New oly template, use patch system

Eybler_Graduale_SperateInDeo_HV41_Score_Particell.ly

@@ -4,9 +4,9 @@
 \setCreatePDF ##t
 
 \header {
-  scoretype = \ParticellScoreTitle
-  scorenumber = \markup{\scoreNumber \ParticellScoreNumber}
+  scoretype = \ParticellTitle
+  scorenumber = \markup{\scoreNumber \ParticellNumber}
 }
 
-\createNoCuesScore #"GradualeSperateInDeo" #'("Particell")
+\createScore #"GradualeSperateInDeo" #'("Particell")
 

TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Choral.tex

@@ -16,10 +16,5 @@
 
 \includescore{Score_Choral}
 
-% \cleardoublepage
-% \backmatter
-% \appendix
-% \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
-
 \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
 \end{document}

TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Particell.tex

@@ -16,10 +16,5 @@
 
 \includescore{Score_Particell}
 
-% \cleardoublepage
-% \backmatter
-% \appendix
-% \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
-
 \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
 \end{document}

patches/Eybler_Graduale_SperateInDeo_HV41_Instrument_Tim.ly.patch

+--- Eybler_Graduale_SperateInDeo_HV41_Instrument_Tim.ly.new	2009-07-31 18:56:43.000000000 +0200
++++ Eybler_Graduale_SperateInDeo_HV41_Instrument_Tim.ly	2009-06-07 11:23:42.000000000 +0200
+@@ -5,6 +5,8 @@
+   instrument = \TimInstrumentName
+   scorenumber = \markup{\scoreNumber \TimNumber}
+ }
+-
++\paper {
++  ragged-last-bottom = ##t
++}
+ \createScore #"GradualeSperateInDeo" #'("Tim")
+ 

patches/Eybler_Graduale_SperateInDeo_HV41_Instrument_Va.ly.patch

+--- Eybler_Graduale_SperateInDeo_HV41_Instrument_Va.ly.new	2009-07-31 18:56:43.000000000 +0200
++++ Eybler_Graduale_SperateInDeo_HV41_Instrument_Va.ly	2009-05-21 20:45:06.000000000 +0200
+@@ -5,6 +5,9 @@
+   instrument = \VaInstrumentName
+   scorenumber = \markup{\scoreNumber \VaNumber}
+ }
+-
++\paper {
++  system-count=12
++  between-system-padding=0.1\cm
++}
+ \createScore #"GradualeSperateInDeo" #'("Va")
+ 

patches/Eybler_Graduale_SperateInDeo_HV41_Score_Full.ly.patch

+--- Eybler_Graduale_SperateInDeo_HV41_Score_Full.ly.new	2009-07-31 18:56:43.000000000 +0200
++++ Eybler_Graduale_SperateInDeo_HV41_Score_Full.ly	2009-07-23 22:50:16.000000000 +0200
+@@ -8,5 +8,5 @@
+   scorenumber = \markup{\scoreNumber \FullScoreNumber}
+ }
+ 
+-\createScore #"GradualeSperateInDeo" #'("FullScore")
++\createNoCuesScore #"GradualeSperateInDeo" #'("FullScore")
+ 

patches/Eybler_Graduale_SperateInDeo_HV41_Score_Long.ly.patch

+--- Eybler_Graduale_SperateInDeo_HV41_Score_Long.ly.new	2009-07-31 18:56:43.000000000 +0200
++++ Eybler_Graduale_SperateInDeo_HV41_Score_Long.ly	2009-07-23 22:50:20.000000000 +0200
+@@ -3,10 +3,12 @@
+ \setCreateMIDI ##t
+ \setCreatePDF ##t
+ 
++#(set-global-staff-size 16)
++
+ \header {
+   scoretype = \LongScoreTitle
+   scorenumber = \markup{\scoreNumber \LongScoreNumber}
+ }
+ 
+-\createScore #"GradualeSperateInDeo" #'("LongScore")
++\createNoCuesScore #"GradualeSperateInDeo" #'("LongScore")
+ 

patches/Eybler_Graduale_SperateInDeo_HV41_Score_Original.ly.patch

+--- Eybler_Graduale_SperateInDeo_HV41_Score_Original.ly.new	2009-07-31 18:56:43.000000000 +0200
++++ Eybler_Graduale_SperateInDeo_HV41_Score_Original.ly	2009-07-23 22:50:25.000000000 +0200
+@@ -7,6 +7,9 @@
+   scoretype = \OriginalScoreTitle
+   scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
+ }
++SClef = \clef "soprano"
++AClef = \clef "alto"
++TClef = \clef "tenor"
+ 
+-\createScore #"GradualeSperateInDeo" #'("OriginalScore")
++\createNoCuesScore #"GradualeSperateInDeo" #'("TrbLong" "CorLong" "ObLong" "FagLong" "Str" "Ch" "Continuo")
+ 

patches/Eybler_Graduale_SperateInDeo_HV41_Settings_Global.ily.patch

+--- Eybler_Graduale_SperateInDeo_HV41_Settings_Global.ily.new	2009-07-31 18:56:43.000000000 +0200
++++ Eybler_Graduale_SperateInDeo_HV41_Settings_Global.ily	2009-07-23 21:17:21.000000000 +0200
+@@ -23,7 +23,16 @@
+   }
+ }
+ 
+-% Add custom keys here, e.g.
+-% CorKey = \key g \major
+-% CorIKey = \CorKey
+-% CorIIKey = \CorKey
++#(oly:modify_score_structure '("BassGroup" "StaffGroup" ("Continuo")))
++% #(oly:modify_score_structure '("Org" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass")))
++
++  
++CorIInstrumentName = "Corno I in C"
++CorIIInstrumentName = "Corno II in C"
++CorInstrumentName = "Corni in C"
++
++VcBInstrumentName = "Violone" 
++
++TrbClef = \clef "alto"
++TrbIClef = \clef "alto"
++TrbIIClef = \clef "alto"

patches/Makefile.patch

+--- Makefile.new	2009-07-31 18:56:43.000000000 +0200
++++ Makefile	2009-07-31 18:06:59.000000000 +0200
+@@ -10,7 +10,7 @@
+ 
+ 
+ .PHONY: all clean
+-all: $(OUT) $(instruments) $(scores) tex
++all: $(OUT) $(instruments) $(scores) $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf tex
+ instruments: $(instruments)
+ scores: $(scores)
+ 
+@@ -24,12 +24,15 @@
+ $(scores): % : $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Score_%.pdf $(SRCS)
+ 
+ $(OUT)/%.pdf : %.ly $(SRCS)
+-	lilypond -o $(basename $@) $<
++	lilypond -o $(basename $@) $< 
++
++$(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf: Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.ly
++	lilypond -dbackend=eps -o $(basename $@) $< 
+ 
+ $(OUT)/%.mp3 : %.midi
+ 	timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
+ 
+-tex: latex
++tex: $(OUT)/Eybler_Graduale_SperateInDeo_HV41_Music_AdditionalMeasures.pdf latex
+ latex: $(texpdfs)
+ 
+ $(OUT)/TeX_%.pdf : TeX_%.tex

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Include_About.itex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_About.itex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_About.itex	2009-07-31 15:12:03.000000000 +0200
+@@ -2,8 +2,68 @@
+ \chapter*{Vorwort / Preface}
+ 
+ \begin{multicols}{2}
+-TODO
++Dieses Graduale, im Werkverzeichnis von Herrman als HV 41 katalogisiert, wurde 
++vom Wiener Hofkapellmeister Josef Eybler im Jahr 1822 
++gemeinsam mit der Missa St. Ferdinandi Nr.14 in g (HV 26)
++für die große Festgala anlässlich der Geburtstagsfeier der beiden Majestäten 
++(sowohl Kaiser Franz I. als auch seine Gattin Kaiserin Karoline Auguste 
++feierten am 8. Februar Geburtstag) komponiert. Nach einer Probe am 4. Februar 1823 fand 
++am Sonntag Quinquagesima, dem 9. Febraur 1823, die Uraufführung der Messe (HV 26) 
++gemeinsam mit diesem Graduale \q{Sperate in Deo} (HV 41) und dem Offertorium 
++\q{Nos populus tuus} (HV 76), durch die Hofmusikkapelle in der Wiener Hofburgkapelle 
++statt.\footnote{Laut den Eintragungen in den Orchesterstimmen und den Bemerkungen 
++im Aufführungsspiegel der Wr. Hofburgkapelle, 
++siehe R. Steurer: Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert, 
++verlegt bei Hans Scheider, Tutzing, 1998.} Auch in den folgenden Jahres des 
++19. Jahrhunderts wurde das Werk noch mindestens 30 mal in der Hofburgkapelle 
++aufgeführt.
++
++Im Gegensatz zu den beiden anderen gleichzeitig aufgeführten Werken wurde 
++dieses Graduale -- im Manuskript als das Graduale \textnumero 20 von Eybler 
++bezeichnet -- im Jahr 1827 im Musikverlag von Tobias Haslinger als zweites Graduale in Druck verlegt,
++gemeinsam mit der Missa Sti. Mauritii in C (HV 4) und dem Offertorium 
++\q{Si consistant adversum me castra} (HV 86).
++
++Zahlreiche Rezensionen\footnote{AMZ \textnumero30 vom 3.Okt.1827;  AMZ \textnumero48, 28.Nov.1827; 
++Caecilia Bd.46, 1830} in den führenden musikalischen Wochenzeitschriften der 
++damaligen Zeit belegen seine Beliebtheit. So schreibt etwa die (Leipziger) 
++Allgemeine Musikalische Zeitung (AMZ No.30 vom 3.Okt.1827): {\em \q{Das Graduale: 
++Sperate in Deo, omnis congregation populi (Andante con moto, C dur, alla breve) 
++ist ein ausnehmend gesangreicher, wohlklingender Chor, voll der reinsten Harmonieen, 
++welche die concertierende Hoboe wie ein Silberband reizend durchschlängelt.}}
++
+ \columnbreak
+ TODO
++% This gradual, numbered HV 42 in the catalog of Herrmann, was composed by the 
++% Austrian Hofkapellmeister Josef Eybler in 1826 for the birthday 
++% gala of both the emperor Franz I. and the emperess Karoline Auguste (both were 
++% born on February 8). Since 1823, Eybler had annually composed a new mass for this occasion, 
++% mostly together with a new gradual and a new offertory. However, due to some 
++% \q{indisposition} (as the chronicles of the Hofburgkapelle states), the gala
++% was cancelled in 1826, like the year before. Instead, the premiere of the 
++% Missa St. Mauritii Nr.17 in C (HV 4) together with this gradual \q{Domine Deus, 
++% omnium creator} (HV 42) took place on thursday, February 2, 1826, the feast of 
++% Candlemas, in the Hofburgkapelle (the chapel of the imperial palace) in Vienna.
++% 
++% The gradual -- numbered as gradual \textnumero 25 in Eybler's autograph -- 
++% appeared in print only in 1834 as gradual \textnumero 7, published by Tobias 
++% Haslinger together with the mass \textnumero 7 in C major (HV 5) for the 
++% coronation of archduke Ferdinand as king of Hungary and the offertory 
++% \q{Magna et mirabilia} (HV 108). It is the last published gradual of Eybler and
++% has not been reviewed in any of the noted periodicals of its time.
++% 
++% Following a rather long instrumental introduction, the gradual frequently switches 
++% between piano and forte parts. The (relatively short) forte phrases appearing together 
++% majestic and powerful lyrics like \q{justus}, \q{omnipotens} or \q{aeternus}
++% are marked by a dotted rhythm in the strings, resulting in imperial power.
++% The pioano phrases on the other hand with lyrics \q{et misericors -- and merciful}, 
++% \q{sanctifica}, etc. are accompanied with runs of legato quavers, increasing 
++% the expressive humbleness of the lyrics even further.
++% 
++% Despite a powerful beginning, the piece ends in a soft and suppliant style, with
++% the strings vanishing into the final chord.
+ \end{multicols}
+-\vfill
++
++
++
++\vfill
+\ Kein Zeilenumbruch am Dateiende.

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Include_ContentsMaterial.itex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_ContentsMaterial.itex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_ContentsMaterial.itex	2009-07-23 22:49:39.000000000 +0200
+@@ -16,11 +16,20 @@
+ Zu diesem Werk liegt folgendes Aufführungsmaterial vor:
+ 
+ \FullScoreName{} (\scoreNumber\FullScoreNumber),
+-\LongScoreName{} (\scoreNumber\LongScoreNumber),
+-\ParticellScoreName{} (\scoreNumber\ParticellScoreNumber),
++\ParticellScoreName{} (\scoreNumber\ParticellScoreNumber);
++
+ \ChoralScoreName{} (\scoreNumber\ChoralScoreNumber),
+-\OriginalScoreName{} (\scoreNumber\OriginalScoreNumber),
++\SName{} (\scoreNumber\SNumber),
++\AName{} (\scoreNumber\ANumber),
++\TName{} (\scoreNumber\TNumber),
++\BName{} (\scoreNumber\BNumber);
++
+ \InstrumentsName{} (\scoreNumber\InstrumentsNumber),
++\OrganName{} (\scoreNumber\OrganNumber),
++\VIName{} (\scoreNumber\VINumber),
++\VIIName{} (\scoreNumber\VIINumber),
++\VaName{} (\scoreNumber\VaNumber),
++\VcBName{} (\scoreNumber\VcBNumber),
+ \ObIName{} (\scoreNumber\ObINumber),
+ \ObIIName{} (\scoreNumber\ObIINumber),
+ \FagIName{} (\scoreNumber\FagINumber),
+@@ -29,25 +38,17 @@
+ \CorIIName{} (\scoreNumber\CorIINumber),
+ \TrbIName{} (\scoreNumber\TrbINumber),
+ \TrbIIName{} (\scoreNumber\TrbIINumber),
+-\TimName{} (\scoreNumber\TimNumber),
+-\VIName{} (\scoreNumber\VINumber),
+-\VIIName{} (\scoreNumber\VIINumber),
+-\VaName{} (\scoreNumber\VaNumber),
+-\SName{} (\scoreNumber\SNumber),
+-\AName{} (\scoreNumber\ANumber),
+-\TName{} (\scoreNumber\TNumber),
+-\BName{} (\scoreNumber\BNumber),
+-\ContinuoName{} (\scoreNumber\ContinuoNumber),
+-\VcBName{} (\scoreNumber\VcBNumber),
++\TimName{} (\scoreNumber\TimNumber).
+ 
+ }
+ \end{center}
+ 
+ \vfill
+ \section*{Hauptquellen der Ausgabe / Main sources of this Edition}
+-\begin{thebibliography}{TODO}
+-\bibitem[TODO]{TODOPartitur} TODO: Sperate in Deo, Originalausgabe (Partitur), Verlag, Ort, Jahr.
+-\end{thebibliography}
++\begin{itemize}
++\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Signatur HK 2504 Mus.
++\item Graduale N\textsuperscript{o} 2 (\q{Sperate in Deo, omnis congregatio populi}), Erstdruck, Tobias Haslinger, Wien, 1827. Partitur (Pl.Nr. T.H.5012) und Stimmensatz (Pl.Nr. T.H.5015).
++\end{itemize}
+ 
+ \vfill
+ 

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Leben.itex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Leben.itex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Leben.itex	2009-07-23 20:45:57.000000000 +0200
+@@ -1,14 +1 @@
+-\section*{Das Leben von Joseph Eybler (1765-1846)}
+-
+-\begin{multicols}{2}
+-TODO
+-\end{multicols}
+-
+-\section*{The life of Joseph Eybler (1765-1846)}
+-
+-\begin{multicols}{2}
+-TODO
+-\end{multicols}
+-
+-Quellen / Sources:\\[0em]
+-TODO
++\input{../../Komponisten/Eybler/TeX_Eybler_Include_Biografie.itex}

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Text.itex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Text.itex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Text.itex	2009-07-30 18:45:08.000000000 +0200
+@@ -1,13 +1,15 @@
+-\subsection*{Text des \q{Sperate in Deo} (Graduale, HV 41)}
++\subsection*{Text des \q{Sperate in Deo} (Graduale, HV41): Ps 62(61),9}
+ 
+ \begin{small}
+ 
+-\subsection*{GradualeSperateInDeo}
+ \nopagebreak
+ \begin{lyricstable}
+-TODO & TODO & TODO \\
++Sperate in Deo & Vertraut auf Gott, & Trust in him, \\
++omnis congregatio populi,& gesamte Versammlung des Volkes & all ye congragation of people, \\
++effundite coram illo corda vestra.& schüttet euer Herz vor jenem aus. & pour out your harts before him. \\[0.5em]
++Deus adjutor noster & Gott ist unser Helfer & God is our helper \\
++in aeternum.& in Ewigkeit. & for ever.
+ \end{lyricstable}
+ 
+-
+ \end{small}
+ 

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Todo.itex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Todo.itex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Todo.itex	2009-07-31 15:22:27.000000000 +0200
+@@ -1,10 +1,38 @@
+-% \todos{
+-% \chapter*{Offene Fragen}
+-% 
+-% \section*{Literaturvergleich mit dem Autograph:}
+-% \begin{itemize}
+-% \item 
+-% 
+-% \end{itemize}
+-% 
+-% }
++\todos{
++\chapter*{Offene Fragen}
++
++\section*{Literaturvergleich mit dem Autograph:}
++\begin{itemize}
++\item Melismen-Bogen 26 A, 34 S, 35 S/T, 45 S, 46 A, 47 S, 51 A, 55 S/T, 94 A, 95 S/T, 103 S/A/T/B, 111 A/T, 119 S, 123 S.
++
++\item T1: Bogen ab Taktbeginn oder folgender Achtelnote?
++\item T103 FB: \textless{}6 3\textgreater{} \textless{}5 3\textgreater{} auf 2./3. oder auf 3./4. Viertelnote???
++\item 79 V2: c'' oder a' auf 3. Schlag?
++\item 67 Va: Bg über letzte vier Achtelnoten?
++
++\item T80/81: in HS1 nachträglich ausgestrichene Takte
++\item Letzte 2 Takte der Vokalstimmen: \q{Alleluja. Alleluja!} als alternative Endung
++
++\item Bögen über jeweils gebundenen Gruppen von Achtelnoten: 46 S, 51 S, 54 S, 
++
++\item T54S: zweiter Bg über die letzten vier Achtelnoten?
++\item 46 Ob1: Bg über ganzen Takt oder 6+2 Achtel?
++\item 56/57 Ob1/Ob2/Fag1/Fag2/V1/V2: Balken über je zwei oder vier Achtelnoten?
++\end{itemize}
++
++\section*{Other Issues (Typesetting?):}
++\begin{itemize}
++\item T39 FB: 9-7-\# (extender for \# not on top, but on bottom!)
++\item T39 FB: \# or 9-7-\# as figured bass?
++\item T75 FB: 5 with hat above as Markup (Ly BUG FB/markup + How do I print a hat at all?)
++\item T104 FB: \q{t.s. / Solo} below staff to prevent collision
++\end{itemize}
++
++\section*{Handschrift HS1:}
++\begin{itemize}
++\item 57 V2: Trill
++\item 118 Fag1: Bogen?
++\item T80/81 aus der Handschrift in folgenden Instrumenten: Cor1, Cor2
++\end{itemize}
++
++}
+\ Kein Zeilenumbruch am Dateiende.

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Choral.tex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Choral.tex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Choral.tex	2009-07-31 18:59:38.000000000 +0200
+@@ -16,10 +16,5 @@
+ 
+ \includescore{Score_Choral}
+ 
+-\cleardoublepage
+-\backmatter
+-\appendix
+-\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
+-
+ \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
+ \end{document}

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Instruments.tex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Instruments.tex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Instruments.tex	2009-07-31 15:52:20.000000000 +0200
+@@ -15,6 +15,36 @@
+ \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Preface_Long.itex}
+ 
+ \phantomsection
++\addcontentsline{toc}{section}{\ContinuoName}
++\includescore{Instrument_Continuo}
++
++\phantomsection
++\addcontentsline{toc}{section}{\SName}
++\includescore{Instrument_S}
++\phantomsection
++\addcontentsline{toc}{section}{\AName}
++\includescore{Instrument_A}
++\phantomsection
++\addcontentsline{toc}{section}{\TName}
++\includescore{Instrument_T}
++\phantomsection
++\addcontentsline{toc}{section}{\BName}
++\includescore{Instrument_B}
++
++\phantomsection
++\addcontentsline{toc}{section}{\VIName}
++\includescore{Instrument_VI}
++\phantomsection
++\addcontentsline{toc}{section}{\VIIName}
++\includescore{Instrument_VII}
++\phantomsection
++\addcontentsline{toc}{section}{\VaName}
++\includescore{Instrument_Va}
++\phantomsection
++\addcontentsline{toc}{section}{\VcBName}
++\includescore{Instrument_VcB}
++
++\phantomsection
+ \addcontentsline{toc}{section}{\ObIName}
+ \includescore{Instrument_ObI}
+ \phantomsection
+@@ -41,33 +71,6 @@
+ \phantomsection
+ \addcontentsline{toc}{section}{\TimName}
+ \includescore{Instrument_Tim}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VIName}
+-\includescore{Instrument_VI}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VIIName}
+-\includescore{Instrument_VII}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VaName}
+-\includescore{Instrument_Va}
+-\phantomsection
+-\addcontentsline{toc}{section}{\SName}
+-\includescore{Instrument_S}
+-\phantomsection
+-\addcontentsline{toc}{section}{\AName}
+-\includescore{Instrument_A}
+-\phantomsection
+-\addcontentsline{toc}{section}{\TName}
+-\includescore{Instrument_T}
+-\phantomsection
+-\addcontentsline{toc}{section}{\BName}
+-\includescore{Instrument_B}
+-\phantomsection
+-\addcontentsline{toc}{section}{\ContinuoName}
+-\includescore{Instrument_Continuo}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VcBName}
+-\includescore{Instrument_VcB}
+ 
+ 
+ \cleardoublepage

patches/TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Particell.tex.patch

+--- TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Particell.tex.new	2009-07-31 18:56:43.000000000 +0200
++++ TeX_Eybler_Graduale_SperateInDeo_HV41_Score_Particell.tex	2009-07-31 18:59:25.000000000 +0200
+@@ -16,10 +16,5 @@
+ 
+ \includescore{Score_Particell}
+ 
+-\cleardoublepage
+-\backmatter
+-\appendix
+-\input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_KritBericht.itex}
+-
+ \input{TeX_Eybler_Graduale_SperateInDeo_HV41_Include_Backpage.itex}
+ \end{document}