diff --git a/Eybler_SiConsistant_HV86_Instrument_A.pdf b/Eybler_SiConsistant_HV86_Instrument_A.pdf
deleted file mode 100644
index 18450276a34677fec6af429bf7aa2c7293f820ec..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_A.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_B.pdf b/Eybler_SiConsistant_HV86_Instrument_B.pdf
deleted file mode 100644
index c88edb4f4d6c005a45a7ba128a6170dc2f35eacd..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_B.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_CorI.pdf b/Eybler_SiConsistant_HV86_Instrument_CorI.pdf
deleted file mode 100644
index 3862fb1f90d995f25f25fd190d0c17b9d6128e13..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_CorI.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_CorII.pdf b/Eybler_SiConsistant_HV86_Instrument_CorII.pdf
deleted file mode 100644
index bdde1bf772cc421fa6653058f0d978d199c5e57d..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_CorII.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_FagI.pdf b/Eybler_SiConsistant_HV86_Instrument_FagI.pdf
deleted file mode 100644
index 0a64573625fc514018f2c1552c6a9a66f54b050a..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_FagI.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_FagII.pdf b/Eybler_SiConsistant_HV86_Instrument_FagII.pdf
deleted file mode 100644
index 07ce65895dbadc885efd32a5ff2a0f6349da9107..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_FagII.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_ObI.pdf b/Eybler_SiConsistant_HV86_Instrument_ObI.pdf
deleted file mode 100644
index 743ca2c7b80f3905471c52ef91a3e2666d57bc2a..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_ObI.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_ObII.pdf b/Eybler_SiConsistant_HV86_Instrument_ObII.pdf
deleted file mode 100644
index dcbd05ccbc6a6165d5339bbd136f24a839624235..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_ObII.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_Organ.pdf b/Eybler_SiConsistant_HV86_Instrument_Organ.pdf
deleted file mode 100644
index ff04bd60b3ac3ff7557ba264fa2b551de621e753..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_Organ.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_S.pdf b/Eybler_SiConsistant_HV86_Instrument_S.pdf
deleted file mode 100644
index b2050a8e272f87d04ded09987b2de20d5d13e52f..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_S.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_T.pdf b/Eybler_SiConsistant_HV86_Instrument_T.pdf
deleted file mode 100644
index 43e9c69047cc631a913a8e5c52a5a587dd27508d..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_T.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_Tim.pdf b/Eybler_SiConsistant_HV86_Instrument_Tim.pdf
deleted file mode 100644
index f2039cd7516966d3729f1f9e913f4d0f3277b0e1..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_Tim.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_VI.pdf b/Eybler_SiConsistant_HV86_Instrument_VI.pdf
deleted file mode 100644
index 34774f2fe78c7984310efa1c3014c00e99aef6e6..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_VI.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_VII.pdf b/Eybler_SiConsistant_HV86_Instrument_VII.pdf
deleted file mode 100644
index 5dd20fd20de011b236c60bbf0ee60187444a81e8..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_VII.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_Va.pdf b/Eybler_SiConsistant_HV86_Instrument_Va.pdf
deleted file mode 100644
index a7c758feea6dd2bfe8e685e6bab013c54a28717a..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_Va.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_VcB.pdf b/Eybler_SiConsistant_HV86_Instrument_VcB.pdf
deleted file mode 100644
index 983d03b1d1b2a0ce2f565cee6ccc1453ffa5c9ce..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Instrument_VcB.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Choral.pdf b/Eybler_SiConsistant_HV86_Score_Choral.pdf
deleted file mode 100644
index 46f094ec45005d643a6b2695f64cfc5bc31ea6c1..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Choral.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Full.midi b/Eybler_SiConsistant_HV86_Score_Full.midi
deleted file mode 100644
index 334ffcea0680d3b7efce2ed2ac7013af8a271660..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Full.midi and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Full.pdf b/Eybler_SiConsistant_HV86_Score_Full.pdf
deleted file mode 100644
index 5744c1e8cef2bc817aaedb6dcbefc89536f90d9b..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Full.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Long.midi b/Eybler_SiConsistant_HV86_Score_Long.midi
deleted file mode 100644
index e37d444e38b18eb1d5471597d5a187be22516012..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Long.midi and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Long.pdf b/Eybler_SiConsistant_HV86_Score_Long.pdf
deleted file mode 100644
index 1f385bb3a3b01a376aedb2954700c3f2a2fe1403..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Long.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Original.midi b/Eybler_SiConsistant_HV86_Score_Original.midi
deleted file mode 100644
index 93dbb702af57557714f3f49cc851fc95f1a6e8c1..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Original.midi and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Original.pdf b/Eybler_SiConsistant_HV86_Score_Original.pdf
deleted file mode 100644
index d5a4c19b3a7c0bd72c693ca9bd9edd97ba61b8af..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Original.pdf and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Particell.ly b/Eybler_SiConsistant_HV86_Score_Particell.ly
index 062a6cbc2e2e771aaea88c781903f2eb5dd8c4f1..0ced0c5c6a9b96b3d8721df748ba58d449f2030e 100644
--- a/Eybler_SiConsistant_HV86_Score_Particell.ly
+++ b/Eybler_SiConsistant_HV86_Score_Particell.ly
@@ -4,8 +4,8 @@
\setCreatePDF ##t
\header {
- scoretype = \ParticellScoreTitle
- scorenumber = \markup{\scoreNumber \ParticellScoreNumber}
+ scoretype = \ParticellTitle
+ scorenumber = \markup{\scoreNumber \ParticellNumber}
}
\createScore #"SiConsistant" #'("Particell")
diff --git a/Eybler_SiConsistant_HV86_Score_Particell.midi b/Eybler_SiConsistant_HV86_Score_Particell.midi
deleted file mode 100644
index ebc43595874e054dcef1b303e986f8956150aaf4..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Particell.midi and /dev/null differ
diff --git a/Eybler_SiConsistant_HV86_Score_Particell.pdf b/Eybler_SiConsistant_HV86_Score_Particell.pdf
deleted file mode 100644
index 8492ca1b30824c65ecc64e689cad99269cccb6a0..0000000000000000000000000000000000000000
Binary files a/Eybler_SiConsistant_HV86_Score_Particell.pdf and /dev/null differ
diff --git a/Makefile b/Makefile
index bcc4b61d528a3ebdf622ef8e1641e8623528ba0f..67fd38d0ef8cd5711b296ea311c6f6e46388fa73 100644
--- a/Makefile
+++ b/Makefile
@@ -1,25 +1,36 @@
SRCS = Eybler_SiConsistant_HV86_Music_SiConsistant.ily Eybler_SiConsistant_HV86_Settings.ily
+OUT=out
instruments = ObI ObII FagI FagII CorI CorII TbeI TbeII Tim VI VII Va S A T B Organ VcB
scores = Full Long Particell Choral Original
-pdfs = $(instruments:%=Eybler_SiConsistant_HV86_Instrument_%.pdf) $(scores:%=Eybler_SiConsistant_HV86_Score_%.pdf)
+pdfs = $(instruments:%=$(OUT)/Eybler_SiConsistant_HV86_Instrument_%.pdf) $(scores:%=$(OUT)/Eybler_SiConsistant_HV86_Score_%.pdf)
+texs = $(scores:%=TeX_Eybler_SiConsistant_HV86_Score_%.tex)
+texpdfs = $(scores:%=$(OUT)/TeX_Eybler_SiConsistant_HV86_Score_%.pdf)
+
.PHONY: all clean
-all: $(instruments) $(scores)
-full: $(ext)
+all: $(OUT) $(instruments) $(scores) tex
instruments: $(instruments)
scores: $(scores)
clean:
- for i in $(ext); do \
- rm -f Eybler_SiConsistant_HV86_Score_$${i}.pdf Eybler_SiConsistant_HV86_Score_$${i}.ps; \
- rm -f Eybler_SiConsistant_HV86_Instrument_$${i}.pdf Eybler_SiConsistant_HV86_Instrument_$${i}.ps; \
- done; \
+ rm -rf $(OUT)
+
+$(OUT) :
+ mkdir -p $(OUT)
+
+$(instruments): % : $(OUT)/Eybler_SiConsistant_HV86_Instrument_%.pdf $(SRCS)
+$(scores): % : $(OUT)/Eybler_SiConsistant_HV86_Score_%.pdf $(SRCS)
+
+$(OUT)/%.pdf : %.ly $(SRCS)
+ lilypond -o $(basename $@) $<
-$(instruments): % : Eybler_SiConsistant_HV86_Instrument_%.pdf $(SRCS)
-$(scores): % : Eybler_SiConsistant_HV86_Score_%.pdf $(SRCS)
+$(OUT)/%.mp3 : %.midi
+ timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
-%.pdf : %.ly $(SRCS)
- lilypond $<
+tex: latex
+latex: $(texpdfs)
+$(OUT)/TeX_%.pdf : TeX_%.tex
+ TEXINPUTS=$(OUT): latex --output-directory=$(OUT)/ $<
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_About.itex b/TeX_Eybler_SiConsistant_HV86_Include_About.itex
index 1c7c4809033218f294bb51530e77a9d62b1cd6b3..e163082927bfdf9c940b9fc21855a3a49f391234 100644
--- a/TeX_Eybler_SiConsistant_HV86_Include_About.itex
+++ b/TeX_Eybler_SiConsistant_HV86_Include_About.itex
@@ -7,4 +7,3 @@ TODO
TODO
\end{multicols}
\vfill
-
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex b/TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex
new file mode 100644
index 0000000000000000000000000000000000000000..88855cb1384145403e7476713afaf424939a3545
--- /dev/null
+++ b/TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex
@@ -0,0 +1,2 @@
+\cleardoublepage
+\makebackpage
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex b/TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex
new file mode 100644
index 0000000000000000000000000000000000000000..af96c15963a1392e597cb3525d02e95ef4b4e6b3
--- /dev/null
+++ b/TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex
@@ -0,0 +1 @@
+\makefrontpage
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex b/TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex
new file mode 100644
index 0000000000000000000000000000000000000000..8be8f8b13c3eee7a08f5537eb6149a6860ce4e1f
--- /dev/null
+++ b/TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex
@@ -0,0 +1,12 @@
+\frontmatter
+\maketitle
+
+\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
+\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
+\pagebreak
+\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
+
+\mainmatter
+\cleardoublepage
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_Preface_Short.itex b/TeX_Eybler_SiConsistant_HV86_Include_Preface_Short.itex
new file mode 100644
index 0000000000000000000000000000000000000000..f52651231fdfc931fa8483ed186f436a0fa1579a
--- /dev/null
+++ b/TeX_Eybler_SiConsistant_HV86_Include_Preface_Short.itex
@@ -0,0 +1,5 @@
+\frontmatter
+\maketitle
+
+\mainmatter
+\cleardoublepage
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_Todo.itex b/TeX_Eybler_SiConsistant_HV86_Include_Todo.itex
new file mode 100644
index 0000000000000000000000000000000000000000..572ab152870c03b509a112bd7062fd3624360ba1
--- /dev/null
+++ b/TeX_Eybler_SiConsistant_HV86_Include_Todo.itex
@@ -0,0 +1,10 @@
+\todos{
+\chapter*{Offene Fragen}
+
+\subsubsection*{Allgemeines}
+
+\begin{itemize}
+\item 38-40 Va: Zwei getrennte Stimmen (Va1/Va2) oder Akkorde???
+\end{itemize}
+
+}
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Choral.pdf b/TeX_Eybler_SiConsistant_HV86_Score_Choral.pdf
deleted file mode 100644
index cb934a70cf3f2d0b19fb0eb78a320e1a22eb8a47..0000000000000000000000000000000000000000
Binary files a/TeX_Eybler_SiConsistant_HV86_Score_Choral.pdf and /dev/null differ
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex b/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex
index 7f3608265effada3bd1a38bf9e6c71f7e5ea8183..6196ce91d67de6da34d1b4ba8ed6ebd885a59079 100644
--- a/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex
+++ b/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex
@@ -11,22 +11,12 @@
\ChoralScoreSettings
\begin{document}
-\makefrontpage
-\frontmatter
-\maketitle
-
-\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
-\cleardoublepage
-\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
-\pagebreak
-\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
-\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
-
-\mainmatter
-\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
\includescore{Score_Choral}
\cleardoublepage
-\makebackpage
+
+\input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
\end{document}
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Full.pdf b/TeX_Eybler_SiConsistant_HV86_Score_Full.pdf
deleted file mode 100644
index eaecb4232a9b3d48f3c3c1920bfee00b7d81ae11..0000000000000000000000000000000000000000
Binary files a/TeX_Eybler_SiConsistant_HV86_Score_Full.pdf and /dev/null differ
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Full.tex b/TeX_Eybler_SiConsistant_HV86_Score_Full.tex
index 0c78506068a50289b869eaf7e245b63646bbf119..3ad8299116d0222a4bf88b97b9b3025cb8464291 100644
--- a/TeX_Eybler_SiConsistant_HV86_Score_Full.tex
+++ b/TeX_Eybler_SiConsistant_HV86_Score_Full.tex
@@ -11,19 +11,8 @@
\FullScoreSettings
\begin{document}
-\makefrontpage
-\frontmatter
-\maketitle
-
-\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
-\cleardoublepage
-\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
-\pagebreak
-\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
-\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
-
-\mainmatter
-\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
\includescore{Score_Full}
@@ -32,6 +21,5 @@
\appendix
\input{TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex}
-\cleardoublepage
-\makebackpage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
\end{document}
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Instruments.pdf b/TeX_Eybler_SiConsistant_HV86_Score_Instruments.pdf
deleted file mode 100644
index a7cd15d245475ef2561ce9324b2ab9b59d32094c..0000000000000000000000000000000000000000
Binary files a/TeX_Eybler_SiConsistant_HV86_Score_Instruments.pdf and /dev/null differ
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex b/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex
index 855e50f3f36a89474f30391a887e5650f814adf9..03280feca09d343897a8307e152909ca3961985c 100644
--- a/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex
+++ b/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex
@@ -11,19 +11,8 @@
\InstrumentalPartsSettings
\begin{document}
-\makefrontpage
-\frontmatter
-\maketitle
-
-\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
-\cleardoublepage
-\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
-\pagebreak
-\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
-\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
-
-\mainmatter
-\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
\phantomsection
\addcontentsline{toc}{section}{\OrganName}
@@ -89,6 +78,5 @@
\appendix
\input{TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex}
-\cleardoublepage
-\makebackpage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
\end{document}
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Long.pdf b/TeX_Eybler_SiConsistant_HV86_Score_Long.pdf
deleted file mode 100644
index 8a049d626e1733876024740fcbf58d7565d73282..0000000000000000000000000000000000000000
Binary files a/TeX_Eybler_SiConsistant_HV86_Score_Long.pdf and /dev/null differ
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Long.tex b/TeX_Eybler_SiConsistant_HV86_Score_Long.tex
index 6bffbe44ef118f5c699003fad802fb6a763c19af..aba5e589c291dba702e79d8a67cb4374bf443d41 100644
--- a/TeX_Eybler_SiConsistant_HV86_Score_Long.tex
+++ b/TeX_Eybler_SiConsistant_HV86_Score_Long.tex
@@ -11,19 +11,8 @@
\LongScoreSettings
\begin{document}
-\makefrontpage
-\frontmatter
-\maketitle
-
-\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
-\cleardoublepage
-\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
-\pagebreak
-\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
-\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
-
-\mainmatter
-\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
\includescore{Score_Long}
@@ -32,6 +21,5 @@
\appendix
\input{TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex}
-\cleardoublepage
-\makebackpage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
\end{document}
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Original.pdf b/TeX_Eybler_SiConsistant_HV86_Score_Original.pdf
deleted file mode 100644
index 38bee4e57560c26d6c495090b66168b3a88b5fd9..0000000000000000000000000000000000000000
Binary files a/TeX_Eybler_SiConsistant_HV86_Score_Original.pdf and /dev/null differ
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Original.tex b/TeX_Eybler_SiConsistant_HV86_Score_Original.tex
index 095d6408a8fa762ddd0aff03d31c0623c13e7082..1dc5e4a5ab81bbd357eac585e0cf74a0fc903cf8 100644
--- a/TeX_Eybler_SiConsistant_HV86_Score_Original.tex
+++ b/TeX_Eybler_SiConsistant_HV86_Score_Original.tex
@@ -11,19 +11,8 @@
\OriginalScoreSettings
\begin{document}
-\makefrontpage
-\frontmatter
-\maketitle
-
-\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
-\cleardoublepage
-\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
-\pagebreak
-\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
-\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
-
-\mainmatter
-\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
\includescore{Score_Original}
@@ -32,6 +21,5 @@
\appendix
\input{TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex}
-\cleardoublepage
-\makebackpage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
\end{document}
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Particell.pdf b/TeX_Eybler_SiConsistant_HV86_Score_Particell.pdf
deleted file mode 100644
index 6bdc29c6e8fbe8b2915f4cf7a2f9bf749f4f14cc..0000000000000000000000000000000000000000
Binary files a/TeX_Eybler_SiConsistant_HV86_Score_Particell.pdf and /dev/null differ
diff --git a/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex b/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex
index 1c89345077ca5cfe294559040535de50b57bdcea..ac0f21c42527c6d7e2b196699cb48ffa2241f1d6 100644
--- a/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex
+++ b/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex
@@ -11,22 +11,12 @@
\ParticellScoreSettings
\begin{document}
-\makefrontpage
-\frontmatter
-\maketitle
-
-\input{TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex}
-\cleardoublepage
-\input{TeX_Eybler_SiConsistant_HV86_Include_About.itex}
-\pagebreak
-\input{TeX_Eybler_SiConsistant_HV86_Include_Leben.itex}
-\input{TeX_Eybler_SiConsistant_HV86_Include_Text.itex}
-
-\mainmatter
-\cleardoublepage
+\input{TeX_Eybler_SiConsistant_HV86_Include_Coverpage.itex}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
\includescore{Score_Particell}
\cleardoublepage
-\makebackpage
+
+\input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
\end{document}
diff --git a/TeX_Eybler_SiConsistant_HV86_Settings.itex b/TeX_Eybler_SiConsistant_HV86_Settings.itex
index b10b4b36acf070a02d9bb3dd8cb8aa0bc0011b3a..c35d1cd5d51f429fba92b87f8a684be6b3cc35d8 100644
--- a/TeX_Eybler_SiConsistant_HV86_Settings.itex
+++ b/TeX_Eybler_SiConsistant_HV86_Settings.itex
@@ -25,3 +25,4 @@
pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
}
+\input{TeX_Eybler_SiConsistant_HV86_Include_Todo.itex}
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_A.pdf b/out/Eybler_SiConsistant_HV86_Instrument_A.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..6b0704679192f18e2076e2a8e930b85ef377ffc6
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_A.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_B.pdf b/out/Eybler_SiConsistant_HV86_Instrument_B.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..fc30ac26b3e904938af52c754225ec7d50a22614
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_B.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_CorI.pdf b/out/Eybler_SiConsistant_HV86_Instrument_CorI.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..6cdf2bb7c6518e5ce8e86d63473eb7ecd51038c1
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_CorI.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_CorII.pdf b/out/Eybler_SiConsistant_HV86_Instrument_CorII.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..d5954d8618d529896634699329eda0b6cd8c8949
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_CorII.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_FagI.pdf b/out/Eybler_SiConsistant_HV86_Instrument_FagI.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..64ff699a2f7e35623386ad493bada7ad41547fc1
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_FagI.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_FagII.pdf b/out/Eybler_SiConsistant_HV86_Instrument_FagII.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..cb04c2cffec878a37515b374d0e48fa1245ff0bb
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_FagII.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_ObI.pdf b/out/Eybler_SiConsistant_HV86_Instrument_ObI.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..a5794aed41b7714bb560e03aca79654662d1b53b
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_ObI.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_ObII.pdf b/out/Eybler_SiConsistant_HV86_Instrument_ObII.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..d114897816cad135716747fb25a9ec01862bb3ab
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_ObII.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_Organ.pdf b/out/Eybler_SiConsistant_HV86_Instrument_Organ.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..caa05e4453ba497c593a931ce8ce087e136f5b13
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_Organ.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_S.pdf b/out/Eybler_SiConsistant_HV86_Instrument_S.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..3c5e9d7e5bd91c6afdfcba7140acd09b4350288f
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_S.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_T.pdf b/out/Eybler_SiConsistant_HV86_Instrument_T.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..7914ecbe003c8060bb3f493e922b0fcd50dd4a97
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_T.pdf differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_TbeII.pdf b/out/Eybler_SiConsistant_HV86_Instrument_TbeI.pdf
similarity index 57%
rename from Eybler_SiConsistant_HV86_Instrument_TbeII.pdf
rename to out/Eybler_SiConsistant_HV86_Instrument_TbeI.pdf
index f184922b8a759f25c308355de43c7719edde41b6..986b404ae5c961f02e9f6819cb74db07db63c0ee 100644
Binary files a/Eybler_SiConsistant_HV86_Instrument_TbeII.pdf and b/out/Eybler_SiConsistant_HV86_Instrument_TbeI.pdf differ
diff --git a/Eybler_SiConsistant_HV86_Instrument_TbeI.pdf b/out/Eybler_SiConsistant_HV86_Instrument_TbeII.pdf
similarity index 56%
rename from Eybler_SiConsistant_HV86_Instrument_TbeI.pdf
rename to out/Eybler_SiConsistant_HV86_Instrument_TbeII.pdf
index fe093574a7ba1b5ae39a06423b12ef389984cb04..bfa753eea69c161f2f06ea654dbe08e15e76c240 100644
Binary files a/Eybler_SiConsistant_HV86_Instrument_TbeI.pdf and b/out/Eybler_SiConsistant_HV86_Instrument_TbeII.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_Tim.pdf b/out/Eybler_SiConsistant_HV86_Instrument_Tim.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..11839a81e5314296e145a4a39b9d0f353dd198b4
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_Tim.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_VI.pdf b/out/Eybler_SiConsistant_HV86_Instrument_VI.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..7fbaeb8e642915747cb43c2ce901282db43585eb
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_VI.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_VII.pdf b/out/Eybler_SiConsistant_HV86_Instrument_VII.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..efbbf72c86b39901f234075aeddcc4c907fc8322
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_VII.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_Va.pdf b/out/Eybler_SiConsistant_HV86_Instrument_Va.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..15e72cf22e2c37ddc8da953691fc0debd43c787e
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_Va.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Instrument_VcB.pdf b/out/Eybler_SiConsistant_HV86_Instrument_VcB.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..b27c5519116374ce4d1af61bbf1e9bb1f4193e71
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Instrument_VcB.pdf differ
diff --git a/Eybler_SiConsistant_HV86_Score_Choral.midi b/out/Eybler_SiConsistant_HV86_Score_Choral.midi
similarity index 84%
rename from Eybler_SiConsistant_HV86_Score_Choral.midi
rename to out/Eybler_SiConsistant_HV86_Score_Choral.midi
index de531ccbdbfb0ce49fa77680d3b3d50f1a466da6..6ae6b47f657c2a5b875316cea9522f3dfeecf73c 100644
Binary files a/Eybler_SiConsistant_HV86_Score_Choral.midi and b/out/Eybler_SiConsistant_HV86_Score_Choral.midi differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Choral.pdf b/out/Eybler_SiConsistant_HV86_Score_Choral.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..852630d98f03dda10e8093d0865f0e9b19fffce9
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Choral.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Full.midi b/out/Eybler_SiConsistant_HV86_Score_Full.midi
new file mode 100644
index 0000000000000000000000000000000000000000..bc52c2659c24e89ae18920b11ace986dc5dc130c
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Full.midi differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Full.pdf b/out/Eybler_SiConsistant_HV86_Score_Full.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..fff7c78b4df2121ad2c45886b1e2c78e60fb72bc
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Full.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Long.midi b/out/Eybler_SiConsistant_HV86_Score_Long.midi
new file mode 100644
index 0000000000000000000000000000000000000000..bccc69d43b7dbf373de567bcccc8e112d9c8a0c3
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Long.midi differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Long.pdf b/out/Eybler_SiConsistant_HV86_Score_Long.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..5927a6afa370c5b43b38698f8a5920de56e151c9
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Long.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Original.midi b/out/Eybler_SiConsistant_HV86_Score_Original.midi
new file mode 100644
index 0000000000000000000000000000000000000000..9bc9944c3461478a142d8979ab037ae3f4e034c2
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Original.midi differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Original.pdf b/out/Eybler_SiConsistant_HV86_Score_Original.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..afe4ccaae5efe12b478e64f34702b8fb934ff673
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Original.pdf differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Particell.midi b/out/Eybler_SiConsistant_HV86_Score_Particell.midi
new file mode 100644
index 0000000000000000000000000000000000000000..2b00f222524f1a843c54f69f705b1d1e61a3b950
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Particell.midi differ
diff --git a/out/Eybler_SiConsistant_HV86_Score_Particell.pdf b/out/Eybler_SiConsistant_HV86_Score_Particell.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..4b86a9cddf3b3355c4b12434e5aef229ab7d108d
Binary files /dev/null and b/out/Eybler_SiConsistant_HV86_Score_Particell.pdf differ
diff --git a/out/TeX_Eybler_SiConsistant_HV86_Score_Choral.pdf b/out/TeX_Eybler_SiConsistant_HV86_Score_Choral.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..bc80fb555c01baa617f4f21d90908f28964a6d3a
Binary files /dev/null and b/out/TeX_Eybler_SiConsistant_HV86_Score_Choral.pdf differ
diff --git a/out/TeX_Eybler_SiConsistant_HV86_Score_Full.pdf b/out/TeX_Eybler_SiConsistant_HV86_Score_Full.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..c2bc3059dc0b3aa34ad7f91b1c26f6f035b31afb
Binary files /dev/null and b/out/TeX_Eybler_SiConsistant_HV86_Score_Full.pdf differ
diff --git a/out/TeX_Eybler_SiConsistant_HV86_Score_Long.pdf b/out/TeX_Eybler_SiConsistant_HV86_Score_Long.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..9a93e68614298597c9cd4003314f729a85b0f74f
Binary files /dev/null and b/out/TeX_Eybler_SiConsistant_HV86_Score_Long.pdf differ
diff --git a/out/TeX_Eybler_SiConsistant_HV86_Score_Original.pdf b/out/TeX_Eybler_SiConsistant_HV86_Score_Original.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..3c3ae33b4f8536569ba737ea0be261668c911e82
Binary files /dev/null and b/out/TeX_Eybler_SiConsistant_HV86_Score_Original.pdf differ
diff --git a/out/TeX_Eybler_SiConsistant_HV86_Score_Particell.pdf b/out/TeX_Eybler_SiConsistant_HV86_Score_Particell.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..a2b4dcb234a436774a961be4869d9750464215a2
Binary files /dev/null and b/out/TeX_Eybler_SiConsistant_HV86_Score_Particell.pdf differ
diff --git a/patches/Eybler_SiConsistant_HV86_Instrument_A.ly.patch b/patches/Eybler_SiConsistant_HV86_Instrument_A.ly.patch
new file mode 100644
index 0000000000000000000000000000000000000000..529808552e8d193694ab6faf5ff2a20fd2668b1d
--- /dev/null
+++ b/patches/Eybler_SiConsistant_HV86_Instrument_A.ly.patch
@@ -0,0 +1,11 @@
+--- Eybler_SiConsistant_HV86_Instrument_A.ly.new 2009-07-31 19:55:03.000000000 +0200
++++ Eybler_SiConsistant_HV86_Instrument_A.ly 2009-06-18 12:05:58.000000000 +0200
+@@ -1,6 +1,8 @@
+ \version "2.13.1"
+ \include "Eybler_SiConsistant_HV86_Settings_Vocal.ily"
+
++#(undefine SiConsistantAStaff)
++
+ \header {
+ instrument = \AInstrumentName
+ scorenumber = \markup{\scoreNumber \ANumber}
diff --git a/patches/Eybler_SiConsistant_HV86_Instrument_S.ly.patch b/patches/Eybler_SiConsistant_HV86_Instrument_S.ly.patch
new file mode 100644
index 0000000000000000000000000000000000000000..e0c9b38c25c565d7634eaf08f7c507018ee79e1d
--- /dev/null
+++ b/patches/Eybler_SiConsistant_HV86_Instrument_S.ly.patch
@@ -0,0 +1,11 @@
+--- Eybler_SiConsistant_HV86_Instrument_S.ly.new 2009-07-31 19:55:03.000000000 +0200
++++ Eybler_SiConsistant_HV86_Instrument_S.ly 2009-06-18 12:05:58.000000000 +0200
+@@ -1,6 +1,8 @@
+ \version "2.13.1"
+ \include "Eybler_SiConsistant_HV86_Settings_Vocal.ily"
+
++#(undefine SiConsistantSStaff)
++
+ \header {
+ instrument = \SInstrumentName
+ scorenumber = \markup{\scoreNumber \SNumber}
diff --git a/patches/Eybler_SiConsistant_HV86_Instrument_T.ly.patch b/patches/Eybler_SiConsistant_HV86_Instrument_T.ly.patch
new file mode 100644
index 0000000000000000000000000000000000000000..19f71f0a6ff136a56c547b8348c1cb9c9904912f
--- /dev/null
+++ b/patches/Eybler_SiConsistant_HV86_Instrument_T.ly.patch
@@ -0,0 +1,97 @@
+--- Eybler_SiConsistant_HV86_Instrument_T.ly.new 2009-07-31 19:55:03.000000000 +0200
++++ Eybler_SiConsistant_HV86_Instrument_T.ly 2009-06-18 12:05:58.000000000 +0200
+@@ -1,10 +1,94 @@
+ \version "2.13.1"
+ \include "Eybler_SiConsistant_HV86_Settings_Vocal.ily"
+
++#(undefine SiConsistantTStaff)
++
+ \header {
+ instrument = \TInstrumentName
+ scorenumber = \markup{\scoreNumber \TNumber}
+ }
++\layout {
++ \context {
++ \Staff
++ quotedEventTypes = #'(StreamEvent)
++ }
++}
++
++SiConsistantTStaff = <<
++\new Staff = "SiConsistantT1Staff" \with {
++ instrumentName = "T.1"
++ shortInstrumentName = "T.1"
++ quotedEventTypes = #'(StreamEvent)
++}
++
++\new Lyrics = "SiConsistantT1Lyrics" { s1*44 s2 s4
++ s4 s2.*31
++ s1*43 }
++
++\new Staff = "SiConsistantTStaff" \with {
++ instrumentName = \TInstrumentName
++ shortInstrumentName = \TShortInstrumentName
++ quotedEventTypes = #'(StreamEvent)
++} <<
++ \new Voice = "SiConsistantTVoice" {
++ \dynamicUp
++ \SiConsistantSettings
++ \TClef
++ \SiConsistantKey
++ \SiConsistantTimeSignature
++ \cueText "Tutti"
++ \quoteDuring #"SiConsistantTMusic" {s1*44 s2 s4 }
++ \bar"||" \break
++ \SiConsistantSettingsII
++ s4 | s2.*31 \bar"||" \break
++ \set Staff.instrumentName = \TShortInstrumentName
++ \set Staff.shortInstrumentName = \TShortInstrumentName
++ \SiConsistantSettingsIII
++ s4 s s
++ \cueText "Tenore Tutti" \TClef
++ \quoteDuring #"SiConsistantTMusic" {s4 | s1*42 }
++ \bar"|."
++ }
++ \new Voice = "SiConsistantT2SoloInTStaffVoice" {
++ \dynamicUp
++ s1*44 | s2 s4 \bar"||"
++ << {
++ \TClef
++ \SiConsistantSettingsII
++ \cueText "Tenore 2 Solo"
++ \set Staff.instrumentName = "T.2"
++ \set Staff.shortInstrumentName = "T.2"
++ \quoteDuring #"SiConsistantTSoloIIMusic" {s4 s2.*31 s4 s s}
++ }
++ \context Staff = "SiConsistantT1Staff" {
++ \new Voice = "SiConsistantT1Voice" {
++ \startStaff
++ \dynamicUp
++ \TClef
++ \cueText "Tenore 1 Solo"
++ \set Staff.instrumentName = "T.1"
++ \set Staff.shortInstrumentName = "T.1"
++ \quoteDuring #"SiConsistantTSoloIMusic" {s4 s2.*31 }
++ \SiConsistantSettingsIII
++ \stopStaff
++% \quoteDuring #"SiConsistantTSoloIMusic" {s4 s s}
++ }
++ }
++ >>
++ s4 s1*42
++ }
++>>
++ \context Lyrics = "SiConsistantT1Lyrics" \lyricsto "SiConsistantT1Voice" \SiConsistantTSoloILyrics
++ \context Lyrics = "SiConsistantTLyrics" \lyricsto "SiConsistantTVoice" \SiConsistantTLyrics
++ \context Lyrics = "SiConsistantTLyrics" \lyricsto "SiConsistantT2SoloInTStaffVoice" \SiConsistantTSoloIILyrics
++>>
++
++\layout {
++ \context {
++ \RemoveEmptyStaffContext
++ \override VerticalAxisGroup #'remove-first = ##t
++ }
++}
+
+ \createScore #"SiConsistant" #'("T")
+
diff --git a/patches/Eybler_SiConsistant_HV86_Music_SiConsistant.ily.patch b/patches/Eybler_SiConsistant_HV86_Music_SiConsistant.ily.patch
new file mode 100644
index 0000000000000000000000000000000000000000..84b7e4764f5db4fe276932ebc52d9642af84e8a9
--- /dev/null
+++ b/patches/Eybler_SiConsistant_HV86_Music_SiConsistant.ily.patch
@@ -0,0 +1,2192 @@
+--- Eybler_SiConsistant_HV86_Music_SiConsistant.ily.new 2009-07-31 19:55:03.000000000 +0200
++++ Eybler_SiConsistant_HV86_Music_SiConsistant.ily 2009-07-24 02:18:24.000000000 +0200
+@@ -1,121 +1,2145 @@
+ \version "2.13.1"
+
+-SiConsistantPieceName = "Si consistant"
+-SiConsistantPieceNameTacet = "Si consistant tacet"
+-SiConsistantTempo = "TODO"
++% SiConsistantPieceName = "Si consistant"
++% SiConsistantPieceNameTacet = "Si consistant tacet"
++SiConsistantTempo = "Allegro con fuoco"
++SiConsistantTempoII = "Larghetto cantabile"
++SiConsistantTempoIII = \markup{Tempo \concat{I \super mo}}
++
++SiConsistantKey = \key es \major
++SiConsistantKeyII = \key c \major
++SiConsistantKeyIII = \SiConsistantKey
+
+-SiConsistantKey = \key c \major
+ SiConsistantTimeSignature = \time 4/4
++SiConsistantTimeSignatureII = \time 3/4
++SiConsistantTimeSignatureIII = \SiConsistantTimeSignature
+
+ SiConsistantSettings = \notemode {
+ \tempo \SiConsistantTempo
+-% \partial 4
+ }
+-
+-SiConsistantObIMusic = \relative c' {
+- % TODO
++SiConsistantSettingsII = \notemode {
++ \tempo \SiConsistantTempoII
++ \SiConsistantTimeSignatureII
++ \set Timing.measurePosition = #(ly:make-moment 2 4)
++}
++SiConsistantSettingsIII = \notemode {
++ \tempo \SiConsistantTempoIII
++ \SiConsistantTimeSignatureIII
++}
++
++
++SiConsistantObIMusic = \relative c'' {
++ c2.\f c8.[ c16] | % 2
++ c2. c8.[ c16] | % 3
++ h4 h8.[ h16] h4 h | % 4
++ c2 r4 c8.[ c16] | % 5
++ h4 h8.[ h16] h4 h | % 6
++ c2 r4 c8.[ c16] | % 7
++ f4-| es-| r c8.[ c16] | % 8
++ as'4-| g-| r g8.[ g16] | % 9
++ f4 es d c | \barNumberCheck #10
++%%%%%%%%%%%%%%%
++ h4 r g'2\fz | % 11
++ es c | % 12
++ h4 r g'2\fz | % 13
++ es c | % 14
++ h4 r r2 | \barNumberCheck #15
++ as1\fz | % 16
++ des \fz | % 17
++ ges \fz | % 18
++ f4 r r2 | % 19
++ b,1\fz | \barNumberCheck #20
++ es\fz | % 21
++ as\fz | % 22
++ g4 r r g | % 23
++ f es d c | % 24
++ h r r g' | \barNumberCheck #25
++ f es d c| % 26
++ h r r c | % 27
++ h8[ c d es] d[ es f g] | % 28
++ as2\fz g4 f4~ | % 29
++ f es d2 | \barNumberCheck #30
++ c4 es c as | % 31
++ f f' d b | % 32
++ g g' es c | % 33
++ as'2\ff a | % 34
++ g4 r h, r | \barNumberCheck #35
++ c1\fz | % 36
++ d\fz | % 37
++ e\fz | % 38
++ f2\fz g\fz | % 39
++ as\fz h\fz | \barNumberCheck #40
++%%%%%%%%%%
++ c4 r r2 | % 41
++ R1 | % 42
++ r4 d,\f es fis, | % 43
++ g d' es fis | % 44
++ g r g g | % 45
++ g r r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII \cueText "Solo" c,,16[( e g c]) | % 46
++ e4.\fp f16[( e]) e[( d) d( c]) | % 47
++ h8.[ c32 d] c8 r e,16[( g c e]) | % 48
++ g4~\fp g16[( e a g]) g[( f) f( e]) | % 49
++ d8.[( e32 f]) e8 r g16[(\> e)\! g(\> e])\! | \barNumberCheck #50
++ a8.[(\fz f16]) c8 a16[(\p c]) c[( f]) f[( a]) | % 51
++ g8.[( f16] e8) r e-|[\f g-|] | % 52
++ c,4.( d16[\p e]) g[( f]) f[( e]) | % 53
++ e4( d8) r r4 | % 54
++ R2.*7 | \barNumberCheck #61
++ r16 g,16[( a h] c[ d e f] a[( g f e]) | % 62
++ e4( d8) r r4 | % 63
++ R2.*3 | % 66
++ r4 r8 cis16[(\p d] e[ fis g cis,]) | % 67
++ e4( d8) e16[( fis] g[ fis e d]) | % 68
++ d8.[ c16] h8 r r4 | % 69
++ r r16 d16[( e fis] g[ fis e d]) | \barNumberCheck #70
++ d8.[ c16] h8 r r4 | % 71
++ R2.*2 | % 73
++ r8 e16[(_\dolce d] c[ h a g]) fis8 r | % 74
++ r cis'16[(\cresc d] e[ d h g]) fis8 r | % 75
++ r8 cis'16[(\f d] e[ d g fis] e[ d c h]) | % 76
++ e8 r r4 r \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g,2.\p g8.[ g16] | % 78
++ g2. g8.[ g16] | % 79
++ h2. h8.[ h16] | \barNumberCheck #80
++ h2. h8.[ h16] | % 81
++ d2.\cresc d8.[ d16] | % 82
++ d2. d8.[ d16] | % 83
++ f2\f d4 h | % 84
++ c d es c | % 85
++ h4 r g'2\fz | % 86
++ es c | % 87
++ h4 r g'2\fz | % 88
++ es c | % 89
++ h4 r r2 | \barNumberCheck #90
++ as1\fz | % 91
++ des \fz | % 92
++ ges \fz | % 93
++ f4 r r2 | % 94
++ b,1\fz | \barNumberCheck #95
++ es\fz | % 96
++ as\fz | % 97
++ g4 r r g | % 98
++ f es d c | % 99
++ h r r g' | \barNumberCheck #100
++ f es d c| % 101
++ h r r c | % 102
++ h8[ c d es] d[ es f g] | % 103
++ as2\fz g4 f4~ | % 104
++ f es d2 | \barNumberCheck #105
++ c4 es c as | % 106
++ f f' d b | % 107
++ g g' es c | % 108
++ as'2\ff a | % 109
++ g4 r h, r | \barNumberCheck #110
++ c1\fz | % 111
++ d\fz | % 112
++ e\fz | % 113
++ f2\fz g\fz | % 114
++ as\fz h\fz | \barNumberCheck #115
++ c4 r8 c,8\f g'[ es c g] | % 116
++ es'[ c g es] c'[ g es c] | % 117
++ g'4 r g' r | % 118
++ c, r c, r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantObIMusic" { \SiConsistantObIMusic }
+
+ SiConsistantObIIMusic = \relative c' {
+- % TODO
++ es2.\f es8.[ es16] | % 2
++ es2. es8.[ es16] | % 3
++ f4 f8.[ f16] f4 f | % 4
++ es2 r4 es8.[ es16] | % 5
++ f4 f8.[ f16] f4 f | % 6
++ es2 r4 es8.[ es16] | % 7
++ f4-| g-| r g8.[ g16] | % 8
++ f4-| g-| r c8.[ c16] | % 9
++ c2 as4 f | \barNumberCheck #10
++ g4 r h2\fz | % 11
++ c fis, | % 12
++ g4 r h2\fz | % 13
++ c fis, | % 14
++ g4 r r2 | \barNumberCheck #15
++ es1\fz | % 16
++ as\fz | % 17
++ es'\fz | % 18
++ des4 r r2 | % 19
++ f,1\fz | \barNumberCheck #20
++ b\fz | % 21
++ f'\fz | % 22
++ es4 r r es | % 23
++ d c h fis | % 24
++ g r r es' | \barNumberCheck #25
++ d c h fis | % 26
++ g r r g | % 27
++ as8[ g f es] h'[ c d es] | % 28
++ f2\fz es4 c | % 29
++ h c2 h4 | \barNumberCheck #30
++ c es c as | % 31
++ f f' d b | % 32
++ g g' es c | % 33
++ h2\ff c | % 34
++ c4 r f, r | \barNumberCheck #35
++ es1\fz | % 36
++ f\fz | % 37
++ g\fz | % 38
++ c2\fz b\fz | % 39
++ as\fz f'\fz | \barNumberCheck #40
++ es4 r r2 | % 41
++ R1 | % 42
++ r4 h\f c a | % 43
++ h h c a | % 44
++ h r h h | % 45
++ h r r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ g4.\fp a16[( g]) g[( f) f( e]) | % 47
++ f4( e8) r c16[( e g c]) | % 48
++ e4~\fp e16[( c f e]) e[( d) d( c]) | % 49
++ h8.[( c32 d]) c8 r e16[(\> c)\! e(\> c])\! | \barNumberCheck #50
++ f8.[(\fz c16]) a8 f16[(\p a]) a[( c) c( f]) | % 51
++ e8.[( d16] c8) r c[-|\f h]-| | % 52
++ g4.( h16[\p c]) e[( d) d( c]) | % 53
++ c4( h8) r r4 | % 54
++ R2.*7 | \barNumberCheck #61
++ r8 r16 g~ g[( h c e]) f[( e d c]) | % 62
++ c4( h8) r r4 | % 63
++ R2.*3 | % 66
++ r4 r a8[\p a] | % 67
++ a4~ a8 r r4 | % 68
++ r8 a[( g]) r r4 | % 69
++ r r r8 h | \barNumberCheck #70
++ a[ fis] g r r4 | % 71
++ R2.*6 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ d2.\p d8.[ d16] | % 78
++ d2. d8.[ d16] | % 79
++ g2. g8.[ g16] | \barNumberCheck #80
++ g2. g8.[ g16] | % 81
++ g2.\cresc g8.[ g16] | % 82
++ g2. h8.[ h16] | % 83
++ h2.\f g4 | % 84
++ g4 g2 fis4 | % 85
++ g4 r h2\fz | % 86
++ c fis, | % 87
++ g4 r h2\fz | % 88
++ c fis, | % 89
++ g4 r r2 | \barNumberCheck #90
++ es1\fz | % 91
++ as\fz | % 92
++ es'\fz | % 93
++ des4 r r2 | % 94
++ f,1\fz | \barNumberCheck #95
++ b\fz | % 96
++ f'\fz | % 97
++ es4 r r es | % 98
++ d c h fis | % 99
++ g r r es' | \barNumberCheck #100
++ d c h fis | % 101
++ g r r g | % 102
++ as8[ g f es] h'[ c d es] | % 103
++ f2\fz es4 c | % 104
++ h c2 h4 | \barNumberCheck #105
++ c es c as | % 106
++ f f' d b | % 107
++ g g' es c | % 108
++ h2\ff c | % 109
++ c4 r f, r | \barNumberCheck #110
++ es1\fz | % 111
++ f\fz | % 112
++ g\fz | % 113
++ c2\fz b\fz | % 114
++ as\fz f'\fz | \barNumberCheck #115
++ es4 r8 c\f g'[ es c g] | % 116
++ es'[ c g es] c'[ g es c] | % 117
++ g'4 r h r | % 118
++ c r c, r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantObIIMusic" { \SiConsistantObIIMusic }
+
+ SiConsistantFagIMusic = \relative c' {
+- % TODO
++ g2.\f g8.[ g16] | % 2
++ g2. g8.[ g16] | % 3
++ d'4 d8.[ d16] d4 d | % 4
++ c2 r4 g8.[ g16] | % 5
++ d'4 d8.[ d16] d4 d | % 6
++ c2 r4 c8.[ c16] | % 7
++ c4-| c-| r es8.[ es16] | % 8
++ c4-| c-| r es8.[ es16] | % 9
++ f4 c2 c4 | \barNumberCheck #10
++ d4 r d2\fz | % 11
++ c es | % 12
++ d4 r d2\fz | % 13
++ c es | % 14
++ d4 r r2 | \barNumberCheck #15
++ c1\fz | % 16
++ des\fz | % 17
++ as~\fz | % 18
++ as4 r r2 | % 19
++ d1\fz | \barNumberCheck #20
++ es\fz | % 21
++ b~\fz | % 22
++ b4 r r \clef "tenor" g'4 | % 23
++ f es d es | % 24
++ d r r g | \barNumberCheck #25
++ f es d es | % 26
++ d r r c | % 27
++ d8[ es h c] as'[ g f es] | % 28
++ \clef "bass" d2\fz g,4 c | % 29
++ d c g2 | \barNumberCheck #30
++ c,4 c' as f | % 31
++ d d' b g | % 32
++ es es' c as | % 33
++ d2\ff es | % 34
++ es4 r d r | \barNumberCheck #35
++ c1\fz | % 36
++ h\fz | % 37
++ b\fz | % 38
++ as2\fz e'\fz | % 39
++ f\fz d\fz | \barNumberCheck #40
++ es4 r r2 | % 41
++ R1 | % 42
++ r4 d\f es2 | % 43
++ d4 d es2 | % 44
++ d4 r d d | \barNumberCheck #45
++ d r r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ c,4\fp c' r8 c | % 47
++ r g[ c] r r4 | % 48
++ c,\fp c' r8 c | % 49
++ r g[ c] r r4 | \barNumberCheck #50
++ f,4.\fz f8[\p a f] | % 51
++ c[ c'] r4 c8[-|\f g]-| | % 52
++ e4 c8 r h[\p c] | % 53
++ g[ g' g,] r r4 | % 54
++ c4.\fp r8 r4 | % 55
++ R2. | % 56
++ c4.\fp r8 r4 | % 57
++ R2.*3 | \barNumberCheck #60
++ r8 g'8[\f g] r r4 | % 61
++ r r8 c,[ c, c'] | % 62
++ g[ g' g,] r r4 | % 63
++ R2.*3 | % 66
++ r4 r8 cis'16[(\p d] e[ fis g e]) | % 67
++ cis4( d8) e16[( fis] g[ fis e d]) | % 68
++ d4~ d8 r r4 | % 69
++ r4 r16 d16[( e fis] g[ fis e d]) | \barNumberCheck #70
++ d4~ d8 r r4 | % 71
++ R2.*2 | % 73
++ r8 e16[(_\dolce d] c[ h a g]) fis8 r | % 74
++ r cis'16[( d] e[ d h g]) fis8 r | % 75
++ r cis'16[(\f d] e[ d g fis] e[ d c h]) | % 76
++ e8 r r4 r \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ h2.\p h8.[ h16] | % 78
++ h2. h8.[ h16] | % 79
++ d2. d8.[ d16] | \barNumberCheck #80
++ d2. d8.[ d16] | % 81
++ h2.\cresc h8.[ h16] | % 82
++ h2. d8.[ d16] | % 83
++ d2.\f d4 | % 84
++ es d c c | \barNumberCheck #85
++ d4 r d2\fz | % 86
++ c es | % 87
++ d4 r d2\fz | % 88
++ c es | % 89
++ d4 r r2 | \barNumberCheck #90
++ c1\fz | % 91
++ des\fz | % 92
++ as~\fz | % 93
++ as4 r r2 | % 94
++ d1\fz | \barNumberCheck #95
++ es\fz | % 96
++ b~\fz | % 97
++ b4 r r \clef "tenor" g'4 | % 98
++ f es d es | % 99
++ d r r g | \barNumberCheck #100
++ f es d es | % 101
++ d r r c | % 102
++ d8[ es h c] as'[ g f es] | % 103
++ \clef "bass" d2\fz g,4 c | % 104
++ d c g2 | \barNumberCheck #105
++ c,4 c' as f | % 106
++ d d' b g | % 107
++ es es' c as | % 108
++ d2\ff es | % 109
++ es4 r d r | \barNumberCheck #110
++ c1\fz | % 111
++ h\fz | % 112
++ b\fz | % 113
++ as2\fz e'\fz | % 114
++ f\fz d\fz | \barNumberCheck #115
++ g,4 r r r8 g\f | % 116
++ es'[ c g es] c'[ g es c] | % 117
++ g'4 r g r | % 118
++ c, r c r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantFagIMusic" { \SiConsistantFagIMusic }
+
+-SiConsistantFagIIMusic = \relative c' {
+- % TODO
++SiConsistantFagIIMusic = \relative c {
++ c2.\f c8.[ c16] | % 2
++ c2. c8.[ c16] | % 3
++ c4 c8.[ c16] c4 c | % 4
++ c2 r4 c8.[ c16] | % 5
++ c4 c8.[ c16] c4 c | % 6
++ c2 r4 c8.[ c16] | % 7
++ as'4-| g-| r c,8.[ c16] | % 8
++ f4-| es-| r c8.[ c16] | % 9
++ as'4 g f as | \barNumberCheck #10
++ g r g,2\fz | % 11
++ c c' | % 12
++ g4 r g,2\fz | % 13
++ c2 c' | % 14
++ g4 r r2 | \barNumberCheck #15
++ ges1\fz | % 16
++ f\fz | % 17
++ c\fz | % 18
++ des4 r r2 | % 19
++ as'1\fz | \barNumberCheck #20
++ g\fz | % 21
++ d\fz | % 22
++ es4 r r \clef "tenor" es'4 | % 23
++ d c h c | % 24
++ g r r es' | \barNumberCheck #25
++ d c h c | % 26
++ g r r es | % 27
++ f8[ es d c] f[ es d c] | % 28
++ \clef "bass" h2\fz c4 as' | % 29
++ g c g g, | \barNumberCheck #30
++ c c' as f | % 31
++ d d' b g | % 32
++ es es' c as | % 33
++ f2\ff fis | % 34
++ g4 r g r | \barNumberCheck #35
++ c,1\fz | % 36
++ c\fz | % 37
++ c\fz | % 38
++ c2\fz c\fz | % 39
++ c\fz c\fz | \barNumberCheck #40
++ c4 r r2 | % 41
++ R1 | % 42
++ r4 h'\f c2 | % 43
++ h4 h c2 | % 44
++ h4 r g g | % 45
++ g r r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ c,,4\fp c' r8 c | % 47
++ r g[ c] r r4 | % 48
++ c,4\fp c'4 r8 c | % 49
++ r g[ c] r r4 | \barNumberCheck #50
++ f,4.\fz f8[\p a f] | % 51
++ c'[ c'] r4 c,8[-|\f g]-| | % 52
++ e4 c8 r h'[\p c] | % 53
++ g[ g' g,] r r4 | % 54
++ c,4\fp c'8 r r4 | % 55
++ R2. | % 56
++ c,4\fp c'8 r r4 | % 57
++ R2.*3 | \barNumberCheck #60
++ r8 c8[\f c] r r4 | % 61
++ r r8 c[ c, c'] | % 62
++ g[ g' g,] r r4 | % 63
++ R2.*3 | % 66
++ r4 r a8[\p a] | % 67
++ a4( d8) r r4 | % 68
++ r8 fis8[( g]) r r4 | % 69
++ r r8 c[( h g]) | \barNumberCheck #70
++ fis8[( d] g) r r4 | % 71
++ R2.*6 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g2.\p g8.[ g16] | % 78
++ g2. g8.[ g16] | % 79
++ g2. g8.[ g16] | \barNumberCheck #80
++ g2. g8.[ g16] | % 81
++ g2.\cresc g8.[ g16] | % 82
++ g2. g8.[ g16] | % 83
++ g2.\f f4 | % 84
++ es4 h c as' | \barNumberCheck #85
++ g r g,2\fz | % 86
++ c c' | % 87
++ g4 r g,2\fz | % 88
++ c2 c' | % 89
++ g4 r r2 | \barNumberCheck #90
++ ges1\fz | % 91
++ f\fz | % 92
++ c\fz | % 93
++ des4 r r2 | % 94
++ as'1\fz | \barNumberCheck #95
++ g\fz | % 96
++ d\fz | % 97
++ es4 r r \clef "tenor" es'4 | % 98
++ d c h c | % 99
++ g r r es' | \barNumberCheck #100
++ d c h c | % 101
++ g r r es | % 102
++ f8[ es d c] f[ es d c] | % 103
++ \clef "bass" h2\fz c4 as' | % 104
++ g c g g, | \barNumberCheck #105
++ c c' as f | % 106
++ d d' b g | % 107
++ es es' c as | % 108
++ f2\ff fis | % 109
++ g4 r g r | \barNumberCheck #110
++ c,1\fz | % 111
++ c\fz | % 112
++ c\fz | % 113
++ c2\fz c\fz | % 114
++ c\fz c\fz | \barNumberCheck #115
++ c4 r r r8 g'\f | % 116
++ es'[ c g es] c'[ g es c] | % 117
++ g'4 r g, r | % 118
++ c r c, r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantFagIIMusic" { \SiConsistantFagIIMusic }
+
+-SiConsistantCorIMusic = \relative c' {
+- % TODO
++SiConsistantCorIMusic = \relative c'' {
++ \transposition c
++ c2.\f c8.[ c16] | % 2
++ c2. c8.[ c16] | % 3
++ f1 | % 4
++ es4 c8.[ c16] c4 c8.[ c16] | % 5
++ f1 | % 6
++ es4 c8.[ c16] c4 c8.[ c16] | % 7
++ c4 c r c8.[ c16] | % 8
++ c4 c r c8.[ c16] | % 9
++ c4 r r2 | \barNumberCheck #10
++ r d\fz | % 11
++ es2 c | % 12
++ d4 r d2\fz | % 13
++ es2 c | % 14
++ d4 r r2 | % 15
++ R1*7 | \barNumberCheck #22
++ r2 r4 g8.[\f g16] | % 23
++ g4 g8.[ g16] g4 c, | % 24
++ d r r g8.[ g16] | % 25
++ g4 g8.[ g16] g4 c, | % 26
++ d r r2 | % 27
++ R1 | % 28
++ f2\fz es4 r | % 29
++ r c4 d2 | \barNumberCheck #30
++ c4 r r2 | \barNumberCheck #31
++ R1*2 | \barNumberCheck #33
++ f2\fz es\fz | % 34
++ c4 r d r | % 35
++ es1\fz | % 36
++ f\fz | % 37
++ g\fz | % 38
++ f2\fz g\fz | % 39
++ f\fz f\fz | \barNumberCheck #40
++ es4 r r2 | \barNumberCheck #41
++ R1 | % 42
++ d2 c | % 43
++ d c | % 44
++ d4 r d d | % 45
++ d r r4\fermata \bar"||" \SiConsistantSettingsII r4 | % 46
++ \cueText "Solo"
++ c2\fp r4 | % 47
++ d4( e8) r e,16[( g c e]) | % 48
++ g4~\fp g16[( e a g]) g[( f) f( e]) | % 49
++ d4( e8) r c8[ c] | \barNumberCheck #50
++ c4.\fz c8[\p f a] | % 51
++ g8.[( f16] e8) r e\f[-| d-|] | % 52
++ c4.( d16[\p e]) g[( f) f( e]) | % 53
++ e4( d8) r r4 | % 54
++ e4.\fp r8 r4 | % 55
++ R2. | % 56
++ g4.\fp r8 r4 | % 57
++ R2.*3 | \barNumberCheck #60
++ r8 c,8[\f c] r r4 | % 61
++ r8 d8 c16[( d e f]) a[( g f e]) | % 62
++ e4( d8) r r4 | % 63
++ R2.*3 | % 66
++ r4 r g8[\p g] |
++ g4( fis8) r r4 |
++ R2.*9 \bar"||" % 77
++ \SiConsistantSettingsIII
++ g,1~\p | % 78
++ g1 | % 79
++ g1~ | \barNumberCheck #80
++ g | % 81
++ d'1~\cresc | % 82
++ d | % 83
++ d\f | % 84
++ c4 d es c4 | % 85
++ d4 r d2\fz | % 86
++ es c | % 87
++ d4 r d2\fz | % 88
++ es c | % 89
++ d4 r r2 | \barNumberCheck #90
++ R1*7 | % 97
++ r2 r4 g8.[\f g16] | % 98
++ g4 g8.[ g16] g4 c,4 | % 99
++ d r r g8.[ g16] | \barNumberCheck #100
++ g4 g8.[ g16] g4 c, | % 101
++ d r r2 | % 102
++ R1 | % 103
++ f2\fz es4 r | % 104
++ r c2 d4 | % 105
++ c4 r r2 | % 106
++ R1*2 | % 108
++ f2\fz es\fz | % 109
++ c4 r d r | \barNumberCheck #110
++ es1\fz | % 111
++ f\fz | % 112
++ g\fz | % 113
++ f2\fz g\fz | % 114
++ f\fz f\fz | % 115
++ es4 r r2 | % 116
++ R1 | % 117
++ g,4 r d' r | % 118
++ c r c r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantCorIMusic" { \SiConsistantCorIMusic }
+
+ SiConsistantCorIIMusic = \relative c' {
+- % TODO
++ \transposition c
++ c2.\f c8.[ c16] | % 2
++ c2. c'8.[ c16] | % 3
++ d1 | % 4
++ c4 c,8.[ c16] c4 c8.[ c16] | % 5
++ d'1 | % 6
++ c4 c,8.[ c16] c4 c8.[ c16] | % 7
++ c4 c r c8.[ c16] | % 8
++ c4 c r c8.[ c16] | % 9
++ c4 r r2 | \barNumberCheck #10
++ r g'\fz | % 11
++ c1 | % 12
++ g4 r g2\fz | % 13
++ c1 | % 14
++ g4 r r2 | % 15
++ R1*7 | \barNumberCheck #22
++ r2 r4 g8.[\f g16] | % 23
++ g4 g8.[ g16] g4 c | % 24
++ g r r g8.[ g16] | % 25
++ g4 g8.[ g16] g4 c | % 26
++ g r r2 | % 27
++ R1 | % 28
++ d'2\fz es4 r | % 29
++ r c2 g4 | \barNumberCheck #30
++ c, r r2 | \barNumberCheck #31
++ R1*2 | \barNumberCheck #33
++ d'2\fz c\fz | % 34
++ g4 r g r | % 35
++ c1\fz | % 36
++ d\fz | % 37
++ e\fz | % 38
++ c2\fz e\fz | % 39
++ c\fz d\fz | \barNumberCheck #40
++ g,4 r r2 | \barNumberCheck #41
++ R1 | % 42
++ g2 c | % 43
++ g c | % 44
++ g4 r g g | % 45
++ g r r4\fermata \bar"||" \SiConsistantSettingsII r4 | % 46
++ \cueText "Solo"
++ c,2\fp r4 | % 47
++ g'4( c8) r c,16[( e g c]) | % 48
++ e4~\fp e16[( c f e]) e[( d) d( c]) | % 49
++ g4( c8) r c,8[ c] | \barNumberCheck #50
++ c4.\fz c8[\p c' c] | % 51
++ e8.[( d16] c8) r c\f[-| g-|] | % 52
++ e4.( g16[\p c]) e[( d) d( c]) | % 53
++ c4( g8) r r4 | % 54
++ g4.\fp r8 r4 | % 55
++ R2. | % 56
++ e'4.\fp r8 r4 | % 57
++ R2.*3 | \barNumberCheck #60
++ r8 e,8[\f e] r r4 | % 61
++ r8 g8 e16[( g c d]) f[( e d c]) | % 62
++ c4( g8) r r4 | % 63
++ R2.*3 | % 66
++ r4 r e'8[\p e] |
++ e4( d8) r r4 |
++ R2.*9 \bar"||" % 77
++ \SiConsistantSettingsIII
++ g,,1~\p | % 78
++ g1 | % 79
++ g'1~ | \barNumberCheck #80
++ g | % 81
++ g1~\cresc | % 82
++ g | % 83
++ g\f | % 84
++ g4 g2 c4 | % 85
++ g4 r g2\fz | % 86
++ c1 | % 87
++ g4 r g2\fz | % 88
++ c1 | % 89
++ g4 r r2 | \barNumberCheck #90
++ R1*7 | % 97
++ r2 r4 g8.[\f g16] | % 98
++ g4 g8.[ g16] g4 c4 | % 99
++ g r r g8.[ g16] | \barNumberCheck #100
++ g4 g8.[ g16] g4 c | % 101
++ g r r2 | % 102
++ R1 | % 103
++ d'2\fz es4 r | % 104
++ r c2 g4 | % 105
++ c,4 r r2 | % 106
++ R1*2 | % 108
++ d'2\fz c\fz | % 109
++ g4 r g r | \barNumberCheck #110
++ c1\fz | % 111
++ d\fz | % 112
++ e\fz | % 113
++ c2\fz e\fz | % 114
++ c\fz d\fz | % 115
++ g,4 r r2 | % 116
++ R1 | % 117
++ g4 r g r | % 118
++ c, r c r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantCorIIMusic" { \SiConsistantCorIIMusic }
+
+-SiConsistantTbeIMusic = \relative c' {
+- % TODO
++SiConsistantTbeIMusic = \relative c'' {
++ g4\f r r8 g16[ g] g8[ g] | % 2
++ g4 r r8 g16[ g] g8[ g] | % 3
++ g4 g8.[ g16] g4 g | % 4
++ g4 r r8 g16[ g] g8[ g] | % 5
++ g4 g8.[ g16] g4 g | % 6
++ g4 r8 c,16[ c] c8[ c c c] | % 7
++ c'4. c,16[ c] c8[ c c c] | % 8
++ c'4. c,16[ c] c8[ c c c] | % 9
++ c4 r r2 | \barNumberCheck #10
++ g'4 r8 g16[ g] g8[ g g g] | % 11
++ c4 r r2 | % 12
++ g4 r8 g16[ g] g8[ g g g] | % 13
++ c4 r r2 | % 14
++ g4 r r2 | % 15
++ c,2~\fz c4 r | % 16
++ R1*4 | \barNumberCheck #20
++ b'2\fz r | % 21
++ b2\fz r | % 22
++ R1 | % 23
++ g4 r g r | % 24
++ g r8 g16[ g] g8[ g g g] | % 25
++ g4 r g r | % 26
++ g r r2 | % 27
++ R1*3 | \barNumberCheck #30
++ c4 r r2 | % 31
++ R1*2 | % 32
++ r2 c2\ff | % 33
++ g4 r g r | % 34
++ c,2~\fz c4 r | % 35
++ c2~\fz c4 r | % 36
++ c2~\fz c4 r | % 37
++ c\fz r c\fz r | % 38
++ c\fz r c\fz r | \barNumberCheck #40
++ c r r2 | % 41
++ R1 | % 42
++ r4 g'8.[\f g16] g4 c | % 43
++ g4 g8.[ g16] g4 c | % 44
++ g r g g | % 45
++ g r r4\fermata \bar"||" \SiConsistantSettingsII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII
++ R1*6 | % 83
++ g4.\f g16[ g] g8[ g g g] | % 84
++ c4 r r2 | % 85
++ g4 r8 g16[ g] g8[ g g g] | % 86
++ c4 r r2 | % 87
++ g4 r8 g16[ g] g8[ g g g] | % 88
++ c4 r r2 | % 89
++ g4 r r2 | \barNumberCheck #90
++ c,2~\fz c4 r | % 91
++ R1*4 | \barNumberCheck #95
++ b'2\fz r | % 96
++ b2\fz r | % 97
++ R1 | % 98
++ g4 r g r | % 99
++ g r8 g16[ g] g8[ g g g] | \barNumberCheck #100
++ g4 r g r | % 101
++ g r r2 | % 102
++ R1*3 | % 105
++ c4 r r2 | % 106
++ R1*2 | % 108
++ r2 c2\ff | % 109
++ g4 r g r | \barNumberCheck #110
++ c,2~\fz c4 r | % 111
++ c2~\fz c4 r | % 112
++ c2~\fz c4 r | % 113
++ c4\fz r c4\fz r | % 114
++ c4\fz r c4\fz r | % 115
++ c4 r r2 | % 116
++ R1 | % 117
++ r2 g'4 r | % 118
++ c r c, r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantTbeIMusic" { \SiConsistantTbeIMusic }
+
+ SiConsistantTbeIIMusic = \relative c' {
+- % TODO
++ c4\f r r8 c16[ c] c8[ c] | % 2
++ c4 r r8 c16[ c] c8[ c] | % 3
++ g4 g8.[ g16] g4 g | % 4
++ c4 r r8 c16[ c] c8[ c] | % 5
++ g4 g8.[ g16] g4 g | % 6
++ c4 r8 c16[ c] c8[ c c c] | % 7
++ c4. c16[ c] c8[ c c c] | % 8
++ c4. c16[ c] c8[ c c c] | % 9
++ c4 r r2 | \barNumberCheck #10
++ g4 r8 g16[ g] g8[ g g g] | % 11
++ c4 r r2 | % 12
++ g4 r8 g16[ g] g8[ g g g] | % 13
++ c4 r r2 | % 14
++ g4 r r2 | % 15
++ c2~\fz c4 r | % 16
++ R1*4 | \barNumberCheck #20
++ g'2\fz r | % 21
++ b2\fz r | % 22
++ R1 | % 23
++ g,4 r g r | % 24
++ g r8 g16[ g] g8[ g g g] | % 25
++ g4 r g r | % 26
++ g r r2 | % 27
++ R1*3 | \barNumberCheck #30
++ c4 r r2 | % 31
++ R1*2 | % 32
++ r2 c2\ff | % 33
++ g4 r g r | % 34
++ c2~\fz c4 r | % 35
++ c2~\fz c4 r | % 36
++ c2~\fz c4 r | % 37
++ c\fz r c\fz r | % 38
++ c\fz r c\fz r | \barNumberCheck #40
++ c r r2 | % 41
++ R1 | % 42
++ r4 g8.[\f g16] g4 c | % 43
++ g4 g8.[ g16] g4 c | % 44
++ g r g g | % 45
++ g r r4\fermata \bar"||" \SiConsistantSettingsII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII
++ R1*6 | % 83
++ g4.\f g16[ g] g8[ g g g] | % 84
++ c4 r r2 | % 85
++ g4 r8 g16[ g] g8[ g g g] | % 86
++ c4 r r2 | % 87
++ g4 r8 g16[ g] g8[ g g g] | % 88
++ c4 r r2 | % 89
++ g4 r r2 | \barNumberCheck #90
++ c2~\fz c4 r | % 91
++ R1*4 | \barNumberCheck #95
++ g'2\fz r | % 96
++ b2\fz r | % 97
++ R1 | % 98
++ g,4 r g r | % 99
++ g r8 g16[ g] g8[ g g g] | \barNumberCheck #100
++ g4 r g r | % 101
++ g r r2 | % 102
++ R1*3 | % 105
++ c4 r r2 | % 106
++ R1*2 | % 108
++ r2 c2\ff | % 109
++ g4 r g r | \barNumberCheck #110
++ c2~\fz c4 r | % 111
++ c2~\fz c4 r | % 112
++ c2~\fz c4 r | % 113
++ c4\fz r c4\fz r | % 114
++ c4\fz r c4\fz r | % 115
++ c4 r r2 | % 116
++ R1 | % 117
++ r2 g4 r | % 118
++ c r c r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantTbeIIMusic" { \SiConsistantTbeIIMusic }
+
+-SiConsistantTimMusic = \relative c' {
+- % TODO
++SiConsistantTimMusic = \relative c {
++ c4\f r r8 c16[ c] c8[ c] | % 2
++ d4 r r8 c16[ c] c8[ c] | % 3
++ c1~\startTrillSpan | % 4
++ c4\stopTrillSpan r r8 c16[ c] c8[ c] | % 5
++ c1~\startTrillSpan | % 6
++ c4\stopTrillSpan r8 c16[ c] c8[ c c c] | % 7
++ c4. c16[ c] c8[ c c c] | % 8
++ c4. c16[ c] c8[ c c c] | % 9
++ c4 r r2 | \barNumberCheck #10
++ g4 r r2 | % 11
++ c1\trill | % 12
++ g4 r r2 | % 13
++ c1\trill | % 14
++ g4 r r2 | % 15
++ c2~\startTrillSpan c4\stopTrillSpan r | % 16
++ R1*7 | % 23
++ g4 r g r | % 24
++ g r8 g16[ g] g8[ g g g] | % 25
++ g4 r g r | % 26
++ g r r2 | % 27
++ R1*3 | \barNumberCheck #30
++ c4 r r2 | % 31
++ R1*2 | % 33
++ r2 c2\ff\trill | % 34
++ g4 r g r | % 35
++ c2~\fz\startTrillSpan c4\stopTrillSpan r | % 36
++ c2~\fz\startTrillSpan c4\stopTrillSpan r | % 37
++ c2~\fz\startTrillSpan c4\stopTrillSpan r | % 38
++ c4\fz r c4\fz r | % 39
++ c4\fz r c4\fz r | \barNumberCheck #40
++ c4 r r2 | % 41
++ R1 | % 42
++ r4 g8.[\f g16] g4 c | % 43
++ g4 g8.[ g16] g4 c | % 44
++ g r g g | % 45
++ g r r4\fermata \bar"||" \SiConsistantSettingsII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII
++ g2~\p\startTrillSpan g4\stopTrillSpan r | % 78
++ g2~\startTrillSpan g4\stopTrillSpan r | % 79
++ g2~\startTrillSpan g4\stopTrillSpan r | \barNumberCheck #80
++ g2~\startTrillSpan g4\stopTrillSpan r | % 81
++ g2~\startTrillSpan\cresc g4\stopTrillSpan r | % 82
++ g2~\startTrillSpan g4\stopTrillSpan r | % 83
++ g1~\f\startTrillSpan | % 84
++ g4\stopTrillSpan r r2 | % 85
++ g4 r r2 | % 86
++ c1\trill | % 87
++ g4 r r2 | % 88
++ c1\trill | % 89
++ g4 r r2 | \barNumberCheck #90
++ c2~\fz\startTrillSpan c4\stopTrillSpan r | % 91
++ R1*7 | % 98
++ g4 r g r | % 99
++ g r8 g16[ g] g8[ g g g] | \barNumberCheck #100
++ g4 r g r | % 101
++ g r r2 | % 102
++ R1*3 | % 105
++ c4 r r2 | % 106
++ R1*2 | % 108
++ r2 c2\trill\ff | % 109
++ g4 r g r | \barNumberCheck #110
++ c2~\fz\startTrillSpan c4\stopTrillSpan r4 | % 111
++ c2~\fz\startTrillSpan c4\stopTrillSpan r4 | % 112
++ c2~\fz\startTrillSpan c4\stopTrillSpan r4 | % 113
++ c4\fz r c4\fz r | % 114
++ c4\fz r c4\fz r | % 115
++ c4 r r2 | % 116
++ R1 | % 117
++ r2 g4 r | % 118
++ c4 r c r | % 119
++ c r r2 \bar"|."
+ }
+ \addQuote "SiConsistantTimMusic" { \SiConsistantTimMusic }
+
+ SiConsistantVIMusic = \relative c' {
+- % TODO
++ c16[(\f d es d]) c[( d es d]) c[( d es f] g[ a h c]) | % 2
++ c,[( d es d]) c[( d es d]) c[( d es f] g[ a h c]) | % 3
++ h[( c d es] f[ es d c]) h[( as g f] es[ d c h]) | % 4
++ c[( d es d]) c[( d es d]) c[( d es f] g[ a h c]) | % 5
++ h[( c d es] f[ es d c]) h[( as g f] es[ d c h]) | % 6
++ c[( d es d]) c[( d es d]) c[( d es f] g[ a h c]) | % 7
++ f4-| es-| c16[( d es f] g[ a h c]) | % 8
++ <as c,>4-| <g c,>-| g,16[( a h c] d[ es f g]) | % 9
++ f[ f f, f] es[ es es' es] d[ d d, d] c[ c c' c] | \barNumberCheck #10
++ h[ h g' g] d[ d h h] g[ g d d] h[ h g g] | % 11
++ c8[ d16 es] f[ g a h] c[ d es f] g[ a h c] | % 12
++ h[ h g g] d[ d h h] g[ g d d] h[ h g g] | % 13
++ c8[ d16 es] f[ g a h] c[ d es f] g[ a h c] | % 14
++ h[ h g g] d[ d h h] g4 r | % 15
++ as16[\fz as es es] c[ c es es] as[\fz as es es] c[ c es es] | % 16
++ as[\fz as f f] des[ des f f] as[\fz as des des] f[ f as as] | % 17
++ ges[\f ges es es] c[ c as as] ges[ ges es es] as,[ as ges' ges] | % 18
++ f[ f des des] f[ f as as] des[ des as as] des[ des f f] | % 19
++ b,[\fz b f f] d[ d f f] b[\fz b f f] d[ d f f] | \barNumberCheck #20
++ b[\fz b g g] es[ es g g] b[\fz b es es] g[ g b b] | % 21
++ as[\f as f f] d[ d b b] as[ as f f] b,[ b as' as] | % 22
++ g[ g es es] g[ g b b] es[ es b b] es[ es g g] | % 23
++ f[ f f, f] es[ es es' es] d[ d d, d] c[ c c' c] | % 24
++ h[ h g, g] h[ h d d] g[ g c c] es[ es g g] | % 25
++ f[ f f, f] es[ es es' es] d[ d d, d] c[ c c' c] | % 26
++ h[ h g g] d[ d h h] c[ c es es] g[ g c c] | % 27
++ h[ h c c] d[ d es es] d[ d es es] f[ f g g] | % 28
++ as[\fz as d,, d] f[ f as' as] g[ g es, es] f[ f c' c] | % 29
++ h[ h f' f] es[ es c' c] d,[ d c' c] d,[ d h' h] | \barNumberCheck #30
++ c[ c g g] es[ es g g] c,[ c es es] as,[ as c c] | % 31
++ f,[ f as' as] f[ f as as] d,[ d f f] b,[ b d d] | % 32
++ g,[ g b' b] g[ g b b] es,[ es g g] c,[ c es es] | % 33
++ <d h'>2:16\ff <es c'>2:16 | % 34
++ <es g, g,>4 r <g, d' h'>4 r | % 35
++ c,16[(\fz d es d]) c[( d es d]) c[( d es f] g[ a h c]) | % 36
++ d,[(\fz es f es]) d[( es f es]) d[( es f g] a[ h c d]) | % 37
++ e,[(\fz f g f]) e[( f g f]) e[( f g a] b[ c d e]) | % 38
++ f,[(\fz g as b] c[ d e f]) g,[(\fz as b c] d[ e f g]) | % 39
++ as,[(\fz b c d] e[ f g as]) h,[(\fz c d es] f[ g a h]) | \barNumberCheck #40
++ c[\f c g g] es[ es c c] g'[ g es es] c[ c g g] | % 41
++ es'[ es c c] g[ g es es] c'[ c g g] es[ es c c] | % 42
++ g4 <d' h'> <es c'> <c' es> | % 43
++ <h d> <g d' h'>4 <g es' c'> <fis' a,> | % 44
++ g8[( fis16 e] d[ c h a]) <g g,>4 <g g,> | % 45
++ <g g,>2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g,16[(\p a h a]) g[( a h a]) g[ g h h] d[ d g g] | % 78
++ g,[( a h a]) g[( a h a]) g[ g h h] d[ d g g] | % 79
++ h,[( c d c]) h[( c d c]) h[ h d d] g[ g h h] | \barNumberCheck #80
++ h,[( c d c]) h[( c d c]) h[ h d d] g[ g h h] | % 81
++ d,[(\cresc c h c]) d[( c h c]) d[ d g g] h[ h d d] | % 82
++ d,[( c h c]) d[( c h c]) d[ d g g] h[ h d d] | % 83
++ h[(\f c d es] f[ es d c]) h[( as g f] es[ d c h]) | % 84
++ c[ c c' c] d,[ d d' d] es,[ es es' es] c,[ c c' c] | % 85
++ h[ h g' g] d[ d h h] g[ g d d] h[ h g g] | % 86
++ c8[ d16 es] f[ g a h] c[ d es f] g[ a h c] | % 87
++ h[ h g g] d[ d h h] g[ g d d] h[ h g g] | % 88
++ c8[ d16 es] f[ g a h] c[ d es f] g[ a h c] | % 89
++ h[ h g g] d[ d h h] g4 r | \barNumberCheck #90
++ as16[\fz as es es] c[ c es es] as[\fz as es es] c[ c es es] | % 91
++ as[\fz as f f] des[ des f f] as[\fz as des des] f[ f as as] | % 92
++ ges[\f ges es es] c[ c as as] ges[ ges es es] as,[ as ges' ges] | % 93
++ f[ f des des] f[ f as as] des[ des as as] des[ des f f] | % 94
++ b,[\fz b f f] d[ d f f] b[\fz b f f] d[ d f f] | % 95
++ b[\fz b g g] es[ es g g] b[\fz b es es] g[ g b b] | % 96
++ as[\f as f f] d[ d b b] as[ as f f] b,[ b as' as] | % 97
++ g[ g es es] g[ g b b] es[ es b b] es[ es g g] | % 98
++ f[ f f, f] es[ es es' es] d[ d d, d] c[ c c' c] | % 99
++ h[ h g, g] h[ h d d] g[ g c c] es[ es g g] | \barNumberCheck #100
++ f[ f f, f] es[ es es' es] d[ d d, d] c[ c c' c] | % 101
++ h[ h g g] d[ d h h] c[ c es es] g[ g c c] | % 102
++ h[ h c c] d[ d es es] d[ d es es] f[ f g g] | % 103
++ as[\fz as d,, d] f[ f as' as] g[ g es, es] f[ f c' c] | % 104
++ h[ h f'f] es[ es c' c] d,[ d c' c] d,[ d h' h] | % 105
++ c[ c g g] es[ es g g] c,[ c es es] as,[ as c c] | % 106
++ f,[ f as' as] f[ f as as] d,[ d f f] b,[ b d d] | % 107
++ g,[ g b' b] g[ g b b] es,[ es g g] c,[ c es es] | % 108
++ <d h'>2:16\ff <es c'>2:16 | % 109
++ <es g, g,>4 r <g, d' h'> r | \barNumberCheck #110
++ c,16[(\fz d es d]) c[( d es d]) c[( d es f] g[ a h c]) | % 111
++ d,[(\fz es f es]) d[( es f es]) d[( es f g] a[ h c d]) | % 112
++ e,[(\fz f g f]) e[( f g f]) e[( f g a] b[ c d e]) | % 113
++ f,[(\fz g as b] c[ d e f]) g,[(\fz as b c] d[ e f g]) | % 114
++ as,[(\fz b c d] e[ f g as]) h,[(\fz c d es] f[ g a h]) | % 115
++ c[\f c g g] es[ es c c] g'[ g es es] c[ c g g] | % 116
++ es'[ es c c] g[ g es es] c'[ c g g] es[ es c c] | % 117
++ g'4 r <g d' h'> r |
++ <c, g' es' c'> r \acciaccatura {g32[ a h]} c4 r |
++ \acciaccatura {g32[ a h]} c4 r r2 \bar"|."
+ }
+ \addQuote "SiConsistantVIMusic" { \SiConsistantVIMusic }
+
+ SiConsistantVIIMusic = \relative c' {
+- % TODO
++ <es g,>16[\f <es g,> <es g,> <es g,>] <es g,>4:16 <es g,> r | % 2
++ <es g,>2:16 <es g,>4 r | % 3
++ <f g,>2:16 <f g,>2:16 | % 4
++ <es g,>2:16 <es g,>4 r | % 5
++ <f g,>2:16 <f g,>2:16 | % 6
++ <es g,>2:16 <es g,>4 r | % 7
++ c'4-| c-| c,16[( d es f] g[ a h c]) | % 8
++ as4-| g-| g,16[( a h c] d[ es f g]) | % 9
++ f[ f f' f] es[ es es, es] d[ d d' d] c[ c c, c] | \barNumberCheck #10
++ <d h'>2:16 <d h'>2:16 | % 11
++ <es c'>2:16 <es c'>2:16 | % 12
++ <d h'>2:16 <d h'>2:16 | % 13
++ <es c'>2:16 <es c'>2:16 | % 14
++ <h' d,>16[ h g g] d[ d h h] g4 r | % 15
++ es'2:16\fz es2:16\fz | % 16
++ f2:16\fz f2:16\fz | % 17
++ es2:16\f es2:16 | % 18
++ des2:16 des2:16 | % 19
++ f2:16\fz f2:16\fz | \barNumberCheck #20
++ g2:16\fz g2:16\fz | % 21
++ f2:16\f f2:16 | % 22
++ es2:16 es16[ es g g] b[ b es es] | % 23
++ d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 24
++ g[ g h, h] d[ d g g] es[ es g g] c[ c es es] | % 25
++ d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 26
++ g[ g d d] h[ h d d] g,[ g c c] es[ es g g] | % 27
++ as[ as g g] f[ f es es] as[ as g g] f[ f es es] | % 28
++ d[\fz d f' f] as[ as d,, d] es[ es g' g] f[ f c c] | % 29
++ f[ f d d] c[ c es es] d[ d c' c] d,[ d h'h] | \barNumberCheck #30
++ c,[ c g' g] es[ es g g] c,[ c es es] as,[ as c c] | % 31
++ f,[ f as' as] f[ f as as] d,[ d f f] b,[ b d d] | % 32
++ g,[ g b' b] g[ g b b] es,[ es g g] c,[ c es es] | % 33
++ as2:16\ff a2:16 | % 34
++ <g c, es, g,> 4 r < h, d, g,> r | % 35
++ <es, g,>2:16\fz <es g,>4 r | % 36
++ <f as,>2:16\fz <f as,>4 r | % 37
++ <g b,>2:16\fz <g b,>4 r | % 38
++ <as c,>2:16\fz e2:16\fz | % 39
++ f2:16\fz d2:16\fz | \barNumberCheck #40
++ es16[\f es g' g] es[ es c c] g[ g es' es] c[ c g g] | % 41
++ es[ es c' c] g[ g es es] c[ c g' g] es[ es c c] | % 42
++ g4 <g d' h'> <g es' c'> <fis' a> | % 43
++ <g h> <h d, g,> <c es, g,> <c es,> | % 44
++ <h d,> r g8[( fis16 e] d[ c h a]) | % 45
++ g2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g2:16\p g4 r | % 78
++ g2:16 g4 r | % 79
++ g16[( a h a]) g[( a h a]) g[ g h h] d[ d g g] | \barNumberCheck #80
++ g,[( a h a]) g[( a h a]) g[ g h h] d[ d g g] | % 81
++ h,[(\cresc c d c]) h[( c d c]) h[ h d d] g[ g h h] | % 82
++ h,[( c d c]) h[( c d c]) h[ h d d] g[ g h h] | % 83
++ <f g,>2:16\f <f g,>4:16 <d g,>4:16 | % 84
++ g4:16 f4:16 es4:16 c'4:16 | % 85
++ <d, h'>2:16 <d h'>2:16 | % 86
++ <es c'>2:16 <es c'>2:16 | % 87
++ <d h'>2:16 <d h'>2:16 | % 88
++ <es c'>2:16 <es c'>2:16 | % 89
++ <h' d,>16[ h g g] d[ d h h] g4 r | \barNumberCheck #90
++ es'2:16\fz es2:16\fz | % 91
++ f2:16\fz f2:16\fz | % 92
++ es2:16\f es2:16 | % 93
++ des2:16 des2:16 | % 94
++ f2:16\fz f2:16\fz | \barNumberCheck #95
++ g2:16\fz g2:16\fz | % 95
++ f2:16\f f2:16 | % 97
++ es2:16 es16[ es g g] b[ b es es] | % 98
++ d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 99
++ g[ g h, h] d[ d g g] es[ es g g] c[ c es es] | \barNumberCheck #100
++ d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 101
++ g[ g d d] h[ h d d] g,[ g c c] es[ es g g] | % 102
++ as[ as g g] f[ f es es] as[ as g g] f[ f es es] | % 103
++ d[\fz d f' f] as[ as d,, d] es[ es g' g] f[ f c c] | % 104
++ f[ f d d] c[ c es es] d[ d c' c] d,[ d h'h] | \barNumberCheck #105
++ c,[ c g' g] es[ es g g] c,[ c es es] as,[ as c c] | % 106
++ f,[ f as' as] f[ f as as] d,[ d f f] b,[ b d d] | % 107
++ g,[ g b' b] g[ g b b] es,[ es g g] c,[ c es es] | % 108
++ as2:16\ff a2:16 | % 109
++ <g c, es, g,> 4 r < h, d, g,> r | \barNumberCheck #110
++ <es, g,>2:16\fz <es g,>4 r | % 111
++ <f as,>2:16\fz <f as,>4 r | % 112
++ <g b,>2:16\fz <g b,>4 r | % 113
++ <as as,>2:16\fz e2:16\fz | % 114
++ f2:16\fz d2:16\fz | \barNumberCheck #115
++ es16[\f es g' g] es[ es c c] g[ g es' es] c[ c g g] | % 116
++ es[ es c' c] g[ g es es] c[ c g' g] es[ es c c] | % 117
++ g4 r <g d' h' g'> r | % 118
++ <g es' c'> r \acciaccatura {g32[ a h]} c4 r | % 119
++ \acciaccatura {g32[ a h]} c4 r r2 \bar"|."
+ }
+ \addQuote "SiConsistantVIIMusic" { \SiConsistantVIIMusic }
+
+ SiConsistantVaMusic = \relative c' {
+- % TODO
++ <c c,>2:16\f <c c,>4 r | % 2
++ <c c,>2:16 <c c,>4 r | % 3
++ <h d>2:16 <h d>2:16 | % 4
++ c2:16 c4 r | % 5
++ <h d>2:16 <h d>2:16 | % 6
++ c2:16 c4 r | % 7
++ f4-| g-| c,8[ g es c] | % 8
++ <f' c'>4-| <g c>-| es8[ c g es] | % 9
++ c'2:16 as'4:16 f4:16 | \barNumberCheck #10
++%%%%%%%%%%%%%%%%%%%%
++ g2:16 g2:16 | % 11
++ g2:16 <fis a>2:16 | % 12
++ g2:16 g2:16 | % 13
++ g2:16 <fis a>2:16 | % 14
++ g16[ g d d] h[ h d d] g,4 r | \barNumberCheck #15
++ c2:16\fz c2:16\fz | % 16
++ des2:16\fz des2:16\fz | % 17
++ as2:16\f as2:16 | % 18
++ as2:16 as2:16 | % 19
++ d2:16\fz d2:16\fz | \barNumberCheck #20
++ es2:16\fz es2:16\fz | % 21
++ b2:16\f b2:16 | % 22
++ b2:16 b4:16 g4:16 | % 23
++ h4:16 c4:16 d4:16 fis4:16 | % 24
++ g16[ g d d] h[ h g g] g'[ g es es] c[ c g g] | \barNumberCheck #25
++ h4:16 c4:16 d4:16 fis4:16 | % 26
++ g16[ g, g g] g4:16 g16[ g' g g] g4:16 | % 27
++ d16[ d es es] h[ h c c] h[ h c c] d[ d es es] | % 28
++ f16[\fz f d d] d'[ d f, f] es[ es c c] c'[ c f, f] | % 29
++ g2:16 g4:16 g,4:16 | \barNumberCheck #30
++ c8[ c' c, c'] as,[ as' f, f'] | % 31
++ d,[ f' d d'] b,[ b' g, g'] | % 32
++ es,[ g' es es'] c,[ c' as, as'] | % 33
++ <f d'>2:16\ff <es c'>2:16 | % 34
++ <g g,>4 r <g g,>4 r | \barNumberCheck #35
++ c,2:16\fz c4 r | % 36
++ <h d>2:16\fz <h d>4 r | % 37
++ <b e>2:16\fz <b e>4 r | % 38
++ <as f'>2:16\fz <c g'>2:16\fz | % 39
++ <c as'>2:16\fz <f as>2:16\fz | \barNumberCheck #40
++ <es g>4 r8 c\f g'[ es c g] | % 41
++ es'[ c g es] c'[ g es c] | % 42
++%%%%%%%%%%%%%%%%%%%%%
++ g'8[ g' f g] es[ g es c] | % 43
++ g[ g' f g] es[ g es c] | % 44
++ g4 r <h d> <h d> | \barNumberCheck #45
++ <h d>2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ <h d,>2:16\p <h d,>4 r | % 78
++ <h d,>2:16 <h d,>4 r | % 79
++ <d g,>2:16 <d g,>4 r | \barNumberCheck #80
++ <d g,>2:16 <d g,>4 r | % 81
++ <d g,>2:16\cresc <d g,>4 r | % 82
++ <d g,>2:16 <d g,>4 r | % 83
++ <d h>2:16\f <d h>2:16 | % 84
++ <g g,>2:16 <g g,>4:16 fis4:16 | \barNumberCheck #85
++%%%%%%%%%%
++ g2:16 g2:16 | % 86
++ g2:16 <fis a>2:16 | % 87
++ g2:16 g2:16 | % 88
++ g2:16 <fis a>2:16 | % 89
++ g16[ g d d] h[ h d d] g,4 r | \barNumberCheck #90
++ c2:16\fz c2:16\fz | % 91
++ des2:16\fz des2:16\fz | % 92
++ as2:16\f as2:16 | % 93
++ as2:16 as2:16 | % 94
++ d2:16\fz d2:16\fz | \barNumberCheck #95
++ es2:16\fz es2:16\fz | % 96
++ b2:16\f b2:16 | % 97
++ b2:16 b4:16 g4:16 | % 98
++ h4:16 c4:16 d4:16 fis4:16 | % 99
++ g16[ g d d] h[ h g g] g'[ g es es] c[ c g g] | \barNumberCheck #100
++ h4:16 c4:16 d4:16 fis4:16 | % 101
++ g16[ g, g g] g4:16 g16[ g' g g] g4:16 | % 102
++ d16[ d es es] h[ h c c] h[ h c c] d[ d es es] | % 103
++ f16[\fz f d d] d'[ d f, f] es[ es c c] c'[ c f, f] | % 104
++ g2:16 g4:16 g,4:16 | \barNumberCheck #105
++ c8[ c' c, c'] as,[ as' f, f'] | % 106
++ d,[ f' d d'] b,[ b' g, g'] | % 107
++ es,[ g' es es'] c,[ c' as, as'] | % 108
++ <f d'>2:16\ff <es c'>2:16 | % 109
++ <g g,>4 r <g g,>4 r | \barNumberCheck #110
++ c,2:16\fz c4 r | % 111
++ <h d>2:16\fz <h d>4 r | % 112
++ <b e>2:16\fz <b e>4 r | % 113
++ <as f'>2:16\fz <c g'>2:16\fz | % 114
++ <c as'>2:16\fz <f as>2:16\fz | \barNumberCheck #115
++ <es g>4 r8 c\f g'[ es c g] | % 116
++ es'[ c g es] c'[ g es c] | % 117
++%%%%%%%
++ g'4 r <g d'h'> r | % 118
++ <c, g' es' c'> r \acciaccatura {g'32[ a h]} <c c,>4 r | % 119
++ \acciaccatura {g32[ a h]} <c c,>4 r4 r2 \bar"|."
+ }
+ \addQuote "SiConsistantVaMusic" { \SiConsistantVaMusic }
+
+-SiConsistantSMusic = \relative c' {
+- % TODO
++SiConsistantSMusic = \relative c'' {
++ \cueText "Tutti" R1 | % 2
++ r2 r4 g8\f g | % 3
++ f'4 d8 d h4 g8 g | % 4
++ es'4 c r g8 g | % 5
++ f'4 d8 d h4 g8 g | % 6
++ es'8. c16 c4 r c8 c | % 7
++ f4 es r c8 c | % 8
++ as'4 g r g8 g | % 9
++ f4 es8 es d4 c8 c | \barNumberCheck #10
++ h4 g g'2 | % 11
++ r4 c,8 c es4 d8 c | % 12
++ h4 g g'2 | % 13
++ r4 c,8 c es4 d8 c | % 14
++ g'4 g, r g8 g | % 15
++ as4 as8 as as4 as8 as | % 16
++ des4. as8 as4 as | % 17
++ ges'2 es4 c8 ges | % 18
++ f4 as r f8 f | % 19
++ b4 b8 b b4 b8 b | \barNumberCheck #20
++ es4. b8 b4 b | % 21
++ as'2 f4 d8 as | % 22
++ g4 b r g'8 g | % 23
++ f4 es8 es d4 c8 c | % 24
++ h4 g r g'8 g | % 25
++ f4 es8 es d4 c8 c | % 26
++ h8. g16 g4 r c8 c | % 27
++ h8[( c]) d es d[( es]) f g | % 28
++ as2\fz g4 f8 f | % 29
++ f4 es8 es d2 | \barNumberCheck #30
++ c4 es c r | % 31
++ r f d r | % 32
++ r g es c | % 33
++ as'2 r4 c,8\ff c | % 34
++ es4 d8 c g'2 | % 35
++ c,4 r r2 | % 36
++ R1*9 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII \cueText "Tutti" r2 r4 g8\p g | % 78
++ g4 g8 g g4 g8 g | % 79
++ h4 g r g8 g | \barNumberCheck #80
++ h4 h8 h h4 h8 h | % 81
++ d4\cresc h4 r h8 h | % 82
++ d4 d8 d d4 d8 d | % 83
++ f4.\f d8 h4 h8 h | % 84
++ c4 d8 d es4 c8 c | % 85
++ h4 g g'2 | % 86
++ r4 c,8 c es4 d8 c | % 87
++ h4 g g'2 | % 88
++ r4 c,8 c es4 d8 c | % 89
++ g'4 g, r g8 g | \barNumberCheck #90
++ as4 as8 as as4 as8 as | % 91
++ des4. as8 as4 as | % 92
++ ges'2 es4 c8 ges8 | % 93
++ f4 a r f8 f | % 94
++ b4 b8 b b4 b8 b | % 95
++ es4. b8 b4 b | % 96
++ as'2 f4 d8 as | % 97
++ g4 b r g'8 g | % 98
++ f4 es8 es d4 c8 c | % 99
++ h4 g r g'8 g | \barNumberCheck #100
++ f4 es8 es d4 c8 c | % 101
++ h8. g16 g4 r c8 c | % 102
++ h8[( c]) d es d[( es]) f g | % 103
++ as2\fz g4 f8 f | % 104
++ f4 es8 es d2 | % 105
++ c4 es c r | % 106
++ r f d r | % 107
++ r g es c | % 108
++ as'2 r4 c,8\ff c | % 109
++ es4 d8 c g'2 | \barNumberCheck #110
++ c,4 r r2 | % 111
++ R1*9 \bar"|."
+ }
+ \addQuote "SiConsistantSMusic" { \SiConsistantSMusic }
+
+ SiConsistantSLyrics = \lyricmode {
+- % TODO
+-}
+-
+-SiConsistantAMusic = \relative c' {
+- % TODO
++ Si con -- si -- stant ad ver -- sum me ca -- stra,
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ non ti -- me -- bit
++ non ti -- me -- bit
++ non ti -- me -- bit ti -- me -- bit cor me -- um non
++ % 11
++ non ti -- me -- bit cor me -- um non
++ non ti -- me -- bit cor me -- um
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ in hoc e -- go spe -- ra -- bo
++ si ex -- ur -- gat ad ver -- sum me
++ % 20
++ prae -- li -- um in hoc e -- go spe -- ra -- bo
++ si con -- si -- stant ad -- ver -- sum me ca -- stra
++ si ex -- ur -- gat ad -- ver -- sum me prae -- li -- um,
++ % 26
++ non ti -- me -- bit ti -- me -- bit cor me -- um, non ti -- me -- bit cor me -- um non non
++ % 31
++ non non
++ non non non non
++ non ti -- me -- bit cor me -- um.
++
++ %77
++ Si con -- si -- stant ad ver -- sum me ca -- stra
++ si con -- si -- stant ad ver -- sum me ca -- stra
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ non ti -- me -- bit, ti -- me -- bit cor me -- um non
++ % 86
++ non ti -- me -- bit cor me -- um non
++ non ti -- me -- bit cor me -- um
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ in hoc e -- go spe -- ra -- bo
++ % 93
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ in hoc e -- go spe -- ra -- bo
++ % 97
++ se con -- si -- stant ad ver -- sum me ca -- stra
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ non ti -- me -- bit ti -- me -- bit cor me -- um
++ non ti -- me -- bit cor me -- um non non
++ non non
++ non non non non
++ non ti -- me -- bit cor me -- um.
++}
++
++SiConsistantAMusic = \relative c'' {
++ \cueText "Tutti" R1 | % 2
++ r2 r4 g8\f g | % 3
++ g4 g8 g g4 g8 g | % 4
++ g4 g r g8 g | % 5
++ g4 g8 g g4 g8 g8 | % 6
++ g8. g16 g4 r g8 g | % 7
++ f4 g r es8 es | % 8
++ f4 g r es8 es | % 9
++ f4 g8 g as4 f8 f | \barNumberCheck #10
++ g4 g h2 | % 11
++ r4 c8 c a4 a8 a | % 12
++ g4 g h2 | % 13
++ r4 c8 c a4 a8 a | % 14
++ h4 g r d8 d | % 15
++ es4 es8 es es4 es8 es | % 16
++ des4. f8 f4 f | % 17
++ as2 as4 es8 es | % 18
++ des4 f r f8 f | % 19
++ f4 f8 f f4 f8 f | \barNumberCheck #20
++ es4. g8 g4 g | % 21
++ b2 b4 f8 f | % 22
++ es4 g r g8 g | % 23
++ g4 g8 g g4 fis8 fis | % 24
++ g4 g r g8 g | % 25
++ g4 g8 g g4 fis8 fis | % 26
++ g8. g16 g4 r g8 g | % 27
++ as8[( g]) f es as[( g]) f es | % 28
++ d2\fz es4 f8 f | % 29
++ g4 g8 g g2 | \barNumberCheck #30
++ es4 r r as | % 31
++ f r r b | % 32
++ g r r c | % 33
++ h2 r4 c8\ff a8 | % 34
++ g4 g8 g h2 | % 35
++ c4 r r2 | % 36
++ R1*9 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII \cueText "Tutti" r2 r4 d,8\p d | % 78
++ d4 d8 d d4 d8 d | % 79
++ d4 d r d8 d | \barNumberCheck #80
++ g4 g8 g g4 g8 g | % 81
++ g4\cresc g r g8 g | % 82
++ g4 g8 g g4 g8 g | % 83
++ g4.\f g8 g4 g8 g | % 84
++ g4 g8 g g4 fis8 fis | % 85
++ g4 g h2 | % 86
++ r4 c8 c a4 a8 a | % 87
++ g4 g h2 | % 88
++ r4 c8 c a4 a8 a | % 89
++ h4 g r d8 d | \barNumberCheck #90
++ es4 es8 es es4 es8 es | % 91
++ des4. f8 f4 f | % 92
++ as2 as4 es8 es | % 93
++ des4 f r f8 f | % 94
++ f4 f8 f f4 f8 f | % 95
++ es4. g8 g4 g | % 96
++ b2 b4 f8 f | % 97
++ es4 g r g8 g | % 98
++ g4 g8 g g4 fis8 fis | % 99
++ g4 g r g8 g | \barNumberCheck #100
++ g4 g8 g g4 fis8 fis | % 101
++ g8. g16 g4 r g8 g | % 102
++ as8[( g]) f es as[( g]) f es | % 103
++ d2\fz es4 f8 f | % 104
++ g4 g8 g g2 | % 105
++ es4 r r as | % 106
++ f r r b | % 107
++ g r r c | % 108
++ h2 r4 c8\ff a8 | % 109
++ g4 g8 g h2 | \barNumberCheck #110
++ c4 r r2 | % 111
++ R1*9 \bar "|."
+ }
+ \addQuote "SiConsistantAMusic" { \SiConsistantAMusic }
+
+ SiConsistantALyrics = \lyricmode {
+- % TODO
++ Si con -- si -- stant ad ver -- sum me ca -- stra,
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ non ti -- me -- bit
++ non ti -- me -- bit
++ non ti -- me -- bit ti -- me -- bit cor me -- um non
++ % 11
++ non ti -- me -- bit cor me -- um non
++ non ti -- me -- bit cor me -- um
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ in hoc e -- go spe -- ra -- bo
++ si ex -- ur -- gat ad ver -- sum me
++ % 20
++ prae -- li -- um in hoc e -- go spe -- ra -- bo
++ si con -- si -- stant ad -- ver -- sum me ca -- stra
++ si ex -- ur -- gat ad -- ver -- sum me prae -- li -- um,
++ % 26
++ non ti -- me -- bit ti -- me -- bit cor me -- um, non ti -- me -- bit cor me -- um non non
++ % 31
++ non non
++ non non
++ non ti -- me -- bit cor me -- um.
++
++ %77
++ Si con -- si -- stant ad ver -- sum me ca -- stra
++ si con -- si -- stant ad ver -- sum me ca -- stra
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ non ti -- me -- bit, ti -- me -- bit cor me -- um non
++ % 86
++ non ti -- me -- bit cor me -- um non
++ non ti -- me -- bit cor me -- um
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ in hoc e -- go spe -- ra -- bo
++ % 93
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ in hoc e -- go spe -- ra -- bo
++ % 97
++ se con -- si -- stant ad ver -- sum me ca -- stra
++ si ex -- ur -- gat ad ver -- sum me prae -- li -- um
++ non ti -- me -- bit ti -- me -- bit cor me -- um
++ non ti -- me -- bit cor me -- um non non
++ non non
++ non non
++ non ti -- me -- bit cor me -- um.
+ }
+
+ SiConsistantTMusic = \relative c' {
+- % TODO
++ \cueText "Tutti" R1 | % 2
++ r2 r4 es8\f es | % 3
++ d4 f8 f d4 f8 f | % 4
++ c4 es r es8 es | % 5
++ d4 f8 f d4 f8 f | % 6
++ c8. es16 es4 r es8 es | % 7
++ c4 c r c8 c | % 8
++ c4 c r c8 c | % 9
++ c4 c8 c c4 c8 c | \barNumberCheck #10
++ d4 h d2 | % 11
++ r4 es8 es c4 d8 es | % 12
++ d4 h d2 | % 13
++ r4 es8 es c4 d8 es | % 14
++ es4 h r h8 h | % 15
++ c4 c8 c c4 c8 c | % 16
++ as4. des8 des4 des | % 17
++ es2 c4 as8 as | \barNumberCheck #18
++ as4 des4 r des8 des | % 19
++ d4 d8 d d4 d8 d | \barNumberCheck #20
++ b4. es8 es4 es | % 21
++ f2 d4 b8 b | % 22
++ b4 g r g8 g | % 23
++ d'4 c8 c h4 c8 c | % 24
++ d4 h r g8 g | % 25
++ d'4 c8 c h4 c8 c | % 26
++ d8. h16 h4 r c8 c | % 27
++ d8[( es]) h c h[( c]) d es | \barNumberCheck #28
++ f2\fz es4 c8 c | % 29
++ h4 c8 c c4( h) | \barNumberCheck #30
++ c4 c es r | % 31
++ r d f r | % 32
++ r es g es | % 33
++ d2 r4 es8\ff es | % 34
++ c4 d8 es d2 | % 35
++ c4 r r2 | % 36
++ R1*9 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII r2 r4 \cueText "Tutti" h8\p h | % 78
++ h4 h8 h h4 h8 h | % 79
++ g4 h4 r h8 h | \barNumberCheck #80
++ d4 d8 d d4 d8 d | % 81
++ h4\cresc d4 r d8 d | % 82
++ h4 h8 h h4 h8 h | % 83
++ h4.\f d8 f4 d8 d | % 84
++ g,4 g8 g g4 c8 c | % 85
++ d4 h d2 | % 86
++ r4 es8 es c4 d8 es | % 87
++ d4 h d2 | % 88
++ r4 es8 es c4 d8 es | % 89
++ d4 h r h8 h | \barNumberCheck #90
++ c4 c8 c c4 c8 c | % 91
++ as4. des8 des4 des | % 92
++ es2 c4 as8 as | % 93
++ as4 des r des8 des | % 94
++ d4 d8 d d4 d8 d | % 95
++ b4. es8 es4 es | % 96
++ f2 d4 b8 b | % 97
++ b4 g r g8 g | % 98
++ d'4 c8 c h4 c8 c | % 99
++ d4 h r g8 g | \barNumberCheck #100
++ d'4 c8 c h4 c8 c | % 101
++ d8. h16 h4 r c8 c | % 102
++ d[( es]) h c h[( c]) d es | % 103
++ f2\fz es4 c8 c | % 104
++ h4 c8 c c4( h) | % 105
++ c4 c es r | % 106
++ r d f r | % 107
++ r es g c, | % 108
++ d2 r4 es8\ff es | % 109
++ c4 d8 es d2 | \barNumberCheck #110
++ c4 r r2 | % 111
++ R1*9 \bar"|."
+ }
+ \addQuote "SiConsistantTMusic" { \SiConsistantTMusic }
+
+-SiConsistantTLyrics = \lyricmode {
+- % TODO
++SiConsistantTLyrics = \SiConsistantSLyrics
++
++
++SiConsistantTSoloIMusic = \relative c' {
++ R1*44 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \TClef \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*7 | % 53
++ r4 r \cueText "Tenore 1 Solo" g8 c | % 54
++ e4. f16[ e] d8 c | % 55
++ h8. c32[ d] c8 r g16[\( c] e[ g]\) | % 56
++ g4~ g16[ e] a16[ g] f8 e | % 57
++ d8. e32[ f] e8 r c16[\(\p h] d[ c]\) | % 58
++ e4 d8 r d16[\cresc c] e[ d] | % 59
++ f4 e8 r e\f g | \barNumberCheck #60
++ c,4. d16 e \slashedGrace g8 f8 e | % 61
++ d4 r r | % 62
++ r r d8 d | % 63
++ d8. c16 h8 g' fis e | % 64
++ \slashedGrace e8 d8. c16 h8 d\cresc e fis | % 65
++ g4.\f fis16 e e[( d]) d[( cis]) | % 66
++ e8.[ d16] d8 r r4 | % 67
++ r r g16[\( fis] e[ d]\) | % 68
++ d4. e16 d c[\( h] a[ g]\) | % 69
++ h4( a8) r g'16[\( fis] e[ d]\) | \barNumberCheck #70
++ d4. e16[ d] c[ h] a[ gis] | % 71
++ a[(\melisma gis h a]) c[( h d c] fis[ e])\melismaEnd c[ a] | % 72
++ g2 \grace h8 a4 | % 73
++ g4 r a8\p a | % 74
++ c8.[ h16] h8 r fis'8\f fis | % 75
++ fis8.[ g16] g8 r g8\ff g | % 76
++ g16[ es] c a g4. \slashedGrace h8 a \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g4 r r r | % 78
++ R1*42 \bar"|."
++}
++\addQuote "SiConsistantTSoloIMusic" { \SiConsistantTSoloIMusic }
++
++SiConsistantTSoloILyrics = \lyricmode {
++ U -- nam pe -- ti -- i a Do -- mi -- no,
++ u -- nam pe -- ti -- i a Do -- mi -- no
++ hanc re -- qui -- ram
++ hanc re -- qui -- ram
++ hand re -- qui -- ram a Do -- mi -- no
++ % 62
++ ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
++ di -- e -- bus om -- ni -- bus vi -- tae -- me -- ae
++ u -- nam pe -- ti -- i hanc re -- qui -- ram
++ ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
++ hanc re -- qui -- ram, hanc re -- qui -- ram,
++ hanc re -- qui -- ram a Do -- mi -- no.
++}
++
++SiConsistantTSoloIIMusic = \relative c' {
++ R1*44 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \TClef \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*7 | % 53
++ r4 r \cueText "Tenore 2 Solo" g8 g | % 54
++ c4. c8 g8 g | % 55
++ g8. g16 g8 r e16[( g]) c[( e]) | % 56
++ e4~ e16[ c] f[ e] d8 c | % 57
++ h8. c32[( d]) c8 r g\p g | % 58
++ c4 h8 r h16[(\cresc a]) c[( h]) | % 59
++ d4 c8 r e\f d | \barNumberCheck #60
++ g,4. h16 c d8 c | % 61
++ h4 r r | % 62
++ r r c8 c | % 63
++ h8. a16 g8 e' d c | % 64
++ \acciaccatura c h8. a16 g8 h\cresc h h | % 65
++ h4.\f a16 g g[\p fis] fis[ e] | % 66
++ cis'8.[ d16] d8 r r4 | % 67
++ R2. | % 68
++ r8 c8[( h]) g4 g8 | % 69
++ g4 fis8 r r4 | \barNumberCheck #70
++ r8 c' h g r d' | % 71
++ e,4.( a8) c[( e]) | % 72
++ d,8[\f( e16 fis] g[ a h c] d8.) c16 | % 73
++ h4 r fis8\p fis | % 74
++ a8.[( g16]) g8 r c\f c | % 75
++ c8.( h16]) h8 r d\ff d | % 76
++ e,16[ a] c e h8( d4) c8 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII h4 r r2 | % 78
++ R1*42 \bar"|."
++}
++\addQuote "SiConsistantTSoloIIMusic" { \SiConsistantTSoloIIMusic }
++
++SiConsistantTSoloIILyrics = \lyricmode {
++ U -- nam pe -- ti -- i a Do -- mi -- no, % TODO: Final -- missing in voice
++ u -- nam pe -- ti -- i a Do -- mi -- no,
++ hanc re -- qui -- ram
++ hanc re -- qui -- ram,
++ hand re -- qui -- ram a Do -- mi -- no.
++ % 62
++ Ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
++ di -- e -- bus om -- ni -- bus vi -- tae -- me -- ae % TODO: -- zwischen vitae und meae ist zu viel!
++ hanc hanc re -- qui -- ram,
++ in do -- mo in do -- mo Do -- mi -- ni % TODO: -- zwischen domo und in ist zu viel!
++ hanc re -- qui -- ram, hanc re -- qui -- ram,
++ hanc re -- qui -- ram, a Do -- mi -- no.
+ }
+
+ SiConsistantBMusic = \relative c' {
+- % TODO
++ \cueText "Tutti" R1 | % 2
++ r2 r4 c8\f c | % 3
++ c4 c8 c c4 c8 c | % 4
++ c4 c, r c'8 c | % 5
++ c4 c8 c c4 c8 c | % 6
++ c8. c,16 c4 r c'8 c | % 7
++ as4 g r c8 c | % 8
++ f,4 es r c8 c | % 9
++ as'4 g8 g f4 as8 as | \barNumberCheck #10
++ g4 g g2 | % 11
++ r4 g8 g g4 g8 g | % 12
++ g4 g g2 | % 13
++ r4 g8 g g4 g8 g | % 14
++ g4 g r g8 g | % 15
++ ges4 ges8 ges ges4 ges8 ges | % 16
++ f4. f8 f4 f | % 17
++ c2 c4 c8 c | % 18
++ des4 des r des8 des | % 19
++ as'4 as8 as as4 as8 as | \barNumberCheck #20
++ g4. g8 g4 g | % 21
++ d2 d4 d8 d | % 22
++ es4 es r g8 g | % 23
++ g4 g8 g g4 g8 g | % 24
++ g4 g r g8 g | % 25
++ g4 g8 g g4 g8 g | % 26
++ g8. g16 g4 r es8 es | % 27
++ f8[( es]) d c f[( es]) d c | % 28
++ h2\fz c4 as'8 as | % 29
++ g4 c8 c g2 | \barNumberCheck #30
++ c,4 r r f | % 31
++ d r r g | % 32
++ es r r as | % 33
++ f2 r4 fis8\ff fis | % 34
++ g4 g8 g g,2 | % 35
++ c4 r r2 | % 36
++ R1*9 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*31 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII r2 r4 \cueText "Tutti" g'8\p g | % 78
++ g4 g8 g g4 g8 g | % 79
++ g4 g, r g'8 g | \barNumberCheck #80
++ g4 g8 g g4 g8 g | % 81
++ g4\cresc g, r g'8 g | % 82
++ g4 g8 g g4 g8 g | % 83
++ g4.\f g8 g4 f8 f | % 84
++ es4 h8 h c4 as'8 as | % 85
++ g4 g g2 | % 86
++ r4 g8 g g4 g8 g | % 87
++ g4 g g2 | % 88
++ r4 g8 g g4 g8 g | % 89
++ g4 g r g8 g | \barNumberCheck #90
++ ges4 ges8 ges ges4 ges8 ges | % 91
++ f4. f8 f4 f | % 92
++ c2 c4 c8 c | % 93
++ des4 des r des8 des | % 94
++ as'4 as8 as as4 as8 as | % 95
++ g4. g8 g4 g | % 96
++ d2 d4 d8 d | % 97
++ es4 es r g8 g | % 98
++ g4 g8 g g4 g8 g | % 99
++ g4 g r g8 g | \barNumberCheck #100
++ g4 g8 g g4 g8 g | % 101
++ g8. g16 g4 r es8 es | % 102
++ f8[( es]) d c f[( es]) d c | % 103
++ h2\fz c4 as'8 as | % 104
++ g4 c8 c g2 | % 105
++ c,4 r r f | % 106
++ d r r g | % 107
++ es r r as | % 108
++ f2 r4 fis8\ff fis | % 109
++ g4 g8 g g,2 | \barNumberCheck #110
++ c4 r r2 | % 111
++ R1*9 \bar "|."
+ }
+ \addQuote "SiConsistantBMusic" { \SiConsistantBMusic }
+
+-SiConsistantBLyrics = \lyricmode {
+- % TODO
+-}
++SiConsistantBLyrics = \SiConsistantALyrics
+
+-SiConsistantOrganMusic = \relative c' {
+- % TODO
+-}
+-\addQuote "SiConsistantOrganMusic" { \SiConsistantOrganMusic }
+
+-SiConsistantVcBMusic = \relative c' {
+- % TODO
++SiConsistantBSoloIMusic = \relative c {
++ R1*44 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \BClef \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*7 | % 53
++ r4 r \cueText "Basso 1 Solo" e8 e | % 54
++ g4. a16[ g] f8 e | % 55
++ d8. e32[ f] e8 r e g | % 56
++ c4. c8 g8 g | % 57
++ g8. g16 g8 r e16[\(\p d] f[ e]\) | % 58
++ g4 g8 r g\cresc g | % 59
++ g4 g8 r8 c8\f h | \barNumberCheck #60
++ c4. g16 g g8 g | % 61
++ g4 r r | % 62
++ r r a8 a | % 63
++ g8. g16 g8 g g g | % 64
++ g8. g16 g8 g\cresc h a | % 65
++ g8.\f a16 h8 r a8\p a | % 66
++ g8.[ fis16] fis8 r r4 | % 67
++ R2. | % 68
++ r8 fis8[( g]) h[( g]) e |
++ d4 d8 r r4 |
++ r8 fis g[( h,]) c d |
++ e2 a8[ c] h4.( g8) d8[ fis] |
++ g4 r d8\p a' |
++ fis8.[ g16] g8 r a8\f a |
++ a8.[( g16]) g8 r g8\ff g |
++ g e16 e d8( h'4) fis8 \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g4 r r r | % 78
++ R1*42 \bar"|."
++}
++\addQuote "SiConsistantBSoloIMusic" { \SiConsistantBSoloIMusic }
++
++SiConsistantBSoloILyrics = \lyricmode {
++ U -- nam pe -- ti -- i a Do -- mi -- no,
++ u -- nam pe -- ti -- i a Do -- mi -- no
++ hanc re -- qui -- ram,
++ hanc re -- qui -- ram
++ hand re -- qui -- ram a Do -- mi -- no
++ % 62
++ ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
++ di -- e -- bus om -- ni -- bus vi -- tae me -- ae
++ % 68
++ hanc hanc re -- qui -- ram
++ in do -- mo in do -- mo Do -- mi -- ni
++ hanc re -- qui -- ram, hanc re -- qui -- ram,
++ hanc re -- qui -- ram a Do -- mi -- no.
++}
++
++SiConsistantBSoloIIMusic = \relative c {
++ R1*44 | \barNumberCheck #45
++ r2 r4\fermata \bar"||" \BClef \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
++ R2.*7 | % 53
++ r4 r \cueText "Basso 2 Solo" c8 c | % 54
++ c4. c8 h8 c | % 55
++ g8. g16 c8 r c c | % 56
++ c4. c8 h c | % 57
++ g'8. g16 c,8 r c\p c | % 58
++ g'4 g,8 r g'\cresc g | % 59
++ h,4 c8 r c'8\f g | \barNumberCheck #60
++ e4. d16 c h8 c | % 61
++ g'4 r r | % 62
++ r r fis8 fis | % 63
++ g8. g16 g8 c,8 c e | % 64
++ g8. g,16 g8 g'8\cresc g fis |
++ e8.\f fis16 g8 g,[(\p a]) a |
++ a8.[( d16]) d8 r r4 |
++ R2. |
++ r4 r8 g,8[( e']) cis |
++ d4 d8 r r4 |
++ r r8 g, a h |
++ c4.( e8) c[ a] |
++ d2 d4 |
++ g,4 r d'8\p d |
++ d8.[( g16]) g8 r d\f d |
++ d8.[( g,16]) g8 r h8\ff h |
++ c c16 c d4 d \bar"||" % 77
++ \SiConsistantSettingsIII \SiConsistantKeyIII g,4 r r2 | % 78
++ R1*42 \bar"|."
++}
++\addQuote "SiConsistantBSoloIIMusic" { \SiConsistantBSoloIIMusic }
++
++SiConsistantBSoloIILyrics = \lyricmode {
++ U -- nam pe -- ti -- i a Do -- mi -- no,
++ u -- nam pe -- ti -- i a Do -- mi -- no,
++ hanc re -- qui -- ram
++ hanc re -- qui -- ram,
++ hand re -- qui -- ram a Do -- mi -- no,
++ % 62
++ ut in ha -- bi -- tem in do -- mo Do -- mi -- ni
++ di -- e -- bus om -- ni -- bus vi -- tae -- me -- ae
++ hanc re -- qui -- ram,
++ in do -- mo do -- mo Do -- mi -- ni
++ hanc re -- qui -- ram, hanc re -- qui -- ram,
++ hanc re -- qui -- ram, a Do -- mi -- no.
++}
++
++
++SiConsistantSStaff = <<
++\new Staff = "SiConsistantSStaff" \with {
++ instrumentName = \SInstrumentName
++ shortInstrumentName = \SShortInstrumentName
++} <<
++ \new Voice = "SiConsistantSVoice" {
++ \dynamicUp
++ \SiConsistantSettings
++ \SClef
++ \SiConsistantKey
++ \SiConsistantTimeSignature
++ \cueText "Tutti"
++ \quoteDuring #"SiConsistantSMusic" {s1*44 s2 s4 }
++ \bar"||"
++ \SiConsistantSettingsII
++ s4 | s2.*31 \bar"||"
++ \SiConsistantSettingsIII
++ s4 s s
++ \cueText "Soprano Tutti" \SClef
++ \set Staff.instrumentName = \SInstrumentName
++ \set Staff.shortInstrumentName = \SShortInstrumentName
++ \quoteDuring #"SiConsistantSMusic" {s4 | s1*42 }
++ \bar"|."
++ }
++ \new Voice = "SiConsistantT1SoloInSStaffVoice" {
++ \dynamicUp
++ s1*44 | s2 s4 \bar"||"
++ \TClef
++ \SiConsistantSettingsII
++ \cueText "Tenore 1 Solo"
++ \set Staff.instrumentName = "T.1"
++ \set Staff.shortInstrumentName = "T.1"
++
++ \quoteDuring #"SiConsistantTSoloIMusic" {s4 s2.*31 s4 s s}
++ s4 s1*42
++ }
++>>
++ \new Lyrics = "SiConsistantSLyrics" \lyricsto "SiConsistantSVoice" \SiConsistantSLyrics
++ \context Lyrics = "SiConsistantSLyrics" \lyricsto "SiConsistantT1SoloInSStaffVoice" \SiConsistantTSoloILyrics
++>>
++
++SiConsistantAStaff = <<
++\new Staff = "SiConsistantAStaff" \with {
++ instrumentName = \AInstrumentName
++ shortInstrumentName = \AShortInstrumentName
++} <<
++ \new Voice = "SiConsistantAVoice" {
++ \dynamicUp
++ \SiConsistantSettings
++ \AClef
++ \SiConsistantKey
++ \SiConsistantTimeSignature
++ \cueText "Tutti"
++ \quoteDuring #"SiConsistantAMusic" {s1*44 s2 s4 }
++ \bar"||"
++ \SiConsistantSettingsII
++ s4 | s2.*31 \bar"||"
++ \SiConsistantSettingsIII
++ s4 s s
++ \cueText "Alto Tutti" \AClef
++ \set Staff.instrumentName = \AInstrumentName
++ \set Staff.shortInstrumentName = \AShortInstrumentName
++ \quoteDuring #"SiConsistantAMusic" {s4 | s1*42 }
++ \bar"|."
++ }
++ \new Voice = "SiConsistantT2SoloInAStaffVoice" {
++ \dynamicUp
++ s1*44 | s2 s4 \bar"||"
++ \TClef
++ \SiConsistantSettingsII
++ \cueText "Tenore 2 Solo"
++ \set Staff.instrumentName = "T.2"
++ \set Staff.shortInstrumentName = "T.2"
++
++ \quoteDuring #"SiConsistantTSoloIIMusic" {s4 s2.*31 s4 s s}
++ s4 s1*42
++ }
++>>
++ \new Lyrics = "SiConsistantALyrics" \lyricsto "SiConsistantAVoice" \SiConsistantALyrics
++ \context Lyrics = "SiConsistantALyrics" \lyricsto "SiConsistantT2SoloInAStaffVoice" \SiConsistantTSoloIILyrics
++>>
++
++SiConsistantTStaff = <<
++\new Staff = "SiConsistantTStaff" \with {
++ instrumentName = \TInstrumentName
++ shortInstrumentName = \TShortInstrumentName
++} <<
++ \new Voice = "SiConsistantTVoice" {
++ \dynamicUp
++ \SiConsistantSettings
++ \TClef
++ \SiConsistantKey
++ \SiConsistantTimeSignature
++ \cueText "Tutti"
++ \quoteDuring #"SiConsistantTMusic" {s1*44 s2 s4 }
++ \bar"||"
++ \SiConsistantSettingsII
++ s4 | s2.*31 \bar"||"
++ \SiConsistantSettingsIII
++ s4 s s
++ \cueText "Tenore Tutti" \TClef
++ \set Staff.instrumentName = \TInstrumentName
++ \set Staff.shortInstrumentName = \TShortInstrumentName
++ \quoteDuring #"SiConsistantTMusic" {s4 | s1*42 }
++ \bar"|."
++ }
++ \new Voice = "SiConsistantB1SoloInTStaffVoice" {
++ \dynamicUp
++ s1*44 | s2 s4 \bar"||"
++ \BClef
++ \SiConsistantSettingsII
++ \cueText "Basso 1 Solo"
++ \set Staff.instrumentName = "B.1"
++ \set Staff.shortInstrumentName = "B.1"
++
++ \quoteDuring #"SiConsistantBSoloIMusic" {s4 s2.*31 s4 s s}
++ s4 s1*42
++ }
++>>
++ \context Lyrics = "SiConsistantTLyrics" \lyricsto "SiConsistantTVoice" \SiConsistantTLyrics
++ \context Lyrics = "SiConsistantTLyrics" \lyricsto "SiConsistantB1SoloInTStaffVoice" \SiConsistantBSoloILyrics
++>>
++
++SiConsistantBStaff = <<
++\new Staff = "SiConsistantBStaff" \with {
++ instrumentName = \BInstrumentName
++ shortInstrumentName = \BShortInstrumentName
++} <<
++ \new Voice = "SiConsistantBVoice" {
++ \dynamicUp
++ \SiConsistantSettings
++ \BClef
++ \SiConsistantKey
++ \SiConsistantTimeSignature
++ \cueText "Tutti"
++ \quoteDuring #"SiConsistantBMusic" {s1*44 s2 s4 }
++ \bar"||"
++ \SiConsistantSettingsII
++ s4 | s2.*31 \bar"||"
++ \SiConsistantSettingsIII
++ s4 s s
++ \cueText "Basso Tutti" \BClef
++ \set Staff.instrumentName = \BInstrumentName
++ \set Staff.shortInstrumentName = \BShortInstrumentName
++ \quoteDuring #"SiConsistantBMusic" {s4 | s1*42 }
++ \bar"|."
++ }
++ \new Voice = "SiConsistantB2SoloInBStaffVoice" {
++ \dynamicUp
++ s1*44 | s2 s4 \bar"||"
++ \BClef
++ \SiConsistantSettingsII
++ \cueText "Basso 2 Solo"
++ \set Staff.instrumentName = "B.2"
++ \set Staff.shortInstrumentName = "B.2"
++
++ \quoteDuring #"SiConsistantBSoloIIMusic" {s4 s2.*31 s4 s s}
++ s4 s1*42
++ }
++>>
++ \context Lyrics = "SiConsistantBLyrics" \lyricsto "SiConsistantBVoice" \SiConsistantBLyrics
++ \context Lyrics = "SiConsistantBLyrics" \lyricsto "SiConsistantB2SoloInBStaffVoice" \SiConsistantBSoloIILyrics
++>>
++
++
++
++
++SiConsistantVcBMusic = \relative c {
++ c8[\f c c c] c4 r | % 2
++ c2:8 c4:8 r | % 3
++ c2:8 c2:8 | % 4
++ c2:8 c4 r | % 5
++ c2:8 c2:8 | % 6
++ c2:8 c4 r | % 7
++ as'-| g-| r2 | % 8
++ f4-| es-| r c8[ c'] | % 9
++ as[ as, g g'] f[ f, as as'] | \barNumberCheck #10
++ g,[ h d g] g,[ h d g] | % 11
++ g,[ c es c] g[ c es c] | % 12
++ g[ h d g] g,[ h d g] | % 13
++ g,[ c es c] g[ c es c] | % 14
++ g[ h d g] g,4 r | % 15
++ ges8[\fz ges' ges ges] ges,[\fz ges' ges ges] | % 16
++ f,[\fz f' f f] f,[\fz f' f f] | % 17
++ c,8[\f c'c c] c,[ c' c c] | % 18
++ des,[ des' des des] des,[ des' des des] | % 19
++ as[\fz as' as as] as,[\fz as' as as] | \barNumberCheck #20
++ g,[\fz g' g g] g,[\fz g' g g] | % 21
++ d,[\f d' d d] d,[ d' d d] | % 22
++ es,[ es' es es] es,[ es' es es] | % 23
++ g,[ g' g g] g,[ g' g g] | % 24
++ g,[ g' d h] g[ g' es c] | % 25
++ g[ g' g g] g,[ g' g g] | % 26
++ g,[ h d g] es,[ g c es] | % 27
++ f[ es d c] f[ es d c] | % 28
++ h[\fz h' h h,] c[ c' as as,] | % 29
++ g[ g' c, c'] g[ f g g,] | \barNumberCheck #30
++ c[ es' c, c'] as,[ as' f, f'] | % 31
++ d,[ f' d d'] b,[ b' g, g'] | % 32
++ es,[ g' es es'] c,[ c' as, as'] | % 33
++ f,[\ff f' f f] fis,[ fis' fis fis] | % 34
++ g4 r g, r | % 35
++ c8[\fz c c c] c4 r | % 36
++ c2:8\fz c4 r | % 37
++ c2:8\fz c4 r | % 38
++ c2:8\fz c2:8\fz | % 39
++ c2:8\fz c2:8\fz | \barNumberCheck #40
++ c4 r r4 \clef "tenor" r8 g'8\f | % 41
++ es'[ c g] \clef "bass" es c'[ g es c] | % 42
++ g[ g' f g] es[ g c, es] | % 43
++ g,[ g' f g] es[ g c, es] | % 44
++ g,4 r g'8[( fis16 e] d[ c h a]) | % 45
++ g2 r4\fermata \bar"||" \SiConsistantSettingsII \SiConsistantKeyII r4 | \barNumberCheck #46
++ R2.*31 \bar"||" \barNumberCheck #77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ g8[\p g g g] g4 r | % 78
++ g8[ g g g] g4 r | % 79
++ g8[ g g g] g4 r | \barNumberCheck #80
++ g8[ g g g] g4 r | % 81
++ g8[\cresc g g g] g4 r | % 82
++ g8[ g g g] g4 r | % 83
++ g8[\f g h h] d[ d f f] | % 84
++ es[ es' h, h'] c,[ c' as, as'] | % 85
++ g,[ h d g] g,[ h d g] | % 86
++ g,[ c es c] g[ c es c] | % 87
++ g[ h d g] g,[ h d g] | % 88
++ g,[ c es c] g[ c es c] | % 89
++ g[ h d g] g,4 r | \barNumberCheck #90
++ ges8[\fz ges' ges ges] ges,[\fz ges' ges ges] | % 91
++ f,8[\fz f'f f] f,[\fz f' f f] | % 92
++ c,[\f c' c c] c,[ c' c c] | % 93
++ des,[ des' des des] des,[ des' des des] | % 94
++ as[\fz as' as as] as,[\fz as' as as] | % 95
++ g,[\fz g' g g] g,[\fz g' g g] | % 96
++ d,[\f d' d d] d,[ d' d d] | % 97
++ es,[ es' es es] es,[ es' es es] | % 98
++ g,[ g' g g] g,[ g' g g] | % 99
++ g,[ g' d h] g[ g' es c] | \barNumberCheck #100
++ g[ g' g g] g,[ g' g g] | % 101
++ g,[ h d g] es,[ g c es] | % 102
++ f[ es d c] f[ es d c] | % 103
++ h[\fz h' h h,] c[ c' as as,] | % 104
++ g[ g' c, c'] g[ f g g,] | % 105
++ c[ es' c, c'] as,[ as' f, f'] | % 106
++ d,[ f' d d'] b,[ b' g, g'] | % 107
++ es,[ g' es es'] c,[ c' as, as'] | % 108
++ f,[\ff f' f f] fis,[ fis' fis fis] | % 109
++ g4 r g, r | \barNumberCheck #110
++ c8[\fz c c c] c4 r | % 111
++ c8[\fz c c c] c4 r | % 112
++ c8[\fz c c c] c4 r | % 113
++ c8[\fz c c c] c[\fz c c c] | % 114
++ c[\fz c c c] c[\fz c c c] | % 115
++ c4 r \clef "tenor" r r8 g'8\f | % 116
++ es'[ c g] \clef "bass" es c'[ g es c] | % 117
++ g'4 r g, r | % 118
++ c r \appoggiatura {g32[ a h]} c4 r | % 119
++ \appoggiatura {g32[ a h]} c4 r r2 \bar"|."
+ }
+ \addQuote "SiConsistantVcBMusic" { \SiConsistantVcBMusic }
+
+
++SiConsistantBCFbMusic = \figuremode {
++ s1\solo | % 2
++ s1 | % 3
++ <7! 2>2\tutti s | % 4
++ <_-> s | % 5
++ <7! 2> s | % 6
++ <_-> s | % 7
++ <6>4 <6 4> s s | % 8
++ <5> <6> s s | % 9
++ <6> <6 4> <6 5> <6> | \barNumberCheck #10
++ <_!> s s s | % 11
++ <6 4> s <7+ 6 4 2!> s | % 12
++ <_!> s s s | % 13
++ <6 4> s <7+ 6 4 2!> s | % 14
++ <_!>1 | % 15
++ <4 2> | % 16
++ <6-> | % 17
++ <5-> | % 18
++ s1 | % 19
++ <4!> | \barNumberCheck #20
++ <6> | % 21
++ <5-> | % 22
++ s | % 23
++ <7 _!>4 <6 4> <_!> <7+ 6- 2!> | % 24
++ <_!>2 <6 4> | % 25
++ <7 _!>4 <6 4> <_!> <7+ 6- 2!> | % 26
++ <_!>2 <6> | % 27
++ <4\+ _->8 <6> <6\\> <_-> <4\+ _-> <6> <6\\> <_-> | % 28
++ <7->4 s s <6> | % 29
++ <7 _!> s <4> <_!> | \barNumberCheck #30
++ s <3> <3> <3> | % 31
++ <3> <3> <3> <3> | % 32
++ <3> <3> <3> <3> | % 33
++ <4\+ _->2 <7 _!> | % 34
++ <6 4> <_!> | % 35
++ s1*10\solo | % 45
++ s2. \SiConsistantSettingsII \SiConsistantKeyII s4 | \barNumberCheck #46
++ s2.*31 \bar"||" \barNumberCheck #77
++ \SiConsistantSettingsIII \SiConsistantKeyIII
++ s1*6\solo | % 83
++ \bassFigureExtendersOn
++ <7 _!>8\tutti <7 _!> <7 _!> <7 _!> <7 _!> <7 _!> <7 _!> <7 _!> | % 84
++ \bassFigureExtendersOff
++ <6>4 <6> s <6\\> | % 85
++ <_!>1 | % 86
++ <6 4>2 <7+ 6 4 2!> | % 87
++ <_!> s | % 88
++ <6 4> <7+ 6 4 2!> | % 89
++ <_!>1 | \barNumberCheck #90
++ <4 2> | % 91
++ <6-> | % 92
++ <5-> | % 93
++ s | % 94
++ <4!> | % 95
++ <6> | % 96
++ <5-> | % 97
++ s | % 98
++ <7 _!>4 <6 4> <_!> <7+ 6- 2!> | % 99
++ <_!> s <6 4> s | \barNumberCheck #100
++ <7 _!> <6 4> <_!> <7+ 6- 2!> | % 101
++ <_!>2 <6> | % 102
++ <4\+ _->8 <6> <6\\> <_-> <4\+ _-> <6> <6\\> <_-> | % 103
++ <7->4 s s <6> | % 104
++ <7 _-> s <4> <_!> | % 105
++ s <3> <3> <3> | % 106
++ <3> <3> <3> <3> | % 107
++ <3> <3> <3> <3> | % 108
++ <4\+ _->2 <7 _!> | % 109
++ <6 4> <_!> | \barNumberCheck #110
++ s1*10\solo \bar"|."
++}
++SiConsistantBCMusic = \SiConsistantVcBMusic
++\addQuote "SiConsistantBCMusic" { \SiConsistantBCMusic }
++
diff --git a/patches/Eybler_SiConsistant_HV86_Score_Original.ly.patch b/patches/Eybler_SiConsistant_HV86_Score_Original.ly.patch
new file mode 100644
index 0000000000000000000000000000000000000000..3f6378b18ed3e1a59f6bf196d5bad36d3479fabc
--- /dev/null
+++ b/patches/Eybler_SiConsistant_HV86_Score_Original.ly.patch
@@ -0,0 +1,9 @@
+--- Eybler_SiConsistant_HV86_Score_Original.ly.new 2009-07-31 19:55:03.000000000 +0200
++++ Eybler_SiConsistant_HV86_Score_Original.ly 2009-07-24 02:18:39.000000000 +0200
+@@ -8,5 +8,5 @@
+ scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
+ }
+
+-\createScore #"SiConsistant" #'("OriginalScore")
++\createScore #"SiConsistant" #'("Tim" "TbeLong" "CorLong" "WdLong" "Str" "Ch" "Organ")
+
diff --git a/patches/Eybler_SiConsistant_HV86_Settings_Global.ily.patch b/patches/Eybler_SiConsistant_HV86_Settings_Global.ily.patch
new file mode 100644
index 0000000000000000000000000000000000000000..515634794f0e813a8d8713137f45597c723802ff
--- /dev/null
+++ b/patches/Eybler_SiConsistant_HV86_Settings_Global.ily.patch
@@ -0,0 +1,18 @@
+--- Eybler_SiConsistant_HV86_Settings_Global.ily.new 2009-07-31 19:55:03.000000000 +0200
++++ Eybler_SiConsistant_HV86_Settings_Global.ily 2009-06-09 11:45:51.000000000 +0200
+@@ -27,3 +27,15 @@
+ % CorKey = \key g \major
+ % CorIKey = \CorKey
+ % CorIIKey = \CorKey
++
++SClef = \clef "soprano"
++AClef = \clef "alto"
++TClef = \clef "tenor"
++TimKey = \key c \major
++
++TbeKey = \key c \major
++TbeIKey = \TbeKey
++TbeIIKey = \TbeKey
++CorKey = \key c \major
++CorIKey = \CorKey
++CorIIKey = \CorKey
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..72f692e9a8da9c6f11dd7be2850a05b8d0d084da
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex.patch
@@ -0,0 +1,14 @@
+--- TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Include_ContentsMaterial.itex 2009-06-22 16:52:09.000000000 +0200
+@@ -45,8 +45,9 @@
+
+ \vfill
+ \section*{Hauptquellen der Ausgabe / Main sources of this Edition}
+-\begin{thebibliography}{TODO}
+-\bibitem[TODO]{TODOPartitur} TODO: Si consistant, Originalausgabe (Partitur), Verlag, Ort, Jahr.
++\begin{thebibliography}{THXXXX}
++\bibitem[TH5013]{TH5013Part} Offertorium N\textsuperscript{o} 2 (\q{Si consistant adversum me castra}), Originalausgabe (Partitur), Wien, Tobias Haslinger, TH 5013, 18XX.
++\bibitem[TH5016]{TH5016Stimmen} Offertorium N\textsuperscript{o} 2 (\q{Si consistant adversum me castra}), Originalausgabe (Stimmen), Wien, Tobias Haslinger, TH 5016, 18XX.
+ \end{thebibliography}
+
+ \vfill
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..c85798a378c8a7f472e1a16c8ec04ed5fad163a2
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex.patch
@@ -0,0 +1,275 @@
+--- TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex 2009-07-24 02:19:01.000000000 +0200
+@@ -7,23 +7,99 @@
+
+ \begin{thebibliography}{AA}
+
+-\bibitem[A]{TODO}
+-Originalausgabe (Partitur), ORT, VERLAG, BESCHREIBUNG, erschienen TODO.
++\bibitem[A]{TH5013}
++Originalausgabe (Partitur), Wien, Tobias Haslinger, T.H.5013, 18 S., Reihe Musica Sacra, erschienen 1827.
+ \newblock Titel:
+ {\em
+-TITEL \textbar
+-ETC.
++OFFERTORIUM \textbar{}
++von \textbar{}
++Joseph Eybler \textbar{}
++k.k. erstem Hofcapellmeister. \textbar{}
++\textnumero 5013 {\em[handschriftlich]} \wavyline{} \textnumero II {\em[handschriftlich]} \wavyline{} Preis f 2.\_ {\em[handschriftlich]} C.M.\textbar {\em[Zeichen für Reichstaler]} 1.8 {\em[handschriftlich]} gr. \textbar{}
++Partitur \textbar{}
++WIEN, BEI TOBIAS HASLINGER, \textbar{}
++Musikverleger, \textbar{}
++am Graben \textnumero 572 im Hause der ersten oesterr. Sparkasse. \textbar{}
++Warsow Scrips. Pfoehl sculps.
+ }
+-\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung, Signatur: TODO
++\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
++Signatur: SA.82.A.22 12,2 Mus 21;
++Signatur: F24.St.Peter.E150(I) Mus;
++Signatur: HK.2145 Mus
+
+-\bibitem[B]{TODO}
+-Originalausgabe (Stimmen), ORT, VERLAG, BESCHREIBUNG, erschienen TODO.
++
++
++\bibitem[B]{TH5016}
++Originalausgabe (Stimmen), Wien, Tobias Haslinger, T.H.5016, Reihe Musica Sacra, erschienen 1827.
+ \newblock Titel:
+ {\em
+-TITEL \textbar
+-ETC.
++Graduale \textbar{}
++(Si consistant adversum me castra,) \textbar{}
++für vier Singstimmen, \textbar{}
++2 Violinen, Viola, 2 Hoboen, 2 Fagotte, \textbar{}
++2 Hörner, 2 Trompeten, Pauken, \textbar{}
++Contrabass und Orgel \textbar{}
++von \textbar{}
++JOSEPH EYBLER, \textbar{}
++k.k. erstem Hofkapellmeister. \textbar{}
++\textnumero. 2. \textbar{}
++\textnumero 5016 \longwavyline{} Preis fl 2.\_ C.M.\textbar {\em[Zeichen für Reichstaler]} 1.8. gr. \textbar{}
++WIEN, BEI TOBIAS HASLINGER. \textbar{}
++Musikverleger, \textbar{}
++am Graben \textnumero 572 im Hause der ersten oesterr. Sparkasse.
++}
++\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
++Signatur: F24.St.Peter.E150(II) Mus;
++Signatur: HK.2528 Mus;
++Signatur: F4.Baden.81 Mus
++
++
++\bibitem[C]{HS1}
++Hndschriftlicher Stimmensatz des k.k. Hofmusikkapellenarchivs, im Besitz der Musiksammlung der Österreichischen Nationalbibliothek, Signatur: HK 2528. Sämtliches Material ist aufbewahrt zwischen zwei braunen Pappdeckeln. Umschlagtitel:
++{\em \textnumero \sout{9.}10. \textbar{}
++Offertorium in C minor \textbar{}
++de Tempore \textbar{}
++/ Si consistant adversum me castra / \textbar{}
++a Soprano, Alto Ripieni \textbar{}
++2 Tenori, e 2 Bassi Concertanti. \textbar{}
++[nachträglich ausgestrichen: \xout{Baritono Concer\textsuperscript{te},}] \textbar{}
++2. Violini. Viole. 2. Oboe, [nachträglich eingetragen: 2 Corni, 2 Fagotti,] \textbar{}
++2. Clarini, e Timpani. \textbar{}
++[nachträglich ausgestrichen: 2 Fagotti.] Violoncello, e Basso. \textbar{}
++Organo \textbar{}
++Del Sig\textsuperscript{re} Giuseppe Eÿbler \textbar{}
++Vice Maestro di Cappella della Corte Imperiale \textbar{}
++Parti. \sout{23.}40.
+ }
+-\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung, Signatur: TODO
++
++17 Aufführungsdaten der Hofmusikkapelle auf der Innenseite des Umschlags: Erster Eintrag 1. September 1820, letzter Eintrag 19. November 1854.
++
++Vollständiger Stimmensatz, geschrieben von verschiedenen Händen. Alle Stimmen sind mit dem Stempel \q{K.k.Hofmusikkapellen=\textbar{}Archiv} versehen.
++
++Viele Seiten sind durch die Schreiber signiert, keine der Stimmen enthält einen Verweis auf das Kompositionsdatum. Von den durchnummerierten Vokalstimmen fehlen folgende Stimmen: Tenore I\textsuperscript{mo} Solo \textnumero 2; Tenore II\textsuperscript{do} Solo \textnumero 1,3,4; Basso I\textsuperscript{mo} Solo \textnumero 2; Basso II\textsuperscript{do} Solo \textnumero 1,3,4;
++
++Der Stimmensatz enthält folgende Einzelstimmen:
++5S, 5A, 3T1, 2T2, 3B1, 2B2, 3Vl1, 3Vl2, 1Va, 3Vc/Cb, 1Clno1, 1Clno2, 1Ob1, 1Ob2,1Fag1, 1Fag2, 1Cor1+2, 1Tim, 1Org, 1MDC, 2S (gedruckte Stimmen aus T.H.5026). Weiters ist eine Baritono-Stimme des Mittelteils (\q{Unam petii}, identisch mit dem \q{Unam petii} HV 43) auf 7 Seiten einer querformatigen Broschüre, sowie die Männerchorstimmen mit Begleitung (entspricht der Baritono-Stimme auf einer zweisystemigen Akkolade) auf 9 Seiten einer querformatigen Broschüre enthalten.
++
++1. Hand (Wasserzeichen: GFA in Herzkartusche): S \textnumero 1 (Wz. Gesicht in Halbmond), 2; T1 \textnumero 3; B1 \textnumero 3; Vl1 \textnumero 1-2; Vl2 \textnumero 1 (Wz. Gesicht in Halbmond), 2; Va; Vc/Cb \textnumero 2 (Wz. Gesicht in Halbmond), 3; Clno 1 (Wz. Gesicht in Halbmond); Clno 2; Tim; Org; MDC (Wz. F V); Klavierauszug des Mittelteils (Wz. 3 Halbmonde); Baritono-Particell (Wz. 3 Halbmonde und GFA in Herzkartusche)
++
++2. Hand (Wasserzeichen: Doppeladler): S \textnumero 3; A \textnumero 3 (Wz. 3 Halbmonde); Vl1 \textnumero 3; Vl2 \textnumero 3;
++
++3. Hand (Wasserzeichen: Schwertlilie in Kartusche; auf grünlich-grauem Papier): S \textnumero 4; A \textnumero 4; T1 \textnumero 1 (Wz. AM); T2 \textnumero 2 (ohne Wz.); B1 \textnumero 1 (Wz. AM); B2 \textnumero 3 (Wz. Gesicht in Halbmond); Ob1 (Wz. F VERONESE); Ob2 (Wz. 3 Halbmonde); Fg1 (Wz. F VERONESE); Fg2 (Wz. 3 Halbmonde); Cor (Wz. F FERONESE)
++
++4. Hand (ohne Wz. auf grünlichem Papier): S \textnumero 5; A \textnumero 5; T1 \textnumero 4; T2 \textnumero 5; B1 \textnumero 4; B2 \textnumero 5; Vc/Cb \textnumero 1; (Schreiber: Perschl, 1840c; lt. Katalog der ÖNB)
++
++% \newblock Ms, 1805p, wm: GFA, Aufführungsdaten: ab 1823.
++%
++% 1) (wm: GFA in Herzkartusche): 2S,2A,1T1sol,1B1sol,2vl1,2vl2,1vla,2vlc+vlne,1clno1,1clno2,1timp,1org, 1MDC,
++%
++% 2) 1S,1A,1vl1,1vl2,
++%
++% 3) (wm: F. VEROFESE): 1S,1A,1T1sol,1T2sol, 1B1sol,1B2sol,1ob1,1ob2,1fag1,1fag2,1cor1+2,
++%
++% 4) (Schreiber: Perschl, 1840c): 1S,1A,1T1sol,1T2sol,1B1sol,1B2sol, 1vlc+vlne, 2 Particell,4+5 fol.
++%
++% \newblock W:Hbk VIII/98a
+
+
+ \end{thebibliography}
+@@ -36,19 +112,157 @@
+
+
+ \begin{enumerate}
+-\item
+-TODO
+-\end{enumerate}
++\item Tempobezeichnung: In der Partitur \cite{TH5013} \q{Allegro con fuoco} zu Beginn, ebenso in den beiden Corni-Stimmen. Jedoch \q{Allegro spirituoso} in allen restlichen Stimmen \cite{TH5016}. Der Mittelteil ist in der Partitur (und den beiden Corni) als \q{Larghetto cantabile} gesetzt, in allen anderen Instrumentalstimmen als \q{Adagio cantabile}. Die vorliegende Ausgabe hält sich an die Partitur \cite{TH5013}.
++
++
++\item Struktur: Takte 10-40 wiederholen sich wörtlich als Takte 85-115.
++
++\item In den Vokalstimmen sind in der Partitur \cite{TH5013} (nicht in den Einzelstimmen \cite{TH5016}) zahlreiche mit Balken gebundenen Achtelnoten auch mit Bögen versehen, die diese Ausgabe übernimmt. Dies ist der Fall an folgenden Stellen: 27 S/A/T/B und 102 S/A/T/B.
++
++\item In den T2 und B2-Einzelstimmen \cite{TH5016} sind alle \q{à Domino} mit Akzent notiert, nicht jedoch in der Partitur \cite{TH5013} oder der Handschrift \cite{HS1}.
++
++\item In der Ob1-Einzelstimme \cite{TH5016} fehlen im letzten System die drei b Vorzeichen.
++
++\item In der Haslinger-Partitur \cite{TH5013} oder den Einzelstimmen \cite{TH5016} fehlen an manchen Stellen die Versetzungszeichen, wenn derselbe Ton in einer anderen Oktave im selben Takt bereits das Versetzungszeichen erhalten hat (z.B. Takt 11 V1 in Partitur: a'' und h'' in der letzten Sechzehntelgruppe).
++Ebenso fehlt teilweise das Versetzungszeichen oder Auflösungszeichen, wenn sich im vorigen Takt eine Auflösung oder Versetzung befand, die im aktuellen Takt nicht mehr gilt (z.B. Takt 8 V1/V2-Stimmen: as'' bzw. as' auf ersten Schlag).
++Diese Akzidentien wurden in der vorliegenden Ausgabe konsistent ergänzt.
++
++\item
++In der Partitur \cite{TH5013} sind v.a. in den Streicherstimmen zahlreiche Bögen (über Läufe über 8 Sechzehntelnoten sowie über jeweils vier Sechzehntelnoten in den Sequenzen) notiert, die in den Einzelstimmen \cite{TH5016} nach dem ersten oder zweiten Takt nicht mehr wiederholt werden (oder wie in V2 überhaupt nicht notiert sind). Die vorliegende Ausgabe ergänzt diese Bögen jedoch vollständig (wie in der Partitur) in folgenden Takten: 37-39 V1, 78-82 V1, 111-114 V1, 79-82 V2,
++
++\item In der Haslinger-Partitur \cite{TH5013} und den zugehörigen Stimmen \cite{TH5016} sind teilweise unnötige Auflösungszeichen als reine Warnakzidentien enthalten (z.B. VcB/Continuo Takt 21), die die vorliegende Ausgabe nicht übernimmt.
+
++\item Im Mittelteil sind in den Ob1- und Ob2-Einzelstimmen \cite{TH5016} teilweise die Balken der Sechzehntelgruppen nur über jeweils zwei Noten gesetzt (Takte 46, 48, 50 und 52), in der Partitur \cite{TH5013} jedoch über Vierergruppen, was die vorliegende Ausgabe übernimmt.
++
++\item In den beiden Fagotten wechselt die Einzelstimme \cite{TH5016} tw. sehr früh vom Tenor- zurück zum Bass-Schlüssel, wodurch die Verwendung von zahlreichen Hilfslinien nötig und das Notenbild unübersichtlich wird. Daher wechselt die vorliegende Ausgabe (wie auch die Partitur \cite{TH5013}) erst später wieder zum Bass-Schlüssel (Takt 28 statt 26, 103 statt 101).
++
++\item Die Trill-Spanner in den Pauken sind in der vorliegenden Ausgabe nur gesetzt, wenn sich der Triller über mehrere gebundene Noten erstreckt. Einzelne Noten mit Triller erhalten keinen Spanner (in der Haslinger-Partitur \cite{TH5013} und -Einzelstimme \cite{TH5016} jedoch schon).
++
++\end{enumerate}
+
+-\subsubsection*{Einzelbemerkungen}
+
+ \subsubsection*{Si consistant}
+
+ \begin{vergleich}
+-TODO
++1 Tbe2: In Stimme \cite{TH5016} falsch zwei Viertelnoten statt zwei Achtelnoten (vgl. Partitur).
++
++1 Continuo: In der Stimme \cite{TH5016} fehlt das \q{Solo}.
++
++1/2 Va: In der Partitur \cite{TH5013} wird das c' auch oktaviert gespielt, was die vorliegende Ausgabe übernimmt.
++
++7/8 Va/Ob2/Fag1: Die Staccato-Keile fehlen in den Einzelstimmen \cite{TH5016}.
++
++8 V1: Das Versetzungszeichen des as'' im Akkord des ersten Schlags fehlt in der Stimme \cite{TH5016} (Auflösungszeichen im vorigen Takt), in der Partitur \cite{TH5013} jedoch vorhanden.
++
++11/13/86/88 Continuo: Die Bassbezifferung der zweiten Takthälfte lautet in der Partitur \cite{TH5013} \q{$\sharp7-6-4-\natural2$}, in der Stimme \cite{TH5016} jedoch nur \q{$\sharp7-6-4$}, was das a' in der Altstimme ignoriert.
++
++14 VcB/Continuo: In der Partitur \cite{TH5013} fehlt das Auflösungszeichen für das h.
++
++15/90 Tbe1/Tbe2: fz fehlt in der Partitur \cite{TH5013} (in den Einzelstimmen \cite{TH5016}, sowie in allen anderen Bläserstimmen gesetzt).
++
++15/16, 19/20, 90/91, 94/95 Fag2: In der Partitur \cite{TH5013} sind diese Takte in Fag2 um eine Oktave tiefer gesetzt als in der Einzelstimme \cite{TH5016}. Aus Gründen der Stimmführung ist dies aber als Fehler in der Partitur zu sehen und der Einzelstimme zu vertrauen.
++
++17 Continuo: f fehlt in der Einzelstimme \cite{TH5016}.
++
++19/20 Continuo: f in der Einzelstimme \cite{TH5016} statt korrekt fz wie in der Partitur \cite{TH5013}.
++
++20/21, 95/96 Tbe1/Tbe2: Diese beiden in der Partitur notierten Takte fehlen in den Einzelstimmen \cite{TH5016} völlig (dort jeweils 7 Takte Pause).
++
++23 B: In der Einzelstimme \cite{TH5016} Text \q{ci} statt korrekt \q{si}.
++
++23/25/98/100 Continuo: In der Einzelstimme \cite{TH5016} (und Partitur Takt 25) Bezifferung des letzten Schlags als \q{$\sharp7-6\flat-\natural2$}, in der Partitur \cite{TH5013} (ausser Takt 25) jedoch \q{$\sharp7-6-\natural2$}.
++
++27 Continuo: Bezifferung der jeweils letzten Achtelnote der Vierergruppen in der Stimme \cite{TH5016} \q{$\flat$}, in der Partitur \cite{TH5013} \q{$8$}. In der Parallelstelle in Takt 102 auch in der Partitur \q{$\flat$}.
++
++28 Fag2: In der Stimme \cite{TH5016} es statt c wie in Partitur \cite{TH5013}. Der Vergleich mit der Parallelstelle (sowohl Partitur wie auch Einzelstimme) liefert c.
++
++29/104 V2: In der Einzelstimme \cite{TH5016} zwei h' wie in V1, in der Partitur \cite{TH5013} jedoch zwei f'', was die vorliegende Ausgabe übernimmt, da die Colla-Parte Führung erste im folgenden Takt beginnt.
++
++33 Continuo: Bezifferung der zweiten Takthälfte in der Partitur \cite{TH5013} \q{$\flat7-\natural$}, in der Einzelstimme \cite{TH5016} sowie in der Parallelstelle in Takt 108 jedoch \q{$7-\natural$}.
++
++33/108 Tbe1/Tbe2/Tim: In der Partitur \cite{TH5013} (im Gegensatz zu Fag und den Streichern mit ff) nur f, in der Stimme \cite{TH5016} korrekt ff.
++
++34 Cor1: In der Einzelstimme \cite{TH5016} falsch c'' auf den dritten Schlag.
++
++38 V2: In der Stimme \cite{TH5016} irrtümlich as in erstem Akkord (oktaviert von as'). Die Partitur \cite{TH5013} sowie die Parallelstelle in Takt 113 (Partitur und Stimme) zeigen ein c'.
++
++38/39, 113/114 Tbe1/Tbe2/Tim: Die fz fehlen in der Partitur \cite{TH5013}, sind jedoch in den Einzelstimmen \cite{TH5016} (sowie in allen anderen Stimmen) vorhanden.
++
++40 Ob1/Ob2/Fag1/Fag2/Tbe1/Tbe2/Tim: f aus Einzelstimme \cite{TH5016} auf erstem Schlag entfernt, dafür in Takt 42 ergänzt.
++
++40/115 Va: f in der Partitur \cite{TH5013} bereits auf den ersten Schlag, in der Einzelstimme \cite{TH5016} erst ab dem zweiten Schlag. Im Vergleich mit Ob und Fag scheint die Einzelstimme korrekt zu sein.
++
++40/115 VcB/Continuo: f in der Partitur \cite{TH5013} korrekt erst auf die Achtelnote, in der Einzelstimme \cite{TH5016} in Takt 40 bereits auf die Viertelnote am Taktbeginn, in Takt 115 fehlend. Korrigiert auf die Achtelnote.
++
++41/116 VcB/Continuo: In der Partitur \cite{TH5013} unnötiges f.
++
++43 V1: In der Partitur \cite{TH5013} ist im zweiten und dritten Schlag zusätzlich ein g' im Akkord enthalten, welches die vorliegende Ausgabe übernimmt.
++
++45 Ob2: Auflösungszeichen des h' fehlt in der Einzelstimme \cite{TH5016}.
++
++47 Ob2: Der erste Bogen findet sich nur in der Einzelstimme. Ergänzt.
++
++47 Cor1/Cor2: Bogen aus der Cor1-Einzelstimme wie in Ob1 (und angesichts der kollektiven Legati in der gesamte Phrase) übernommen.
++
++49 Cor1/Cor2: Bogen wie in Takt 47 ergänzt (weder in Partitur noch in Einzelstimmen).
++
++49 Ob1/Ob2: In der Partitur (nicht in den Stimmen) über jeweils zwei Sechzehntelnoten der Vierergruppe Decrescendo-Pfeile bzw. Akzente, die die vorliegende Ausgabe übernimmt, um die starke Abphrasierung anzudeuten.
++
++49-51 Ob1/Ob2: In der Partitur jeweils Bögen über die punktierten Gruppen, nicht jedoch in den Einzelstimmen. Diese Bögen wurden ergänzt.
++
++50 Ob1: In der Einzelstimme fp im Gegensatz zu korrekt fz in Ob2 und der Partitur.
++
++50 Ob1/Ob2: In der Partitur p klar auf der Achtelnote, in den Ob1- und Ob2-Stimmen jedoch auf der folgenden Sechzehntelnote. Angesichts des Phrasenbeginns mit der Sechzehntelnote und der Setzung des p in den Cor und Fag sind die nStimme korrekt und das p sollte erst auf die Sechzehntelnote gesetzt sein.
++
++51 Fag1/Fag2: In der Einzelstimme mit unpassendem \q{Soli} bezeichnet, daher nicht übernommen.
++
++52 Fag1/Fag2: Staccato-Keil in Einzelstimme auf erstem Schlag entfernt (Cor und Ob spielen eine gebundene punktierte Viertelnote!).
++
++61 Ob1: Bogen wie in der Partitur auf den gesamten aufsteigenden Lauf korrigiert (in der Einzelstimme zweigeteilt).
++
++69/70 Fag2: Bogen jeweils über beide Achtel-Dreiergruppen gesetzt. In Takt 69 nach Fag1 in Partitur und der Einzelstimme, in Takt 70 nach der Partitur.
++
++74 Ob1: \q{cres.} aus der Partitur übernommen (nicht in der Einzelstimme vorhanden).
++
++75 Ob1: Kreuz des fis fehlt in der Einzelstimme.
++
++77 T1/T2/B1/B2: In der Partitur ist die Endsilbe der Solopassagen grammatikalisch falsch \q{ni.}, die Stimmen zeigen korrekt \q{no.}.
++
++77-82 Continuo: In der Partitur \q{Solo}, in der Einzelstimme jedoch die gesamte Passage mit \q{$\natural$} beziffert.
++
++81 V1: In der Partitur \q{cres.} am Taktbeginn in allen Stimmen, in der Einzelstimme erst zwei Sechzehntel später.
++
++82 Ob1: Die punktierte Halbe Note ist in der Stimme versehentlich nur als Halbe notiert.
++
++85 Ob2: In der Einzelstimme ist das fz falsch erst in Takt 86 gesetzt (vgl. die Parallelstelle in Takt 10).
++
++96 Fag1: Der Bogen über den Seitenwechsel fehlt in der Partitur auf der ersten Seite.
++
++100 Continuo: In der Einzelstimme Bezifferung \q{$7-\natural$}, in der Partitur jedoch \q{$\natural7-\natural$}. Auch im Vergleich mit der Parallelstelle in Takt 25 ergibt sich die Bezifferung wie in der Einzelstimme.
++
++102 Continuo: In der Partitur ist die jeweils dritte Achtel jeder Vierergruppe mit \q{$6\natural$} beziffert, in der Einzelstimme sowie in der Parallelstelle in Takt 27 mit \q{$\bcancel 6$}.
++
++104 Continuo: In der Partitur Bezifferung des zweiten Schlages als \q{$\flat$}, in der Einzelstimme keine explizite Bezifferung.
++
++105 S/A/T/B: Der Text der ersten Note in der Partitur (direkt nach einem Seitenwechsel) lautet versehentlich \q{non} statt korrekt \q{um} wie in den Einzelstimmen.
++
++110 V1: f in der Einzelstimme statt fz wie in Partitur und den anderen Instrumentalstimmen.
++
++112 V1/V2/Va: f in der Partitur statt fz wie in den anderen Instrumenten und der Einzelstimme.
++
++115 V2/Ob1: In der Stimme fehlt das f.
++
++115 Tbe1/Tbe2/Tim: f in Einzelstimmen nicht übernommen (vgl. Takt 40).
++
++115 Ob2/Fag1/Fag2: f in der Einzelstimme bereits auf den ersten Schlag. Im Vergleich mit Fag und VcB korrekt erst auf die folgende Achtelnote wie in Partitur.
++
++115 Fag1: Erste Note in der Partitur g, in der Einzelstimme es'. Beides ist harmonisch möglich, die vernünftigere Variante scheint g.
++
++118 V1: Das c' ist nur in der Einzelstimme im Akkord enthalten, nicht in der Partitur.
++
+ \end{vergleich}
+
+
+
++
+ \end{multicols}
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Include_Leben.itex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Include_Leben.itex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..f52d76ce1e1f067a54ebdf6fe84b62ce22da383d
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Include_Leben.itex.patch
@@ -0,0 +1,18 @@
+--- TeX_Eybler_SiConsistant_HV86_Include_Leben.itex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Include_Leben.itex 2009-07-23 20:45:28.000000000 +0200
+@@ -1,14 +1 @@
+-\section*{Das Leben von Joseph Eybler (1765-1846)}
+-
+-\begin{multicols}{2}
+-TODO
+-\end{multicols}
+-
+-\section*{The life of Joseph Eybler (1765-1846)}
+-
+-\begin{multicols}{2}
+-TODO
+-\end{multicols}
+-
+-Quellen / Sources:\\[0em]
+-TODO
++\input{../../Komponisten/Eybler/TeX_Eybler_Include_Biografie.itex}
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Include_Text.itex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Include_Text.itex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..0d6c92cef194c3c82cb8495da121db0e5b88ddc7
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Include_Text.itex.patch
@@ -0,0 +1,31 @@
+--- TeX_Eybler_SiConsistant_HV86_Include_Text.itex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Include_Text.itex 2009-07-23 13:53:49.000000000 +0200
+@@ -1,13 +1,24 @@
+-\subsection*{Text des \q{Si consistant} (Offertorium, HV 86)}
++\subsection*{Text des \q{Si consistant} (Ps 27,3f)}
+
+ \begin{small}
+
+-\subsection*{Si consistant}
+ \nopagebreak
+ \begin{lyricstable}
+-TODO & TODO & TODO \\
+-\end{lyricstable}
++\textsuperscript{3}Si consistant ad versum me castra, & & \\
++non timebit cor meum & & \\
++si exurgat ad versum me praelium & & \\
++in hoc ego sperabo. & & \\
+
++\textsuperscript{4}Unam petii a Domino & & \\
++hanc requiram & & \\
++ut inhabitem in domo Domini & & \\
++diebus omnibus vitae meae. & & \\
++\end{lyricstable}
+
++% 3 Si consistant adversus me castra non timebit cor meum si exsurgat adversus me proelium in hoc ego sperabo
++% 4 Unam petii a Domino hanc requiram ut inhabitem in domo Domini omnes dies vitae meae ut videam voluntatem Domini et visitem templum eius
++%
++% 3 If armies in camp should stand together against me, my heart shall not fear. If a battle should rise up against me, in this will I be confident.
++% 4 One thing I have asked of the Lord, this will I seek after; that I may dwell in the house of the Lord all the days of my life. That I may see the delight of the Lord, and may visit his temple.
+ \end{small}
+
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Include_Todo.itex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Include_Todo.itex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..5159bdb32ea0dbcdd8fceb0b2ec47a019f64fc4e
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Include_Todo.itex.patch
@@ -0,0 +1,23 @@
+--- TeX_Eybler_SiConsistant_HV86_Include_Todo.itex.new 2009-07-31 20:02:52.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Include_Todo.itex 2009-07-31 19:56:38.000000000 +0200
+@@ -1,10 +1,10 @@
+-% \todos{
+-% \chapter*{Offene Fragen}
+-%
+-% \section*{Literaturvergleich mit dem Autograph:}
+-% \begin{itemize}
+-% \item
+-%
+-% \end{itemize}
+-%
+-% }
++\todos{
++\chapter*{Offene Fragen}
++
++\subsubsection*{Allgemeines}
++
++\begin{itemize}
++\item 38-40 Va: Zwei getrennte Stimmen (Va1/Va2) oder Akkorde???
++\end{itemize}
++
++}
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..b28c193e3de0a84084ec9d06c7d7066585716e7d
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Score_Choral.tex.patch
@@ -0,0 +1,12 @@
+--- TeX_Eybler_SiConsistant_HV86_Score_Choral.tex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Score_Choral.tex 2009-07-31 19:59:30.000000000 +0200
+@@ -17,9 +17,6 @@
+ \includescore{Score_Choral}
+
+ \cleardoublepage
+-\backmatter
+-\appendix
+-\input{TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex}
+
+ \input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
+ \end{document}
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..327f2d11230bd67a7024c58d530029f18d0a2564
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex.patch
@@ -0,0 +1,73 @@
+--- TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Score_Instruments.tex 2009-07-31 20:00:03.000000000 +0200
+@@ -15,6 +15,36 @@
+ \input{TeX_Eybler_SiConsistant_HV86_Include_Preface_Long.itex}
+
+ \phantomsection
++\addcontentsline{toc}{section}{\OrganName}
++\includescore{Instrument_Organ}
++
++\phantomsection
++\addcontentsline{toc}{section}{\SName}
++\includescore{Instrument_S}
++\phantomsection
++\addcontentsline{toc}{section}{\AName}
++\includescore{Instrument_A}
++\phantomsection
++\addcontentsline{toc}{section}{\TName}
++\includescore{Instrument_T}
++\phantomsection
++\addcontentsline{toc}{section}{\BName}
++\includescore{Instrument_B}
++
++\phantomsection
++\addcontentsline{toc}{section}{\VIName}
++\includescore{Instrument_VI}
++\phantomsection
++\addcontentsline{toc}{section}{\VIIName}
++\includescore{Instrument_VII}
++\phantomsection
++\addcontentsline{toc}{section}{\VaName}
++\includescore{Instrument_Va}
++\phantomsection
++\addcontentsline{toc}{section}{\VcBName}
++\includescore{Instrument_VcB}
++
++\phantomsection
+ \addcontentsline{toc}{section}{\ObIName}
+ \includescore{Instrument_ObI}
+ \phantomsection
+@@ -41,33 +71,6 @@
+ \phantomsection
+ \addcontentsline{toc}{section}{\TimName}
+ \includescore{Instrument_Tim}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VIName}
+-\includescore{Instrument_VI}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VIIName}
+-\includescore{Instrument_VII}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VaName}
+-\includescore{Instrument_Va}
+-\phantomsection
+-\addcontentsline{toc}{section}{\SName}
+-\includescore{Instrument_S}
+-\phantomsection
+-\addcontentsline{toc}{section}{\AName}
+-\includescore{Instrument_A}
+-\phantomsection
+-\addcontentsline{toc}{section}{\TName}
+-\includescore{Instrument_T}
+-\phantomsection
+-\addcontentsline{toc}{section}{\BName}
+-\includescore{Instrument_B}
+-\phantomsection
+-\addcontentsline{toc}{section}{\OrganName}
+-\includescore{Instrument_Organ}
+-\phantomsection
+-\addcontentsline{toc}{section}{\VcBName}
+-\includescore{Instrument_VcB}
+
+
+ \cleardoublepage
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..03eee39abf0816bd3bcc0cc95182b86c9c52e8b8
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Score_Particell.tex.patch
@@ -0,0 +1,12 @@
+--- TeX_Eybler_SiConsistant_HV86_Score_Particell.tex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Score_Particell.tex 2009-07-31 20:00:23.000000000 +0200
+@@ -17,9 +17,6 @@
+ \includescore{Score_Particell}
+
+ \cleardoublepage
+-\backmatter
+-\appendix
+-\input{TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex}
+
+ \input{TeX_Eybler_SiConsistant_HV86_Include_Backpage.itex}
+ \end{document}
diff --git a/patches/TeX_Eybler_SiConsistant_HV86_Settings.itex.patch b/patches/TeX_Eybler_SiConsistant_HV86_Settings.itex.patch
new file mode 100644
index 0000000000000000000000000000000000000000..e5731f9edf8e110e2131ba2a513cc31b2d34d9d6
--- /dev/null
+++ b/patches/TeX_Eybler_SiConsistant_HV86_Settings.itex.patch
@@ -0,0 +1,11 @@
+--- TeX_Eybler_SiConsistant_HV86_Settings.itex.new 2009-07-31 19:55:03.000000000 +0200
++++ TeX_Eybler_SiConsistant_HV86_Settings.itex 2009-07-31 20:00:29.000000000 +0200
+@@ -1,6 +1,6 @@
+ % Title Page
+-\composer{Joseph Eybler (1765-1846)}
+-%\composerdate{(TODO-TODO)}
++\composer{Joseph Eybler}
++\composerdate{(1765-1846)}
+ % \poet{}
+ % \poetdate{}
+ \title{Si consistant}