diff --git a/.gitignore b/.gitignore
index 8c3f9400544f9150b9934ff278325713ed96f59e..1f055c8f4fff2ac1e1b9492bb3bf2a4feb2c6cb5 100644
--- a/.gitignore
+++ b/.gitignore
@@ -7,3 +7,4 @@
*.out
*.backup
TeX_*.toc
+Materialien
diff --git a/1078 - Eybler - Tui sunt coeli HV78.def b/1078 - Eybler - Tui sunt coeli HV78.def
new file mode 100644
index 0000000000000000000000000000000000000000..9db9237c554387ac2bbb29a052562057086f9382
--- /dev/null
+++ b/1078 - Eybler - Tui sunt coeli HV78.def
@@ -0,0 +1,49 @@
+{
+ "output_dir": "1078 - Eybler - Tui sunt coeli HV78",
+ "version": "2.13.1",
+ "template": "EK_Full",
+ "language": "Latin",
+ "additionalscores": [],
+ "options": ["optimal-breaking"],
+
+ "defaults": {
+ "title": "Tui sunt coeli",
+ "subtitle": "Offertorium, HV 78",
+ "composer": "Joseph Eybler",
+ "composerdate": "1765-1846",
+
+ #"arranger": u"<<arranger>>",
+ #"opus": u"<<opus>>",
+ #"instrumentation": u"<<instrumentation>>",
+ #"key": u"<<key>>",
+ #"language": u"<<language>>",
+ #"duration": u"<<duration>>",
+ #"composition_year": u"<<composition_year>>",
+ #"score_information": u"<<score_information>>",
+ #"genre": u"<<genre>>",
+
+ "year": "2009",
+ "publisher": "Edition Kainhofer, Vienna",
+ "publisherurl": "http://www.edition-kainhofer.com/",
+ "editor": "Reinhold Kainhofer",
+ "editorurl": "http://reinhold.kainhofer.com/",
+ "editormail": "reinhold@kainhofer.com",
+ "scorenumber": "EK-1078",
+ "scoreinfo": "Urtext",
+ "basename": "Eybler_TuiSuntCoeli_HV78",
+
+ "instruments": [
+ "ClI", "ClII", "FagI", "FagII",
+ "CorI", "CorII", "TbeI", "TbeII",
+ "Tim",
+ "VI", "VII", "Va",
+ "S", "A", "T", "B",
+ "Continuo", "O", "VcB"
+ ],
+ "vocalvoices": ["S", "A", "T", "B"],
+ "scores": ["Long", "Full", "Vocal", "Choral", "Original"],
+ },
+
+ "scores": ["TuiSuntCoeli"],
+ "latex": {},
+}
diff --git a/Eybler_TuiSuntCoeli_HV78_Instrument_Continuo.ly b/Eybler_TuiSuntCoeli_HV78_Instrument_Continuo.ly
index 1ae2cf0f274abab30d12a64dcc7dd1c7e8fcf663..5a41e33b2d0353a2b035b70de9410c52094d44ed 100644
--- a/Eybler_TuiSuntCoeli_HV78_Instrument_Continuo.ly
+++ b/Eybler_TuiSuntCoeli_HV78_Instrument_Continuo.ly
@@ -4,7 +4,18 @@
\header {
instrument = \ContinuoInstrumentName
scorenumber = \markup{\scoreNumber \ContinuoNumber}
+ arranger = "Generalbassaussetzung: R. Kainhofer"
}
-\createScore #"TuiSuntCoeli" #'("Continuo")
+BCRealizationExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+ContinuoExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+\layout {
+ \context {
+ \RemoveEmptyStaffContext
+ % To use the setting globally, uncomment the following line:
+ \override VerticalAxisGroup #'remove-first = ##t
+ \remove "Instrument_name_engraver"
+ }
+}
+\createScore #"TuiSuntCoeli" #'("RealizedContinuo")
diff --git a/Eybler_TuiSuntCoeli_HV78_Instrument_O.ly b/Eybler_TuiSuntCoeli_HV78_Instrument_O.ly
index eb3c87e3a17fb0ed6d9fbc1232bac9158dc40e73..83c8a95e63828ed02c97377d41236fafb0be6984 100644
--- a/Eybler_TuiSuntCoeli_HV78_Instrument_O.ly
+++ b/Eybler_TuiSuntCoeli_HV78_Instrument_O.ly
@@ -4,6 +4,7 @@
\header {
instrument = \OInstrumentName
scorenumber = \markup{\scoreNumber \ONumber}
+ arranger = "Generalbassaussetzung: M. Hößl"
}
\createScore #"TuiSuntCoeli" #'("O")
diff --git a/Eybler_TuiSuntCoeli_HV78_Music_TuiSuntCoeli.ily b/Eybler_TuiSuntCoeli_HV78_Music_TuiSuntCoeli.ily
index 5b8e2e8c315a4cb227350b9cd12819f22d777665..f5d2b57e84b5a342fb5138fd5da3193aea301b72 100644
--- a/Eybler_TuiSuntCoeli_HV78_Music_TuiSuntCoeli.ily
+++ b/Eybler_TuiSuntCoeli_HV78_Music_TuiSuntCoeli.ily
@@ -872,7 +872,7 @@ TuiSuntCoeliTbeIIMusic = \relative c' {
\transposition b
d2\f r2 |
R1 | % 3
- a'2 r2
+ a'2 r2
R1 | % 5
d,2 d4 d4 | % 6
d4 r4 r2 | % 7
@@ -1059,11 +1059,11 @@ TuiSuntCoeliVIMusic = \relative c' {
c4 r4 r2 | % 14
\grace { d'16\dashedSlur[ e16 fis16] } g4..) d16 g8.[ d16 h8. d16] | % 15
g,4 r4 r2 | % 16
- R1 | % 17
+ \namedCueDuring "TuiSuntCoeliVIIMusic" #DOWN \cueVII "" { R1 } | % 17
<e c' g'>4..\bracketf e'16 c8.[ g16 e8. c16] | % 18
- f4 f'4 r2 | % 19
+ \once \override ParenthesesItem #'stencils = #bracket-stencils f4-\parenthesize-| \once \override ParenthesesItem #'stencils = #bracket-stencils f'4-\parenthesize-| r2 | % 19
<d, a' a'>4.. fis'16 d8.[ a16 fis8. d16] | \barNumberCheck #20
- g4 g'4 r4 r8 h,32([ c32 d32 e32)] | % 21
+ \once \override ParenthesesItem #'stencils = #bracket-stencils g4-\parenthesize-| \once \override ParenthesesItem #'stencils = #bracket-stencils g'4-\parenthesize-| r4 r8 h,32([ c32 d32 e32)] | % 21
f!8.[ d16 h8. f16] e8.[ g16 c8. e16] | % 22
d8.[ h16 f8. d16] c8.[ e16 g8. c16] | % 23
e8.[ e,16 g8. c16] e8.[ g16 e8. c16] | % 24
@@ -1112,7 +1112,7 @@ TuiSuntCoeliVIMusic = \relative c' {
f!4 r4 r2 | % 67
\grace { g,16([ a16 h16] } c4..) g16 c8.[ g16 e8. g16] | % 68
c,4 r4 r2 | % 69
- \namedCueDuring "TuiSuntCoeliVIIMusic" #UP #cueVII #"" { R1 } | \barNumberCheck #70
+ \namedCueDuring "TuiSuntCoeliVIIMusic" #UP \cueVII "" { R1 } | \barNumberCheck #70
<e h' h'>4..\bracketf gis'16 e8.[ h16 gis8. d16] | % 71
c4-| a'4-| r2 | % 72
<d, a' a'>4.. fis'16 d8.[ a16 fis8. d16] | % 73
@@ -1542,56 +1542,56 @@ TuiSuntCoeliSMusic = \relative g'' {
\addQuote "TuiSuntCoeliSMusic" { \TuiSuntCoeliSMusic }
TuiSuntCoeliSLyrics = \lyricmode {
- Tu -- i sunt coe -- li
+ Tu -- i sunt coe -- li
et tu -- a est -- ter -- ra:
Or -- bem ter -- ra -- rum
et ple -- ni -- tu -- di -- nem e -- jus
tu fun -- da -- sti,
tu fun -- da -- sti.
-
+
Tu -- i sunt coe -- li
- et tu -- a est ter -- ra:
- Or -- bem ter -- ra -- rum
+ et tu -- a est ter -- ra:
+ Or -- bem ter -- ra -- rum
et ple -- ni -- tu -- di -- nem e -- jus
tu fun -- da -- sti.
-
+
Tu -- i sunt coe -- li
et tu -- a est ter -- ra:
- Or -- bem ter -- ra -- rum
+ Or -- bem ter -- ra -- rum
et ple -- ni -- tu -- di -- nem e -- jus
tu, tu fun -- da -- sti.
-
+
Ju -- sti -- ti -- a et ju -- di -- ci -- um
prae -- pa -- ra -- ti -- o se -- dis tu -- ae,
ju -- sti -- ti -- a et ju -- di -- ci -- um
prae -- pa -- ra -- ti -- o se -- dis tu -- ae,
prae -- pa -- ra -- ti -- o se -- dis tu -- ae.
-
+
Tu -- i sunt coe -- li
et tu -- a est ter -- ra:
Or -- bem ter -- ra -- rum
et ple -- ni -- tu -- di -- nem e -- jus
- tu, tu fun -- da -- sti,
- tu fun -- da -- sti.
-
- Tu -- i sunt coe -- li
+ tu, tu fun -- da -- sti,
+ tu fun -- da -- sti.
+
+ Tu -- i sunt coe -- li
et tu -- a est ter -- ra:
- Or -- bem ter -- ra -- rum
- et ple -- ni -- tu -- di -- nem e -- jus
+ Or -- bem ter -- ra -- rum
+ et ple -- ni -- tu -- di -- nem e -- jus
tu fun -- da -- sti.
-
- Tu -- i sunt coe -- li
+
+ Tu -- i sunt coe -- li
et tu -- a est ter -- ra:
- Or -- bem ter -- ra -- rum
- et ple -- ni -- tu -- di -- nem e -- jus
+ Or -- bem ter -- ra -- rum
+ et ple -- ni -- tu -- di -- nem e -- jus
tu, tu fun -- da -- sti.
-
+
Ju -- sti -- ti -- a et ju -- di -- ci -- um
- prae -- pa -- ra -- ti -- o se -- dis tu -- ae,
+ prae -- pa -- ra -- ti -- o se -- dis tu -- ae,
ju -- sti -- ti -- a et ju -- di -- ci -- um
prae -- pa -- ra -- ti -- o se -- dis tu -- ae,
- prae -- pa -- ra -- ti -- o se -- dis,
- se -- dis, se -- dis tu -- ae.
+ prae -- pa -- ra -- ti -- o se -- dis,
+ se -- dis, se -- dis tu -- ae.
}
@@ -1934,7 +1934,8 @@ TuiSuntCoeliBMusic = \relative c {
TuiSuntCoeliBLyrics = \TuiSuntCoeliSLyrics
-TuiSuntCoeliOIaMusic = \relative e' {
+% Generalbassaussetzung von M. Hoessl:
+XXXTuiSuntCoeliOIaMusic = \relative e' {
<e g c>2\f g8.-|[ c16-| e8.-| c16-|] | % 2
h4-| d4-| r2 | % 3
<g, h d>2 h8.-|[ g16-| d'8.-| f,16-|] | % 4
@@ -2063,7 +2064,7 @@ TuiSuntCoeliOIaMusic = \relative e' {
c4 r4 r2 \bar "|."
}
-TuiSuntCoeliOIIaMusic = \relative c {
+XXXTuiSuntCoeliOIIaMusic = \relative c {
c4.. e16-| g8.-|[ c16-| e8.-| c16-|] | % 2
h4-| d4-| r2 | % 3
f4.. d16 h8.-|[ g16-| d'8.-| f,16-|] | % 4
@@ -2087,7 +2088,7 @@ TuiSuntCoeliOIIaMusic = \relative c {
h8.[ d16 g8. h16] c8.[ g16 e8. c16] | % 22
f8.[ h16 d8. f16] e8.[ c16 g8. e16] | % 23
c8.[ c'16 g8. e16] c8.[ e16 g8. c16] | % 24
- g8.[ g,16 h8. d16] g8.[ f16-| e8.-| d16-|] | % 25
+ g8.[ g,16 h8. d16] g8.[ f16 e8. d16] | % 25
cis4 r4 r2 | % 26
\grace { a'16([ h16 cis16] } d4..) a16 d8.[ a16 f8. d16] | % 27
h4-| g'4-| r2 | % 28
@@ -2142,7 +2143,7 @@ TuiSuntCoeliOIIaMusic = \relative c {
h8.[ d16 g8. h16] c8.[ g16 e8. c16] | % 75
f8.[ h16 d8. f16] e8.[ c16 g8. e16] | % 76
c8.[ c'16 g8. e16] c8.[ e16 g8. c16] | % 77
- g8.[ g,16 h8. d16] g8.[ f16-| e8.-| d16-|] | % 78
+ g8.[ g,16 h8. d16] g8.[ f16 e8. d16] | % 78
cis4 r4 r2 | % 79
\grace { a'16([ h16 cis16] } d4..) a16 d8.[ a16 f8. d16] |
\barNumberCheck #80
@@ -2416,3 +2417,18 @@ TuiSuntCoeliBCFbMusic = \figuremode {
s1*6 \bar"|."
}
+
+TuiSuntCoeliBCRealizationMusic = \relative c'' {
+ % TODO
+ \repeat unfold 124 { s1 } \barNumberCheck #125
+}
+
+
+TuiSuntCoeliPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 124 { s1 } \barNumberCheck #125
+}
+TuiSuntCoeliPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 124 { s1 } \barNumberCheck #125
+}
diff --git a/Eybler_TuiSuntCoeli_HV78_Score_Original.ly b/Eybler_TuiSuntCoeli_HV78_Score_Original.ly
index 2c93ca93d0a8c78838c3544d3b3fec59313d58f7..338272bbda5982df917ada311bac9fe74b37041f 100644
--- a/Eybler_TuiSuntCoeli_HV78_Score_Original.ly
+++ b/Eybler_TuiSuntCoeli_HV78_Score_Original.ly
@@ -1,14 +1,10 @@
\version "2.13.1"
+#(ly:set-option 'ancient-style #t)
\include "Eybler_TuiSuntCoeli_HV78_Settings_FullScore.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
-SClef = \clef "soprano"
-AClef = \clef "alto"
-TClef = \clef "tenor"
\createNoCuesScore #"TuiSuntCoeli" #'("Tim" "TbeLong" "CorLong" "WdLong" "Str" "Ch" "Continuo")
diff --git a/Eybler_TuiSuntCoeli_HV78_Score_Vocal.ly b/Eybler_TuiSuntCoeli_HV78_Score_Vocal.ly
index 506d989630df4091a60ef26d6c0797fc75dc8a11..b0120938a96b29cf1dfc4585ba447001b12ca5e0 100644
--- a/Eybler_TuiSuntCoeli_HV78_Score_Vocal.ly
+++ b/Eybler_TuiSuntCoeli_HV78_Score_Vocal.ly
@@ -8,4 +8,15 @@
scorenumber = \markup{\scoreNumber \VocalScoreNumber}
}
+PIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+PIIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner
+ #'base-shortest-duration = #(ly:make-moment 1 64)
+ }
+}
+
\createScore #"TuiSuntCoeli" #'("VocalScore")
diff --git a/Eybler_TuiSuntCoeli_HV78_Settings_Global.ily b/Eybler_TuiSuntCoeli_HV78_Settings_Global.ily
index 140d929e90cbbe4e9f99ab52688e05796d26320a..b3c2119f587887aecf9ea0ca16f6b20875ffb14b 100644
--- a/Eybler_TuiSuntCoeli_HV78_Settings_Global.ily
+++ b/Eybler_TuiSuntCoeli_HV78_Settings_Global.ily
@@ -1,16 +1,13 @@
\version "2.13.1"
-\include "orchestrallily/oly_settings_names.ily"
-
-scorenumber="EK-1078"
\header {
+ scorenumberbase="EK-1078"
title = "Tui sunt coeli"
subtitle = "Offertorium, HV 78"
composer = "Joseph Eybler (1765-1846)"
- copyright = \markup \abs-fontsize #9 \column{
- \line { "2009, " \concat{\with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna},} \concat{\scorenumber.} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
- \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
+ copyright = \markup \abs-fontsize #9 \column {
+ \line { © 2010, {\with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,}} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria.}
}
}
@@ -53,19 +50,21 @@ ClTransposeTo = d'
ClITransposeTo = \ClTransposeTo
ClIITransposeTo = \ClTransposeTo
-SClef = \clef "soprano"
-AClef = \clef "alto"
-TClef = \clef "tenor"
+SClef = \clef "soprano/treble"
+AClef = \clef "alto/treble"
+TClef = \clef "tenor/treble_8"
+
+VaInstrumentName = "Viole"
sempreBenMarcato = _\markup{"Sempre ben marcato."}
#(define-markup-command (pitchedtexttrill layout props alter) (number?)
(interpret-markup layout props
- (markup #:lower 1
- ;#:halign -1.4
- #:musicglyph "scripts.trill"
- #:hspace -0.5
+ (markup #:lower 1
+ ;#:halign -1.4
+ #:musicglyph "scripts.trill"
+ #:hspace -0.5
#:fontsize -1
#:musicglyph (assoc-get alter standard-alteration-glyph-name-alist "" ))))
diff --git a/Makefile b/Makefile
index 742d1d684cfa54c228cf9eb415e9ff02b6ed54c6..8c50445be10c4e761eaad4547a110c3abb9e147b 100644
--- a/Makefile
+++ b/Makefile
@@ -49,5 +49,16 @@ latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
- TEXINPUTS=$(OUT):orchestrallily/:.//: latex --output-directory=$(OUT)/ $<
-
+ TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex -interaction=batchmode --output-directory=$(OUT)/ $<
+
+zipdir = $(base)_Final
+dist: $(distfiles)
+ mkdir -p $(zipdir)
+ cp -r $(distfiles) $(zipdir)
+ rename 's/TeX_//' $(zipdir)/*
+ rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
+ zip -jr $(base).zip $(zipdir)
+ rm -rf $(zipdir)
+
+webshop: $(distfiles)
+ python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1078 - Eybler - Tui sunt coeli HV78.def" $(distfiles)
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Include_About.itex b/TeX_Eybler_TuiSuntCoeli_HV78_Include_About.itex
index 4f6cf69999345257f69fbb4366c76891ad98f100..1e3b1fde36873f46876f365ce9603b5df3b1729a 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Include_About.itex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Include_About.itex
@@ -3,6 +3,7 @@
\begin{multicols}{2}
\prefacesection{Vorwort}
TODO
+
\columnbreak
\prefacesection{Preface}
TODO
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Include_ContentsMaterial.itex b/TeX_Eybler_TuiSuntCoeli_HV78_Include_ContentsMaterial.itex
index cc281394aa6e77e28c05e6eb0b653f5008389aa1..df860cd9ecf16537e7341e1598cab9eaf59f1d4e 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Include_ContentsMaterial.itex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Include_ContentsMaterial.itex
@@ -16,7 +16,7 @@
Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (-\FullScoreNumber),
-\OrganScoreName{} (-\OrganScoreNumber);
+\VocalScoreName{} (-\VocalScoreNumber);
\ChoralScoreName{} (-\ChoralScoreNumber),
\SName{} (-\SNumber),
@@ -45,8 +45,8 @@ Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{hauptquellen}
-\item Autographe Partitur, Archiv des Schottenstifts, Wien, Signatur: TODO.
-\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: HK.2539 Mus, 1827.
+\item Autographe Partitur, Archiv des Schottenstifts, Wien. A-Ws Codex 735(711)/14.
+\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien. A-Whk HK.2539 Mus, 1827.
\item Offertorium \textnumero4 (\q{Tui sunt coeli, et tua est terra}), Originalausgabe, Tobias Haslinger, Wien, 1829. Partitur (T.H.5245) und Stimmensatz (T.H.5248).
\end{hauptquellen}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Include_KritBericht.itex b/TeX_Eybler_TuiSuntCoeli_HV78_Include_KritBericht.itex
index 583c21ab448f952b6a7b945e9c5d9dffbbca4972..138b272a880f6aeb312613636299f0327f534fe0 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Include_KritBericht.itex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Include_KritBericht.itex
@@ -1,4 +1,4 @@
-\footnotesize
+ \footnotesize
\chapter*{Quellen und Lesarten}
\addcontentsline{toc}{section}{Quellen und Lesarten}
@@ -8,8 +8,39 @@
\begin{thebibliography}{AA}
\bibitem[A]{Aut}
-Autographe Partitur, im Besitz des Musikarchiv des Schottenstiftes, Wien. Signatur: TODO
-\newblock TODO
+Autographe Partitur, im Besitz des Archiv des Schottenstiftes, Wien. Archivkodex: A-Ws Codex 735(711)/14.
+
+8 fol. (31,2 $\times$ 23,9 cm, Querformat), je 2 Blätter auf einem Bogen gefaltet, mit Faden-Rückenstichen geheftet.
+Paginierung sowohl nach Zahl der Blätter als auch Zahl der Bögen.
+Aufbewahrt in einem Kartonumschlag mit zahlreichen weiteren Offertorien von Eybler.
+
+Wasserzeichen: Wappen mit Schwertlilie, $\gamma$ 4.
+
+Titel: \q{Offertorium de SS. Nativitate Domini nostri I.C. in 3\textsuperscript{tia} Missa}.
+
+Eine Akkolade pro Seite, Anordnung der Stimmen (nur auf der Titelseite bezeichnet, keine weitere Klammersetzung):
+\begin{sourcetitle}
+Tympani C.G.\sbreak
+Clarini in C (im Violinschlüssel)\sbreak
+Corni in C\sbreak
+Clarinetti in C\sbreak
+Fagotti\sbreak
+V.1\textsuperscript{mo}\sbreak
+V.2\textsuperscript{do}\sbreak
+Viole\sbreak
+Soprano (im Sopranschlüssel)\sbreak
+Alto (im Altschlüssel)\sbreak
+Tenore (im Tenorschlüssel)\sbreak
+Basso\sbreak
+Organo con Bassi
+\end{sourcetitle}
+
+Bei mehreren Instrumenten pro Notenzeile ist am Beginn des Systems für jedes Instrument ein eigener Schlüssel notiert.
+
+Signiert am Ende des Stückes (6v, rechts unten):
+\begin{sourcetitle}
+L.D. da me G. Eybler mpia. $\overline{827}$.
+\end{sourcetitle}
\bibitem[B]{HS1}
Handschriftlicher Stimmensatz (aus dem Hofmusikkapellenarchiv) im Besitz der
@@ -54,7 +85,7 @@ OFFERTORIUM\sbreak
von\sbreak
Joseph Eybler\sbreak
k.k. erstem Hofcapellmeister.\sbreak
-\textnumero 5245 --- \textnumero TODO --- Preis \preisfrac{f 1.30 C.M.}{{\em[Rthl.]} 1.\_ gr.}\sbreak
+\textnumero 5245 --- \textnumero 4 --- Preis \preisfrac{f 1.30 C.M.}{{\em[Rthl.]} 1.\_ gr.}\sbreak
Partitur\sbreak
WIEN, BEI TOBIAS HASLINGER,\sbreak
Musikverleger,\sbreak
@@ -302,6 +333,9 @@ Abschwellen zu verhindern, daher übernommen.
17, 19, 70, 72 Org, 19 Cl1/Va: fz fehlt in den Stimmen \cite{HS1,TH5248} (außer Va in \cite{HS1}).
+18, 20 V1/V2: Keile (in keiner Quelle vorhanden) ergänzt nach der Parallelstelle
+in Takten 71 und 73.
+
20 A: Melismabogen fehlt in der Partitur \cite{TH5245}.
23 Fag1/Fag2: In \cite{TH5245} fz versehentlich auch auf der zweiten halben Note.
@@ -465,8 +499,9 @@ ersten Schlag.
gesetzt (voriger Takt endet mit demselben versetzten Ton), ebenso in T in
\cite{HS1,TH5245}. $\flat$ ohne besondere Kennzeichnung ergänzt.
-112 V2: $\flat$ des b' fehlt in allen Quellen, $\flat$ des es'' in keiner Quelle
-notiert (nur bei es').
+112 V2: $\flat$ des b' fehlt in allen Quellen, ebenso ist das $\flat$ des es'' in keiner Quelle
+notiert (nur bei es'). Im Kontext der Harmonik sind diese Vorzeichen jedoch
+unzweifelhaft und werden ohne weitere Kennzeichnung gesetzt.
114/115 Org: Im Autograph \cite{Aut} keine Erweiterungslinie der Bezifferung
\bfig{$\natural$6-4} für den C-Dur Akkort, in den restlichen Quellen
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Include_Todo.itex b/TeX_Eybler_TuiSuntCoeli_HV78_Include_Todo.itex
index c47aee17d85e2e4a5ad6cf600f9db57d3d8e0ec8..4e8097c506e38e8249d619660a8408842f56f8d8 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Include_Todo.itex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Include_Todo.itex
@@ -1,16 +1,9 @@
\todos{
\chapter*{Offene Fragen}
-% \section*{Literaturvergleich mit dem Autograph:}
\begin{itemize}
\item quoting voice with grace notes (cue notes in V1 Takt 16!)
-\item Staccato-Keile in Aut nachträglich?
-\item 17ff und 70ff V1/V2: Keile konsistent?
-\item 24 und 77 VcB/Org: Staccato-Keile???
-\item 112 V2: e/h bzw. es/e???? ($\flat$ fehlen?)
-\item 34/36 FB: In HS1 FB Extender über 3 Noten, tw. nur über 2???
-\item 51 FB: t.s. nachträglich im Aut?
-
+\item 17 Continuo: collision FB mit Trill
\end{itemize}
}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Choral.tex b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Choral.tex
index c582acf47cf8ce583b2d3613cb74401baededbef..777415ac47675fbbcaf545d8247a47c7c9a8696e 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Choral.tex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Choral.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[choralscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\ChoralScoreType}
\scorenumber{\scoreNumber\ChoralScoreNumber}
-\ChoralScoreSettings
\begin{document}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Full.tex b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Full.tex
index 2b790447d94feeed07b13280051e95e0635fea20..dc9c46a6c3de21c6989bc4e19850ffc98387196e 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Full.tex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Full.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
-\FullScoreSettings
\begin{document}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Instruments.tex b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Instruments.tex
index f015a9d382b7e036e25ab3f4a0ed57e5ee0d0790..f7e495e70dc61039dc21513248eb2b7e48fceb63 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Instruments.tex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Instruments.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[instrumentalparts,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\InstrumentalPartsType}
\scorenumber{\scoreNumber\InstrumentalPartsNumber}
-\InstrumentalPartsSettings
\begin{document}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Coverpage.itex}
@@ -17,9 +16,9 @@
\phantomsection
\addcontentsline{toc}{section}{\ContinuoName}
\includescore{Instrument_Continuo}
-\phantomsection
-\addcontentsline{toc}{section}{\OName}
-\includescore{Instrument_O}
+% \phantomsection
+% \addcontentsline{toc}{section}{\OName}
+% \includescore{Instrument_O}
\phantomsection
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Long.tex b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Long.tex
index 6a669ed89ddb7ed898ed8d109745ae624facabf4..fa081e1325e88f0ae10a030edb55496918e6428e 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Long.tex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Long.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\LongScoreType}
\scorenumber{\scoreNumber\LongScoreNumber}
-\LongScoreSettings
\begin{document}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Original.tex b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Original.tex
index 448f0d61f9868c0fb6f8de0696d63610a2e0d9e0..b9ded294981eb20d01fc6614047695159a9e9e08 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Original.tex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Original.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\OriginalScoreType}
\scorenumber{\scoreNumber\OriginalScoreNumber}
-\OriginalScoreSettings
\begin{document}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Vocal.tex b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Vocal.tex
index a072e46aef243ecacc15b022d6a875c17b326e9e..91fe2f54238127e7b5ec910430b026e79923427b 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Score_Vocal.tex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Score_Vocal.tex
@@ -8,7 +8,6 @@
\scoretype{\VocalScoreType}
\scorenumber{\scoreNumber\VocalScoreNumber}
-\VocalScoreSettings
\begin{document}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex b/TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex
index 63ff41f11c8d38af72b856b440928395101d20d1..4eebe08c8dae6dd61fa4b276cf5479a77d6abf99 100644
--- a/TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex
+++ b/TeX_Eybler_TuiSuntCoeli_HV78_Settings.itex
@@ -3,10 +3,10 @@
\composer{Joseph Eybler}
\composerdate{(1765-1846)}
\description{Per Coro (SATB) e Orchestra}
-\instrumentation{2 Clarinetti, 2 Fagotti\\2 Corni, 2 Trombe, Timpani\\2 Violini, Viola, Violoncello\\Contrabasso ed Organo}
+\instrumentation{2 Clarinetti, 2 Fagotti\\2 Corni, 2 Trombe, Timpani\\2 Violini, Viole, Violoncello\\Contrabasso ed Organo}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
-\year{2009}
+\yearpublished{2009}
\scoreinfo{Urtext}
\basename{Eybler_TuiSuntCoeli_HV78}
@@ -20,3 +20,4 @@
}
\input{TeX_Eybler_TuiSuntCoeli_HV78_Include_Todo.itex}
+\renewcommand{\VaName}{Viole}
\ No newline at end of file
diff --git a/out/Eybler_TuiSuntCoeli_HV78_Instrument_A.pdf b/out/Eybler_TuiSuntCoeli_HV78_Instrument_A.pdf
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diff --git a/webshop_descriptions.def b/webshop_descriptions.def
new file mode 100644
index 0000000000000000000000000000000000000000..23863d3256acf2259ffcffb2883d5afc6c32f2f6
--- /dev/null
+++ b/webshop_descriptions.def
@@ -0,0 +1,43 @@
+{
+ #"title": u"Joseph Eybler: Tui sunt coeli, Offertorium, HV 78",
+
+ "Short_Description_de": u"",
+ "Short_Description_en": u"",
+
+ "Description_de": u'''<p></p>''',
+ "Description_en": u'''<p></p>''',
+
+ "Category": u"",
+
+ #"published": "Y",
+
+ "Child_Products": [
+ {"sku": "EK-1078-0", "ismn": "", "comment": "", "price": 0.0}, # Originalpartitur
+ {"sku": "EK-1078-1", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1078-1a", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1078-2", "ismn": "", "comment": "", "price": 0.0}, # Klavierauszug / Vocal score
+ {"sku": "EK-1078-10", "ismn": "", "comment": "", "price": 0.0}, # Chorstimmen / Choral score
+ {"sku": "EK-1078-11", "ismn": "", "comment": "", "price": 0.0}, # Soprano
+ {"sku": "EK-1078-12", "ismn": "", "comment": "", "price": 0.0}, # Alto
+ {"sku": "EK-1078-13", "ismn": "", "comment": "", "price": 0.0}, # Tenore
+ {"sku": "EK-1078-14", "ismn": "", "comment": "", "price": 0.0}, # Basso
+ {"sku": "EK-1078-20", "ismn": "", "comment": "", "price": 0.0}, # Organo
+ {"sku": "EK-1078-21", "ismn": "", "comment": "", "price": 0.0}, # Organo
+ {"sku": "EK-1078-25", "ismn": "", "comment": "", "price": 0.0}, # Orchesterstimmen / Orchestra parts
+ {"sku": "EK-1078-30", "ismn": "", "comment": "", "price": 0.0}, # Violino I
+ {"sku": "EK-1078-31", "ismn": "", "comment": "", "price": 0.0}, # Violino II
+ {"sku": "EK-1078-32", "ismn": "", "comment": "", "price": 0.0}, # Viola
+ {"sku": "EK-1078-33", "ismn": "", "comment": "", "price": 0.0}, # Violoncello e Contrabbasso
+ {"sku": "EK-1078-44", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto I
+ {"sku": "EK-1078-45", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto II
+ {"sku": "EK-1078-46", "ismn": "", "comment": "", "price": 0.0}, # Fagotto I
+ {"sku": "EK-1078-47", "ismn": "", "comment": "", "price": 0.0}, # Fagotto II
+ {"sku": "EK-1078-50", "ismn": "", "comment": "", "price": 0.0}, # Corno I
+ {"sku": "EK-1078-51", "ismn": "", "comment": "", "price": 0.0}, # Corno II
+ {"sku": "EK-1078-52", "ismn": "", "comment": "", "price": 0.0}, # Tromba I
+ {"sku": "EK-1078-53", "ismn": "", "comment": "", "price": 0.0}, # Tromba II
+ {"sku": "EK-1078-60", "ismn": "", "comment": "", "price": 0.0}, # Timpani
+ ],
+ "Productimages": [
+ ],
+}