInstrumentName
VaInstrumentName = \VaShortInstrumentName
SInstrumentName = \SShortInstrumentName
AInstrumentName = \AShortInstrumentName
TInstrumentName = \TShortInstrumentName
BInstrumentName = \BShortInstrumentName
ContinuoInstrumentName = \markup{\column{ "Vc/Cb" "Org"}}
ContinuoInstrumentName = \markup{\center-column{ "Vc./Cb." "Org."}}
\paper {
indent = 0\mm
......@@ -59,17 +70,17 @@ AdditionalMeasuresSettings = \notemode {
AdditionalMeasuresObMusic = \relative c'' {
\set Score.currentBarNumber = #79
<< {\voiceOne h2 a \oneVoice } \new Voice { \voiceTwo R1 } >> | \barNumberCheck #80
<< {\voiceOne gis 1| a \oneVoice} \new Voice { \voiceTwo h1 | c } >> | % 82
<< {\voiceOne h2 a \oneVoice } \new Voice { \voiceTwo R1 } >> |\coda \barNumberCheck #80
<< {\voiceOne gis 1| a \oneVoice} \new Voice { \voiceTwo h1 | c } >> |\coda % 82
<h gis>1 | % 83
<c a>1 | % 84
<h gis>4 r8 <h gis> <h gis>4 <h gis>4 | \barNumberCheck #85
}
AdditionalMeasuresObIMusic = \relative c'' {
h2 a | \barNumberCheck #80
h2 a | \barNumberCheck #80 \coda
gis1 | % 81
a | % 82
a |\coda % 82
h1 | % 83
c1 | % 84
h4 r8 h h4 h4 | \barNumberCheck #85
......
\version "2.13.1"
#(ly:set-option 'ancient-style #t)
\include "Eybler_SperateInDeo_HV41_Settings_FullScore.ily"
#(set-global-staff-size 13)
#(ly:set-option 'ancient-style #t)
#(ly:set-option 'no-aux-files)
\paper{
......@@ -37,7 +39,7 @@ AInstrumentName = \AShortInstrumentName
TInstrumentName = \TShortInstrumentName
BInstrumentName = \BShortInstrumentName
ChInstrumentName = ##f
ContinuoInstrumentName = \markup{\column{ "Vc/Cb" "Org"}}
ContinuoInstrumentName = \markup{\center-column{ "Vc./Cb." "Org."}}
VIShortInstrumentName = ##f
SShortInstrumentName = ##f
......@@ -50,8 +52,8 @@ ContinuoShortInstrumentName = ##f
\layout {
\context {
\Score
% \override BarNumber #'break-visibility = #end-of-line-invisible
\override BarNumber #'self-alignment-X = #0
\override BarNumber #'break-visibility = #end-of-line-invisible
% \override BarNumber #'self-alignment-X = #0
barNumberVisibility = #(every-nth-bar-number-visible 2)
}
}
......@@ -71,7 +73,7 @@ FugeSettingsII = \notemode {
FugeVIMusic = \relative c'' {
\bar""
f8\repeatTie h4 d d, f!8 | % 73
f8\repeatTie h4 d d, f!8 |\coda % 73
\lvide
e, gis4 h8~ h[ gis a fis] | % 74
gis8 e4 h e g8~ | % 75
......@@ -89,7 +91,7 @@ FugeVIMusic = \relative c'' {
a8 d,4 fis a c8~ | % 87
c a4 fis d c8 | % 88
h g4 h d f8~ | \barNumberCheck #89
f h4 d d, f!8 |
f h4 d d, f!8 |\coda
\FugeSettingsII
e8 g4 e c g8 | % 74
a c4 a c f8 | % 75
......@@ -119,7 +121,7 @@ FugeSMusic = \relative c'' {
}
FugeSLyrics = \lyricmode {
-ter -- num. De -- us
-ter -- num. De -- us
% 75
nos -- ter ad -- ju -- tor.
De -- us ad -- ju -- tor, nos -- ter in ae -- ter -- num,
......@@ -146,7 +148,7 @@ FugeAMusic = \relative c'' {
h1 | \barNumberCheck #73
\FugeSettingsII
c2 r | % 74
r
r
}
FugeALyrics = \lyricmode {
......@@ -181,7 +183,7 @@ FugeTMusic = \relative c' {
FugeTLyrics = \lyricmode {
-ter -- in a -- ter -- num.
% 75
De -- us ad -- ju -- tor, nos -- ter ad -- ju -- tor in ae -- ter --
De -- us ad -- ju -- tor, nos -- ter ad -- ju -- tor in ae -- ter --
num,
De -- us nos -- ter ad -- ju -- tor
in __ ae -- ter -- num De -- us.
......@@ -206,16 +208,16 @@ FugeBMusic = \relative c' {
g1 | \barNumberCheck #73
\FugeSettingsII
c,2 r | % 74
r
r
}
FugeBLyrics = \lyricmode {
-ter --
De --
-ter --
De --
% 75
us ad -- ju -- tor nos -- ter in ae -- ter -- num.
De -- us ad -- ju -- tor,
De -- us ad -- ju -- tor,
nos -- ter ad -- ju -- tor in ae -- ter -- num,
in ae -- ter -- num.
}
......
......@@ -7,7 +7,7 @@ GradualeSperateInDeoTimeSignature = \time 2/2
GradualeSperateInDeoSettings = \notemode {
\set Score.tempoHideNote = ##t
\tempo \GradualeSperateInDeoTempo 4=85
\tempo \GradualeSperateInDeoTempo 2=80
}
GradualeSperateInDeoTimMusic = \relative c {
......@@ -67,8 +67,8 @@ GradualeSperateInDeoTimMusic = \relative c {
GradualeSperateInDeoObIMusic = \relative c'' {
R1*2 | % 3
e2(\fz f4) r | % 4
r2 r4 \cueText "Solo" e4( | % 5
d4. c8) h8[( c f e]) | % 6
\partcombineSoloI r2 r4 \cueText "Solo" e4( | % 5
\partcombineAutomatic d4. c8) h8[( c f e]) | % 6
e[( d cis d]) d r f4( | % 7
e4. d8) cis8[( d a' g]) | % 8
f[( e g f]) e r r c | % 9
......@@ -88,8 +88,8 @@ GradualeSperateInDeoObIMusic = \relative c'' {
r4 e,4(\p g c) | % 25
e2\f f4. d8 | % 26
g4 e2 c4 | % 27
g2. f4 | % 28
e g2 g4 | % 29
\partcombineApart g2. f4 | % 28
e \partcombineAutomatic g2 g4 | % 29
a4 a'2 g4 | \barNumberCheck #30
f a f d | % 31
g, g'2 f4 | % 32
......@@ -109,14 +109,14 @@ GradualeSperateInDeoObIMusic = \relative c'' {
c1 | % 46
h8[( c d e] fis[ g g, a]) | % 47
h2 a | % 48
g4 \cueText "Solo" d'4~ d8[( g h g]) | % 49
\partcombineApartOnce g4 \cueText "Solo" d'4~ d8[( g h g]) | % 49
c[( a fis d]) c[( a fis a]) | \barNumberCheck #50
h r g4~ \times 2/3 {g8[( h) d]-|} \times 2/3 {g[( h) d-|]} | % 51
\times 2/3 {d[( c) h-|]} \times 2/3 {h([ a) g]-|} \times 2/3 {g[( fis) e]-|} \times 2/3 {e[( d) c]-|} | % 52
h4 d r2 | % 53
g2\f fis4 e~ | % 54
e8[( d c h]) h[( a c e]) | % 55
g,4 r4 r2 | % 56
e8[( d c h]) \partcombineApart h[( a c e]) | % 55
g,4 \partcombineAutomatic r4 r2 | % 56
r4 h'8[(\f a]) a[( g)] g([ fis]) | % 57
fis[( e)] e([ d]) c[(\trill h c d]) | % 58
h4 d g h, | % 59
......@@ -140,17 +140,17 @@ GradualeSperateInDeoObIMusic = \relative c'' {
f h, | % 77
r e~ | % 78
e d4 c | % 79
h2 a | \barNumberCheck #80
h1 | % 81
\partcombineApart h2 a | \barNumberCheck #80
\partcombineAutomatic h1 | % 81
c | % 82
h4 r8 h h4 h | % 83
h r r2 | % 84
r2 r4 \cueText "Solo" e( | % 85
\partcombineSoloI r2 r4 \cueText "Solo" e( | % 85
d4. c8) h[( c f e]) | % 86
e[( d cis d]) d r f4( | % 87
e4. d8) cis[( d a' g]) | % 88
f[( e g f]) e r r4 | % 89
R1*3 | \barNumberCheck #92
\partcombineAutomatic R1*3 | \barNumberCheck #92
r4 g,4\p-| g( c) | % 93
a\f c2 a4 | % 94
g c e g~ | % 95
......@@ -162,16 +162,16 @@ GradualeSperateInDeoObIMusic = \relative c'' {
f!2 e4 r | % 101
r d2 e4 | % 102
g( f e d) | % 103
<< {c2} {s4 s\turn}>> e4. d8 | % 104
c4 c2 e4~-> | % 105
\partcombineApart << {c2} {s4 s\turn}>> e4. d8 | % 104
\partcombineAutomatic c4 c2 e4~-> | % 105
e f a, h | % 106
d c~ c8[(\< e g b]) | % 107
b4(\> << {a)} {s8 s\!}>> g8[( f e d]) | % 108
f4( e) \times 2/3 {r8 c[ d] } \times 2/3 { e[ f g]} | % 109
a2\fz cis,\fz | \barNumberCheck #110
d4 e f \grace {g32[ f e f]} g8[ a] | % 111
g4 r4 r2 | % 112
r4 \cueText "Solo" g4~ g8[( c h a]) | % 113
g4 \partcombineSoloII r4 r2 | % 112
r4 \cueText "Solo" \partcombineAutomatic g4~ g8[( c h a]) | % 113
g[( f e d)] c[( h a h]) | % 114
c[ e] g,4~ \times 2/3 {g8[ a h]} \times 2/3 {c[ d e]} | % 115
\times 2/3 {f[ e d] } \times 2/3 { h'[ a g] } \times 2/3 { d'[ c h] } \times 2/3 { a[ g f]} | % 116
......@@ -179,8 +179,8 @@ GradualeSperateInDeoObIMusic = \relative c'' {
g2\f f4 e | % 118
d8[( e f g]) a[( e f d]) | % 119
c4 << {c2\fz} {s4 s\turn} >> e8[( d]) | \barNumberCheck #120
c8-| \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
g4 r r2 | % 122
c8-| \partcombineSoloI \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
g4 \partcombineAutomatic r r2 | % 122
r4 g\f c e | % 123
d r g r | % 124
e r r2 \bar"|."
......@@ -279,7 +279,7 @@ GradualeSperateInDeoObIIMusic = \relative c'' {
GradualeSperateInDeoFagIMusic = \relative c' {
R1*2 | % 3
c2~\fz c4 r | % 4
\partcombineChords c2~\fz c4 \partcombineAutomatic r | % 4
e2(\p \grace {f16[ e]} d4) r | % 5
R1*11 | \barNumberCheck #16
r4 \cueText "Solo" e4~\fp e8[( d e f]) | % 17
......@@ -298,17 +298,17 @@ GradualeSperateInDeoFagIMusic = \relative c' {
c2 c'~ | % 33
c4 g' e c | % 34
g g2 g4~ | % 35
g c, e f | % 36
g d'2 c4 | % 37
g c, \partcombineApart e f | % 36
g \partcombineAutomatic d'2 c4 | % 37
h1 | % 38
a1~ | % 39
a4 fis g a | \barNumberCheck #40
h g2 g4 | % 41
g2 a | % 42
h4 g2 g4 | % 43
g2 a | % 44
h4 g2 g4 | % 45
d'1~ | % 46
h \partcombineApart g2 g4 | % 41
\partcombineAutomatic g2 a | % 42
h4 \partcombineApart g2 g4 | % 43
\partcombineAutomatic g2 a | % 44
h4 \partcombineApart g2 g4 | % 45
\partcombineAutomatic d'1~ | % 46
d4 h g h8[( cis]) | % 47
d2. c4 | % 48
h4 r r2 | \barNumberCheck #49
......@@ -319,13 +319,13 @@ GradualeSperateInDeoFagIMusic = \relative c' {
h r r g'8[(\f fis]) | % 57
fis[( e)] e[( d]) c[(\trill h c d]) | % 58
h1 | % 59
c2 e | \barNumberCheck #60
c2 \partcombineChordsOnce e | \barNumberCheck #60
d2. r4 | % 61
R1*7 | % 68
h2\f d4 c | % 69
\partcombineChordsOnce h2\f d4 c | % 69
h d d2 | \barNumberCheck #70
d4 g fis e | % 71
d d2 d4 | % 72
\partcombineChords d4 g fis e | % 71
d \partcombineAutomatic d2 \partcombineChords d4 | % 72
d1\fz | % 73
c2 r | % 74
r a~ | % 75
......@@ -338,11 +338,11 @@ GradualeSperateInDeoFagIMusic = \relative c' {
c2 a | % 82
e'4 r8 e, e4 e | % 83
e r r2 | % 84
R1*5 | % 89
r8 \cueText "Solo" g8[( fis g]) h[( c f e]) | \barNumberCheck #90
\partcombineAutomatic R1*5 | % 89
\partcombineSoloI r8 \cueText "Solo" g8[( fis g]) h[( c f e]) | \barNumberCheck #90
e[( d cis d]) d4 r | % 91
r8 g,8[( fis g]) h[( d g f]) | % 92
f[( e g f]) e4 c~ | % 93
\partcombineAutomatic f[( e g f]) e4 c~ | % 93
c\f c2 c4~ | % 94
c c2 c4 | % 95
h2 c | % 96
......@@ -353,22 +353,22 @@ GradualeSperateInDeoFagIMusic = \relative c' {
d2 e4 r | % 101
r a,2 a4 | % 102
a2 cis4( d) | % 103
g,2 h | % 104
c4 c e g | % 105
\partcombineApartOnce g,2 \partcombineChordsOnce h | % 104
c4 c e \partcombineChordsOnce g | % 105
c,2. d4 | % 106
g, e c\< c' | % 107
\partcombineApart g, e c\< c' | % 107
g'4.\> f8\! e8[( d c h!]) | % 108
d4 c e g | % 109
d4 c e \partcombineChords g | % 109
f2\fz e\fz | \barNumberCheck #110
d4 a2 a4 | % 111
d4 \partcombineAutomatic a2 a4 | % 111
c4 e2 d4 | % 112
c r r2 | % 113
R1*4 | % 117
c,2\f g'4 c4 | % 118
a8[( cis d e]) f[( cis d f]) | % 119
e4 dis(\fz e) f!( | \barNumberCheck #120
e8-|) \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
g4 r r2 | % 122
e8-|) \partcombineSoloI \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
g4 \partcombineAutomatic r r2 | % 122
r4 g'4\f e c | % 123
g r g r | % 124
c, r r2 \bar"|."
......@@ -490,7 +490,7 @@ GradualeSperateInDeoCorIMusic = \relative c'' {
e4 g2 f8[ e] | % 36
e4 d r2 | % 37
R1*3 | \barNumberCheck #40
r4 d d d | % 41
r4 d\f d d | % 41
e2 fis | % 42
g4 d d d | % 43
e2 fis | % 44
......@@ -501,7 +501,7 @@ GradualeSperateInDeoCorIMusic = \relative c'' {
c1\f | % 54
d4 r r2 | % 55
R1*3 | % 58
d2 g | % 59
d2\f g | % 59
e r | \barNumberCheck #60
R1*8 | % 68
d2\f r | % 69
......@@ -525,7 +525,7 @@ GradualeSperateInDeoCorIMusic = \relative c'' {
R1 | % 99
d2 r | \barNumberCheck #100
R1*4 | % 104
r4 c c c | % 105
r4 c\f c c | % 105
c2. r4 | % 106
r c c c | % 107
c2. r4 | % 108
......@@ -563,7 +563,7 @@ GradualeSperateInDeoCorIIMusic = \relative c' {
c4 e2 d8[ c] | % 36
c4 g r2 | % 37
R1*3 | \barNumberCheck #40
r4 g g g | % 41
r4 g\f g g | % 41
g2 d'~ | % 42
d4 g, g g | % 43
g2 d'~ | % 44
......@@ -574,7 +574,7 @@ GradualeSperateInDeoCorIIMusic = \relative c' {
c,1\f | % 54
g'4 r r2 | % 55
R1*3 | % 58
g1 | % 59
g1\f | % 59
c2 r | \barNumberCheck #60
R1*8 | % 68
g2\f r | % 69
......@@ -598,7 +598,7 @@ GradualeSperateInDeoCorIIMusic = \relative c' {
R1 | % 99
g2 r | \barNumberCheck #100
R1*4 | % 104
r4 c, c c | % 105
r4 c,\f c c | % 105
c2. r4 | % 106
r4 c c c | % 107
c2. r4 | % 108
......@@ -626,7 +626,7 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
c2\f h | % 26
c1 | % 27
c2 h4 d | % 28
c r r2 | % 29
\partcombineApartOnce c r r2 | % 29
R1 | \barNumberCheck #30
f2.\fz r4 | % 31
R1 | % 32
......@@ -644,7 +644,7 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
d4 r r2 | % 47
R1*6 | % 53
e2\f d4 c | % 54
g4 r r2 | % 55
\partcombineApartOnce g4 r r2 | % 55
R1*3 | % 58
h1\f | % 59
e1 | \barNumberCheck #60
......@@ -834,7 +834,7 @@ GradualeSperateInDeoVIMusic = \relative c' {
fis[( e]) e[( d]) c[(\trill h c d]) | % 58
h[( c d e] fis[ g a h]) | % 59
e,[( fis gis a]) h[( c e, a]) | \barNumberCheck #60
g2 \grace {a16[ g]} fis4 r | % 61
g2\dashedSlur \grace {a16[ g]} fis4) r | % 61
r h,\p h r | % 62
r c c r | % 63
r c c r | % 64
......@@ -963,7 +963,7 @@ GradualeSperateInDeoVIIMusic = \relative c' {
fis[( e)] e([ d]) c[(\trill h( c d)] | % 58
h[( c d e] fis[ g a h]) | % 59
e,[( fis gis a]) h[( c e c]) | \barNumberCheck #60
h2 \grace {c16[ h]} a4 r | % 61
h2\dashedSlur \grace {c16[ h]} a4) r | % 61
r g\p g r | % 62
r a a r | % 63
r a a r | % 64
......@@ -1849,7 +1849,7 @@ GradualeSperateInDeoVcBMusic = \relative c {
\addQuote "GradualeSperateInDeoVcBMusic" { \GradualeSperateInDeoVcBMusic }
GradualeSperateInDeoBCMusic = \relative c {
c4.\f( h8 d[ c f e]) | % 2
c4.\f h8( d[ c f e]) | % 2
a2(-> g4) r | % 3
r b a f | % 4
g g, g' r | % 5
......@@ -2030,18 +2030,19 @@ GradualeSperateInDeoBCRealizationMusic = \relative c'' {
\twoVoice {g4 f e d} {<d a>2 <cis g>4 <a f> } | % 103
<c g e>2 \twoVoice { e4. d8 } {<h g>4 <h f>} | % 104
R1*5 | % 109
s1 | \barNumberCheck #110
s1 | % 111
s1 | % 112
s4 r4 r2 | % 113
<c a f>2 <cis a e> | \barNumberCheck #110
<d a f>4 <e cis a> <f d a>2 | % 111
<g e c>4 <e c g>2 <d h f>4 | % 112
<c g e>4 r4 r2 | % 113
R1*4 | % 117
r4 s4 s2 | % 118
s1 | % 119
s1 | \barNumberCheck #120
s4 r r2 | % 121
r4 <g' e g,>4 <f h, g> <e c g> | % 118
\twoVoice { d8[ <e cis> <f d> <g e>] <a f>[ <e c> <f d> <d f,>] } { a1 } | % 119
\twoVoice { c2. e8[ d] } { <g, e>4 <fis dis> <g e> <h f> } | \barNumberCheck #120
<c e,>4 r r2 | % 121
R1 | % 122
r2 s2 | % 123
s1*2 \bar "|."
r2 <c g>4 <e c g> | % 123
<d h g>4 r <g d h g> r | % 124
<e c g> r r2 \bar "|."
}
GradualeSperateInDeoBCFbMusic = \figuremode {
......@@ -2085,7 +2086,7 @@ GradualeSperateInDeoBCFbMusic = \figuremode {
<7!> s s s | % 73
s1 | % 74
<9 7>4 <9 7> <6 3> <6 3> | % 75
<7> <7> <\markup{\tiny \hat \number 5}> <5> | % 76
<7> <7> <\markup{\tiny \hat \number 5}> <\markup{\tiny \hat \number 5}> | % 76
<9 7> <9 7> <6 3> <6 3> | % 77
<7> <7> <5> <5> | % 78
<7> <7> <6 4> <6\! 4\!> | % 79
......@@ -2130,28 +2131,161 @@ GradualeSperateInDeoBCFbMusic = \figuremode {
%%% Klavierauszug:
GradualeSperateInDeoPCuesMusic = \notemode {
\cueText "Archi" s1*2 | % 3
\cueText "Tutti" s1 | % 3
s2. \cueText "Ob.1 Solo, Archi" s4 | % 4
}
GradualeSperateInDeoPIMusic = \relative c' {
c4.\f h8[( d c f e]) | % 2
a2-> g4 r | % 3
c4. h8[( d c f e]) | % 2
a2->( g4) r | % 3
e'4.\trill d16[ e] f8[( a, f' d]) | % 4
c2( \grace { d16[ c]} h4) e( | % 5
d4.) c8 h[ c f e] | % 6
e[ d cis d] d r f4( | % 7
e4. d8) cis8[( d a' g]) | % 8
f[( e g f)] e
<c e,>2( \grace { d16[ c]} <h d,>4) <e g,>( | % 5
<d f,>4. <c e,>8) h[( c f e]) | % 6
e[( d cis d]) d r <f d>4( | % 7
<e g,>4. <d f,>8) cis8[( d <a' f> <g e>]) | % 8
<f d>[( <e c> <g e> <f d>)] <e c>8 r r c | % 9
c[ a'] a2 h4~ | \barNumberCheck #10
h8[( c d e]) d[( c h a]) | % 11
g2 f8[( e f g]) | % 12
<e c> fis8[( g]) dis[( e]) h[( c e]) | % 13
a,4 \twoVoice { a'2 g4 } { h,8[\( cis] \acciaccatura e8 d[ cis d e]\) } | % 14
f8 gis[( a]) e[( f]) cis[( d f]) | % 14
g,4 \twoVoice { g'2 f4 } { a,8[ h] c[^\trill h c d] } | % 16
e8[( d e f]) g4 \twoVoice { r4 } { s4 } | % 17
<g, e>2~ \twoVoice { g8[( c e c]) } {e,2} | % 18
\twoVoice { h'8[ d] f2 d4 } { <g, d>2 <d' f,>2 } | % 19
e8[( g c8.) <h g>16] <a f>8.[ <g e>16 <f d>8. <e c>16] | \barNumberCheck #20
<e c>2( \grace { f16[ e] } <d h>4) r | % 21
r8 g,8[( fis g]) h[( c f e]) | % 22
e[( d cis d]) f,[ a d f] | % 23
r g,[ fis g] h[ d g f] | % 24
f8[( e g f]) e[ c g e] | % 25
c8 <e'g,>4 <c e,>8 <h d,> <f' h,>4 d8 | % 26
<c g>8 <e c>4 <g e>8~ <g e>8[ <e c> <c g> <g e>] | % 27
<g c, a>8 <g c a>4 <c, a>8 h <d h>4 <f d>8 | % 28
<e c>8-| fis'8[( g]) dis[( e]) h[( c e]) | % 29
a,8[-| a( h cis]) d[( cis d e]) | \barNumberCheck #30
\twoVoice { f8-| gis8[( a]) e[( f]) cis[( d f]) } { d4 f a, f } | % 31
g8[-| g( a h]) c[( h c d]) | % 32
\twoVoice { e[( d e f]) g[( e c g]) } { <g c>2. r4 } | % 33
\repeat unfold 2 { s1 } | \barNumberCheck #35
\twoVoice { e'8[( g c8. d16]) } { c,4 <e g> } <a, a'>8.[ <g g'>16 <f f'>8. <e e'>16] | % 36
<e e'>8[ <g e'> <h d> <h d>] <d, h'>8[ <g h> <fis c'> a] | % 37
\repeat unfold 11 { s1 } | \barNumberCheck #48
s4^"TODO"
d4~ d8[ g h g] | % 49
c[ g fis d] c[ a fis a] | \barNumberCheck #50
h8 r g4~ \times 2/3 {g8[ h d]} \times 2/3 {g[ h d]} | % 51
% TODO
\repeat unfold 5 { s1 } | \barNumberCheck #56
s4
<h g>8[(\f <a fis>]) <a fis>[( <g e>]) <g e>[( <fis d>]) | % 57
<fis d>[( <e c>]) <e c>[( <d h>]) \twoVoice { c8[(\trill h c d]) } {a4 a } | % 58
h8[( c d e] fis[ g a h]) | % 59
e,[( fis gis a]) <h e,>[( <c c,> <e, a,> <a c,>]) | \barNumberCheck #60