diff --git a/Eybler_EcceQuomodo_HV125_Music_EcceQuomodo.ily b/Eybler_EcceQuomodo_HV125_Music_EcceQuomodo.ily
index 65ea30fa54789e671d4a776331714bd47645a9d8..6f884fec5f9adf810954c57d10058770b744092d 100644
--- a/Eybler_EcceQuomodo_HV125_Music_EcceQuomodo.ily
+++ b/Eybler_EcceQuomodo_HV125_Music_EcceQuomodo.ily
@@ -11,6 +11,7 @@ EcceQuomodoSettings = \notemode {
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'self-alignment-X = #RIGHT
\set Score.tempoHideNote = ##t
+ \override NoteHead.style = #'baroque
\tempo "Adagio" 2=70
}
@@ -31,7 +32,7 @@ EcceQuomodoObIMusic = \relative c'' {
c \bar"||" % 10
r2 a\p | % 11
b1 | % 12
- g2 r | % 13
+ a2 r | % 13
es'1\f | % 14
d2 d~\p | % 15
d c4 c | % 16
@@ -40,21 +41,21 @@ EcceQuomodoObIMusic = \relative c'' {
r2 a | % 19
b2\cresc c | \barNumberCheck #20
es1\f | % 21
- d2 c | % 22
+ d2 c-\tag #'cued \p | % 22
b1 | % 23
a \bar"||" % 24
r2 d | % 25
a b | % 26
- c1 | % 27
- d2 es | % 28
- a,1~ | % 29
+ c1\cresc | % 27
+ d2 es\! | % 28
+ a,1~-\tag #'cued \p | % 29
a2 a | \barNumberCheck #30
- g1 \bar"||" % 31
+ \partcombineChordsOnce g1 \bar"||" % 31
r2 b | % 32
b2. b4 | % 33
- b2 a\cresc | % 34
+ a2 a\cresc | % 34
h c | % 35
- f1 | % 36
+ f1\f | % 36
es \bar"||" % 37
r2 es\p | % 38
es d4 c | % 39
@@ -63,9 +64,9 @@ EcceQuomodoObIMusic = \relative c'' {
a1 \bar"||" % 42
r2 a\p | % 43
c2. b4 | % 44
- a2\pp a | \barNumberCheck #45
+ a2 a\pp | \barNumberCheck #45
a2. g4 | % 46
- f2 d' | % 47
+ \partcombineApartOnce f2 d' | % 47
c2 b4 a | % 48
g2 a4 b | % 49
a1 \bar"||" \barNumberCheck #50
@@ -73,10 +74,10 @@ EcceQuomodoObIMusic = \relative c'' {
g1 | % 52
a2 a | % 53
b1 | % 54
- c2\cresc c | \barNumberCheck #55
+ c2 c\cresc | \barNumberCheck #55
d1 | % 56
f2 es | % 57
- es1 | % 58 % TODO: b nicht wiederholt
+ es1 | % 58
d1 | % 59
c\breve\fermata
\EcceQuomodoSettingsII
@@ -92,22 +93,22 @@ EcceQuomodoObIMusic = \relative c'' {
d2. c4 | \barNumberCheck #71
b2 c | % 72
a1 | % 73
- g \bar"||" % 74
+ \partcombineChordsOnce g \bar"||" % 74
b2 b | \barNumberCheck #75
b2. b4 | % 76
a1 \bar"||" % 77
- r2 f2\f | % 78
+ r2 \partcombineApartOnce f2-\tag #'cued \f | % 78
b2 c | % 79
d2. d4 | \barNumberCheck #80
- c2 d | % 81
+ c2 d\p | % 81
b a4 a | % 82
f2 g | % 83
a1 | \bar"||" % 84
r2 a\p | \barNumberCheck #85
c2. b4 | % 86
- a2\pp a | % 87
+ a2 a\pp | % 87
a2. g4 | % 88
- f2 d' | % 89
+ \partcombineApartOnce f2 d' | % 89
c2 b4 a | \barNumberCheck #90
g2 a4 b | % 91
a1 \bar"||" % 92
@@ -118,7 +119,7 @@ EcceQuomodoObIMusic = \relative c'' {
c2 c\cresc | % 97
d1 | % 98
f2 es | % 99
- es1\f | \barNumberCheck #100 % TODO: b nicht wiederholt
+ es1\f | \barNumberCheck #100
d1 | % 101
c\breve \fermata \bar"|."\dcalfine
}
@@ -144,21 +145,21 @@ EcceQuomodoObIIMusic = \relative c'' {
r2 fis | % 19
g2\cresc a | \barNumberCheck #20
b1\f | % 21
- b2 f~ | % 22
+ b2 f~\p | % 22
f es | % 23
f1 \bar"||" % 24
r2 d | % 25
d d | % 26
- g1 | % 27
- g2 g | % 28
- g2 fis4 e! | % 29
+ g1\cresc | % 27
+ g2 g\! | % 28
+ g2\p fis4 e! | % 29
fis2 fis | \barNumberCheck #30
g1 \bar"||" % 31
r2 g2 | % 32
g2. g4 | % 33
f!2 f\cresc | % 34
f2 es | % 35
- d'1 | % 36% TODO: What is the little note in the manuscript???
+ d'1\f | % 36
c1 \bar"||" % 37
r2 c\p | % 38
c b4 a | % 39
@@ -167,7 +168,7 @@ EcceQuomodoObIIMusic = \relative c'' {
cis \bar"||" % 42
r2 f!\p | % 43
g1 | % 44
- f2\pp f | % 45
+ f2 f\pp | % 45
e1 | % 46
f2 f | % 47
e2 f | % 48
@@ -177,7 +178,7 @@ EcceQuomodoObIIMusic = \relative c'' {
c1 | % 52
f2 f | % 53
f1 | % 54
- g2\cresc g2 | % 55
+ a2 a2\cresc | % 55
b1 | % 56
c2 c | % 57
c1 | % 58
@@ -203,13 +204,13 @@ EcceQuomodoObIIMusic = \relative c'' {
r2 f\f | % 78
f a | % 79
b2. b4 | \barNumberCheck #80
- a2 a | % 81
+ a2 a\p | % 81
g2 f!4 e | % 82
d2. d4 | % 83
cis1 \bar"||" % 84
r2 f!\p | \barNumberCheck #85
g1 | % 86
- f2\pp f | % 87
+ f2 f\pp | % 87
e1 | % 88
f2 f | % 89
e2 f4 f | \barNumberCheck #90
@@ -231,55 +232,57 @@ EcceQuomodoTrbIMusic = \relative c' {
c1\fermata \f | % 2
c | % 3
f \bar"||" % 4
- c\p | % 5
- c2 c | % 6
- c1 | % 7
+ \partcombineChords c\p | % 5
+ \partcombineApart c2 c | % 6
+ \partcombineAutomatic c1 | % 7
c2 f | % 8
f1\espressivo | % 9
- f1 \bar"||" \barNumberCheck #10
+ \partcombineApart f1 \bar"||" \barNumberCheck #10
R1*3 | % 13
- a1\f | % 14
+ \partcombineAutomatic a1\f | % 14
d,2 r | % 15
d2\p d4 d | % 16
d1 | % 17
d \bar"||" % 18
r2 d | % 19
+% \partcombineChords
d\cresc f! | \barNumberCheck #20
g1\f | % 21
+% \partcombineAutomatic
f2 f\p | % 22
- b,1 | % 23
+ \partcombineChordsOnce b,1 | % 23
c \bar"||" % 24
- r2 d2 | \barNumberCheck #25
+ r2 \partcombineChordsOnce d2 | \barNumberCheck #25
d2 d | % 26
- c1 | % 27
- b2 a | % 28
- a2 d~ | % 29
+ c1\cresc | % 27
+ b2 a\! | % 28
+ a2-\tag #'cued \p d~ | % 29
d c | \barNumberCheck #30
b1 \bar"||" % 31
- r2 c | % 32
- c2. c4 | % 33
- c2 c\cresc | % 34
- f2 g | % 35
- as1\f | % 36
+ r2 d | % 32
+ \partcombineApart c2. c4 | % 33
+ c2 c-\tag #'cued \cresc | % 34
+ \partcombineAutomatic f2 g | % 35
+ as1-\tag #'cued \f | % 36
g \bar"||" % 37
r2 g\p | % 38
fis2 fis4 fis | % 39
g4 d2 cis4 | \barNumberCheck #40
d1 | % 41
e1 \bar"||" % 42
- r2 c | % 43
- c1 | % 44
- c2\pp d | % 45
+ r2 c\p | % 43
+ \partcombineChordsOnce c1 | % 44
+ c2 d\pp | % 45
e1 | % 46
d2 d | % 47
- g, f4 f | % 48
- d'2 c | % 49
+ \partcombineApart g, f4 f | % 48
+ \partcombineAutomatic d'2 c | % 49
c1 \bar"||" \barNumberCheck #50
r2 c2\p | % 51
c1 | % 52
- c2 c | % 53
+ \partcombineApartOnce c2 c | % 53
b1 | % 54
- es2\cresc es | % 55
+ es2 es\cresc | % 55
d1 \bar"||" % 56
c2 f | % 57
f1 | % 58
@@ -289,37 +292,37 @@ EcceQuomodoTrbIMusic = \relative c' {
f2\p f | % 62
cis d | % 63
d\f d4 d | % 64
- cis2 cis | % 65
- c2\pp d4 es | % 66
- d2. d4 | % 67
- d1 \bar"||" % 68
+ \partcombineChords cis2 cis | % 65
+ \partcombineAutomatic c2\pp d4 es | % 66
+ \partcombineApart d2. d4 | % 67
+ \partcombineAutomatic d1 \bar"||" % 68
r2 d2\p | % 69
d d | \barNumberCheck #70
d2. d4 | % 71
d2 es | % 72
d2. c4 | % 73
b1 \bar"||" % 74
- d2 d | % 75
+ \partcombineApart d2 d | % 75
des2. des4 | % 76
c1 \bar"||" % 77
- r2 f2\f | % 78
+ \partcombineAutomatic r2 f2\f | % 78
f f | % 79
f2. f4 | \barNumberCheck #80
- f2 fis | % 81
+ f2 \partcombineChordsOnce fis\p | % 81
g4 d2 cis4 | % 82
d2. d4 | % 83
e1 \bar"||" % 84
- r2 c! | % 85
+ r2 c!\p | % 85
c1 | % 86
- c2\pp d | % 87
+ c2 d\pp | % 87
e1 | % 88
d2 d | % 89
- g,2 f4 f | \barNumberCheck #90
- d'2 c | % 91
+ \partcombineApart g,2 f4 f | \barNumberCheck #90
+ \partcombineAutomatic d'2 c | % 91
c1 \bar"||" % 92
r2 c\p | % 93
c1 | % 94
- c2 c | % 95
+ \partcombineApartOnce c2 c | % 95
b1 | % 96
es2 es\cresc | % 97
d1 | % 98
@@ -339,41 +342,41 @@ EcceQuomodoTrbIIMusic = \relative c {
c2 f | % 8
f1\espressivo | % 9
f1 \bar"||" \barNumberCheck #10
- r2 f2\p | % 11
- g1 | % 12
- f2 r | % 13
- a1\f | % 14
+ r2 \partcombineApart f2\p | % 11
+ \partcombineApart g1 | % 12
+ \partcombineApart f2 \partcombineApart r | % 13
+ \partcombineAutomatic a1\f | % 14
b2 r | % 15
d,2\p d4 d | % 16
d1 | % 17
d \bar"||" % 18
r2 d2 | % 19
- d f! | \barNumberCheck #20
- g1 | % 21
+ d\cresc f! | \barNumberCheck #20
+ g1\f | % 21
b2 a\p | % 22
b1 | % 23
f \bar"||" % 24
r2 b,2 | % 25
d d | % 26
g1\cresc | % 27
- g2 g | % 28
- d1~ | % 29
+ g2 g\! | % 28
+ d1~\p | % 29
d2 d | \barNumberCheck #30
d1 \bar"||" % 31
r2 g | % 32
c2. c4 | % 33
c2 c\cresc | % 34
d es | % 35
- d1\f | % 36
+ \partcombineApartOnce d1\f | % 36
g,1 \bar"||" % 37
- r2 c | % 38
+ r2 c\p | % 38
a d4 d | % 39
d,2 a'4 a | \barNumberCheck #40
d,1 | % 41
a \bar"||" % 42
- r2 f'2 | % 43
+ r2 f'2\p | % 43
c'1 | % 44
- f,2\pp a | % 45
+ f,2 a\pp | % 45
a1 | % 46
a2 b | % 47
g2 f4 f | % 48
@@ -383,7 +386,7 @@ EcceQuomodoTrbIIMusic = \relative c {
b1 | % 52
c2 f, | % 53
f1 | % 54
- f2\cresc f | % 55
+ f2 f\cresc | % 55
f1 \bar"||" % 56
f2 f | % 57
f1 f | % 58
@@ -406,13 +409,13 @@ EcceQuomodoTrbIIMusic = \relative c {
r2 f2\f | % 78
f f | % 79
f2. f4 | \barNumberCheck #80
- f2 d | % 81
+ f2 d\p | % 81
d a'4 a | % 82
d,2. d4 | % 83
a1 \bar"||" % 84
r2 f'\p | % 85
c1 | % 86
- f2\pp a | % 87
+ f2 a\pp | % 87
a1 | % 88
a2 b | % 89
g2 f4 f | \barNumberCheck #90
@@ -440,7 +443,7 @@ EcceQuomodoFagMusic = \relative c, {
e,2 f | % 8
b,1\espressivo | % 9
f' \bar"||" \barNumberCheck #10
- r2 d'\p | % 11
+ r2 f'\p | % 11
cis1 | % 12
d2 r | % 13
c,!1\f | % 14
@@ -449,8 +452,8 @@ EcceQuomodoFagMusic = \relative c, {
g1 | % 17
d \bar"||" % 18
r2 d | % 19
- g f | \barNumberCheck #20
- es1 | % 21
+ g\cresc f | \barNumberCheck #20
+ es1\f | % 21
b2 f'\p | % 22
ges1 | % 23
f \bar"||" % 24
@@ -458,7 +461,7 @@ EcceQuomodoFagMusic = \relative c, {
fis2 g | % 26
es1\cresc | % 27
d2 c | % 28
- d1~ | % 29
+ d1~\p | % 29
d2 d | \barNumberCheck #30
g1 \bar "||" % 31
r2 g' | % 32
@@ -472,9 +475,9 @@ EcceQuomodoFagMusic = \relative c, {
g2 a4 a | \barNumberCheck #40
b1 | % 41
a1 \bar"||" % 42
- r2 f' | % 43
+ r2 f'\p | % 43
e1 | % 44
- f2\pp d | % 45
+ f2 d\pp | % 45
cis1 | % 46
d2 b | % 47
c!2 d4 d | % 48
@@ -484,39 +487,39 @@ EcceQuomodoFagMusic = \relative c, {
e1 | % 52
es2 es | % 53
d1 | % 54
- c2 c | % 55
+ c2 c\cresc | % 55
b1 \bar"||" % 56
a'2 a | % 57
b1 | % 58
b, | % 59
f'\breve \fermata
\EcceQuomodoSettingsII
- d2\p d' | % 72
- e f | % 73
- b,2\f b4 b | % 74
- a2 a | % 75
- a' fis | % 76
- g g, | % 77
- d'1\bar "||" % 78
- r2 d,\p | % 79
+ d2\p d' | % 62
+ e f | % 63
+ b,2\f b4 b | % 64
+ a2 a | % 65
+ a'\pp fis | % 66
+ g g, | % 67
+ d'1\bar "||" % 68
+ r2 d,\p | % 69
c' b | \barNumberCheck #70
fis2. fis4 | % 71
g2 c | % 72
d1 | % 73
g, \bar"||" % 74
g'2 g | % 75
- e!2.^"Todo: Keile???" e4 | % 76
+ e!2. e4 | % 76
f1 \bar"||" % 77
r2 f,\f | % 78
d f | % 79
b,2. b4 | \barNumberCheck #80
- f'2\p d | % 81
+ f'2 d\p | % 81
g a4 a | % 82
b2. b4 | % 83
a1 \bar"||" % 84
r2 f'\p | % 85
e1 | % 86
- f2\pp d | % 87
+ f2 d\pp | % 87
cis1 | % 88
d2 b | % 89
c2 d4 d | \barNumberCheck #90
@@ -526,7 +529,7 @@ EcceQuomodoFagMusic = \relative c, {
e1 | % 94
es2 es | % 95
d1 | % 96
- c2 c | % 97
+ c2 c\cresc | % 97
b1 | % 98
a'2 a | % 99
b1\f | \barNumberCheck #100
@@ -635,7 +638,6 @@ EcceQuomodoSMusic = \relative c'' {
es1( | % 99
d1) | % 100
c\breve\fermata\! \bar"|."\dcalfine
- % TODO% Wenn es nöthig ist, fängt es von Anfang wieder an, und geht bis zum Fine"
}
\addQuote "EcceQuomodoSMusic" { \EcceQuomodoSMusic }
diff --git a/Eybler_EcceQuomodo_HV125_Score_Full.ly b/Eybler_EcceQuomodo_HV125_Score_Full.ly
index 3c2b9f994a7dddd4ec13582a5ae74cf1220bae43..c1eb79d368ef0258b09ad29be58db8538d943a44 100644
--- a/Eybler_EcceQuomodo_HV125_Score_Full.ly
+++ b/Eybler_EcceQuomodo_HV125_Score_Full.ly
@@ -7,6 +7,29 @@
scoretype = \FullScoreTitle
instrumentnr = \FullScoreNumber
ismn = "979-0-50217-082-0"
+ arranger = "Bearbeiter unbekannt"
}
\createNoCuesScore #"EcceQuomodo" #'("FullScore")
+
+% #(oly:modify_score_structure '("ObIS" "PartCombinedStaff" ("ObI" "S")))
+% #(oly:modify_score_structure '("ObIIA" "PartCombinedStaff" ("ObII" "A")))
+% #(oly:modify_score_structure '("ObIIT" "PartCombinedStaff" ("ObII" "T")))
+% #(oly:modify_score_structure '("FagB" "PartCombinedStaff" ("B" "Fag")))
+% #(oly:modify_score_structure '("TrbIA" "PartCombinedStaff" ("TrbI" "A")))
+% #(oly:modify_score_structure '("TrbIT" "PartCombinedStaff" ("TrbI" "T")))
+% #(oly:modify_score_structure '("TrbIIA" "PartCombinedStaff" ("A" "TrbII" )))
+% #(oly:modify_score_structure '("TrbIIT" "PartCombinedStaff" ("T" "TrbII" )))
+% FagBClef="bass"
+% TrbIIAClef="tenor"
+% TrbIITClef="tenor"
+
+% TrbIAInstrumentName="TrbI - A"
+% TrbIAShortInstrumentName=\TrbIAInstrumentName
+% TrbITInstrumentName="TrbI - T"
+% TrbITShortInstrumentName=\TrbITInstrumentName
+% TrbIIAInstrumentName="TrbII - A"
+% TrbIIAShortInstrumentName=\TrbIIAInstrumentName
+% TrbIITInstrumentName="TrbII - T"
+% TrbIITShortInstrumentName=\TrbIITInstrumentName
+% \createNoCuesScore #"EcceQuomodo" #'("ObIIA" "ObIIT" "FagB" "TrbIA" "TrbIT" "TrbIIA" "TrbIIT")
diff --git a/Eybler_EcceQuomodo_HV125_Settings.ily b/Eybler_EcceQuomodo_HV125_Settings.ily
index a417ab0b6f5c24adbbf277680ef856f27668fe3d..7a17f6b8e8b5f2d3fa1ccfadcabeafea88c3add6 100644
--- a/Eybler_EcceQuomodo_HV125_Settings.ily
+++ b/Eybler_EcceQuomodo_HV125_Settings.ily
@@ -8,4 +8,4 @@
\include "Eybler_EcceQuomodo_HV125_Settings_Global.ily"
\include "Eybler_EcceQuomodo_HV125_Music_EcceQuomodo.ily"
-#(set-global-staff-size 15)
\ No newline at end of file
+% #(set-global-staff-size 15)
\ No newline at end of file
diff --git a/Eybler_EcceQuomodo_HV125_Settings_Global.ily b/Eybler_EcceQuomodo_HV125_Settings_Global.ily
index 967e801253d8a1b191122422b72ab17b06bc8080..2bfbee653abd3a2e1632bdd26fcd5bd3340f4b9c 100644
--- a/Eybler_EcceQuomodo_HV125_Settings_Global.ily
+++ b/Eybler_EcceQuomodo_HV125_Settings_Global.ily
@@ -17,7 +17,7 @@
\line {© 2012, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber ,} ISMN \concat {\fromproperty #'header:ismn .} \LicenseCCBY }
\LicenseNoRestrictions
}
-
+ logo = ##f
}
% Add custom keys here, e.g.
diff --git a/Eybler_EcceQuomodo_HV125_Settings_Instrument.ily b/Eybler_EcceQuomodo_HV125_Settings_Instrument.ily
index b5558647b1161fcb30ea5282f1f26cac0c1f598b..f1dae8ef447c008f41035695e7a3871bc4d76236 100644
--- a/Eybler_EcceQuomodo_HV125_Settings_Instrument.ily
+++ b/Eybler_EcceQuomodo_HV125_Settings_Instrument.ily
@@ -9,5 +9,6 @@
}
\header {
ismn="979-0-50217-084-4"
+ arranger = "Bearbeiter unbekannt"
}
diff --git a/Makefile b/Makefile
index c8aca5b2265fdd8e10f6cc3353e16fcf5615fc03..500e5ded59d18b4760c411fcc824ea64ea31a1fc 100644
--- a/Makefile
+++ b/Makefile
@@ -3,18 +3,20 @@ OUT=out
base = Eybler_EcceQuomodo_HV125
SRCS = $(base)_Music_EcceQuomodo.ily $(base)_Settings_Global.ily $(base)_Settings.ily $(base)_Settings_Instrument.ily $(base)_Settings_ChoralScore.ily $(base)_Settings_FullScore.ily
instruments = ObI ObII Fag TrbI TrbII
-scores = Choral Full # Original
+scores = Choral Full
+# Original
pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
$(scores:%=$(OUT)/$(base)_Score_%.pdf)
texbase = Eybler_EcceQuomodo_HV125
-texscores = Choral Full # Original
+texscores = Choral_KritBericht Full
+# Original
texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
$(OUT)/TeX_$(texbase)_Score_Instruments.pdf
-distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(texpdfs)
+distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(OUT)/$(base)_Score_Choral.pdf $(texpdfs)
additionalscores =
@@ -62,5 +64,5 @@ dist: $(distfiles)
rm -rf $(zipdir)
-webshop: $(distfiles)
+webshop: $(distfiles) webshop_descriptions.def
python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1125 - Eybler - Ecce quomodo HV125.def" $(distfiles)
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Include_About.itex b/TeX_Eybler_EcceQuomodo_HV125_Include_About.itex
index 11bcda945ff7eb318bbee0eea1d0d79420b54ab6..9a99c6b62f20d1c5df560996b8a115bc6b620abf 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Include_About.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Include_About.itex
@@ -2,8 +2,36 @@
\section*{Über das Werk / About}
\begin{multicols}{2}
-TODO
-\columnbreak
-TODO
+Das \q{Ecce quomodo moritur justus} ist ein traditioneller Karfreitagsgesang,
+der in der katholischen Kirche während der Grablegungszeremonie (im Anschluss
+an die dreiteilige Karfreitagsliturgie) gesungen werden kann. Der Text stammt
+aus der Feder des aus der Unterkrain (Slowenien) stammenden Jacobus Gallus
+(auch Jacob Handl oder Jakob Petelin) und wurde in der Geschichte von zahlreichen
+weiteren Komponisten vertont. Passend zur Grablegung beweint der Text den Tod
+Christi als unverständliche Tat, die dem einzig gerechten von einer ungerechten
+Welt zugefügt wurde.
+
+Die vorliegende Vertonung des \q{Ecce quomodo moritur justus} des Wiener
+Hofkapellmeister Joseph Edler von Eybler stammt aus dem Jahr 1816 (der Autograph
+Eyblers ist mit dem 7. April 1816, dem Palmsonntag dieses Jahres, datiert)
+und wurde vermutlich in der Wiener Hofkapelle am 12. April 1816 uraufgeführt.
+Zusätzlich zum traditionellen Text \q{Ecce quomodo} fügt sie quasi als zweite
+Strophe das \q{Tanquam agnus} des Propheten Jesaja hinzu und lässt es ebenfalls
+mit \q{Et erit in pace memoria eius} enden.
+
+Wie für den Karfreitag üblich verzichtet das Werk auf eine Orchesterbegleitung,
+jedoch dürften einem Kommentar im Autograph nach zu urteilen auch in der
+Hofkapelle die Vokalstimmen durch colla parte spielende Bläser verstärkt
+worden sein (was dem ursprünglichen Verständnis von \q{a cappella}
+entsprechen würde).
+In der Wiener Nationalbibliothek existiert neben der reinen a cappella Fassung
+(= Chorstimmen)
+auch noch eine Bearbeitung mit Bläserbegleitung, die in den Vokalstimmen ident
+zur a cappella Version ist, und lediglich die colla parte-Begleitung durch
+zwei Oboen, zwei Posaunen und Fagotte explizit ausschreibt. Daher ist die
+vorliegende Ausgabe von Eyblers \q{Ecce quomodo} sowohl als Urtext als a cappella
+Fassung als auch in der (von unbekannter Hand stammenden) Fassung mit
+Bläserbegleitung verfügbar.
+
\end{multicols}
\vfill
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex b/TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex
index 39526f3f884c3efb9ea4353817b2b24343c4717f..72c11da16cd5e4bc1f0ded189f6b73b224cc2822 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex
@@ -1,8 +1,9 @@
\makeatletter
\copyrightbox{© \@yearpublished, \@publisher\ifx\@publisherurl\@empty\else, \href{\@publisherurl}{\@publisherurl}\fi\newline
-1. Auflage / 1st Printing \@yearpublished\newline
\ifx\@scorenumber\@empty\else\@scorenumber\ifx\@ismn\@empty\else, \fi\fi\ifx\@ismn\@empty\else%
-ISMN \@ismn\fi\newline
+ISMN \@ismn\fi, 1. Auflage / 1st Printing \@yearpublished\newline
+% \newline
Computersatz mit \@software\newline
-Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
+Lizensiert unter / Licensed under: \href{http://creativecommons.org/licenses/by/3.0/at/}{Creative Commons BY \includegraphics[height=1em,clip]{orchestrallily/cc-by.eps}}.\newline
+Darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction.}
\makeatother
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex b/TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex
index b2cf1771dd4ef72c53a0e50736799ec93f765b0d..38b478a934ffe9b9d5da16658635c52b33847d6a 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex
@@ -69,27 +69,48 @@ J. Eybler\sbreak
Links oben ist mit Tinte die Katalogisierung \preisfrac{Voc. \textnumero.40}{Part. CXIII.} eingetragen.
Diese Chorpartitur wird gemeinsam mit den Stimmen und einer Chorpartitur eines
-anderen \q{Ecce quomodo} (auch Eybler zugeschrieben, ohne Eintrag im
-Herrmann-Verzeichnis) in einem Kartondeckel aufbewahrt.
+anderen \q{Ecce quomodo} (in der Nationalbibliothek auch Eybler zugeschrieben, jedoch tatsächlich komponiert vom Wiener Hofkapellmeister Georg Reutter d.J.) in einem Kartondeckel aufbewahrt.
+
+\bibitem[D]{HS3}
+Handschriftliche Partitur (von unbekannter Hand und unbekannter Herkunft) mit Instrumentalbegleitung (colla parte), Österr. Nationalbibliothek, A-Wn Mus.Hs.13040. Mus.
+
+Jeweils zwei Akkoladen pro Seite (Querformat), Anordnung der Instrumente: Oboi / 2 Tromb. / Fagotto / Sop. / Alt / Ten. / B.
+
+Aufbewahrt in einer Sammlung von fünf Kirchengesängen, die für dieselbe Besetzung bearbeitet wurden.
+
+
\end{thebibliography}
+\subsubsection*{Quellendiskussion}
+Als Autograph des Komponisten erhält natürlich \cite{Aut} im Quellenvergleich die höchste Autorität, jedoch sind diesbezüglich auch die Stimmen \cite{HS1} der Hofkapelle als von Eybler benutztes Stimmenmaterial äußerst relevant. Die Partitur \cite{HS2} enthält teilweise zusätzliche Bögen, Dynamikangaben und Warnakzidenzien, die aufgrund des ungewissen Ursprungs dieser Partitur jedoch in den meisten Fällen nicht übernommen werden können. Die \q{Bearbeitung} \cite{HS3} für Bläserbegleitung ist weder von der Hand Eyblers noch aus der Wiener Hofkapelle, was ihr zwar entsprechend wenig Autorität zuspricht. Allerdings deutet der Hinweis \q{Bei den 3 Posaunen[...]} im Autograph auf eine eine Bläserbegleitung (vermutlich colla parte mit S/A/T) in der Hofkapelle hin.
-\subsubsection*{Bemerkungen}
-\renewcommand{\labelitemi}{--}
-\begin{itemize}
-\item Warnakzidenzien werden wie im Autograph gesetzt.
+Die Ausgabe der Chorstimmen erfolgt strikt nach den beiden Quellen \cite{Aut} und \cite{HS1} Eyblers, die Ausgabe der Bläserbegleitung (Bearbeitung von unbekannter Hand) erfolgt nach deren einziger Quelle \cite{HS3}, kann aber nicht als Urtext-Ausgabe verstanden werden.
-\item Melismabogen ergänzt in: 21 A (in \cite{HS2} vorhanden), 27/28 A/T, 39 S, 42 S, 44 S, 47 S/A/T/B, 56/57 S/T (in \cite{HS2} vorhanden), 64 T (in \cite{Aut,HS2}, nicht in \cite{HS1}), 71 A/T, 84 S, 86 S, 89 S/A/T/B, 98/99 S/T.
-\item Die Interpunktion des Textes wird ohne weiteres Kommentar vereinheitlicht (die meisten Handschriften vernachlässigen alle Beistriche).
+Die Bläserbegleitung in \cite{HS3} ist praktisch durchgehend colla parte gesetzt, wobei die erste Obeo exact dem Sopran und die Fagotte exakt dem Bass folgen. Die zweite Oboe folgt in weiten Zügen dem Alt, jedoch teilweise auch dem Tenor, die Posaunen folgen großteils dem Tenor, jedoch stellenweise auch dem Alt
+In dieser Ausgabe der Bläserbegleitung werden Dynamikangaben aus der Rahmendynamik ohne weitere Kennzeichnung (nicht zuletzt auch aufgrund der Homophonie des Stückes) in die einzelnen Instrumente übernommen. Auch wurde die (tw. undeutliche) Position der Dynamikangaben der Instrumentalstimmen in den Takten 21, 44, 54, 80 und 86 an die Vokalstimmen angepasst.
-\item Die Breven in Takten 56/57 und 98/99 A/B werden als zwei geundene ganze Noten ausgeschrieben, die Breven in den Takten 58 und 100 werden als Breven notiert. Die Notation in den Handschriften ist inkonsitent.
-\end{itemize}
+\subsubsection*{Bemerkungen}
+% \renewcommand{\labelitemi}{--}
+% \begin{itemize}
\begin{vergleich}
+Warnakzidenzien werden wie im Autograph gesetzt.
+
+Melismabögen ergänzt in: 21 A (in \cite{HS2} vorhanden), 27/28 A/T, 39 S, 42 S, 44 S, 47 S/A/T/B, 56/57 S/T (in \cite{HS2} vorhanden), 64 T (in \cite{Aut,HS2}, nicht in \cite{HS1}), 71 A/T, 84 S, 86 S, 89 S/A/T/B, 98/99 S/T.
+
+Die Interpunktion des Textes wird ohne weiteres Kommentar vereinheitlicht (die meisten Handschriften vernachlässigen alle Beistriche).
+
+Die Breven in Takten 56/57 und 98/99 A/B werden als zwei gebundene ganze Noten ausgeschrieben, die Breven in den Takten 58 und 100 werden als Breven notiert. Die Notation in den Handschriften ist inkonsitent.
+
+
+
+
+10 Fag: In \cite{HS3} (wohl versehentlich nach dem Oktavsprung) d statt f notiert. Da dies der einzige Unterschied zur colla parte-Führung der Fagotte mit dem Bass im gesamten Stück ist, darf man von einem Fehler ausgehen.
+
18 A: In \cite{HS1} \q{cresc.} erst auf der zweiten Halben.
17-20: Die Partitur \cite{HS2} setzt zusätzlich zum \q{cres.} Text noch einen
@@ -99,6 +120,8 @@ Crescendo-Pfeil und ebenso ein decrescendo in Takt 20. Beides wird nicht überno
31/32: Die Silbentrennung im Autograph \cite{Aut} ist \q{fa--ci--e i--ni--}, in den anderen Handschriften \cite{HS1,HS2} jedoch \q{fa--ci--e--i ni--}. Korrigiert auf \q{fa--ci--e in--i--}.
+35 Ob2: In der Partitur \cite{HS3} ist eine Achtel d' als Vorschlagsnote angegeben, die allerdings in diesem Werk und in diesem Stil wenig Sinn macht (evt. Abschreibfehler einer andern Vorlage?) und daher ignoriert wurde.
+
53/54: In \cite{Aut} \q{cres.} auf zweiter Halben Takt 53 in allen Stimmen. In \cite{HS1} in S und A erst Takt 54 (nicht in T und B), ebenso in \cite{HS2} in T und B (nicht aber S und A). Vgl. auch Takte 95/96 (überall \q{cresc.} in Takt 95).
56/99 S: Das $\flat$ wird in keiner der Quellen aus dem vorigen Takt wiederholt.
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex b/TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex
index 7f97a33cadbf53416f9c5721338f2e5bee0b7145..0ada2cc2ab76bc02696d320c2188888f4ab4bb2d 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex
@@ -1,12 +1,14 @@
\begin{center}
+\setlength{\scorelistboxwidth}{0.85\textwidth}
\scorelistbox{
Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\ChoralScoreName{} (-\ChoralScoreNumber),
-\OriginalScoreName{} (-\OriginalScoreNumber),
+% \OriginalScoreName{} (-\OriginalScoreNumber),
\FullScoreName{} (-\FullScoreNumber);
+\InstrumentsName{} (-\InstrumentsNumber),
\ObIName{} (-\ObINumber),
\ObIIName{} (-\ObIINumber),
\FagName{} (-\FagNumber),
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex b/TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex
index 2ce33c5161374571f378bbae982ce82b3f09d1c4..df87d6c1c9b568d19b67e6275701ba92af2de989 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex
@@ -1,5 +1,8 @@
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
+\begin{smaller}
\begin{hauptquellen}
-\item TODO: Ecce quomodo moritur, Autograph. TODO.
-\item TODO: Ecce quomodo moritur, Originalausgabe (Partitur), Verlag, Ort, Jahr.
+\item J. Eybler: Ecce Quomodo moritur justus, Autographe Partitur, Wiener Schottenstift, A-WS Kodex 707(673)/3.
+\item J. Eybler: Responsorium /:Ecce quomodo, moritur justus:/, Stimmensatz der Wiener Hofkapelle, Österr. Nationalbibliothek, A-Whk HK.2542 Mus.
+\item Eybler: Ecce quomodo. (unbekannter Bearbeiter), Partitur mit Chorstimmen und Bläserbegleitung, Österr. Nationalbibliothek, A-Wn Mus.Hs.13040. Mus.
\end{hauptquellen}
+\end{smaller}
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex b/TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex
index 3d85051033c69e2840bc4073bcdf8a81b014bab9..a238315a2b0e8f96ba7c45f7548ac0b57e214b6e 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex
@@ -1,4 +1,4 @@
-\section*{Text des \q{Ecce quomodo}: J. Handl, Jesaja 53:7f}
+\section*{Text des \q{Ecce quomodo}: Jacob Handl, Jesaja 53:7f}
\begin{lyricstext}
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Score_Choral.tex b/TeX_Eybler_EcceQuomodo_HV125_Score_Choral.tex
deleted file mode 100644
index 2dc13d748c08aa65ae8e07f4477dedfc2cae09bc..0000000000000000000000000000000000000000
--- a/TeX_Eybler_EcceQuomodo_HV125_Score_Choral.tex
+++ /dev/null
@@ -1,24 +0,0 @@
-\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[choralscore,nocolortitle]{editionkainhofer}
-\input{TeX_Eybler_EcceQuomodo_HV125_Settings.itex}
-
-\hypersetup{
- pdftitle={\scoreTitle, \ChoralScoreType},
-}
-
-\scoretype{\ChoralScoreType}
-\scorenumber{\scoreNumber\ChoralScoreNumber}
-\ismn{979-0-50217-083-7}
-
-\begin{document}
-\includescore{Score_Choral}
-\clearpage
-\input{TeX_Eybler_EcceQuomodo_HV125_Include_About.itex}
-% \input{TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex}
-\vfill
-\input{TeX_Eybler_EcceQuomodo_HV125_Include_Todo.itex}
-\input{TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex}
-\clearpage
-\thispagestyle{empty}
-\backpage
-\end{document}
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht.tex b/TeX_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht.tex
new file mode 100644
index 0000000000000000000000000000000000000000..6a072112e7507fd19af485c8e18210eef8c0de5a
--- /dev/null
+++ b/TeX_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht.tex
@@ -0,0 +1,38 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage[choralscore,nocolortitle]{editionkainhofer}
+\input{TeX_Eybler_EcceQuomodo_HV125_Settings.itex}
+
+\hypersetup{
+ pdftitle={\scoreTitle, \ChoralScoreType},
+}
+
+\scoretype{\ChoralScoreType}
+\scorenumber{\scoreNumber\ChoralScoreNumber}
+\ismn{979-0-50217-083-7}
+
+\pagestyle{empty}
+
+\begin{document}
+\includescore{Score_Choral}
+\clearpage
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_KritBericht.itex}
+\clearpage
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_About.itex}
+ \vfill\vfill\vfill\vfill\vfill\vfill
+ \vfill\vfill\vfill\vfill\vfill\vfill
+\vfill
+% \input{TeX_Eybler_EcceQuomodo_HV125_Include_Todo.itex}
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex}
+ \vfill\vfill\vfill\vfill\vfill\vfill
+ \vfill\vfill\vfill\vfill\vfill\vfill
+\vfill
+% \clearpage
+% \thispagestyle{empty}
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex}
+% \vfill
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex}
+% \vfill
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex}
+\backpage
+\end{document}
+
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Score_Full.tex b/TeX_Eybler_EcceQuomodo_HV125_Score_Full.tex
index b8416fe67a4af5365eefc9713e2c7f5e7ec49acf..534041e0959c35cfc71a1d8613323ec571f26b29 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Score_Full.tex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Score_Full.tex
@@ -6,6 +6,9 @@
pdftitle={\scoreTitle, \FullScoreType},
}
+\instrumentation{Coro SATB con 2 Oboi, 2 Tromboni e Fagotti}
+\description{Unbekannter Bearbeiter}
+% \arranger{Bearbeiter: Unbekannt}
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
\ismn{979-0-50217-082-0}
@@ -15,6 +18,13 @@
\begin{preface}
\input{TeX_Eybler_EcceQuomodo_HV125_Include_About.itex}
\input{TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex}
+\vfill
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex}
+% \vfill
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex}
+% \vfill
+\input{TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex}
+
\end{preface}
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Score_Instruments.tex b/TeX_Eybler_EcceQuomodo_HV125_Score_Instruments.tex
index d05f5428599c0ae43d410cea0e9c2c20c085523b..d4e9f6f840cb2a35358d6755f2174c95614fab80 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Score_Instruments.tex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Score_Instruments.tex
@@ -5,6 +5,9 @@
\hypersetup{
pdftitle={\scoreTitle, \InstrumentalPartsType},
}
+% \arranger{Bearbeiter: Unbekannt}
+\instrumentation{Coro SATB con 2 Oboi, 2 Tromboni e Fagotti}
+\description{Unbekannter Bearbeiter}
\makeatletter
\frontpageinstrumentation{\@instrumentation}
@@ -15,7 +18,12 @@
\scorenumber{\scoreNumber\InstrumentalPartsNumber}
\ismn{979-0-50217-084-4}
-\todos{
+\pagestyle{empty}
+
+\begin{document}
+% \makefrontpage
+\maketitle
+
\begin{center}
\null
\vfill
@@ -35,12 +43,8 @@
\input{TeX_Eybler_EcceQuomodo_HV125_Include_Material.itex}
\input{TeX_Eybler_EcceQuomodo_HV125_Include_Sources.itex}
\input{TeX_Eybler_EcceQuomodo_HV125_Include_Copyrightbox.itex}
-}
-\pagestyle{empty}
-
-\begin{document}
-\makefrontpage
+\cleardoublepage
% Remove the \iffalse if you want all instrumental parts to be included here
\iffalse
@@ -71,7 +75,7 @@
\begin{preface}
\input{TeX_Eybler_EcceQuomodo_HV125_Include_About.itex}
-\input{TeX_Eybler_EcceQuomodo_HV125_Include_Bio.itex}
+% \input{TeX_Eybler_EcceQuomodo_HV125_Include_Bio.itex}
\input{TeX_Eybler_EcceQuomodo_HV125_Include_Text.itex}
\end{preface}
diff --git a/TeX_Eybler_EcceQuomodo_HV125_Settings.itex b/TeX_Eybler_EcceQuomodo_HV125_Settings.itex
index 9db9a54fb1829e6914bd42fa25fe9bbf05302bc2..b79cf2645143dfbd09d876283a5d4fc82521af06 100644
--- a/TeX_Eybler_EcceQuomodo_HV125_Settings.itex
+++ b/TeX_Eybler_EcceQuomodo_HV125_Settings.itex
@@ -3,14 +3,14 @@
\composer{Joseph Eybler}
% \shortcomposer{J. Eybler}
\composerdate{(1765-1846)}
-\description{Per Coro (SATB) a cappella o con 2 Oboi, 2 Tromboni e Fagotti}
-\instrumentation{Coro SATB a cappella o con 2 Oboi, 2 Tromboni e Fagotti}
+% \description{Per Coro (SATB) a cappella o con 2 Oboi, 2 Tromboni e Fagotti}
+\instrumentation{Coro SATB a cappella}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisherurl{http://www.edition-kainhofer.com/}
-\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna, http://www.edition-kainhofer.com/}}
+\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
\shortpublisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}}
\yearpublished{2012}
-\scoreinfo{Urtext \& Erstdruck}
+% \scoreinfo{Urtext \& Erstdruck}
\basename{Eybler_EcceQuomodo_HV125}
@@ -21,5 +21,6 @@
\hypersetup{
pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
}
+\date{}
% \input{TeX_Eybler_EcceQuomodo_HV125_Include_Todo.itex}
diff --git a/out/Eybler_EcceQuomodo_HV125_Instrument_Fag.pdf b/out/Eybler_EcceQuomodo_HV125_Instrument_Fag.pdf
index d9d3a5ffde94091ecf0f548e5a668dfa77c6df82..596d7900946aef26d6d33d1ad7b67fd2bc12e349 100644
Binary files a/out/Eybler_EcceQuomodo_HV125_Instrument_Fag.pdf and b/out/Eybler_EcceQuomodo_HV125_Instrument_Fag.pdf differ
diff --git a/out/Eybler_EcceQuomodo_HV125_Instrument_ObI.pdf b/out/Eybler_EcceQuomodo_HV125_Instrument_ObI.pdf
index 2ada850723995a81eb42545968128a13adbe6724..6f54b56cfe2ea8f67f2b8b29ec6eb0a040f84646 100644
Binary files a/out/Eybler_EcceQuomodo_HV125_Instrument_ObI.pdf and b/out/Eybler_EcceQuomodo_HV125_Instrument_ObI.pdf differ
diff --git a/out/Eybler_EcceQuomodo_HV125_Instrument_ObII.pdf b/out/Eybler_EcceQuomodo_HV125_Instrument_ObII.pdf
index 47b5ca373d2f0b9f3eebabb93d57c7251874c678..785e6a363c837d7537439dfb210a442d10285b21 100644
Binary files a/out/Eybler_EcceQuomodo_HV125_Instrument_ObII.pdf and b/out/Eybler_EcceQuomodo_HV125_Instrument_ObII.pdf differ
diff --git a/out/Eybler_EcceQuomodo_HV125_Instrument_TrbI.pdf b/out/Eybler_EcceQuomodo_HV125_Instrument_TrbI.pdf
index 35af139675bc93b90d2f1ab41a194983006aaff8..88bdedbd002211b53ea4a04306ce4bee9ffecc21 100644
Binary files a/out/Eybler_EcceQuomodo_HV125_Instrument_TrbI.pdf and b/out/Eybler_EcceQuomodo_HV125_Instrument_TrbI.pdf differ
diff --git a/out/Eybler_EcceQuomodo_HV125_Instrument_TrbII.pdf b/out/Eybler_EcceQuomodo_HV125_Instrument_TrbII.pdf
index 148c9e644bcc5d9416f9e6ffce4d14bd1556beac..2635d1e1373e2e3d4e4b68a1cdb5fd724b4189c1 100644
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index 0000000000000000000000000000000000000000..d938c202baf6165d0a22400cb518731974fe937f
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_01_Products.csv
@@ -0,0 +1,43 @@
+product_sku,product_parent_sku,slug,product_name,product_s_desc,product_desc,product_price,product_currency,category_path,custom_title,custom_value,min_order_level,max_order_level,published
+"EK-1125",,joseph-eybler-ecce-quomodo-moritur,"Joseph Eybler: Ecce quomodo moritur, Responsorium, HV 125","Traditioneller Karfreitagsgesang für a cappella Chor, evt. mit Bläserunterstützung.","<p>Das "Ecce quomodo moritur justus" ist ein traditioneller Karfreitagsgesang,
+der in der katholischen Kirche während der Grablegungszeremonie (im Anschluss
+an die dreiteilige Karfreitagsliturgie) gesungen werden kann. Der Text stammt
+aus der Feder des aus der Unterkrain (Slowenien) stammenden Jacobus Gallus
+(auch Jacob Handl oder Jakob Petelin) und wurde in der Geschichte von zahlreichen
+weiteren Komponisten vertont. Passend zur Grablegung beweint der Text den Tod
+Christi als unverständliche Tat, die dem einzig gerechten von einer ungerechten
+Welt zugefügt wurde.</p>
+
+<p>Die vorliegende Vertonung des "Ecce quomodo moritur justus" des Wiener
+Hofkapellmeister Joseph Edler von Eybler stammt aus dem Jahr 1816 (der Autograph
+Eyblers ist mit dem 7. April 1816, dem Palmsonntag dieses Jahres, datiert)
+und wurde vermutlich in der Wiener Hofkapelle am 12. April 1816 uraufgeführt.
+Zusätzlich zum traditionellen Text "Ecce quomodo" fügt sie quasi als zweite
+Strophe das "Tanquam agnus" des Propheten Jesaja hinzu und lässt es ebenfalls
+mit "Et erit in pace memoria eius" enden.</p>
+
+<p>Wie für den Karfreitag üblich verzichtet das Werk auf eine Orchesterbegleitung,
+jedoch dürften einem Kommentar im Autograph nach zu urteilen auch in der
+Hofkapelle die Vokalstimmen durch colla parte spielende Bläser verstärkt
+worden sein (was dem ursprünglichen Verständnis von "a cappella"
+entsprechen würde).
+In der Wiener Nationalbibliothek existiert neben der reinen a cappella Fassung
+(= Chorstimmen)
+auch noch eine Bearbeitung mit Bläserbegleitung, die in den Vokalstimmen ident
+zur a cappella Version ist, und lediglich die colla parte-Begleitung durch
+zwei Oboen, zwei Posaunen und Fagotte explizit ausschreibt. Daher ist die
+vorliegende Ausgabe von Eyblers "Ecce quomodo" sowohl als Urtext als a cappella
+Fassung als auch in der (von unbekannter Hand stammenden) Fassung mit
+Bläserbegleitung verfügbar.
+</p>",,,"Kirchenmusik/A cappella Chor","Composer|Title|Subtitle|Catalogue number|Arranger|Poet|Scoring|Key|Editor|Publisher|Textsprache|Duration|Year of Composition|Score Information|Genre|Available Editions","Joseph Eybler (1765-1846)|Ecce quomodo moritur|Responsorium, HV 125||||Coro SATB (a cappella) o Coro SATB, 2Ob., 2Trb., Fag.||Reinhold Kainhofer|Edition Kainhofer, Vienna|Latin||1816|||",,,"Y"
+"EK-1125-10a","EK-1125","","Joseph Eybler: Ecce quomodo moritur, A cappella Partitur (Urtext), inkl. Kritischem Bericht","A cappella Partitur (Urtext), inkl. Kritischem Bericht","",0.6,"EUR",,"Score Type|Comment|Pages|ISMN","A cappella Partitur (Urtext), inkl. Kritischem Bericht|Coro SATB a cappella||79-0-50217-083-7",,,"Y"
+"EK-1125-10","EK-1125","joseph-eybler-ecce-quomodo-moritur-chorstimmen","Joseph Eybler: Ecce quomodo moritur, A cappella Partitur (Urtext)","A cappella Partitur (Urtext)","",0.3,"EUR",,"Score Type|Comment|Pages|ISMN","A cappella Partitur (Urtext)|Coro SATB a cappella|4|79-0-50217-083-7",,,"Y"
+"EK-1125-1","EK-1125","joseph-eybler-ecce-quomodo-moritur-partitur","Joseph Eybler: Ecce quomodo moritur, Partitur (mit Bläserbegleitung, unbek. Bearbeiter)","Partitur (mit Bläserbegleitung, unbek. Bearbeiter)","",2.0,"EUR",,"Score Type|Comment|Pages|ISMN","Partitur (mit Bläserbegleitung, unbek. Bearbeiter)|Coro SATB, 2 Ob., 2 Trb., Fag.|8|979-0-50217-082-0",,,"Y"
+"EK-1125-25","EK-1125","joseph-eybler-ecce-quomodo-moritur-orchesterstimmen","Joseph Eybler: Ecce quomodo moritur, Orchesterstimmen","Orchesterstimmen","",2.5,"EUR",,"Score Type|Comment|Pages|ISMN","Orchesterstimmen|Digitaldruck der Orchesterstimmen (Ob.1, Ob.2, Trb.1, Trb.2, Fag.)||",,,"Y"
+"EK-1125-42","EK-1125","joseph-eybler-ecce-quomodo-moritur-oboe-i","Joseph Eybler: Ecce quomodo moritur, Oboe I","Oboe I","",0.5,"EUR",,"Score Type|Comment|Pages|ISMN","Oboe I||1|",,,"Y"
+"EK-1125-43","EK-1125","joseph-eybler-ecce-quomodo-moritur-oboe-ii","Joseph Eybler: Ecce quomodo moritur, Oboe II","Oboe II","",0.5,"EUR",,"Score Type|Comment|Pages|ISMN","Oboe II||1|",,,"Y"
+"EK-1125-54","EK-1125","joseph-eybler-ecce-quomodo-moritur-trombone-i","Joseph Eybler: Ecce quomodo moritur, Trombone I","Trombone I","",0.5,"EUR",,"Score Type|Comment|Pages|ISMN","Trombone I||1|",,,"Y"
+"EK-1125-55","EK-1125","joseph-eybler-ecce-quomodo-moritur-trombone-ii","Joseph Eybler: Ecce quomodo moritur, Trombone II","Trombone II","",0.5,"EUR",,"Score Type|Comment|Pages|ISMN","Trombone II||1|",,,"Y"
+"EK-1125-46","EK-1125","joseph-eybler-ecce-quomodo-moritur-fagotti","Joseph Eybler: Ecce quomodo moritur, Fagotti","Fagotti","",0.5,"EUR",,"Score Type|Comment|Pages|ISMN","Fagotti||1|",,,"Y"
+
+
diff --git a/webshop/EditionKainhofer_CSVI_02_Products_en.csv b/webshop/EditionKainhofer_CSVI_02_Products_en.csv
new file mode 100644
index 0000000000000000000000000000000000000000..7fe1c967f0740216dc8d7eb9c7d9bb860333e3cf
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_02_Products_en.csv
@@ -0,0 +1,30 @@
+product_sku,slug,product_name,product_s_desc,product_desc,published
+"EK-1125",joseph-eybler-ecce-quomodo-moritur,"Joseph Eybler: Ecce quomodo moritur, Responsorium, HV 125","Traditional Good Friday chant, optionally with wind instruments.","<p>The "Ecce quomodo moritur justus" is a traditional
+chant for Good Friday, typically performed a cappella during the entombment
+ceremony. The lyrics were written by the Slovenian Composer Jacobus Gallus
+(also known as Jacob Handl) and has been set to music by countless composers.
+Passend zur Grablegung beweint der Text den Tod
+Christi als unverständliche Tat, die dem einzig gerechten von einer ungerechten
+Welt zugefügt wurde.</p>
+
+<p>The present edition of the "Ecce quomodo moritur justus" was composed by the Viennese
+Hofkapellmeister Joseph Edler von Eybler in 1816 and adds a second stanza with
+the text "Tanquam agnus" by the prophet Isaiah, also ending in "Et erit in pace memoria eius".</p>
+
+<p>Like most Good Friday music, the piece is performed a cappella without
+an orchestra. However, the Austrian National Library also holds an arrangement
+by an unknown arranger (colla parte accompaniment by wind instruments), so this
+edition is available both as an Urtext full score (=choral score) for a
+cappella chorus, and as and arrangement for chorus with wind instruments.
+</p>","Y"
+"EK-1125-10a","","Joseph Eybler: Ecce quomodo moritur, A cappella score (Urtext), incl. critical report","A cappella score (Urtext), incl. critical report","","Y"
+"EK-1125-10","joseph-eybler-ecce-quomodo-moritur-choral-score","Joseph Eybler: Ecce quomodo moritur, A cappella score (Urtext)","A cappella score (Urtext)","","Y"
+"EK-1125-1","joseph-eybler-ecce-quomodo-moritur-full-score","Joseph Eybler: Ecce quomodo moritur, Full score (with wind instruments, unknown arranger)","Full score (with wind instruments, unknown arranger)","","Y"
+"EK-1125-25","joseph-eybler-ecce-quomodo-moritur-orchestra-parts","Joseph Eybler: Ecce quomodo moritur, Orchestra parts","Orchestra parts","","Y"
+"EK-1125-42","joseph-eybler-ecce-quomodo-moritur-oboe-i","Joseph Eybler: Ecce quomodo moritur, Oboe I","Oboe I","","Y"
+"EK-1125-43","joseph-eybler-ecce-quomodo-moritur-oboe-ii","Joseph Eybler: Ecce quomodo moritur, Oboe II","Oboe II","","Y"
+"EK-1125-54","joseph-eybler-ecce-quomodo-moritur-trombone-i","Joseph Eybler: Ecce quomodo moritur, Trombone I","Trombone I","","Y"
+"EK-1125-55","joseph-eybler-ecce-quomodo-moritur-trombone-ii","Joseph Eybler: Ecce quomodo moritur, Trombone II","Trombone II","","Y"
+"EK-1125-46","joseph-eybler-ecce-quomodo-moritur-fagotti","Joseph Eybler: Ecce quomodo moritur, Fagotti","Fagotti","","Y"
+
+
diff --git a/webshop/EditionKainhofer_CSVI_03_Productimages.csv b/webshop/EditionKainhofer_CSVI_03_Productimages.csv
new file mode 100644
index 0000000000000000000000000000000000000000..e3284d4bfa3c7f408932325a4cc6a48b8d3a1c8d
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_03_Productimages.csv
@@ -0,0 +1,23 @@
+product_sku,file_url,file_url_thumb,file_description,published,file_mimetype,file_title,file_type,file_is_product_image, file_is_downloadable,file_is_forsale
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-00.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-00.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-01.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-01.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-02.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-02.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score-02.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score-02.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score-03.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score-03.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score-04.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score-04.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Score-05.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Score-05.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_ObI-00.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_ObI-00.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_ObII-00.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_ObII-00.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_TrbI-00.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_TrbI-00.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_TrbII-00.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_TrbII-00.png","",1,"image/png","",product,0,0,0
+"EK-1125","images/stories/virtuemart/product/EK-1125/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_Fag-00.png","images/stories/virtuemart/product/EK-1125/thumb/EK-1125_Eybler_EcceQuomodo_HV125_Instrument_Fag-00.png","",1,"image/png","",product,0,0,0
+
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_ACappellaScore_KritBericht.pdf","","A cappella partitur (Urtext) inkl. krit. Bericht",1,"","Eybler: Ecce quomodo, A cappella + Krit. Bericht",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Score_Choral.pdf","","Chorpartitur",1,"","Eybler: Ecce quomodo, Chorpartitur",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Score_Full_Blaeserbegleitung.pdf","","Partitur mit Bläserbegleitung",1,"","Eybler: Ecce quomodo, Partitur, Bearbeitung mit Bläser",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Instrument_ObI.pdf","","Oboe 1",1,"","Eybler: Ecce quomodo, Oboe 1",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Instrument_ObII.pdf","","Oboe 2",1,"","Eybler: Ecce quomodo, Oboe 2",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Instrument_TrbI.pdf","","Posaune 1",1,"","Eybler: Ecce quomodo, Posaune 1",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Instrument_TrbII.pdf","","Posaune 2",1,"","Eybler: Ecce quomodo, Posaune 2",product,0,1,1
+"EK-1125","images/stories/virtuemart/product/EK-1125//Eybler_EcceQuomodo_HV125_Instrument_Fag.pdf","","Fagott",1,"","Eybler: Ecce quomodo, Fagott",product,0,1,1
+
diff --git a/webshop_descriptions.def b/webshop_descriptions.def
index f0070c7562e80299cfefc01385765ca6ec5d8814..4bbc3fdecef344c47f9f62c8c3a92d7b109f5938 100644
--- a/webshop_descriptions.def
+++ b/webshop_descriptions.def
@@ -1,29 +1,105 @@
{
- "title": u"Joseph Eybler: Ecce quomodo moritur, Responsorium, HV 125",
+# "title": u"Joseph Eybler: Ecce quomodo moritur, Responsorium, HV 125",
- "Short_Description_de": u"",
- "Short_Description_en": u"",
+ "Short_Description_de": u"Traditioneller Karfreitagsgesang für a cappella Chor, evt. mit Bläserunterstützung.",
+ "Short_Description_en": u"Traditional Good Friday chant, optionally with wind instruments.",
- "Description_de": u'''<p></p>''',
- "Description_en": u'''<p></p>''',
+ "Description_de": u'''<p>Das "Ecce quomodo moritur justus" ist ein traditioneller Karfreitagsgesang,
+der in der katholischen Kirche während der Grablegungszeremonie (im Anschluss
+an die dreiteilige Karfreitagsliturgie) gesungen werden kann. Der Text stammt
+aus der Feder des aus der Unterkrain (Slowenien) stammenden Jacobus Gallus
+(auch Jacob Handl oder Jakob Petelin) und wurde in der Geschichte von zahlreichen
+weiteren Komponisten vertont. Passend zur Grablegung beweint der Text den Tod
+Christi als unverständliche Tat, die dem einzig gerechten von einer ungerechten
+Welt zugefügt wurde.</p>
+
+<p>Die vorliegende Vertonung des "Ecce quomodo moritur justus" des Wiener
+Hofkapellmeister Joseph Edler von Eybler stammt aus dem Jahr 1816 (der Autograph
+Eyblers ist mit dem 7. April 1816, dem Palmsonntag dieses Jahres, datiert)
+und wurde vermutlich in der Wiener Hofkapelle am 12. April 1816 uraufgeführt.
+Zusätzlich zum traditionellen Text "Ecce quomodo" fügt sie quasi als zweite
+Strophe das "Tanquam agnus" des Propheten Jesaja hinzu und lässt es ebenfalls
+mit "Et erit in pace memoria eius" enden.</p>
+
+<p>Wie für den Karfreitag üblich verzichtet das Werk auf eine Orchesterbegleitung,
+jedoch dürften einem Kommentar im Autograph nach zu urteilen auch in der
+Hofkapelle die Vokalstimmen durch colla parte spielende Bläser verstärkt
+worden sein (was dem ursprünglichen Verständnis von "a cappella"
+entsprechen würde).
+In der Wiener Nationalbibliothek existiert neben der reinen a cappella Fassung
+(= Chorstimmen)
+auch noch eine Bearbeitung mit Bläserbegleitung, die in den Vokalstimmen ident
+zur a cappella Version ist, und lediglich die colla parte-Begleitung durch
+zwei Oboen, zwei Posaunen und Fagotte explizit ausschreibt. Daher ist die
+vorliegende Ausgabe von Eyblers "Ecce quomodo" sowohl als Urtext als a cappella
+Fassung als auch in der (von unbekannter Hand stammenden) Fassung mit
+Bläserbegleitung verfügbar.
+</p>''',
+ "Description_en": u'''<p>The "Ecce quomodo moritur justus" is a traditional
+chant for Good Friday, typically performed a cappella during the entombment
+ceremony. The lyrics were written by the Slovenian Composer Jacobus Gallus
+(also known as Jacob Handl) and has been set to music by countless composers.
+Passend zur Grablegung beweint der Text den Tod
+Christi als unverständliche Tat, die dem einzig gerechten von einer ungerechten
+Welt zugefügt wurde.</p>
+
+<p>The present edition of the "Ecce quomodo moritur justus" was composed by the Viennese
+Hofkapellmeister Joseph Edler von Eybler in 1816 and adds a second stanza with
+the text "Tanquam agnus" by the prophet Isaiah, also ending in "Et erit in pace memoria eius".</p>
+
+<p>Like most Good Friday music, the piece is performed a cappella without
+an orchestra. However, the Austrian National Library also holds an arrangement
+by an unknown arranger (colla parte accompaniment by wind instruments), so this
+edition is available both as an Urtext full score (=choral score) for a
+cappella chorus, and as and arrangement for chorus with wind instruments.
+</p>''',
- "Category": u"A Cappella Chor",
+ "instrumentation": u"Coro SATB (a cappella) o Coro SATB, 2Ob., 2Trb., Fag.",
- "published: "Y",
+ "Category": u"Kirchenmusik/A cappella Chor",
+
+ "published": "Y",
- "Child_Products": {
- "EK-1125-0": {"ismn": "", "comment": "", "price": 0.0}, # Originalpartitur
- "EK-1125-1": {"ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
- "EK-1125-10": {"ismn": "", "comment": "", "price": 0.0}, # Chorstimmen / Choral score
- "EK-1125-25": {"ismn": "", "comment": "", "price": 0.0}, # Orchesterstimmen / Orchestra parts
- "EK-1125-42": {"ismn": "", "comment": "", "price": 0.0}, # Oboe I
- "EK-1125-43": {"ismn": "", "comment": "", "price": 0.0}, # Oboe II
- "EK-1125-46": {"ismn": "", "comment": "", "price": 0.0}, # Fagotti
- "EK-1125-54": {"ismn": "", "comment": "", "price": 0.0}, # Trombone I
- "EK-1125-55": {"ismn": "", "comment": "", "price": 0.0}, # Trombone II
- },
+ "Child_Products": [
+ {"sku": "EK-1125-10a", "ismn": "79-0-50217-083-7", "type": u"A cappella Partitur (Urtext), inkl. Kritischem Bericht", "type_en": u"A cappella score (Urtext), incl. critical report", "comment": u"Coro SATB a cappella", "price": 0.60}, # Chorstimmen / Choral score
+ {"sku": "EK-1125-10", "ismn": "79-0-50217-083-7", "type": u"A cappella Partitur (Urtext)", "type_en": u"A cappella score (Urtext)", "comment": u"Coro SATB a cappella", "price": 0.30}, # Chorstimmen / Choral score
+ {"sku": "EK-1125-1", "ismn": "979-0-50217-082-0", "type": u"Partitur (mit Bläserbegleitung, unbek. Bearbeiter)", "type_en": "Full score (with wind instruments, unknown arranger)", "comment": u"Coro SATB, 2 Ob., 2 Trb., Fag.", "price": 2.0}, # Partitur / Full score
+ {"sku": "EK-1125-25", "ismn": "", "comment": u"Digitaldruck der Orchesterstimmen (Ob.1, Ob.2, Trb.1, Trb.2, Fag.)", "price": 2.50}, # Orchesterstimmen / Orchestra parts
+ {"sku": "EK-1125-42", "ismn": "", "comment": u"", "price": 0.50}, # Oboe I
+ {"sku": "EK-1125-43", "ismn": "", "comment": u"", "price": 0.50}, # Oboe II
+ {"sku": "EK-1125-54", "ismn": "", "comment": u"", "price": 0.50}, # Trombone I
+ {"sku": "EK-1125-55", "ismn": "", "comment": u"", "price": 0.50}, # Trombone II
+ {"sku": "EK-1125-46", "ismn": "", "comment": u"", "price": 0.50}, # Fagotti
+ ],
"Productimages": [
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-00.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-01.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-02.png",
+# "EK-1125_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht-03.png",
+# "EK-1125_Eybler_EcceQuomodo_HV125_Score-00.png",
+# "EK-1125_Eybler_EcceQuomodo_HV125_Score-01.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score-02.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score-03.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score-04.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Score-05.png",
+# "EK-1125_Eybler_EcceQuomodo_HV125_Score-06.png",
+# "EK-1125_Eybler_EcceQuomodo_HV125_Score-07.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Instrument_ObI-00.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Instrument_ObII-00.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Instrument_TrbI-00.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Instrument_TrbII-00.png",
+ "EK-1125_Eybler_EcceQuomodo_HV125_Instrument_Fag-00.png",
+
],
"Downloadfiles": [
+ {"filename": u"out/TeX_Eybler_EcceQuomodo_HV125_Score_Choral_KritBericht.pdf", "outname": u"Eybler_EcceQuomodo_HV125_ACappellaScore_KritBericht.pdf", "desc": u"A cappella partitur (Urtext) inkl. krit. Bericht", "title": u"Eybler: Ecce quomodo, A cappella + Krit. Bericht"}, # A cappella partitur (Urtext) inkl. krit. Bericht
+ {"filename": u"out/Eybler_EcceQuomodo_HV125_Score_Choral.pdf", "desc": u"Chorpartitur", "title": u"Eybler: Ecce quomodo, Chorpartitur"}, # A cappella partitur
+
+ {"filename": u"out/TeX_Eybler_EcceQuomodo_HV125_Score_Full.pdf", "outname": u"Eybler_EcceQuomodo_HV125_Score_Full_Blaeserbegleitung.pdf", "title": u"Eybler: Ecce quomodo, Partitur, Bearbeitung mit Bläser", "desc": u"Partitur mit Bläserbegleitung"}, # Partitur (mit Bläserbegleitung)
+ {"filename": "out/Eybler_EcceQuomodo_HV125_Instrument_ObI.pdf", "title": u"Eybler: Ecce quomodo, Oboe 1", "desc": u"Oboe 1"}, # Oboe I
+ {"filename": "out/Eybler_EcceQuomodo_HV125_Instrument_ObII.pdf", "title": u"Eybler: Ecce quomodo, Oboe 2", "desc": u"Oboe 2"}, # Oboe II
+ {"filename": "out/Eybler_EcceQuomodo_HV125_Instrument_TrbI.pdf", "title": u"Eybler: Ecce quomodo, Posaune 1", "desc": u"Posaune 1"}, # Posaune I
+ {"filename": "out/Eybler_EcceQuomodo_HV125_Instrument_TrbII.pdf", "title": u"Eybler: Ecce quomodo, Posaune 2", "desc": u"Posaune 2"}, # Posaune II
+ {"filename": "out/Eybler_EcceQuomodo_HV125_Instrument_Fag.pdf", "title": u"Eybler: Ecce quomodo, Fagott", "desc": u"Fagott"}, # Fagotto
],
}