Va voice

Eybler_SiConsistant_HV86_Music_SiConsistant.ily

@@ -664,6 +664,100 @@ SiConsistantVIIMusic = \relative c' {
 \addQuote "SiConsistantVIIMusic" { \SiConsistantVIIMusic }
 
 SiConsistantVaMusic = \relative c' {
+  c2:16\f c4 r | % 2
+  c2:16 c4 r | % 3
+  <h d>2:16 <h d>2:16 | % 4
+  c2:16 c4 r | % 5
+  <h d>2:16 <h d>2:16 | % 6
+  c2:16 c4 r | % 7
+  f4 g c,8[ g es c] | % 8
+  <f' c'>4 <g c> es8[ c g es] | % 9
+  c'2:16 as'4:16 f4:16 | \barNumberCheck #10
+%%%%%%%%%%%%%%%%%%%%
+  g2:16 g2:16 | % 11
+  g2:16 <fis a>2:16 | % 12
+  g2:16 g2:16 | % 13
+  g2:16 <fis a>2:16 | % 14
+  g16[ g d d] h[ h d d] g,4 r | \barNumberCheck #15
+  c2:16\fz c2:16\fz | % 16
+  des2:16\fz des2:16\fz | % 17
+  as2:16\f as2:16 | % 18
+  as2:16 as2:16 | % 19
+  d2:16\fz d2:16\fz | \barNumberCheck #20
+  es2:16\fz es2:16\fz | % 21
+  b2:16\f b2:16 | % 22
+  b2:16 b4:16 g4:16 | % 23
+  h4:16 c4:16 d4:16 fis4:16 | % 24
+  g16[ g d d] h[ h g g] g'[ g es es] c[ c g g] | \barNumberCheck #25
+  h4:16 c4:16 d4:16 fis4:16 | % 26
+  g16[ g, g g] g4:16 g16[ g' g g] g4:16 | % 27
+  d16[ d es es] h[ h c c] h[ h c c] d[ d es es] | % 28
+  f16[\fz f d d] d'[ d f, f] es[ es c c] c'[ c f, f] | % 29
+  g2:16 g4:16 g,4:16 | \barNumberCheck #30
+  c8[ c' c, c'] as,[ as' f, f'] | % 31
+  d,[ f' d d'] b,[ b' g, g'] | % 32
+  es,[ g' es es'] c,[ c' as, as'] | % 33
+  <f d'>2:16\ff <es c'>2:16 | % 34
+  <g g,>4 r <g g,>4 r | \barNumberCheck #35
+  c,2:16\fz c4 r | % 36
+  <h d>2:16\fz <h d>4 r | % 37
+  <b e>2:16\fz <b e>4 r | % 38
+  <as f'>2:16\fz <c g'>2:16\fz | % 39
+  <c as'>2:16\fz <f as>2:16\fz | \barNumberCheck #40
+  <es g>4 r8 c\f g'[ es c g] | % 41
+  es'[ c g es] c'[ g es c] | % 42
+%%%%%%%%%%%%%%%%%%%%%
+  g'8[ g' f g] es[ g es c] | % 43
+  g[ g' f g] es[ g es c] | % 44
+  g4 r <h d> <h d> | \barNumberCheck #45
+  <h d>2 r4\fermata \bar"||"  \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
+  R2.*31 \bar"||" % 77
+  \SiConsistantSettingsIII \SiConsistantKeyIII 
+  <h d,>2:16\p <h d,>4 r | % 78
+  <h d,>2:16 <h d,>4 r | % 79
+  <d g,>2:16 <d g,>4 r | \barNumberCheck #80
+  <d g,>2:16 <d g,>4 r | % 81
+  <d g,>2:16\cresc <d g,>4 r | % 82
+  <d g,>2:16 <d g,>4 r | % 83
+  <d h>2:16\f <d h>2:16 | % 84
+  <g g,>2:16 <g g,>4:16 fis4:16 | \barNumberCheck #85
+%%%%%%%%%%
+  g2:16 g2:16 | % 86
+  g2:16 <fis a>2:16 | % 87
+  g2:16 g2:16 | % 88
+  g2:16 <fis a>2:16 | % 89
+  g16[ g d d] h[ h d d] g,4 r | \barNumberCheck #90
+  c2:16\fz c2:16\fz | % 91
+  des2:16\fz des2:16\fz | % 92
+  as2:16\f as2:16 | % 93
+  as2:16 as2:16 | % 94
+  d2:16\fz d2:16\fz | \barNumberCheck #95
+  es2:16\fz es2:16\fz | % 96
+  b2:16\f b2:16 | % 97
+  b2:16 b4:16 g4:16 | % 98
+  h4:16 c4:16 d4:16 fis4:16 | % 99
+  g16[ g d d] h[ h g g] g'[ g es es] c[ c g g] | \barNumberCheck #100
+  h4:16 c4:16 d4:16 fis4:16 | % 101
+  g16[ g, g g] g4:16 g16[ g' g g] g4:16 | % 102
+  d16[ d es es] h[ h c c] h[ h c c] d[ d es es] | % 103
+  f16[\fz f d d] d'[ d f, f] es[ es c c] c'[ c f, f] | % 104
+  g2:16 g4:16 g,4:16 | \barNumberCheck #105
+  c8[ c' c, c'] as,[ as' f, f'] | % 106
+  d,[ f' d d'] b,[ b' g, g'] | % 107
+  es,[ g' es es'] c,[ c' as, as'] | % 108
+  <f d'>2:16\ff <es c'>2:16 | % 109
+  <g g,>4 r <g g,>4 r | \barNumberCheck #110
+  c,2:16\fz c4 r | % 111
+  <h d>2:16\fz <h d>4 r | % 112
+  <b e>2:16\fz <b e>4 r | % 113
+  <as f'>2:16\fz <c g'>2:16\fz | % 114
+  <c as'>2:16\fz <f as>2:16\fz | \barNumberCheck #115
+  <es g>4 r8 c\f g'[ es c g] | % 116
+  es'[ c g es] c'[ g es c] | % 117
+%%%%%%%
+  g'4 r <g d'h'> r | % 118
+  <c, g' es' c'> r \acciaccatura {g'32[ a h]} <c c,>4 r | % 119
+  \acciaccatura {g32[ a h]} <c c,>4 r4 r2 \bar"|."
   % TODO
 }
 \addQuote "SiConsistantVaMusic" { \SiConsistantVaMusic }

TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex

@@ -39,6 +39,12 @@ Tempobezeichnung: In der Partitur \dq{}Allegro con fuoco\dq{}, ebenso in den bei
 TODO
 \end{vergleich}
 
+\subsubsection*{Offene Frage}
+
+\begin{itemize}
+\item 38-40 Va: Zwei getrennte Stimmen (Va1/Va2) oder Akkorde???
+\end{itemize}
+
 
 
 \end{multicols}