diff --git a/1196 - Eybler - 12 Variationes Augustin.def b/1196 - Eybler - 12 Variationes Augustin.def
index acb6c87c58cb9b79f1af454d4390e6ce71650480..a8bb0093ac6c65c0f8e37bdd8830285a31603293 100644
--- a/1196 - Eybler - 12 Variationes Augustin.def
+++ b/1196 - Eybler - 12 Variationes Augustin.def
@@ -2,15 +2,25 @@
"output_dir": "1196 - Eybler - 12 Variationes Augustin",
"version": "2.14.0",
"template": "EK_Full",
- "language": "deutsch",
+ #"language": "deutsch",
"additionalscores": [],
"options": ["optimal-breaking"],
"defaults": {
"title": "12 Variationes",
- "subtitle": "über das Thema \"O du lieber Augustin\", HV 196",
- "composer": "Joseph Eybler",
- "composerdate": "1765-1846",
+ "subtitle": u"über das Thema \"O du lieber Augustin\", HV 196",
+ "composer": "Anonym (J. Eybler zugeschrieben)",
+ #"composerdate": "1765-1846",
+
+ #"arranger": u"<<arranger>>",
+ #"opus": u"<<opus>>",
+ "instrumentation": u"Streichquartett (2 Vln., Va., Vc.)",
+ "key": u"G-Dur",
+ #"language": u"<<language>>",
+ #"duration": u"<<duration>>",
+ #"composition_year": u"<<composition_year>>",
+ "score_information": u"Erstdruck",
+ #"genre": u"<<genre>>",
"year": "2011",
"publisher": "Edition Kainhofer, Vienna",
diff --git a/Eybler_VariationesAugustin_HV196_Instrument_VI.ly b/Eybler_VariationesAugustin_HV196_Instrument_VI.ly
index 23cf73e189f282ef03f5958ef77c904c507cd399..8bf0ace6469c419d5a34224d06cc9d1ac70d821b 100644
--- a/Eybler_VariationesAugustin_HV196_Instrument_VI.ly
+++ b/Eybler_VariationesAugustin_HV196_Instrument_VI.ly
@@ -3,85 +3,36 @@
\header {
instrument = \VIInstrumentName
- scorenumber = \markup{\scoreNumber \VINumber}
- pdftitle = \markup{J. Eybler: \title, \instrument}
+ instrumentnr = \VINumber
}
+\setCopyrightPages #'(3)
+\setNoFooterPages #'(1 2 3)
+\setNoHeaderPages #'(1 2 3)
\paper {
page-count = #7
+ first-page-number = #3
page-breaking = #ly:page-turn-breaking
-#(define (is-header-page layout props arg)
- (let* ((page-number (chain-assoc-get 'page:page-number props -1)))
- (if (> page-number 2)
- (interpret-markup layout props arg)
- empty-stencil)))
-
-#(define (is-footer-page layout props arg)
- (let* ((page-number (chain-assoc-get 'page:page-number props -1)))
- (if (and (> page-number 2))
- (interpret-markup layout props arg)
- empty-stencil)))
-
-#(define (is-copyright-page layout props arg)
- (if (= (chain-assoc-get 'page:page-number props -1) 2)
- (interpret-markup layout props arg)
- empty-stencil))
- oddHeaderMarkup = \markup \fill-line {
- " "
- \on-the-fly #is-header-page \concat { \fromproperty #'header:instrument }
- \on-the-fly #is-header-page \fromproperty #'page:page-number-string
- }
- evenHeaderMarkup = \markup \fill-line {
- \on-the-fly #is-header-page \fromproperty #'page:page-number-string
- \on-the-fly #is-header-page \concat { \fromproperty #'header:composer ": " \fromproperty #'header:title }
- " "
- }
-
- oddFooterMarkup = \markup {
- \column {
- \fill-line {
- %% copyright on the first real score page
- \on-the-fly #is-copyright-page \fromproperty #'header:copyright
- \on-the-fly #is-copyright-page \null
- }
- \fill-line {
- %% All other pages get the number of the edition centered
- \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
- }
- }
- }
- evenFooterMarkup = \markup {
- \column {
- \fill-line {
- %% copyright on the first real score page
- \on-the-fly #is-copyright-page \fromproperty #'header:copyright
- \on-the-fly #is-copyright-page \null
- }
- \fill-line {
- %% All other pages get the number of the edition centered
- \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
- }
- }
- }
-}
-
-
-\bookpart{
- \pageBreak
- \allowPageTurn
- \paper {
-
- bookTitleMarkup = \myTitlePageMarkup
- scoreTitleMarkup = \titleHeaderMarkup
- }
- \header {
- copyright = ##f
- }
}
+% \bookpart{
+% \pageBreak
+% \allowPageTurn
+% \paper {
+% bookTitleMarkup = \myTitlePageMarkup
+% scoreTitleMarkup = \titleHeaderMarkup
+% }
+% \header {
+% copyright = ##f
+% }
+% \markup{" "}
+% \pageBreak
+% }
+%
\createScore #"Thema" #'("VI")
\createScore #"i" #'("VI")
\createScore #"ii" #'("VI")
\createScore #"iii" #'("VI")
+\pageBreak\pageTurn
\createScore #"iv" #'("VI")
\createScore #"v" #'("VI")
\createScore #"vi" #'("VI")
@@ -89,6 +40,7 @@
\createScore #"viii" #'("VI")
\createScore #"ix" #'("VI")
\createScore #"x" #'("VI")
+\pageBreak\pageTurn
\createScore #"xi" #'("VI")
\createScore #"xii" #'("VI")
\noPageTurn
diff --git a/Eybler_VariationesAugustin_HV196_Instrument_VII.ly b/Eybler_VariationesAugustin_HV196_Instrument_VII.ly
index 5bb4c09452e12b0ba9c167f7e47a39e0d7cd56d5..7215a58228e885c1527110eca6d8fa8bbeb31589 100644
--- a/Eybler_VariationesAugustin_HV196_Instrument_VII.ly
+++ b/Eybler_VariationesAugustin_HV196_Instrument_VII.ly
@@ -3,8 +3,7 @@
\header {
instrument = \VIIInstrumentName
- scorenumber = \markup{\scoreNumber \VIINumber}
- pdftitle = \markup{J. Eybler: \title, \instrument}
+ instrumentnr = \VIINumber
}
\paper {
page-count = #4
diff --git a/Eybler_VariationesAugustin_HV196_Instrument_Va.ly b/Eybler_VariationesAugustin_HV196_Instrument_Va.ly
index 5272505b39e131d1d8df7e623e20c13be0ce85d1..163cca31445e5cff36a16d13a8a4aa4348365737 100644
--- a/Eybler_VariationesAugustin_HV196_Instrument_Va.ly
+++ b/Eybler_VariationesAugustin_HV196_Instrument_Va.ly
@@ -3,8 +3,7 @@
\header {
instrument = \VaInstrumentName
- scorenumber = \markup{\scoreNumber \VaNumber}
- pdftitle = \markup{J. Eybler: \title, \instrument}
+ instrumentnr = \VaNumber
}
\createScore #"Thema" #'("Va")
diff --git a/Eybler_VariationesAugustin_HV196_Instrument_Vc.ly b/Eybler_VariationesAugustin_HV196_Instrument_Vc.ly
index 3c52d6e1cdc3e0910dc3ac1405fe5aa0f2d50924..231d8d81714587b8a70eb816f72aff402bd4b159 100644
--- a/Eybler_VariationesAugustin_HV196_Instrument_Vc.ly
+++ b/Eybler_VariationesAugustin_HV196_Instrument_Vc.ly
@@ -3,8 +3,7 @@
\header {
instrument = \VcInstrumentName
- scorenumber = \markup{\scoreNumber \VcNumber}
- pdftitle = \markup{J. Eybler: \title, \instrument}
+ instrumentnr = \VcNumber
}
\createScore #"Thema" #'("Vc")
diff --git a/Eybler_VariationesAugustin_HV196_Music_01.ily b/Eybler_VariationesAugustin_HV196_Music_01.ily
index d0d3db5f3df680183c3dac75224ee62d2a128775..619a1349d5572a5e24998435617628580b28b1bf 100644
--- a/Eybler_VariationesAugustin_HV196_Music_01.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_01.ily
@@ -12,11 +12,11 @@ iSettings = \notemode {
iVIMusic = \relative c'' {
\repeat volta 2 {
- d4. e8[ d c] | % 2
+ d4.( e8[ d c]) | % 2
h8[ d, g h] d4 | % 3
c8[ d, fis a] c4 | % 4
h8[ h, d g] h4 | % 5
- d4. e8[ d c] | % 6
+ d4.( e8[ d c]) | % 6
h[ d, g h] d4 | % 7
c8[ d, fis a c a] | % 8
g4 r r | % 9
@@ -41,13 +41,13 @@ iVIIMusic = \relative c' {
h4-. d( h) | % 3
r c( a) | % 4
r h h | % 5
- d4. e8[(d c]) | % 6
+ d4.( e8[ d c]) | % 6
h4-. d( h) | % 7
r c( a) | % 8
d r r | % 9
} \barNumberCheck #9
\repeat volta 2 {
- r fis'( a) | % 10
+ r fis( a) | % 10
r g( h) | % 11
r fis( a) | % 12
r g( h) | % 13
@@ -55,7 +55,7 @@ iVIIMusic = \relative c' {
h4-. d( h) | % 15
r c( a) | % 16
h r r | % 17
- } \bar"|." \barNumberCheck #17
+ } \barNumberCheck #17
}
\addQuote "iVIIMusic" { \iVIIMusic }
@@ -63,7 +63,7 @@ iVIIMusic = \relative c' {
iVaMusic = \relative c' {
\repeat volta 2 {
h4.( c8[ h a]) | % 2
- g4 h( g) | % 3
+ g4-. h( g) | % 3
r a( fis) | % 4
r g g | % 5
h4.( c8[ h a]) | % 6
diff --git a/Eybler_VariationesAugustin_HV196_Music_02.ily b/Eybler_VariationesAugustin_HV196_Music_02.ily
index 496658900618dc73992ac00fe1d3799244da7e14..81ea025aa3e243b8c364938cd283a66688aca113 100644
--- a/Eybler_VariationesAugustin_HV196_Music_02.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_02.ily
@@ -32,7 +32,7 @@ iiVIMusic = \relative c'' {
} \alternative {
{ g r r | }
{ g r r | }
- } \bar"|."
+ } \bar"||"
\barNumberCheck #18
}
\addQuote "iiVIMusic" { \iiVIMusic }
@@ -40,27 +40,27 @@ iiVIMusic = \relative c'' {
iiVIIMusic = \relative c'' {
\repeat volta 2 {
- d8[( h' g) d-| c-| a'-|] | % 2
- h,[( g' d) h-| g-| h]-| | % 3
+ d8[( h' g) d-. c-. a'-.] | % 2
+ h,[( g' d) h-. g-. h]-. | % 3
d[( c a) fis-. d-. c'-.] | % 4
- e[( d h) g-. d-| h'-|] | % 5
- d8[( h' g) d-| c-| a'-|] | % 6
- h,[( g' d) h-| g-| h]-| | % 7
- d[( c a) fis-| d-| fis-|] | % 8
- g[( d h) d-| g-| h]-| | % 9
+ e[( d h) g-. d-. h'-.] | % 5
+ d8[( h' g) d-. c-. a'-.] | % 6
+ h,[( g' d) h-. g-. h]-. | % 7
+ d[( c a) fis-. d-. fis-.] | % 8
+ g[( d h) d-. g-. h]-. | % 9
} \barNumberCheck #9
\repeat volta 2 {
a[( d, fis) a-. c-. d,-.] | \barNumberCheck #10
- h'[( d, g) h-| d-| d,]-| | % 11
- fis[( a c) d,-| fis-| a]-| | % 12
- g[( h d) d,-| g-| h]-| | % 13
- d[( h' g) d-| c-| a'-|] | % 14
- h,[( g' d) h-| g-| h]-| | % 15
- d[( c a) fis-| d-| fis]-| % 16
+ h'[( d, g) h-. d-. d,]-. | % 11
+ fis[( a c) d,-. fis-. a]-. | % 12
+ g[( h d) d,-. g-. h]-. | % 13
+ d[( h' g) d-. c-. a'-.] | % 14
+ h,[( g' d) h-. g-. h]-. | % 15
+ d[( c a) fis-. d-. fis]-. % 16
} \alternative {
- { g[( d h) d-| g-| h]-| | } % 17
+ { g[( d h) d-. g-. h]-. | } % 17
{ g[( d h) d]-. g4 | } % 18
- } \bar "|."
+ } \bar "||"
\barNumberCheck #18
}
\addQuote "iiVIIMusic" { \iiVIIMusic }
@@ -68,7 +68,7 @@ iiVIIMusic = \relative c'' {
iiVaMusic = \relative c'' {
\repeat volta 2 {
- h4_\pizz r a | %
+ h4^\pizz r a | %
g r g, | % 3
a r c | % 4
h r g' | % 5
@@ -88,14 +88,14 @@ iiVaMusic = \relative c'' {
} \alternative {
{ h r r | }
{ h r r | }
- } \bar"|." \barNumberCheck #18
+ } \bar"||" \barNumberCheck #18
}
\addQuote "iiVaMusic" { \iiVaMusic }
iiVcMusic = \relative c' {
\repeat volta 2 {
- g4_\pizz r d | % 2
+ g4^\pizz r d | % 2
g, r h | % 3
d r d, | % 4
g r g | % 5
@@ -115,7 +115,7 @@ iiVcMusic = \relative c' {
} \alternative {
{ g r r | }
{ g r r | }
- } \bar"|."
+ } \bar"||"
\barNumberCheck #18
}
\addQuote "iiVcMusic" { \iiVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_03.ily b/Eybler_VariationesAugustin_HV196_Music_03.ily
index 62214bd96585dc6e2c44733302fb2f5b956a7516..f05f06043b538bb7c05b8b0c544f6dfb4ad83e56 100644
--- a/Eybler_VariationesAugustin_HV196_Music_03.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_03.ily
@@ -12,7 +12,7 @@ iiiSettings = \notemode {
iiiVIMusic = \relative c' {
\repeat volta 2 {
- \times 2/3 {d8[_\arco g h]} \times 2/3 {d[ d, d']} \times 2/3 {c[ d, c']} | % 2
+ \times 2/3 {d8[^\arco g h]} \times 2/3 {d[ d, d']} \times 2/3 {c[ d, c']} | % 2
% No tuplet numbers any more:
\scaleDurations #'(2 . 3) {
h[ d, h'] g[ h, g'] h[ d, h'] | % 3
@@ -54,8 +54,8 @@ iiiVIIMusic = \relative c' {
\repeat volta 2 {
a4( fis') fis-. | % 10
h,( g') g-. | % 11
- fis( a) a-| | % 12
- g( h) h-| | % 13
+ fis( a) a-. | % 12
+ g( h) h-. | % 13
d,2 c4\trill | % 14
h4 r h( | % 15
a) r c( | % 16
@@ -67,7 +67,7 @@ iiiVIIMusic = \relative c' {
iiiVaMusic = \relative c' {
\repeat volta 2 {
- h2(_\arco a4 | % 2
+ h2(^\arco a4 | % 2
g) r g( | % 3
fis) r fis( | % 4
g) r r | % 5
@@ -77,10 +77,10 @@ iiiVaMusic = \relative c' {
g) r r | % 9
} \barNumberCheck #9
\repeat volta 2 {
- fis( a) a-| | % 10
- g( h) h-| | % 11
- a( c) c-| | % 12
- h( d) d-| | % 13
+ fis( a) a-. | % 10
+ g( h) h-. | % 11
+ a( c) c-. | % 12
+ h( d) d-. | % 13
h2 a4\trill | % 14
g4 r g( | % 15
fis) r a( | % 16
@@ -92,7 +92,7 @@ iiiVaMusic = \relative c' {
iiiVcMusic = \relative c {
\repeat volta 2 {
- g4(_\arco h d) | % 2
+ g4(^\arco h d) | % 2
g r g( | % 3
d) r d( | % 4
g,) r r | % 5
diff --git a/Eybler_VariationesAugustin_HV196_Music_04.ily b/Eybler_VariationesAugustin_HV196_Music_04.ily
index ee2f7489c438e74bf97482832d5cda6198ce1a4b..ffa2e5683ea866db6110347c1e08723e7bd28bde 100644
--- a/Eybler_VariationesAugustin_HV196_Music_04.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_04.ily
@@ -12,20 +12,20 @@ ivSettings = \notemode {
ivVIMusic = \relative c'' {
\repeat volta 2 {
- r8 g[-| h-|] r r4 | % 2
- r8 g[-| h-|] r r4 | % 3
- r8 fis[-| a-|] r r4 | % 4
+ r8 g[-. h-.] r r4 | % 2
+ r8 g[-. h-.] r r4 | % 3
+ r8 fis[-. a-.] r r4 | % 4
r8 g, r h r d | % 5
- r8 g[-| h-|] r r4 | % 6
- r8 g[-| h-|] r r4 | % 7
- r8 fis[-| a-|] r r4 | % 8
- r8 g[-| d-| h'-|] g4 | % 9
+ r8 g[-. h-.] r r4 | % 6
+ r8 g[-. h-.] r r4 | % 7
+ r8 fis[-. a-.] r r4 | % 8
+ r8 g[-. d-. h'-.] g4 | % 9
}
\repeat volta 2 {
- r8 a8[-. fis-. c']-. a-| r | \barNumberCheck #10
- r h[-| g-| d']-| h-| r | % 11
- r a-| fis-| c'4( a8) | % 12
- r h-| g-| d'4( h8) | % 13
+ r8 a8[-. fis-. c']-. a-. r | \barNumberCheck #10
+ r h[-. g-. d']-. h-. r | % 11
+ r a-. fis-. c'4( a8) | % 12
+ r h-. g-. d'4( h8) | % 13
g8[( h]) r g r fis | % 14
g[( h,]) r h r d | % 15
e8[( a]) r c r fis, | % 16
@@ -41,18 +41,18 @@ ivVIIMusic = \relative c' {
r8 h[-. d]-. r r4 | % 3
r8 a8[-. c]-. r r4 | % 4
r8 h r d r g | % 5
- r h,[-| g]-| r r4 | % 6
+ r h,[-. g]-. r r4 | % 6
r8 h[-. d]-. r r4 | % 7
r8 a8[-. c]-. r r4 | % 8
- r8 h[-| g'-| d]-| h4-| | % 9
+ r8 h[-. g'-. d]-. h4-. | % 9
} \barNumberCheck #9
\repeat volta 2 {
- r8 c[-| a-| a']-| fis-| r | % 10
- r d[-| h-. h']-. g-. r | % 11
- r c,-| a-| a'4( fis8) | % 12
- r8 d-| h-. h'4( g8) | % 13
+ r8 c[-. a-. a']-. fis-. r | % 10
+ r d[-. h-. h']-. g-. r | % 11
+ r c,-. a-. a'4( fis8) | % 12
+ r8 d-. h-. h'4( g8) | % 13
h,8[( g']) r h, r a | % 14
- g[ e'] r g, r g | % 15
+ g[( e']) r g, r g | % 15
c8[( e]) r a r c, | % 16
h4 r r | % 17
} \barNumberCheck #17
@@ -94,7 +94,7 @@ ivVcMusic = \relative c' {
g g, r | % 6
g' g, r | % 7
d' d, r | % 8
- r8 g8[-| h-| d-|] g4 | % 9
+ r8 g8[-. h-. d-.] g4 | % 9
} \barNumberCheck #9
\repeat volta 2 {
r4 d d, | % 10
diff --git a/Eybler_VariationesAugustin_HV196_Music_05.ily b/Eybler_VariationesAugustin_HV196_Music_05.ily
index 182a52779624e1a399d044ab6587b6a80b753a14..4e31449894f2b4ef74e187c1639edb1f89d5c84a 100644
--- a/Eybler_VariationesAugustin_HV196_Music_05.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_05.ily
@@ -13,7 +13,7 @@ vSettings = \notemode {
vVIMusic = \relative c'' {
\repeat volta 2 {
d16[ d, cis' d,] d'[ d, e' d,] d'[ d, c' d,] | % 2
- h'[ d g fis] f[ fis e d] c[ h a g] | % 3
+ h'[ d g fis] g[ fis e d] c[ h a g] | % 3
fis[ a c h] c[ h a g] fis[ e d c] | % 4
h[ g a h] c[ d e fis] g[ a h c] | % 5
d16[ d, cis' d,] d'[ d, e' d,] d'[ d, c' d,] | % 6
@@ -34,7 +34,7 @@ vVIMusic = \relative c'' {
} \alternative {
{ g[ h d g] h,[ d g h] d[ h g h] } % 18
{ g,[ h d g] h[ g d h] g4 } % 19
- } \bar"|."\barNumberCheck #19
+ } \bar"||"\barNumberCheck #19
}
\addQuote "vVIMusic" { \vVIMusic }
@@ -42,7 +42,7 @@ vVIMusic = \relative c'' {
vVIIMusic = \relative c' {
\repeat volta 2 {
h4-. h2\fz | % 2
- h4 h2\fz | % 3
+ h4-. h2\fz | % 3
a4-. a2\fz | % 4
h4 r r | % 5
h4-. h2\fz | % 6
@@ -63,7 +63,7 @@ vVIIMusic = \relative c' {
} \alternative {
{ h4 r r } % 18
{ h4 r r } % 19
- } \bar"|."\barNumberCheck #19
+ } \bar"||"\barNumberCheck #19
}
\addQuote "vVIIMusic" { \vVIIMusic }
@@ -87,12 +87,12 @@ vVaMusic = \relative c {
fis'-. fis( a) | % 13
g2( h4) | % 14
d,,4-. d2\fz | % 15
- d4 d2\fz | % 16
+ d4-. d2\fz | % 16
fis4-. fis2\fz | % 17
} \alternative {
{ g4 r r } % 18
{ g4 r r } % 1
- } \bar"|."\barNumberCheck #19
+ } \bar"||"\barNumberCheck #19
}
\addQuote "vVaMusic" { \vVaMusic }
@@ -111,17 +111,17 @@ vVcMusic = \relative c {
{ g4 r8 d'8[ h g] } % 10
} \barNumberCheck #10
\repeat volta 2 {
- g4-| d'2 | % 11
- g,4-| g'2 | % 12
- d4-| d'2 | % 13
- g,4-| g'2 | % 14
- g,,4-| g2\fz | % 15
- g4-| g2\fz | % 16
- d4-| d2\fz | % 17
+ d4-. d'2 | % 11
+ g,4-. g'2 | % 12
+ d4-. d'2 | % 13
+ g,4-. g'2 | % 14
+ g,,4-. g2\fz | % 15
+ g4-. g2\fz | % 16
+ d4-. d2\fz | % 17
} \alternative {
{ g4 r8 h8[ g h] } % 18
{ g4 r r } % 19
- } \bar"|."\barNumberCheck #19
+ } \bar"||"\barNumberCheck #19
}
\addQuote "vVcMusic" { \vVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_06.ily b/Eybler_VariationesAugustin_HV196_Music_06.ily
index 4d2ffb09dd710bc62dc5b555a7bec390ae09a2ae..66d6ae55327bc49dc608d03ebfe02e490e4b8c8b 100644
--- a/Eybler_VariationesAugustin_HV196_Music_06.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_06.ily
@@ -34,7 +34,7 @@ viVIMusic = \relative c'' {
} \alternative {
{ g r r | } % 18
{ g r r | } % 19
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viVIMusic" { \viVIMusic }
@@ -42,11 +42,11 @@ viVIMusic = \relative c'' {
viVIIMusic = \relative c'' {
\repeat volta 2 {
h4.( c8[ h a]) | % 2
- g4( h,) g-| | % 3
- fis'( d) d-| | % 4
- g( h,) h-| | % 5
+ g4( h,) h-. | % 3
+ fis'( d) d-. | % 4
+ g( h,) h-. | % 5
h'4.( c8[ h a]) | % 6
- g4( h,) h-| | % 7
+ g4( h,) h-. | % 7
fis'( d) d-. | % 8
} \alternative {
{ h r r | } % 9
@@ -58,12 +58,12 @@ viVIIMusic = \relative c'' {
a4( d) d-. | % 13
d4. h8 g4 | % 14
h'4.( c8[ h a]) | % 15
- g4( h,) h-| | % 16
- fis'4( d) d-| | % 17
+ g4( h,) h-. | % 16
+ fis'4( d) d-. | % 17
} \alternative {
{ h r r | } % 18
{ h r r | } % 19
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viVIIMusic" { \viVIIMusic }
@@ -92,7 +92,7 @@ viVaMusic = \relative c' {
} \alternative {
{ <g h>r r | } % 18
{ <g h>r r | } % 19
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viVaMusic" { \viVaMusic }
@@ -119,9 +119,9 @@ viVcMusic = \relative c {
g,[ g' g,, g' h g] | % 16
d[ d' d,, d' fis d] | % 17
} \alternative {
- { g[ h d g h g] | } % 18
+ { g,[ h d g h g] | } % 18
{ g,[ h d g] g,4 | } % 19
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viVcMusic" { \viVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_07.ily b/Eybler_VariationesAugustin_HV196_Music_07.ily
index c7525d62256e36f36dd2aff9717eb1fde2c40abf..f9011d76370a9bb4fe65e2d19548425c361dcb0c 100644
--- a/Eybler_VariationesAugustin_HV196_Music_07.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_07.ily
@@ -13,28 +13,28 @@ viiSettings = \notemode {
viiVIMusic = \relative c''' {
\repeat volta 2 {
g8[( fis] g4. a8) | % 1
- h8[ c( cis\fz d h g]) | % 2
+ h8[( c cis\fz d h g]) | % 2
fis[( a d\fz c a fis]) | % 3
g[( h d, g h, d]) | % 4
g8[( fis] g4. a8) | % 5
- h8[ c( cis\fz d h g]) | % 6
+ h8[( c cis\fz d h g]) | % 6
fis[( a d\fz c a fis]) | % 7
} \alternative {
{ g[( h, c d e fis]) | } % 8
{ g[(\trill fis g d h' g]) | } % 9
} \barNumberCheck #10
\repeat volta 2 {
- fis8[ a( h\fz c a fis]) | % 11
- h[ h( cis\fz d h g]) | % 12
+ fis8[( a h\fz c a fis]) | % 11
+ g[ h( cis\fz d h g]) | % 12
fis[( d fis a c fis,]) | % 13
g[( d g h d h]) | % 14
g8[( fis] g4. a8) | % 15
h8[( d, g h d h]) | % 16
- c8[ a( fis d d' fis, ]) | % 17
+ c8[( a fis d d' fis, ]) | % 17
} \alternative {
{ g8[(\trill fis g d h' g]) } % 18
- { g8[( d h d] g4) } % 19 % TODO: Slur?
- } \bar"|." \barNumberCheck #19
+ { g8[( d h d] g4) } % 19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viiVIMusic" { \viiVIMusic }
@@ -42,18 +42,18 @@ viiVIMusic = \relative c''' {
viiVIIMusic = \relative c'' {
\repeat volta 2 {
g8[( fis] g4. a8) | % 2
- h8[ c( cis\fz d h g]) | % 3
- fis[ a( d\fz c a fis]) | % 4
+ h8[( c cis\fz d h g]) | % 3
+ fis[( a d\fz c a fis]) | % 4
g[( h d, g h, d]) | % 5
g8[( fis] g4. a8) | % 6
- h8[ c( cis\fz d h g]) | % 7
- fis[ a( d\fz c a fis]) | % 8
+ h8[( c cis\fz d h g]) | % 7
+ fis[( a d\fz c a fis]) | % 8
} \alternative {
{ g8[( h, c d e fis]) } % 9
{ g8[(\trill fis g d h'g]) } % 10
} \barNumberCheck #10
\repeat volta 2 {
- fis8[ a( h\fz c a) fis] | % 11
+ fis8[( a h\fz c a fis]) | % 11
g[( h cis\fz d h g]) | % 12
fis[( d fis a c fis,]) | % 13
g[( d g h d h]) | % 14
@@ -61,9 +61,9 @@ viiVIIMusic = \relative c'' {
h8[( d, g h d h]) | % 16
c[( a fis d d' fis, ]) | % 17
} \alternative {
- { g8[\trill fis( g d h' g]) | } % 18
+ { g8[\trill( fis g d h' g]) | } % 18
{ g8[( d h d] g,4) } % 19
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viiVIIMusic" { \viiVIIMusic }
@@ -75,8 +75,8 @@ viiVaMusic = \relative c' {
a( d,) d-. | % 4
h'( g) g-. | % 5
d'4.( e8[ d c]) | % 6
- h4( g) g-| | % 7
- a( d,) d-| | % 8
+ h4( g) g-. | % 7
+ a( d,) d-. | % 8
} \alternative {
{ g4 r r | } % 9
{ g4 r r | } % 9
@@ -85,14 +85,14 @@ viiVaMusic = \relative c' {
a( d,) d-. | % 10
h'( g) g-. | % 11
a( d,) d-. | % 12
- h'( g) g-| | % 13
+ h'( g) g-. | % 13
d'4.( e8[ d c]) | % 14
h4( g) g-. | % 15
- a4( d,) d-| | % 16
+ a4( d,) d-. | % 16
} \alternative {
{ g4 r r | } % 17
{ g4 r r | } % 17
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viiVaMusic" { \viiVaMusic }
@@ -121,7 +121,7 @@ viiVcMusic = \relative c' {
} \alternative {
{ h4 r r | } % 17
{ h4 r r | } % 17
- } \bar"|." \barNumberCheck #19
+ } \bar"||" \barNumberCheck #19
}
\addQuote "viiVcMusic" { \viiVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_08.ily b/Eybler_VariationesAugustin_HV196_Music_08.ily
index fcaca53b609a4a66fda01b3a68e6e358d41a0ef6..df8a4269c7ed7b5b238031504d5bc217cf925e03 100644
--- a/Eybler_VariationesAugustin_HV196_Music_08.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_08.ily
@@ -12,11 +12,11 @@ viiiSettings = \notemode {
viiiVIMusic = \relative c''' {
\repeat volta 2 {
- g16[\trill fis g a] h8[-| d,-| c-| a'-|] | % 2
- h,-|[ g'-| g,-| h'-| h,-| g'-|] | % 3
+ g16[\trill fis g a] h8[-. d,-. c-. a'-.] | % 2
+ h,-.[ g'-. g,-. h'-. h,-. g'-.] | % 3
a,[ fis' fis, a' a, fis'] | % 4
h,[ g' g,, h' h, d'] | % 5
- g16[\trill fis g a] h8[-| d,-| c-| a'-|] | % 6
+ g16[\trill fis g a] h8[-. d,-. c-. a'-.] | % 6
h,[ g' g, h' h, g'] | % 7
a,[ fis' fis, a' a, fis'] | % 8
h,[ g' g,, h' h, d'] | % 9
@@ -32,7 +32,7 @@ viiiVIMusic = \relative c''' {
} \alternative {
{ \grace s8 h,[ g' g, h' h, g'] | } % 17
{ \grace s8 g,[ g' d h] g4 | } % 18
- } \bar"|." \barNumberCheck #18
+ } \bar"||" \barNumberCheck #18
}
\addQuote "viiiVIMusic" { \viiiVIMusic }
@@ -46,7 +46,7 @@ viiiVIIMusic = \relative c' {
d,2 c4 | % 6
h4 h'( d8) r | % 7
r4 a( c8) r | % 8
- g4-| h-| g-| | % 9
+ g4-. \once\stemUp h-. g-. | % 9
} \barNumberCheck #9
\repeat volta 2 {
\grace s8 r4 fis4( a8) r | % 10
@@ -57,9 +57,9 @@ viiiVIIMusic = \relative c' {
h4 h'( d8) r | % 15
r4 fis,4( a8) r | % 16
} \alternative {
- { \grace s8 g4-| h-| g-| | } % 17
- { \grace s8 g4-| h-| g-| | } % 18
- } \bar"|." \barNumberCheck #18
+ { \grace s8 g4-. \stemUp h-. \stemNeutral g-. | } % 17
+ { \grace s8 g4-. \stemUp h-. \stemNeutral g-. | } % 18
+ } \bar"||" \barNumberCheck #18
}
\addQuote "viiiVIIMusic" { \viiiVIIMusic }
@@ -84,9 +84,9 @@ viiiVaMusic = \relative c' {
g4 g'( h8) r | % 15
r4 a,4( c8) r | % 16
} \alternative {
- { \grace s8 h4-| d-| h-| | }% 17
- { \grace s8 h4-| d-| h-| | }% 18
- } \bar"|." \barNumberCheck #18
+ { \grace s8 h4-. d-. h-. | }% 17
+ { \grace s8 h4-. d-. h-. | }% 18
+ } \bar"||" \barNumberCheck #18
}
\addQuote "viiiVaMusic" { \viiiVaMusic }
@@ -113,7 +113,7 @@ viiiVcMusic = \relative c {
} \alternative {
{ \slashedGrace fis8 g4 r r }
{ \slashedGrace fis8 g4 g, g' }
- } \bar"|." \barNumberCheck #18
+ } \bar"||" \barNumberCheck #18
}
\addQuote "viiiVcMusic" { \viiiVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_09.ily b/Eybler_VariationesAugustin_HV196_Music_09.ily
index 19e6203d41851af29e1e40644d132a69e6374722..cdbe9e2e51967828d165faddfb9933a4ef3ca3c5 100644
--- a/Eybler_VariationesAugustin_HV196_Music_09.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_09.ily
@@ -12,7 +12,7 @@ ixSettings = \notemode {
ixVIMusic = \relative c' {
\repeat volta 2 {
- r4 <d d' d'>\f <d a' c'> | % 2 % TODO: Additional r4 in the manuscript at the end of the measure!
+ r4 <d d' d'>\f <d a' c'> | % 2
r <d h' h'> <d h' g'> | % 3
r <d c' a'> <d a' fis'> | % 4
r <d h' h'> <d h' g'> | % 5
@@ -63,7 +63,7 @@ ixVIIMusic = \relative c' {
ixVaMusic = \relative c'' {
\repeat volta 2 {
d16[\f h g d] h8[ d'a, c'] | % 2
- h16[fis d h] g8[ h'h, g'] | % 3
+ h16[ g d h] g8[ h'h, g'] | % 3
a16[ fis d a] fis8[ a' a, fis'] | % 4
h16[ g d h] g8[ h' h, g'] | % 5
d'16[ h g d] h8[ d' a, c'] | % 6
diff --git a/Eybler_VariationesAugustin_HV196_Music_10.ily b/Eybler_VariationesAugustin_HV196_Music_10.ily
index bf3273034d07a88c5d4580a37cc41eca0a645038..de77a13725c2db04fc9f953f52b06860a2fe3298 100644
--- a/Eybler_VariationesAugustin_HV196_Music_10.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_10.ily
@@ -1,6 +1,5 @@
\version "2.14.0"
-% TODO: No repeats
xPieceName = "Variatio 10"
xPieceNameTacet = "Variatio 10 tacet"
@@ -12,13 +11,13 @@ xSettings = \notemode {
xVIMusic = \relative c'' {
- h4.( c8[ h a]) | % 2
+ h4.(\p c8[ h a]) | % 2
g4( e) e-. | % 3
e( fis) fis-. | % 4
g( h,) h-. | % 5
h'4.( c8[ h a]) | % 6
g4( e) e-. | % 7
- e8[ g( fis e d c]) | % 8
+ e8[( g fis e d c]) | % 8
h4 r r | % 9
d( fis) fis-. | \barNumberCheck #10
g( h,) h-. | % 11
@@ -26,14 +25,14 @@ xVIMusic = \relative c'' {
g( h,) h-. | % 13
h'4.( c8[ h a]) | % 14
g4( e) e-. | % 15
- e8[ g( fis e d c]) | % 16
- h4 r r \bar"|." \barNumberCheck #17
+ e8[( g fis e d c]) | % 16
+ h4 r r \bar"||" \key g \minor \barNumberCheck #17
}
\addQuote "xVIMusic" { \xVIMusic }
xVIIMusic = \relative c'' {
- d4.( e8[ d c]) | % 2
+ d4.(\p e8[ d c]) | % 2
h4( g) g-. | % 3
a( d,) d-. | % 4
h'( g) g-. | % 5
@@ -48,7 +47,7 @@ xVIIMusic = \relative c'' {
d'4.( e8[ d c]) | % 14
h4( g) g-. | % 1
a( d,) d-. | % 16
- g r r \bar"|." \barNumberCheck #17
+ g r r \bar"||" \key g \minor \barNumberCheck #17
}
\addQuote "xVIIMusic" { \xVIIMusic }
@@ -64,18 +63,18 @@ xVaMusic = \relative c'' {
g[( h d g]) g,4 | % 9
fis'8[( e d c h a])| \barNumberCheck #10
g[( h d g h d]) | % 11
- c[ a( fis d c a]) | % 12
+ c[( a fis d c a]) | % 12
g[( h d g h a]) | % 13
g[(fis g fis g dis]) | % 14
e[( fis g fis e d]) | % 15
c[( a d c h a]) | % 16
- g[ h d g] g,4 \bar"|."
+ g[( h d g]) g,4 \bar"||" \key g \minor
}
\addQuote "xVaMusic" { \xVaMusic }
xVcMusic = \relative c' {
- R2.*16 \bar"|."
+ R2.*16 \bar"||" \key g \minor
}
\addQuote "xVcMusic" { \xVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_11.ily b/Eybler_VariationesAugustin_HV196_Music_11.ily
index a3337a8329e2826fcb9de0a4207f9686bde0e9d2..6934d9455b675a1c0659370bebf8f6112f3552be 100644
--- a/Eybler_VariationesAugustin_HV196_Music_11.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_11.ily
@@ -1,6 +1,5 @@
\version "2.14.0"
-%TODO: No repeats
xiPieceName = "Variatio 11"
xiPieceNameTacet = "Variatio 11 tacet"
@@ -12,55 +11,55 @@ xiSettings = \notemode {
xiVIMusic = \relative c' {
- R2.*16 \bar"|."
+ R2.*16 \bar"||" \key g \major
}
\addQuote "xiVIMusic" { \xiVIMusic }
xiVIIMusic = \relative c' {
- R2.*16 \bar"|."
+ R2.*16 \bar"||" \key g \major
}
\addQuote "xiVIIMusic" { \xiVIIMusic }
xiVaMusic = \relative c' {
d4.(\p es8[ d c]) | % 2
- b4( g) g-| | % 3
- a( fis) fis-| | % 4
- b( g) g-| | % 5
- d'4.( e8[ d c]) | % 6
- h4( g) g-| | % 7
- a( fis) fis-| | % 8
+ b4( g) g-. | % 3
+ a( fis) fis-. | % 4
+ b( g) g-. | % 5
+ d'4.( es8[ d c]) | % 6
+ b4( g) g-. | % 7
+ a( fis) fis-. | % 8
g r r | % 9
- c( f,) f-| | \barNumberCheck #10
- d'( b) b-| | % 11
- a( d,) d-| | % 12
- h'( g) g-| | % 13
- d'4.( e8[ d c]) | % 14
- b4( g) g-| | % 15
- a( fis) fis-| | % 16
- g r r \bar "|."
+ c( f,) f-. | \barNumberCheck #10
+ d'( b) b-. | % 11
+ a( d,) d-. | % 12
+ b'( g) g-. | % 13
+ d'4.( es8[ d c]) | % 14
+ b4( g) g-. | % 15
+ a( fis) fis-. | % 16
+ g r r \bar "||" \key g \major
}
\addQuote "xiVaMusic" { \xiVaMusic }
xiVcMusic = \relative c' {
- r8 b[\p a( g f a]) | % 2
- g[ f( es d c b]) | % 3
- c[ es( d c b a]) | % 4
- g[ a( c b a g]) | % 5
- fis[ g( a d, e fis]) | % 6
- g[ a( b g es d]) | % 7
- c[ es'( d c b a]) | % 8
- g[ b( a c b d]) | % 9
- a[ c( b d c es]) | \barNumberCheck #10
- b[ d( e f d b]) | % 11
- fis[ a( g b a c]) | % 12
- g[ b( cis d b g]) | % 13
+ r8 b[(\p a g f! a]) | % 2
+ g[( f es d c b]) | % 3
+ c[( es d c b a]) | % 4
+ g[( a c b a g]) | % 5
+ fis[( g a d, e fis]) | % 6
+ g[( a b g es d]) | % 7
+ c[( es' d c b a]) | % 8
+ g[( b a c b d]) | % 9
+ a[( c b d c es]) | \barNumberCheck #10
+ b[( d e f d b]) | % 11
+ fis[( a g b a c]) | % 12
+ g[( b cis d b g]) | % 13
r b'[ a( g fis a]) | % 14
- g[ f( es d c b]) | % 15
- c[ es( d c b a]) | % 16
- g[ g' fis g] g,4 \bar "|."
+ g[( f es d c b]) | % 15
+ c[( es d c b a]) | % 16
+ g[ g' fis g] g,4 \bar "||" \key g \major
}
\addQuote "xiVcMusic" { \xiVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_12.ily b/Eybler_VariationesAugustin_HV196_Music_12.ily
index 176f655489276abf826ee3a5fa88304c92b37d85..fb313442486798d050fb49f22c3286d5e2236a3d 100644
--- a/Eybler_VariationesAugustin_HV196_Music_12.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_12.ily
@@ -10,7 +10,8 @@ xiiSettings = \notemode {
}
xiiFinalMark = {
\once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
- \bar"|."\mark "Attacca Subito Coda." \barNumberCheck #24
+ \once \override Score.RehearsalMark #'direction = #DOWN
+ \bar"||" \mark "Attacca Subito Coda" \barNumberCheck #24
}
@@ -51,12 +52,12 @@ xiiVIMusic = \relative c''' {
xiiVIIMusic = \relative c'' {
\repeat volta 2 {
- d4.\f e8[ d c] | % 2
+ d4.\f( e8[ d c]) | % 2
h4( g) g-. | % 3
a4( d,) d-. | % 4
h'(g) g-. | % 5
d'4.( e8[ d c]) | % 6
- h4( g) g-| | % 7
+ h4( g) g-. | % 7
a( d,) d-. | % 8
g4 r r | % 9
} \barNumberCheck #9
@@ -66,8 +67,8 @@ xiiVIIMusic = \relative c'' {
a( d,) d-. | % 12
h'( g) g-. | % 13
d'4.( e8[ d c]) | % 14
- h4( g) g-| | % 15
- a( d,) d | % 16
+ h4( g) g-. | % 15
+ a( d,) d-. | % 16
\barNumberCheck #16
} \alternative {
{ g4 r r | \barNumberCheck #17 }
@@ -86,22 +87,22 @@ xiiVIIMusic = \relative c'' {
xiiVaMusic = \relative c'' {
\repeat volta 2 {
- h4.\f c8[ h a] | % 2
- g4( h,) h-| | % 3
+ h4.\f( c8[ h a]) | % 2
+ g4( h,) h-. | % 3
d( a') a-. | % 4
g( h) h-. | % 5
- h4. c8[ h a] | % 6
- g4( h,) h-| | % 7
- d( a') a-| | % 8
+ h4.( c8[ h a]) | % 6
+ g4( h,) h-. | % 7
+ d( a') a-. | % 8
h r r | % 9
} \barNumberCheck #9
\repeat volta 2 {
- d,( a') a-| | % 10
- g( h) h-| | % 11
- d,( a') a-| | % 12
+ d,( a') a-. | % 10
+ g( h) h-. | % 11
+ d,( a') a-. | % 12
g( h) h-. | % 13
- h4. c8[ h a] | % 14
- g4( h,) h-| | % 15
+ h4.( c8[ h a]) | % 14
+ g4( h,) h-. | % 15
d( a') a-. | % 16
\barNumberCheck #16
} \alternative {
diff --git a/Eybler_VariationesAugustin_HV196_Music_13_Coda.ily b/Eybler_VariationesAugustin_HV196_Music_13_Coda.ily
index c8c891759889318821b2d467ad9b82b1a163f49b..ffaf42b9469ac6f5e2d0c84ca9d3791064dbeb68 100644
--- a/Eybler_VariationesAugustin_HV196_Music_13_Coda.ily
+++ b/Eybler_VariationesAugustin_HV196_Music_13_Coda.ily
@@ -26,8 +26,8 @@ CodaVIMusic = \relative c'' {
\slashedGrace fis8 a4( d,) d-. | % 12
\slashedGrace d8 h'4(g) g-.| % 13
\slashedGrace h8 d4. e8[ d c] | % 14
- h4( g) g-| | % 15
- \slashedGrace fis8 a4( d,) d-| | % 16
+ h4( g) g-. | % 15
+ \slashedGrace fis8 a4( d,) d-. | % 16
g4 r r | % 17
a8[ fis d a] fis r | % 18
h'[ g d h] g r | % 19
@@ -37,7 +37,7 @@ CodaVIMusic = \relative c'' {
h,8[ d g h d h] | % 23
c[ a fis d c a] | % 24
g[( h]) h[( d]) d[( g])| % 25
- \slashedGrace fis8 a4( d,) d-| | % 26
+ \slashedGrace fis8 a4( d,) d-. | % 26
\slashedGrace d8 h'4( g) g-. | % 27
\slashedGrace fis8 a4( d,) d-. | % 28
\slashedGrace d8 h'4( g) g-. | % 29
@@ -52,12 +52,12 @@ CodaVIMusic = \relative c'' {
c4( a') a-. | % 38
h,( g') g-. | % 39
h4( cis,) cis-. | % 40
- d8[( cis\decresc d cis d cis]) | \barNumberCheck #41
+ d8[ cis(\decresc d cis d cis]) | \barNumberCheck #41
d[( cis d cis d cis]) | % 42
d4.(\p e8[ d c]) | % 43
- h4(e,) e-| | % 44
+ h4(e,) e-. | % 44
c'4.( d8[ c h]) | % 45
- a4( d,) d-| | % 46
+ a4( d,) d-. | % 46
g8[\f fis g a h c] | % 47
d[ e fis g a h] | % 48
d[ c a fis d c] | % 49
@@ -72,10 +72,10 @@ CodaVIMusic = \relative c'' {
<d h' g'> r r | % 58
d''4. e8[ d c] | % 59
h4( g) g-. | % 60
- a( fis) fis-| | \barNumberCheck #61
+ a( fis) fis-. | \barNumberCheck #61
g r r | % 62
- a4(\p d,) d-| | % 63
- h'( g) g-| | % 64
+ a4(\p d,) d-. | % 63
+ h'( g) g-. | % 64
<d' fis, d,>\f r r | % 65
<g, h, d, g,> r r | % 66
\bar"|."
@@ -85,13 +85,13 @@ CodaVIMusic = \relative c'' {
CodaVIIMusic = \relative c'' {
d4.\p e8[ d c] | % 2
- h4(g) g-| % 3
+ h4(g) g-. % 3
\slashedGrace fis8 a4( d,) d-. | % 4
- \slashedGrace d8 h'4( g) g-| | % 5
+ \slashedGrace d8 h'4( g) g-. | % 5
\slashedGrace h8 d4. e8[ d c] | % 6
- h4( g) g-| | % 7
+ h4( g) g-. | % 7
\slashedGrace fis8 a4(d,) d-. | % 8
- g8[ fis( g\cresc a h c]) | % 9
+ g8[ fis(\cresc g a h c]) | % 9
d[(\f d, d' e d c]) | \barNumberCheck #10
h[( d,) d'( d,) h'( d,]) | % 11
a'[( d,) c'( d,) a'( c,)] | % 12
@@ -99,53 +99,53 @@ CodaVIIMusic = \relative c'' {
d[( d, d' e d c]) | % 14
h[( d,) d'( d,) h'( d,]) | % 15
a'[( d,) c'( c,) a'( d,)] | % 16
- g[ d h d]g4 | % 17
- \slashedGrace fis8 a4( d,) d-| | % 18
- \slashedGrace d8 h'4( g) g-| | % 19
- \slashedGrace fis8 a4( d,)d-| | \barNumberCheck #20
- \slashedGrace d8 h'4( g) g-| | % 21
+ g[( d h d]) g4 | % 17
+ \slashedGrace fis8 a4( d,) d-. | % 18
+ \slashedGrace d8 h'4( g) g-. | % 19
+ \slashedGrace fis8 a4( d,)d-. | \barNumberCheck #20
+ \slashedGrace d8 h'4( g) g-. | % 21
d'4. e8[ d c] | % 22
- h4( g) g-| | % 23
- \slashedGrace fis8 a4( d,) d-| | % 24
+ h4( g) g-. | % 23
+ \slashedGrace fis8 a4( d,) d-. | % 24
g4 d8[( g]) g[( h]) | % 25
- a[( a,) c'( d,) a'( d,)] | % 26
- h'[ d, d' d, h' d,] | % 27
- a'[ d, c' d, a' c,] | % 28
- h'[ d, d' d, h' d,] | % 29
+ a[( d,) c'( d,) a'( d,)] | % 26
+ h'[( d,) d'( d,) h'( d,]) | % 27
+ a'[( d,) c'( d,) a'( c,]) | % 28
+ h'[( d,) d'( d,) h'( d,]) | % 29
d'[( d, d' e d c]) | \barNumberCheck #30
h[( d,) d'( d,) h'( d,]) | % 31
a'[( d,) c'( c,) a'( d,)] | % 32
g[( fis g fis g fis]) | % 33
- g[ fis( g fis g fis]) | % 34
- g[ fis( g fis g fis]) | % 35
- g[ fis( g fis g fis]) | % 36
- g[ fis( g a h g]) | % 37
- d[ cis( d cis d cis]) | % 38
- d[ h cis( dis e fis]) | % 39
- g[ e( fis g a g]) | \barNumberCheck #40
+ g[( fis g fis g fis]) | % 34
+ g[( fis g fis g fis]) | % 35
+ g[( fis g fis g fis]) | % 36
+ g[( fis g a h g]) | % 37
+ d[( cis d cis d cis]) | % 38
+ d[( h cis dis e fis]) | % 39
+ g[( e fis g a g]) | \barNumberCheck #40
fis4 r r | % 41
R2. | % 42
h4.\p( c8[ h a]) | % 43
- gis4( e) e-| | % 44
- a4. h8[( a g]) | % 45
- fis4( d) d-| | % 46
+ gis4( e) e-. | % 44
+ a4.( h8[ a g]) | % 45
+ fis!4( d) d-. | % 46
R2.*2 | % 48
- r4 <d a' fis'> <d c' a'> | % 49
+ r4 <d a' fis'>\f <d c' a'> | % 49
r <d h' g'> <d d' h'> | \barNumberCheck #50
R2.*2 | % 52
r4 <d a' fis'> <d c' a'> | % 53
<d h' g'> <d' h'> <h g'> | % 54
<d, a' fis'> d16[ cis d cis] d8 r | % 55
<g, d' h' g'>4 g'16[ fis g fis] g8 r | % 56
- <d a a'>4 d16[ cis d cis] d8 r | % 57
+ <d a' a'>4 d16[ cis d cis] d8 r | % 57
<g, d' h' h'>4 g'16[ fis g fis] g8 r | % 58
h'4. c8[ h a] | % 59
g4( h,) h-. | \barNumberCheck #60
- c(a) a-| | % 61
+ c(a) a-. | % 61
g r r | % 62
- <d' fis>_\pizz r r | % 63
+ <d' fis>^\pizz r r | % 63
<d g> r r | % 64
- <fis a, d,>\f_\arco r r | % 65
+ <fis a, d,>\f^\arco r r | % 65
<g h, d, g,> r r | % 66
\bar"|."
}
@@ -154,13 +154,13 @@ CodaVIIMusic = \relative c'' {
CodaVaMusic = \relative c'' {
h4.\p c8[ h a] | % 2
- g4 <g, h> <g h> | % 3
+ g4( <g, h>) <g h> | % 3
r <a fis'> q | % 4
r <h g'> q | % 5
h'4. c8[ h a] | % 6
g4( h,) h-. | % 7
r4 <a fis'> q | % 8
- <g g'>8[\cresc d'( h d g a]) | % 9
+ <g g'>8[ d'(\cresc h d g a]) | % 9
h8[(\f d, h' c h a]) | \barNumberCheck #10
g[( d) h'( d,) g( d]) | % 11
fis[( d) a'( d,) fis( d]) | % 12
@@ -174,7 +174,7 @@ CodaVaMusic = \relative c'' {
r <fis a> q | \barNumberCheck #20
r <g h> q | % 21
h'4. c8[ h a] | % 22
- g4( h,) h-| | % 23
+ g4( h,) h-. | % 23
r <a fis'> q | % 24
<g g'>4 h8[( d]) d[( g]) | % 25
fis[( d) a'( d,) fis( d]) | % 26
@@ -185,17 +185,17 @@ CodaVaMusic = \relative c'' {
g[( d) h'( d,) g( d]) | % 31
fis[( d) a'( d,) fis( d]) | % 32
h4 r r | % 33
- e4. g8[( fis e]) | % 34
+ e4.( g8[ fis e]) | % 34
d4( h) h-. | % 35
- e4. g8[( fis e]) | % 36
- d4( h) h-| | % 37
+ e4.( g8[ fis e]) | % 36
+ d4( h) h-. | % 37
a4.( fis8[ g a]) | % 38
h4.( a8[ g fis]) | % 39
e4 a a | \barNumberCheck #40
a r r | % 41
R2.*5 | % 46
d4.(\f e8[ d c]) | % 47
- h4( g) g-| | % 48
+ h4( g) g-. | % 48
r <a fis'> q | % 49
r <h g'> q | \barNumberCheck #50
d4.( e8[ d c]) | % 51
@@ -210,9 +210,9 @@ CodaVaMusic = \relative c'' {
h[ c d e fis g] | \barNumberCheck #60
e4( c') c-. | % 61
h4 r r | % 62
- <a d,>4_\pizz r r | % 63
+ <a d,>4^\pizz r r | % 63
<h g> r r | % 64
- <fis a, d,>\f_\arco r r | % 65
+ <fis a, d,>\f^\arco r r | % 65
<g g,> r r | % 66
\bar"|."
}
@@ -252,27 +252,27 @@ CodaVcMusic = \relative c {
<g d'>4-.( <g d'>2-.)-> | % 31
<d a'>4-.( q2-.)-> | % 32
g4 r r | % 33
- c'4. e8[( d c]) | % 34
- h4( g) g-| | % 35
- c4. e8[( d c]) | % 36
- h4( g) g-| | % 37
- fis4. d8[( e fis]) | % 38
- g4. fis8[ e d] | % 39
+ c'4.( e8[ d c]) | % 34
+ h4( g) g-. | % 35
+ c4.( e8[ d c]) | % 36
+ h4( g) g-. | % 37
+ fis4.( d8[ e fis]) | % 38
+ g4.( fis8[ e d]) | % 39
cis8[ h a g fis e] | \barNumberCheck #40
d4r r | % 41
R2.*2 | % 43
- e''4.\p f8[( e d]) | % 44
- c4( a) a-| | % 45
- d4. e8[( d c]) | % 46
- h4.\f f8[( h a]) | % 47
- g4( g,) g-. | % 48
+ e''4.\p( f8[ e d]) | % 44
+ c4( a) a-. | % 45
+ d4.( e8[ d c]) | % 46
+ h4.\f( c8[ h a]) | % 47
+ g4( h,) h-. | % 48
<a d,>4( d) d-. | % 49
<d g,>( g) g-. | \barNumberCheck #50
- h4. c8[( h a]) | % 51
- g4( g) g-| | % 52
- <a d,>4( d) d-| | % 53
+ h4.( c8[ h a]) | % 51
+ g4( h,) h-. | % 52
+ <a d,>4( d) d-. | % 53
g, g' g, | % 54
- d,4-| r r | % 55
+ d4-. r r | % 55
g r r | % 56
d' r r | % 57
g r r | % 58
@@ -281,8 +281,8 @@ CodaVcMusic = \relative c {
c[a d cis d d,] | % 61
g4 r r | % 62
R2.*2 | % 64
- a,4(\f d,)d-| | % 65
- h'( g) g-| \bar"|."
+ a,4(\f d,) d-. | % 65
+ h'( g) g-. \bar"|."
}
\addQuote "CodaVcMusic" { \CodaVcMusic }
diff --git a/Eybler_VariationesAugustin_HV196_Music_LiedAugustin.ily b/Eybler_VariationesAugustin_HV196_Music_LiedAugustin.ily
new file mode 100644
index 0000000000000000000000000000000000000000..51ab9a06754192010f98b0dbc6dd94e2cd37b9fb
--- /dev/null
+++ b/Eybler_VariationesAugustin_HV196_Music_LiedAugustin.ily
@@ -0,0 +1,39 @@
+\version "2.14.0"
+
+% LiedPieceName = "O du lieber Augustin"
+LiedTempo = "Lebhaft"
+
+LiedKey = \key g \major
+LiedTimeSignature = \time 3/4
+
+LiedSettings = \notemode {
+ \tempo \LiedTempo
+}
+
+
+LiedVoiceMusic = \relative c'' {
+ d4.\mf e 8 d c |
+ h4 g g |
+ a d, d |
+ h' g g |\break
+ d'4. e8 d c |
+ h4 g g |
+ a d, d |
+ g r r \bar "||"\break
+ a4\p d, d |
+ h' g g |
+ a d, d |
+ h' g g |\break
+ d'4. e8 d c |
+ h4 g g |
+ a d, d |
+ g r r \bar"|."
+}
+LiedVoiceLyrics = \lyricmode {
+ \set stanza = #"Ref. " O du lie -- ber Au -- gus -- tin, Au -- gus -- tin, Au -- gus -- tin,
+ o du lie -- ber Au -- gus -- tin, al -- les ist hin!
+
+ \set stanza = #"1. " Geld is weg, Mäd'l ist weg,
+ al -- les weg, al -- les weg!
+ O du lie -- ber Au -- gus -- tin, al -- les ist hin!
+}
diff --git a/Eybler_VariationesAugustin_HV196_Score_Full.ly b/Eybler_VariationesAugustin_HV196_Score_Full.ly
index b40fbe254231437b4a3849e21d334adfd670c48b..2b74c72a3c184c96d1c817bdc3b101ab41b8a6db 100644
--- a/Eybler_VariationesAugustin_HV196_Score_Full.ly
+++ b/Eybler_VariationesAugustin_HV196_Score_Full.ly
@@ -5,19 +5,20 @@
\header {
scoretype = \FullScoreTitle
- scorenumber = \markup{\scoreNumber \FullScoreNumber}
- pdftitle = \markup{J. Eybler: \title, \scoretype}
+ instrumentnr = \FullScoreNumber
}
\paper {
- page-count = #8
- systems-per-page = #5
+% page-count = #8
+% systems-per-page = #5
}
\createNoCuesScore #"Thema" #'("FullScore")
\createNoCuesScore #"i" #'("FullScore")
+\pageBreak
\createNoCuesScore #"ii" #'("FullScore")
\createNoCuesScore #"iii" #'("FullScore")
+\pageBreak
\createNoCuesScore #"iv" #'("FullScore")
\createNoCuesScore #"v" #'("FullScore")
\createNoCuesScore #"vi" #'("FullScore")
diff --git a/Eybler_VariationesAugustin_HV196_Score_Lied.ly b/Eybler_VariationesAugustin_HV196_Score_Lied.ly
new file mode 100644
index 0000000000000000000000000000000000000000..9b85ce2e92d8bf0355ba28c44ad9e9fc6db4362d
--- /dev/null
+++ b/Eybler_VariationesAugustin_HV196_Score_Lied.ly
@@ -0,0 +1,154 @@
+\version "2.14.0"
+\include "Eybler_VariationesAugustin_HV196_Settings_Instrument.ily"
+
+#(set-global-staff-size 18)
+
+\paper {
+ tagline = ##f
+ copyright = ##f
+ evenHeaderMarkup = ##f
+ evenFooterMarkup = ##f
+ oddHeaderMarkup = ##f
+ oddFooterMarkup = ##f
+ ragged-bottom = ##t
+ ragged-last-bottom = ##t
+ scoreTitleMarkup = ##f
+ bookTitleMarkup = ##f
+ indent=0\mm
+ line-width=150\mm
+ left-margin=3\cm
+ right-margin=3\cm
+}
+
+\createNoCuesScore #"Lied" #'("Voice")
+\noPageTurn
+\noPageBreak
+
+\markup {
+ \fill-line {
+ \hspace #0.1 % moves the column off the left margin;
+ % can be removed if space on the page is tight
+ \column {
+ \line { \bold "2."
+ \column {
+ \line {Rock ist weg, Stock ist weg,}
+ \line {Augustin liegt im Dreck.}
+ \line {O du lieber Augustin,}
+ \line {alles ist hin!}
+ }
+ }
+ \vspace #0.1 % adds vertical spacing between verses
+ \line { \bold "3."
+ \column {
+ \line {Und selbst das reiche Wien,}
+ \line {hin ist's wie Augustin.}
+ \line {Weint mit mir im gleichen Sinn,}
+ \line {alles ist hin!}
+ }
+ }
+ }
+ \hspace #0.1 % adds horizontal spacing between columns;
+ \column {
+ \line { \bold "4."
+ \column {
+ \line {Jeder Tag war ein Fest,}
+ \line {Und was jetzt? Pest, die Pest!}
+ \line {Nur ein groß' Leichenfest,}
+ \line {das ist der Rest.}
+ }
+ }
+ \vspace #0.1 % adds vertical spacing between verses
+ \line { \bold "5."
+ \column {
+ \line {Augustin, Augustin,}
+ \line {Leg nur ins Grab dich hin!}
+ \line {O du lieber Augustin,}
+ \line {alles ist hin!}
+ }
+ }
+ }
+ \hspace #0.1 % gives some extra space on the right margin;
+ % can be removed if page space is tight
+ }
+}
+
+\markup {\vspace #4 }
+
+\markup \italic \column {
+ \fill-line {
+ \column {
+ \line {
+ \right-column {
+ \bold "Ref."
+ ""
+% \vspace #0.1
+ \bold "1."
+ }
+ \column {
+ \line {O you dear Augustin, Augustin, Augustin,}
+ \line {O you dear Augustin, everything's gone.}
+% \vspace #0.1
+ \line {Money's gone, sweetheart's gone,}
+ \line {All is gone, all is gone!}
+ \line {O you dear Augustin,}
+ \line {Everything's gone.}
+ }
+ }
+ }
+ }
+% \vspace #0.1 % adds vertical spacing between verses
+% \fill-line {
+% \column {
+% \line {
+% \column {
+% }
+% }
+% }
+% }
+ \vspace #0.1 % adds vertical spacing between verses
+ \fill-line {
+ \hspace #0.1 % moves the column off the left margin;
+ % can be removed if space on the page is tight
+ \column {
+ \line { \bold "2."
+ \column {
+ \line {Coat is gone, staff is gone,}
+ \line {Augustin lies in dirt.}
+ \line {O you dear Augustin,}
+ \line {Everything's gone!}
+ }
+ }
+ \vspace #0.1 % adds vertical spacing between verses
+ \line { \bold "3."
+ \column {
+ \line {Even that rich town Wien,}
+ \line {Broke is like Augustin.}
+ \line {Weep with me in TODO,}
+ \line {Everything's gone!}
+ }
+ }
+ }
+ \hspace #0.1 % adds horizontal spacing between columns;
+ \column {
+ \line { \bold "4."
+ \column {
+ \line {Every day was a feast,}
+ \line {And what now? Pest, the pest!}
+ \line {Just a huge funeral,}
+ \line {That is what's left.}
+ }
+ }
+ \vspace #0.1 % adds vertical spacing between verses
+ \line { \bold "5."
+ \column {
+ \line {Augustin, Augustin,}
+ \line {Bed down in common grave!}
+ \line {O you dear Augustin,}
+ \line {Everything's gone!}
+ }
+ }
+ }
+ \hspace #0.1 % gives some extra space on the right margin;
+ % can be removed if page space is tight
+ }
+}
\ No newline at end of file
diff --git a/Eybler_VariationesAugustin_HV196_Settings.ily b/Eybler_VariationesAugustin_HV196_Settings.ily
index 3eb765a790fde8b96d4c634e1b2e97e6a5b401f0..6876bdd785060904f6a6552d3a9098261c9b0908 100644
--- a/Eybler_VariationesAugustin_HV196_Settings.ily
+++ b/Eybler_VariationesAugustin_HV196_Settings.ily
@@ -4,6 +4,7 @@
\include "deutsch.ly"
\include "Eybler_VariationesAugustin_HV196_Settings_Global.ily"
+\include "Eybler_VariationesAugustin_HV196_Music_LiedAugustin.ily"
\include "Eybler_VariationesAugustin_HV196_Music_00_Thema.ily"
\include "Eybler_VariationesAugustin_HV196_Music_01.ily"
\include "Eybler_VariationesAugustin_HV196_Music_02.ily"
diff --git a/Eybler_VariationesAugustin_HV196_Settings_FullScore.ily b/Eybler_VariationesAugustin_HV196_Settings_FullScore.ily
index 3f03cf6577051cdbff4bd656bf303853fa7b655e..b6f0601cb0405415a23ba239b7dc2927a804e172 100644
--- a/Eybler_VariationesAugustin_HV196_Settings_FullScore.ily
+++ b/Eybler_VariationesAugustin_HV196_Settings_FullScore.ily
@@ -1,6 +1,7 @@
\version "2.14.0"
\include "orchestrallily/oly_settings_fullscore.ily"
\include "Eybler_VariationesAugustin_HV196_Settings.ily"
+#(set-global-staff-size 12.7)
\paper {
system-separator-markup = ##f
diff --git a/Eybler_VariationesAugustin_HV196_Settings_Global.ily b/Eybler_VariationesAugustin_HV196_Settings_Global.ily
index 520b85d5e34259b944cf850b9a9afd046274863a..e1fa5779edde3dfc6957a0a1f316cd58e3e39694 100644
--- a/Eybler_VariationesAugustin_HV196_Settings_Global.ily
+++ b/Eybler_VariationesAugustin_HV196_Settings_Global.ily
@@ -2,22 +2,21 @@
\include "orchestrallily/oly_settings_names.ily"
-scorenumber="EK-1196"
\header {
- title = "12 Variationes"
- titlepagetitle = "12 Variationes"
- subtitle = "über das Thema \"O du lieber Augustin\", HV 196"
- titlepagesubtitle = "über das Thema \"O du lieber Augustin\", HV 196"
- composer = "Joseph Eybler (1765-1846)"
- titlepagecomposer = "Joseph Eybler (1765-1846)"
+ scorenumberbase="EK-1196"
+ title = "12 Variationen"
+ titlepagetitle = "12 Variationen"
+ subtitle = "über das Thema \"O du lieber Augustin\""
+ titlepagesubtitle = "über das Thema \"O du lieber Augustin\""
+% composer = "Joseph Eybler (1765-1846)"
+% titlepagecomposer = "Joseph Eybler (1765-1846)"
+ composer = "Komponist unbekannt"
+ shortcomposer = "Anonym"
+ titlepagecomposer = "Komponist unbekannt"
editor = "Reinhold Kainhofer"
- copyright = \markup \abs-fontsize #9 \column{
- \line { 2011, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
-% \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
- }
copyright = \markup \abs-fontsize #9 \column {
- \line { © 2011, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
+ \line { © 2012, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
}
ensemble = \markup{\center-column{"Streichquartett / String Quartett"}}
instruments = "2 Violini, Viola & Violoncello"
@@ -50,9 +49,11 @@ VcShortInstrumentName = ##f
\remove "Hara_kiri_engraver"
\override VerticalAxisGroup #'remove-empty = ##f
}
-}
-
+ \context { \Score
+ barNumberVisibility = #all-bar-numbers-visible
+ }
+}
diff --git a/Eybler_VariationesAugustin_HV196_Settings_Instrument.ily b/Eybler_VariationesAugustin_HV196_Settings_Instrument.ily
index c44d46826defe8528e78ed4b7b4621cc3ab9fddb..860b1985e09100e39326ece38b3d3bf61110472a 100644
--- a/Eybler_VariationesAugustin_HV196_Settings_Instrument.ily
+++ b/Eybler_VariationesAugustin_HV196_Settings_Instrument.ily
@@ -1,56 +1,3 @@
\version "2.14.0"
\include "orchestrallily/oly_settings_instrument.ily"
\include "Eybler_VariationesAugustin_HV196_Settings.ily"
-
-% \paper {
-% #(define page-breaking ly:optimal-breaking)
-% }
-
-\paper {
-
-% #(define (first-page layout props arg)
-% (if (book-first-page? layout props)
-% (interpret-markup layout props arg)
-% empty-stencil))
- #(define (is-copyright-page layout props arg)
- (first-page layout props arg))
-
- oddHeaderMarkup = \markup \fill-line {
- " "
- \on-the-fly #is-header-page \concat { \fromproperty #'header:instrument }
- \on-the-fly #is-header-page \fromproperty #'page:page-number-string
- }
- evenHeaderMarkup = \markup \fill-line {
- \on-the-fly #is-header-page \fromproperty #'page:page-number-string
- \on-the-fly #is-header-page \concat { \fromproperty #'header:composer ": " \fromproperty #'header:title }
- " "
- }
-
- oddFooterMarkup = \markup {
- \column {
- \fill-line {
- %% copyright on the first real score page
- \on-the-fly #is-copyright-page \fromproperty #'header:copyright
- \on-the-fly #is-copyright-page \null
- }
- \fill-line {
- %% All other pages get the number of the edition centered
- \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
- }
- }
- }
- evenFooterMarkup = \markup {
- \column {
- \fill-line {
- %% copyright on the first real score page
- \on-the-fly #is-copyright-page \fromproperty #'header:copyright
- \on-the-fly #is-copyright-page \null
- }
- \fill-line {
- %% All other pages get the number of the edition centered
- \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
- }
- }
- }
-
-}
diff --git a/Makefile b/Makefile
index 5c2652de9a8ba10e59250d3b3ad8579ff7078b1e..5966a640811872b4ec10874f7a2583e39ee04d77 100644
--- a/Makefile
+++ b/Makefile
@@ -3,14 +3,15 @@ OUT=out
base = Eybler_VariationesAugustin_HV196
SRCS = $(base)_Music_00_Thema.ily $(base)_Music_01.ily $(base)_Music_02.ily $(base)_Music_03.ily $(base)_Music_04.ily $(base)_Music_05.ily $(base)_Music_06.ily $(base)_Music_07.ily $(base)_Music_08.ily $(base)_Music_09.ily $(base)_Music_10.ily $(base)_Music_11.ily $(base)_Music_12.ily $(base)_Music_13_Coda.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_Instrument.ily $(base)_Settings_FullScore.ily
instruments = VI VII Va Vc
-scores = Full
+scores = Full Lied
pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
$(scores:%=$(OUT)/$(base)_Score_%.pdf)
texbase = Eybler_VariationesAugustin_HV196
texscores = Full
-texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
+texinstruments = VI
+texs = $(texscores:%=TeX_$(texbase)_Score_%.tex) $(texinstruments:%=TeX_$(texbase)_Instrument_%.tex)
texpdfs = $(texs:%.tex=$(OUT)/%.pdf)
distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(texpdfs)
@@ -33,6 +34,8 @@ $(OUT) :
$(instruments): % : $(OUT)/$(base)_Instrument_%.pdf $(SRCS)
$(scores): % : $(OUT)/$(base)_Score_%.pdf $(SRCS)
+$(OUT)/$(base)_Score_Lied.pdf: $(base)_Score_Lied.ly $(base)_Music_LiedAugustin.ily
+ lilypond -dbackend=eps -o $(basename $@) $<
$(OUT)/%.pdf : %.ly
@@ -49,7 +52,7 @@ latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
- TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex -interaction=batchmode --output-directory=$(OUT)/ $<
+ TEXINPUTS=$(OUT):orchestrallily/:.//: xelatex --output-directory=$(OUT)/ $<
zipdir = $(base)_Final
dist: $(distfiles)
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_About.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_About.itex
index 2d199ed49c35931b12af910dce94b1915ae9527b..d9443a1dc28ee5c260571b75c4ace7f5b28ce156 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Include_About.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_About.itex
@@ -1,10 +1,63 @@
\addcontentsline{toc}{section}{Vorwort / Preface}
-
\begin{multicols}{2}\raggedcolumns
\prefacesection{Vorwort}
-TODO
+\q{O du lieber Augustin} ist eine alte Wiener Volksweise,
+welche die Erlebnisse von Marx Augustin (1643--1685), auch
+\q{Der liebe Augustin} genannt, erzählt. Augustin war
+ein beliebter Bänkelsänger, Stegreifdichter und Sack\-pfei\-fer in
+Wien. Er zog mit seinem Dudelsack von
+einem Wirt zur nächsten, um mit seinen lustigen Gesängen
+seinen Lebensunterhalt zu verdienen und die Bevölkerung trotz
+der Pestepidemie aufzuheitern. Dabei verprasste er allerdings
+das verdiente Geld meist sofort in der Kneipe wieder.
+Die Erzählung besagt, dass sich Augustin eines Tages im
+Jahr 1679 wieder einmal stockbetrunken seinen Rausch auf der
+Straße ausschlief und von den \q{Siech-Knech\-ten}, welche
+die Pestleichen einzusammeln hatten, auch für eine solche
+gehalten wurde, mit einem Sammelkarren vor die Stadtmauer
+gebracht und dort mit den anderen Leichen in einem offenen
+Massengrab abgeladen wurde. Am nächsten Tag
+schließlich wachte Augustin wieder auf und begann im Massengrab auf
+seinem Dudelsack zu spielen, bis er gerettet wurde.
+Fortan konnte der liebe Augustin von seiner Geschichte ganz gut leben.
+
+Bis heute steht sein Name auch dafür, dass man mit Humor
+alles überstehen kann.
+
+\vspace{0.5em}
+
+Der Komponist der vorliegenden Variationen über das Thema der Volksweise
+ist unklar, es existiert nur eine einzige handschriftliche Quelle (aktuell
+im Besitz der österreichischen Nationalbibliothek, jedoch ursprünglich
+vom Steiermärkischen Musikverein erworben), die als
+Vorlage diente.
+
+Auch wenn die Quelle den Wiener Hofkapellmeister Eybler
+als Komponist angibt (und das Eybler-Werk\-ver\-zeich\-nis von Herrmann
+dieses Werk daher als HV 196 aufnimmt), so kann dies aus mehreren Gründen stark
+bezweifelt werden. Zum einen ist nur ein handschriftlicher Stimmensatz
+überliefert, der jedoch nicht von der Hand Eyblers ist und weiters
+nicht aus einem Musikbestand in Wien sondern aus der Steiermark stammt.
+Gerade in der damaligen Zeit war es durchaus üblich, Werke einer bekannten
+Persönlichkeit zuzuschreiben, um dadurch ihren Wert zu steigern.
+
+Weiters hat hat Eybler zwar -- im Gegensatz zu seinen Kir\-chen\-mu\-sik\-wer\-ken --
+kein eigenhändiges Verzeichnis seiner Kam\-mer\-mu\-sik\-wer\-ke verfasst, jedoch sind
+diese stets dadurch geprägt, dass die Viola besonders hervorgehoben
+und anspruchsvoll komponiert wurde. Dies lässt sich im vorliegenden
+Werk ebenfalls nicht feststellen.
+
+Allerdings lässt die (zweifelhafte) Zuschreibung an den Vize-Hof\-kapell\-meister Eybler
+einen ungefähren Rückschluss auf die Entstehungszeit zu, da Eybler
+diese Position erst ab 1804 innehatte, und ab 1823 interimistisch
+bzw. ab 1824 offiziell als Hofkapellmeister tätig war.
+
\columnbreak
+\selectlanguage{english}
\prefacesection{Preface}
-TODO
+
+TODO
\end{multicols}
+\selectlanguage{ngerman}
+
\vfill
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_Copyrightbox.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_Copyrightbox.itex
index 035cd31d89121d019af1284162c973a3cf624bda..1689af0428a31b8897f937f1f76a755df5aebe5f 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Include_Copyrightbox.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_Copyrightbox.itex
@@ -1,5 +1,6 @@
\makeatletter
-\copyrightbox{© \@year, \@publisher. 1. Auflage / 1st Printing \@year\newline
+\copyrightbox{© \@yearpublished, \@publisher\ifx\@publisherurl\@empty\else, \href{\@publisherurl}{\@publisherurl}\fi\newline
+1. Auflage/1st Printing \@yearpublished\newline
\ifx\@scorenumber\@empty\else\@scorenumber\ifx\@ismn\@empty\else, \fi\fi\ifx\@ismn\@empty\else%
ISMN \@ismn\fi\newline
Computersatz mit \@software\newline
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_KritBericht.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_KritBericht.itex
index 6e5af54a5d2700ef32fa853dc9c91690848fdd8d..dc8329e612ca38c0826fc8dd3b9294bc778190f0 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Include_KritBericht.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_KritBericht.itex
@@ -1,3 +1,4 @@
+\iffalse
\footnotesize
\chapter*{Quellen und Lesarten}
\addcontentsline{toc}{section}{Quellen und Lesarten}
@@ -7,343 +8,33 @@
\begin{thebibliography}{AA}
-\bibitem[A]{Aut}
-Autographe Partitur, im Besitz des Musikarchiv des Schottenstiftes, Wien. Signatur: TODO
-\newblock TODO
-
-\bibitem[B]{HS1}
-Handschriftlicher Stimmensatz (aus dem Hofmusikkapellenarchiv) im Besitz der
-Musiksammlung der Österreichischen Nationalbibliothek (Signatur: HK TODO Mus);
-Sämtliches Material ist aufbewahrt zwischen zwei Pappdeckeln:
+\bibitem[A]{HS1}
+Handschriftlicher Stimmensatz im Besitz der
+Musiksammlung der Österreichischen Nationalbibliothek (Signatur: Mus.11799);
+4 Stimmen, aufbewahrt zwischen zwei Pappdeckeln:
\begin{sourcetitle}
-TODO
-\textnumero 21\sbreak
-Offertorium in C\sbreak
-de Nativitate Domini nostri J.Chr.\sbreak
+12\sbreak
+Variationes\sbreak
a\sbreak
-4 Voci\sbreak
2 Violini\sbreak
Viola\sbreak
-2 Clarinetti\sbreak
-2 Corni\sbreak
-2 Fagotti\sbreak
-Clarini e Tympani\sbreak
-con\sbreak
-Organo e Violone.\sbreak
-Del Sig\textsuperscript{re} Gius. Eybler, M.di C.\textsuperscript{la} di Corte I. e R.\sbreak
-1827.\sbreak
-Part. 40.
-\end{sourcetitle}
-TODO Aufführungsdaten auf Umschlags-Innenseite: Erster Eintrag
-\q{TODO}, letzter Eintrag \q{TODO}
-
-Vollständiger Stimmensatz von einer Hand (TODO, Schreiber Perschl\footnote{lt. Katalog der
-ÖNB; selber Schreiber wie des Großteils des
-Bestandes des ehem. Hofmusikkapellen-Archivs.}):
-5 S, 5 A, 5 T, 5 B; 3 Vl.1, 3 Vl.2, Va, Vc, Vlne, Vc+Cb; Cl.1, Cl.2, Fg. 1+2
-(auf einer Akkolade mit zwei Systemen); Cor.1, Cor.2, Clno.1, Clno.2; Tym; Org.; M.D.C.;
-
-Alle Stimmen mit \q{K.k.Hofmusikkapellen=\textbar{}Archiv}
-gestempelt und großteils am Ende des Stückes versehen mit \q{Jos. Eybler comp. 1827}.
-
-
-\bibitem[C]{THPart}
-Originalausgabe (Partitur), Wien, Tobias Haslinger, T.H.TODO, TODO S., Reihe Musica Sacra, erschienen TODO.
-\newblock Titel:
-\begin{sourcetitle}
-TODO
-OFFERTORIUM\sbreak
-von\sbreak
-Joseph Eybler\sbreak
-k.k. erstem Hofcapellmeister.\sbreak
-\textnumero 5245 --- \textnumero TODO --- Preis \preisfrac{f 1.30 C.M.}{{\em[Rthl.]} 1.\_ gr.}\sbreak
-Partitur\sbreak
-WIEN, BEI TOBIAS HASLINGER,\sbreak
-Musikverleger,\sbreak
-am Graben \textnumero 572 im Hause der ersten oesterr. Sparkasse.\sbreak
-Warsow Scrips. Pfoehl sculps.
+e\sbreak
+Violoncello\sbreak
+Del Sig. Giuseppe Eybler\sbreak
+Vice Maesto della Corte I. et R.
\end{sourcetitle}
-\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
-Signatur: TODO
-
-
-
-\bibitem[D]{THSti}
-Originalausgabe (Stimmen), Wien, Tobias Haslinger, T.H.TODO, Reihe Musica Sacra, erschienen TODO.
-\newblock Titel:
-\begin{sourcetitle}
-TODO
-Offertorium\sbreak
-(Tui sunt coeli, et tua est terra)\sbreak
-für 4 Singstimmen,\sbreak
-2 Violinen, Viola, Violoncello und Contrabass,\sbreak
-2 Clarinetten, 2 Fagotte, 2 Hörner, 2 Trompeten,\sbreak
-Pauken und Orgel\sbreak
-von\sbreak
-JOS. EYBLER,\sbreak
-k.k. erstem Hofkapellmeister.\sbreak
-\textnumero. 4.\sbreak
-\textnumero 5248 --- Eigenthum des Verlegers. --- Preis \preisfrac{fl 2.\_ C.M.}{{\em[Rthl]}\,1.8\,gr.}\sbreak
-Wien, bei Tobias Haslinger,\sbreak
-Musikverleger,\sbreak
-im Hause der ersten österr. Sparkasse.
-\end{sourcetitle}
-\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
-Signatur: TODO
+Violino 1: 9 Seiten
+Violino 2: 9 Seiten
+Viola: 9 Seiten
+Violoncello: 9 Seiten
\end{thebibliography}
\subsection*{Quellendiskussion}
-Als Primärquellen dieser Ausgabe dienen der Autograph \cite{Aut},
-der handschriftliche Stimmensatz der Hofkapelle \cite{HS1} (laut obigen
-Aufführungsdaten dürfte die Uraufführung mit diesem Material stattgefunden
-haben und der Stimmensatz von Eybler selbst in der Hofkapelle benutzt
-worden sein) sowie die von Eybler autorisierten und korrigierten Drucke
-\cite{THPart,THSti} bei Tobias Haslinger.
-
-Bei Unterschieden stimmen meist jeweils die Einzelstimmen \cite{HS1,THSti}
-sowie die Partituren \cite{Aut,THPart} überein. So sind etwa klassische
-Abschreibfehler in \cite{HS1} oft in den Druck der Einzelstimme
-übernommen, nicht jedoch in die Partitur.
-Dies lässt vermuten, dass der Autograph \cite{Aut} die unmittelbare Druckvorlage
-für die Partitur \cite{THPart} und der handschriftliche Stimmensatz \cite{HS1}
-für die Stimmen \cite{THSti} darstellen.
-
-Als einzige autographe Quelle erhält der Autograph entsprechend den
-höchsten Stellenwert, die restlichen Quellen erhalten aber beinahe denselben
-Wert als ebenfalls von Eybler benutzte Quellen.
-Entsprechende Unterschiede werden in den Einzelbemerkungen diskutiert.
-
-TODO
-
-
-\subsubsection*{Allgemeine Bemerkungen}
-
-Diese Ausgabe versucht das Stück so nahe wie möglich an die Notation und
-Intentionen Eyblers zurückzuführen, an manchen Stellen unterscheidet sich jedoch
-die moderne Notationspraxis von der Notation Eyblers. Konkret wurden (strichliert
-gekennzeichnete) Melismabögen in allen Vokalstimmen ergänzt, wenn eine Silbe
-auf mehrere Noten zu singen ist. Ergänzte Dynamikangaben und sonstige
-Ergänzungen (abgesehen von Warnakzidenzien) des Herausgebers sind
-in eckige Klammern gesetzt bzw. strichliert gedruckt und in den Einzelbemerkungen
-aufgeführt, ebenso sind alle Unterschiede zum Autograph \cite{Aut} (auch
-wenn sie durch eine oder alle anderen Quellen eindeutig belegt werden)
-gekennzeichnet. Unterschiede in den Quellen werden -- wenn die Version des
-Autographs übernommen wurde -- nicht explizit gekennzeichnet, allerdings
-in den Einzelbemerkungen erwähnt.
-
-Notenschlüssel und die Stimmung von transponierenden Instrumenten wurden
-an den modernen Usus angepasst.
-
-
-\paragraph*{Vokalstimmen, Text und Melismen}
-
-\begin{enumerate}
-\item Alle Quellen vernachlässigen zahlreiche Beistrich. Die
-vorliegende Ausgabe setzt (ohne weitere Kennzeichnung) Beistriche und Punkte
-dort, wo sie grammatikalisch korrekt sind.
-
-\item In den Vokalstimmen sind in allen Quellen \cite{Aut,HS1,THPart,THSti}
-Melismen teilweise nicht durch die moderne Konvention eines
-Bogens gekennzeichnet. Folgende Bögen wurden gemäß der modernen
-Konvention zur visuellen Verdeutlichung von Melismen ergänzt:
-TODO
-
-Bögen, die sich nicht im Autograph finden, sind strichliert ergänzt.
-
-\item In den Vokalstimmen sind in allen Quellen \cite{Aut,HS1,THPart,THSti} teilweise
-Legatobögen an Stellen gesetzt, wo keine Melismen stattfinden. Die
-vorliegende Ausgabe unterbricht die Bögen wie von der Silbenzuteilung vorgegeben
-und hält sich nicht an die (für Sänger ungewohnte) Version der ursprünglichen
-Ausgabe. Dies ist der Fall an folgenden Stellen:
-TODO
-
-\item In den Vokalstimmen sind bei zahlreichen durch einen Balken verbundenen
-Achtelnoten in der Partitur \cite{THPart} zusätzlich Bögen gesetzt, in den
-Einzelstimmen \cite{THSti}, den hs. Stimmen \cite{HS1} und dem Autograph
-\cite{Aut} jedoch nicht.
-Diese Bögen werden nicht übernommen in den Takten TODO.
-
-\end{enumerate}
-
-
-
-
-
-\paragraph*{Akzidenzien}
-
-\begin{enumerate}
-\item Warnakzidenzien sind gemäß dem Autograph \cite{Aut} gesetzt, jedenfalls
-sind Auflösungszeichen im folgenden Takt aber immer gesetzt (ohne Kennzeichnung).
-Außerdem werden in den Quellen tw. Akzidenzien nicht neu gesetzt, wenn der
-neue Takt mit derselben versetzten Note beginnt. Diese Akzidenzien werden in
-der vorliegenden Ausgabe ohne weitere Kennzeichnung ergänzt.
-
-\item In den Quellen sind tw. Akzidenzien nicht
-gesetzt, wenn im selben Takt bereits in einer anderen Oktav vorhanden:
-\begin{itemize}
-\item[\cite{Aut}:] TODO
-\item[\cite{HS1}:] TODO
-\item[\cite{THPart}:] TODO
-\item[\cite{THSti}:] TODO
-\end{itemize}
-Diese Akzidenzien werden in der vorliegenden Ausgabe konsistent ohne
-Kennzeichnung ergänzt.
-
-\item Ebenso sind tw. Akzidenzien in einem neuen Takt nicht
-wiederholt, wenn der vorhergehende Takt mit derselben versetzten Note geendet
-hat. Diese Akzidenzien wurden nach moderner Konvention konsistent ergänzt:
-TODO
-
-\end{enumerate}
-
-
-
-
-\paragraph*{Diverses}
-
-\begin{enumerate}
-\item Bögen über Vierergruppen sind in den Handschriften \cite{Aut,HS1} oft
-undeutlich nur über drei Noten gesetzt, vor allem wenn die erste Note einer
-Vierergruppe einen Triller erhält. Wenn die Intention einer gebundenen
-Vierergruppe in zumindest einer der Quellen eindeutig zu erkennen ist und der
-Bogen im Autograph vorkommt, wird ohne weitere Kennzeichnung ein Bogen über
-die gesamte Gruppe gesetzt.
-
-\item In den beiden Partituren \cite{Aut,THPart} sind zahlreiche
-Instrumentalstimme in colla-parte mit anderen Instrumenten oder Vokalstimmen
-(V2 mit V1, Va mit VcB/Org, etc.) mittels Faulenzer notiert. Die vorliegende
-Ausgabe schreibt die entsprechenden Passagen explizit aus.
-
-\item Die Triller-Erweiterungsinien in den Pauken sind in der vorliegenden
-Ausgabe vereinheitlich und nur auf mehreren gebundenen Noten mit Triller
-gesetzt. Teilweise sind in den Quellen auch bei Trillern auf einer einzigen
-Note Erweiterungslinien eingezeichnet, teilweise auch bei Trillern über
-gebundenen Noten keine Linien.
-
-\item Die verschiedenen Quellen benutzen tw. Tremolo-Schreibweise für
-aufeinanderfolgende Achtel- oder Sechzehntelnoten derselben Tonhöhe in den
-Streicherstimmen. Die vorliegende Ausgabe hält sich dabei an den Autograph
-und benutzt diese Notation in denselben Takten wie der Autograph \cite{Aut}.
-
-\end{enumerate}
-
-
-\subsubsection*{Einzelbemerkungen}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
-
-\begin{vergleich}
-TODO
-\end{vergleich}
-
-
-
-\subsubsection*{Variationes}
+Herkunft der Stimmen:
-\begin{vergleich}
-TODO
-\end{vergleich}
@@ -352,7 +43,6 @@ TODO
\section*{Danksagung}
\begin{multicols}{2}
-An dieser Stelle sei all jenen Personen und Institutionen gedankt, ohne die die
vorliegende Ausgabe nicht möglich gewesen wäre. Zum einen sei dabei der
Musiksammlung der \href{http://www.onb.ac.at/}{Österreichischen Nationalbibliothek}
für die unbürokratische Benutzung des riesigen Fundus und den
@@ -380,3 +70,4 @@ zu dieser Ausgabe geliefert.
Und zu guter Letzt sei noch meiner Freundin Ana Aleksic herzlich gedankt für
ihr Verständnis während der Erstellung dieser Ausgabe.
\end{multicols}
+\fi
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_Lied.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_Lied.itex
new file mode 100644
index 0000000000000000000000000000000000000000..7bdadd7dab4fbb192d94b8590df2d152279d4079
--- /dev/null
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_Lied.itex
@@ -0,0 +1,11 @@
+\section*{Die Wiener Volksweise \q{O du lieber Augustin}}
+
+Die bekannte Wiener Volksweise \q{O du lieber Augustin} ist erst um 1800
+nachgewiesen, ihr Urheber ist unbekannt, insbesondere ist nicht nachgewiesen,
+dass sie auf Marx Augustin selbst zurückgeht.
+
+\vfill
+\begin{center}
+\includegraphics{out/Eybler_VariationesAugustin_HV196_Score_Lied.pdf}
+\end{center}
+\vfill
\ No newline at end of file
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_Preface_Long.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_Preface_Long.itex
index 7cd2b4492581df06a64c5d68e1b0ba8d62ad33ba..9770d933da3b9747bbc2b9b9f40540d97e02ca77 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Include_Preface_Long.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_Preface_Long.itex
@@ -6,7 +6,7 @@
\begin{preface}
\input{TeX_Eybler_VariationesAugustin_HV196_Include_About.itex}
\pagebreak
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_Bio.itex}
+\input{TeX_Eybler_VariationesAugustin_HV196_Include_Lied.itex}
\end{preface}
\mainmatter
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_Sources.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_Sources.itex
index c6255b11a3b0203809483e67624be7f96ba0aa9e..708fc52680e7d2bdefffef451aa932b75ff2b8a4 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Include_Sources.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_Sources.itex
@@ -1,4 +1,11 @@
-\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
+\section*{Quelle der Ausgabe / Sources of this Edition}
\begin{hauptquellen}
-\item Joseph Eybler: 12 Variationes a 2 Violini, Viola e Violoncello, Abschrift, Musiksammlung der Österreichischen Nationalbibliothek. Signatur: A-Wn Mus.Hs.11799 Mus. 4 Stimmen, Graz, Sterm. Musikverein 1936 (TODO?), K.S.338.
+\item \textit{12 Variationes Augustin a 2 Violini, Viola e Violoncello. Del Sig: Giuseppe Eybler. Vice Maestro della corte I: et R:. }
+Handschriftlicher Stimmensatz von unbekannter Hand (Vl.I, Vl.II., Va., Vc.), Musiksammlung der Österr. Nationalbibliothek Wien. Signatur: Mus.Hs.11799 Mus. Kauf Steiermärkischer Musikverein 1936 (K.S. 338)
+% Bl. 1a: Tbl.
+% Bl. 1b, 2ab: leer
+% K. Graz, Steierm. Musikverein 1936,K.S. 338.
+% XVIII. H. 305x210. Umschlag. 22. (4St.)
+% \end{center}
+
\end{hauptquellen}
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Include_Todo.itex b/TeX_Eybler_VariationesAugustin_HV196_Include_Todo.itex
index 21a48eb0bcfe57c9bc523596a2dc3144a4bc08c5..b8216779a6ca6a7d3896469c7ef0a790646e6d38 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Include_Todo.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Include_Todo.itex
@@ -2,7 +2,6 @@
% \chapter*{Offene Fragen}
%
% \begin{itemize}
-% \item
-%
+%
% \end{itemize}
% }
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Instrument_VI.tex b/TeX_Eybler_VariationesAugustin_HV196_Instrument_VI.tex
new file mode 100644
index 0000000000000000000000000000000000000000..b5e58b1b3f9f19fdcc24776f5f84de30906b2b05
--- /dev/null
+++ b/TeX_Eybler_VariationesAugustin_HV196_Instrument_VI.tex
@@ -0,0 +1,30 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+% \usepackage[chambermusic,colortitle]{editionkainhofer}
+\usepackage[chambermusic,nocolortitle]{editionkainhofer}
+\usepackage{fancybox}
+\input{TeX_Eybler_VariationesAugustin_HV196_Settings.itex}
+
+\hypersetup{
+ pdftitle={\scoreTitle, \VIName},
+}
+
+\ismn{979-0-50217-069-1}
+\scoretype{\ovalbox{\larger\bfseries\VIName}}
+\makeatletter
+\scorenumber{\scoreNumber\VINumber}
+\makeatother
+
+\begin{document}
+\selectlanguage{ngerman}
+\maketitle
+\begin{preface}
+\input{TeX_Eybler_VariationesAugustin_HV196_Include_About.itex}
+% \input{TeX_Eybler_VariationesAugustin_HV196_Include_Text.itex}
+\end{preface}
+
+\includescore{Instrument_VI}
+
+\scorenumber{\scoreNumber\VINumber}
+\backpage
+\end{document}
+
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Score_Full.tex b/TeX_Eybler_VariationesAugustin_HV196_Score_Full.tex
index 8880d48ce6f9ac3010ba28549d3cd96235caf0cc..083ab7b50ad1673e9611d1fec4855c11c2005b22 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Score_Full.tex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Score_Full.tex
@@ -11,6 +11,7 @@
\ismn{979-0-50217-069-1}
\begin{document}
+\selectlanguage{ngerman}
\input{TeX_Eybler_VariationesAugustin_HV196_Include_Coverpage.itex}
\input{TeX_Eybler_VariationesAugustin_HV196_Include_Preface_Long.itex}
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Score_Instruments.tex b/TeX_Eybler_VariationesAugustin_HV196_Score_Instruments.tex
index d557f4bc195b6942f99df84123f08ca2426dad12..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Score_Instruments.tex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Score_Instruments.tex
@@ -1,84 +0,0 @@
-\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[nocolortitle,instrumentalparts]{editionkainhofer}
-\input{TeX_Eybler_VariationesAugustin_HV196_Settings.itex}
-
-\hypersetup{
- pdftitle={\scoreTitle, \InstrumentalPartsType},
-}
-
-\makeatletter
-\frontpageinstrumentation{\@instrumentation}
-\frontpageeditor{\@editor}
-\makeatother
-
-\scoretype{\InstrumentalPartsType}
-\scorenumber{\scoreNumber\InstrumentalPartsNumber}
-% \ismn{XXXXXXXX}
-
-\todos{
-\begin{center}
-\null
-\vfill
-\section*{\Huge Inhalt / Contents}
-\begin{Large}
-
-\VIName\\
-\VIIName\\
-\VaName\\
-\VcName\\
-
-\end{Large}
-\end{center}
-\vfill
-\vfill
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_Material.itex}
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_Sources.itex}
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_Copyrightbox.itex}
-}
-
-\pagestyle{empty}
-
-\begin{document}
-\makefrontpage
-
-% Remove the \iffalse if you want all instrumental parts to be included here
-\iffalse
-
-
-\phantomsection
-\addcontentsline{toc}{section}{\VIName}
-\includescore{Instrument_VI}
-\phantomsection
-\addcontentsline{toc}{section}{\VIIName}
-\includescore{Instrument_VII}
-\phantomsection
-\addcontentsline{toc}{section}{\VaName}
-\includescore{Instrument_Va}
-\phantomsection
-\addcontentsline{toc}{section}{\VcName}
-\includescore{Instrument_Vc}
-
-\fi
-
-\pagebreak
-\pagestyle{empty}
-\thispagestyle{empty}
-
-
-\begin{preface}
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_About.itex}
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_Bio.itex}
-\end{preface}
-
-\iffalse
-\cleardoublepage
-\backmatter
-\appendix
-\input{TeX_Eybler_VariationesAugustin_HV196_Include_KritBericht.itex}
-\fi
-
-\thispagestyle{empty}
-\pagebreak
-\thispagestyle{empty}
-\backpage
-\end{document}
diff --git a/TeX_Eybler_VariationesAugustin_HV196_Settings.itex b/TeX_Eybler_VariationesAugustin_HV196_Settings.itex
index 3ea6c6f85ce5b309f3ce2dc7d48e895f7e7dbb2f..d74ae77bb7f9dc3a09528767af4f654bd0a85091 100644
--- a/TeX_Eybler_VariationesAugustin_HV196_Settings.itex
+++ b/TeX_Eybler_VariationesAugustin_HV196_Settings.itex
@@ -1,21 +1,27 @@
-\title{12 Variationes Augustin}
-\subtitle{Variationen, HV 196}
-\composer{Joseph Eybler}
-\composerdate{(1765-1846)}
-% \description{Per Coro (SATB) ed Organo o Orchestra}
-% \instrumentation{2 Oboi, 2 Corni\\2 Violini, Viola, Violoncello\\e Basso Continuo (Organo e Bassi)}
+\makeatletter
+\title{12 Variationen}
+\subtitle{über das Thema \q{O du lieber Augustin}}
+% \frontpagecomposer{}
+% \composer{Komponist unbekannt}
+% \composer{Joseph Eybler}
+% \composerdate{(1765-1846)}
+\description{Für Streichquartett}
+\instrumentation{2 Violini, Viola, Violoncello}
+\frontpageinstrumentation{\fontsize{20pt}{24pt}\selectfont{}Streichquartett\\
+\fontsize{12pt}{15pt}\selectfont{}\@instrumentation}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisherurl{http://www.edition-kainhofer.com/}
-\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna, http://www.edition-kainhofer.com/}}
-\shortpublisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
-\year{2011}
-\scoreinfo{Urtext}
+\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
+\shortpublisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}}
+\yearpublished{2012}
+%\scoreinfo{Erstdruck}
\ismn{979-0-50217-069-1}
+\makeatother
\basename{Eybler_VariationesAugustin_HV196}
\newcommand{\scoreNumber}[1]{EK-1196-#1}
-\newcommand{\scoreTitle}{Joseph Eybler (1765-1846): 12 Variationes Augustin}
+\newcommand{\scoreTitle}{12 Variationen über \q{O du lieber Augustin}}
\geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
\hypersetup{
diff --git a/out/Eybler_VariationesAugustin_HV196_Instrument_VI.pdf b/out/Eybler_VariationesAugustin_HV196_Instrument_VI.pdf
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diff --git a/out/Eybler_VariationesAugustin_HV196_Score_Full.toc b/out/Eybler_VariationesAugustin_HV196_Score_Full.toc
index a575ea2e3a8a86543853b4be89c46fd40a2782e9..0712636b4fe44d10417ff6786e750817040d219a 100644
--- a/out/Eybler_VariationesAugustin_HV196_Score_Full.toc
+++ b/out/Eybler_VariationesAugustin_HV196_Score_Full.toc
@@ -1,14 +1,14 @@
-1, section, 1, {Thema}, toc65,
-1, section, 1, {Variatio 1}, toc66,
-1, section, 1, {Variatio 2}, toc67,
-2, section, 1, {Variatio 3}, toc68,
-2, section, 1, {Variatio 4}, toc69,
-3, section, 1, {Variatio 5}, toc70,
-4, section, 1, {Variatio 6}, toc71,
-4, section, 1, {Variatio 7}, toc72,
-4, section, 1, {Variatio 8}, toc73,
-5, section, 1, {Variatio 9}, toc74,
-5, section, 1, {Variatio 10}, toc75,
-6, section, 1, {Variatio 11}, toc76,
-6, section, 1, {Variatio 12}, toc77,
-7, section, 1, {Coda}, toc78
\ No newline at end of file
+1, section, 1, {Thema}, toc76,
+1, section, 1, {Variatio 1}, toc77,
+2, section, 1, {Variatio 2}, toc78,
+2, section, 1, {Variatio 3}, toc79,
+3, section, 1, {Variatio 4}, toc80,
+3, section, 1, {Variatio 5}, toc81,
+4, section, 1, {Variatio 6}, toc82,
+4, section, 1, {Variatio 7}, toc83,
+5, section, 1, {Variatio 8}, toc84,
+5, section, 1, {Variatio 9}, toc85,
+6, section, 1, {Variatio 10}, toc86,
+6, section, 1, {Variatio 11}, toc87,
+6, section, 1, {Variatio 12}, toc88,
+7, section, 1, {Coda}, toc89
\ No newline at end of file
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new file mode 100644
index 0000000000000000000000000000000000000000..56a6051ca2b02b04ef92d5150c9ef600403cb1de
--- /dev/null
+++ b/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.count
@@ -0,0 +1 @@
+1
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diff --git a/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.tex b/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.tex
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index 0000000000000000000000000000000000000000..2773d4c3da5c02506da0dc8d4638403eb1fe00b3
--- /dev/null
+++ b/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.tex
@@ -0,0 +1,2 @@
+\includegraphics{Eybler_VariationesAugustin_HV196_Score_Lied-1}%
+% eof
diff --git a/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.texi b/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.texi
new file mode 100644
index 0000000000000000000000000000000000000000..8362012784aa26e7b08f2980753bdf3c0f40b5dc
--- /dev/null
+++ b/out/Eybler_VariationesAugustin_HV196_Score_Lied-systems.texi
@@ -0,0 +1,2 @@
+@image{Eybler_VariationesAugustin_HV196_Score_Lied-1}
+@c eof
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+"EK-1196",,anonym-(j.-eybler-zugeschrieben)-12-variationes,"Anonym (J. Eybler zugeschrieben): 12 Variationes, über das Thema "O du lieber Augustin"","12 einfache Variationen für Streichtrio der traditionellen Wiener Volksweise "O du lieber Augustin"","<p>"O du lieber Augustin" ist eine alte Wiener Volksweise,
+welche die Erlebnisse von Marx Augustin (1643-1685), auch
+"Der liebe Augustin" genannt, erzählt. Augustin zog mit seinem Dudelsack von
+einem Wirt zur nächsten, um mit seinen lustigen Gesängen
+seinen Lebensunterhalt zu verdienen und die Bevölkerung trotz
+der Pestepidemie aufzuheitern.
+Die Erzählung besagt, dass sich Augustin eines Tages im
+Jahr 1679 wieder einmal stockbetrunken seinen Rausch auf der
+Straße ausschlief und versehentlich als Pestleiche in ein
+Massengrab vor der Stadtmauer gebracht wurde. Am nächsten Tag
+schließlich wachte Augustin wieder auf und begann im Massengrab auf
+seinem Dudelsack zu spielen, bis er gerettet wurde.
+<br>
+Bis heute steht sein Name auch dafür, dass man mit Humor
+alles überstehen kann.</p>
+
+<p>Der Komponist der vorliegenden Variationen über das Thema der Volksweise
+ist unklar, es existiert nur eine einzige handschriftliche Quelle (aktuell
+im Besitz der österreichischen Nationalbibliothek, jedoch ursprünglich
+vom Steiermärkischen Musikverein erworben), die als
+Vorlage diente. Die Zuschreibung an den Wiener Hofkapellmeister Eybler
+darf jedoch stark bezweifelt werden.</p>",,,"Kammermusik/Streichquartett","Composer|Title|Subtitle|Catalogue number|Arranger|Poet|Scoring|Key|Editor|Publisher|Textsprache|Duration|Year of Composition|Score Information|Genre|Available Editions","Anonym (J. Eybler zugeschrieben)|12 Variationes|über das Thema "O du lieber Augustin"||||Streichquartett (2 Vln., Va., Vc.)|G-Dur|Reinhold Kainhofer|Edition Kainhofer, Vienna||||Erstdruck||",,,"Y"
+"EK-1196-0","EK-1196","","Anonym (J. Eybler zugeschrieben): 12 Variationes, Partitur + Einzelstimmen","Partitur + Einzelstimmen","",14.9,"EUR",,"Score Type|Comment|Pages|ISMN","Partitur + Einzelstimmen|||979-0-50217-069-1",,,"Y"
+"EK-1196-1","EK-1196","anonym-(j.-eybler-zugeschrieben)-12-variationes-partitur","Anonym (J. Eybler zugeschrieben): 12 Variationes, Partitur","Partitur","",7.5,"EUR",,"Score Type|Comment|Pages|ISMN","Partitur||16|",,,"Y"
+"EK-1196-30","EK-1196","anonym-(j.-eybler-zugeschrieben)-12-variationes-violino-i","Anonym (J. Eybler zugeschrieben): 12 Variationes, Violino I","Violino I","",3.5,"EUR",,"Score Type|Comment|Pages|ISMN","Violino I||None|",,,"Y"
+"EK-1196-31","EK-1196","anonym-(j.-eybler-zugeschrieben)-12-variationes-violino-ii","Anonym (J. Eybler zugeschrieben): 12 Variationes, Violino II","Violino II","",3.5,"EUR",,"Score Type|Comment|Pages|ISMN","Violino II||4|",,,"Y"
+"EK-1196-32","EK-1196","anonym-(j.-eybler-zugeschrieben)-12-variationes-viola","Anonym (J. Eybler zugeschrieben): 12 Variationes, Viola","Viola","",3.5,"EUR",,"Score Type|Comment|Pages|ISMN","Viola||4|",,,"Y"
+"EK-1196-34","EK-1196","anonym-(j.-eybler-zugeschrieben)-12-variationes-violoncello","Anonym (J. Eybler zugeschrieben): 12 Variationes, Violoncello","Violoncello","",3.5,"EUR",,"Score Type|Comment|Pages|ISMN","Violoncello||4|",,,"Y"
+
+
diff --git a/webshop/EditionKainhofer_CSVI_02_Products_en.csv b/webshop/EditionKainhofer_CSVI_02_Products_en.csv
new file mode 100644
index 0000000000000000000000000000000000000000..0cdf9e14a09e2ef34ef872bde9a2b476de8fa795
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_02_Products_en.csv
@@ -0,0 +1,10 @@
+product_sku,slug,product_name,product_s_desc,product_desc,published
+"EK-1196",anonymous-12-variationes,"Anonymous: 12 Variationes, about the theme "O du lieber Augustin"","12 easy variations for string trio of the Viennese traditional song "O du lieber Augustin"","<p></p>","Y"
+"EK-1196-","","Anonymous: 12 Variationes, Partitur + Einzelstimmen","","","Y"
+"EK-1196-1","anonymous-12-variationes-full-score","Anonymous: 12 Variationes, Full score","Full score","","Y"
+"EK-1196-30","anonymous-12-variationes-violino-i","Anonymous: 12 Variationes, Violino I","Violino I","","Y"
+"EK-1196-31","anonymous-12-variationes-violino-ii","Anonymous: 12 Variationes, Violino II","Violino II","","Y"
+"EK-1196-32","anonymous-12-variationes-viola","Anonymous: 12 Variationes, Viola","Viola","","Y"
+"EK-1196-34","anonymous-12-variationes-violoncello","Anonymous: 12 Variationes, Violoncello","Violoncello","","Y"
+
+
diff --git a/webshop/EditionKainhofer_CSVI_03_Productimages.csv b/webshop/EditionKainhofer_CSVI_03_Productimages.csv
new file mode 100644
index 0000000000000000000000000000000000000000..7b2bc73d0ef8c8532e45ec1f73a4cc5649c8d718
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_03_Productimages.csv
@@ -0,0 +1,8 @@
+product_sku,file_url,file_url_thumb,file_description,published,file_mimetype,file_title,file_type,file_is_product_image, file_is_downloadable,file_is_forsale
+"EK-1196","images/stories/virtuemart/product/EK-1196/EK-1196_Eybler_VariationesAugustin_HV196_Score-06.png","images/stories/virtuemart/product/EK-1196//thumb/EK-1196_Eybler_VariationesAugustin_HV196_Score-06.png",,1,"image/png",,product,0,0,0
+"EK-1196","images/stories/virtuemart/product/EK-1196/EK-1196_Eybler_VariationesAugustin_HV196_Score-07.png","images/stories/virtuemart/product/EK-1196//thumb/EK-1196_Eybler_VariationesAugustin_HV196_Score-07.png",,1,"image/png",,product,0,0,0
+"EK-1196","images/stories/virtuemart/product/EK-1196/EK-1196_Eybler_VariationesAugustin_HV196_Score-09.png","images/stories/virtuemart/product/EK-1196//thumb/EK-1196_Eybler_VariationesAugustin_HV196_Score-09.png",,1,"image/png",,product,0,0,0
+"EK-1196","images/stories/virtuemart/product/EK-1196/EK-1196_Eybler_VariationesAugustin_HV196_Score-13.png","images/stories/virtuemart/product/EK-1196//thumb/EK-1196_Eybler_VariationesAugustin_HV196_Score-13.png",,1,"image/png",,product,0,0,0
+"EK-1196","images/stories/virtuemart/product/EK-1196/EK-1196_Eybler_VariationesAugustin_HV196_Instrument_VI-02.png","images/stories/virtuemart/product/EK-1196//thumb/EK-1196_Eybler_VariationesAugustin_HV196_Instrument_VI-02.png",,1,"image/png",,product,0,0,0
+"EK-1196","images/stories/virtuemart/product/EK-1196/EK-1196_Eybler_VariationesAugustin_HV196_Instrument_VI-03.png","images/stories/virtuemart/product/EK-1196//thumb/EK-1196_Eybler_VariationesAugustin_HV196_Instrument_VI-03.png",,1,"image/png",,product,0,0,0
+
diff --git a/webshop_descriptions.def b/webshop_descriptions.def
new file mode 100644
index 0000000000000000000000000000000000000000..05923e5498662b47e88674db01f44568ba814b2b
--- /dev/null
+++ b/webshop_descriptions.def
@@ -0,0 +1,57 @@
+{
+ #"title": u"Joseph Eybler: 12 Variationes, über das Thema "O du lieber Augustin", HV 196",
+ "composer_en": u"Anonymous",
+
+ "subtitle": u"über das Thema "O du lieber Augustin"",
+ "subtitle_en": u"about the theme "O du lieber Augustin"",
+
+ "Short_Description_de": u"12 einfache Variationen für Streichtrio der traditionellen Wiener Volksweise "O du lieber Augustin"",
+ "Short_Description_en": u"12 easy variations for string trio of the Viennese traditional song "O du lieber Augustin"",
+
+ "Description_de": u'''<p>"O du lieber Augustin" ist eine alte Wiener Volksweise,
+welche die Erlebnisse von Marx Augustin (1643-1685), auch
+"Der liebe Augustin" genannt, erzählt. Augustin zog mit seinem Dudelsack von
+einem Wirt zur nächsten, um mit seinen lustigen Gesängen
+seinen Lebensunterhalt zu verdienen und die Bevölkerung trotz
+der Pestepidemie aufzuheitern.
+Die Erzählung besagt, dass sich Augustin eines Tages im
+Jahr 1679 wieder einmal stockbetrunken seinen Rausch auf der
+Straße ausschlief und versehentlich als Pestleiche in ein
+Massengrab vor der Stadtmauer gebracht wurde. Am nächsten Tag
+schließlich wachte Augustin wieder auf und begann im Massengrab auf
+seinem Dudelsack zu spielen, bis er gerettet wurde.
+<br>
+Bis heute steht sein Name auch dafür, dass man mit Humor
+alles überstehen kann.</p>
+
+<p>Der Komponist der vorliegenden Variationen über das Thema der Volksweise
+ist unklar, es existiert nur eine einzige handschriftliche Quelle (aktuell
+im Besitz der österreichischen Nationalbibliothek, jedoch ursprünglich
+vom Steiermärkischen Musikverein erworben), die als
+Vorlage diente. Die Zuschreibung an den Wiener Hofkapellmeister Eybler
+darf jedoch stark bezweifelt werden.</p>''',
+ "Description_en": u'''<p></p>''',
+
+ "Category": u"Kammermusik/Streichquartett",
+
+ "published": "Y",
+ "instrumentation": u"Streichquartett (2 Vln., Va., Vc.)",
+ "instrumentation_en": u"String quartett (2 Vl., Va., Vc.)",
+
+ "Child_Products": [
+ {"sku": "EK-1196-0", "ismn": "979-0-50217-069-1", "type": "Partitur + Einzelstimmen", "price": 14.90}, # Partitur / Full score
+ {"sku": "EK-1196-1", "ismn": "", "comment": "", "price": 7.50}, # Partitur / Full score
+ {"sku": "EK-1196-30", "ismn": "", "comment": "", "price": 3.50}, # Violino I
+ {"sku": "EK-1196-31", "ismn": "", "comment": "", "price": 3.50}, # Violino II
+ {"sku": "EK-1196-32", "ismn": "", "comment": "", "price": 3.50}, # Viola
+ {"sku": "EK-1196-34", "ismn": "", "comment": "", "price": 3.50}, # Violoncello
+ ],
+ "Productimages": [
+ "EK-1196_Eybler_VariationesAugustin_HV196_Score-06.png",
+ "EK-1196_Eybler_VariationesAugustin_HV196_Score-07.png",
+ "EK-1196_Eybler_VariationesAugustin_HV196_Score-09.png",
+ "EK-1196_Eybler_VariationesAugustin_HV196_Score-13.png",
+ "EK-1196_Eybler_VariationesAugustin_HV196_Instrument_VI-02.png",
+ "EK-1196_Eybler_VariationesAugustin_HV196_Instrument_VI-03.png",
+ ],
+}