Finished Ecce Quomodo (probably not by Eybler)

.gitignore

+*.toc
+*.aux
+*.log
+*.out
+

Eybler_EcceQuomodo_HVdeest_Music_EcceQuomodo.ily

+\version "2.13.1"
+
+EcceQuomodoKey = \key c \minor
+EcceQuomodoTimeSignature = \time 2/2
+
+EcceQuomodoSettings = \notemode {
+  \override Staff.NoteHead  #'style = #'baroque
+  \set Score.tempoHideNote = ##t
+  \tempo "Un poco adagio" 2=70
+}
+
+EcceQuomodoSettingsII = \notemode {
+  \bar"||" \barNumberCheck #41
+  \time 2/2 
+  \tempo "più adagio"
+}
+
+
+EcceQuomodoSMusic = \relative c' {
+  f1~ | % 2
+  f | % 3
+  e1 | % 4
+  r2 f2~ | % 5
+  f2 f4 f | % 6
+  f1 | % 7
+  f2 es | % 8
+  des1~ | % 9
+  des | \barNumberCheck #10
+  c | % 11
+  r2 es | % 12
+  as1 | % 13
+  as2 as~ | % 14
+  as g4 g | % 15
+  f1 | % 16
+  e | % 17
+  r2 e | % 18
+  e e | % 19
+  f1 | \barNumberCheck #20
+  f2 f | % 21
+  des1 | % 22
+  des | % 23
+  r2 f | % 24
+  es1 | % 25
+  es2 es | % 26
+  es1~ | % 27
+  es2 es | % 28
+  es1 | % 29
+  r2 c'2 | \barNumberCheck #30
+  c2. c4 | % 31
+  b2 b | % 32
+  b b | % 33
+  c1 | % 34
+  b2 b | % 35
+  as1 | % 36
+  g2 g | % 37
+  f1~ | % 38
+  f | % 39
+  e\breve\fermata \bar"||"\break \barNumberCheck #41
+  \time 2/2
+  \tempo "più adagio" 
+  << {\once\override Score.NonMusicalPaperColumn #'padding = #10 g1} { \once\override Score.NonMusicalPaperColumn #'padding = #10 s2\p \once\override Score.NonMusicalPaperColumn #'padding = #10 s\f} >> | % 42
+  << {as!1} {s2\p s\f} >> | % 43
+  as2 g | % 44
+  f1~\p | % 45
+  f\f | % 46
+  es1~\p | % 47
+  es\f | % 48
+  r2 es\pp | % 49
+  f1 | \barNumberCheck #50
+  f2 f | % 51
+  e1( | % 52
+  f1~ | % 53
+  f e) | % 54
+  \once\override Score.NonMusicalPaperColumn #'padding = #10 
+  << {f\breve\fermata} {s2\p s4\f} >>\bar "|."
+}
+\addQuote "EcceQuomodoSMusic" { \EcceQuomodoSMusic }
+
+EcceQuomodoSLyrics = \lyricmode {
+  Ec -- ce quo -- mo -- do mo -- ri -- tur ju -- stus,
+  et ne -- mo per -- ci -- pit cor -- de,
+  et vi -- ri ju -- sti tol -- lun -- tur,
+  et ne -- mo con -- si -- de -- rat, 
+  a fa -- ci -- e in -- i -- qui -- ta -- tis 
+  sub -- la -- tus est ju -- stus.
+  
+  Et e -- rit in pa -- ce __ 
+  me -- mo -- ri -- a e -- jus.
+}
+
+EcceQuomodoAMusic = \relative c' {
+  c1~ | % 2
+  c | % 3
+  c | % 4
+  r2 c2~ | % 5
+  c c4 c | % 6
+  des1 | % 7
+  des2 c | % 8
+  b1~ | % 9
+  b | \barNumberCheck #10
+  as | % 11
+  r2 c | % 12
+  c1 | % 13
+  c2 c~ | % 14
+  c c4 c | % 15
+  c2( b) | % 16
+  c1 | % 17
+  r2 c2 | % 18
+  c c | % 19
+  c1 | \barNumberCheck #20
+  c2 c | % 21
+  b1 | % 22
+  b | % 23
+  r2 des | % 24
+  des1 | % 25
+  c2 c | % 26
+  b1~ | % 27
+  b2 b | % 28
+  c1 | % 29
+  r2 as' | \barNumberCheck #30
+  as2. as4 | % 31
+  g2 g | % 32
+  g g as1 | % 33
+  g2 g | % 34
+  f1 | % 35
+  e2 c | % 36
+  c1( | % 37
+  b) | % 38
+  c\breve\fermata \bar"||"  \barNumberCheck #41
+  \tempo "più adagio" \time 2/2
+  << {e1} {s2\p s\f} >> | % 42
+  << {f1} {s2\p s\f} >> | % 43
+  f2 e | % 44
+  f1(\p | % 45
+  des)\f | % 46
+  c1~\p | % 47
+  c\f | % 48
+  r2 c | % 49
+  des1 | \barNumberCheck #50
+  des2 des | % 51
+  c1~ | % 52
+  c~ | % 53
+  c~ | % 54
+  c | % 55
+  << {c\breve\fermata} {s2\p s4\f} >>\bar "|."
+}
+\addQuote "EcceQuomodoAMusic" { \EcceQuomodoAMusic }
+
+EcceQuomodoALyrics = \EcceQuomodoSLyrics
+
+EcceQuomodoTMusic = \relative c' {
+  as1~ | % 2
+  as | % 3
+  g | % 4
+  r2 as~ | % 5
+  as as4 as | % 6
+  as1 | % 7
+  as2 as | % 8
+  f1( | % 9
+  es) | \barNumberCheck #10
+  es | % 11
+  r2 as | % 12
+  as1 | % 13
+  as2 as~ | % 14
+  as e4 e | % 15
+  f1 | % 16
+  g | % 17
+  r2 g | % 18
+  g g | % 19
+  f1 | \barNumberCheck #20
+  f2 f | % 21
+  f1 | % 22
+  f | % 23
+  r2 b | % 24
+  g1 | % 25
+  as2 as | % 26
+  as1 | % 27
+  g | % 28
+  as | % 29
+  r2 es' | \barNumberCheck #30
+  es2. es4 | % 31
+  es2 es | % 32
+  es es | % 33
+  es1 | % 34
+  c2 c | % 35
+  c1 | % 36
+  c2 c | % 37
+  as!1( | % 38
+  g2 f) | % 39
+  g\breve\fermata \bar"||" \barNumberCheck #41
+  \tempo "più adagio" \time 2/2
+  << {c1} {s2\p s\f} >> | % 42
+  << {c1} {s2\p s\f} >> | % 43
+  c2 c | % 44
+  as1~\p | % 45
+  as\f | % 46
+  as~\p | % 47
+  as\f | % 48
+  r2 as | % 49
+  as1 | \barNumberCheck #50
+  b2 b | % 51
+  b1( | % 52
+  as! | % 53
+  g1~ | % 54
+  g) | % 55
+  << {a\breve\fermata} {s2\p s4\f} >>\bar "|."
+}
+\addQuote "EcceQuomodoTMusic" { \EcceQuomodoTMusic }
+
+EcceQuomodoTLyrics = \EcceQuomodoSLyrics
+
+EcceQuomodoBMusic = \relative c {
+  f1~ | % 2
+  f | % 3
+  c | % 4
+  r2 f2~| % 5
+  f f4 f | % 6
+  des1 | % 7
+  des2 as | % 8
+  as1( | % 9
+  g) | \barNumberCheck #10
+  as | % 11
+  r2 as2 | % 12
+  f1 | % 13
+  f2 f'~ | % 14
+  f c4 c | % 15
+  des1 | % 16
+  c1 | % 17
+  r2 c | % 18
+  c c | % 19
+  a1 | \barNumberCheck #20
+  a2 a | % 21
+  b1 | % 22
+  b | % 23
+  r2 b | % 24
+  es1 | % 25
+  es2 es | % 26
+  es1~ | % 27
+  es2 es | % 28
+  as,1 | % 29
+  r2 as' | \barNumberCheck #30
+  as2. as4 | % 31
+  es2 es | % 32
+  es es | % 33
+  as1 | % 34
+  e2 e | % 35
+  f1 | % 36
+  c2 c | % 37
+  des1~ | % 38
+  des | % 39
+  c\breve\fermata \bar"||" \barNumberCheck #41
+  \time 2/2 \tempo "più adagio"
+  << {c1} {s2\p s\f} >> | % 42
+  << {f1} {s2\p s\f} >> | % 43
+  f2 c | % 44
+  des1~\p | % 45
+  des\f | % 46
+  as1~\p | % 47
+  as\f | % 48
+  r2 as2\pp | % 49
+  des1 | \barNumberCheck #50
+  b2 b | % 51
+  c1~ | % 52
+  c~ | % 53
+  c~ | % 54
+  c | % 55
+  << {f,\breve\fermata} {s2\p s4\f} >>\bar "|."
+}
+\addQuote "EcceQuomodoBMusic" { \EcceQuomodoBMusic }
+
+EcceQuomodoBLyrics = \EcceQuomodoSLyrics
+
+

Eybler_EcceQuomodo_HVdeest_Score_Choral.ly

+\version "2.13.1"
+\include "Eybler_EcceQuomodo_HVdeest_Settings.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \ChoralScoreTitle
+  scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
+}
+
+\createScore #"EcceQuomodo" #'("ChoralScore")
+

Eybler_EcceQuomodo_HVdeest_Score_Klavierauszug.ly

+\version "2.13.1"
+\include "Eybler_EcceQuomodo_HVdeest_Settings.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+#(set-global-staff-size 19)
+
+
+\header {
+  scoretype = \OrganScoreTitle
+  scorenumber = \markup{\scoreNumber \OrganScoreNumber}
+}
+
+EcceQuomodoOIStaff = \new Staff = "EcceQuomodoOIStaff" \with {\remove "New_dynamic_engraver"} 
+  \new Voice = "EcceQuomodoOIVoice" \with {\remove "New_dynamic_engraver"} {
+  \EcceQuomodoSettings
+  \EcceQuomodoTimeSignature
+  \EcceQuomodoKey
+  << 
+    { \quoteDuring #"EcceQuomodoSMusic" {s1*14} }
+    { \quoteDuring #"EcceQuomodoAMusic" {s1*14} }
+    { \quoteDuring #"EcceQuomodoTMusic" {s1*14} }
+  >> | \barNumberCheck #15
+  \voiceOne
+  <<
+    { \quoteDuring #"EcceQuomodoSMusic" {s1} }
+    \new Voice = "A" { \voiceThree \quoteDuring #"EcceQuomodoAMusic" {s1} }
+    { \quoteDuring #"EcceQuomodoTMusic" {s1} }
+  >> | \barNumberCheck #16
+  \oneVoice
+  << 
+    { \quoteDuring #"EcceQuomodoSMusic" {s1*10} }
+    { \quoteDuring #"EcceQuomodoAMusic" {s1*10} }
+    { \quoteDuring #"EcceQuomodoTMusic" {s1*10} }
+  >> | \barNumberCheck #26
+  <<
+    { \quoteDuring #"EcceQuomodoSMusic" {s1*2} }
+    { \quoteDuring #"EcceQuomodoAMusic" {s1*2} }
+    \new Voice = "T" {\voiceTwo \quoteDuring #"EcceQuomodoTMusic" {s1*2} }
+  >> | \barNumberCheck #28
+  <<
+    { \quoteDuring #"EcceQuomodoSMusic" {s1*9} }
+    { \quoteDuring #"EcceQuomodoAMusic" {s1*9} }
+    { \quoteDuring #"EcceQuomodoTMusic" {s1*9} }
+  >> | \barNumberCheck #37
+  <<
+    { \quoteDuring #"EcceQuomodoSMusic" {s1*2} }
+    { \quoteDuring #"EcceQuomodoAMusic" {s1*2} }
+    \new Voice = "T" {\voiceTwo \quoteDuring #"EcceQuomodoTMusic" {s1*2} }
+  >> | \barNumberCheck #39
+  <<
+    { \quoteDuring #"EcceQuomodoSMusic" {s1*18} }
+    { \quoteDuring #"EcceQuomodoAMusic" {s1*18} }
+    { \quoteDuring #"EcceQuomodoTMusic" {s1*18} }
+  >>
+}
+% #(oly:modify_score_structure '("OI" "ParallelVoicesStaff" ("S" "A" "T")))
+#(oly:modify_score_structure '("OII" "ParallelVoicesStaff" ("B")))
+
+\createScore #"EcceQuomodo" #'("O")
+

Eybler_EcceQuomodo_HVdeest_Score_Original.ly

+\version "2.13.1"
+\include "Eybler_EcceQuomodo_HVdeest_Settings.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \OriginalScoreTitle
+  scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
+}
+
+SClef = \clef "soprano"
+AClef = \clef "alto"
+TClef = \clef "tenor"
+
+\createScore #"EcceQuomodo" #'("ChoralScore")
+

Eybler_EcceQuomodo_HVdeest_Settings.ily

+#(set-default-paper-size "a4")
+#(ly:set-option 'point-and-click #f)
+
+\include "deutsch.ly"
+
+\include "orchestrallily/oly_settings_vocalvoice.ily"
+\include "Eybler_EcceQuomodo_HVdeest_Settings_Global.ily"
+\include "Eybler_EcceQuomodo_HVdeest_Music_EcceQuomodo.ily"
+
+#(set-global-staff-size 15)
\ No newline at end of file

Eybler_EcceQuomodo_HVdeest_Settings_Global.ily

+\version "2.13.1"
+
+\include "orchestrallily/orchestrallily.ily"
+\include "orchestrallily/oly_settings_names.ily"
+
+scorenumber="EK-1xxx"
+
+\header { 
+  title = "Ecce quomodo"
+  subtitle = "Responsorium für den Karfreitag / Responsory for Food Friday"
+  composer = "Unbekannt (Joseph Eybler?, HV deest)"
+  copyright = \markup \abs-fontsize #9 \column{
+      \line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."} 
+      \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
+  }
+}
+
+% Add custom keys here, e.g.
+% CorKey = \key g \major
+% CorIKey = \CorKey
+% CorIIKey = \CorKey
+

Makefile

+SRCS = Eybler_EcceQuomodo_HVdeest_Music_EcceQuomodo.ily Eybler_EcceQuomodo_HVdeest_Settings.ily
+OUT=out
+
+instruments =
+scores = Choral Klavierauszug Original
+texscores = Choral Klavierauszug
+
+pdfs = $(instruments:%=$(OUT)/Eybler_EcceQuomodo_HVdeest_Instrument_%.pdf) $(scores:%=$(OUT)/Eybler_EcceQuomodo_HVdeest_Score_%.pdf)
+texs = $(scores:%=TeX_Eybler_EcceQuomodo_HVdeest_Score_%.tex)
+texpdfs = $(texscores:%=$(OUT)/TeX_Eybler_EcceQuomodo_HVdeest_Score_%.pdf)
+
+
+.PHONY: all clean
+all: $(OUT) $(instruments) $(scores) tex
+instruments: $(instruments)
+scores: $(scores)
+
+clean: 
+	rm -rf $(OUT)
+
+$(OUT) : 
+	mkdir -p $(OUT)
+
+$(instruments): % : $(OUT)/Eybler_EcceQuomodo_HVdeest_Instrument_%.pdf $(SRCS)
+$(scores): % : $(OUT)/Eybler_EcceQuomodo_HVdeest_Score_%.pdf $(SRCS)
+
+$(OUT)/%.pdf : %.ly $(SRCS)
+	lilypond -o $(basename $@) $<
+
+$(OUT)/%.mp3 : %.midi
+	timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
+
+tex: latex
+latex: $(texpdfs)
+
+$(OUT)/TeX_%.pdf : TeX_%.tex
+	TEXINPUTS=$(OUT): latex --output-directory=$(OUT)/ $<

TeX_Eybler_EcceQuomodo_HVdeest_Include_About.itex

+\addcontentsline{toc}{section}{Vorwort / Preface}
+\section*{Über das Werk / About}
+
+\begin{multicols}{2}
+TODO
+\columnbreak
+TODO
+\end{multicols}
+\vfill

TeX_Eybler_EcceQuomodo_HVdeest_Include_KritBericht.itex

+\footnotesize
+\section*{Kritischer Bericht:}
+\addcontentsline{toc}{section}{Quellen und Lesarten}
+
+\begin{multicols}{2}
+\subsubsection*{Quellen:}
+
+\begin{thebibliography}{AA}
+
+\bibitem[A]{HS1}
+Handschriftlicher Stimmensatz und Partitur, Musiksammlung der Österreichischen
+Nationalbibliothek, A-Whk HK.2543 Mus.
+
+Titelblatt der Chorpartitur: {\em Spartitura. \textbar{} Pro \textbar{} 
+\xout{Sabbato Sancto} \textbar{} Ad sanctum Sepulcrum \textbar{} in Parsceve. \textbar{} 
+Responsorium. \textbar{} Ecce quomodo \textbar{}  moritur justus.}
+
+Manuskript, ca. 1814. Partitur 3 fol, Stimmen: 5S, 5A; T und B fehlen.
+
+Auf dem Titelblatt ursprünglich kein Autor, nachträglich \q{J. Eibler} mit
+Bleistift eingetragen.
+\end{thebibliography}
+
+
+
+\subsubsection*{Bemerkungen}
+\begin{enumerate}
+\item Sämtliche Dynamikangaben im \q{Et erit} nur in der Rahmendynamik (S und B); übernommen in A und T.
+\item Melismabögen ergänzt in Takten 8/9 T/B, 15 A, 37/38 A/T, 44/45 A, 51-54 S/T.
+\item Akzidenzien werden in \cite{HS1} tw. im folgenden Takt nicht wiederholt in den Takten 7 B, 18 S, 20 B, 22 S, 
+\item Im Text fehlt in \cite{HS1} der letzte Trennstrich bei \q{fa--ci--e}, 
+auch ist iniquitatis falsch als \q{i--niqui--ta--tis} getrennt.
+\item Takt 44 A: Ursprünglich des' wie B, nachträglich mit Bleistift auf f' geändert.
+\end{enumerate}
+
+\end{multicols}

TeX_Eybler_EcceQuomodo_HVdeest_Include_Text.itex

+\section*{Text des \q{Ecce quomodo} (Responsorium, HV deest): Jacob Handl (?)}
+
+\begin{small}
+
+\renewenvironment{lyricstable}{\begin{tabular}{p{0.27\textwidth}p{0.35\textwidth}p{0.35\textwidth}}}{\end{tabular}}
+\nopagebreak
+\begin{lyricstable}
+Ecce quomodo moritur justus   & Seht wie der Gerechte stirbt           & Behold how the righteous man dies \\
+et nemo percipit corde        & und niemand versteht es im Herzen.     & And no one understands. \\
+et viri justi tolluntur       & Gerechte Männer werden beseitigt       & Righteous men are taken away \\
+et nemo considerat,           & und niemand beachtet es.               & And no one considers: \\
+a facie iniquitatis           & Von der Erscheinung der Ungerechtigkeit& The righteous man has been taken \\
+sublatus est justus.          & wurde der Gerechte beseitigt.          & away from present iniquity \\
+Et erit in pace memoria eius. & Das Gedenken an ihn sei in Frieden.    & And his memory shall be in peace.
+\end{lyricstable}
+
+\end{small}
+

TeX_Eybler_EcceQuomodo_HVdeest_Include_Todo.itex

+\section*{Offene Fragen}
+
+\begin{itemize}
+\item Stammt das Werk von Eybler???
+\end{itemize}

TeX_Eybler_EcceQuomodo_HVdeest_Score_Choral.tex

+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \ChoralScoreType},
+}
+
+\scoretype{\ChoralScoreType}
+\scorenumber{\scoreNumber\ChoralScoreNumber}
+\ChoralScoreSettings
+
+\begin{document}
+\includescore{Score_Choral}
+\clearpage
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_About.itex}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_KritBericht.itex}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_Todo.itex}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_Text.itex}
+\end{document}

TeX_Eybler_EcceQuomodo_HVdeest_Score_Klavierauszug.tex

+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \VocalScoreType},
+}
+
+\scoretype{\VocalScoreType}
+\scorenumber{\scoreNumber\VocalScoreNumber}
+\ChoralScoreSettings
+
+\begin{document}
+\includescore{Score_Klavierauszug}
+\clearpage
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_About.itex}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_KritBericht.itex}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_Todo.itex}
+\input{TeX_Eybler_EcceQuomodo_HVdeest_Include_Text.itex}
+\end{document}

TeX_Eybler_EcceQuomodo_HVdeest_Settings.itex

+
+\composer{Joseph Eybler}
+\composerdate{(1765-1846)}
+\title{Ecce quomodo}
+\subtitle{Responsorium, HV deest}
+\editor{Reinhold Kainhofer}
+\publisher{Edition Kainhofer, Vienna}
+\year{2009}
+
+\basename{Eybler_EcceQuomodo_HVdeest}
+
+\newcommand{\scoreNumber}[1]{EK-1xxx-#1}
+\newcommand{\scoreTitle}{Joseph Eybler (?): Ecce quomodo}
+% \newcites{bio}{Biography}
+% \newcites{sources}{Benutzte Vorlagen}
+
+\geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
+\hypersetup{
+    colorlinks=true,
+    citecolor=black,
+    pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
+}
+

orchestrallily

+../../orchestrallily
\ No newline at end of file