Wrote first page of the Autograph

Eybler_EcceQuomodo_HV125_Music_EcceQuomodo.ily

@@ -12,24 +12,52 @@ EcceQuomodoSettings = \notemode {
 %   \partial 4
 }
 
-EcceQuomodoSMusic = \relative c' {
-  f1\f |
-  c \bar"||"
-  a\p |
-  g2 a |
-  c1 |
-  b2 a |
-  d1\espressivo |
-  c1 \bar"||"
+EcceQuomodoSMusic = \relative c'' {
+  f1\f | % 2
+  c \bar"||" % 3
+  a\p | % 4
+  g2 a | % 5
+  c1 | % 6
+  b2 a | % 7
+  d1\espressivo | % 8
+  c1 \bar"||" % 9
+  r2 a2\p | \barNumberCheck #10
+  b1 | \barNumberCheck #11
+  a2 r | % 12
+  es'1\f | % 13
+  d2 d~\p | % 14
+  d c4 c | % 15
+  b1 | % 16
+  a \bar"||" % 17
+  r2 a | % 18
+  b\cresc c | % 19
+  es1\f | \barNumberCheck #20
+  d2 c\p | \barNumberCheck #21
+  b1 | % 22
+  a \bar"||" % 23
+  r2 d | % 24
+  a b | % 25
+  d1\cresc | % 26
+  d2 es | % 27
+  a,1~\p | % 28
+  a2 a | % 29
+  g1 \bar"||" \barNumberCheck #30
+  r2 b2 | \barNumberCheck #31
+  b2. b4 | % 32
+  a2 a\cresc | % 33
+  h c | % 34
+  f1\f | % 35
+  es1 \bar"||" % 36
+  r2 es\p | % 37
   % TODO
 }
 \addQuote "EcceQuomodoSMusic" { \EcceQuomodoSMusic }
 
 EcceQuomodoSLyrics = \lyricmode {
   Ec -- ce quo -- mo -- do mo -- ri -- tur ju -- stus,
-  et ne -- mo per -- ci -- pit cor -- de,
+  et ne -- mo, ne -- mo per -- ci -- pit cor -- de,
   et vi -- ri ju -- sti tol -- lun -- tur,
-  et ne -- mo con -- si -- de -- rat, 
+  et ne -- mo, ne -- mo con -- si -- de -- rat, 
   a fa -- ci -- e in -- i -- qui -- ta -- tis 
   sub -- la -- tus est ju -- stus.
   
@@ -37,31 +65,133 @@ EcceQuomodoSLyrics = \lyricmode {
   me -- mo -- ri -- a e -- jus.
 }
 
-EcceQuomodoAMusic = \relative c' {
+EcceQuomodoAMusic = \relative c'' {
+  a1\f | % 2
+  f \bar"||" % 3
+  f1\p | % 4
+  e2 f | % 5
+  g1 | % 6
+  g2 f | % 7
+  f1\espressivo | % 8
+  f1 \bar"||" % 9
+  r2 f2\p | \barNumberCheck #10
+  e1 | % 11
+  f2 r | % 12
+  fis1\f | % 13
+  g2 r | % 14
+  d2\p d4 d | % 15
+  d1 | % 16
+  d1 \bar"||" % 17
+  r2 d2 | % 18
+  d\cresc f | % 19
+  g1\f | \barNumberCheck #20
+  f2 f\p | % 21
+  f( es) | % 22
+  f1 \bar"||" % 23
+  r2 d2 | % 24
+  d d | % 25
+  g1\cresc | % 26
+  g2 g | % 27
+  g\p( fis4 e | % 28
+  fis2) fis | % 29
+  g1 \bar "||" \barNumberCheck #30
+  r2 g2 | % 31
+  g2. f4 | % 32
+  f2 f\cresc | % 33
+  f g | % 34
+  as1\f | % 35
+  g1 \bar"||" % 36
+  r2 g2\p | % 37
   % TODO
 }
 \addQuote "EcceQuomodoAMusic" { \EcceQuomodoAMusic }
 
-EcceQuomodoALyrics = \lyricmode {
-  % TODO
-}
+EcceQuomodoALyrics = \EcceQuomodoSLyrics
 
 EcceQuomodoTMusic = \relative c' {
+  c1\f | % 2
+  a \bar"||" % 3
+  c1\p | % 4
+  c2 c | % 5
+  c1 | % 6
+  c2 c | % 7
+  b1\espressivo | % 8
+  a1 \bar "||" % 9
+  r2 f\p | \barNumberCheck #10
+  g1 | % 11
+  f2 r | % 12
+  a1\f | % 13
+  b2 b~\p | % 14
+  b a4 a | % 15
+  g1 | % 16
+  fis \bar"||" % 17
+  r2 fis | % 18
+  g\cresc a | % 19
+  b1\f | \barNumberCheck #20
+  b2 a\p | % 21
+  b1 | % 22
+  c \bar"||" % 23
+  r2 b2 | % 24
+  d d | % 25
+  c1\cresc | % 26
+  b2 a | % 27
+  a2\p( d2~ | % 28
+  d) c | % 29
+  b1 \bar"||" \barNumberCheck #30
+  r2 d | % 31
+  c2. c4 | % 32
+  c2 c\cresc | % 33
+  d es | % 34
+  d1\f | % 35
+  g, \bar"||" % 36
+  r2 c\p | % 37
   % TODO
 }
 \addQuote "EcceQuomodoTMusic" { \EcceQuomodoTMusic }
 
-EcceQuomodoTLyrics = \lyricmode {
-  % TODO
-}
+EcceQuomodoTLyrics = \EcceQuomodoSLyrics
 
-EcceQuomodoBMusic = \relative c' {
+EcceQuomodoBMusic = \relative c {
+  f1\f | % 2
+  f  \bar"||" % 3
+  f1\p | % 4
+  c2 f | % 5
+  e1 | % 6
+  e2 f | % 7
+  b,1^\espressivo | % 8
+  f'1 \bar"||" % 9
+  r2 f\p | \barNumberCheck #10
+  cis1 | % 11
+  d2 r | % 12
+  c1\f | % 13
+  b2 r | % 14
+  fis'2\p fis4 fis | % 15
+  g1 | % 16
+  d  \bar"||" % 17
+  r2 d2 | % 18
+  g\cresc f | % 19
+  es1\f | \barNumberCheck #20
+  b2 f'\p | % 21
+  ges1 | % 22
+  f1 \bar"||" % 23
+  r2 b | % 24
+  fis g | % 25
+  es1\cresc | % 26
+  d2 c | % 27
+  d1~\p | % 28
+  d2 d | % 29
+  g,1  \bar"||" \barNumberCheck #30
+  r2 g' | % 31
+  e2. e4 | % 32
+  f2 es\cresc | % 33
+  d c | % 34
+  h1\f | % 35
+  c \bar"||" % 36
+  r2 c2\p | % 37
   % TODO
 }
 \addQuote "EcceQuomodoBMusic" { \EcceQuomodoBMusic }
 
-EcceQuomodoBLyrics = \lyricmode {
-  % TODO
-}
+EcceQuomodoBLyrics = \EcceQuomodoSLyrics
 
 

Eybler_EcceQuomodo_HV125_Score_Choral.ly

 \version "2.13.1"
-\include "Eybler_EcceQuomodo_HV125_Settings_FullScore.ily"
+\include "Eybler_EcceQuomodo_HV125_Settings.ily"
 \setCreateMIDI ##t
 \setCreatePDF ##t
 

Eybler_EcceQuomodo_HV125_Score_Original.ly

 \version "2.13.1"
-\include "Eybler_EcceQuomodo_HV125_Settings_FullScore.ily"
+\include "Eybler_EcceQuomodo_HV125_Settings.ily"
 \setCreateMIDI ##t
 \setCreatePDF ##t
 

TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex

 \footnotesize
-\chapter*{Quellen und Lesarten}
+\section*{Kritischer Bericht:}
 \addcontentsline{toc}{section}{Quellen und Lesarten}
 
 \begin{multicols}{2}
-\subsection*{Quellen:}
+\subsubsection*{Quellen:}
 
 \begin{thebibliography}{AA}
 
@@ -23,27 +23,13 @@ ETC.
 
 \end{thebibliography}
 
-DISKUSSION DER QUELLEN
-
-
-
-\subsubsection*{Allgemeine Bemerkungen}
 
 
+\subsubsection*{Bemerkungen}
 \begin{enumerate}
 \item
+Melismabogen ergänzt in: 21 A, 27/28 A/T: 
 TODO
 \end{enumerate}
 
-
-\subsubsection*{Einzelbemerkungen}
-
-\subsubsection*{EcceQuomodo}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
 \end{multicols}

TeX_Eybler_EcceQuomodo_HV125_Score_Klavierauszug.tex

-\version "2.13.1"
-\include "Eybler_EcceQuomodo_HV125_Settings.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Eybler_EcceQuomodo_HV125_Settings.itex}
 
-#(set-global-staff-size 19)
-
-
-\header {
-  scoretype = \OrganScoreTitle
-  scorenumber = \markup{\scoreNumber \OrganScoreNumber}
-}
-
-EcceQuomodoOIStaff = \new Staff = "EcceQuomodoOIStaff" 
-  \new Voice = "EcceQuomodoOIVoice" \with { \remove "New_dynamic_engraver"} {
-  \EcceQuomodoSettings
-  \EcceQuomodoTimeSignature
-  \EcceQuomodoKey
-  << 
-    { \quoteDuring #"EcceQuomodoSMusic" {s1*14} }
-    { \quoteDuring #"EcceQuomodoAMusic" {s1*14} }
-    { \quoteDuring #"EcceQuomodoTMusic" {s1*14} }
-  >> | \barNumberCheck #15
-  \voiceOne
-  <<
-    { \quoteDuring #"EcceQuomodoSMusic" {s1} }
-    \new Voice = "A" { \voiceThree \quoteDuring #"EcceQuomodoAMusic" {s1} }
-    { \quoteDuring #"EcceQuomodoTMusic" {s1} }
-  >> | \barNumberCheck #16
-  \oneVoice
-  << 
-    { \quoteDuring #"EcceQuomodoSMusic" {s1*10} }
-    { \quoteDuring #"EcceQuomodoAMusic" {s1*10} }
-    { \quoteDuring #"EcceQuomodoTMusic" {s1*10} }
-  >> | \barNumberCheck #26
-  <<
-    { \quoteDuring #"EcceQuomodoSMusic" {s1*2} }
-    { \quoteDuring #"EcceQuomodoAMusic" {s1*2} }
-    \new Voice = "T" {\voiceTwo \quoteDuring #"EcceQuomodoTMusic" {s1*2} }
-  >> | \barNumberCheck #28
-  <<
-    { \quoteDuring #"EcceQuomodoSMusic" {s1*9} }
-    { \quoteDuring #"EcceQuomodoAMusic" {s1*9} }
-    { \quoteDuring #"EcceQuomodoTMusic" {s1*9} }
-  >> | \barNumberCheck #37
-  <<
-    { \quoteDuring #"EcceQuomodoSMusic" {s1*2} }
-    { \quoteDuring #"EcceQuomodoAMusic" {s1*2} }
-    \new Voice = "T" {\voiceTwo \quoteDuring #"EcceQuomodoTMusic" {s1*2} }
-  >> | \barNumberCheck #39
-  <<
-    { \quoteDuring #"EcceQuomodoSMusic" {s1*18} }
-    { \quoteDuring #"EcceQuomodoAMusic" {s1*18} }
-    { \quoteDuring #"EcceQuomodoTMusic" {s1*18} }
-  >>
+\hypersetup{
+    pdftitle={\scoreTitle, \VocalScoreType},
 }
-#(oly:modify_score_structure '("OII" "ParallelVoicesStaff" ("B")))
 
-\createScore #"EcceQuomodo" #'("O")
+\scoretype{\VocalScoreType}
+\scorenumber{\scoreNumber\VocalScoreNumber}
+\ChoralScoreSettings
 
+\begin{document}
+\includescore{Score_Klavierauszug}
+\clearpage
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_About.itex}
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex}
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Todo.itex}
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex}
+\end{document}