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Commit 3690c4c1 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer
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Figured Bass, VcB voices; Added original score

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......@@ -2,7 +2,7 @@
\include "Eybler_Graduale_DomineDeus_HV42_Settings_Instrument.ily"
\header {
instrument = \VcBInstrumentName
instrument = "Cello e Contrabbasso"
scorenumber = \markup{\scoreNumber \VcBNumber}
}
......
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......@@ -953,7 +953,6 @@ GradualeDomineDeusSMusic = \relative c'' {
g2. f4 | % 97
e2 r | % 98
R1 \bar "|."
% TODO
}
\addQuote "GradualeDomineDeusSMusic" { \GradualeDomineDeusSMusic }
GradualeDomineDeusSLyrics = \lyricmode {
......@@ -1285,17 +1284,166 @@ GradualeDomineDeusBLyrics = \GradualeDomineDeusSLyrics
GradualeDomineDeusBCFbMusic = \figuremode {
% TODO
\bassFigureExtendersOn
s1\solo | % 2
s1*10 | % 12
s1\tutti | % 13
s1 | % 14
<5>4 s8. <6\\>16 <6>4 <5!> | % 15
s1 | % 16
<4 2> | % 17
<6> | % 18
s1\solo | % 19
s1 | \barNumberCheck #20
<6 5>\tutti | % 21
s1\solo | % 22
s1*5 | % 27
s2 s2\tutti | % 28
s1*2 | \barNumberCheck #30
s2 <6>8. s16 s4 | % 31
<3>2 <6> | % 32
<3> s | % 33
s1\solo | % 34
s1*18 | % 52
s2 s4\tutti <6> | % 53
<5> s <6> s | % 54
s1\solo | % 55
s2 s4\tutti <6> | % 56
<5> s <6> s | % 57
s1\solo | % 58
s1*2 | \barNumberCheck #60
<_+>4\tutti s4 s2 | % 61
s <6> | % 62
<_!>4 s s2 | % 63
<6 5>4 s s s | % 64
s s <6> s | % 65
s1\solo | % 66
s1*5 | % 71
s1\tutti | % 72
s1 | % 73
<7 _+>4 s s s | % 74
<8 3>4 <8> <8 3> <8> | % 75
<8 3> <8> <8 3> <8> | % 76
<6 4 3>2 <6 4 3> | % 77
<6 4 3> <6 4 3> | % 78 % TODO: extender lines through 76/77 or separate figures for 76 and 77???
s1 | % 79
s1\solo | \barNumberCheck #80
s1*7 | % 87
s4 <6>\tutti <6> <6> | %
<6\!> s s s | %
s1\solo | \barNumberCheck #90
s4 <6 4>\tutti <6 4> <6 4> | % 91
s1 | % 92
<6 4>4 s <5 3> s | % 93
s1\solo | % 94
s1*5 \bar"|."
}
GradualeDomineDeusVcBMusic = \relative c' {
% TODO
GradualeDomineDeusVcBMusic = \relative c {
c4~\f c16[( d32 e f g a h]) c8.[ e,16 c8. e16] | % 2
g8.[ d'16 h8. g16] c8.[ g16 e8. c16] | % 3
d8.[ d'16 d,8. e16] f8.[ f,16 fis8. fis'16] | % 4 % TODO: Here the fis is explicitly notated!
g8.[ g,16 h8. d16] g8.[ h16 d8. h16] | % 5
g4\p r g, r | % 6
c r f r | % 7
g r g, r | % 8
a a' h4.(\trill a16[ h]) | % 9
c4 r\cresc c, r | \barNumberCheck #10
f f,8[( e] f[ g a h]) | % 11
c4 f g g, | % 12
c4~\f c16[( d32 e f g a h]) c8.[ e,16 c8. e16] | % 13
g8.[ d'16 h8. g16] c8.[ g16 e8. c16] | % 14
d8.[ d'16 d, 8. e16] f8.[ f,16 fis8. fis'16] | % 15
g8.[ g,16 h8. d16] g8.[ d16 h8. g16] | % 16
b4~ b16[( c32 d e f g a]) b8.[ b,16 b8. b16] | % 17 % FIXED: the b on the third beat is missing the accidental
a4~ a16[( b32 c d e f g]) a8 r r4 | % 18
cis,4\p r a r | % 19
d8.[ f16\f a8. g16] f8.[ e16 d8. c16] | \barNumberCheck #20 % TODO: \f on first or second note???
h8.[ g16 h8. d16] g8.[ d16 h8. g16] | % 21
c4 r f r | % 22
g r g, r | % 23
c e g c | % 24
c, r c' r | %
c, g' e c | %
h d h g | %
c r8 \times 2/3 {g16[\f a h]} c4 c | % 28 % TODO: Bögen bis zur Viertel oder nur über Triole???
c r8 \times 2/3 {g16[ a h]} c4 c | % 29 % TODO: Bögen bis zur Viertel oder nur über Triole???
c4 r8 c16[ d] e8.[ g16 e8. c16] | \barNumberCheck #30
g8.[ g'16 fis8. f16] e8.[ d16 c8. e16] | % 31
g8.[ g,16 g'8. f16] e8.[ g16 c,8. e16] | % 32
g4 g, r2 | % 33
g4\p g' g g | % 34
g g, r g' | % 35
fis g a d, | % 36
g h, d g | % 37
fis( c' a fis) | % 38
g( e' h g) | % 39
fis fis, g g' | \barNumberCheck #40 % TODO: Accidental for second fis is explicitly given here!
d a' fis d | % 41
d,-> d' d d | % 42
d, d' d d | % 43
cis\p r cis r | % 44
d d,\cresc d' c | % 45 % TODO: should the \cresc start between the second and the third beat?
h d g h | % 46
c, e a c | % 47
d, fis a d | % 48
e, e, e' d | % 49
c c' h, h' | \barNumberCheck #50
a fis, g c | % 51
d cis d d, | % 52
g h8[ d] g4\f fis | % 53
e e' h, h' | % 54
c,\p c' d d, | % 55
g d'8[ h] g4\f fis | % 56
e e' h, h' | % 57
c,\p c' d d, | % 58
g,4~\f g16[( a32 h c d e fis]) g8.[ a16 b8. d,16] | % 59
cis4 r r2 | \barNumberCheck #60
a4~ a16[( h32 cis d e fis gis]) a8.[ cis16 e8. cis16] | % 61
a4 r cis, r | % 62
d4~ d16[( e32 f g a h cis]) d8.[ a16 f8. d16] | % 63
h8.[ d16 g8. h16] c8.[ g16 e8. c16] | % 64
f8.[ a16 c8. f16] e8.[ c16 g8. e16] | % 65
h4\p h' c c, | % 66
g' g, g' f | % 67
e g c, e | % 68
f f, f' e | % 69
d d e f | \barNumberCheck #70
g g, g'8.[\f h16 d8. h16] | % 71
g8.[ h16 g8. d16] h8.[ d16 h8. g16] | % 72
c8.[ e16 g8. e16] c8.[ e16 g8. c16] | % 73
d,8.[ fis16 a8. fis16] d8.[ fis16 a8. d16] | % 74
g,8.[ h16 a8. g16] a8.[ c16 h8. a16] | % 75
h8.[ d16 c8. h16] c8.[ e16 d8. c16] | % 76
d8.[ h16 g8. h16] d8.[ h16 g8. h16] | % 77
d8.[ c16 h8. a16] g8.[ f16 e8. d16] | % 78
c4 r r2 | % 79
c4\p c' c c | \barNumberCheck #80
c c, r c | % 81
g' r g, r | % 82
c( e g c) | % 83
h( f' d h) | % 84
h, h' c c, | % 85
f d e\cresc a | % 86
g fis g g, | % 87
c e\f g b | % 88
a c f, a | % 89
e\p e' h, h' | \barNumberCheck #90
c g\f e c | % 91
f a c f, | % 92
g r g, r | % 93
c\p c c c | % 94
c c c c | % 95
c c c c | % 96
c c c c | % 97
c r^\perd c r | % 98
c2 r2 \bar"|."
}
\addQuote "GradualeDomineDeusVcBMusic" { \GradualeDomineDeusVcBMusic }
GradualeDomineDeusOrganMusic = \GradualeDomineDeusVcBMusic
\addQuote "GradualeDomineDeusOrganMusic" { \GradualeDomineDeusOrganMusic }
GradualeDomineDeusBCMusic = \GradualeDomineDeusVcBMusic
\addQuote "GradualeDomineDeusBCMusic" { \GradualeDomineDeusBCMusic }
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