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Commit 6f10cbad authored by Reinhold Kainhofer's avatar Reinhold Kainhofer
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Wrote the score

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*.toc
*.aux
*.log
*.out
*~
\version "2.13.4"
IsteConfessorKey = \key f \major
IsteConfessorTimeSignature = \time 2/2
IsteConfessorSettings = \notemode {
\override Staff.NoteHead #'style = #'baroque
% \tempo " >>>"
% \partial 4
}
IsteConfessorSMusic = \relative c' {
\repeat volta 2 {
\dynamicsAllInside #-1 #0.5 f1\f | % 2
g2 g | % 3
b1 | % 4
a | % 5
g2 g | % 6
a2 a | % 7
f1 | % 8
d2 f | % 9
g2 g | \barNumberCheck #10
a a | % 11
b2. b4 | % 12
c2 c | % 13
d1~ | % 14
d2\melisma c\melismaEnd | % 15
b2 d | % 16
b g | % 17
c1 | % 18
a2 f'~ | % 19
f d | \barNumberCheck #20
d b | % 21
a a | % 22
a a4 a | % 23
a1~ | % 24
a | % 25
a\breve } % 27
b\breve | \barNumberCheck #29
a\breve \bar"|."
}
\addQuote "IsteConfessorSMusic" { \IsteConfessorSMusic }
IsteConfessorSLyrics = \lyricmode {
\set stanza = "1."
Is -- te Con -- fes -- sor Do -- mi -- ni co -- len -- tes,
quem pi -- e lau -- dant po -- pu -- li per or -- bem:
hac di -- e la -- tus me -- ru -- it be -- a -- tas scan -- de -- re se -- des.
}
IsteConfessorSLyricsI = \lyricmode {
\set stanza = "2."
Sit sa -- lus il -- li, de -- cus, at -- que vir -- tus,
qui su -- per coe -- li so -- li -- o co -- rus -- cans,
to -- ti -- us mun -- di se -- ri -- em gu -- ber -- nat tri -- nus et u -- nus.
A -- men.
}
IsteConfessorAMusic = \relative c' {
\repeat volta 2 {
\dynamicsAllInside #-1 #0.5 d1\f | % 2
e2 c | % 3
d( e) | % 4
f f~ | % 5
f e | % 6
e cis | % 7
a d | % 8
r d | % 9
e e | \barNumberCheck #10
f f | % 11
f1~ | % 12
f2 es | % 13
d d | % 14
fis1 | % 15
g2 r | % 16
r b | % 17
g e | % 18
a1 | % 19
f | \barNumberCheck #20
g2. g4 | % 21
e2 e | % 22
f f | % 23
e f4 f | % 24
e1 | % 25
d\breve } % 27
d\breve | \barNumberCheck #29
d\breve \bar"|."
}
\addQuote "IsteConfessorAMusic" { \IsteConfessorAMusic }
IsteConfessorALyrics = \IsteConfessorSLyrics
IsteConfessorALyricsI = \IsteConfessorSLyricsI
IsteConfessorTMusic = \relative c' {
\repeat volta 2 {
\dynamicsAllInside #-1 #0.5 a1\f | % 2
c2 e, | % 3
g1 | % 4
f2 c'~ | % 5
c b | % 6
a e' | % 7
d a | % 8
r a | % 9
c c | \barNumberCheck #10
c c | % 11
f,2. f4 | % 12
a2 a | % 13
b1\melisma | % 14
a\melismaEnd | % 15
g2 b | % 16
g d' | % 17
c1 | % 18
c2 r | % 19
d2. d4 | \barNumberCheck #20
b2 d | % 21
cis cis | % 22
d2 d4 d | % 23
cis2\melisma d~ | % 24
d cis\melismaEnd | % 25
d\breve } % 27
g,\breve | \barNumberCheck #29
fis\breve \bar"|."
}
\addQuote "IsteConfessorTMusic" { \IsteConfessorTMusic }
IsteConfessorTLyrics = \IsteConfessorSLyrics
IsteConfessorTLyricsI = \IsteConfessorSLyricsI
IsteConfessorBMusic = \relative c {
\repeat volta 2 {
\dynamicsAllInside #-1 #0.5 d1\f | % 2
c2 c | % 3
g1 | % 4
a | % 5
c2 c | % 6
cis a | % 7
d1 | % 8
f2 d | % 9
c!2 c | \barNumberCheck #10
f2 es | % 11
d d | % 12
c2 c | % 13
b1\melisma | % 14
d\melismaEnd | % 15
g,2 r | % 16
g'1 | % 17
e2 c | % 18
f2 d | % 19
b'2. b4 | \barNumberCheck #20
g2 g | % 21
a g | % 22
f d4 f | % 23
a1\melisma | % 24
a,\melismaEnd | % 25
d\breve } % 27
g,\breve | \barNumberCheck #29
d'\breve \bar"|."
}
\addQuote "IsteConfessorBMusic" { \IsteConfessorBMusic }
IsteConfessorBLyrics = \IsteConfessorSLyrics
IsteConfessorBLyricsI = \IsteConfessorSLyricsI
\version "2.13.4"
\include "Eybler_IsteConfessor_HV124_Settings.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
scoretype = \ChoralScoreTitle
scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
}
\paper {
system-count=4
}
\createScore #"IsteConfessor" #'("ChoralScore")
\version "2.13.4"
\include "Eybler_IsteConfessor_HV124_Settings.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
SClef = \clef "soprano"
AClef = \clef "alto"
TClef = \clef "tenor"
\createScore #"IsteConfessor" #'("ChoralScore")
#(set-default-paper-size "a4")
#(ly:set-option 'point-and-click #f)
\include "deutsch.ly"
\include "orchestrallily/oly_settings_vocalvoice.ily"
\include "Eybler_IsteConfessor_HV124_Settings_Global.ily"
\include "Eybler_IsteConfessor_HV124_Music_IsteConfessor.ily"
#(set-global-staff-size 15)
\version "2.13.4"
\include "orchestrallily/orchestrallily.ily"
\include "orchestrallily/oly_settings_names.ily"
scorenumber="EK-1124"
\header {
title = "Iste Confessor"
subtitle = "Hymnus de Communi Confessorum, HV 124"
composer = "Joseph Eybler (1765-1846)"
copyright = \markup \abs-fontsize #9 \column{
\line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
\line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
}
}
% Add custom keys here, e.g.
% CorKey = \key g \major
% CorIKey = \CorKey
% CorIIKey = \CorKey
Makefile 0 → 100644
base=Eybler_IsteConfessor_HV124
SRCS = $(base)_Music_IsteConfessor.ily $(base)_Settings.ily
OUT=out
instruments =
scores = Choral Original
texscores = Choral
pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(scores:%=$(OUT)/$(base)_Score_%.pdf)
texs = $(scores:%=TeX_$(base)_Score_%.tex)
texpdfs = $(texscores:%=$(OUT)/TeX_$(base)_Score_%.pdf)
.PHONY: all clean
all: $(OUT) $(instruments) $(scores) tex
instruments: $(instruments)
scores: $(scores)
clean:
rm -rf $(OUT)
$(OUT) :
mkdir -p $(OUT)
$(instruments): % : $(OUT)/$(base)_Instrument_%.pdf $(SRCS)
$(scores): % : $(OUT)/$(base)_Score_%.pdf $(SRCS)
$(OUT)/%.pdf : %.ly
lilypond -o $(basename $@) $<
$(OUT)/%.mp3 : %.midi
timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
tex: latex
latex: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
TEXINPUTS=$(OUT): latex --output-directory=$(OUT)/ $<
\addcontentsline{toc}{section}{Vorwort / Preface}
\section*{Über das Werk / About}
\begin{multicols}{2}
TODO
\columnbreak
TODO
\end{multicols}
\vfill
\footnotesize
% \subsubsection*{Kritischer Bericht:}
\addcontentsline{toc}{section}{Quellen und Lesarten}
\subsubsection*{Handschriftliche Quellen:}
\begin{multicols}{2}
\begin{thebibliography}{AA}
\bibitem[A]{Aut}
Autographe Partitur, im Besitz des Musikarchiv des Schottenstiftes, Wien. Signatur: TODO
\newblock 1 fol, 3 Seiten. Auf jeder Seite drei Chorsysteme.
\bibitem[B]{HS1}
Handschriftliche Partitur der Wr. Hofmusikkapelle, Österr. Nationalbibliothek, A-Whk HK.2485 Mus.
Titelseite:
\begin{sourcetitle}
Hymnus\sbreak
de Communi Confessorum.\sbreak
/: Iste Confessor :/\sbreak
a\sbreak
4 Voce.\sbreak
compos:\sbreak
Jos: nob: de Eybler.\sbreak
M:D:C:d:c:I:e:R:\sbreak
1835.
\end{sourcetitle}
Schreiber: Perschl.
\end{thebibliography}
\end{multicols}
\subsubsection*{Bemerkungen}
\begin{multicols}{2}
\renewcommand{\labelitemi}{--}
\begin{itemize}
\item
\end{itemize}
\begin{vergleich}
TODO
\end{vergleich}
\end{multicols}
\subsubsection*{Text des \q{Iste Confessor} (Hymnus de Communi Confessorum, HV 124)}
\begin{small}
\renewenvironment{lyricstable}{\begin{tabular}{p{0.25\textwidth}p{0.39\textwidth}p{0.35\textwidth}}}{\end{tabular}}
\nopagebreak
\begin{lyricstable}
Iste Confessor Domini, colentes, & Bekenner Gottes, dem in allen Zonen & \\
quem pie laudant populi & die frommen Völker Lob und & \\
\quad{}per orbem: & \quad{}Jubel frohnen! & \\
hac die latus meruit beatas & Den Himmel hast du heut & \\
scandere sedes. & nach frohen Siegen selig bestiegen. & \\[0.5em]
Sit salus illi, decus, atque virtus, & Verehrung, Dank und Lob sei jetzt und immer & \\
qui super coeli solio coruscans, & dem höchsten Herrn in seines Thrones Schimmer, & \\
totius mundi seriem gubernat & der dreifach und doch Eins, mit Macht geziehret & \\
trinus et unus. & ewig regieret. & \\[0.5em]
Amen. & Amen & Amen \\[0.5em]
\footnotesize\em{Liber Usualis} & \footnotesize\em{Johann Christoph von Zabüsnig (1822)} &
\end{lyricstable}
\end{small}
% \todos{
% \chapter*{Offene Fragen}
%
% \section*{Literaturvergleich mit dem Autograph:}
% \begin{itemize}
% \item
%
% \end{itemize}
%
% }
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\input{TeX_Eybler_IsteConfessor_HV124_Settings.itex}
\hypersetup{
pdftitle={\scoreTitle, \ChoralScoreType},
}
\scoretype{\ChoralScoreType}
\scorenumber{\scoreNumber\ChoralScoreNumber}
\ChoralScoreSettings
\begin{document}
\includescore{Score_Choral}
\clearpage
\input{TeX_Eybler_IsteConfessor_HV124_Include_About.itex}
\input{TeX_Eybler_IsteConfessor_HV124_Include_KritBericht.itex}
\input{TeX_Eybler_IsteConfessor_HV124_Include_Todo.itex}
\input{TeX_Eybler_IsteConfessor_HV124_Include_Text.itex}
\end{document}
% Title Page
\composer{Joseph Eybler}
\composerdate{(1765-1846)}
% \poet{}
% \poetdate{}
\title{Iste Confessor}
\subtitle{Hymnus de Communi Confessorum, HV 124}
% \description{Für Chor (SATB) und Orgel oder Orchester}
% \instrumentation{2 Oboen oder Klarinetten, 2 Hörner\\2 Trompeten, Pauken (nicht obl.)\\2 Violinen, Viola, Cello und Contrabass}
\editor{Reinhold Kainhofer}
\publisher{Edition Kainhofer, Vienna}
\year{2009}
\basename{Eybler_IsteConfessor_HV124}
\newcommand{\scoreNumber}[1]{EK-1124-#1}
\newcommand{\scoreTitle}{Joseph Eybler (1765-1846): Iste Confessor}
% \newcites{bio}{Biography}
% \newcites{sources}{Benutzte Vorlagen}
\geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
\hypersetup{
colorlinks=true,
citecolor=black,
pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
}
\input{TeX_Eybler_IsteConfessor_HV124_Include_Todo.itex}
../../orchestrallily
\ No newline at end of file
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