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Commit 43f38172 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer
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Oly template, Vereinheitlichung, Regenerated scores

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\version "2.13.1"
\include "Eybler_TristesErant_HV123_Settings_Instrument.ily"
\header {
instrument = "Organo"
scorenumber = \markup{\scoreNumber \ContinuoNumber}
}
\paper {
ragged-bottom = ##t
ragged-last-bottom = ##t
}
\createScore #"TristesErant" #'("Continuo")
\noPageBreak
\createHeadline "R: Vos elegit Deus inhaereditatem sibi. Alleluja"
\version "2.13.1"
\include "Eybler_TristesErant_HV123_Settings_Instrument.ily"
\header {
instrument = "Violone"
scorenumber = \markup{\scoreNumber \VcBNumber}
}
\paper {
ragged-bottom = ##t
ragged-last-bottom = ##t
}
% \layout {
% \context { \Staff
% % No instrument names, they are already in the title/header!
% \remove "Instrument_name_engraver"
% }
% \context {
% \RemoveEmptyStaffContext
% % No instrument names, they are already in the title/header! (Removing
% % the engraver only from the \Staff context is not sufficient!)
% \remove "Instrument_name_engraver"
% }
% }
\createScore #"TristesErant" #'("VcB")
\noPageBreak
\createHeadline "R: Vos elegit Deus inhaereditatem sibi. Alleluja"
\version "2.13.1"
TristesErantPieceName = "Tristes erant"
TristesErantIIPieceName = "Gloria tibi"
% TristesErantPieceNameTacet = "TristesErant tacet"
TristesErantTempo = "Andante"
TristesErantKey = \key es \major
TristesErantTimeSignature = \time 4/4
TristesErantSettings = \notemode {
\tempo \TristesErantTempo
% \partial 4
}
TristesErantIITempo = \TristesErantTempo
TristesErantIIKey = \TristesErantKey
TristesErantIITimeSignature = \TristesErantTimeSignature
TristesErantIISettings = \TristesErantSettings
TristesErantChMusic = \relative c'' {
r4 g2 g4 | % 2
f4 g8 g as4. as8 | % 3
g2 r4 g4 | % 4
c2 b4 es, | % 5
f g4 es4. es8 | % 6
d2 r4 g | % 7
es c4 f4 es | % 8
as b c r | % 9
as2 f4 g | \barNumberCheck #10
es4 c es( d8) d | % 11
c2 r | % 12
R1 \bar"||"
% TODO: Praeludium.
}
TristesErantIIChMusic = \relative c'' {
r4 g2 g8 g8 | % 2
f4 g4 as4. as8 | % 3
g2 r4 g4 | % 4
c2( b4) es, | % 5
f g8 g8 es4. es8 | % 6
d2 r4 g | % 7
es c8 c f4 es | % 8
as b c r | % 9
as2 f4 g | \barNumberCheck #10
es4 c es( d8) d | % 11
c2 r | % 12
R1 \bar"||"
% TODO: Praeludium.
}
TristesErantChLyrics = \lyricmode {
\set stanza = #"1."
Tri -- stes e -- rant A -- po -- sto -- li
de Chri -- sti a -- cer -- bo fu -- ne -- re % TODO: In HS: munere
quem mor -- te cru -- de -- lis -- si -- ma
ser -- vi ne -- ca -- rant im -- pi -- i. % TODO: In HS: "ne carant"
}
TristesErantIIChLyrics = \lyricmode {
\set stanza = #"2."
Glo -- ri -- a ti -- bi __ Do -- mi -- ne,
qui sur -- re -- xi -- sti a mor -- tu -- is
cum pa -- tre et sanc -- to spi -- ri -- tu
in sem -- pi -- ter -- na sae -- cu -- la.
}
TristesErantBCMusic = \relative c {
c8[\f d es d] c[ es g c] | % 2
as[ as, g g'] f[ f, f' d] | % 3
h[ d g f] es[ d es c] | % 4
as[ as' c, d] es[ f g es] | % 5
as[ as, g g'] as[ g es f] | % 6
g[ d h c] d[ g, a h!] | % 7
c[ d es c] b![ b' g es] | % 8
c'[ as g es] as[ as, as' g] | % 9
f[ as f c] d[ c a h] | \barNumberCheck #10
c[ d es f] g[ f g g,] | % 11
c[ c'16 b] as[ g f es] d8[ c16 es] g8[ g,] | % 12
c2 r \bar"|."
\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
\tag #'cues \mark "Da Capo"
% TODO: Print Da capo
}
TristesErantIIBCMusic=\TristesErantBCMusic
TristesErantBCFbMusic = \figuremode {
s1 | % 2
<6>4 <6 4> \bassFigureExtendersOn <3>8 <3> <3> <3> | % 3
<6>4 s <6> s | % 4
s1 | % 5
<6>4 <_!> <5>8 <5> <5> <5> | % 6
<_!>4 s s s | % 7
s s s <6>8 s | % 8
<6>8 s <6> s s2 | % 9
\bassFigureExtendersOff
s <\markup{\hat \number 5}>4 <6> | \barNumberCheck #10
\bassFigureExtendersOn
s2 <6 4>4 <5 _!> | % 11
s2 <6\\>8 <8>8 <5 4> <5 _!> | % 12
s1 \bar"|."
}
TristesErantIIBCFbMusic = \TristesErantBCFbMusic
TristesErantVcBMusic = \TristesErantBCMusic
TristesErantIIVcBMusic = \TristesErantIIBCMusic
\version "2.13.1"
\include "Eybler_TristesErant_HV123_Settings_FullScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
scoretype = \FullScoreTitle
scorenumber = \markup{\scoreNumber \FullScoreNumber}
}
\paper {
% ragged-bottom = ##t
system-count = #3
system-separator-markup = #f
}
\createNoCuesScore #"TristesErant" #'("FullScore")
\createHeadline "Praeludium"
\createNoCuesScore #"TristesErantII" #'("FullScore")
\createHeadline "R: Vos elegit Deus inhaereditatem sibi. Alleluja"
#(set-default-paper-size "a4")
#(ly:set-option 'point-and-click #f)
\include "deutsch.ly"
\include "Eybler_TristesErant_HV123_Settings_Global.ily"
\include "Eybler_TristesErant_HV123_Music_TristesErant.ily"
\include "orchestrallily/oly_settings_fullscore.ily"
\include "Eybler_TristesErant_HV123_Settings.ily"
\version "2.13.1"
\include "orchestrallily/orchestrallily.ily"
\include "orchestrallily/oly_settings_names.ily"
scorenumber="EK-1123"
\header {
title = "Tristes erant Apostoli"
subtitle = "Hymnus, HV 123"
composer = "Joseph Eybler (1765-1846)"
copyright = \markup \abs-fontsize #9 \column{
\line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
\line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
}
}
% Possibly adjust the \orchestralScoreStructure here...
% Add custom keys here, e.g.
% CorKey = \key g \major
% CorIKey = \CorKey
% CorIIKey = \CorKey
#(oly:remove_from_score_structure "Ch")
ContinuoInstrumentName = \markup\column{"Organo" "e Bassi"}
ChShortInstrumentName = #f
ContinuoShortInstrumentName = #f
\paper {
#(define (page-post-process layout pages) #f)
}
\ No newline at end of file
\include "Eybler_TristesErant_HV123_Settings.ily"
\include "orchestrallily/oly_settings_instrument.ily"
\paper {
#(define page-breaking ly:optimal-breaking)
}
\ No newline at end of file
\include "orchestrallily/oly_settings_vocalvoice.ily"
\include "Eybler_TristesErant_HV123_Settings.ily"
Makefile 0 → 100644
SRCS = Eybler_TristesErant_HV123_Music_TristesErant.ily Eybler_TristesErant_HV123_Settings.ily
OUT=out
instruments = Continuo VcB
scores = Full
pdfs = $(instruments:%=$(OUT)/Eybler_TristesErant_HV123_Instrument_%.pdf) $(scores:%=$(OUT)/Eybler_TristesErant_HV123_Score_%.pdf)
texs = $(scores:%=TeX_Eybler_TristesErant_HV123_Score_%.tex)
texpdfs = $(scores:%=$(OUT)/TeX_Eybler_TristesErant_HV123_Score_%.pdf)
.PHONY: all clean
all: $(OUT) $(instruments) $(scores) tex
instruments: $(instruments)
scores: $(scores)
clean:
rm -rf $(OUT)
$(OUT) :
mkdir -p $(OUT)
$(instruments): % : $(OUT)/Eybler_TristesErant_HV123_Instrument_%.pdf $(SRCS)
$(scores): % : $(OUT)/Eybler_TristesErant_HV123_Score_%.pdf $(SRCS)
$(OUT)/%.pdf : %.ly $(SRCS)
lilypond -o $(basename $@) $<
$(OUT)/%.mp3 : %.midi
timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
tex: latex
latex: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
TEXINPUTS=$(OUT): latex --output-directory=$(OUT)/ $<
\addcontentsline{toc}{section}{Vorwort / Preface}
\section*{Über das Werk / About}
\begin{multicols}{2}
TODO
\columnbreak
TODO
\end{multicols}
\vfill
\footnotesize
\section*{Kritischer Bericht:}
\addcontentsline{toc}{section}{Quellen und Lesarten}
\begin{multicols}{2}
\subsubsection*{Quellen:}
\begin{thebibliography}{AA}
\bibitem[A]{Aut}
Autographe Partitur, im Besitz des Musikarchiv des Schottenstiftes, Wien. Signatur: TODO
\newblock TODO
\bibitem[B]{HS1}
Handschriftlicher Stimmensatz der Wr. Hofmusikkapelle, Österreichische Nationalbibliothek, A-Whk HK.2481 Mus.
Stimmen: 5S, 5A, 5T, 5B, 2Vlne, 1Org, 1MDC. Aufbewahrt zwischen Kartondeckel, Titelseite:
\begin{sourcetitle}
\textnumero{1.}\sbreak
Hymnus in C min.\sbreak
de apostolis, tempore paschali,\sbreak
a\sbreak
4 Voci unisoni\sbreak
con \sbreak
Organo e Violone.\sbreak
Del Sig\textsuperscript{re} Giuseppe Eybler, M. di Cap. I.R.\sbreak
Compos: 1830\sbreak
Part.24.
\end{sourcetitle}
Der Stimmensatz, der nach der Beschaffenheit und hohen Qualität des Papieres
urteilend erst sehr spät geschrieben wurde, enthält für jede der Vokalstimmen
die Noten im entsprechenden alten Schlüssel (Sopran-, Alt-, Tenor- und
Bassschlüssel) gesetzt und entsprechend oktaviert.
\end{thebibliography}
\subsubsection*{Bemerkungen}
\begin{enumerate}
\item Der Stimmensatz \cite{HS1} notiert jede der Chorstimmen trotz des unisono-Gesangs
eigenständig im entsprechenden Schlüssel. Die vorliegende Ausgabe benutzt für
die Gesangsstimme nur den Violinschlüssel, die Männerstimmen oktavieren
selbstverständlich.
\end{enumerate}
\begin{vergleich}
4: Text \q{Christi} in \cite{HS1} abgekürzt als \q{Xsti}
5: Text \q{munere} statt \q{funere} in \cite{HS1}
\end{vergleich}
\end{multicols}
\subsection*{Text des \q{Tristes erant Apostoli}: TODO}
\begin{small}
\nopagebreak
\begin{lyricstable}
Tristes erant Apostoli & Trauernd der Apostel Schar & While the disciples weep the loss \\
De Christi acerbo funere,& ob Christi herbem Tode war: & Of Jesus murder'd on the cross \\
Quem morte crudelissima & den durch allergrausamst Mord & Whom by this cruel painful death \\
Servi necarant impii. & die gottlos Schächter nahmen fort. & His wicked servants robb'd of breath.\\[0.5em]
Gloria tibi Domine, & Ehre sei dir, oh Herr, & \\
qui surrexisti a mortuis & auferstanden von den Toten, & \\
cum patre et sancto spiritu & mit dem Vater und dem heiligen Geist & \\
in sempiterna saecula & in Ewigkeit. & \\[0.3em]
{\footnotesize\em ???} & {\footnotesize\em (Reinhold Kainhofer)} & {\footnotesize\em(TODO)}
\end{lyricstable}
\end{small}
\todos{
\chapter*{Open issues}
% \section*{Literaturvergleich mit dem Autograph:}
\begin{itemize}
\item 2 Textstrophen zu einer Melodie!
\item {R: Vos elegit Deus inhaereditatem sibi. Alleluja} mit besserem Abstand.
\item Praeludium (Interludium?) zw. 1. und 2. Strophe
\item unterschiedliche Textaufteilung
\end{itemize}
}
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\input{TeX_Eybler_TristesErant_HV123_Settings.itex}
\hypersetup{
pdftitle={\scoreTitle, \FullScoreType},
}
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
\FullScoreSettings
\begin{document}
\phantomsection
\addcontentsline{toc}{chapter}{\FullScoreType}
\includescore{Score_Full}
\clearpage
\input{TeX_Eybler_TristesErant_HV123_Include_About.itex}
\input{TeX_Eybler_TristesErant_HV123_Include_KritBericht.itex}
\input{TeX_Eybler_TristesErant_HV123_Include_Todo.itex}
\input{TeX_Eybler_TristesErant_HV123_Include_Text.itex}
\clearpage
\phantomsection
\addcontentsline{toc}{chapter}{\ContinuoName}
\includescore{Instrument_Continuo}
\clearpage
\phantomsection
\addcontentsline{toc}{chapter}{\VcBName}
\includescore{Instrument_VcB}
\end{document}
\composer{Joseph Eybler}
\composerdate{(1765-1846)}
\title{Tristes erant Apostoli}
\subtitle{Hymnus, HV 123}
\description{Per Canto e Basso Continuo (Organo e Bassi)}
% \instrumentation{2 Oboen oder Klarinetten, 2 Hörner\\2 Trompeten, Pauken (nicht obl.)\\2 Violinen, Viola, Cello und Contrabass}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}, Vienna}
\year{2009}
\scoreinfo{Urtext \& Erstdruck}
\basename{Eybler_TristesErant_HV123}
\newcommand{\scoreNumber}[1]{EK-1123-#1}
\newcommand{\scoreTitle}{Joseph Eybler (1765-1846): Tristes erant Apostoli}
\geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
\hypersetup{
pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
}
\input{TeX_Eybler_TristesErant_HV123_Include_Todo.itex}
../../orchestrallily
\ No newline at end of file
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