Commit 4d626a8a authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

Vergleich mit HS1, HS2; KritBer fertig; Nur Vgl mit Autograph und Vorwort fehlt noch

parent d13fb177
......@@ -9,3 +9,7 @@
*.backup
Images/
Scans_*/
Handschrift*/
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures-1.*
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures-systems.*
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.eps
\version "2.13.1"
\include "Eybler_Graduale_SperateInDeo_HV41_Settings_FullScore.ily"
% #(ly:set-option 'clip-systems)
% #(set! output-count 1)
\paper {
ragged-right = ##t
ragged-bottom = ##t
ragged-last-bottom = ##t
between-system-space = 0.4\cm
between-system-padding = 1\cm
tagline = \markup\null
copyright = \markup\null
}
\header {
title = #f
subtitle = #f
composer = #f
copyright = #f
}
ObInstrumentName = \ObShortInstrumentName
ObIInstrumentName = \ObIShortInstrumentName
ObIIInstrumentName = \ObIIShortInstrumentName
FagInstrumentName = \FagShortInstrumentName
FagIInstrumentName = \FagIShortInstrumentName
FagIIInstrumentName = \FagIIShortInstrumentName
TrbInstrumentName = \TrbShortInstrumentName
TrbIInstrumentName = \TrbIShortInstrumentName
TrbIIInstrumentName = \TrbIIShortInstrumentName
VIInstrumentName = \VIShortInstrumentName
VIIInstrumentName = \VIIShortInstrumentName
SInstrumentName = \SShortInstrumentName
AInstrumentName = \AShortInstrumentName
TInstrumentName = \TShortInstrumentName
BInstrumentName = \BShortInstrumentName
ContinuoInstrumentName = \markup{\column{ "Vc/Cb" "Org"}}
\include "lilypond-book-preamble.ly"
\paper {
indent = 0\mm
% line-width = 160\mm - 2.0 * 0.4\in
ragged-right = ##t
% force-assignment = #""
% line-width = #(- line-width (* mm 3.000000))
}
#(define inside-lilypond-book #f)
\layout {
\context {
\Staff
\revert VerticalAxisGroup #'minimum-Y-extent
}
}
\layout {
% Each clip-region is a (START . END) pair
% where both are rhythmic-locations.
% (make-rhythmic-locations BAR-NUMBER NUM DEN)
% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
%
clip-regions = #(list
(cons
(make-rhythmic-location 0 0 1)
(make-rhythmic-location 6 0 1))
)
}
AdditionalMeasuresKey = \key c \major
AdditionalMeasuresTimeSignature = \time 2/2
AdditionalMeasuresSettings = \notemode {
\set Score.currentBarNumber = #79
}
AdditionalMeasuresObMusic = \relative c'' {
<< {\voiceOne h2 a \oneVoice } \new Voice { \voiceTwo R1 } >> | \barNumberCheck #80
<gis h>1 | % 81
<a c> | % 82
<h gis>1 | % 83
<c a>1 | % 84
<h gis>4 r8 <h gis> <h gis>4 <h gis>4 | % 85
}
AdditionalMeasuresObIMusic = \relative c'' {
h2 a | \barNumberCheck #80
gis1 | % 81
a | % 82
h1 | % 83
c1 | % 84
h4 r8 h h4 h4 | % 85
}
AdditionalMeasuresObIIMusic = \relative c'' {
R1 | \barNumberCheck #80
h1 | % 81
c | % 82
gis | % 83
a | % 84
gis4 r8 gis gis4 gis |
}
AdditionalMeasuresFagIMusic = \relative c {
f'2 dis | \barNumberCheck #80
e1 | % 81
c2 a | % 82
e'1 | % 83
c2 a | % 84
e'4 r8 e, e4 e | % 85
}
AdditionalMeasuresFagIIMusic = \relative c {
d2 f | \barNumberCheck #80
e1 | % 81
c2 a | % 82
e'1 | % 83
c2 a | % 84
e'4 r8 e, e4 e | % 85
}
AdditionalMeasuresTrbIMusic = \relative c' {
f2 a | \barNumberCheck #80
gis1 |
g |
gis1 |
g |
gis4 r8 e e4 e |
}
AdditionalMeasuresTrbIIMusic = \relative c' {
d2 a | \barNumberCheck #80
h1 |
c |
h |
c |
h4 r8 e,8 e4 e |
}
AdditionalMeasuresVIMusic = \relative c' {
f8 h4 d8 a a'4 a,8 | \barNumberCheck #80
gis8 h4 e h gis8 | % 81
a c4 e c a8 | % 82
gis8 h4 e gis h8 | % 83
a, c4 e a c8 | % 84
h[ e h gis] e[ e h gis] |
}
AdditionalMeasuresVIIMusic = \relative c' {
f8 h4 d8 a a'4 a,8 | \barNumberCheck #80
gis8 e'4 h gis e8~ | % 81
e e'4 c a e8~ | % 82
e8 gis4 h e e,8~ | % 83
e a4 c e a8 | % 84
gis[ e h' gis] e[ e h gis] |
}
AdditionalMeasuresVaMusic = \relative c' {
d4 f a dis, | \barNumberCheck #80
e4 h gis h | % 81
a a' e c | % 82
e e gis e | % 83
a e a c | % 84
e8[ e h gis] e[ e h gis] |
}
AdditionalMeasuresSMusic = \relative c'' {
h2 a |
e'1~ |
e~ |
e~ |
e |
e,2 r |
}
AdditionalMeasuresSLyrics = \lyricmode {
in ae -- ter -- num.
}
AdditionalMeasuresAMusic = \relative c' {
f2 c |
e1~ |
e~ |
e~ |
e |
e2 r |
}
AdditionalMeasuresALyrics = \AdditionalMeasuresSLyrics
AdditionalMeasuresTMusic = \relative c' {
d2 dis |
e1~ |
e~ |
e~ |
e |
e,2 r |
}
AdditionalMeasuresTLyrics = \AdditionalMeasuresSLyrics
AdditionalMeasuresBMusic = \relative c {
d2 f |
e1~ |
e~ |
e~ |
e |
e2 r |
}
AdditionalMeasuresBLyrics = \AdditionalMeasuresSLyrics
AdditionalMeasuresVcBMusic = \relative c {
\bassFigureExtendersOn
d,4 d' f, f' |
e,4 e' d e |
c e a c |
e, e'd e |
c e c a |
e' r r8 e8[-| h-| gis]-| |
}
AdditionalMeasuresBCMusic = \AdditionalMeasuresVcBMusic
AdditionalMeasuresBCFbMusic = \figuremode {
<6>2 <6\\>2 |
<_+>4 <_+> <_+> <_+> |
<6> s s s |
<_+> s s s |
<6> s s s |
<_+> s s s |
}
% \createScore #"AdditionalMeasures" #'("TrbLong" "CorLong" "ObLong" "FagLong" "Str" "Ch" "Continuo")
% \createScore #"AdditionalMeasures" #'("Trb" "Cor" "Ob" "Fag" "Str" "Ch" "Continuo")
#(oly:modify_score_structure '("Ob" "Staff" ()))
% #(oly:modify_score_structure '("Org" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass")))
% \createScore #"AdditionalMeasures" #'("LongScore")
\createScore #"AdditionalMeasures" #'("FullScore")
......@@ -77,7 +77,7 @@ GradualeSperateInDeoObIMusic = \relative c'' {
g2 f8\trill([ e f g]) | % 12
e4 r r c | % 13
a h8[( cis] \slashedGrace { e8} d[ cis d e]) | % 14
f[-| gis( a) e]( f[) cis( d f]) | % 15
f-| gis[( a]) e[( f]) cis[( d f]) | % 15
g,4 a8[ h] c8[(\trill h c d]) | % 16
e[(\trill d e f]) g4 r | % 17
g,2~ g8[( c e c)] | % 18
......@@ -179,7 +179,7 @@ GradualeSperateInDeoObIMusic = \relative c'' {
g2\f f4 e | % 118
d8[( e f g]) a[( e f d]) | % 119
c4 << {c2\fz} {s4 s\turn} >> e8[( d]) | \barNumberCheck #120
c8[-| \cueText "Solo" fis8( g) dis]( e[) h( c a]) | % 121
c8-| \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
g4 r r2 | % 122
r4 g\f c e | % 123
d r g r | % 124
......@@ -367,7 +367,7 @@ GradualeSperateInDeoFagIMusic = \relative c' {
c,2\f g'4 c4 | % 118
a8[( cis d e]) f[( cis d f]) | % 119
e4 dis(\fz e) f | \barNumberCheck #120
e8[-| \cueText "Solo" fis8( g) dis]( e[) h( c a]) | % 121
e8-| \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
g4 r r2 | % 122
r4 g'4\f e c | % 123
g r g r | % 124
......@@ -634,7 +634,7 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
d1\fz | % 35
e4 r r2 | % 36
R1*4 | \barNumberCheck #40
r4 d d d | % 41
r4 d\f d d | % 41
e2 d2~ | % 42
d4 d d d | % 43
e2 d | % 44
......@@ -645,7 +645,7 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
e2\f d4 c | % 54
g4 r r2 | % 55
R1*3 | % 58
h1 | % 59
h1\f | % 59
e1 | \barNumberCheck #60
d4 r r2 | % 61
R1*7 | % 68
......@@ -674,7 +674,7 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
r4 e2 fis4 | % 99
g r r2 | \barNumberCheck #100
R1*2 | % 102
r4 f4( e d) | % 103
r4 f4(\f e d) | % 103
c2 h | % 104
c4 c c c | % 105
c2~ c4 r | % 106
......@@ -712,7 +712,7 @@ GradualeSperateInDeoTrbIIMusic = \relative c' {
g1\fz | % 35
c4 r r2 | % 36
R1*4 | \barNumberCheck #40
r4 g g g | % 41
r4 g\f g g | % 41
g2 a | % 42
h4 g g g | % 43
g2 a | % 44
......@@ -723,7 +723,7 @@ GradualeSperateInDeoTrbIIMusic = \relative c' {
c,1\f | % 54
g'4 r r2 | % 55
R1*3 | % 58
g1 | % 59
g1\f| % 59
c | \barNumberCheck #60
d,4 r r2 | % 61
R1*7 | % 68
......@@ -752,7 +752,7 @@ GradualeSperateInDeoTrbIIMusic = \relative c' {
r4 a2 c4 | % 99
h r r2 | \barNumberCheck #100
R1*2 | % 102
r4 a4( g f) | % 103
r4 a4(\f g f) | % 103
e2 g | % 104
e4 c c c | % 105
c2~ c4 r | % 106
......@@ -784,7 +784,7 @@ GradualeSperateInDeoVIMusic = \relative c' {
r a a h~ | \barNumberCheck #10
h8[( c d e] d[ c h a]) | % 11
g2( a4 h) | % 12
c8-|[ fis8( g) dis]( e[) h( c e]) | % 13
c8-| fis8[( g)] dis[( e]) h[( c e]) | % 13
a,4 a'2 g4 | % 14
f r r d | % 15
g, g'2 f4 | % 16
......@@ -800,9 +800,9 @@ GradualeSperateInDeoVIMusic = \relative c' {
c\f e'4 c8 h f'4 d8 | % 26
c8 e4 g8~ g[ e c g] | % 27
g a,4 c8 h d4 f8 | % 28
e8[-| fis'( g) dis]( e[) h( c e]) | % 29
e8-| fis'[( g]) dis[( e]) h[( c e]) | % 29
a,[-| a( h cis]) d[(\trill cis d e]) | \barNumberCheck #30
f[-| gis( a) e]( f[) cis( d f]) | % 31
f-| gis[( a]) e[( f]) cis[( d f]) | % 31
g,-|[ g( a h]) c[(\trill h c d]) | % 32
e[(\trill d e f]) g[( e c g]) | % 33
e[( c e g]) c[( g e' c]) | % 34
......@@ -912,7 +912,7 @@ GradualeSperateInDeoVIIMusic = \relative c' {
r c( f d) | \barNumberCheck #10
g r r2 | % 11
r4 g( f d) | % 12
c8[ fis( g) dis]( e[) h( c e]) | % 13
c8-| fis[( g]) dis[( e]) h[( c e]) | % 13
a,4 a'2 a4 | % 14
a r r f8[( d]) | % 15
h4 g'2 g4 | % 16
......@@ -928,9 +928,9 @@ GradualeSperateInDeoVIIMusic = \relative c' {
c8\f g'4 e8 d h'4 d8 | % 26
g,8 c4 e8~ e[ c g e] | % 27
c g'4 a,8 h h4 d8 | % 28
c8[-| fis( g) dis]( e[) h( c e]) | % 29
c8-| fis[( g]) dis[( e]) h[( c e]) | % 29
a,8[-| a( h cis]) d[(\trill cis d e]) | \barNumberCheck #30
f[-| gis( a) e]( f[) cis( d f]) | % 31
f-| gis[( a]) e[( f]) cis[( d f]) | % 31
g,8[-| g( a h]) c[\trill( h c d]) | % 32
e[\trill( d e f]) g[( c g e]) | % 33
c[( g c e]) g[( c e c]) | % 34
......@@ -1158,8 +1158,9 @@ GradualeSperateInDeoVaMusic = \relative c' {
GradualeSperateInDeoSMusic = \relative c'' {
R1*19 | \barNumberCheck #20
r2 r4 e4\p | % 21
R1*17 |
\cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \SClef {R1*2 | \barNumberCheck #20
r2 r4 } e4\p | % 21
d( c) c f | % 22
e( d) d f | % 23
e( d) d g | % 24
......@@ -1293,8 +1294,9 @@ GradualeSperateInDeoSLyrics = \lyricmode {
}
GradualeSperateInDeoAMusic = \relative c'' {
R1*19 | \barNumberCheck #20
r2 r4 g4\p | % 21
R1*17 |
\cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \AClef {R1*2 | \barNumberCheck #20
r2 r4 } g4\p | % 21
f4( e) e a | % 22
f2 f4 d | % 23
g2 g4 g | % 24
......@@ -1432,8 +1434,9 @@ GradualeSperateInDeoALyrics = \lyricmode {
}
GradualeSperateInDeoTMusic = \relative c' {
R1*19 | \barNumberCheck #20
r2 r4 g4\p | % 21
R1*17 |
\cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \TClef {R1*2 | \barNumberCheck #20
r2 r4 } g4\p | % 21
h4( c) c c | % 22
a2 a4 a | % 23
g( f') f d | % 24
......@@ -1567,8 +1570,9 @@ GradualeSperateInDeoTLyrics = \lyricmode {
}
GradualeSperateInDeoBMusic = \relative c' {
R1*19 | \barNumberCheck #20
r2 r4 g4\p | % 21
R1*17 |
\cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \BClef {R1*2 | \barNumberCheck #20
r2 r4 } g4\p | % 21
c,2 c4 c | % 22
c2 c4 c4 | % 23
h2 h4 h4 | % 24
......@@ -2018,7 +2022,7 @@ GradualeSperateInDeoBCFbMusic = \figuremode {
<6 3> <6 3> <8 3\!> s | % 101
<6> s s <6\\> | % 102
<4> <3> <6\\> \bassFigureExtendersOff <6> | % 103
<6 4!> \bassFigureExtendersOn <6 4> <6 3> <5 3> | % 104
<6 4!> \bassFigureExtendersOn <6 4!> <6 3> <5 3> | % 104
s1\solo | % 105
s1*4 | % 109
s2\tutti <4\+>4 s | \barNumberCheck #110
......@@ -2028,7 +2032,7 @@ GradualeSperateInDeoBCFbMusic = \figuremode {
s1*4 | % 117
s4 s4\tutti \bassFigureExtendersOff <6> <6> | % 118
<6> \bassFigureExtendersOn <6> <6> <6> | % 119
\bassFigureExtendersOff <6 4> <6\\ 4\+ 3> <6 3> <7!> | \barNumberCheck #120
\bassFigureExtendersOff <6 4> <6\\ 4\+ 3> <6 4> <7!> | \barNumberCheck #120
s1 | % 121
s4 s4\solo s2 | % 122
s2 \bassFigureExtendersOn <6>4\tutti <6> | % 123
......
......@@ -8,5 +8,5 @@
scorenumber = \markup{\scoreNumber \FullScoreNumber}
}
\createScore #"GradualeSperateInDeo" #'("FullScore")
\createNoCuesScore #"GradualeSperateInDeo" #'("FullScore")
......@@ -10,5 +10,5 @@
scorenumber = \markup{\scoreNumber \LongScoreNumber}
}
\createScore #"GradualeSperateInDeo" #'("LongScore")
\createNoCuesScore #"GradualeSperateInDeo" #'("LongScore")
......@@ -7,6 +7,9 @@
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
SClef = \clef "soprano"
AClef = \clef "alto"
TClef = \clef "tenor"
\createScore #"GradualeSperateInDeo" #'("Trb" "Cor" "ObLong" "Fag" "Str" "Ch" "Continuo")
\createNoCuesScore #"GradualeSperateInDeo" #'("TrbLong" "CorLong" "ObLong" "FagLong" "Str" "Ch" "Continuo")
......@@ -8,5 +8,5 @@
scorenumber = \markup{\scoreNumber \ParticellScoreNumber}
}
\createScore #"GradualeSperateInDeo" #'("Particell")
\createNoCuesScore #"GradualeSperateInDeo" #'("Particell")
......@@ -23,6 +23,10 @@ scorenumber="EK-1041"
}
}
#(oly:modify_score_structure '("BassGroup" "StaffGroup" ("Continuo")))
% #(oly:modify_score_structure '("Org" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass")))
CorIInstrumentName = "Corno I in C"
CorIIInstrumentName = "Corno II in C"
CorInstrumentName = "Corni in C"
......
......@@ -6,10 +6,10 @@ scores = Full Long Particell Choral Original
pdfs = $(instruments:%=Eybler_Graduale_SperateInDeo_HV41_Instrument_%.pdf) $(scores:%=Eybler_Graduale_SperateInDeo_HV41_Score_%.pdf)
.PHONY: all clean
all: $(instruments) $(scores)
full: $(ext)
all: $(instruments) $(scores) Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf
instruments: $(instruments)
scores: $(scores)
tex: Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf
clean:
for i in $(ext); do \
......@@ -23,3 +23,5 @@ $(scores): % : Eybler_Graduale_SperateInDeo_HV41_Score_%.pdf $(SRCS)
%.pdf : %.ly $(SRCS)
lilypond $<
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf: Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.ly
lilypond -dbackend=eps $<
\ No newline at end of file
......@@ -7,3 +7,37 @@ TODO
TODO
\end{multicols}
\vfill
\section*{Offene Fragen zum Literaturvergleich mit dem Autograph:}
\begin{itemize}
\item Melismen-Bogen 26 A, 34 S, 35 S/T, 45 S, 46 A, 47 S, 51 A, 55 S/T, 94 A, 95 S/T, 103 S/A/T/B, 111 A/T, 119 S, 123 S.
\item T1: Bogen ab Taktbeginn oder folgender Achtelnote?
\item T103 FB: \textless{}6 3\textgreater{} \textless{}5 3\textgreater{} auf 2./3. oder auf 3./4. Viertelnote???
\item 79 V2: c'' oder a' auf 3. Schlag?
\item 67 Va: Bg über letzte vier Achtelnoten?
\item T80/81: in HS1 nachträglich ausgestrichene Takte
\item Letzte 2 Takte der Vokalstimmen: \q{Alleluja. Alleluja!} als alternative Endung
\item Bögen über jeweils gebundenen Gruppen von Achtelnoten: 46 S, 51 S, 54 S,
\item T54S: zweiter Bg über die letzten vier Achtelnoten?
\item 46 Ob1: Bg über ganzen Takt oder 6+2 Achtel?
\item 56/57 Ob1/Ob2/Fag1/Fag2/V1/V2: Balken über je zwei oder vier Achtelnoten?
\section*{Other Issues (Typesetting?):}
\item T39 FB: 9-7-\# (extender for \# not on top, but on bottom!)
\item T39 FB: \# or 9-7-\# as figured bass?
\item T75 FB: 5 with hat above as Markup (Ly BUG FB/markup + How do I print a hat at all?)
\item T104 FB: \q{t.s. / Solo} below staff to prevent collision
\section*{Handschrift HS1:}
\item 57 V2: Trill
\item 118 Fag1: Bogen?
\item T80/81 aus der Handschrift in folgenden Instrumenten: Cor1, Cor2
\end{itemize}
\vfill
\ No newline at end of file
......@@ -45,10 +45,10 @@ Zu diesem Werk liegt folgendes Aufführungsmaterial vor:
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{thebibliography}{THXXXX}
\bibitem[TH5012]{TH5012Part} Graduale N\textsuperscript{o} 2 (\q{Sperate in Deo, omnis congregatio populi}), Originalausgabe (Partitur), Wien, Tobias Haslinger, TH 5012, 18XX.
\bibitem[TH5015]{TH5015Stimmen} Graduale N\textsuperscript{o} 2 (\q{Sperate in Deo, omnis congregatio populi}), Originalausgabe (Stimmen), Wien, Tobias Haslinger, TH 5015, 18XX.
\end{thebibliography}
\begin{itemize}
\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Signatur HK 2504 Mus.
\item Graduale N\textsuperscript{o} 2 (\q{Sperate in Deo, omnis congregatio populi}), Erstdruck, Tobias Haslinger, Wien, 1827. Partitur (Pl.Nr. T.H.5012) und Stimmensatz (Pl.Nr. T.H.5015).
\end{itemize}
\vfill
......
\section*{Das Leben von Joseph Eybler (1765-1846)}
\begin{multicols}{2}
TODO
\end{multicols}
\section*{The life of Joseph Eybler (1765-1846)}
\begin{multicols}{2}
TODO
\end{multicols}
Quellen / Sources:\\[0em]
TODO
\input{../../Komponisten/Eybler/TeX_Eybler_Include_Biografie.itex}
\subsection*{Text des \q{Sperate in Deo} (Graduale, HV41): Ps 61,9}
\begin{small}
\nopagebreak
\begin{lyricstable}
Sperate in Deo omnis congregatio populi,& TODO & TODO \\
Sperate in Deo & TODO & TODO \\
omnis congregatio populi,& TODO & TODO \\
effundite coram illo corda vestra.& TODO & TODO \\[1em]
Deus adjutor, noster adjutor, in aeternum Deus.& TODO & TODO \\
Deus adjutor, noster adjutor, & TODO & TODO \\
in aeternum Deus.& TODO & TODO \\
\end{lyricstable}
......
......@@ -18,9 +18,9 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_ContentsMaterial.itex}