diff --git a/.gitignore b/.gitignore
index 0b6b3cd1cc9bbdd4219d06d34777030451e99833..630d61a176e6931877ca97c61f81d2f12ab9bda1 100644
--- a/.gitignore
+++ b/.gitignore
@@ -8,3 +8,4 @@
*.backup
TeX_*.toc
out/Eybler_TuaEstPotentia_HV50_KritBericht_*.eps
+Materialien
diff --git a/1050 - Eybler - Tua est potentia HV50.def b/1050 - Eybler - Tua est potentia HV50.def
new file mode 100644
index 0000000000000000000000000000000000000000..e777b47631a6434e4741f78bf621965208b0eac5
--- /dev/null
+++ b/1050 - Eybler - Tua est potentia HV50.def
@@ -0,0 +1,49 @@
+{
+ "output_dir": "1050 - Eybler - Tua est potentia HV50",
+ "version": "2.13.1",
+ "template": "EK_Full",
+ "language": "Latin",
+ "additionalscores": ["Eybler_TuaEstPotentia_HV50_KritBericht_Rhythm"],
+ "options": ["optimal-breaking"],
+
+ "defaults": {
+ "title": "Tua est potentia",
+ "subtitle": "Graduale, HV 50",
+ "composer": "Joseph Eybler",
+ "composerdate": "1765-1846",
+
+ #"arranger": u"<<arranger>>",
+ #"opus": u"<<opus>>",
+ #"instrumentation": u"<<instrumentation>>",
+ #"key": u"<<key>>",
+ #"language": u"<<language>>",
+ #"duration": u"<<duration>>",
+ #"composition_year": u"<<composition_year>>",
+ #"score_information": u"<<score_information>>",
+ #"genre": u"<<genre>>",
+
+ "year": "2009",
+ "publisher": "Edition Kainhofer, Vienna",
+ "publisherurl": "http://www.edition-kainhofer.com/",
+ "editor": "Reinhold Kainhofer",
+ "editorurl": "http://reinhold.kainhofer.com/",
+ "editormail": "reinhold@kainhofer.com",
+ "scorenumber": "EK-1050",
+ "scoreinfo": "Urtext",
+ "basename": "Eybler_TuaEstPotentia_HV50",
+
+ "instruments": [
+ "ClI", "ClII", "FagI", "FagII",
+ "TbeI", "TbeII", "TrbI", "TrbII",
+ "Tim",
+ "VI", "VII", "Va",
+ "S", "A", "T", "B",
+ "Continuo", "VcB"
+ ],
+ "vocalvoices": ["SSolo", "S", "A", "T", "B"],
+ "scores": ["Long", "Full", "Vocal", "Choral", "Original"],
+ },
+
+ "scores": ["TuaEstPotentia"],
+ "latex": {},
+}
diff --git a/Eybler_TuaEstPotentia_HV50_Instrument_Continuo.ly b/Eybler_TuaEstPotentia_HV50_Instrument_Continuo.ly
index fd6cf0e0b91513c99bd0209bd7a198c23f512aa8..87c905e9ba42157b1ff3bdacb194ac7eb0696eba 100644
--- a/Eybler_TuaEstPotentia_HV50_Instrument_Continuo.ly
+++ b/Eybler_TuaEstPotentia_HV50_Instrument_Continuo.ly
@@ -4,7 +4,32 @@
\header {
instrument = \ContinuoInstrumentName
scorenumber = \markup{\scoreNumber \ContinuoNumber}
+ arranger = "Generalbassaussetzung: R. Kainhofer"
}
-\createScore #"TuaEstPotentia" #'("Continuo")
+\layout {
+% \context { \Staff
+% \override VerticalAxisGroup #'remove-empty = ##f
+% }
+ \context { \Score
+ \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
+ \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
+ }
+}
+% \paper {
+% systems-per-page = #7
+% page-count = #4
+% }
+
+BCRealizationExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+ContinuoExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+\layout {
+ \context {
+ \RemoveEmptyStaffContext
+ % To use the setting globally, uncomment the following line:
+ \override VerticalAxisGroup #'remove-first = ##t
+ \remove "Instrument_name_engraver"
+ }
+}
+\createScore #"TuaEstPotentia" #'("RealizedContinuo")
diff --git a/Eybler_TuaEstPotentia_HV50_KritBericht_Rhythm.ly b/Eybler_TuaEstPotentia_HV50_KritBericht_Rhythm.ly
index b010cf47901bb270e8acf04a80ddcde78ba0ee80..805b483d50ecb8c20a1d7e28d7af92fedce9ca28 100644
--- a/Eybler_TuaEstPotentia_HV50_KritBericht_Rhythm.ly
+++ b/Eybler_TuaEstPotentia_HV50_KritBericht_Rhythm.ly
@@ -18,20 +18,21 @@
\context { \Staff
\name EmptyStaff
\consists "Grid_point_engraver"
- \override GridPoint #'Y-extent = #'(4 . -2)
+ \override GridPoint #'Y-extent = #'(4 . -4.5)
localKeySignature = #'()
\override BarLine #'bar-size = #4
- \override StaffSymbol #'line-count = #0
+% \override StaffSymbol #'line-count = #0
\override Stem #'neutral-direction = #UP
\override Beam #'neutral-direction = #UP
\consists "Pitch_squash_engraver"
- squashedPosition = #0
+ squashedPosition = #-5
\remove "Time_signature_engraver"
\remove "Clef_engraver"
+ \remove "Staff_symbol_engraver"
}
\context { \Score
\accepts "EmptyStaff"
@@ -50,7 +51,7 @@
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Einzelner Schlag
rhythmSchlagFalschTriole = \relative g' {
- g8[ r16. \times 2/3 {g32 g g]}
+ g8[ r16. \times 2/3 {g32 g g]}
}
rhythmSchlagFalsch = \relative g' {
@@ -58,11 +59,11 @@ rhythmSchlagFalsch = \relative g' {
}
rhythmSchlagPart = \relative g' {
- g8[ r16 \times 2/3 {g32 g g]}
+ g8[ r16 \times 2/3 {g32 g g]}
}
rhythmSchlagAlternativ = \relative g' {
- g8[ r16. \times 2/3 {g64 g g]}
+ g8[ r16. \times 2/3 {g64 g g]}
}
rhythmSchlagTSechsVa = \relative g' {
@@ -90,11 +91,11 @@ rhythmSchlagTSechsVa = \relative g' {
% rhythmMusicIa = \relative g' {
% g4 r16. b32[ g16. g32] g8[ r16. \times 2/3 {g32( g g]} g16[) r32 g64( g] g16[) r32 g64( g])
% }
-%
+%
% rhythmMusicIb = \relative g' {
% g4 r16. b32[ g16.g32] g8[ r16 \times 2/3 {g32( g g]} g16[) r32 g64( g] g16[) r32 g64( g])
% }
-%
+%
% rhythmMusicIc = \relative g' {
% g4 r16. b32[ g16.g32] g8[ r16. \times 2/3 {g64( g g]} g16[) r32 g64( g] g16[) r32 g64( g])
% }
@@ -110,7 +111,7 @@ rhythmSchlagTSechsVa = \relative g' {
% }
% >>}
% }
-%
+%
% \book{
% \score {<<
% \new EmptyStaff {
@@ -130,15 +131,15 @@ rhythmSchlagTSechsVa = \relative g' {
largeline = {
\once\override Score.GridLine #'thickness = #2.0
- \once\override EmptyStaff.GridPoint #'Y-extent = #'(5 . -2)
+ \once\override EmptyStaff.GridPoint #'Y-extent = #'(3 . -4.5)
}
mediumline = {
\once\override Score.GridLine #'thickness = #1.0
- \once\override EmptyStaff.GridPoint #'Y-extent = #'(6 . -2)
+ \once\override EmptyStaff.GridPoint #'Y-extent = #'(4 . -4.5)
}
smallline = {
\once\override Score.GridLine #'thickness = #0.5
- \once\override EmptyStaff.GridPoint #'Y-extent = #'(7 . -2.5)
+ \once\override EmptyStaff.GridPoint #'Y-extent = #'(5 . -4.5)
}
gridMusic = \notemode {
@@ -152,11 +153,12 @@ gridMusic = \notemode {
\mediumline s8
\smallline s8
- \largeline s8
+ \largeline s8
}
rhythmMusicIIa = \relative g' {
+ \override Score.VerticalAxisGroup #'next-staff-spacing = #'((space . 1) (minimum-distance . 11))
c8[ r16. \times 2/3 { c32( c c]} d16[) r32 c64( c] c16[) r32 c64( c] c8[) r16. c32( c] c16[) r32 \times 2/3 {c64( c c]} c16[) r32 c64( c)]
}
diff --git a/Eybler_TuaEstPotentia_HV50_Music_TuaEstPotentia.ily b/Eybler_TuaEstPotentia_HV50_Music_TuaEstPotentia.ily
index f4fa1cd6a34ca3fb6e4fe0d281ac8f428d4dec21..cea733e91499e553c82a5cb8625804c727d9836c 100644
--- a/Eybler_TuaEstPotentia_HV50_Music_TuaEstPotentia.ily
+++ b/Eybler_TuaEstPotentia_HV50_Music_TuaEstPotentia.ily
@@ -13,7 +13,7 @@ TuaEstPotentiaSettings = \notemode {
ten = ^\markup{"ten."}
-TuaEstPotentiaTbeIMusic = \relative c' {
+TuaEstPotentiaTbeIMusic = \relative c' {
\transposition es
r4 | % 1
c\f\ten r c\ten r | % 2
@@ -52,7 +52,7 @@ TuaEstPotentiaTbeIIMusic = \relative c' {
\transposition es
\quoteDuring #"TuaEstPotentiaTbeIMusic" { s4 | s1*2 | s2. } g8 r | % 4
\quoteDuring #"TuaEstPotentiaTbeIMusic" { s1*2 | s4 } c8[ c] e8[ r16. c32] e8[ e] | %7
- e4 r r2 | % 8
+ e4 r r2 | % 8
g4 c,8 r r2 | \barNumberCheck #9
\quoteDuring #"TuaEstPotentiaTbeIMusic" { s1*17 } | \barNumberCheck #26
r8 g16.[\f g32] g8[ g] c4~\fz c8 r | % 27
@@ -92,8 +92,8 @@ TuaEstPotentiaTrbIMusic = \relative c' {
b f'2 b4 | % 26
b b es,4.\fz f8 | % 27
f[ a] b4~ b a | % 28
- b r r2 | % 29
- b,4\ten r b\ten r | \barNumberCheck #30
+ b4 r b,\ten r | % 29
+ b4\ten r b\ten r | \barNumberCheck #30
r2 f'8 r f r | % 31
b, r r4 r2 | % 32
R1*6 | % 38
@@ -565,12 +565,12 @@ TuaEstPotentiaVaMusic = \relative c' {
es[ es,] r b' r d[ f d] | \barNumberCheck #10
es4 b8[ g] es[ es' es es] | \barNumberCheck #11
es[ es,] r b'4 b d8 | % 12
- << {
+ << {
\voiceOne es8[ g, g g] g4 r | % 13
r8 d'8[ d d] d4 r | % 14
- r8 es[ es es] es \oneVoice
- }
- \new Voice {
+ r8 es[ es es] es \oneVoice
+ }
+ \new Voice {
\voiceTwo es8[ es, es es] es4 r | % 13
r8 f8[ f f] f4 r | % 14
r8 g[ g g] g
@@ -603,7 +603,7 @@ TuaEstPotentiaVaMusic = \relative c' {
\new Voice { \voiceTwo
b8[ f f f] f4 r | % 36
r8 g[ g g] es4 r | % 37
- r8 g[ g g] g
+ r8 g[ g g] g
} >> g'4 f8 | % 38
es8 b4\cresc b8 b\f b'4 b8 | % 39
b[ b, g b] c[ es g c] | \barNumberCheck #40
@@ -622,7 +622,7 @@ TuaEstPotentiaVaMusic = \relative c' {
as'8[ as,16. as'32] g8[ g,16. g'32] c8[ c,16. c'32] b8[ b,16. b'32] | % 53
d8[ d,16. d'32] es8[ es,16. es'32] b16.[ b,32 d16. f32] b16.[ f32 d16. b32] | % 54
es16.[ g,32 b16. es32] g16.[ es32 b16. g32] as16.[ as'32 c16. as32] f,16.[ f'32 as16. f32] | % 55
- b16.[ b32 g16. es32] b8[ <f' d'>] \once\override Stem #'direction = #DOWN <es es'>[ g,16.\ff b32] es16.[ g32 b16. es32] | % 56
+ b16.[ b32 g16. es32] b8[ <f' d'>] <es es'>[ g,16.\ff b32] es16.[ g32 b16. es32] | % 56
d8[ b16. f32] d16.[ f32 as16. d,32] es8[ g,16. b32] es16.[ g32 b16. es32] | % 57
d8[ b16. f32] d16.[ d32 f16. as32] g4 <es b es,>4 | % 58
r2 r4 \bar"|."
@@ -690,26 +690,26 @@ TuaEstPotentiaSMusic = \relative c' {
\addQuote "TuaEstPotentiaSMusic" { \TuaEstPotentiaSMusic }
TuaEstPotentiaSLyrics = \lyricmode {
- Tu -- a est po -- ten -- ti -- a,
+ Tu -- a est po -- ten -- ti -- a,
tu -- um reg -- num, Do -- mi -- ne;
Tu es su -- per om -- nes om -- nes gen -- tes.
Da pa -- cem, Do -- mi -- ne,
- Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
+ Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
da pa -- cem in di -- e -- bus no -- stris.
-
- Tu -- a est po -- ten -- ti -- a, tu -- a,
+
+ Tu -- a est po -- ten -- ti -- a, tu -- a,
tu -- um reg -- num, Do -- mi -- ne, tu -- um;
Tu es su -- per om -- nes gen -- tes,
tu es su -- per om -- nes gen -- tes.
% 32
- Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
+ Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
- Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem,
+ Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem,
pa -- cem in __ di -- e -- bus, in di -- e -- bus no -- stris,
-
+
pa -- cem, da pa -- cem, Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem.
-
+
Tu -- a est po -- ten -- ti -- a, tu -- a,
tu -- um reg -- num, Do -- mi -- ne, tu -- um,
tu es su -- per om -- nes gen -- tes,
@@ -778,20 +778,20 @@ TuaEstPotentiaAMusic = \relative c' {
\addQuote "TuaEstPotentiaAMusic" { \TuaEstPotentiaAMusic }
TuaEstPotentiaALyrics = \lyricmode {
- Tu -- a est po -- ten -- ti -- a,
+ Tu -- a est po -- ten -- ti -- a,
tu -- um reg -- num Do -- mi -- ne;
Tu es su -- per om -- nes om -- nes gen -- tes.
-
+
Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
in di -- e -- bus no -- stris,
- pa -- cem, pa -- cem,
- Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem,
+ pa -- cem, pa -- cem,
+ Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem,
pa -- cem in di -- e -- bus no -- stris. % 20
% 20
- Tu -- a est po -- ten -- ti -- a, tu -- a,
+ Tu -- a est po -- ten -- ti -- a, tu -- a,
tu -- um reg -- num, Do -- mi -- ne, tu -- um;
Tu es su -- per om -- nes gen -- tes,
- tu es su -- per om -- nes gen -- tes.
+ tu es su -- per om -- nes gen -- tes.
% 32
Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
@@ -799,7 +799,7 @@ TuaEstPotentiaALyrics = \lyricmode {
da pa -- cem in di -- e -- bus, in di -- e -- bus no -- stris,
% 44
pa -- cem, da pa -- cem, Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem.
-
+
Tu -- a est po -- ten -- ti -- a, tu -- a,
tu -- um reg -- num, Do -- mi -- ne, tu -- um;
Tu es su -- per om -- nes gen -- tes,
@@ -929,19 +929,19 @@ TuaEstPotentiaBMusic = \relative c {
\addQuote "TuaEstPotentiaBMusic" { \TuaEstPotentiaBMusic }
TuaEstPotentiaBLyrics = \lyricmode {
- Tu -- a est po -- ten -- ti -- a,
+ Tu -- a est po -- ten -- ti -- a,
tu -- um reg -- num, Do -- mi -- ne;
Tu es su -- per om -- nes, om -- nes gen -- tes.
-
- Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
+
+ Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
da pa -- cem in di -- e -- bus no -- stris. % 20
% 20
- Tu -- a est po -- ten -- ti -- a, tu -- a,
+ Tu -- a est po -- ten -- ti -- a, tu -- a,
tu -- um reg -- num, Do -- mi -- ne, tu -- um;
Tu es su -- per om -- nes gen -- tes,
- tu es su -- per om -- nes gen -- tes.
+ tu es su -- per om -- nes gen -- tes.
% 32
Da pa -- cem, Do -- mi -- ne, Do -- mi -- ne,
in di -- e -- bus no -- stris, pa -- cem, pa -- cem,
@@ -949,7 +949,7 @@ TuaEstPotentiaBLyrics = \lyricmode {
da pa -- cem, da pa -- cem in di -- e -- bus no -- stris,
% 44
pa -- cem, da pa -- cem, Do -- mi -- ne, in di -- e -- bus no -- stris, pa -- cem.
-
+
Tu -- a est po -- ten -- ti -- a, tu -- a,
tu -- um reg -- num, Do -- mi -- ne, tu -- um;
Tu es su -- per om -- nes gen -- tes,
@@ -1067,3 +1067,57 @@ TuaEstPotentiaBCFbMusic = \figuremode {
s2 r4 \bar"|."
}
+TuaEstPotentiaBCRealizationMusic = \relative c'' {
+ r4 | % 1
+ R1*3 | % 4
+ <\parenthesize g es b \parenthesize g>2 <as es c>4 <g es b> | % 5
+ <g es b>2 <c as es>4 <b g es> | % 6
+ <es b g>2 <b g es>4 <b g es>8[ <es b g>] | % 7
+ <g es b>4 <f d b> <as f c> <g es c> | % 8
+ <f d b> <es c g> \parenthesize <g es c g>8 r8 r4 | % 9
+ R1*7 | % 16
+ <f d b>4 <d b f>2 <d b g>4^"TODO!" | % 17
+ <es b g>4 <es c> <es c a> <c a f> | % 18
+ s1 | \barNumberCheck #19
+ s1 | % 20
+ s1 | % 21
+ s1 | % 22
+ s1 | % 23
+ s1 | % 24
+ s1 | % 25
+ s1 | % 26
+ s1 | % 27
+ s1 | % 28
+ s4 r4 r2 | \barNumberCheck #29
+ R1*10 | % 39
+ s1 | \barNumberCheck #40
+ s1 | % 41
+ s1 | % 42
+ s1 | % 43
+ s1 | % 44
+ R1*4 | % 48
+ s1 | % 49
+ s1 | \barNumberCheck #50
+ s1 | % 51
+ s1 | % 52
+ s1 | % 53
+ s1 | % 54
+ s1 | % 55
+ s1 | % 56
+ s1*2 | % 58
+ s2 r4 \bar"|."
+}
+
+
+TuaEstPotentiaPIMusic = \relative c'' {
+ % TODO
+ s4
+ \repeat unfold 57 { s1 } \barNumberCheck #58
+ s2.
+}
+TuaEstPotentiaPIIMusic = \relative c {
+ % TODO
+ s4
+ \repeat unfold 57 { s1 } \barNumberCheck #58
+ s2.
+}
diff --git a/Eybler_TuaEstPotentia_HV50_Score_Original.ly b/Eybler_TuaEstPotentia_HV50_Score_Original.ly
index 9bb70b5cf38bc5a6017dfe1efef392163d5f1c9d..7e3ca5a19ee410c411b16b866c50e6bf8c7ff234 100644
--- a/Eybler_TuaEstPotentia_HV50_Score_Original.ly
+++ b/Eybler_TuaEstPotentia_HV50_Score_Original.ly
@@ -1,15 +1,11 @@
\version "2.13.1"
+#(ly:set-option 'ancient-style #t)
\include "Eybler_TuaEstPotentia_HV50_Settings_FullScore.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
-SClef = \clef "soprano"
-AClef = \clef "alto"
-TClef = \clef "tenor"
OrganInstrumentName = \markup\column{"Bassi e" "Organo"}
\createNoCuesScore #"TuaEstPotentia" #'("Tim" "TbeLong" "TrbLong" "ClLong" "FagLong" "Str" "ChoralScore" "Organ")
diff --git a/Eybler_TuaEstPotentia_HV50_Score_Vocal.ly b/Eybler_TuaEstPotentia_HV50_Score_Vocal.ly
index feaac4c614f7106b48d049275eaecf913e29774d..56d3cd2f8b87ebf0800291dbc3b12eea7ed2e68a 100644
--- a/Eybler_TuaEstPotentia_HV50_Score_Vocal.ly
+++ b/Eybler_TuaEstPotentia_HV50_Score_Vocal.ly
@@ -7,5 +7,20 @@
scoretype = \VocalScoreTitle
scorenumber = \markup{\scoreNumber \VocalScoreNumber}
}
+% \layout {
+% \context { \Staff
+% \override VerticalAxisGroup #'remove-empty = ##f
+% }
+% }
+PIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+PIIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+
+\layout {
+ \context {
+ \Score
+ \override SpacingSpanner
+ #'base-shortest-duration = #(ly:make-moment 1 64)
+ }
+}
\createScore #"TuaEstPotentia" #'("VocalScore")
diff --git a/Eybler_TuaEstPotentia_HV50_Settings_Global.ily b/Eybler_TuaEstPotentia_HV50_Settings_Global.ily
index c6d6b881265089a76e8a5aae663c519d20852d7a..703f4f2e69b1989a63588e57f9b93127ff131ca1 100644
--- a/Eybler_TuaEstPotentia_HV50_Settings_Global.ily
+++ b/Eybler_TuaEstPotentia_HV50_Settings_Global.ily
@@ -1,16 +1,13 @@
\version "2.13.1"
-\include "orchestrallily/oly_settings_names.ily"
-
-scorenumber="EK-1050"
\header {
+ scorenumberbase="EK-1050"
title = "Tua est potentia"
subtitle = "Graduale, HV 50"
composer = "Joseph Eybler (1765-1846)"
- copyright = \markup \abs-fontsize #9 \column{
- \line { "2009, " \concat{\with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna},} \concat{\scorenumber.} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
- \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
+ copyright = \markup \abs-fontsize #9 \column {
+ \line { "© 2010, " \concat{\with-url #"http://www.edition-kainhofer.com/" {"Edition Kainhofer, Vienna"},} \concat{\fromproperty #'header:scorenumber .} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
}
}
@@ -31,6 +28,10 @@ TbeInstrumentName = \markup\center-column{"Trombe" \concat{"in Es / E" \smaller\
TbeIInstrumentName = \markup\center-column{"Tromba I" \concat{"in Es / E" \smaller\flat}}
TbeIIInstrumentName = \markup\center-column{"Tromba II" \concat{"in Es / E" \smaller\flat}}
+TrbInstrumentName = \markup\center-column{"Tromboni" \concat{"(ad lib.)"}}
+TrbIInstrumentName = \markup\center-column{"Trombone I" \concat{"(ad lib.)"}}
+TrbIIInstrumentName = \markup\center-column{"Trombone II" \concat{"(ad lib.)"}}
+
ClInstrumentName = \markup\center-column{"Clarinetti" \concat{"in B/B" \smaller\flat}}
ClIInstrumentName = \markup\center-column{"Clarinetto I" \concat{"in B/B" \smaller\flat}}
ClIIInstrumentName = \markup\center-column{"Clarinetto II" \concat{"in B/B" \smaller\flat}}
@@ -47,3 +48,8 @@ TimKey = \key c \major
TrbIClef = \clef "alto"
+SClef = \clef "soprano/treble"
+AClef = \clef "alto/treble"
+TClef = \clef "tenor/treble_8"
+
+VaInstrumentName = "Viole"
diff --git a/Makefile b/Makefile
index cc26e9c17f139e69c55d972c79c85422f15637a0..86d5f1fe3a88851b3daeb7dcc22f455f6879aa9a 100644
--- a/Makefile
+++ b/Makefile
@@ -49,5 +49,16 @@ latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
- TEXINPUTS=$(OUT):orchestrallily/:.//: latex --output-directory=$(OUT)/ $<
-
+ TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex -interaction=batchmode --output-directory=$(OUT)/ $<
+
+zipdir = $(base)_Final
+dist: $(distfiles)
+ mkdir -p $(zipdir)
+ cp -r $(distfiles) $(zipdir)
+ rename 's/TeX_//' $(zipdir)/*
+ rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
+ zip -jr $(base).zip $(zipdir)
+ rm -rf $(zipdir)
+
+webshop: $(distfiles)
+ python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1050 - Eybler - Tua est potentia HV50.def" $(distfiles)
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Include_About.itex b/TeX_Eybler_TuaEstPotentia_HV50_Include_About.itex
index 4f6cf69999345257f69fbb4366c76891ad98f100..9ca2323b68a9f0cbb2eec2f9d7cbf860791c2a2f 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Include_About.itex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Include_About.itex
@@ -1,10 +1,78 @@
\addcontentsline{toc}{section}{Vorwort / Preface}
+\prefacesection{Vorwort}
\begin{multicols}{2}
-\prefacesection{Vorwort}
-TODO
-\columnbreak
-\prefacesection{Preface}
-TODO
+Der Wiener Hofkapellmeister Joseph Eybler schrieb dieses hymnenartige Graduale im Jänner
+1822 am Höhepunkt seines Schaffens. Gemeinsam mit der Missa Sancti Ignatii
+(Missa solemnis in Es, HV 13) wurde es auch am 27. Jänner 1822 von der Hofmusikkapelle
+in der Hofburgkapelle uraufgeführt.
+
+Es erschien als erstes Graduale von Eybler im Jahr 1825 im Verlag von
+Tobias Haslinger in Druck, gemeinsam mit der Missa Apostolorum (HV 15) zur
+Krönungsfeier der Kaiserin Carolina in Preßburg, wurde allerdings nicht --
+wie Rochlitz fälschlich annimmt -- zur Krönungsfeierlichkeit
+selbst aufgeführt.
+\vspace{1em}
+
+Wie bei Eybler üblich ist die Musik perfekt an den Text angepasst und verdeutlicht
+diesen. Vor allem durch die Streicherbegleitung unterstützt Eybler in diesem Stück
+sehr schön den Unterschied zwischen dem pompösen Machtanerkenntnis im \q{Tua
+est potentia}, unterlegt durch einen punktierten Rhythmus und vorschlag-ähnlichen
+Triolen in den aufsteigenden Läufen, und dem demütig-bittenden \q{Da pacem},
+verdeutlicht durch das Legato in den Sechzehntelnoten der Streicher.
+
+Dies wird auch z.B. von Hofrat Rochlitz in der (Leipziger)
+Allgemeinen Musikalischen Zeitung \cite{AMZ1827} in höchsten Tönen gepriesen:
+\begin{quote}\textit{
+[...] ein herrlicher, würdevoller, wahrhaft an's Herz dringender Chor, bey aller
+Kunstmässigkeit der Führung und aller Fülle des durchgehends obligaten
+Accompagnements, einfach, von Jedermann zu fassen, von Jedermann
+mitzuempfinden. Der Satz ist, ganz wie der Text, aus zwey Hauptideen
+entwickelt: aus dem feyerlichen Anerkenntnisse göttlicher Obmacht, und aus
+der Bitte: Da pacem etc. Wir wüssten nicht, wie Beydes schöner ausgedrückt
+und schöner verbunden werden könnte.}
+\end{quote}
+
+Ebenso Dr. Lindner in der Zeitschrift Caecilia \cite{Cae1830}:
+\begin{quote}\textit{
+[...] sondern auch aus speciellen Characterzügen, tritt der denkende,
+scharfsinnige Tondichter in fest bestimmten Umrissen hervor, wie, zum Beyspiel,
+in dem Graduale Nro.1, nach dem grandiosen Chor: »Tua est potentia, tuum Regnum«, das innige,
+so kindlich fromm sich anschmiegende: »da pacem, Domine! in diebus nostris«;}
+\end{quote}
+
+Die für Eybler typische große Orchesterbesetzung aufgrund der Verfügbarkeit
+der aus professionellen Musikern bestehenden Hofkapelle und des Anspruchs,
+Kirchenmusik zu präsentieren, die einem Kaiserhof wie den Habsburgern gerecht
+wird, wird auch in diesem Graduale sehr mit Bedacht eingesetzt und tritt
+-- abgesehen von kurzen Solo-Phrasen der Holzbläser -- nur in den forte-Teilen
+in Erscheinung.
+\vspace{1em}
+
+Die vorliegende Ausgabe stützt sich einerseits auf den Autograph Eyblers im
+Wiener Schottenstift und das handschriftliche Aufführungsmaterial der
+Hofmusikkapelle, welches von Eybler benutzt wurde.
+Andererseits dient auch der von Eybler redigierte Erstdruck bei Haslinger
+als Vorlage. Bezüglich der Instrumentation werden auch die beiden Posaunen
+übernommen, die jeweils in den Quellen nur in den (handschriftlichen und
+gedruckten) Einzelstimmen vorliegen und vermutlich ursprünglich optional
+gedacht waren, später jedoch gestrichen wurden.
+
+
+\paragraph*{Referenzen:}
+{
+\footnotesize
+\begin{thebibliography}{AMZ1827}
+\setlength{\itemsep}{0mm}
+\setlength{\parskip}{0mm}
+\bibitem[AMZ1827]{AMZ1827}
+J. Rochlitz: \q{Recension: Messe, zur Krönungs-Feyer Ihrer Majestät, der
+Kaiserin Carolina, als Königin von Ungarn, comp. von Joseph Eybler}, in: {\em
+(Leipziger) Allgemeine Musikalische Zeitung}, 24. Januar 1827, \textnumero 4, Sp. 50--55.
+
+\bibitem[Cae1830]{Cae1830}
+Dr. Lindner: \q{Drey Messen von Joseph Eybler}, in: {\em Caecilia}, eine Zeitschrift für die musikalische Welt, Zwölfter Band, Heft 46, 1830, S. 122--126.
+\end{thebibliography}
+}
\end{multicols}
\vfill
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Include_ContentsMaterial.itex b/TeX_Eybler_TuaEstPotentia_HV50_Include_ContentsMaterial.itex
index c3704b385a80c93b1e72e58cd84f48fc9c64e08c..24cfaaa98bd7639e04c6b6ad8ed066ad508b3251 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Include_ContentsMaterial.itex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Include_ContentsMaterial.itex
@@ -16,9 +16,9 @@
Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (-\FullScoreNumber),
-% \VocalScoreName{} (-\VocalScoreNumber),
-\ChoralScoreName{} (-\ChoralScoreNumber);
+\VocalScoreName{} (-\VocalScoreNumber);
+\ChoralScoreName{} (-\ChoralScoreNumber),
\SName{} (-\SNumber),
\AName{} (-\ANumber),
\TName{} (-\TNumber),
@@ -46,8 +46,8 @@ Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{hauptquellen}
-\item Autographe Partitur, Archiv des Schottenstifts, Wien, Signatur: TODO.
-\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: HK.2503 Mus, 1822.
+\item Autographe Partitur, Archiv des Schottenstifts, Wien, A-Ws Codex 571(440)/9..
+\item Handschriftlicher Stimmensatz des ehemaligen k.k. Hofmusikkapellen-Archivs, Musiksammlung der Österr. Nationalbibliothek, Wien, A-Whk HK.2503 Mus, 1822.
\item Graduale \textnumero7 (\q{Domine Deus}), Originalausgabe, Tobias Haslinger, Wien, 1832. Partitur (T.H.4792) und Stimmensatz (T.H.4795).
\end{hauptquellen}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Include_KritBericht.itex b/TeX_Eybler_TuaEstPotentia_HV50_Include_KritBericht.itex
index 8b762e503b58ec897d7c9ccdbae26369ddb2ab2a..d6fd5b0b3d21e4c1127daa046325bf65020aeef1 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Include_KritBericht.itex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Include_KritBericht.itex
@@ -8,8 +8,39 @@
\begin{thebibliography}{AA}
\bibitem[A]{Aut}
-Autographe Partitur, im Besitz des Musikarchiv des Schottenstiftes, Wien. Signatur: TODO
-\newblock TODO
+Autographe Partitur, im Besitz des Archiv des Schottenstiftes, Wien. Archivkodex: A-Ws Codex 571(440)/9.
+
+6 fol. (32,5 $\times$ 23 cm, Querformat), je 2 Blätter auf einem Bogen gefaltet, mit zwei Fadenringen geheftet.
+6v leer. Aufbewahrt in einem Kartonumschlag mit 21 weiteren Graduale von Eybler.
+
+Wasserzeichen: Drei Halbmonde, \q{CF} und Wappen.
+
+Titel: \q{\underline{Graduale de Tempore}}, rechts davon \q{I.M.S.}
+
+Eine Akkolade pro Seite, Anordnung der Stimmen (nur auf der Titelseite bezeichnet, keine weitere Klammersetzung):
+\begin{sourcetitle}
+Tympani Es, B.\sbreak
+Clarini in Es.\sbreak
+Clarinetti in \xout{C}B.\sbreak
+Fagotti\sbreak
+V.1\textsuperscript{mo}\sbreak
+V.2\textsuperscript{do}\sbreak
+Viole\sbreak
+Soprano (im Sopranschlüssel)\sbreak
+Alto (im Altschlüssel)\sbreak
+Tenore (im Tenorschlüssel)\sbreak
+Basso\sbreak
+Organo con Bassi
+\end{sourcetitle}
+
+Bei mehreren Instrumenten pro Notenzeile ist am Beginn des Systems für jedes Instrument ein eigener Schlüssel notiert.
+
+Signiert am Ende des Stückes (6r, rechts unten):
+\begin{sourcetitle}
+Jan.$\overline{822}$\sbreak
+da me Giuseppe Eybler mpia
+\end{sourcetitle}
+
\bibitem[B]{HS1}
Handschriftlicher Stimmensatz (des Wiener Hofmusikkapellenarchivs) im Besitz
@@ -135,7 +166,7 @@ nicht jedoch im Autograph oder der Partitur.
Einzelstimmen \cite{TH4795} sie noch als \q{Clarino I\textsuperscript{mo} in Es.}
und \q{Clarino II\textsuperscript{do} in Es} betiteln.
-\item Die Pauken-Stimme \cite{TH4795} ist lediglich als \q{Timpano.} betitelt,
+\item Die gedruckte Pauken-Stimme \cite{TH4795} ist nur als \q{Timpano.} betitelt,
die Stimmung (\q{in Es.B.}) ist lediglich in den Partituren \cite{Aut,TH4795} angegeben.
\item In der gedruckten Partitur \cite{TH4792} ist die V2-Stimme oft \q{col 1\textsuperscript{mo}}
@@ -339,6 +370,12 @@ ein f, in den Takten 28 und 31 ist dies jedoch wie in den Partituren
20 V2: Bogen des zweiten Schlags in \cite{TH4795} trotz Parallelführung mit V1
nicht zweigeteilt wie in \cite{Aut,HS1,TH4795}.
+20 BC: Im Autograph \cite{Aut} nicht mehr erkennbare falsche Version ausrasiert
+und korrigiert auf die hier gezeigte, die sich auch in allen anderen Quellen findet.
+
+25 T: Im Autograph \cite{Aut} dritte Viertel b nachträglich mit Bleistift auf
+f' geändert, vermutlich jedoch nicht von Eybler.
+
27 T: Im \cite{Aut,HS1} fehlt der Melismabogen.
27 Org: In \cite{HS1,TH4795} unnötige Bezifferung $\natural$ auf der letzten Achtel.
@@ -379,6 +416,8 @@ Sechzehntel, im Autograph \cite{Aut} ebenso. In \cite{HS1} in Cl1/Fg1/Fg2 am Tak
in V1/V2 tw. auf die vierte Sechzehntel, sonst auf zweite Achtel. Vereinheitlicht
auf die zweite Achtel.
+38 Cl1/Fg1/Fg2: In \cite{TH4792} Balken nur über die zweite bis vierte Achtelnote.
+
40 V1: Bögen in \cite{TH4795} jeweils erst ab der zweiten 16-tel.
41 V2: In den Stimmen \cite{HS1,TH4795} Bogen auf viertem Schlag durchgezogen statt zweigeteilt.
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Include_Text.itex b/TeX_Eybler_TuaEstPotentia_HV50_Include_Text.itex
index 2afc90c2ce33667ec2f41068f8aecdafef928d49..2f414912c6eb4d010801bbfd747a2d2addfa30b1 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Include_Text.itex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Include_Text.itex
@@ -1,6 +1,7 @@
\subsection*{Text des \q{Tua est potentia}: nach 1 Chr 29:11}
\begin{lyricstext}
+\normalsize
\begin{lyricstable}
Tua est potentia, & Dein ist die Macht, & Thine is the power, \\
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Include_Todo.itex b/TeX_Eybler_TuaEstPotentia_HV50_Include_Todo.itex
index 9772bd272795f5f248362f80ea147770a5a4607f..eb07c13639b825b7f71f5a50d0103c9de856f91c 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Include_Todo.itex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Include_Todo.itex
@@ -2,9 +2,7 @@
\chapter*{Offene Fragen}
\begin{itemize}
-\item 25 T: Im Autograph f oder b???? (mit Bs. nachträglich eingetragen?)
\item 42 FB: Extender line collision mit Vorzeichen und Note
-\item Va: Auf 2 Seiten strecken!
\end{itemize}
}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Score_Choral.tex b/TeX_Eybler_TuaEstPotentia_HV50_Score_Choral.tex
index fa3bbd606ca29d00aa50b3c993c5001cb1c244b1..fdad0ef05ade5d3ae90eaae0ecdccb9ecbd6f0d3 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Score_Choral.tex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Score_Choral.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[choralscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuaEstPotentia_HV50_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\ChoralScoreType}
\scorenumber{\scoreNumber\ChoralScoreNumber}
-\ChoralScoreSettings
\begin{document}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Score_Full.tex b/TeX_Eybler_TuaEstPotentia_HV50_Score_Full.tex
index a7480b4264ef79b21bbd559839f1815156db5819..849426c0ee761f9ab79a96e0aabbae581f1ec90f 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Score_Full.tex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Score_Full.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuaEstPotentia_HV50_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
-\FullScoreSettings
\begin{document}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Score_Instruments.tex b/TeX_Eybler_TuaEstPotentia_HV50_Score_Instruments.tex
index a29151270a3c6618feaefbd7124a04a5522a1e14..0b8d4ddbcd79fc2eb0c347fbfc61b329bdbcfd0f 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Score_Instruments.tex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Score_Instruments.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[instrumentalparts,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuaEstPotentia_HV50_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\InstrumentalPartsType}
\scorenumber{\scoreNumber\InstrumentalPartsNumber}
-\InstrumentalPartsSettings
\begin{document}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Score_Long.tex b/TeX_Eybler_TuaEstPotentia_HV50_Score_Long.tex
index 8cfa7a40d86e2bce547be3cb4f6e7620c86accc0..f79c151219c83b152fca3a79c5f533e9c0cfbc74 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Score_Long.tex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Score_Long.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuaEstPotentia_HV50_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\LongScoreType}
\scorenumber{\scoreNumber\LongScoreNumber}
-\LongScoreSettings
\begin{document}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Score_Original.tex b/TeX_Eybler_TuaEstPotentia_HV50_Score_Original.tex
index a0ffab5e388a7f81d8ab95e2ff14b50137f8f5ab..a19f2d2114ef4810996e5cc06bfd43ad4e970013 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Score_Original.tex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Score_Original.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuaEstPotentia_HV50_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\OriginalScoreType}
\scorenumber{\scoreNumber\OriginalScoreNumber}
-\OriginalScoreSettings
\begin{document}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Score_Vocal.tex b/TeX_Eybler_TuaEstPotentia_HV50_Score_Vocal.tex
index 79fc12ea06a49fb18a8dfad7c14840a5ebb199cc..5c4d5f1ad7f5a6630a8bd8c1917889bfc982f934 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Score_Vocal.tex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Score_Vocal.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[vocalscore]{editionkainhofer}
+\usepackage[vocalscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_TuaEstPotentia_HV50_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\VocalScoreType}
\scorenumber{\scoreNumber\VocalScoreNumber}
-\VocalScoreSettings
\begin{document}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Coverpage.itex}
diff --git a/TeX_Eybler_TuaEstPotentia_HV50_Settings.itex b/TeX_Eybler_TuaEstPotentia_HV50_Settings.itex
index fba8b218e88a33e20a9be89147af36cbf1c00f73..c07351734729c7f21799a4e2571df6e8d09ceebc 100644
--- a/TeX_Eybler_TuaEstPotentia_HV50_Settings.itex
+++ b/TeX_Eybler_TuaEstPotentia_HV50_Settings.itex
@@ -3,10 +3,10 @@
\composer{Joseph Eybler}
\composerdate{(1765--1846)}
\description{Per Coro (SATB) e Orchestra}
-\instrumentation{2 Clarinetti, 2 Fagotti\\(2 Tromboni), 2 Trombe, Timpani\\2 Violini, Viole, Violoncello\\Contrabasso ed Organo}
+\instrumentation{2 Clarinetti, 2 Fagotti\\(2 Tromboni ad lib.), 2 Trombe, Timpani\\2 Violini, Viole, Violoncello\\Contrabasso ed Organo}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
-\year{2009}
+\yearpublished{2009}
\scoreinfo{Urtext}
\basename{Eybler_TuaEstPotentia_HV50}
@@ -20,3 +20,4 @@
}
\input{TeX_Eybler_TuaEstPotentia_HV50_Include_Todo.itex}
+\renewcommand{\VaName}{Viole}
\ No newline at end of file
diff --git a/out/Eybler_TuaEstPotentia_HV50_Instrument_A.pdf b/out/Eybler_TuaEstPotentia_HV50_Instrument_A.pdf
index 48846ad9f9b5e04a99b3e611a85e35f3239fa345..b25aec9f70c5cdb5466cd7ae15b66a566e854d4b 100644
Binary files a/out/Eybler_TuaEstPotentia_HV50_Instrument_A.pdf and b/out/Eybler_TuaEstPotentia_HV50_Instrument_A.pdf differ
diff --git a/out/Eybler_TuaEstPotentia_HV50_Instrument_B.pdf b/out/Eybler_TuaEstPotentia_HV50_Instrument_B.pdf
index e0eb98176f37c533eaed214ff73e80c21d03f7f2..06dc33901efdf220c5575e1644f8ea8ad9ae5f22 100644
Binary files a/out/Eybler_TuaEstPotentia_HV50_Instrument_B.pdf and b/out/Eybler_TuaEstPotentia_HV50_Instrument_B.pdf differ
diff --git a/out/Eybler_TuaEstPotentia_HV50_Instrument_ClI.pdf b/out/Eybler_TuaEstPotentia_HV50_Instrument_ClI.pdf
index 67742e91b9fe81cfe5f3cc9d2d80af0e81c43889..5029a3bd9fc4dabada7ed672b1e0e35766923de4 100644
Binary files a/out/Eybler_TuaEstPotentia_HV50_Instrument_ClI.pdf and b/out/Eybler_TuaEstPotentia_HV50_Instrument_ClI.pdf differ
diff --git a/out/Eybler_TuaEstPotentia_HV50_Instrument_ClII.pdf b/out/Eybler_TuaEstPotentia_HV50_Instrument_ClII.pdf
index 8716599ba146a33cd904474804f7448f76cbfc59..dfa057d10cbff650659befa770226949cbb1d6fc 100644
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index 0000000000000000000000000000000000000000..ebe00319ee351749de0137c71aa2f56eb262eabd
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+{
+ #"title": u"Joseph Eybler: Tua est potentia, Graduale, HV 50",
+
+ "Short_Description_de": u"",
+ "Short_Description_en": u"",
+
+ "Description_de": u'''<p></p>''',
+ "Description_en": u'''<p></p>''',
+
+ "Category": u"",
+
+ #"published": "Y",
+
+ "Child_Products": [
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+ {"sku": "EK-1050-1", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1050-1a", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1050-2", "ismn": "", "comment": "", "price": 0.0}, # Klavierauszug / Vocal score
+ {"sku": "EK-1050-10", "ismn": "", "comment": "", "price": 0.0}, # Chorstimmen / Choral score
+ {"sku": "EK-1050-11", "ismn": "", "comment": "", "price": 0.0}, # Soprano
+ {"sku": "EK-1050-12", "ismn": "", "comment": "", "price": 0.0}, # Alto
+ {"sku": "EK-1050-13", "ismn": "", "comment": "", "price": 0.0}, # Tenore
+ {"sku": "EK-1050-14", "ismn": "", "comment": "", "price": 0.0}, # Basso
+ {"sku": "EK-1050-21", "ismn": "", "comment": "", "price": 0.0}, # Organo
+ {"sku": "EK-1050-25", "ismn": "", "comment": "", "price": 0.0}, # Orchesterstimmen / Orchestra parts
+ {"sku": "EK-1050-30", "ismn": "", "comment": "", "price": 0.0}, # Violino I
+ {"sku": "EK-1050-31", "ismn": "", "comment": "", "price": 0.0}, # Violino II
+ {"sku": "EK-1050-32", "ismn": "", "comment": "", "price": 0.0}, # Viola
+ {"sku": "EK-1050-33", "ismn": "", "comment": "", "price": 0.0}, # Violoncello e Contrabbasso
+ {"sku": "EK-1050-44", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto I
+ {"sku": "EK-1050-45", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto II
+ {"sku": "EK-1050-46", "ismn": "", "comment": "", "price": 0.0}, # Fagotto I
+ {"sku": "EK-1050-47", "ismn": "", "comment": "", "price": 0.0}, # Fagotto II
+ {"sku": "EK-1050-52", "ismn": "", "comment": "", "price": 0.0}, # Tromba I
+ {"sku": "EK-1050-53", "ismn": "", "comment": "", "price": 0.0}, # Tromba II
+ {"sku": "EK-1050-54", "ismn": "", "comment": "", "price": 0.0}, # Trombone I
+ {"sku": "EK-1050-55", "ismn": "", "comment": "", "price": 0.0}, # Trombone II
+ {"sku": "EK-1050-60", "ismn": "", "comment": "", "price": 0.0}, # Timpani
+ ],
+ "Productimages": [
+ ],
+}