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Commit 535f2321 authored by Reinhold Kainhofer's avatar Reinhold Kainhofer
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Some more work

parent 17532981
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*.aux
*.log
Tex_*.toc
*.out
*.blg
Pembaur_*.ps
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Pembaur_VierteLateinischeMesse_01_Kyrie.ly
View file @ 535f2321
......@@ -75,7 +75,7 @@ IKyrieFlMusic = \relative d''' {
IKyrieClIMusic = \relative b {
R1*3 | % 4
r4 \dynamicsX #-3 b4 (\p d4 g4 ) | % 5
r4 b4 (\p d4 g4 ) | % 5
f2 r2 | R1*2 | % 8
r4 e4 ( a4 bes4 ) | % 9
a2 r2 | R1*2 | % 12
......@@ -85,7 +85,7 @@ IKyrieClIMusic = \relative b {
d2. r4 | % 16
r4 b4 c4 b4 | % 17
a4 r4 r2 | R1*7 | % 25
\dynamicsX #-2 g1 (\f | % 26
g1 (\f | % 26
fis4 a4 g4 ) r4 | % 27
b1 ( | % 28
a4 c4 b4 ) r4 | % 29
......@@ -120,17 +120,17 @@ IKyrieClIMusic = \relative b {
IKyrieClIIMusic = \relative b {
\key c \major
R1*3 | % 4
r4 \dynamicsX #-3 b2 (\p cis4) | % 5 % TODO: Vgl 42
r4 b2 (\p cis4) | % 5 % TODO: Vgl 42
d2 r2 | R1*2 | % 8
r4 e2. | % 9
f2 r2 | R1*2 | % 12
r4 \dynamicsXY #0 #-2 b4\f c4 b4 | % 13
r4 b4\f c4 b4 | % 13
c2. r4 | % 14
r4 c4 b4 c4 | % 15
b2. r4 | % 16
r4 d,4 e4 d4 | % 17
d4 r4 r2 | R1*7 | % 25
\dynamicsX #-2 e1 (\f | % 26
e1 (\f | % 26
e4 dis4 e4 ) r4 | % 27
g1 ( ~ | % 28
g4 fis4 g4 ) r4 | % 29
......@@ -211,7 +211,7 @@ IKyrieCorIIMusic = \relative g' {
g2 g4 g4 | % 32
g2 g2 | % 33
b2 \! r2 | R1*4 | % 38
\dynamicsX #-4 g,1\p ~ | % 39
g,1\p ~ | % 39
g4 r4 r2 | R1*10 | \barNumberCheck #50
g'2 \f g4 g4 | % 51
c,2. r4 | % 52
......@@ -228,7 +228,7 @@ IKyrieCorIIMusic = \relative g' {
}
IKyrieVIMusic = \relative g' {
\dynamicsX #-2 g4.\p ( e8 c4 ) d4 | % 2
g4.\p ( e8 c4 ) d4 | % 2
e4 ( f4 ) e2 | % 3
g2 ( f4 e4 ) | % 4
d2. r4 | % 5
......@@ -294,7 +294,7 @@ IKyrieVIMusic = \relative g' {
}
IKyrieVIIMusic = \relative g {
\dynamicsX #-3.5 g1\p | % 2
g1\p | % 2
g4 c2 c4 | % 3
b4 c4 b4 c4 | % 4
b4 b2 ( bes4 ) | % 5
......@@ -362,7 +362,7 @@ IKyrieVIIMusic = \relative g {
}
IKyrieVaMusic = \relative e {
\dynamicsX #-3 e2.\p f4 | % 2
e2.\p f4 | % 2
e4 a4 g2 | % 3
g1 | % 4
g4 g2 ( e4 ) | % 5
......@@ -430,114 +430,114 @@ IKyrieVaMusic = \relative e {
}
IKyrieSMusic = \relative c'' {
R1*12 | e4.\f e8 e2 | R1 |
R1*12 | \dynamicsUpInside #-1.3 e4.\f e8 e2 | R1 |
% Measure 15
d4.\f d8 d2 | R1*3 | r2 r4 c |
\dynamicsUpInside #-1 d4.\f d8 d2 | R1*3 | r2 r4 c |
% Measure 20
b( c) b e | g,2( fis) | g r | R1*2 |
% Measure 25
\dynamicsAllInside #-0.5 #-0.5 g2\f g4 g | fis( a) g r | b2 b4 b | a( c) b r | b2 b4 b |
\dynamicsUpInside #-0.5 g2\f g4 g | fis( a) g r | b2 b4 b | a( c) b r | b2 b4 b |
% Measure 30
c2\< c | d2 d4 d | e1 | dis2\! r | r2 a\p |
c2\< c | d2 d4 d | e1 | dis2\! r | r2 \dynamicsUpInside #-1.5 a\p |
% Measure 35
gis(\> fis) | e\! r | R1*2 | g4.\p e8 c4 d |
gis(\> fis) | e\! r | R1*2 | \dynamicsUpInside #-1.2 g4.\p e8 c4 d |
% Measure 40
e( f) e e | g2( f4 e) | d2. r4 | a'4. f8 d4 e | f( g) f f |
% Measure 45
a2( g4 f) | e2. r4 | c'4. a8 f4 g | a( bes) a b | c2( b4 a) |
% Measure 50
g2. r4 | e'4.\f e8 e2 | R1 | f4. f8 f2 | R1*3 |
g2. r4 | \dynamicsUpInside #-1.2 e'4.\f e8 e2 | R1 | f4. f8 f2 | R1*3 |
% Measure 57
r2 r4 f | e( f) e d | c2( b) |
% Measure 60
c4 \dynamicsAllInside #-0.5 #-0.5 a8\p a g4 f | f( e2 d4) | c2 r | \dynamicsAllInside #0 #-0.5 g'1\pp | g2( d4. e8) |
c4 \dynamicsUpInside #-1.5 a8\p a g4 f | f( e2 d4) | c2 r | \dynamicsUpInside #-1 g'1\pp | g2( d4. e8) |
% Measure 65
e1\fermata \bar"|."
}
IKyrieAMusic = \relative c'' {
R1*12 |
\dynamicsAllInside #-0.75 #-0.8 g4.\f g8 g2 |
\dynamicsUpInside #-0.8 g4.\f g8 g2 |
R1 |
% Measure 15
\dynamicsAllInside #-0.75 #-0.8 g4.\f g8 g2 | R1*2 | r2 r4 g | fis( g) fis2 |
\dynamicsUpInside #-0.8 g4.\f g8 g2 | R1*2 | r2 r4 g | fis( g) fis2 |
% measure 20
g4 g d e | d2.( c4) | b2 r | R1*2 |
% Measure 25
\dynamicsAllInside #-0.75 #-1 e2\f e4 e | e( dis) e r | g2 g4 g | g( fis) g r | gis2 gis4 gis |
\dynamicsUpInside #-0.5 e2\f e4 e | e( dis) e r | g2 g4 g | g( fis) g r | gis2 gis4 gis |
% Measure 30
a2\< a | b2 g4 g | g2( e) | fis\! r | r e\p |
a2\< a | b2 g4 g | g2( e) | fis\! r | r \dynamicsUpInside #-1.2 e\p |
% Measure 35
e(\> dis) | e\! r | R1*2 | \dynamicsAllInside #-0.5 #-0.5 g4.\p e8 c4 d |
e(\> dis) | e\! r | R1*2 | \dynamicsUpInside #-1.2 g4.\p e8 c4 d |
% Measure 40
e( f) e e | g2( f4 e) | d2. r4 | a'4. f8 d4 e | f( g) f f |
% Measure 45
a2( g4 f) | e2. r4 | c'4. a8 f4 g | a( bes) a b | c2( b4 a) |
% Measure 50
g2. r4 | \dynamicsAllInside #-0.5 #-0.5 g4.\f g8 g2 | R1 | a4. a8 a2 | R1 |
g2. r4 | \dynamicsUpInside #-0.7 g4.\f g8 g2 | R1 | a4. a8 a2 | R1 |
% Measure 55
r2 r4 f | e( f) e2 | g1~ | g4 a g f | f( e2 d4) |
% Measure 60
c \dynamicsAllInside #-0.9 #-0.5 f8\p f e4 d | c2( b) | c r | r \dynamicsAllInside #-0.5 #-0.5 d\pp c( b4. c8) | c1\fermata \bar "|."
c \dynamicsUpInside #-1.5 f8\p f e4 d | c2( b) | c r | r \dynamicsUpInside #-1.5 d\pp c( b4. c8) | c1\fermata \bar "|."
}
IKyrieTMusic = \relative c' {
\dynamicsAllInside #-2 #-1 g4.\p e8 c4 d | e( f) e e | g2( f4 e) | d2. r4 |
\dynamicsUpInside #-1 g4.\p e8 c4 d | e( f) e e | g2( f4 e) | d2. r4 |
% Measure 5
a'4. f8 d4 e | f( g) f f | a2( g4 f) | e2. r4 | c'4. a8 f4 g |
% Measure 10
a( bes) a b | c2( b4 a) | g2 r | \dynamicsAllInside #-0.5 #-0.5 c4.\f c8 c2 | R1 |
a( bes) a b | c2( b4 a) | g2 r | \dynamicsUpInside #-0.5 c4.\f c8 c2 | R1 |
% Measure 15
\dynamicsAllInside #-0.5 #-0.5 b4.\f b8 b2 | R1 | r2 r4 c | b( c) b2 | d1~ |
\dynamicsUpInside #-0.5 b4.\f b8 b2 | R1 | r2 r4 c | b( c) b2 | d1~ |
% Measure 20
d4 e d c | c( b2 a4) | g2 r | R1*2 |
% Measure 25
\dynamicsAllInside #-1 #-1 b2\f b4 b | c2 b4 r | e2 e4 e | dis2 e4 r | R1 |
\dynamicsUpInside #-0.5 b2\f b4 b | c2 b4 r | e2 e4 e | dis2 e4 r | R1 |
% Measure 30
c2\< c4 c | b2 b4 b | c( g a ais) | b2\! r | r c\p |
c2\< c4 c | b2 b4 b | c( g a ais) | b2\! r | r \dynamicsUpInside #-0.5 c\p |
% Measure 35
b(\> a) | gis\! r | R1*2 | g4.\p e8 c4 d |
b(\> a) | gis\! r | R1*2 | \dynamicsUpInside #-1.2 g4.\p e8 c4 d |
% Measure 40
e( f) e e | g2( f4 e) | d2. r4 | a'4. f8 d4 e | f( g) f f |
% Measure 45
a2( g4 f) | e2. r4 | c'4. a8 f4 g | a( bes) a b | c2( b4 a) |
% measure 50
g2. r4 | \dynamicsAllInside #-0 #-0.5 c4.\f c8 c2 | R1 | c4. c8 c2 | r2 r4 c4 |
g2. r4 | \dynamicsUpInside #-0.7 c4.\f c8 c2 | R1 | c4. c8 c2 | r2 r4 c4 |
% measure 55
b( c) b2 | c4( a g c | d e f) e8[ d] | c2 g4( a) | g2.( f4) |
% measure 60: a or f? a in the organ score, f in the tenor score
e4 r r \dynamicsAllInside #-0.5 #-0.5 a\p | g2.( f4) | e2 r | r \dynamicsAllInside #-0.5 #-0.5 f\pp | e( g) |
e4 r r \dynamicsUpInside #-1.5 a\p | g2.( f4) | e2 r | r \dynamicsUpInside #-2 f\pp | e( g) |
% measure 65
g1\fermata \bar"|."
}
IKyrieBMusic = \relative c' {
\dynamicsAllInside #-2 #-0.5 g4.\p e8 c4 d | e( f) e e | g2( f4 e) | d2. r4 |
\dynamicsUpInside #-2 g4.\p e8 c4 d | e( f) e e | g2( f4 e) | d2. r4 |
% Measure 5
a'4. f8 d4 e | f( g) f f | a2( g4 f) | e2. r4 | c'4. a8 f4 g |
% Measure 10
a( bes) a b | c2( b4 a) | g2 r | \dynamicsAllInside #-0.75 #-1.5 c,4.\f c8 c2 | R1 |
a( bes) a b | c2( b4 a) | g2 r | \dynamicsUpInside #-0.8 c,4.\f c8 c2 | R1 |
% Measure 15
\dynamicsAllInside #-1.25 #-0.5 g'4.\f g8 g2 | r r4 g4 | fis( g) fis2 | g4( e d g | a b c) b8[ a] |
\dynamicsUpInside #-1.4 g'4.\f g8 g2 | r r4 g4 | fis( g) fis2 | g4( e d g | a b c) b8[ a] |
% Measure 20
g2. c,4 | d1 | e2 r | R1*2 |
% Measure 25
\dynamicsAllInside #-1.25 #-1 e2\f e4 g | a2 e4 r | e2 e4 g | a2 e4 r | R1 |
\dynamicsUpInside #-0.5 e2\f e4 g | a2 e4 r | e2 e4 g | a2 e4 r | R1 |
% Measure 30
a2\< a4 a | g2 g4 g | c,1 | b2\! a\p | gis2( a |
a2\< a4 a | g2 g4 g | c,1 | b2\! \dynamicsUpInside #-1.5 a\p | gis2( a |
% Measure 35
b1)\> | e2\! r | R1*2 | g4.\p e8 c4 d |
b1)\> | e2\! r | R1*2 | \dynamicsAllInside #-1.2 #1.8 g4.\p e8 c4 d |
% Measure 40
e( f) e e | g2( f4 e) | d2. r4 | a'4. f8 d4 e | f( g) f f |
% Measure 45
a2( g4 f) | e2. r4 | c'4. a8 f4 g | a( bes) a b | c2( b4 a) |
% Measure 50
g2. r4 | c,4.\f c8 c2 | R1 | f4. f8 f2 | R1*2 |
g2. r4 | \dynamicsUpInside #-0.7 c,4.\f c8 c2 | R1 | f4. f8 f2 | R1*2 |
% Measure 56
r2 r4 c | b( c) b2 | c2.( f4) | g2( g,) |
% Measure 60
a4 r r \dynamicsAllInside #-0.5 #-0.5 f'\p | g2( g,) | c r | \dynamicsAllInside #0.5 #-0.5 g1\pp | g |
a4 r r \dynamicsUpInside #-0.5 f'\p | g2( g,) | c r | \dynamicsUpInside #-1.5 g1\pp | g |
% Measure 65
c\fermata \bar"|."
......@@ -882,7 +882,7 @@ IKyrieOIIbMusic = \relative c {
}
IKyrieODynamics = {
\dynamicsX #-2 s4\p s4 s2 | %2
s4\p s4 s2 | %2
s1*10 | % 12
s4 s\f s2 | % 13
s1*11 | % 24
......
Pembaur_VierteLateinischeMesse_02_Gloria.ly
View file @ 535f2321
......@@ -312,7 +312,7 @@ IIGloriaTbeIMusic = \relative c'' {
IIGloriaTbeIIMusic = \relative c' {
R1*6 | %7
\dynamicsX #-3 g2\f g4 g | %8
g2\f g4 g | %8
g2 e'2 | %9
c4 g c c | \barNumberCheck #10
g2 r | %11
......@@ -539,7 +539,7 @@ IIGloriaVaMusic = \relative g {
d4 d4 c4 g4 | % 17
a4 a4 b4 c4 | % 18
b4 g4 g4 g4 | % 19
\dynamicsX #-2 c,4\f c'4 b4 a4 | \barNumberCheck #20
c,4\f c'4 b4 a4 | \barNumberCheck #20
gis2 e2 | % 21
r2 r4 a4 | % 22
b4 d4 c4 b4 | % 23
......@@ -592,25 +592,25 @@ IIGloriaVaMusic = \relative g {
}
IIGloriaSMusic = \relative c' {
\dynamicsAllInside #-1.5 #-0.5 e4\p e f f | g g a8 a a4 | g g c b | a2 g4 r |
\dynamicsUpInside #-1.5 e4\p e f f | g g a8 a a4 | g g c b | a2 g4 r |
% Measure 5
r2 r4 \dynamicsAllInside #-1.5 #-1 g8\f g | a4 a8 a b2 | r2 r4 c8 c | d4 d e c | f e d c |
r2 r4 \dynamicsUpInside #-0.8 g8\f g | a4 a8 a b2 | r2 r4 c8 c | d4 d e c | f e d c |
% Measure 10
b2 r | e,4.\p e8 f2 | g a4 a | b2( e4 d) | c2 r |
b2 r | \dynamicsUpInside #-0.8 e,4.\p e8 f2 | g a4 a | b2( e4 d) | c2 r |
% Measure 15
g a | b c | d4 c8 c b4( a) | b2 r | c4.\f c8 c2 |
g a | b c | d4 c8 c b4( a) | b2 r | \dynamicsUpInside #-0.8 c4.\f c8 c2 |
% Measure 20
b4( c) c( b) | a2 a | gis e | r4 a b b | c2 b |
% Measure 25
a r | R1 | g4. g8 g2 | fis4( a) g( fis) | e2 e |
% Measure 30
dis4. dis8 dis2 | e4( fis) g( a) | b2( a) | g r | es\p f |
dis4. dis8 dis2 | e4( fis) g( a) | b2( a) | g r | \dynamicsUpInside #-0.8 es\p f |
% Measure 35
g as | R1 | g2\< as4 as | bes2 c\! | r2 r4 d,4 |
% Measure 40
d\p\< d8 c fis4 a | bes2 a | d,4 d d g\! | g2( es~ | es d4 c) |
\once \override DynamicText #'X-offset = #-0.3 d\p\< d8 c fis4 a | bes2 a | d,4 d d g\! | g2( es~ | es d4 c) |
% Measure 45
d2 r | R1 | e4.\p e8 f4 f | g2 a | g( c4) b |
d2 r | R1 | \dynamicsUpInside #-1 e4.\p e8 f4 f | g2 a | g( c4) b |
% Measure 50
a2 g4 b | a2( d4) c | b4.\< b8 a4 b | c2 f4 e | e4. e8 d2 |
% Measure 55
......@@ -623,25 +623,25 @@ IIGloriaSMusic = \relative c' {
}
IIGloriaAMusic = \relative c' {
\dynamicsAllInside #-2.5 #-0.5 c4\p c c c | e e f8 f f4 | e4 e g g | g( fis) g r |
\dynamicsUpInside #-1.5 c4\p c c c | e e f8 f f4 | e4 e g g | g( fis) g r |
% Measure 5
r2 r4 \dynamicsAllInside #-1.5 #-1 g8\f g | fis4 fis8 fis g2 | r2 r4 c8 c | b4 b c c | c g a a |
r2 r4 \dynamicsUpInside #-0.8 g8\f g | fis4 fis8 fis g2 | r2 r4 c8 c | b4 b c c | c g a a |
% Measure 10
g2 r | e4.\p e8 f2 | g2 a4 a | b2( e4 d) | c2 r |
g2 r | \dynamicsUpInside #-0.8 e4.\p e8 f2 | g2 a4 a | b2( e4 d) | c2 r |
% Measure 15
g a | b c | d4 c8 c b4( a) | g2 r | c4.\f c8 c2 |
g a | b c | d4 c8 c b4( a) | g2 r | \dynamicsUpInside #-0.8 c4.\f c8 c2 |
% Measure 20
b4( d) c( b) | a2 a | gis e | r4 a4 a a | a2 gis |
% Measure 25
a r | R1 | g4. g8 g2 | fis4( a) g( fis) | e2 e |
% Measure 30
dis4. dis8 dis2 | e4( dis) e( g) | g2( fis) | g r | es\p f |
dis4. dis8 dis2 | e4( dis) e( g) | g2( fis) | g r | \dynamicsUpInside #-0.8 es\p f |
% Measure 35
g as | R1 | g2\< as4 as | bes2 c\! | r r4 d,4 |
% Measure 40
d\p\< d8 d8 fis4 a | bes2 a | d,4 d d g\! | g2( es2~ | es2 d4 c) |
\once \override DynamicText #'X-offset = #-0.3 d\p\< d8 d8 fis4 a | bes2 a | d,4 d d g\! | g2( es2~ | es2 d4 c) |
% Measure 45
d2 r | R1 | c4.\p c8 c4 c | e2 f | e g |
d2 r | R1 | \dynamicsUpInside #-1 c4.\p c8 c4 c | e2 f | e g |
% Measure 50
g4( fis) g g | f2 a | a4\< gis a a | a2 a4 a | a4. a8 b2 |
% Measure 55
......@@ -653,23 +653,23 @@ IIGloriaAMusic = \relative c' {
}
IIGloriaTMusic = \relative c' {
\dynamicsAllInside #-2.5 #-0.5 g4\p g a a | c c c8 c c4 | c c c d | e( d8[ c]) b4 \dynamicsAllInside #-1.5 #-1 g\f |
\dynamicsUpInside #-1.5 g4\p g a a | c c c8 c c4 | c c c d | e( d8[ c]) b4 \dynamicsUpInside #-1.5 g\f |
% Measure 5
a a b2 | r r4 b8 b | d4 d e2 | r4 f e c | d( b a) a |
% Measure 10
b2 r | R1*8 | c4.\f c8 c2 |
b2 r | R1*8 | \dynamicsUpInside #-0.8 c4.\f c8 c2 |
% Measure 20
b4( d) c( b) | a2 a | gis e | r4 c' f f | e2 d |
% Measure 25
c r | R1 | g4. g8 g2 | fis4( a) g( fis) | e2 e |
% Measure 30
dis4. dis8 dis2 | r4 g4( e') e | d2( c) | b r | es,\p f |
dis4. dis8 dis2 | r4 g4( e') e | d2( c) | b r | \dynamicsUpInside #-0.8 es,\p f |
% Measure 35
g as | R1 | g2\< as4 as | bes2 c\! | r r4 d, |
% Measure 40
d\p\< d8 d fis4 a | bes2 a | d,4 d d g\! | g2( es~ | es d4 c) |
\once \override DynamicText #'X-offset = #-0.3 d\p\< d8 d fis4 a | bes2 a | d,4 d d g\! | g2( es~ | es d4 c) |
% Measure 45
d2 r | R1 | g4.\p g8 a4 a | c2 c | c2. d4 |
d2 r | R1 | \dynamicsUpInside #-1 g4.\p g8 a4 a | c2 c | c2. d4 |
% Measure 50
e( d8[ c]) b4 r | d2. e4 | f\< e8[ d] c4 c | c2 c4 c | c4. c8 b2 |
% Measure 55
......@@ -681,26 +681,29 @@ IIGloriaTMusic = \relative c' {
}
IIGloriaBMusic = \relative c {
\dynamicsAllInside #-2.5 #-1.25 c4\p c f f | c c f8 f f4 | c4 c e d | c( d) g \dynamicsAllInside #-1.5 #-0.6 g\f |
\dynamicsUpInside #-1.5 c4\p c f f | c c f8 f f4 | c4 c e d | c( d) g \dynamicsUpInside #-1.5 g\f |
% Measure 5
fis fis g2 | r r4 g8 g | b4 b c2 | r4 g4 c b | a( g f) fis |
% Measure 10
g2 r | R1*8 | c4.\f c8 c2 |
g2 r | R1*8 | \dynamicsUpInside #-3.5 c4.\f c8 c2 |
% Measure 20
b4( d) c( b) | a2 a | gis e | r4 f d d | e2 e |
% Measure 25
a r | R1 | g4. g8 g2 | fis4( a) g( fis) | e2 e |
% Measure 30
dis4. dis8 dis2 | r4 c2 c4 | d1 | g2 r | es\p f |
dis4. dis8 dis2 | r4 c2 c4 | d1 | g2 r | \dynamicsUpInside #-0.5 es\p f |
% Measure 35
g as | R1 | g2\< as4 as | bes2 c\! | r r4 d, |
% Measure 40
d\p\< d8 d fis4 a | bes2 a | d,4 d d g\! | g2( es~ | es d4 c) |
\once \override DynamicText #'X-offset = #-0.3 d\p\< d8 d fis4 a | bes2 a | d,4 d d g\! | g2( es~ | es d4 c) |
% Measure 45
d2 r | R1 | c4.\p c8 f4 f | c2 f | c( e4) d |
d2 r | R1 | \dynamicsUpInside #-1 c4.\p c8 f4 f | c2 f | c( e4) d |
% Measure 50
c( d) g r | d2( f4) e | d\< e a g | f2 f4 f | fis4. fis8 g2 |
% TODO: vertical position of hairpin! Also exclude from spacing
c( d) g r | d2( f4) e | %\dynamicsUpInside #-0.8
d\< e a g | f2 f4 f | fis4. fis8 g2 |
% Measure 55
% \dynamicsUpInside #-0.8
c,\!\f c | c1 | g2 r4 g'4 | b2 c | g4. g8 c4 g |
% Measure 60
b4. b8 c4( b) | a( g f) fis | g2( f4) d | e2( a | f g) |
......
Pembaur_VierteLateinischeMesse_03_Credo.ly
View file @ 535f2321
......@@ -1033,7 +1033,7 @@ IIICredoVaMusic = \relative c' {
}
IIICredoSMusic = {
e'2\mf g'4 | % 2
\dynamicsAllInside #-2 #1 e'2\mf g'4 | % 2
c''4 c''4 b'4 | % 3
a'2. | % 4
g'2 f'4 | % 5
......@@ -1068,7 +1068,7 @@ IIICredoSMusic = {
g'4( c''2 | % 36
d''2) d''4 | % 37
c''2 r4 | % 38
e''2\f e''4 | % 39
\dynamicsUpInside #-1.5 e''2\f e''4 | % 39
b'2 c''4 | \barNumberCheck #40
b'4( c''4 d''4) | % 41
c''2 r4 | % 42
......@@ -1095,7 +1095,7 @@ IIICredoSMusic = {
g'2 r4\fermata \bar "||" % 66
\IIICredoSettingsII
\IIICredoKeyII
r4 g'4\p g'4 g'4 | % 67
r4 \dynamicsUpInside #-1.2 g'4\p g'4 g'4 | % 67
bes'4 as'4 g'4 f'4 | % 68
g'2 g'4 g'4 | % 69
f'4( bes'2 a'4) | \barNumberCheck #70
......@@ -1104,15 +1104,15 @@ IIICredoSMusic = {
f'4 as'4 bes'4 as'4 | % 73
g'2 f'2 | % 74
es'2 r2 | % 75
bes'4\f a'4 g'4 g'4 | % 76
\dynamicsUpInside #-0.8 bes'4\f a'4 g'4 g'4 | % 76
a'4. bes'8 a'4 bes'4 | % 77
c''2 bes'2 | % 78
as'4\p g'4 f'4 e'4 | % 79
f'2\> f'2 | \barNumberCheck #80
g'1\!\pp\fermata \bar "||" % 81
\dynamicsUpInside #-1.2 as'4\p g'4 f'4 e'4 | % 79
\hairpinOffset #3.5 f'2\> f'2 | \barNumberCheck #80
\dynamicsAllInside #-3.5 #3 g'1\!\pp\fermata \bar "||" % 81
\IIICredoSettingsIII
\IIICredoKeyIII
e'4\mf e'4 g'4 | % 82
\dynamicsAllInside #-2.5 #0.75 e'4\mf e'4 g'4 | % 82
c''2 b'4 | % 83
a'4. a'8 a'4 | % 84
g'2( f'4) | % 85
......@@ -1127,7 +1127,7 @@ IIICredoSMusic = {
c''4 d''4 e''4 | % 94
d''4 c''4 b'4 | % 95
a'2. | % 96
g'4 r4 g'4\f | % 97
g'4 r4 \dynamicsUpInside #-1.5 g'4\f | % 97
c''2 c''4 | % 98
g'2 as'4 | % 99
g'4( as'4) bes'4 | \barNumberCheck #100
......@@ -1141,7 +1141,7 @@ IIICredoSMusic = {
c''2.( | % 108
c''4 d''4) c''4 | % 109
b'4 r4 r4 | R2.*3 | % 113
r4 r4 c''4\f | % 114
r4 r4 \dynamicsUpInside #-1.5 c''4\f | % 114
c''4 c''4 c''4 | % 115
b'2 d''4 | % 116
c''4 d''4 e''4 | % 117
......@@ -1149,7 +1149,7 @@ IIICredoSMusic = {
f''4 e''4) d''4 | % 119
c''2.( | \barNumberCheck #120
d''2.) | % 121
e''4 r4 c''4\ff | % 122
e''4 r4 \dynamicsUpInside #-1 c''4\ff | % 122
f''4 f''4 e''4 | % 123
d''4( g''4) f''4 | % 124
e''4 d''4 c''4 | % 125
......@@ -1162,7 +1162,7 @@ IIICredoSMusic = {
}
IIICredoAMusic = {
e'2\mf g'4 | % 2
\dynamicsUpInside #-2.5 e'2\mf g'4 | % 2
c''4 c''4 b'4 | % 3
a'2. | % 4
g'2 f'4 | % 5
......@@ -1197,7 +1197,7 @@ IIICredoAMusic = {
g'4( c''2 | % 36
d''2) d''4 | % 37
c''2 r4 | % 38
gis'2\f gis'4 | % 39
\dynamicsUpInside #-1 gis'2\f gis'4 | % 39
gis'2 a'4 | \barNumberCheck #40
gis'4( a'4 b'4) | % 41
a'2 r4 | % 42
......@@ -1224,7 +1224,7 @@ IIICredoAMusic = {
g'2 r4\fermata \bar "||" % 66
\IIICredoSettingsII
\IIICredoKeyII
r4 es'4\p es'4 es'4 | % 67
r4 \dynamicsUpInside #-1.2 es'4\p es'4 es'4 | % 67
es'4 es'4 es'4 d'4 | % 68
es'2 d'4 cis'4 | % 69
d'2( es'2) | \barNumberCheck #70
......@@ -1233,15 +1233,15 @@ IIICredoAMusic = {
f'4 c'4 des'4 c'4 | % 73
bes4( es'2) d'4 | % 74
es'2 r2 | % 75
g'4\f fis'4 g'4 g'4 | % 76
\dynamicsUpInside #-0.8 g'4\f fis'4 g'4 g'4 | % 76
fis'4. g'8 fis'4 g'4 | % 77
a'2 bes'2 | % 78
f'4\p e'4 f'4 c'4 | % 79
c'2\> c'2 | \barNumberCheck #80
b1\!\pp\fermata \bar "||" % 81
\dynamicsUpInside #-1.2 f'4\p e'4 f'4 c'4 | % 79
\hairpinOffset #3.5 c'2\> c'2 | \barNumberCheck #80
\dynamicsAllInside #-3.5 #3 b1\!\pp\fermata \bar "||" % 81
\IIICredoSettingsIII
\IIICredoKeyIII
e'4\mf e'4 g'4 | % 82
\dynamicsAllInside #-2.5 #0.75 e'4\mf e'4 g'4 | % 82
c''2 b'4 | % 83
a'4. a'8 a'4 | % 84
g'2( f'4) | % 85
......@@ -1256,7 +1256,7 @@ IIICredoAMusic = {
c''4 d''4 e''4 | % 94
d''4 c''4 b'4 | % 95
a'2. | % 96
g'4 r4 g'4\f | % 97
g'4 r4 \dynamicsUpInside #-1.5 g'4\f | % 97
e'2 e'4 | % 98
e'2 f'4 | % 99
e'4( f'4) g'4 | \barNumberCheck #100
......@@ -1270,7 +1270,7 @@ IIICredoAMusic = {
as'2.( | % 108
es'4 f'4) fis'4 | % 109
g'4 r4 r4 | R2.*3 | % 113
r4 r4 c''4\f | % 114
r4 r4 \dynamicsUpInside #-1.5 c''4\f | % 114
c''4 c''4 c''4 | % 115
b'2 d''4 | % 116
c''4 b'4 bes'4 | % 117
......@@ -1278,7 +1278,7 @@ IIICredoAMusic = {
gis'2) a'4 | % 119
g'!2.~ | \barNumberCheck #120
g'2. | % 121
g'4 r4 c''4\ff | % 122
g'4 r4 \dynamicsUpInside #-1 c''4\ff | % 122
f'4 f'4 e'4 | % 123
d'4( g'4) f'4 | % 124
e'4 d'4 c'4 | % 125
......@@ -1291,7 +1291,7 @@ IIICredoAMusic = {
}
IIICredoTMusic = {
e2\mf g4 | % 2
\dynamicsUpInside #-2.5 e2\mf g4 | % 2
c'4 c'4 b4 | % 3
a2. | % 4
g2 f4 | % 5
......@@ -1326,7 +1326,7 @@ IIICredoTMusic = {
g4( c'2 | % 36
d'2) d'4 | % 37
c'2 r4 | % 38
b2\f b4 | % 39
\dynamicsUpInside #-0.8 b2\f b4 | % 39
b4( e'4) e'4 | \barNumberCheck #40
d'4( c'4 b4) | % 41
c'2 r4 | % 42
......@@ -1339,7 +1339,7 @@ IIICredoTMusic = {
c'4) b4 c'4 | % 51
b2. | % 52
a2. | % 53
b2 g4\p | % 54
b2 \dynamicsUpInside #-1.2 g4\p | % 54
g4 g4 g4 | % 55
fis2.( | % 56
g4) a2 | % 57
......@@ -1351,7 +1351,7 @@ IIICredoTMusic = {
b2 r4\fermata \bar "||" % 66
\IIICredoSettingsII
\IIICredoKeyII
r4 bes4\p bes4 bes4 | % 67
r4 \dynamicsUpInside #-1.2 bes4\p bes4 bes4 | % 67
g4 c'4 bes4 as4 | % 68
g2 a4 bes4 | % 69
bes2( c'2) | \barNumberCheck #70
......@@ -1360,15 +1360,15 @@ IIICredoTMusic = {
c'4 f4 e4 f4 | % 73
g2 as2 | % 74
g2 r2 | % 75
d'4\f c'4 bes4 bes4 | % 76
\dynamicsUpInside #-0.8 d'4\f c'4 bes4 bes4 | % 76
d'4. d'8 d'4 d'4 | % 77
es'2 d'2 | % 78
c'4\p c'4 c'4 c'4 | % 79
c'2\> c2 | \barNumberCheck #80
d1\!\pp\fermata \bar "||" % 81
\dynamicsUpInside #-1.2 c'4\p c'4 c'4 c'4 | % 79
\hairpinOffset #3.5 c'2\> c2 | \barNumberCheck #80
\dynamicsAllInside #-3.5 #3 d1\!\pp\fermata \bar "||" % 81
\IIICredoSettingsIII
\IIICredoKeyIII
e4\mf e4 g4 | % 82
\dynamicsAllInside #-2.5 #0.75 e4\mf e4 g4 | % 82
c'2 b4 | % 83
a4. a8 a4 | % 84
g2( f4) | % 85
......@@ -1383,7 +1383,7 @@ IIICredoTMusic = {
c'4 d'4 e'4 | % 94
d'4 c'4 b4 | % 95
a2. | % 96
g4 r4 g4\f | % 97
g4 r4 \dynamicsUpInside #-1.5 g4\f | % 97
g2 g4 | % 98
g4( c'4) c'4 | % 99
bes4( as4) g4 | \barNumberCheck #100
......@@ -1406,7 +1406,7 @@ IIICredoTMusic = {
b4 c'4) f'4 | % 119
e'2.( | \barNumberCheck #120
b2.) | % 121
c'4 r4 c'4\ff | % 122
c'4 r4 \dynamicsUpInside #-1 c'4\ff | % 122
f'4 f'4 e'4 | % 123
d'4( g'4) f'4 | % 124
e'4 d'4 c'4 | % 125
......@@ -1420,7 +1420,7 @@ IIICredoTMusic = {
IIICredoBMusic = {
% \clef "bass"
e2\mf g4 | % 2
\dynamicsUpInside #-2.5 e2\mf g4 | % 2
c'4 c'4 b4 | % 3
a2. | % 4
g2 f4 | % 5
......@@ -1455,7 +1455,7 @@ IIICredoBMusic = {
g4( c'2 | % 36
d'2) d'4 | % 37
c'2 r4 | % 38
e2\f e4 | % 39
\dynamicsUpInside #-0.8 e2\f e4 | % 39
e2 a4 | \barNumberCheck #40
b4( a4 gis4) | % 41
a2 r4 | % 42
......@@ -1468,7 +1468,7 @@ IIICredoBMusic = {
e4) d4 c4 | % 51
d2. | % 52
d2. | % 53
g2 g4\p | % 54
g2 \dynamicsUpInside #-1.7 g4\p | % 54
g4 g4 g4 | % 55
fis2.( | % 56
g4) a2 | % 57
......@@ -1480,7 +1480,7 @@ IIICredoBMusic = {
g2 r4\fermata \bar "||"
\IIICredoSettingsII
\IIICredoKeyII
r4 es4\p es4 es4 | % 67
r4 \dynamicsUpInside #-1.2 es4\p es4 es4 | % 67
es4 es4 es4 bes,4 | % 68
es2 es4 es4 | % 69
f1 | \barNumberCheck #70
......@@ -1489,15 +1489,15 @@ IIICredoBMusic = {
as4 as,4 g,4 as,4 | % 73
bes,2 bes,2 | % 74
es2 r2 | % 75
g4\f g4 g4 g4 | % 76
\dynamicsUpInside #-1.2 g4\f g4 g4 g4 | % 76
d4. d8 d4 g4 | % 77
f2 bes2 | % 78
f4\p g4 as4 bes4 | % 79
as2\> as,2 | \barNumberCheck #80
g,1\!\pp\fermata \bar "||"
\dynamicsUpInside #-1.2 f4\p g4 as4 bes4 | % 79
\hairpinOffset #3.5 as2\> as,2 | \barNumberCheck #80