diff --git a/Eybler_SiConsistant_HV86_Instrument_VII.pdf b/Eybler_SiConsistant_HV86_Instrument_VII.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..f3c476a2ab0f6d3170db8c819874c03f707e47cf
Binary files /dev/null and b/Eybler_SiConsistant_HV86_Instrument_VII.pdf differ
diff --git a/Eybler_SiConsistant_HV86_Music_SiConsistant.ily b/Eybler_SiConsistant_HV86_Music_SiConsistant.ily
index 224bc83c66ce1d6de9333468e75cda283bfc159d..5edef9bd4d4992c7355263133ec12d95127c240e 100644
--- a/Eybler_SiConsistant_HV86_Music_SiConsistant.ily
+++ b/Eybler_SiConsistant_HV86_Music_SiConsistant.ily
@@ -267,7 +267,7 @@ SiConsistantTbeIMusic = \relative c'' {
   c'4. c,16[ c] c8[ c c c] | % 8
   c'4. c,16[ c] c8[ c c c] | % 9
   c4 r r2 | \barNumberCheck #10
-  g'4 r8 g16[ g] g8[ g g g ] | % 11
+  g'4 r8 g16[ g] g8[ g g g] | % 11
   c4 r r2 | % 12
   g4 r8 g16[ g] g8[ g g g] | % 13
   c4 r r2 | % 14
@@ -338,7 +338,7 @@ SiConsistantTbeIIMusic = \relative c' {
   c4. c16[ c] c8[ c c c] | % 8
   c4. c16[ c] c2:8 | % 9
   c4 r r2 | \barNumberCheck #10
-  g4 r8 g16[ g] g8[ g g g ] | % 11
+  g4 r8 g16[ g] g8[ g g g] | % 11
   c4 r r2 | % 12
   g4 r8 g16[ g] g8[ g g g] | % 13
   c4 r r2 | % 14
@@ -570,7 +570,96 @@ SiConsistantVIMusic = \relative c' {
 \addQuote "SiConsistantVIMusic" { \SiConsistantVIMusic }
 
 SiConsistantVIIMusic = \relative c' {
-  % TODO
+  <es g,>16[\f <es g,> <es g,> <es g,>] <es g,>4:16 <es g,> r | % 2
+  <es g,>2:16 <es g,>4 r | % 3
+  <f g,>2:16 <f g,>2:16 | % 4
+  <es g,>2:16 <es g,>4 r | % 5
+  <f g,>2:16 <f g,>2:16 | % 6
+  <es g,>2:16 <es g,>4 r | % 7
+  c'4-| c-| c,16[( d es f] g[ a h c]) | % 8
+  as4-| g-| g,16[( a h c] d[ es f g]) | % 9
+  f[ f f' f] es[ es es, es] d[ d d' d] c[ c c, c] | \barNumberCheck #10
+  <d h'>2:16 <d h'>2:16 | % 11
+  <es c'>2:16 <es c'>2:16 | % 12
+  <d h'>2:16 <d h'>2:16 | % 13
+  <es c'>2:16 <es c'>2:16 | % 14
+  <h' d,>16[ h g g] d[ d h h] g4 r | % 15
+  es'2:16\fz es2:16\fz | % 16
+  f2:16\fz f2:16\fz | % 17
+  es2:16\f es2:16 | % 18
+  des2:16 des2:16 | % 19
+  f2:16\fz f2:16\fz | \barNumberCheck #20
+  g2:16\fz g2:16\fz | % 21
+  f2:16\f f2:16 | % 22
+  es2:16 es16[ es g g] b[ b es es] | % 23
+  d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 24
+  g[ g h, h] d[ d g g] es[ es g g] c[ c es es] | % 25
+  d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 26
+  g[ g d d] h[ h d d] g,[ g c c] es[ es g g] | % 27
+  as[ as g g] f[ f es es] as[ as g g] f[ f es es] | % 28
+  d[\fz d f' f] as[ as d,, d] es[ es g' g] f[ f c c] | % 29
+  h[ h d d] c[ c es es] d[ d c' c] d,[ d h'h] | \barNumberCheck #30
+  c,[ c g' g] es[ es g g] c,[ c es es] as,[ as c c] | % 31
+  f,[ f as' as] f[ f as as] d,[ d f f] b,[ b d d] | % 32
+  g,[ g b' b] g[ g b b] es,[ es g g] c,[ c es es] | % 33
+  as2:16\ff a2:16 | % 34
+  <g c, es, g,> 4 r < h, d, g,> r | % 35
+  <es, g,>2:16\fz <es g,>4 r | % 36
+  <f as,>2:16\fz <f as,>4 r | % 37
+  <g b,>2:16\fz <g b,>4 r | % 38
+  <as as,>2:16\fz e2:16\fz | % 39
+  f2:16\fz d2:16\fz | \barNumberCheck #40
+  es16[\f es g' g] es[ es c c] g[ g es' es] c[ c g g] | % 41
+  es[ es c' c] g[ g es es] c[ c g' g] es[ es c c] | % 42
+  g4 <g d' h'> <g es' c'> <fis' a> | % 43
+  <g h> <h d, g,> <c es, g,> <c es,> | % 44
+  <h d,> r g8[( fis16 e] d[ c h a]) | % 45
+  g2 r4\fermata \bar"||"  \SiConsistantSettingsII \SiConsistantKeyII r4 | % 46
+  R2.*31 \bar"||" % 77
+  \SiConsistantSettingsIII \SiConsistantKeyIII 
+  g2:16\p g4 r | % 78
+  g2:16 g4 r | % 79
+  g16[ a h a] g[ a h a] g[ g h h] d[ d g g] | \barNumberCheck #80
+  g,[ a h a] g[ a h a] g[ g h h] d[ d g g] | % 81
+  h,[\cresc c d c] h[ c d c] h[ h d d] g[ g h h] | % 82
+  h,[ c d c] h[ c d c] h[ h d d] g[ g h h] | % 83
+  <f g,>2:16\f <f g,>4:16 <d g,>4:16 | % 84
+  g4:16 f4:16 es4:16 c'4:16 | % 85
+  <d, h'>2:16 <d h'>2:16 | % 86
+  <es c'>2:16 <es c'>2:16 | % 87
+  <d h'>2:16 <d h'>2:16 | % 88
+  <es c'>2:16 <es c'>2:16 | % 89
+  <h' d,>16[ h g g] d[ d h h] g4 r | \barNumberCheck #90
+  es'2:16\fz es2:16\fz | % 91
+  f2:16\fz f2:16\fz | % 92
+  es2:16\f es2:16 | % 93
+  des2:16 des2:16 | % 94
+  f2:16\fz f2:16\fz | \barNumberCheck #95
+  g2:16\fz g2:16\fz | % 95
+  f2:16\f f2:16 | % 97
+  es2:16 es16[ es g g] b[ b es es] | % 98
+  d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 99
+  g[ g h, h] d[ d g g] es[ es g g] c[ c es es] | \barNumberCheck #100
+  d[ d d, d] c[ c c' c] h[ h h, h] a[ a a' a] | % 101
+  g[ g d d] h[ h d d] g,[ g c c] es[ es g g] | % 102
+  as[ as g g] f[ f es es] as[ as g g] f[ f es es] | % 103
+  d[\fz d f' f] as[ as d,, d] es[ es g' g] f[ f c c] | % 104
+  h[ h d d] c[ c es es] d[ d c' c] d,[ d h'h] | \barNumberCheck #105
+  c,[ c g' g] es[ es g g] c,[ c es es] as,[ as c c] | % 106
+  f,[ f as' as] f[ f as as] d,[ d f f] b,[ b d d] | % 107
+  g,[ g b' b] g[ g b b] es,[ es g g] c,[ c es es] | % 108
+  as2:16\ff a2:16 | % 109
+  <g c, es, g,> 4 r < h, d, g,> r | \barNumberCheck #110
+  <es, g,>2:16\fz <es g,>4 r | % 111
+  <f as,>2:16\fz <f as,>4 r | % 112
+  <g b,>2:16\fz <g b,>4 r | % 113
+  <as as,>2:16\fz e2:16\fz | % 114
+  f2:16\fz d2:16\fz | \barNumberCheck #115
+  es16[\f es g' g] es[ es c c] g[ g es' es] c[ c g g] | % 116
+  es[ es c' c] g[ g es es] c[ c g' g] es[ es c c] | % 117
+  g4 r <g d' h' g'> r | % 118
+  <g es' c'> r \acciaccatura {g32[ a h]} c4 r | % 119
+  \acciaccatura {g32[ a h]} c4 r r2 \bar"|."
 }
 \addQuote "SiConsistantVIIMusic" { \SiConsistantVIIMusic }
 
diff --git a/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex b/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex
index 28319dd61a2bdfb3b492dc5f663adebb76c021d0..3a1091c7bccce60b835b52bb494a79e6f066da4a 100644
--- a/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex
+++ b/TeX_Eybler_SiConsistant_HV86_Include_KritBericht.itex
@@ -32,6 +32,10 @@ TODO
 Tempobezeichnung: In der Partitur \dq{}Allegro con fuoco\dq{}, ebenso in den beiden Corni-Stimmen. Jedoch \dq{}Allegro spirituoso\dq{} in allen restlichenStimmen.
 
 1 Tbe1: In Stimme irrtümlich zwei Viertelnoten statt zwei Achtelnoten (vgl. Partitur)
+
+38 V2: In der Stimme irrtümlich As in erstem Akkord. Die Partitur sowie die Parallelstelle in Takt 113 (Partitur und Stimme) zeigen ein c'.
+
+115 V2: In der Stimme fehlt das f.
 TODO
 \end{vergleich}