Commit 97ee2ae7 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

New oly template, use patch system

parent 898636bd
......@@ -4,9 +4,9 @@
\setCreatePDF ##t
\header {
scoretype = \ParticellScoreTitle
scorenumber = \markup{\scoreNumber \ParticellScoreNumber}
scoretype = \ParticellTitle
scorenumber = \markup{\scoreNumber \ParticellNumber}
}
\createNoCuesScore #"GradualeSperateInDeo" #'("Particell")
\createScore #"GradualeSperateInDeo" #'("Particell")
......@@ -16,10 +16,5 @@
\includescore{Score_Choral}
% \cleardoublepage
% \backmatter
% \appendix
% \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
\end{document}
......@@ -16,10 +16,5 @@
\includescore{Score_Particell}
% \cleardoublepage
% \backmatter
% \appendix
% \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
\end{document}
--- Eybler_Graduale_SperateInDeo_HV41_Instrument_Tim.ly.new 2009-07-31 18:56:43.000000000 +0200
+++ Eybler_Graduale_SperateInDeo_HV41_Instrument_Tim.ly 2009-06-07 11:23:42.000000000 +0200
@@ -5,6 +5,8 @@
instrument = \TimInstrumentName
scorenumber = \markup{\scoreNumber \TimNumber}
}
-
+\paper {
+ ragged-last-bottom = ##t
+}
\createScore #"GradualeSperateInDeo" #'("Tim")
--- Eybler_Graduale_SperateInDeo_HV41_Instrument_Va.ly.new 2009-07-31 18:56:43.000000000 +0200
+++ Eybler_Graduale_SperateInDeo_HV41_Instrument_Va.ly 2009-05-21 20:45:06.000000000 +0200
@@ -5,6 +5,9 @@
instrument = \VaInstrumentName
scorenumber = \markup{\scoreNumber \VaNumber}
}
-
+\paper {
+ system-count=12
+ between-system-padding=0.1\cm
+}
\createScore #"GradualeSperateInDeo" #'("Va")
--- Eybler_Graduale_SperateInDeo_HV41_Score_Full.ly.new 2009-07-31 18:56:43.000000000 +0200
+++ Eybler_Graduale_SperateInDeo_HV41_Score_Full.ly 2009-07-23 22:50:16.000000000 +0200
@@ -8,5 +8,5 @@
scorenumber = \markup{\scoreNumber \FullScoreNumber}
}
-\createScore #"GradualeSperateInDeo" #'("FullScore")
+\createNoCuesScore #"GradualeSperateInDeo" #'("FullScore")
--- Eybler_Graduale_SperateInDeo_HV41_Score_Long.ly.new 2009-07-31 18:56:43.000000000 +0200
+++ Eybler_Graduale_SperateInDeo_HV41_Score_Long.ly 2009-07-23 22:50:20.000000000 +0200
@@ -3,10 +3,12 @@
\setCreateMIDI ##t
\setCreatePDF ##t
+#(set-global-staff-size 16)
+
\header {
scoretype = \LongScoreTitle
scorenumber = \markup{\scoreNumber \LongScoreNumber}
}
-\createScore #"GradualeSperateInDeo" #'("LongScore")
+\createNoCuesScore #"GradualeSperateInDeo" #'("LongScore")
--- Eybler_Graduale_SperateInDeo_HV41_Score_Original.ly.new 2009-07-31 18:56:43.000000000 +0200
+++ Eybler_Graduale_SperateInDeo_HV41_Score_Original.ly 2009-07-23 22:50:25.000000000 +0200
@@ -7,6 +7,9 @@
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
+SClef = \clef "soprano"
+AClef = \clef "alto"
+TClef = \clef "tenor"
-\createScore #"GradualeSperateInDeo" #'("OriginalScore")
+\createNoCuesScore #"GradualeSperateInDeo" #'("TrbLong" "CorLong" "ObLong" "FagLong" "Str" "Ch" "Continuo")
--- Eybler_Graduale_SperateInDeo_HV41_Settings_Global.ily.new 2009-07-31 18:56:43.000000000 +0200
+++ Eybler_Graduale_SperateInDeo_HV41_Settings_Global.ily 2009-07-23 21:17:21.000000000 +0200
@@ -23,7 +23,16 @@
}
}
-% Add custom keys here, e.g.
-% CorKey = \key g \major
-% CorIKey = \CorKey
-% CorIIKey = \CorKey
+#(oly:modify_score_structure '("BassGroup" "StaffGroup" ("Continuo")))
+% #(oly:modify_score_structure '("Org" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass")))
+
+
+CorIInstrumentName = "Corno I in C"
+CorIIInstrumentName = "Corno II in C"
+CorInstrumentName = "Corni in C"
+
+VcBInstrumentName = "Violone"
+
+TrbClef = \clef "alto"
+TrbIClef = \clef "alto"
+TrbIIClef = \clef "alto"
--- Makefile.new 2009-07-31 18:56:43.000000000 +0200
+++ Makefile 2009-07-31 18:06:59.000000000 +0200
@@ -10,7 +10,7 @@
.PHONY: all clean
-all: $(OUT) $(instruments) $(scores) tex
+all: $(OUT) $(instruments) $(scores) $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf tex
instruments: $(instruments)
scores: $(scores)
@@ -24,12 +24,15 @@
$(scores): % : $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Score_%.pdf $(SRCS)
$(OUT)/%.pdf : %.ly $(SRCS)
- lilypond -o $(basename $@) $<
+ lilypond -o $(basename $@) $<
+
+$(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf: Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.ly
+ lilypond -dbackend=eps -o $(basename $@) $<
$(OUT)/%.mp3 : %.midi
timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
-tex: latex
+tex: $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf latex
latex: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_About.itex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_About.itex 2009-07-31 15:12:03.000000000 +0200
@@ -2,8 +2,68 @@
\chapter*{Vorwort / Preface}
\begin{multicols}{2}
-TODO
+Dieses Graduale, im Werkverzeichnis von Herrman als HV 41 katalogisiert, wurde
+vom Wiener Hofkapellmeister Josef Eybler im Jahr 1822
+gemeinsam mit der Missa St. Ferdinandi Nr.14 in g (HV 26)
+für die große Festgala anlässlich der Geburtstagsfeier der beiden Majestäten
+(sowohl Kaiser Franz I. als auch seine Gattin Kaiserin Karoline Auguste
+feierten am 8. Februar Geburtstag) komponiert. Nach einer Probe am 4. Februar 1823 fand
+am Sonntag Quinquagesima, dem 9. Febraur 1823, die Uraufführung der Messe (HV 26)
+gemeinsam mit diesem Graduale \q{Sperate in Deo} (HV 41) und dem Offertorium
+\q{Nos populus tuus} (HV 76), durch die Hofmusikkapelle in der Wiener Hofburgkapelle
+statt.\footnote{Laut den Eintragungen in den Orchesterstimmen und den Bemerkungen
+im Aufführungsspiegel der Wr. Hofburgkapelle,
+siehe R. Steurer: Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert,
+verlegt bei Hans Scheider, Tutzing, 1998.} Auch in den folgenden Jahres des
+19. Jahrhunderts wurde das Werk noch mindestens 30 mal in der Hofburgkapelle
+aufgeführt.
+
+Im Gegensatz zu den beiden anderen gleichzeitig aufgeführten Werken wurde
+dieses Graduale -- im Manuskript als das Graduale \textnumero 20 von Eybler
+bezeichnet -- im Jahr 1827 im Musikverlag von Tobias Haslinger als zweites Graduale in Druck verlegt,
+gemeinsam mit der Missa Sti. Mauritii in C (HV 4) und dem Offertorium
+\q{Si consistant adversum me castra} (HV 86).
+
+Zahlreiche Rezensionen\footnote{AMZ \textnumero30 vom 3.Okt.1827; AMZ \textnumero48, 28.Nov.1827;
+Caecilia Bd.46, 1830} in den führenden musikalischen Wochenzeitschriften der
+damaligen Zeit belegen seine Beliebtheit. So schreibt etwa die (Leipziger)
+Allgemeine Musikalische Zeitung (AMZ No.30 vom 3.Okt.1827): {\em \q{Das Graduale:
+Sperate in Deo, omnis congregation populi (Andante con moto, C dur, alla breve)
+ist ein ausnehmend gesangreicher, wohlklingender Chor, voll der reinsten Harmonieen,
+welche die concertierende Hoboe wie ein Silberband reizend durchschlängelt.}}
+
\columnbreak
TODO
+% This gradual, numbered HV 42 in the catalog of Herrmann, was composed by the
+% Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday
+% gala of both the emperor Franz I. and the emperess Karoline Auguste (both were
+% born on February 8). Since 1823, Eybler had annually composed a new mass for this occasion,
+% mostly together with a new gradual and a new offertory. However, due to some
+% \q{indisposition} (as the chronicles of the Hofburgkapelle states), the gala
+% was cancelled in 1826, like the year before. Instead, the premiere of the
+% Missa St. Mauritii Nr.17 in C (HV 4) together with this gradual \q{Domine Deus,
+% omnium creator} (HV 42) took place on thursday, February 2, 1826, the feast of
+% Candlemas, in the Hofburgkapelle (the chapel of the imperial palace) in Vienna.
+%
+% The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph --
+% appeared in print only in 1834 as gradual \textnumero 7, published by Tobias
+% Haslinger together with the mass \textnumero 7 in C major (HV 5) for the
+% coronation of archduke Ferdinand as king of Hungary and the offertory
+% \q{Magna et mirabilia} (HV 108). It is the last published gradual of Eybler and
+% has not been reviewed in any of the noted periodicals of its time.
+%
+% Following a rather long instrumental introduction, the gradual frequently switches
+% between piano and forte parts. The (relatively short) forte phrases appearing together
+% majestic and powerful lyrics like \q{justus}, \q{omnipotens} or \q{aeternus}
+% are marked by a dotted rhythm in the strings, resulting in imperial power.
+% The pioano phrases on the other hand with lyrics \q{et misericors -- and merciful},
+% \q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing
+% the expressive humbleness of the lyrics even further.
+%
+% Despite a powerful beginning, the piece ends in a soft and suppliant style, with
+% the strings vanishing into the final chord.
\end{multicols}
-\vfill
+
+
+
+\vfill
\ Kein Zeilenumbruch am Dateiende.
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_ContentsMaterial.itex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_ContentsMaterial.itex 2009-07-23 22:49:39.000000000 +0200
@@ -16,11 +16,20 @@
Zu diesem Werk liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (\scoreNumber\FullScoreNumber),
-\LongScoreName{} (\scoreNumber\LongScoreNumber),
-\ParticellScoreName{} (\scoreNumber\ParticellScoreNumber),
+\ParticellScoreName{} (\scoreNumber\ParticellScoreNumber);
+
\ChoralScoreName{} (\scoreNumber\ChoralScoreNumber),
-\OriginalScoreName{} (\scoreNumber\OriginalScoreNumber),
+\SName{} (\scoreNumber\SNumber),
+\AName{} (\scoreNumber\ANumber),
+\TName{} (\scoreNumber\TNumber),
+\BName{} (\scoreNumber\BNumber);
+
\InstrumentsName{} (\scoreNumber\InstrumentsNumber),
+\OrganName{} (\scoreNumber\OrganNumber),
+\VIName{} (\scoreNumber\VINumber),
+\VIIName{} (\scoreNumber\VIINumber),
+\VaName{} (\scoreNumber\VaNumber),
+\VcBName{} (\scoreNumber\VcBNumber),
\ObIName{} (\scoreNumber\ObINumber),
\ObIIName{} (\scoreNumber\ObIINumber),
\FagIName{} (\scoreNumber\FagINumber),
@@ -29,25 +38,17 @@
\CorIIName{} (\scoreNumber\CorIINumber),
\TrbIName{} (\scoreNumber\TrbINumber),
\TrbIIName{} (\scoreNumber\TrbIINumber),
-\TimName{} (\scoreNumber\TimNumber),
-\VIName{} (\scoreNumber\VINumber),
-\VIIName{} (\scoreNumber\VIINumber),
-\VaName{} (\scoreNumber\VaNumber),
-\SName{} (\scoreNumber\SNumber),
-\AName{} (\scoreNumber\ANumber),
-\TName{} (\scoreNumber\TNumber),
-\BName{} (\scoreNumber\BNumber),
-\ContinuoName{} (\scoreNumber\ContinuoNumber),
-\VcBName{} (\scoreNumber\VcBNumber),
+\TimName{} (\scoreNumber\TimNumber).
}
\end{center}
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
-\begin{thebibliography}{TODO}
-\bibitem[TODO]{TODOPartitur} TODO: Sperate in Deo, Originalausgabe (Partitur), Verlag, Ort, Jahr.
-\end{thebibliography}
+\begin{itemize}
+\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Signatur HK 2504 Mus.
+\item Graduale N\textsuperscript{o} 2 (\q{Sperate in Deo, omnis congregatio populi}), Erstdruck, Tobias Haslinger, Wien, 1827. Partitur (Pl.Nr. T.H.5012) und Stimmensatz (Pl.Nr. T.H.5015).
+\end{itemize}
\vfill
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Leben.itex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Leben.itex 2009-07-23 20:45:57.000000000 +0200
@@ -1,14 +1 @@
-\section*{Das Leben von Joseph Eybler (1765-1846)}
-
-\begin{multicols}{2}
-TODO
-\end{multicols}
-
-\section*{The life of Joseph Eybler (1765-1846)}
-
-\begin{multicols}{2}
-TODO
-\end{multicols}
-
-Quellen / Sources:\\[0em]
-TODO
+\input{../../Komponisten/Eybler/TeX_Eybler_Include_Biografie.itex}
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Text.itex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Text.itex 2009-07-30 18:45:08.000000000 +0200
@@ -1,13 +1,15 @@
-\subsection*{Text des \q{Sperate in Deo} (Graduale, HV 41)}
+\subsection*{Text des \q{Sperate in Deo} (Graduale, HV41): Ps 62(61),9}
\begin{small}
-\subsection*{GradualeSperateInDeo}
\nopagebreak
\begin{lyricstable}
-TODO & TODO & TODO \\
+Sperate in Deo & Vertraut auf Gott, & Trust in him, \\
+omnis congregatio populi,& gesamte Versammlung des Volkes & all ye congragation of people, \\
+effundite coram illo corda vestra.& schüttet euer Herz vor jenem aus. & pour out your harts before him. \\[0.5em]
+Deus adjutor noster & Gott ist unser Helfer & God is our helper \\
+in aeternum.& in Ewigkeit. & for ever.
\end{lyricstable}
-
\end{small}
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Todo.itex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Todo.itex 2009-07-31 15:22:27.000000000 +0200
@@ -1,10 +1,38 @@
-% \todos{
-% \chapter*{Offene Fragen}
-%
-% \section*{Literaturvergleich mit dem Autograph:}
-% \begin{itemize}
-% \item
-%
-% \end{itemize}
-%
-% }
+\todos{
+\chapter*{Offene Fragen}
+
+\section*{Literaturvergleich mit dem Autograph:}
+\begin{itemize}
+\item Melismen-Bogen 26 A, 34 S, 35 S/T, 45 S, 46 A, 47 S, 51 A, 55 S/T, 94 A, 95 S/T, 103 S/A/T/B, 111 A/T, 119 S, 123 S.
+
+\item T1: Bogen ab Taktbeginn oder folgender Achtelnote?
+\item T103 FB: \textless{}6 3\textgreater{} \textless{}5 3\textgreater{} auf 2./3. oder auf 3./4. Viertelnote???
+\item 79 V2: c'' oder a' auf 3. Schlag?
+\item 67 Va: Bg über letzte vier Achtelnoten?
+
+\item T80/81: in HS1 nachträglich ausgestrichene Takte
+\item Letzte 2 Takte der Vokalstimmen: \q{Alleluja. Alleluja!} als alternative Endung
+
+\item Bögen über jeweils gebundenen Gruppen von Achtelnoten: 46 S, 51 S, 54 S,
+
+\item T54S: zweiter Bg über die letzten vier Achtelnoten?
+\item 46 Ob1: Bg über ganzen Takt oder 6+2 Achtel?
+\item 56/57 Ob1/Ob2/Fag1/Fag2/V1/V2: Balken über je zwei oder vier Achtelnoten?
+\end{itemize}
+
+\section*{Other Issues (Typesetting?):}
+\begin{itemize}
+\item T39 FB: 9-7-\# (extender for \# not on top, but on bottom!)
+\item T39 FB: \# or 9-7-\# as figured bass?
+\item T75 FB: 5 with hat above as Markup (Ly BUG FB/markup + How do I print a hat at all?)
+\item T104 FB: \q{t.s. / Solo} below staff to prevent collision
+\end{itemize}
+
+\section*{Handschrift HS1:}
+\begin{itemize}
+\item 57 V2: Trill
+\item 118 Fag1: Bogen?
+\item T80/81 aus der Handschrift in folgenden Instrumenten: Cor1, Cor2
+\end{itemize}
+
+}
\ Kein Zeilenumbruch am Dateiende.
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Choral.tex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Choral.tex 2009-07-31 18:59:38.000000000 +0200
@@ -16,10 +16,5 @@
\includescore{Score_Choral}
-\cleardoublepage
-\backmatter
-\appendix
-\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
-
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
\end{document}
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Instruments.tex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Instruments.tex 2009-07-31 15:52:20.000000000 +0200
@@ -15,6 +15,36 @@
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
\phantomsection
+\addcontentsline{toc}{section}{\ContinuoName}
+\includescore{Instrument_Continuo}
+
+\phantomsection
+\addcontentsline{toc}{section}{\SName}
+\includescore{Instrument_S}
+\phantomsection
+\addcontentsline{toc}{section}{\AName}
+\includescore{Instrument_A}
+\phantomsection
+\addcontentsline{toc}{section}{\TName}
+\includescore{Instrument_T}
+\phantomsection
+\addcontentsline{toc}{section}{\BName}
+\includescore{Instrument_B}
+
+\phantomsection
+\addcontentsline{toc}{section}{\VIName}
+\includescore{Instrument_VI}
+\phantomsection
+\addcontentsline{toc}{section}{\VIIName}
+\includescore{Instrument_VII}
+\phantomsection
+\addcontentsline{toc}{section}{\VaName}
+\includescore{Instrument_Va}
+\phantomsection
+\addcontentsline{toc}{section}{\VcBName}
+\includescore{Instrument_VcB}
+
+\phantomsection
\addcontentsline{toc}{section}{\ObIName}
\includescore{Instrument_ObI}
\phantomsection
@@ -41,33 +71,6 @@
\phantomsection
\addcontentsline{toc}{section}{\TimName}
\includescore{Instrument_Tim}
-\phantomsection
-\addcontentsline{toc}{section}{\VIName}
-\includescore{Instrument_VI}
-\phantomsection
-\addcontentsline{toc}{section}{\VIIName}
-\includescore{Instrument_VII}
-\phantomsection
-\addcontentsline{toc}{section}{\VaName}
-\includescore{Instrument_Va}
-\phantomsection
-\addcontentsline{toc}{section}{\SName}
-\includescore{Instrument_S}
-\phantomsection
-\addcontentsline{toc}{section}{\AName}
-\includescore{Instrument_A}
-\phantomsection
-\addcontentsline{toc}{section}{\TName}
-\includescore{Instrument_T}
-\phantomsection
-\addcontentsline{toc}{section}{\BName}
-\includescore{Instrument_B}
-\phantomsection
-\addcontentsline{toc}{section}{\ContinuoName}
-\includescore{Instrument_Continuo}
-\phantomsection
-\addcontentsline{toc}{section}{\VcBName}
-\includescore{Instrument_VcB}
\cleardoublepage
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Particell.tex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Particell.tex 2009-07-31 18:59:25.000000000 +0200
@@ -16,10 +16,5 @@
\includescore{Score_Particell}
-\cleardoublepage
-\backmatter
-\appendix
-\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
-
\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
\end{document}
--- TeX_Eybler_Graduale_SperateInDeo_HV41_Settings.itex.new 2009-07-31 18:56:43.000000000 +0200
+++ TeX_Eybler_Graduale_SperateInDeo_HV41_Settings.itex 2009-07-31 15:53:07.000000000 +0200
@@ -1,6 +1,6 @@
% Title Page
-\composer{Joseph Eybler (1765-1846)}
-%\composerdate{(TODO-TODO)}
+\composer{Joseph Eybler}
+\composerdate{(1765-1846)}
% \poet{}
% \poetdate{}
\title{Sperate in Deo}
Markdown is supported
0% or
You are about to add 0 people to the discussion. Proceed with caution.
Finish editing this message first!
Please register or to comment