Commit 71ffc532 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer
Browse files

Initial import (voices are all written)

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\version "2.13.1"
\include "Eybler_UnamPetii_HV43_Settings_Vocal.ily"
\header {
instrument = \BIInstrumentName
scorenumber = \markup{\scoreNumber \BINumber}
}
\createScore #"UnamPetii" #'("BI")
\version "2.13.1"
\include "Eybler_UnamPetii_HV43_Settings_Vocal.ily"
\header {
instrument = \BIIInstrumentName
scorenumber = \markup{\scoreNumber \BIINumber}
}
\createScore #"UnamPetii" #'("BII")
\version "2.13.1"
\include "Eybler_UnamPetii_HV43_Settings_Vocal.ily"
\header {
instrument = \TIInstrumentName
scorenumber = \markup{\scoreNumber \TINumber}
}
\createScore #"UnamPetii" #'("TI")
\version "2.13.1"
\include "Eybler_UnamPetii_HV43_Settings_Vocal.ily"
\header {
instrument = \TIIInstrumentName
scorenumber = \markup{\scoreNumber \TIINumber}
}
\createScore #"UnamPetii" #'("TII")
\version "2.13.1"
% UnamPetiiPieceName = "Unam Petii"
% UnamPetiiPieceNameTacet = "Unam Petii tacet"
UnamPetiiTempo = "Larghetto cantabile"
UnamPetiiKey = \key c \major
UnamPetiiTimeSignature = \time 3/4
UnamPetiiSettings = \notemode {
\tempo \UnamPetiiTempo
}
UnamPetiiTICommon = \relative c' {
r4 r g8 c | % 2
e4. f16[ e] d8 c | % 3
h8. c32[ d] c8 r g16[\( c] e[ g]\) | % 4
g4~ g16[ e] a16[ g] f8 e | % 5
d8. e32[ f] e8 r c16[\(\p h] d[ c]\) | % 6
e4 d8 r d16[\cresc c] e[ d] | % 7
f4 e8 r e\f g | % 8
c,4. d16 e \slashedGrace g8 f8 e | % 9
d4 r r | % 10
r r d8 d | % 11
d8. c16 h8 g' fis e | % 12
\slashedGrace e8 d8. c16 h8 d\cresc e fis | % 13
g4.\f fis16 e e[( d]) d[( cis]) | % 14
e8.[ d16] d8 r r4 | % 15
r r g16[\( fis] e[ d]\) | % 16
d4. e16 d c[\( h] a[ g]\) | % 17
h4 a8 r g'16[\( fis] e[ d]\) | % 18
d4. e16[ d] c[ h] a[ gis] | % 19
a[(\melisma gis h a]) c[( h d c] fis[ e])\melismaEnd c[ a] | % 20
g2 \grace h8 a4 | % 21
g4 r a8\p a | % 22
c8.[ h16] h8 r fis'8\f fis | % 23
fis8.[ g16] g8 r g8\ff g | % 24
g16[ es] c a g4. \slashedGrace h8 a | % 25
}
UnamPetiiTICommonLyrics = \lyricmode {
U -- nam pe -- ti -- i a Do -- mi -- no,
u -- nam pe -- ti -- i a Do -- mi -- no
hanc re -- qui -- ram
hanc re -- qui -- ram
hanc re -- qui -- ram a Do -- mi -- no
ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
di -- e -- bus om -- ni -- bus vi -- tae -- me -- ae
u -- nam pe -- ti -- i hanc re -- qui -- ram
ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
hanc re -- qui -- ram, hanc re -- qui -- ram,
hanc re -- qui -- ram a Do -- mi -- no.
}
UnamPetiiTIMusic = \relative c' {
\UnamPetiiTICommon
g4 r4 g8\mf c8 |
e4. f16[ e] d8 c |
h8. c32[ d] c8 r g16[ c] e[ g] |
g4~ g16[ e] a16[ g] f8 e |
d8. e32[ f] e8 r c16[\p h] d[ c] |
e4 d8 r\cresc d16[ c] e[ d] |
f4 e8 r e\f g |
a4 f8 e e8. d16 |
c4 r f8. h,16 | % % TODO: h16 oder a16???
d8 c r c \grace {g'8} f8. h,16 |
c4 r r \bar"|."
}
\addQuote "UnamPetiiTIMusic" { \UnamPetiiTIMusic }
UnamPetiiTILyrics = \lyricmode {
\UnamPetiiTICommonLyrics
U -- nam pe -- ti -- i a Do -- mi -- no
u -- nam pe -- ti -- i a Do -- mi -- no
hanc re -- qui -- ram hanc re -- qui -- ram hanc re -- qui -- ram a Do -- mi -- no
hanc re -- qui -- ram a Do -- mi -- no.
}
UnamPetiiTIICommon = \relative c' {
r4 r g8 g | % 2
c4. c8 g8 g | % 3
g8. g16 g8 r e16[( g]) c[( e]) | % 4
e4~ e16[ c] f[ e] d8 c | % 5
h8. c32[( d]) c8 r g\p g | % 6
c4 h8 r h16[(\cresc a]) c[( h]) | % 7
d4 c8 r e\f d | % 8
g,4. h16 c d8 c | % 9
h4 r r | % 10
r r c8 c | % 11
h8. a16 g8 e' d c | % 12
\acciaccatura c h8. a16 g8 h\cresc h h | % 13
h4.\f a16 g g[\p fis] fis[ e] | % 14
cis'8.[ d16] d8 r r4 | % 15
R2. | % 16
r8 c8[( h]) g4 g8 | % 17
g4 fis8 r r4 | % 18
r8 c' h g r d' | % 19
e,4.( a8) c[( e]) | % 20
d,8[\f( e16 fis] g[ a h c] d8.) c16 | % 21
h4 r fis8\p fis | % 22
a8.[( g16]) g8 r c\f c | % 23
c8.( h16]) h8 r d\ff d | % 24
e,16[ a] c e h8( d4) c8 | % 25
}
UnamPetiiTIICommonLyrics = \lyricmode {
U -- nam pe -- ti -- i a Do -- mi -- no, % TODO: Final -- missing in voice
u -- nam pe -- ti -- i a Do -- mi -- no,
hanc re -- qui -- ram
hanc re -- qui -- ram,
hanc re -- qui -- ram a Do -- mi -- no.
% 62
Ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
di -- e -- bus om -- ni -- bus vi -- tae -- me -- ae % TODO: -- zwischen vitae und meae ist zu viel!
hanc hanc re -- qui -- ram,
in do -- mo in do -- mo Do -- mi -- ni % TODO: -- zwischen domo und in ist zu viel!
hanc re -- qui -- ram, hanc re -- qui -- ram,
hanc re -- qui -- ram, a Do -- mi -- no.
}
UnamPetiiTIIMusic = \relative c' {
\UnamPetiiTIICommon
h4 r4 g8\mf g8 | %
c4. c8 g8 g | %
g8. g16 g8 r e16[ g] c[ e] |
e4~ e16[ c] f16[ e] d8 c |
h8. c32[ d] c8 r g8\p g |
c4 h8 r\cresc h16[ a] c[ h] |
d4 c8 r e\f e |
c4 c8 c h8. h16 |
g4 e'8[(\p c]) h[( d]) | % % TODO: \p???
c4 e8 c8 h8. d16 |
c4 r r \bar"|."
}
\addQuote "UnamPetiiTIIMusic" { \UnamPetiiTIIMusic }
UnamPetiiTIILyrics = \lyricmode {
\UnamPetiiTIICommonLyrics
U -- nam pe -- ti -- i a Do -- mi -- no
u -- nam pe -- ti -- i a Do -- mi -- no
hanc re -- qui -- ram hanc re -- qui -- ram hanc re -- qui -- ram a Do -- mi -- no
hanc re -- qui -- ram a Do -- mi -- no.
}
UnamPetiiBICommon = \relative c {
r4 r e8 e | % 2
g4. a16[ g] f8 e | % 3
d8. e32[ f] e8 r e g | % 4
c4. c8 g8 g | % 5
g8. g16 g8 r e16[\(\p d] f[ e]\) | % 6
g4 g8 r g\cresc g | % 7
g4 g8 r8 c8\f h | % 8
c4. g16 g g8 g | % 9
g4 r r | % 10
r r a8 a | % 11
g8. g16 g8 g g g | % 12
g8. g16 g8 g\cresc h a | % 13
g8.\f a16 h8 r a8\p a | % 14
g8.[ fis16] fis8 r r4 | % 15
R2. | % 16
r8 fis8[( g]) h[( g]) e | % 17
d4 d8 r r4 | % 18
r8 fis g[( h,]) c d | % 19
e2 a8[ c] h4.( g8) d8[ fis] | % 20
g4 r d8\p a' | % 21
fis8.[ g16] g8 r a8\f a | % 22
a8.[( g16]) g8 r g8\ff g | % 23
g e16 e d8( h'4) fis8 | % 24
}
UnamPetiiBICommonLyrics = \lyricmode {
U -- nam pe -- ti -- i a Do -- mi -- no,
u -- nam pe -- ti -- i a Do -- mi -- no
hanc re -- qui -- ram,
hanc re -- qui -- ram
hanc re -- qui -- ram a Do -- mi -- no
ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
di -- e -- bus om -- ni -- bus vi -- tae me -- ae
hanc hanc re -- qui -- ram
in do -- mo in do -- mo Do -- mi -- ni
hanc re -- qui -- ram, hanc re -- qui -- ram,
hanc re -- qui -- ram a Do -- mi -- no.
}
UnamPetiiBIMusic = \relative c {
\UnamPetiiBICommon
g'4 r e8\mf e | %
g4. a16[ g] f8 e | %
d8. e32[ f] e8 r g g | %
c4. c8 g g | %
g8. g16 g8 r e16[\p d] f[ e] | %
g4 g8 r\cresc g g |
g4 g8 r c8\f b |
a4 a8 a f8. f16 |
e4 g8[ e] d[ f] |
e4 g8 e d8. f16 |
e4 r r \bar"|."
}
\addQuote "UnamPetiiBIMusic" { \UnamPetiiBIMusic }
UnamPetiiBILyrics = \lyricmode {
\UnamPetiiBICommonLyrics
U -- nam pe -- ti -- i a Do -- mi -- no u -- nam pe -- ti -- i a Do -- mi -- no
hanc re -- qui -- ram hanc re -- qui -- ram
hanc re -- qui -- ram a Do -- mi -- no
hanc re -- qui -- ram a Do -- mi -- no.
% TODO
}
UnamPetiiBIICommon = \relative c {
r4 r c8 c | % 2
c4. c8 h8 c | % 3
g8. g16 c8 r c c | % 4
c4. c8 h c | % 5
g'8. g16 c,8 r c\p c | % 6
g'4 g,8 r g'\cresc g | % 7
h,4 c8 r c'8\f g | % 8
e4. d16 c h8 c | % 9
g'4 r r | % 10
r r fis8 fis | % 11
g8. g16 g8 c,8 c e | % 12
g8. g,16 g8 g'8\cresc g fis | % 13
e8.\f fis16 g8 g,[(\p a]) a | % 14
a8.[( d16]) d8 r r4 | % 15
R2. | % 16
r4 r8 g,8[( e']) cis | % 17
d4 d8 r r4 | % 18
r r8 g, a h | % 19
c4.( e8) c[ a] | % 20
d2 d4 | % 21
g,4 r d'8\p d | % 22
d8.[( g16]) g8 r d\f d | % 23
d8.[( g,16]) g8 r h8\ff h | % 24
c c16 c d4 d | % 25
}
UnamPetiiBIICommonLyrics = \lyricmode {
U -- nam pe -- ti -- i a Do -- mi -- no,
u -- nam pe -- ti -- i a Do -- mi -- no,
hanc re -- qui -- ram
hanc re -- qui -- ram,
hanc re -- qui -- ram a Do -- mi -- no,
% 62
ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
di -- e -- bus om -- ni -- bus vi -- tae -- me -- ae
hanc re -- qui -- ram,
in do -- mo do -- mo Do -- mi -- ni
hanc re -- qui -- ram, hanc re -- qui -- ram,
hanc re -- qui -- ram, a Do -- mi -- no.
}
UnamPetiiBIIMusic = \relative c {
\UnamPetiiBIICommon
g4 r c8\mf c |
c4. c8 h c |
g8. g16 c8 r c c |
c4. c8 h c |
g'8. g16 c,8 r c\p c |
g'4 g,8 r\cresc g'8 g |
h,4 c8 r c\f c |
f4 f8 f g8. g16 |
c,4 r g'8. g16 |
c,8 c r c g'8. g16 |
c,4 r r \bar"|."
}
\addQuote "UnamPetiiBIIMusic" { \UnamPetiiBIIMusic }
UnamPetiiBIILyrics = \lyricmode {
\UnamPetiiBIICommonLyrics
U -- nam pe -- ti -- i a Do -- mi -- no u -- nam pe -- ti -- i a Do -- mi -- no
hanc re -- qui -- ram hanc re -- qui -- ram
hanc re -- qui -- ram a Do -- mi -- no
hanc re -- qui -- ram a Do -- mi -- no.
% TODO
}
\version "2.13.1"
\include "Eybler_UnamPetii_HV43_Settings_FullScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
scoretype = \ChoralScoreTitle
scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
}
\createScore #"UnamPetii" #'("ChoralScore")
\version "2.13.1"
\include "Eybler_UnamPetii_HV43_Settings_FullScore.ily"
\setCreateMIDI ##t
\setCreatePDF ##t
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
TIClef = \clef "tenor"
TIIClef = \clef "tenor"
BIClef = \clef "bass"
BIIClef = \clef "bass"
\createScore #"UnamPetii" #'("ChoralScore")
#(set-default-paper-size "a4")
#(ly:set-option 'point-and-click #f)
\include "deutsch.ly"
\include "Eybler_UnamPetii_HV43_Settings_Global.ily"
\include "Eybler_UnamPetii_HV43_Music_UnamPetii.ily"
\include "orchestrallily/oly_settings_fullscore.ily"
\include "Eybler_UnamPetii_HV43_Settings.ily"
\version "2.13.1"
\include "orchestrallily/orchestrallily.ily"
\include "orchestrallily/oly_settings_names.ily"
scorenumber="EK-1043"
\header {
title = "Unam petii"
subtitle = "Graduale, HV 43"
composer = "Joseph Eybler (1765-1846)"
copyright = \markup \abs-fontsize #9 \column{
\line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
\line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
}
}
% Possibly adjust the \orchestralScoreStructure here...
\layout {
\context { \Lyrics
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1.2 . 0.7)
}
}
% Add custom keys here, e.g.
% CorKey = \key g \major
% CorIKey = \CorKey
% CorIIKey = \CorKey
TIClef = \clef "treble_8"
TIIClef = \clef "treble_8"
BIClef = \clef "bass"
BIIClef = \clef "bass"
TIInstrumentName = "Tenor Imo"
TIIInstrumentName = "Tenor IIdo"
BIInstrumentName = "Basso Imo"
BIIInstrumentName = "Basso IIdo"
TINumber = "13a"
TIINumber = "13b"
BINumber = "14a"
BIINumber = "14b"
#(define oly:orchestral_score_structure '(
; Choral score
("Ch" "ChoirStaff" ("TI" "TII" "BI" "BII"))
("ChoralScore" "SimultaneousMusic" ("Ch"))
("SoloChoirScore" "SimultaneousMusic" ("Solo" "Ch"))
; Full Scores
("FullScore" "SimultaneousMusic" ("Wd" "Br" "Perc" "Str" "SoloChoirScore" "Organ" "O" "BC" "VceB"))
("LongScore" "SimultaneousMusic" ("WdLong" "BrLong" "Perc" "Str" "SoloChoirScore" "Organ" "O" "BC" "VceB"))
; Piano reduction
;("Piano" "SimultaneousMusic" ("Organ"))
("VocalScore" "SimultaneousMusic" ("ChoralScore" "Piano"))
))
\include "orchestrallily/oly_settings_instrument.ily"
\include "Eybler_UnamPetii_HV43_Settings.ily"
\include "orchestrallily/oly_settings_vocalvoice.ily"
\include "Eybler_UnamPetii_HV43_Settings.ily"
SRCS = Eybler_UnamPetii_HV43_Music_UnamPetii.ily Eybler_UnamPetii_HV43_Settings.ily
instruments = TI TII BI BII
scores = Choral Original
pdfs = $(instruments:%=Eybler_UnamPetii_HV43_Instrument_%.pdf) $(scores:%=Eybler_UnamPetii_HV43_Score_%.pdf)
.PHONY: all clean
all: $(instruments) $(scores)
full: $(ext)
instruments: $(instruments)
scores: $(scores)
clean:
for i in $(ext); do \
rm -f Eybler_UnamPetii_HV43_Score_$${i}.pdf Eybler_UnamPetii_HV43_Score_$${i}.ps; \
rm -f Eybler_UnamPetii_HV43_Instrument_$${i}.pdf Eybler_UnamPetii_HV43_Instrument_$${i}.ps; \
done; \
$(instruments): % : Eybler_UnamPetii_HV43_Instrument_%.pdf $(SRCS)
$(scores): % : Eybler_UnamPetii_HV43_Score_%.pdf $(SRCS)
%.pdf : %.ly $(SRCS)
lilypond $<
\addcontentsline{toc}{section}{Vorwort / Preface}
\chapter*{Vorwort / Preface}
\begin{multicols}{2}
TODO
\columnbreak
TODO
\end{multicols}
\vfill
\begin{center}
\begin{minipage}{0.5\textwidth}
\tableofcontents
\end{minipage}
\vfill
\vfill
\end{center}
\begin{center}
\scorelistbox{
Zu diesem Werk liegt folgendes Aufführungsmaterial vor:
\ChoralScoreName{} (\scoreNumber\ChoralScoreNumber),
\TIName{} (\scoreNumber\TINumber),
\TIIName{} (\scoreNumber\TIINumber),
\BIName{} (\scoreNumber\BINumber),
\BIIName{} (\scoreNumber\BIINumber),
}
\end{center}
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{thebibliography}{THXXXX}
\bibitem[TODO]{TODOPartitur} Unam petii, Originalausgabe (Partitur), ORTTODO, VERLAGTODO, JAHRTODO.
\end{thebibliography}
\vfill
\makeatletter
\copyrightbox{© \@year, Edition Kainhofer, Vienna\newline
1. Auflage / 1st Printing \@year\newline
Computersatz mit Lilypond 2.13.1, \href{http://www.lilypond.org/}{http://www.lilypond.org/}\newline
Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
\footnotesize
\chapter*{Quellen und Lesarten}
\addcontentsline{toc}{section}{Quellen und Lesarten}
\begin{multicols}{2}
\subsection*{Quellen:}
\begin{thebibliography}{AA}
\bibitem[A]{HS1}
Handschrift, Wien, Österreichische Nationalbibliothek, Musiksammlung, aus dem Bestand der Peterskirche Wien, Schreiber: Jos. Greipel, 1847.
\newblock Titelblatt:
{\em
Quartetto in C \textbar{}
Unam petii a Domino. \textbar{}
für \textbar{}
2 Tenore \textbar{}
u. \textbar{}
2 Bässe \textbar{}
von \textbar{}
J. Eybler. \textbar{}
Jos Greipel mp \textbar{}
847
}
Notiert auf einem querformatigem 8-seitigen Heft mit 12 Notenzeilen pro Seite.
\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung, Signatur: F 24 St. Peter Wien D 106 (I,II)
\bibitem[B]{TODO}
Originalausgabe (Stimmen), ORT, VERLAG, BESCHREIBUNG, erschienen TODO.
\newblock Titel:
{\em
TITEL \textbar
ETC.
}
\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung, Signatur: TODO
\end{thebibliography}
DISKUSSION DER QUELLEN
\subsubsection*{Allgemeine Bemerkungen}
\begin{enumerate}
\item
TODO
\end{enumerate}
\subsubsection*{Einzelbemerkungen}
\subsubsection*{UnamPetii}
\begin{vergleich}
TODO
\end{vergleich}
\end{multicols}
\input{../../Komponisten/Eybler/TeX_Eybler_Include_Biografie.itex}
\subsection*{Text des \q{Unam petii} (Graduale, HV 43): Ps 27,4}
\begin{small}
\begin{lyricstable}
Unam petii a Domino
hanc requiram a Domino
ut in habitem in domo Domini
diebus omnibus vitae meae.\\
4 One thing I have asked of the Lord, this will I seek after; that I may dwell in the house of the Lord all the days of my life. That I may see the delight of the Lord, and may visit his temple.
TODO & TODO & TODO \\
\end{lyricstable}
\end{small}
\documentclass[a4paper,10pt,naustrian,twoside]{report}
\usepackage{orchestrallily/editionkainhofer}
\input{TeX_Eybler_UnamPetii_HV43_Settings.itex}
\hypersetup{
pdftitle={\scoreTitle, \ChoralScoreType},
}