Commit 1d1ee12b authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

Finished KritBer; rebuilt scores

parent 3d9c9b73
Autograph*/
*.aux
*.blg
*.log
......@@ -10,6 +11,9 @@
Images/
Scans_*/
Handschrift*/
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures-1.*
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures-systems.*
Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.eps
out/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures*-1.eps
out/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures*-1.pdf
out/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures*-systems.count
out/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures*-systems.tex
out/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures*-systems.texi
out/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures*.eps
\version "2.13.1"
\include "Eybler_Graduale_SperateInDeo_HV41_Settings_FullScore.ily"
% #(ly:set-option 'clip-systems)
% #(set! output-count 1)
\paper{
indent=0\mm
......@@ -46,38 +44,19 @@ TInstrumentName = \TShortInstrumentName
BInstrumentName = \BShortInstrumentName
ContinuoInstrumentName = \markup{\column{ "Vc/Cb" "Org"}}
% \include "lilypond-book-preamble.ly"
\paper {
indent = 0\mm
% line-width = 160\mm - 2.0 * 0.4\in
ragged-right = ##t
% force-assignment = #""
% line-width = #(- line-width (* mm 3.000000))
}
% #(define inside-lilypond-book #f)
\layout {
\context {
\Staff
\revert VerticalAxisGroup #'minimum-Y-extent
}
}
% \layout {
% Each clip-region is a (START . END) pair
% where both are rhythmic-locations.
% (make-rhythmic-locations BAR-NUMBER NUM DEN)
% means NUM/DEN whole-notes into bar numbered BAR-NUMBER
%
% clip-regions = #(list
% (cons
% (make-rhythmic-location 0 0 1)
% (make-rhythmic-location 6 0 1))
% )
% \context {
% \Staff
% \revert VerticalAxisGroup #'minimum-Y-extent
% }
% }
AdditionalMeasuresKey = \key c \major
AdditionalMeasuresTimeSignature = \time 2/2
......@@ -88,8 +67,7 @@ AdditionalMeasuresSettings = \notemode {
AdditionalMeasuresObMusic = \relative c'' {
<< {\voiceOne h2 a \oneVoice } \new Voice { \voiceTwo R1 } >> | \barNumberCheck #80
<gis h>1 | % 81
<a c> | % 82
<< {\voiceOne gis 1| a \oneVoice} \new Voice { \voiceTwo h1 | c } >> | % 82
<h gis>1 | % 83
<c a>1 | % 84
<h gis>4 r8 <h gis> <h gis>4 <h gis>4 | % 85
......@@ -136,9 +114,9 @@ AdditionalMeasuresFagIIMusic = \relative c {
AdditionalMeasuresTrbIMusic = \relative c' {
f2 a | \barNumberCheck #80
gis1 |
g |
a |
gis1 |
g |
a |
gis4 r8 e e4 e |
}
......@@ -247,11 +225,6 @@ AdditionalMeasuresBCFbMusic = \figuremode {
<_+> s s s |
}
% \createScore #"AdditionalMeasures" #'("TrbLong" "CorLong" "ObLong" "FagLong" "Str" "Ch" "Continuo")
% \createScore #"AdditionalMeasures" #'("Trb" "Cor" "Ob" "Fag" "Str" "Ch" "Continuo")
#(oly:modify_score_structure '("Ob" "Staff" ()))
% #(oly:modify_score_structure '("Org" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass")))
% \createScore #"AdditionalMeasures" #'("LongScore")
\createScore #"AdditionalMeasures" #'("FullScore")
\version "2.13.1"
\include "Eybler_Graduale_SperateInDeo_HV41_Settings_FullScore.ily"
#(set-global-staff-size 13)
\paper{
indent=0\mm
% line-width=120\mm
oddFooterMarkup=##f
oddHeaderMarkup=##f
bookTitleMarkup = ##f
scoreTitleMarkup = ##f
bottom-margin = 5\cm
system-count=3
page-count=1
between-system-spacing = #'((padding . 12) (stretchability . 6) (space . 5))
}
\paper {
% ragged-bottom = ##t
% ragged-last-bottom = ##t
% between-system-space = 0.4\cm
% between-system-padding = 1\cm
tagline = ##f
copyright = ##f
}
\header {
title = ##f
subtitle = ##f
composer = ##f
copyright = ##f
}
lvide = \mark \markup { \musicglyph #"scripts.coda" }
rvide = \mark \markup { \musicglyph #"scripts.coda" }
VIInstrumentName = \VIShortInstrumentName
SInstrumentName = \SShortInstrumentName
AInstrumentName = \AShortInstrumentName
TInstrumentName = \TShortInstrumentName
BInstrumentName = \BShortInstrumentName
ChInstrumentName = ##f
ContinuoInstrumentName = \markup{\column{ "Vc/Cb" "Org"}}
VIShortInstrumentName = ##f
SShortInstrumentName = ##f
AShortInstrumentName = ##f
TShortInstrumentName = ##f
BShortInstrumentName = ##f
ChShortInstrumentName = ##f
ContinuoShortInstrumentName = ##f
\layout {
\context {
\Score
% \override BarNumber #'break-visibility = #end-of-line-invisible
\override BarNumber #'self-alignment-X = #0
barNumberVisibility = #(every-nth-bar-number-visible 2)
}
}
FugeKey = \key c \major
FugeTimeSignature = \time 2/2
FugeSettings = \notemode {
\set Score.currentBarNumber = #72
% \override BarNumber #'stencil = #primed-bar-number
}
FugeSettingsII = \notemode {
\set Score.currentBarNumber = #73
\revert BarNumber #'stencil
\rvide
}
FugeVIMusic = \relative c'' {
\bar""
f8\repeatTie h4 d d, f!8 | % 73
\lvide
e, gis4 h8~ h[ gis a fis] | % 74
gis8 e4 h e g8~ | % 75
g8 e4 e' dis cis8 | % 76
h e,4 gis h d8~ | % 77
d gis4 h h, d8 | % 78
cis e,4 e'8~ e[ cis d h] | % 79
cis a4 e a cis8~ | \barNumberCheck #80
cis a4 a' gis fis8 | % 81
e a,4 cis e g8~ | % 82
g cis4 e e, g8 | % 83
fis8 a,4 a'8~ a[ fis g e] | % 84
fis d4 a d fis8~ | % 85
fis d4 d' cis h8 | % 86
a8 d,4 fis a c8~ | % 87
c a4 fis d c8 | % 88
h g4 h d f8~ | \barNumberCheck #89
f h4 d d, f!8 |
\FugeSettingsII
e8 g4 e c g8 | % 74
a c4 a c f8 | % 75
}
FugeSMusic = \relative c'' {
f!1\fz | % 73
e2 h~ | % 74
h h | % 75
h4( e) dis cis | % 76
h2 e | % 77
R1*2 | % 79
a1 | \barNumberCheck #80
a,2 r4 h | % 81
cis2 e | % 82
cis a | % 83
a4 a a2 | % 84
a r | % 85
R1 | % 86
r2 d | % 87
d d | % 88
d4 g, h d | % 89
f!1 | \barNumberCheck #73
\FugeSettingsII
e2 g~ | % 74
g c, | % 75
}
FugeSLyrics = \lyricmode {
-ter -- num. De -- us
% 75
nos -- ter ad -- ju -- tor.
De -- us ad -- ju -- tor, nos -- ter in ae -- ter -- num,
ad -- ju -- tor nos -- ter in ae -- ter -- num De -- us.
}
FugeAMusic = \relative c'' {
h1\fz | % 73
e,2 e4 fis | % 74
gis2 e | % 75
gis2 gis4 a | % 76
h e, gis h | % 77
d1 | % 78
cis2 e,~ | % 79
e e | \barNumberCheck #80
e4( a) gis fis | % 81
e2 a | % 82
R1*2 | % 84
d1 | % 85
d,2 r4 e | % 86
fis2 a | % 87
fis d | % 88
d g | % 89
h1 | \barNumberCheck #73
\FugeSettingsII
c2 r | % 74
r
}
FugeALyrics = \lyricmode {
-ter -- De -- us ad -- ju -- tor
% 75
nos -- ter ad -- ju -- tor in ae -- ter -- num De -- us nos -- ter ad -- ju -- tor.
De -- us ad -- ju -- tor nos -- ter in ae -- ter -- num.
}
FugeTMusic = \relative c' {
d1\fz | % 73
h4 h h2 | % 74
h2 r | % 75
R1*3 | % 78
a2 a4 h | % 79
cis2 a | \barNumberCheck #80
cis cis4 d | % 81
e a, cis e | % 82
g1 | % 83
fis2 a,~ | % 84
a a | % 85
a4( d) cis h | % 86
h2 d | % 87
r d~ | % 88
d d | % 89
d1 | \barNumberCheck #73
\FugeSettingsII
c!2 e~ | % 73
e a, | % 74
}
FugeTLyrics = \lyricmode {
-ter -- in a -- ter -- num.
% 75
De -- us ad -- ju -- tor, nos -- ter ad -- ju -- tor in ae -- ter --
num,
De -- us nos -- ter ad -- ju -- tor
in __ ae -- ter -- num De -- us.
}
FugeBMusic = \relative c' {
g1\fz | % 73
R1 | % 74
\dynamicsX #-4 e'1\f | % 75
e,2 r4 fis | % 76
gis2 h | % 77
gis e | % 78
e4 e e2 | % 79
e r | \barNumberCheck #80
R1*3 | % 83
d2 d4 e | % 84
fis2 d | % 85
fis fis4 g | % 86
a d, fis a | % 87
c1 | % 88
h2 d4 h | \barNumberCheck #89
g1 | \barNumberCheck #73
\FugeSettingsII
c,2 r | % 74
r
}
FugeBLyrics = \lyricmode {
-ter --
De --
% 75
us ad -- ju -- tor nos -- ter in ae -- ter -- num.
De -- us ad -- ju -- tor,
nos -- ter ad -- ju -- tor in ae -- ter -- num,
in ae -- ter -- num.
}
FugeBCMusic = \relative c {
g4 d' h g | % 73
gis e' gis? fis | % 74
e h gis h | % 75
e cis h a | % 76
gis e' e, gis | % 77
h e gis h | % 78
a a, cis' h | % 79
a e cis e | \barNumberCheck #80
a fis e d | % 81
cis a' a, cis | % 82
e a cis e | % 83
d d, fis e | % 84
d a fis a | % 85
d h' a g | % 86
fis a d, fis | % 87
a, d fis, a | % 88
g g' d h | \barNumberCheck #89
g d' h g | \barNumberCheck #73
\FugeSettingsII
c c' c, e | % 74
f,! f' a f |
}
FugeBCFbMusic = \figuremode {
<7!>4 s s s | % 73
s1*18 | % 74
\bassFigureExtendersOn
<9 7>4 <9 7>4 <6 3> <6 3>
}
% SClef = \clef "soprano"
% AClef = \clef "alto"
% TClef = \clef "tenor"
% #(oly:modify_score_structure '("Ob" "Staff" ()))
% #(oly:modify_score_structure '("Org" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass")))
% \createScore #"Fuge" #'("LongScore")
\createScore #"Fuge" #'("Str" "Ch" "BassGroup")
\include "orchestrallily/oly_settings_fullscore.ily"
\include "Eybler_Graduale_SperateInDeo_HV41_Settings.ily"
GradualeSperateInDeoTimSettings = {
\set Staff.fontSize = #-4
\override Staff.StaffSymbol #'staff-space = #(magstep -4)
\GradualeSperateInDeoSettings
}
......@@ -10,7 +10,7 @@ texpdfs = $(scores:%=$(OUT)/TeX_Eybler_Graduale_SperateInDeo_HV41_Score_%.pdf) $
.PHONY: all clean
all: $(OUT) $(instruments) $(scores) $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf tex
all: $(OUT) $(instruments) $(scores) $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures73.pdf tex
instruments: $(instruments)
scores: $(scores)
......@@ -29,10 +29,13 @@ $(OUT)/%.pdf : %.ly $(SRCS)
$(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf: Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.ly
lilypond -dbackend=eps -o $(basename $@) $<
$(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures73.pdf: Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures73.ly
lilypond -dbackend=eps -o $(basename $@) $<
$(OUT)/%.mp3 : %.midi
timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
tex: $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf latex
tex: $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures73.pdf latex
latex: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
......
......@@ -13,43 +13,43 @@
\begin{center}
\scorelistbox{
Zu diesem Werk liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (\scoreNumber\FullScoreNumber),
\ParticellScoreName{} (\scoreNumber\ParticellScoreNumber);
\ChoralScoreName{} (\scoreNumber\ChoralScoreNumber),
\SName{} (\scoreNumber\SNumber),
\AName{} (\scoreNumber\ANumber),
\TName{} (\scoreNumber\TNumber),
\BName{} (\scoreNumber\BNumber);
\InstrumentsName{} (\scoreNumber\InstrumentsNumber),
\OrganName{} (\scoreNumber\OrganNumber),
\VIName{} (\scoreNumber\VINumber),
\VIIName{} (\scoreNumber\VIINumber),
\VaName{} (\scoreNumber\VaNumber),
\VcBName{} (\scoreNumber\VcBNumber),
\ObIName{} (\scoreNumber\ObINumber),
\ObIIName{} (\scoreNumber\ObIINumber),
\FagIName{} (\scoreNumber\FagINumber),
\FagIIName{} (\scoreNumber\FagIINumber),
\CorIName{} (\scoreNumber\CorINumber),
\CorIIName{} (\scoreNumber\CorIINumber),
\TrbIName{} (\scoreNumber\TrbINumber),
\TrbIIName{} (\scoreNumber\TrbIINumber),
\TimName{} (\scoreNumber\TimNumber).
Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (-\FullScoreNumber),
\ParticellScoreName{} (-\ParticellScoreNumber);
\ChoralScoreName{} (-\ChoralScoreNumber),
\SName{} (-\SNumber),
\AName{} (-\ANumber),
\TName{} (-\TNumber),
\BName{} (-\BNumber);
\InstrumentsName{} (-\InstrumentsNumber),
\OrganName{} (-\OrganNumber),
\VIName{} (-\VINumber),
\VIIName{} (-\VIINumber),
\VaName{} (-\VaNumber),
\VcBName{} (-\VcBNumber),
\ObIName{} (-\ObINumber),
\ObIIName{} (-\ObIINumber),
\FagIName{} (-\FagINumber),
\FagIIName{} (-\FagIINumber),
\CorIName{} (-\CorINumber),
\CorIIName{} (-\CorIINumber),
\TrbIName{} (-\TrbINumber),
\TrbIIName{} (-\TrbIINumber),
\TimName{} (-\TimNumber).
}
\end{center}
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{itemize}
\item Autographe Partitur, Archiv des Schottenstifts, Wien, Signatur: TODO.
\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: HK 2504 Mus.
\begin{hauptquellen}
\item Autographe Partitur, Archiv des Schottenstifts, Wien, Signatur: TODO. A-Ws TODO.
\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien, A-Whk HK 2504 Mus.
\item Graduale \textnumero2 (\q{Sperate in Deo, omnis congregatio populi}), Erstdruck, Tobias Haslinger, Wien, 1827. Partitur (T.H.5012) und Stimmensatz (T.H.5015).
\end{itemize}
\end{hauptquellen}
\vfill
......
\todos{
\chapter*{Offene Fragen}
\section*{Literaturvergleich mit dem Autograph:}
\begin{itemize}
\item Melismen-Bogen 26 A, 34 S, 35 S/T, 45 S, 46 A, 47 S, 51 A, 55 S/T, 94 A, 95 S/T, 103 S/A/T/B, 111 A/T, 119 S, 123 S.
\item T1: Bogen ab Taktbeginn oder folgender Achtelnote?
\item T103 FB: \textless{}6 3\textgreater{} \textless{}5 3\textgreater{} auf 2./3. oder auf 3./4. Viertelnote???
\item 79 V2: c'' oder a' auf 3. Schlag?
\item 67 Va: Bg über letzte vier Achtelnoten?
\item T80/81: in HS1 nachträglich ausgestrichene Takte
\item Letzte 2 Takte der Vokalstimmen: \q{Alleluja. Alleluja!} als alternative Endung
\item Bögen über jeweils gebundenen Gruppen von Achtelnoten: 46 S, 51 S, 54 S,
\item T54S: zweiter Bg über die letzten vier Achtelnoten?
\item 46 Ob1: Bg über ganzen Takt oder 6+2 Achtel?
\item 56/57 Ob1/Ob2/Fag1/Fag2/V1/V2: Balken über je zwei oder vier Achtelnoten?
\item CorI/II und Timp kleiner, Fussnote, dass nicht in Autograph.
\item 29 A: g oder f (nachträglich korrigiert???)
\item Bogensetzung (gebalkte Achtelnoten, Melismata) in Vokalstimmen klarer.
\item 63 Ob1: $\sharp$ oder $\natural$ im Autograph???
\item 60 V1/V2: Bg. nach T 4 ergänzen???
\item 20 Ob1: Bg. nach V1/V2 und Parallelstellen(?) ergänzen?
\item 66 V1/V2: Staccato-Keil im Autograph nachträglich eingetragen???
\item 92 Ob1/Ob2: Staccato-Keile im Autograph??? nachträglich???
\item 100 FB: Extender-Lines in FigBass nach Zeilenumbruch nicht mehr vorhanden?
\item 102 Ob1/Ob2: Bg. ab Taktbeginn oder erst ab zweiter Viertelnote???
\item 105ff BC: Cue noten in Partitur nicht entfernen!!!
\item 120 Ob1/Fag1: Staccato-Keil?
\item 103 FB: \textless{}6 3\textgreater{} \textless{}5 3\textgreater{} auf 2./3. oder auf 3./4. Viertelnote???
\end{itemize}
\section*{Other Issues (Typesetting?):}
\begin{itemize}
\item T39 FB: 9-7-\# (extender for \# not on top, but on bottom!)
\item T39 FB: \# or 9-7-\# as figured bass?
\item T75 FB: 5 with hat above as Markup (Ly BUG FB/markup + How do I print a hat at all?)
\item T104 FB: \q{t.s. / Solo} below staff to prevent collision
\item InstrumentName bei Ch weg
\end{itemize}
\section*{Handschrift HS1:}
......
......@@ -14,6 +14,8 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\ChoralScoreType}
\includescore{Score_Choral}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
......
......@@ -14,6 +14,8 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\FullScoreType}
\includescore{Score_Full}
\cleardoublepage
......
......@@ -14,6 +14,8 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\LongScoreType}
\includescore{Score_Long}
\cleardoublepage
......
......@@ -14,6 +14,8 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\OriginalScoreType}
\includescore{Score_Original}
\cleardoublepage
......
......@@ -14,6 +14,8 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Coverpage.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\ParticellScoreType}
\includescore{Score_Particell}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
......
......@@ -6,7 +6,9 @@
\title{Sperate in Deo}
\subtitle{Graduale, HV 41}
% \description{Für Chor (SATB) und Orgel oder Orchester}
% \instrumentation{2 Oboen oder Klarinetten, 2 Hörner\\2 Trompeten, Pauken (nicht obl.)\\2 Violinen, Viola, Cello und Contrabass}
\instrumentation{2 Oboen, 2 Fagotte, 2 Hörner (od. Posaunen)\\
Pauken (ad lib.)\\
2 Violinen, Viola, Cello, Contrabass und Orgel}
\editor{Reinhold Kainhofer}
\publisher{Edition Kainhofer, Vienna}
\year{2009}
......