Commit b527ee42 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer

Fix typos von Vergleich mit Handschrift, fix VcB music

parent c323cb09
......@@ -2,7 +2,7 @@ OUT=out
base = Randhartinger_AdTeLevavi
SRCS = $(base)_Music_AdTeLevavi.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_Instrument.ily $(base)_Settings_VocalVoice.ily $(base)_Settings_FullScore.ily
instruments = ASolo VaSolo VI VII Va Vc Cb
instruments = ASolo VaSolo VI VII Va Vc Cb VcB
scores = Long
pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
$(scores:%=$(OUT)/$(base)_Score_%.pdf)
......
\version "2.13.29"
\include "Randhartinger_AdTeLevavi_Settings_Instrument.ily"
\header {
instrument = \VcInstrumentName
scorenumber = \markup{\scoreNumber \VcBNumber}
}
\createScore #"AdTeLevavi" #'("VcB")
\version "2.13.29"
% AdTeLevaviPieceName = "Ad te levavi"
% AdTeLevaviTempo = "TODO"
AdTeLevaviKey = \key e \major
AdTeLevaviTimeSignature = \time 2/4
......@@ -39,13 +36,13 @@ AdTeLevaviASoloMusic = \relative c' {
h'4 h,8 r | \barNumberCheck #30
fis'4 fis8 ais | % 31
h4 fis8 r | % 32
cis'4 h16[( ais]) gis[( a]) | % 33
cis'4 h16[( ais]) gis[( ais]) | % 33
h4\fermata h,8\fermata r | % 34
R2*8 \AdTeLevaviSettingsII % 42
g'!4\mf d8 h' | % 43
h16[( a]) g f g4 | \barNumberCheck #44
h16[( a]) g fis g4 | \barNumberCheck #44
e8. fis16 a16[( g]) fis[( e]) | % 45
d4 b8 r | % 46
d4 h8 r | % 46
d4. d16.[( d'32]) | % 47
d4 c16[( h]) a[( g]) | % 48
fis8. fis16 g[( fis]) g[( h]) | % 49
......@@ -100,11 +97,11 @@ AdTeLevaviASoloMusic = \relative c' {
gis4 fis8 gis | \barNumberCheck #104
a4. cis16[( h]) | % 105
a4 gis | % 106
cis d | % 107
cis dis | % 107
e gis,8 cis | % 108
h4( a) | \barNumberCheck #109
gis4 r | \barNumberCheck #110
cis d | % 111
cis dis | % 111
e4 e,8 h'16[( a]) | % 112
gis4( fis) | % 113
e4. r8 | \barNumberCheck #114
......@@ -150,7 +147,7 @@ AdTeLevaviVaSoloMusic = \relative c' {
h'4. dis,8 | \barNumberCheck #10
e8[(\turn a16 gis]) fis[( e] \times 2/3 {dis[ e cis])} | % 11
h4~ h16[ his( cis a]) | % 12
gis8 r16 cis'16( cis dis disis eis]) | % 13 % TODO: cis cis???
gis8 r16 h'16( his[ cis cisis dis]) | % 13
<< {e2~} {s4\< s4\>} >> | % 14
e8.[\! cis16]( cisis[ dis e eis]) | % 15
<< {fis2~} {s4\< s4\>} >> | % 16
......@@ -159,7 +156,7 @@ AdTeLevaviVaSoloMusic = \relative c' {
gis8 gis[-> a-> ais->] | % 19
h-> e[(\< gis cis]) | \barNumberCheck #20
h16[(\! a32( gis fis e dis cis]) h[(^\pocorit ais h cis]) h[( ais gis fis]) | % 21
e4\fermata r | % 22 % TODO: Wirklich e???
e4\fermata r | % 22
R2*3 | % 25
r4 r8 h'16.[(\mf h'32]) | % 26
h4. dis,8 | % 27
......@@ -167,12 +164,12 @@ AdTeLevaviVaSoloMusic = \relative c' {
R2 | % 29
r8 dis16[(\mf e] fis[ gis ais h]) | \barNumberCheck #30
his8[ cis]~ cis16[ ais( fis e]) | % 31
d8 fis,16[( gis] ais[ h cis dis]) | % 32
dis8 fis,16[( gis] ais[ h cis dis]) | % 32
e2 | % 33
dis4.\fermata h8\p | % 34
fis'4 dis8[( h]) | % 35
g'8.[( fis32 g]) a16[( g fis e]) | % 36
d8~ d32[ cis(\< d e] fis[ g a h] c[ cis e r64 d])\! | % 37
d8~ d32[ cis!(\< d e] fis[ g a h] c[ cis e r64 d])\! | % 37
h8.[\> g,16]( h[\! d g h]) | % 38
dis4 c8[( h]) | % 39
h4 a8[( ais]) | \barNumberCheck #40
......@@ -185,7 +182,7 @@ AdTeLevaviVaSoloMusic = \relative c' {
a16[( g d h] g]) d[( g h]) | % 48
c[( d, d' c]) h[( ais h g]) | % 49
fis16[( d fis a]) d[( a fis' d]) | \barNumberCheck #50
a'[( g e cis] a8[)-| c]\turn | % 51
a'[( g e cis] a8[)-| cis]\turn | % 51
e16[( d a fis] c[) a'32(\< h] cis[ d e fis]) | % 52
g4\f e8[ a] | % 53
d,4~ d8 r | % 54
......@@ -214,19 +211,19 @@ AdTeLevaviVaSoloMusic = \relative c' {
gis4. gis'8 \> | % 85
gis4( a8)\! r | % 86
R2*3 | % 89
r4 r8 h16.[(\p fis32]) \AdTeLevaviSettingsIII \barNumberCheck #90
r4 r8 \clef "treble" h16.[(\p fis'32]) \AdTeLevaviSettingsIII \barNumberCheck #90
fis4 e16[( dis cis h]) | % 91
h8.[( e'16]) dis[( e fis gis]) | % 92
h8.[( e16]) dis[( e fis gis]) | % 92
a8.[( fis16]) a[( gis fis e]) | % 93
h4~ h8 r | % 94
e,4\p e8[( fis]) | % 95
\VaClef e,4\p e8[( fis]) | % 95
e4( dis8) e | % 96
fis4. a16[( gis]) | % 97
fis4( e) | % 98
e-> a8[ a] | % 99
gis8.[( h16]) a[( gis fis e]) | \barNumberCheck #100
dis8[( e]) fis[( e]) | % 101
e4 r | % 102
dis4 r | % 102
e\mf e8[(-| fis])-| | % 103
e4( dis8) e | % 104
fis4. a16[( gis]) | % 105
......@@ -236,7 +233,7 @@ AdTeLevaviVaSoloMusic = \relative c' {
fis4 dis | % 109
e r | \barNumberCheck #110
a4-> <a h,>-> | % 111
<g h,>-> e8[ fis] | % 112
<gis h,>-> e8[ fis] | % 112
e4 dis | % 113
e r8 h8\p | % 114
fis'4 e16[( dis cis h]) | % 115
......@@ -292,7 +289,7 @@ AdTeLevaviVIMusic = \relative c'' {
r8 d4 d8 | % 37
d4. r8 | % 38
r8 f8[( e d]) | % 39
cis4. cis8 | \barNumberCheck #40
cis!4. cis8 | \barNumberCheck #40
d8 r r4 | % 41
fis8 r r4 \AdTeLevaviSettingsII % 42
d2\mf | % 43
......@@ -315,7 +312,7 @@ AdTeLevaviVIMusic = \relative c'' {
g4 g,8[(\p b]) | \barNumberCheck #60
a4( fis) | % 61
g8.[\ff g16] a16[( h c d]) | % 62
e4 fis | % 63
e4 fis! | % 63
g4 h,,8[(\p e]) | % 64
d4 fis | % 65
g8 h,[ h h] | % 66
......@@ -326,7 +323,7 @@ AdTeLevaviVIMusic = \relative c'' {
e2 | % 71
e | % 72
e4( dis) | % 73
e4 d8[\mf fis] | % 74
e4 e8[\mf fis] | % 74
g2 | % 75
g2 | % 76
g4 fis | % 77
......@@ -355,7 +352,7 @@ AdTeLevaviVIMusic = \relative c'' {
h4. h8 | \barNumberCheck #100
h8[ h] h4 | % 101
h8 h'[(\< ais a]) | % 102
gis8\mf h,4 cis8 | % 103 % TODO: gis oder e???
gis8\mf gis,4 cis8 | % 103
h8 r h[ h] | % 104
cis[( c h) h] | % 105
h4~ h16[\< e( gis h]) | % 106
......@@ -363,7 +360,7 @@ AdTeLevaviVIMusic = \relative c'' {
e e,8[ g] | % 108
fis4 dis | % 109
e8.[\ff e16] fis16[ gis a h] | \barNumberCheck #110
cis4-> dis-> | % 111 % TODO: dis mit #???
cis4-> dis!-> | % 111
e4-> gis,,8[( cis]) | % 112
h4 dis | % 113
e8[ e\p e e] | % 114
......@@ -386,7 +383,7 @@ AdTeLevaviVIIMusic = \relative c'' {
gis8 h[ dis e] | % 3
fis4 e | % 4
dis8 <fis dis>4->\fermata r8 | % 5
h,,8[\p his( dis ais]) | % 6
h,,8[\p his( cis ais]) | % 6
h4 h8[ h] | % 7
h8.[ h16] h8[ h] | % 8
h4~ h8 r | % 9
......@@ -402,7 +399,7 @@ AdTeLevaviVIIMusic = \relative c'' {
e e,8[( fis fisis]) | % 19
gis8 e4\< e8 | \barNumberCheck #20
dis8\fz r h\p r | % 21
gis4\fermata r | % 22
h4\fermata r | % 22
r8\p h4 h8 | % 23
h4. r8 | % 24
a4( gis) | % 25
......@@ -454,7 +451,7 @@ AdTeLevaviVIIMusic = \relative c'' {
h2 | % 71
c | % 72
h | % 73
h4 h8[\mf <d a>] | % 74 % TODO: <d a>???
h4 h8[\mf <d a>] | % 74
<d h>2 | % 75
e | % 76
d | % 77
......@@ -474,7 +471,7 @@ AdTeLevaviVIIMusic = \relative c'' {
h4 r | % 91
h r | % 92
h8 r h r | % 93
h[ h~] h16 fis'(\> e h]) | % 94
h[ h~] h16[ fis'(\> e h]) | % 94
h8\p gis4 cis8 | % 95
h8 r h8[(-. h])-. | % 96
cis8[( c h h]) | % 97
......@@ -483,14 +480,14 @@ AdTeLevaviVIIMusic = \relative c'' {
h4. h8 | \barNumberCheck #100
h8[ h] h4 | \barNumberCheck #101
h8 dis8[(\< e fis]) | % 102
e8\mf gis,4 cis8 | % 103 % TODO: e oder h???
e8\mf gis,4 cis8 | % 103
h8 r h[ h] | % 104
cis[( c h) h] | % 105
h4~ h16[ \< e( e e]) | % 106
a4\ff h | % 107
h e,8[ e] | % 108
h2 | % 109
h8.[\ff h16] h[ e fis gis] | \barNumberCheck #110 % TODO: fis oder e?
h8.[\ff h16] h[ e fis gis] | \barNumberCheck #110
a4-> h-> | % 111
h4-> gis,8[( cis]) | % 112
h4 h | % 113
......@@ -514,7 +511,7 @@ AdTeLevaviVaMusic = \relative c' {
h h'[ h h] | % 3
h4 h | % 4
h8 h4->\fermata r8 | % 5
gis,4\p a8[( fisis]) | % 6 % TODO: o???
gis,4\p a8[( fisis]) | % 6
gis4 h8[( h]) | % 7
fis8.[( a16]) gis[( fisis gis e]) | % 8
gis4( fis8) r | % 9
......@@ -562,7 +559,7 @@ AdTeLevaviVaMusic = \relative c' {
a4. a8 | % 51
a4. fis8 | % 52
e4\f g | % 53
fis8[ a(\p g <d' c>)] | % 54 % TODO: p auf 1. oder 2. Achtel?
fis8[ a(\p g <d' c!>)] | % 54
<d h>4 e | % 55
d4. d8 | % 56
e8[( es d) d] | % 57
......@@ -572,7 +569,7 @@ AdTeLevaviVaMusic = \relative c' {
d2 | % 61
h8.[\ff h16] c[( d c f]) | % 62
e4 <c' d,> | % 63
<h g>4\p g, | % 64 % TODO: p auf 1. oder 2. Schlag?
<h g>4 g,\p | % 64
g16[( a h c] d8[) <d c>] | % 65
<d h>8 d,[ d d] | % 66
fis4 a8[( fis]) | % 67
......@@ -606,7 +603,7 @@ AdTeLevaviVaMusic = \relative c' {
gis8\p r r4 | % 95
R2*6 | \barNumberCheck #101
h8 fis4(\< h8) | % 102
h8\mf e,4 a8 | % 103 % TODO: h oder g auf 1. Achtel?
h8\mf e,4 a8 | % 103
e4 dis8[ h'] | % 104
a4. dis,8 | % 105
e4~ e16[\< gis( h gis]) | % 106
......@@ -637,11 +634,8 @@ AdTeLevaviVcMusic = \relative c' {
e8 gis[ fis e] | % 3
dis4 e8[( gis]) | % 4
h8 h,4\fermata-> r8 | % 5
%% Basso: e4\p e | % 6
%% Basso: e8.[( gis16]) a[( gis fis e]) | % 7
e,4\p e | % 6
e8.[( gis'16]) a[( gis fis e]) | % 7
%% end Cello
h8[ h h h] | % 8
h4~ h8 r | % 9
r\p a'8[(-. a-. a])-. | \barNumberCheck #10
......@@ -658,11 +652,8 @@ AdTeLevaviVcMusic = \relative c' {
h8\fz r h8\p r | % 21
e,4\fermata r | % 22
r8\p e16.[( gis32] h8[ a]) | % 23
%% Basso: gis4~ gis8 r | % 24
%% Basso: h4 h | % 25
gis8[ h16 e] gis8 r | % 24
h,4 h | % 25
%% end Cello
h4~ h8 r | % 26
r a'[ gis fis] | % 27
gis4 r | % 28
......@@ -684,25 +675,24 @@ AdTeLevaviVcMusic = \relative c' {
d4 g | % 44
c2 | % 45
g | % 46
fis4. d8 | % 47 % TODO: fis oder g???
fis4. d8 | % 47
g4. d8 | % 48
a'8 r g r | % 49
%% end Cello
d8 d'[ d d] | \barNumberCheck #50
a4. a8 | % 51
a4. a8 | % 52
a4\f a | % 53
d8[\p c( h a]) | % 54
d8[ c!(\p h a]) | % 54
g4 c, | % 55
d8[ d'( c h]) | % 56
a[( g fis) fis'] | % 57
fis4 g | % 58
c,\f a | % 59
g g'8[(\p g]) | \barNumberCheck #60 % TODO: \p auf 1. oder 2. Schlag???
g g'8[(\p g]) | \barNumberCheck #60
g4( a) | % 61
g8.[\p g16] fis[( f e d]) | % 62
c4 a | % 63
g4\p e'8[( c]) | % 64 % TODO: \p auf 1. oder 2. Schlag???
g4 e'8[(\p c]) | % 64
d2 | % 65
g8 g,[ g g] | % 66
g2 | % 67
......@@ -712,7 +702,7 @@ AdTeLevaviVcMusic = \relative c' {
e,2 | % 71
a | % 72
h | % 73
e,4 e'8[(\mf c] | % 74
e,4 e'8[(\mf c]) | % 74
g2 | % 75
c | % 76
d | % 77
......@@ -766,36 +756,69 @@ AdTeLevaviVcMusic = \relative c' {
\addQuote "AdTeLevaviVcMusic" { \AdTeLevaviVcMusic }
AdTeLevaviCbMusic = \relative c' {
AdTeLevaviCbMusic = \relative c {
\quoteDuring "AdTeLevaviVcMusic" {s8 | s2*4 } | % 5
e4\p e | % 6
e8.[( gis16]) a[( gis fis e]) | % 7
\quoteDuring "AdTeLevaviVcMusic" { s2*6 } | % 13
R2*6 | % 19
r8 h4\< h8 | \barNumberCheck #20
\quoteDuring "AdTeLevaviVcMusic" { s2*3 } | % 23
gis4~ gis8 r | % 24
h4 h | % 25
\quoteDuring "AdTeLevaviVcMusic" { s2*21 | s4. } d'8 | % 47
e8.[( gis16]) \quoteDuring "AdTeLevaviVcMusic" { s4 | s2*6 } | % 13
R2*6 | \barNumberCheck #19
\quoteDuring "AdTeLevaviVcMusic" { s2*4 } | % 23
gis,4~ gis8 \quoteDuring "AdTeLevaviVcMusic" { s8 | s2*22 | s4. } d'8 | % 47
g4. d8 | % 48
a8 r g r | % 49
\quoteDuring "AdTeLevaviVcMusic" { s2*74 }
\quoteDuring "AdTeLevaviVcMusic" { s2*75 }
}
\addQuote "AdTeLevaviCbMusic" { \AdTeLevaviCbMusic }
AdTeLevaviVcBMusic = \relative c' {
\quoteDuring "AdTeLevaviVcMusic" {s8 | s2*4 } | % 5
e4\p e | % 6
e8.[( gis16]) a[( gis fis e]) | % 7
\quoteDuring "AdTeLevaviVcMusic" { s2*6 } | % 13
R2*6 | % 19
r8 h4\< h8 | \barNumberCheck #20
\quoteDuring "AdTeLevaviVcMusic" { s2*3 } | % 23
gis4~ gis8 r | % 24
h4 h | % 25
\quoteDuring "AdTeLevaviVcMusic" { s2*21 | s4. } d'8 | % 47
g4. d8 | % 48
a8 r g r | % 49
\quoteDuring "AdTeLevaviVcMusic" { s2*74 }
\quoteDuring "AdTeLevaviVcMusic" {s8 | s2*4 } | \barNumberCheck #5
<<
\context Voice="AdTeLevaviVcVoice" {
\override Voice.InstrumentSwitch #'direction = #DOWN
\voiceTwo
\cueText "Cello"
\quoteDuring "AdTeLevaviVcMusic" { s2 | s4 }
}
\context Voice="AdTeLevaviCbVoice" {
\override Voice.InstrumentSwitch #'direction = #UP
\voiceOne
\cueText "Basso"
\set Voice.quotedEventTypes = #'(note-event articulation-event rest-event slur-event beam-event beam-forbid-event)
\quoteDuring "AdTeLevaviCbMusic" { s2 | s4 }
}
>>
\quoteDuring "AdTeLevaviVcMusic" { s4 | s2*6 } | \barNumberCheck #13
\cueText "Cello"
\quoteDuring "AdTeLevaviVcMusic" { s2*6 } | \barNumberCheck #19
\cueText "Basso"
\quoteDuring "AdTeLevaviVcMusic" { s2*4 } | % 23
<<
\context Voice="AdTeLevaviVcVoice" {
\override Voice.InstrumentSwitch #'direction = #UP
\voiceOne
\cueText "Cello"
\quoteDuring "AdTeLevaviVcMusic" { s4. }
}
\context Voice="AdTeLevaviCbVoice" {
\override Voice.InstrumentSwitch #'direction = #DOWN
\voiceTwo
\cueText "Basso"
\quoteDuring "AdTeLevaviCbMusic" { s4. }
}
>> \quoteDuring "AdTeLevaviVcMusic" { s8 | s2*22 | s4. }
<<
\context Voice="AdTeLevaviVcVoice" {
\override Voice.InstrumentSwitch #'direction = #DOWN
\voiceTwo
\cueText "Cello"
\quoteDuring "AdTeLevaviVcMusic" { s8 | s2 }
}
\context Voice="AdTeLevaviCbVoice" {
\override Voice.InstrumentSwitch #'direction = #UP
\voiceOne
\cueText "Basso"
% \set Voice.quotedEventTypes = #'(note-event articulation-event rest-event slur-event beam-event beam-forbid-event)
\quoteDuring "AdTeLevaviCbMusic" { s8 | s2 }
}
>> | \barNumberCheck #48
\quoteDuring "AdTeLevaviVcMusic" { s2*75 }
}
......@@ -22,6 +22,7 @@ Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\VIName{} (-\VINumber),
\VIIName{} (-\VIINumber),
\VaName{} (-\VaNumber),
\VcBName{} (-\VcBNumber),
\VcName{} (-\VcNumber),
\CbName{} (-\CbNumber).
......
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