diff --git a/.gitignore b/.gitignore
index 5317b388db21383a2c0dd2c942ee90797c73bec1..ead2439fea511c2d252942edbe2e740403847aea 100644
--- a/.gitignore
+++ b/.gitignore
@@ -8,3 +8,4 @@
*.out
*.backup
TeX_*.toc
+Eybler_LaudaSion_HV45_Score_Partcombine.*
diff --git a/1045 - Eybler - Lauda Sion HV45 HV102.def b/1045 - Eybler - Lauda Sion HV45 HV102.def
new file mode 100644
index 0000000000000000000000000000000000000000..838e63929a90084139fa738e92806a24b0436417
--- /dev/null
+++ b/1045 - Eybler - Lauda Sion HV45 HV102.def
@@ -0,0 +1,82 @@
+{
+ "output_dir": "1045 - Eybler - Lauda Sion HV45 HV102",
+ "version": "2.13.1",
+ "template": "EK_Full",
+ "language": "Latin",
+ "additionalscores": [],
+ "options": ["optimal-breaking"],
+
+ "defaults": {
+ "title": "Lauda Sion",
+ "composer": "Joseph Eybler",
+ "composerdate": "1765-1846",
+ "composerII": "Michael Haydn",
+ "composerdateII": "1737-1806",
+
+ #"arranger": u"<<arranger>>",
+ #"opus": u"<<opus>>",
+ #"instrumentation": u"<<instrumentation>>",
+ #"key": u"<<key>>",
+ #"language": u"<<language>>",
+ #"duration": u"<<duration>>",
+ #"composition_year": u"<<composition_year>>",
+ #"score_information": u"<<score_information>>",
+ #"genre": u"<<genre>>",
+
+ "year": "2009",
+ "publisher": "Edition Kainhofer, Vienna",
+ "publisherurl": "http://www.edition-kainhofer.com/",
+ "editor": "Reinhold Kainhofer",
+ "editorurl": "http://reinhold.kainhofer.com/",
+ "editormail": "reinhold@kainhofer.com",
+ "scorenumber": "EK-1045",
+ },
+
+ "scores": ["LaudaSion_Eybler", "LaudaSion_Haydn"],
+ "LaudaSion_Eybler": {
+ "composer": "Joseph Eybler",
+ "composerdate": "1765-1846",
+ "subtitle": "Graduale, HV 45",
+ "basename": "Eybler_LaudaSion_HV45",
+ "instruments": [
+ "Fl", "ClI", "ClII",
+ "TbeI", "TbeII", "CorI", "CorII",
+ "Tim",
+ "VI", "VII", "Va",
+ "S", "A", "T", "B",
+ "Continuo", "VcB"
+ ],
+ "vocalvoices": ["S", "A", "T", "B"],
+ "scores": ["Long", "Full", "Vocal", "Choral", "Original"],
+ "parts": [
+ {"id": "LaudaSion", "piece": "Lauda Sion Salvatorem", "piecetacet": "Lauda Sion tacet"},
+ {"id": "EccePanis", "piece": "Ecce panis Angelorum", "piecetacet": "Ecce panis tacet"},
+ {"id": "InFiguris", "piece": "In figuris praesignatur", "piecetacet": "In figuris tacet"},
+ {"id": "BonePastor", "piece": "Bone pastor, panis vere", "piecetacet": "Bone pastor tacet"}
+ ],
+ },
+ "LaudaSion_Haydn": {
+ "composer": "Michael Haydn",
+ "composerdate": "1737-1806",
+ "subtitle": "Offertorium, MH 215 (K IIa:42)",
+ "basename": "Haydn_LaudaSion_MH215",
+ "arranger": u"fälschlich J. Eybler zugeschrieben (HV 102)",
+ "instruments": [ "VI", "VII", "S", "A", "T", "B", "Continuo" ],
+ "vocalvoices": ["S", "A", "T", "B"],
+ "scores": ["Full", "Vocal", "Choral", "Original"],
+ "parts": [
+ {"id": "LaudaSion", "piece": "Lauda Sion Salvatorem", "piecetacet": "Lauda Sion tacet"},
+ {"id": "EccePanis", "piece": "Ecce panis Angelorum", "piecetacet": "Ecce panis tacet"},
+ {"id": "InFiguris", "piece": "In figuris praesignatur", "piecetacet": "In figuris tacet"},
+ {"id": "BonePastor", "piece": "Bone pastor, panis vere", "piecetacet": "Bone pastor tacet"}
+ ],
+ },
+
+ "latex": {
+ "basename": "Eybler_LaudaSion",
+ "title": "Lauda Sion Salvatorem",
+ "subtitle": "Graduale, HV 45\\\\Offertorium, MH 215 (K IIa:42) / HV 102",
+ "description": "Per Coro (SATB) e Orchestra",
+ "instrumentation": "(Flauto, 2 Clarinetti)\\\\(2 Corni, 2 Trombe, Timpani)\\\\2 Violini, (Viola, Violoncello)\\\\(Contrabasso) ed Organo",
+ },
+}
diff --git a/Eybler_LaudaSion_HV45_Instrument_Continuo.ly b/Eybler_LaudaSion_HV45_Instrument_Continuo.ly
index 19ff8181df017b9e0fc92e9a42226db2c7c8284a..c98d46c352b59fc69ff243f2f043bb19ae1a927f 100644
--- a/Eybler_LaudaSion_HV45_Instrument_Continuo.ly
+++ b/Eybler_LaudaSion_HV45_Instrument_Continuo.ly
@@ -4,10 +4,25 @@
\header {
instrument = \ContinuoInstrumentName
scorenumber = \markup{\scoreNumber \ContinuoNumber}
+ arranger = "Generalbassaussetzung: R. Kainhofer"
}
-\createScore #"LaudaSion" #'("Continuo")
-\createScore #"EccePanis" #'("Continuo")
-\createScore #"InFiguris" #'("Continuo")
-\createScore #"BonePastor" #'("Continuo")
+\layout {
+ \context { \Staff
+ \override VerticalAxisGroup #'remove-empty = ##f
+ }
+ \context { \Score
+ \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
+ \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
+ }
+}
+% \paper {
+% systems-per-page = #7
+% page-count = #4
+% }
+
+\createScore #"LaudaSion" #'("RealizedContinuo")
+\createScore #"EccePanis" #'("RealizedContinuo")
+\createScore #"InFiguris" #'("RealizedContinuo")
+\createScore #"BonePastor" #'("RealizedContinuo")
diff --git a/Eybler_LaudaSion_HV45_Music_BonePastor.ily b/Eybler_LaudaSion_HV45_Music_BonePastor.ily
index fff0f1894d3d0cc2b22b31fece8bc75ad4f00ea8..4d9c1df20b0ee80c7eda1de79e3204d97f743acb 100644
--- a/Eybler_LaudaSion_HV45_Music_BonePastor.ily
+++ b/Eybler_LaudaSion_HV45_Music_BonePastor.ily
@@ -267,7 +267,7 @@ BonePastorSLyrics = \lyricmode {
Je -- su, no -- stri mi -- se -- re -- re,
tu nos pas -- ce, nos tu -- e -- re,
tu nos bo -- na fac vi -- de -- re
- in ter -- ra vi -- ven -- ti -- um,
+ in ter -- ra vi -- ven -- ti -- um,
in ter -- ra vi -- ven -- ti -- um.
}
@@ -416,8 +416,41 @@ BonePastorBCFbMusic = \figuremode {
<6 4>2 <5 3> | \barNumberCheck #24
s1
}
+BonePastorBCRealizationMusic = \relative c' {
+ R1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+ s1 | % 6
+ s1 | % 7
+ R1*2 | % 9
+ s1 | \barNumberCheck #10
+ s1 | % 11
+ s1 | % 12
+ R1 | % 13
+ s1 | % 14
+ s1 | % 15
+ s1 | % 16
+ s1 | % 17
+ s1 | % 18
+ s1 | % 19
+ s1 | \barNumberCheck #20
+ R1 | % 21
+ s1 | % 22
+ s1 | % 23
+ s1 | \barNumberCheck #24
+ R1
+}
BonePastorVcBMusic = \BonePastorBCMusic
\addQuote "BonePastorVcBMusic" { \BonePastorVcBMusic }
+BonePastorPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 24 { s1 } | \barNumberCheck #25
+}
+BonePastorPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 24 { s1 } | \barNumberCheck #25
+}
diff --git a/Eybler_LaudaSion_HV45_Music_EccePanis.ily b/Eybler_LaudaSion_HV45_Music_EccePanis.ily
index 5e214115b2caedf6f0f6b13e44b2de953a341d5d..a978722e6697e1dfd42de50376f6465ee0119805 100644
--- a/Eybler_LaudaSion_HV45_Music_EccePanis.ily
+++ b/Eybler_LaudaSion_HV45_Music_EccePanis.ily
@@ -226,7 +226,7 @@ EccePanisSMusic = \relative c'' {
EccePanisSLyrics = \lyricmode {
\set stanza = "1."
- Fac -- tus ci -- bus vi -- a -- to -- rum:
+ Fac -- tus ci -- bus vi -- a -- to -- rum:
ve -- re pa -- nis fi -- li -- o -- rum,
non mit -- ten -- dus ca -- ni -- bus,
non mit -- ten -- dus ca -- ni -- bus.
@@ -356,9 +356,39 @@ EccePanisBCFbMusic = \figuremode {
<6 4>2 <5 3> | \barNumberCheck #20
s1
}
+EccePanisBCRealizationMusic = \relative c' {
+ s1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+ s1 | % 6
+ s1 | % 7
+ s1*2 | % 9
+ s1 | \barNumberCheck #10
+ s1 | % 11
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s1 | % 15
+ s1 | % 16
+ s1 | % 17
+ s1 | % 18
+ s1 | % 19
+ s1 | \barNumberCheck #20
+ s1
+}
\addQuote "EccePanisContinuoMusic" { \EccePanisBCMusic }
EccePanisVcBMusic = \EccePanisBCMusic
\addQuote "EccePanisVcBMusic" { \EccePanisVcBMusic }
+EccePanisPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 20 { s1 } | \barNumberCheck #21
+}
+
+EccePanisPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 20 { s1 } | \barNumberCheck #21
+}
diff --git a/Eybler_LaudaSion_HV45_Music_InFiguris.ily b/Eybler_LaudaSion_HV45_Music_InFiguris.ily
index 8e3213c0058ee1f260cf0a4e7e45aa15a4b33e03..897dbaab52286cbcfc8f890f7b1baa846fd1883b 100644
--- a/Eybler_LaudaSion_HV45_Music_InFiguris.ily
+++ b/Eybler_LaudaSion_HV45_Music_InFiguris.ily
@@ -226,9 +226,9 @@ InFigurisSMusic = \relative c'' {
InFigurisSLyrics = \lyricmode {
\set stanza = "2."
- Cum Isa -- ac im -- mo -- la -- tur:
- A -- gnus pas -- chae de -- pu -- ta -- tur:
- da -- tur man -- na pa -- tri -- bus,
+ Cum Isa -- ac im -- mo -- la -- tur:
+ A -- gnus pas -- chae de -- pu -- ta -- tur:
+ da -- tur man -- na pa -- tri -- bus,
da -- tur man -- na pa -- tri -- bus.
}
@@ -356,8 +356,38 @@ InFigurisBCFbMusic = \figuremode {
<6 4>2 <5 3> | \barNumberCheck #20
s1
}
+InFigurisBCRealizationMusic = \relative c' {
+ R1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+ s1 | % 6
+ s1 | % 7
+ R1*2 | % 9
+ s1 | \barNumberCheck #10
+ s1 | % 11
+ s1 | % 12
+ R1 | % 13
+ s1 | % 14
+ s1 | % 15
+ s1 | % 16
+ R1 | % 17
+ s1 | % 18
+ s1 | % 19
+ s1 | \barNumberCheck #20
+ R1
+}
InFigurisVcBMusic = \InFigurisBCMusic
\addQuote "InFigurisVcBMusic" { \InFigurisVcBMusic }
+InFigurisPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 20 { s1 } | \barNumberCheck #21
+}
+
+InFigurisPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 20 { s1 } | \barNumberCheck #21
+}
diff --git a/Eybler_LaudaSion_HV45_Music_LaudaSion.ily b/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
index de9af41d19a1c1a81cd6cebc568aede92dc114de..693bc08a9ab7f3556057a9e0db5aee9c7fa97665 100644
--- a/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
+++ b/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
@@ -72,7 +72,7 @@ LaudaSionFlMusic = \relative c''' {
c g'8[ e] | % 86
c4 g'8[ e] | % 87
c4 c | \barNumberCheck #88
- c r \bar"|."
+ c r \bar"|."
}
\addQuote "LaudaSionFlMusic" { \LaudaSionFlMusic }
@@ -356,12 +356,12 @@ LaudaSionCorIMusic = \relative c'' {
c r8 d | % 79
e8[ d] c4 | \barNumberCheck #80
r g'8[ e] | % 81
- c4 e | %
- r d | %
- c e | %
- r d | %
- c r | %
- c g'8[ e] | %
+ c4 e | %
+ r d | %
+ c e | %
+ r d | %
+ c r | %
+ c g'8[ e] | %
c4 c | \barNumberCheck #88
c r \bar"|."
}
@@ -848,16 +848,16 @@ LaudaSionSLyrics = \lyricmode {
Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da du -- cem et __ pa -- sto -- rem.
Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
-
+
In hym -- nis et can -- ti -- cis in hym -- nis __ et __ can -- ti -- cis.
-
+
Al -- le -- lu -- ja, al -- le -- lu -- ja.
-
+
Lau -- da du -- cem et pas -- to -- rem.
-
+
Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
-
- In hym -- nis et can -- ti -- cis,
+
+ In hym -- nis et can -- ti -- cis,
in hym -- nis et can -- ti -- cis.
Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da __ du -- cem __ et __ pa -- sto -- rem
@@ -1220,7 +1220,104 @@ LaudaSionBCFbMusic = \figuremode {
s2*4
}
+LaudaSionBCRealizationMusic = \relative c' {
+ s2 | % 2
+ s2 | % 3
+ s2 | % 4
+ s2 | % 5
+ s2 | % 6
+ s2 | % 7
+ s2 | % 8
+ s2 | % 9
+ s2 | \barNumberCheck #10
+ s2 | % 11
+ s2 | % 12
+ s2 | % 13
+ s2 | % 14
+ s2 | % 15
+ R2*2 | % 17
+ s2 | % 18
+ s2 | % 19
+ s2 | \barNumberCheck #20
+ s2 | % 21
+ s2 | % 22
+ s2 | % 23
+ s2 | % 24
+ s2 | % 25
+ s2 | % 26
+ s2 | % 27
+ s2 | % 28
+ s2 | % 29
+ s2 | \barNumberCheck #30
+ s2 | % 31
+ s2 | % 32
+ s2 | % 33
+ s2 | % 34
+ s2 | % 35
+ s2 | % 36
+ s2 | % 37
+ s2 | % 38
+ s2 | % 39
+ s2 | \barNumberCheck #40
+ s2 | \barNumberCheck #41
+ s2 | % 42
+ s2 | % 43
+ s2 | % 44
+ s2 | % 45
+ s2 | % 46
+ s2 | % 47
+ s2 | % 48
+ s2 | % 49
+ s2 | \barNumberCheck #50
+ s2 | % 51
+ s2 | % 52
+ s2 | % 53
+ s2 | % 54
+ s2 | % 55
+ s2 | % 56
+ s2 | % 57
+ s2 | % 58
+ s2 | % 59
+ s2 | \barNumberCheck #60
+ s2 | % 61
+ s2 | % 62
+ s2 | % 63
+ s2 | % 64
+ s2 | % 65
+ s2 | % 66
+ s2 | % 67
+ s2 | % 68
+ s2 | % 69
+ s2 | \barNumberCheck #70
+ s2 | % 71
+ s2 | % 72
+ s2 | % 73
+ s2 | % 74
+ s2 | % 75
+ s2 | % 76
+ s2 | % 77
+ s2 | % 78
+ s2 | % 79
+ s2 | \barNumberCheck #80
+ s2 | % 81
+ s2 | % 82
+ s2 | % 83
+ s2 | % 84
+ s2 | % 85
+ R2*4
+}
+
LaudaSionVcBMusic = \LaudaSionBCMusic
\addQuote "LaudaSionVcBMusic" { \LaudaSionVcBMusic }
+
+LaudaSionPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 88 { s2 } | \barNumberCheck #89
+}
+
+LaudaSionPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 88 { s2 } | \barNumberCheck #89
+}
diff --git a/Eybler_LaudaSion_HV45_Score_Original.ly b/Eybler_LaudaSion_HV45_Score_Original.ly
index a09bd8837913c2b70e6c6ee0feca9fe4a73e6f0b..80d1956cb262c7575d6b3d42976c1c49435f4dd7 100644
--- a/Eybler_LaudaSion_HV45_Score_Original.ly
+++ b/Eybler_LaudaSion_HV45_Score_Original.ly
@@ -1,15 +1,11 @@
\version "2.13.1"
+#(ly:set-option 'ancient-style #t)
\include "Eybler_LaudaSion_HV45_Settings_FullScore.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
-SClef = \clef "soprano"
-AClef = \clef "alto"
-TClef = \clef "tenor"
\createNoCuesScore #"LaudaSion" #'("OriginalScore")
\createNoCuesScore #"EccePanis" #'("OriginalScore")
diff --git a/Eybler_LaudaSion_HV45_Score_Vocal.ly b/Eybler_LaudaSion_HV45_Score_Vocal.ly
index 69f574a82dd1e201eceb4cd41840436e1f402041..9e2663eeb7c5e77088f750da02322e89af8ded28 100644
--- a/Eybler_LaudaSion_HV45_Score_Vocal.ly
+++ b/Eybler_LaudaSion_HV45_Score_Vocal.ly
@@ -8,6 +8,9 @@
scorenumber = \markup{\scoreNumber \VocalScoreNumber}
}
+PIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+PIIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+
\createScore #"LaudaSion" #'("VocalScore")
\createScore #"EccePanis" #'("VocalScore")
\createScore #"InFiguris" #'("VocalScore")
diff --git a/Eybler_LaudaSion_HV45_Settings_Global.ily b/Eybler_LaudaSion_HV45_Settings_Global.ily
index a5dd69bc138c9556ac4e6811208668d58198d676..3f12bf280a366976695f32e1304a198c9ecf4c4e 100644
--- a/Eybler_LaudaSion_HV45_Settings_Global.ily
+++ b/Eybler_LaudaSion_HV45_Settings_Global.ily
@@ -1,16 +1,13 @@
\version "2.13.1"
-\include "orchestrallily/oly_settings_names.ily"
-
-scorenumber="EK-1045"
\header {
+ scorenumberbase="EK-1045"
title = "Lauda Sion"
subtitle = "Graduale, HV 45"
- composer = "Joseph Eybler (1765-1846)"
- copyright = \markup \abs-fontsize #9 \column{
- \line { "2009, " \concat{\with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna},} \concat{\scorenumber.} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
- \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
+ composer = "Joseph Eybler? (1765-1846)"
+ copyright = \markup \abs-fontsize #9 \column {
+ \line { "© 2010, " \concat{\with-url #"http://www.edition-kainhofer.com/" {"Edition Kainhofer, Vienna"},} \concat{\fromproperty #'header:scorenumber .} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
}
}
@@ -24,3 +21,6 @@ scorenumber="EK-1045"
#(oly:remove_from_score_structure '("FlLong" "Fl"))
#(oly:modify_score_structure '("WdLong" "StaffGroup" ("Fl" "ObLong" "ClLong" "FagLong" "CFag")))
+SClef = \clef "soprano/treble"
+AClef = \clef "alto/treble"
+TClef = \clef "tenor/treble_8"
diff --git a/Haydn_LaudaSion_MH215_Instrument_Continuo.ly b/Haydn_LaudaSion_MH215_Instrument_Continuo.ly
index d356d032d4b66b87d4e5a9b5b519e26af9e1c16a..efb1159f3bec66947c712ee79e75f7d2464e88a8 100644
--- a/Haydn_LaudaSion_MH215_Instrument_Continuo.ly
+++ b/Haydn_LaudaSion_MH215_Instrument_Continuo.ly
@@ -4,10 +4,25 @@
\header {
instrument = \ContinuoInstrumentName
scorenumber = \markup{\scoreNumber \ContinuoNumber}
+ arranger = "Generalbassaussetzung: R. Kainhofer"
}
-\createScore #"LaudaSion" #'("Continuo")
-\createScore #"EccePanis" #'("Continuo")
-\createScore #"InFiguris" #'("Continuo")
-\createScore #"BonePastor" #'("Continuo")
+\layout {
+ \context { \Staff
+ \override VerticalAxisGroup #'remove-empty = ##f
+ }
+ \context { \Score
+ \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
+ \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
+ }
+}
+% \paper {
+% systems-per-page = #7
+% page-count = #4
+% }
+
+\createScore #"LaudaSion" #'("RealizedContinuo")
+\createScore #"EccePanis" #'("RealizedContinuo")
+\createScore #"InFiguris" #'("RealizedContinuo")
+\createScore #"BonePastor" #'("RealizedContinuo")
diff --git a/Haydn_LaudaSion_MH215_Music_BonePastor.ily b/Haydn_LaudaSion_MH215_Music_BonePastor.ily
index 550834e6cf126525260ec22b9165b2196e6bb144..ea019bf92807c8e138e3911a6b548bb8e5b6e517 100644
--- a/Haydn_LaudaSion_MH215_Music_BonePastor.ily
+++ b/Haydn_LaudaSion_MH215_Music_BonePastor.ily
@@ -76,7 +76,7 @@ BonePastorSMusic = \relative c'' {
BonePastorSLyrics = \lyricmode {
Je -- su, nos -- tri mi -- se -- re -- re:
tu nos pas -- ce, nos tu -- e -- re,
- tu nos bo -- na fac vi -- de -- re
+ tu nos bo -- na fac vi -- de -- re
in ter -- ra vi -- ven -- ti -- um,
vi -- ven -- ti -- um.
}
@@ -196,3 +196,34 @@ BonePastorBCFbMusic = \figuremode {
<4>2 <3> | \barNumberCheck #18
s1
}
+BonePastorBCRealizationMusic = \relative c' {
+ s1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+ R1 | % 6
+ s1 | % 7
+ R1 | % 8
+ s1 | % 9
+ R1 | \barNumberCheck #10
+ s1 | % 11
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s1 | % 15
+ s1 | % 16
+ R1 | % 17
+ s1 | \barNumberCheck #18
+ R1
+}
+
+
+BonePastorPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 18 { s1 } | \barNumberCheck #19
+}
+
+BonePastorPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 18 { s1 } | \barNumberCheck #19
+}
diff --git a/Haydn_LaudaSion_MH215_Music_EccePanis.ily b/Haydn_LaudaSion_MH215_Music_EccePanis.ily
index db4c8d4ddc5636febee70e16ff6d4e032846d233..e33e0572d40a6eef8fe920f0dad6e4d706457c6e 100644
--- a/Haydn_LaudaSion_MH215_Music_EccePanis.ily
+++ b/Haydn_LaudaSion_MH215_Music_EccePanis.ily
@@ -8,7 +8,7 @@ EccePanisKey = \key c \major
EccePanisTimeSignature = \time 2/2
EccePanisSettings = \notemode {
- \tempo \EccePanisTempo
+ \tempo \EccePanisTempo
}
EccePanisVIMusic = \relative c'' {
@@ -33,7 +33,7 @@ EccePanisVIMusic = \relative c'' {
c h | \barNumberCheck #20
a1~ | % 21
a2 a | % 22
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
gis\breve \bar"|."
}
\addQuote "EccePanisVIMusic" { \EccePanisVIMusic }
@@ -60,7 +60,7 @@ EccePanisVIIMusic = \relative c'' {
e e | \barNumberCheck #20
e d4 c | % 21
d2 dis | % 22
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
e\breve \bar"|."
}
\addQuote "EccePanisVIIMusic" { \EccePanisVIIMusic }
@@ -87,7 +87,7 @@ EccePanisSMusic = \relative c'' {
c h | \barNumberCheck #20
a1 | % 21
a | % 22
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
gis\breve \bar"|."
}
\addQuote "EccePanisSMusic" { \EccePanisSMusic }
@@ -121,7 +121,7 @@ EccePanisAMusic = \relative c'' {
e e | \barNumberCheck #20
e\melisma d4( c) | % 21
d2\melismaEnd dis | % 22
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
e\breve \bar"|."
}
\addQuote "EccePanisAMusic" { \EccePanisAMusic }
@@ -152,11 +152,11 @@ EccePanisTMusic = \relative c' {
g2 g | % 16
g2. g4 | % 17
g2 c~ | % 18
- c h | % 19 %
+ c h | % 19 %
a gis | \barNumberCheck #20
a1~ | % 21
a2 a | % 22
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
a\breve \bar"|."
}
\addQuote "EccePanisTMusic" { \EccePanisTMusic }
@@ -190,7 +190,7 @@ EccePanisBMusic = \relative c {
a e' | \barNumberCheck #20
f1~ | % 21
f2 f2 | % 22
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
e\breve \bar"|."
}
\addQuote "EccePanisBMusic" { \EccePanisBMusic }
@@ -224,7 +224,7 @@ EccePanisBCMusic = \relative c {
a2 e' | \barNumberCheck #20
f1~ |
f2 f | % 21
- \once\override NoteHead #'style = #'baroque
+ \once\override NoteHead #'style = #'baroque
e\breve \bar"|."
}
\addQuote "EccePanisContinuoMusic" { \EccePanisBCMusic }
@@ -249,3 +249,32 @@ EccePanisBCFbMusic = \figuremode {
s1*6
}
+EccePanisBCRealizationMusic = \relative c' {
+ s1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+ s1 | % 6
+ s1 | % 7
+ s1 | % 8
+ s1 | % 9
+ s1 | \barNumberCheck #10
+ s1 | % 11
+ s1*2 | % 13
+ s1 | % 14
+ s1 | % 15
+ s1 | \barNumberCheck #16
+ s1 | \barNumberCheck #17
+ s1*5 |
+ s\breve
+}
+
+EccePanisPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 23 { s1 } | \barNumberCheck #24
+}
+
+EccePanisPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 23 { s1 } | \barNumberCheck #24
+}
diff --git a/Haydn_LaudaSion_MH215_Music_LaudaSion.ily b/Haydn_LaudaSion_MH215_Music_LaudaSion.ily
index 46d3b2842df3f382b6bbe2c218dd8053ccb99cbd..2903f9f71792089c71fcdb66efd3ec3ced3f45e4 100644
--- a/Haydn_LaudaSion_MH215_Music_LaudaSion.ily
+++ b/Haydn_LaudaSion_MH215_Music_LaudaSion.ily
@@ -8,7 +8,7 @@ LaudaSionKey = \key g \major
LaudaSionTimeSignature = \time 4/4
LaudaSionSettings = \notemode {
- \tempo \LaudaSionTempo
+ \tempo \LaudaSionTempo
}
LaudaSionVIMusic = \relative c'' {
@@ -184,39 +184,39 @@ LaudaSionSLyrics = \lyricmode {
Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da du -- cem et pa -- sto -- rem,
in hym -- nis et can -- ti -- cis.
-
- Quan -- tum po -- tes, tan -- tum au -- de:
- qui -- a ma -- jor om -- ni lau -- de,
+
+ Quan -- tum po -- tes, tan -- tum au -- de:
+ qui -- a ma -- jor om -- ni lau -- de,
nec lau -- da -- re suf -- fi -- cis.
-
- Lau -- dis the -- ma spe -- ci -- a -- lis,
- pa -- nis vi -- vus et vi -- ta -- lis
+
+ Lau -- dis the -- ma spe -- ci -- a -- lis,
+ pa -- nis vi -- vus et vi -- ta -- lis
ho -- di -- e pro -- po -- ni -- tur.
-
- Quem in sa -- cræ men -- sa coe -- næ
- tur -- bæ fra -- trum du -- o -- de -- næ
+
+ Quem in sa -- cræ men -- sa coe -- næ
+ tur -- bæ fra -- trum du -- o -- de -- næ
da -- tum non am -- bi -- gi -- tur.
-
+
Sit laus ple -- na, sit so -- no -- ra,
sit ju -- cun -- da, sit de -- co -- ra
men -- tis ju -- bi -- la -- ti -- o.
-
- Di -- es e -- nim so -- lem -- nis a -- gi -- tur,
+
+ Di -- es e -- nim so -- lem -- nis a -- gi -- tur,
in qua men -- sæ pri -- ma re -- co -- li -- tur
hu -- jus in -- sti -- tu -- ti -- o.
-
+
In hac men -- sa no -- vi Re -- gis,
no -- vum Pas -- cha no -- væ le -- gis,
Pha -- se ve -- tus ter -- mi -- nat.
-
+
Ve -- tus -- ta -- tem no -- vi -- tas,
um -- bram fu -- gat ve -- ri -- tas,
noc -- tem lux e -- li -- mi -- nat.
-
+
Su -- munt bo -- ni, su -- munt ma -- li:
sor -- te ta -- men in -- æ -- qua -- li,
vi -- tæ vel in -- te -- ri -- tus.
-
+
Mors est ma -- lis, vi -- ta bo -- nis:
vi -- de pa -- ris sum -- ti -- o -- nis,
quam sit dis -- par ex -- i -- tus,
@@ -342,39 +342,39 @@ LaudaSionTLyrics = \lyricmode {
Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da du -- cem et pa -- sto -- rem,
in hym -- nis et can -- ti -- cis.
-
- Quan -- tum po -- tes, tan -- tum au -- de:
- qui -- a ma -- jor om -- ni lau -- de,
+
+ Quan -- tum po -- tes, tan -- tum au -- de:
+ qui -- a ma -- jor om -- ni lau -- de,
nec lau -- da -- re suf -- fi -- cis.
-
- Lau -- dis the -- ma spe -- ci -- a -- lis,
- pa -- nis vi -- vus et vi -- ta -- lis
+
+ Lau -- dis the -- ma spe -- ci -- a -- lis,
+ pa -- nis vi -- vus et vi -- ta -- lis
ho -- di -- e __ pro -- po -- ni -- tur.
-
- Quem in sa -- cræ men -- sa coe -- næ
- tur -- bæ fra -- trum du -- o -- de -- næ
+
+ Quem in sa -- cræ men -- sa coe -- næ
+ tur -- bæ fra -- trum du -- o -- de -- næ
da -- tum non am -- bi -- gi -- tur.
-
+
Sit laus ple -- na, sit so -- no -- ra,
sit ju -- cun -- da, sit de -- co -- ra
men -- tis ju -- bi -- la -- ti -- o.
-
- Di -- es e -- nim so -- lem -- nis a -- gi -- tur,
+
+ Di -- es e -- nim so -- lem -- nis a -- gi -- tur,
in qua men -- sæ pri -- ma re -- co -- li -- tur
hu -- jus in -- sti -- tu -- ti -- o.
-
+
In hac men -- sa no -- vi Re -- gis,
no -- vum Pas -- cha no -- væ le -- gis,
Pha -- se ve -- tus ter -- mi -- nat.
-
+
Ve -- tus -- ta -- tem no -- vi -- tas,
um -- bram fu -- gat ve -- ri -- tas,
noc -- tem lux e -- li -- mi -- nat.
-
+
Su -- munt bo -- ni, su -- munt ma -- li:
sor -- te ta -- men in -- æ -- qua -- li,
vi -- tæ, vi -- tæ vel __ in te -- ri -- tus.
-
+
Mors est ma -- lis, vi -- ta bo -- nis:
vi -- de pa -- ris sum -- ti -- o -- nis,
quam sit dis -- par ex -- i -- tus,
@@ -442,39 +442,39 @@ LaudaSionBLyrics = \lyricmode {
Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da du -- cem et pa -- sto -- rem,
in hym -- nis et can -- ti -- cis.
-
- Quan -- tum po -- tes, tan -- tum au -- de:
- qui -- a ma -- jor om -- ni lau -- de,
+
+ Quan -- tum po -- tes, tan -- tum au -- de:
+ qui -- a ma -- jor om -- ni lau -- de,
nec lau -- da -- re suf -- fi -- cis.
-
- Lau -- dis the -- ma spe -- ci -- a -- lis,
- pa -- nis vi -- vus et vi -- ta -- lis
+
+ Lau -- dis the -- ma spe -- ci -- a -- lis,
+ pa -- nis vi -- vus et vi -- ta -- lis
ho -- di -- e pro -- po -- ni -- tur.
-
- Quem in sa -- cræ men -- sa coe -- næ
- tur -- bæ fra -- trum du -- o -- de -- næ
+
+ Quem in sa -- cræ men -- sa coe -- næ
+ tur -- bæ fra -- trum du -- o -- de -- næ
da -- tum non am -- bi -- gi -- tur.
-
+
Sit laus ple -- na, sit so -- no -- ra,
sit ju -- cun -- da, sit de -- co -- ra
men -- tis ju -- bi -- la -- ti -- o.
-
- Di -- es e -- nim so -- lem -- nis a -- gi -- tur,
+
+ Di -- es e -- nim so -- lem -- nis a -- gi -- tur,
in qua men -- sæ pri -- ma re -- co -- li -- tur
hu -- jus in -- sti -- tu -- ti -- o.
-
+
In hac men -- sa no -- vi Re -- gis,
no -- vum Pas -- cha no -- væ le -- gis,
Pha -- se ve -- tus ter -- mi -- nat.
-
+
Ve -- tus -- ta -- tem no -- vi -- tas,
um -- bram fu -- gat ve -- ri -- tas,
noc -- tem lux e -- li -- mi -- nat.
-
+
Su -- munt bo -- ni, su -- munt ma -- li:
sor -- te ta -- men in -- æ -- qua -- li,
vi -- tæ, vi -- tæ vel in te -- ri -- tus.
-
+
Mors est ma -- lis, vi -- ta bo -- nis:
vi -- de pa -- ris sum -- ti -- o -- nis,
quam sit dis -- par ex -- i -- tus,
@@ -592,3 +592,67 @@ LaudaSionBCFbMusic = \figuremode {
<6 4>4 <3> s s \bar"|."
}
+LaudaSionBCRealizationMusic = \relative c' {
+ s1 | % 2
+ s1 | % 3
+ s1 | % 4
+ s1 | % 5
+ s1 | % 6
+ s1 | % 7
+ s1 | % 8
+ s1 | % 9
+ s1 | \barNumberCheck #10
+ s1 | % 11
+ s1 | % 12
+ s1 | % 13
+ s1 | % 14
+ s1 | % 15
+ s1 | % 16
+ s1 | % 17
+ s1 | % 18
+ s1 | % 19
+ s1 | \barNumberCheck #20
+ s1 | % 21
+ s1 | % 22
+ s1 | % 23
+ s1 | % 24
+ s1 | % 25
+ s1 | % 26
+ s1 | % 27
+ s1 | % 28
+ s1 | % 29
+ s1 | \barNumberCheck #30
+ s1 | % 31
+ s1 | % 32
+ s1 | % 33
+ s1 | % 34
+ s1 | % 35
+ s1 | % 36
+ s1 | % 37
+ s1 | % 38
+ s1 | % 39
+ s1 | \barNumberCheck #40
+ s1 | % 41
+ s1 | % 42
+ s1 | % 43
+ s1 | % 44
+ s1 | % 45
+ s1 | % 46
+ s1 | % 47
+ s1 | % 48
+ s1 | % 49
+ s1 | \barNumberCheck #50
+ s1 | % 51
+ s1 | % 52
+ s1 \bar"|."
+}
+
+LaudaSionPIMusic = \relative c'' {
+ % TODO
+ \repeat unfold 52 { s1 } | \barNumberCheck #53
+}
+
+LaudaSionPIIMusic = \relative c {
+ % TODO
+ \repeat unfold 52 { s1 } | \barNumberCheck #53
+}
diff --git a/Haydn_LaudaSion_MH215_Score_Original.ly b/Haydn_LaudaSion_MH215_Score_Original.ly
index 2e68464ccd56fbdaa23c8b91a4eb303ce0d89f47..2853845874955acbb4987381c5516212ffd8fb23 100644
--- a/Haydn_LaudaSion_MH215_Score_Original.ly
+++ b/Haydn_LaudaSion_MH215_Score_Original.ly
@@ -1,15 +1,11 @@
\version "2.13.1"
+#(ly:set-option 'ancient-style #t)
\include "Haydn_LaudaSion_MH215_Settings_FullScore.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
\header {
scoretype = \OriginalScoreTitle
scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
}
-SClef = \clef "soprano"
-AClef = \clef "alto"
-TClef = \clef "tenor"
\createNoCuesScore #"LaudaSion" #'("OriginalScore")
\createNoCuesScore #"EccePanis" #'("OriginalScore")
diff --git a/Haydn_LaudaSion_MH215_Score_Vocal.ly b/Haydn_LaudaSion_MH215_Score_Vocal.ly
index 7aceec28ee91427e740caa291adeb475edbe15b2..08341a29f74d9382232b5803d455a442f6ee2e39 100644
--- a/Haydn_LaudaSion_MH215_Score_Vocal.ly
+++ b/Haydn_LaudaSion_MH215_Score_Vocal.ly
@@ -8,6 +8,9 @@
scorenumber = \markup{\scoreNumber \VocalScoreNumber}
}
+PIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+PIIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
+
\createScore #"LaudaSion" #'("VocalScore")
\createScore #"EccePanis" #'("VocalScore")
\createScore #"InFiguris" #'("VocalScore")
diff --git a/Haydn_LaudaSion_MH215_Settings_Global.ily b/Haydn_LaudaSion_MH215_Settings_Global.ily
index 9ffed52e54f185c92850bad8773428df566bf64c..a1c37a88889b62ca5d7ddfe75f1da99353f47fef 100644
--- a/Haydn_LaudaSion_MH215_Settings_Global.ily
+++ b/Haydn_LaudaSion_MH215_Settings_Global.ily
@@ -1,17 +1,14 @@
\version "2.13.1"
-\include "orchestrallily/oly_settings_names.ily"
-
-scorenumber="EK-1045"
\header {
+ scorenumberbase="EK-1045"
title = "Lauda Sion"
subtitle = "Offertorium, MH 215 (K IIa:42)"
composer = "Michael Haydn (1737-1806)"
arranger = "fälschlich J. Eybler zugeschrieben (HV 102)"
- copyright = \markup \abs-fontsize #9 \column{
- \line { "2009, " \concat{\with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna},} \concat{\scorenumber.} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
- \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
+ copyright = \markup \abs-fontsize #9 \column {
+ \line { "© 2010, " \concat{\with-url #"http://www.edition-kainhofer.com/" {"Edition Kainhofer, Vienna"},} \concat{\fromproperty #'header:scorenumber .} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
}
}
@@ -23,3 +20,6 @@ scorenumber="EK-1045"
%% CorIIKey = \CorKey
FlInstrumentName = "Flauto"
+SClef = \clef "soprano/treble"
+AClef = \clef "alto/treble"
+TClef = \clef "tenor/treble_8"
diff --git a/Makefile b/Makefile
index f7cf7f55762dae3c5d47a3ada1f9e7e410a74a90..50f05a982a7cb9a8d961b517fefb1f280ba150b2 100644
--- a/Makefile
+++ b/Makefile
@@ -60,5 +60,16 @@ latex: $(pdfs) $(pdfs2) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
- TEXINPUTS=$(OUT):orchestrallily/:.//: latex --output-directory=$(OUT)/ $<
-
+ TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex -interaction=batchmode --output-directory=$(OUT)/ $<
+
+zipdir = $(base)_Final
+dist: $(distfiles)
+ mkdir -p $(zipdir)
+ cp -r $(distfiles) $(zipdir)
+ rename 's/TeX_//' $(zipdir)/*
+ rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
+ zip -jr $(base).zip $(zipdir)
+ rm -rf $(zipdir)
+
+webshop: $(distfiles)
+ python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1045 - Eybler - Lauda Sion HV45 HV102.def" $(distfiles)
diff --git a/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex b/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex
index e18d662ab1fb10bf719dff17c988c1970fe16674..9f74f023a9d0d23bdbd2ac11162b41a3b27f3d60 100644
--- a/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex
+++ b/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex
@@ -1,6 +1,10 @@
\begin{center}
+\ifinstrument
+${}$
+\vspace{-3em}
+\fi
-\begin{minipage}{0.5\textwidth}
+\begin{minipage}{\ifvocalscore{}0.7\else0.5\fi\textwidth}
\tableofcontents
\end{minipage}
\vfill
@@ -9,16 +13,21 @@
\end{center}
-
+\ifvocalscore
+\setlength{\scorelistboxwidth}{0.9\textwidth}
+\fi
+\ifinstrument
+\setlength{\scorelistboxwidth}{0.9\textwidth}
+\fi
\begin{center}
+
\scorelistbox{
Zum Graduale \q{Lauda Sion} HV 45 (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
\FullScoreName{} (-\FullScoreNumber),
\VocalScoreName{} (-\VocalScoreNumber);
-
\ChoralScoreName{} (-\ChoralScoreNumber),
\SName{} (-\SNumber),
\AName{} (-\ANumber),
@@ -64,8 +73,8 @@ Zum Offertorium \q{Lauda Sion} HV 102 (EK-1102-...) liegt folgendes Aufführungs
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
\begin{hauptquellen}
-\item Handschriftlicher Stimmensatz des \q{Lauda Sion}, HV 45, Schreiber: Stanislaus Wenusch, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: Mus.Hs.21573 Mus.
-\item Handschriftlicher Stimmensatz des \q{Lauda Sion}, HV 102, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: Mus.Hs.22388 Mus.
+\item Handschriftlicher Stimmensatz des \q{Lauda Sion}, HV 45, Schreiber: Stanislaus Wenusch, Musiksammlung der Österr. Nationalbibliothek, Wien, A-Wn Mus.Hs.21573 Mus.
+\item Handschriftlicher Stimmensatz des \q{Lauda Sion}, HV 102, Musiksammlung der Österr. Nationalbibliothek, Wien, A-Wn Mus.Hs.22388 Mus.
\end{hauptquellen}
\vfill
diff --git a/TeX_Eybler_LaudaSion_Include_KritBericht.itex b/TeX_Eybler_LaudaSion_Include_KritBericht.itex
index 194814f50b61d3f0700726d9846af784b1053887..dfd1676fadc3ea27585320100b955e423bdda43a 100644
--- a/TeX_Eybler_LaudaSion_Include_KritBericht.itex
+++ b/TeX_Eybler_LaudaSion_Include_KritBericht.itex
@@ -2,7 +2,7 @@
\chapter*{Quellen und Lesarten}
\addcontentsline{toc}{chapter}{Quellen und Lesarten}
-\section*{Joseph Eybler: Lauda Sion Salvatorem, Graduale, HV 45}
+\section*{Joseph Eybler?: Lauda Sion Salvatorem, Graduale, HV 45}
\begin{multicols}{2}
\subsection*{Quellen:}
@@ -11,7 +11,7 @@
\bibitem[A]{HS1}
Handschriftlicher Stimmensatz aus der Sammlung Alois Litschauers, im Besitz der Musiksammlung der Österreichischen
-Nationalbibliothek, Wien. Signatur: Mus.Hs.21573 Mus
+Nationalbibliothek, Wien. A-Wn Mus.Hs.21573 Mus.
Sämtliches Material ist aufbewahrt zwischen zwei Kartondeckeln, in den ein
Titelblatt, die Sopran-Stimme (Solo-Cantus) und ein Blatt mit Aufführungsdaten
@@ -34,7 +34,7 @@ Corno 1\textsuperscript{mo} et 2\textsuperscript{do}\sbreak
Viola di Alto, Violon,\sbreak
Tÿmpani con Organo.\sbreak
Authore J. Eibler.\sbreak
-St. Wenusch m.p.
+Stanislaus Wenusch mpia
\end{sourcetitle}
Mit Bleistift links oben zusätzlich \q{4573}, links unten vergilbt und
praktisch unlesbar \q{1840/4-1817}.
@@ -203,7 +203,7 @@ hier nicht angebracht.
\bibitem[B]{HS2}
Handschriftlicher Stimmensatz, im Besitz der Musiksammlung der Österreichischen
-Nationalbibliothek, Wien. Signatur: Mus.Hs.22388 Mus
+Nationalbibliothek, Wien. A-Wn Mus.Hs.22388 Mus.
Sämtliches Material ist aufbewahrt zwischen zwei beigen Kartondeckeln, in den
ein Titelblatt, die Sopran-Stimme (Solo-Cantus) und ein leeres Blatt eingeleimt
diff --git a/TeX_Eybler_LaudaSion_Include_Todo.itex b/TeX_Eybler_LaudaSion_Include_Todo.itex
index c23a94b9b9c12c94b9abc68579670f6603f07fcd..9b7eb4ad6bc9b53882d72f1754070ee1874b84cb 100644
--- a/TeX_Eybler_LaudaSion_Include_Todo.itex
+++ b/TeX_Eybler_LaudaSion_Include_Todo.itex
@@ -12,11 +12,17 @@
\item Übersetzung von Caswall: \url{http://books.google.com/books?id=1V5QUOB-xIkC&pg=PA311}
\end{itemize}
+\section*{HV 45}
+\begin{itemize}
+\item In figuris 9 Cor2: Tie?
+\end{itemize}
+
\section*{HV 102}
\begin{itemize}
\item Eybler in den beiden Zusatzstrophen als evt. Autor anführen
\item Kollisionen: FB mit Lyrics
\item Kollisionen: SystemSep mit BarNumbers
+\item Ecce Panis 18: Slurs
\end{itemize}
}
diff --git a/TeX_Eybler_LaudaSion_Score_Choral.tex b/TeX_Eybler_LaudaSion_Score_Choral.tex
index 5b4c57074e66f21d753bb426726fc602b098c33d..d77ba3e5935856da0030c263edc2b9f75561403d 100644
--- a/TeX_Eybler_LaudaSion_Score_Choral.tex
+++ b/TeX_Eybler_LaudaSion_Score_Choral.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[choralscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_LaudaSion_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\ChoralScoreType}
\scorenumber{\scoreNumber\ChoralScoreNumber}
-\ChoralScoreSettings
\begin{document}
\input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
diff --git a/TeX_Eybler_LaudaSion_Score_Full.tex b/TeX_Eybler_LaudaSion_Score_Full.tex
index 41952ee55d5463aeb16c855524bd68d981871967..a273eeba2580ffcff46a5aaa089c817a238e8ea0 100644
--- a/TeX_Eybler_LaudaSion_Score_Full.tex
+++ b/TeX_Eybler_LaudaSion_Score_Full.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_LaudaSion_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
-\FullScoreSettings
\begin{document}
\input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
diff --git a/TeX_Eybler_LaudaSion_Score_Instruments.tex b/TeX_Eybler_LaudaSion_Score_Instruments.tex
index 0a7e171580e51f395a17dd3f4ce571e3e2773385..ae246a61af34aeb20af53f8c2e15f88fcdc3471c 100644
--- a/TeX_Eybler_LaudaSion_Score_Instruments.tex
+++ b/TeX_Eybler_LaudaSion_Score_Instruments.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[instrumentalparts,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_LaudaSion_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\InstrumentalPartsType}
\scorenumber{\scoreNumber\InstrumentalPartsNumber}
-\InstrumentalPartsSettings
\begin{document}
\input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
diff --git a/TeX_Eybler_LaudaSion_Score_Long.tex b/TeX_Eybler_LaudaSion_Score_Long.tex
index 57c740fb17d34a63729b3eaa526fbeac174860cb..afd1ae8cbcd67f15801220bc8e62f81178fdd221 100644
--- a/TeX_Eybler_LaudaSion_Score_Long.tex
+++ b/TeX_Eybler_LaudaSion_Score_Long.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_LaudaSion_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\LongScoreType}
\scorenumber{\scoreNumber\LongScoreNumber}
-\LongScoreSettings
\begin{document}
\input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
diff --git a/TeX_Eybler_LaudaSion_Score_Original.tex b/TeX_Eybler_LaudaSion_Score_Original.tex
index 2fd9b0647869c55bb96e56a2560c5ab07246c955..fbda454b33868ea0f23c6868b7b5320eaada6525 100644
--- a/TeX_Eybler_LaudaSion_Score_Original.tex
+++ b/TeX_Eybler_LaudaSion_Score_Original.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage{editionkainhofer}
+\usepackage[fullscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_LaudaSion_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\OriginalScoreType}
\scorenumber{\scoreNumber\OriginalScoreNumber}
-\OriginalScoreSettings
\begin{document}
\input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
diff --git a/TeX_Eybler_LaudaSion_Score_Vocal.tex b/TeX_Eybler_LaudaSion_Score_Vocal.tex
index 3184d7c279188c51d6fe26e4ac75a4feb5afa710..bba7e1c94e71f3f0d87384697c79b47ae9bae56e 100644
--- a/TeX_Eybler_LaudaSion_Score_Vocal.tex
+++ b/TeX_Eybler_LaudaSion_Score_Vocal.tex
@@ -1,5 +1,5 @@
\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[vocalscore]{editionkainhofer}
+\usepackage[vocalscore,nocolortitle]{editionkainhofer}
\input{TeX_Eybler_LaudaSion_Settings.itex}
\hypersetup{
@@ -8,7 +8,6 @@
\scoretype{\VocalScoreType}
\scorenumber{\scoreNumber\VocalScoreNumber}
-\VocalScoreSettings
\begin{document}
\input{TeX_Eybler_LaudaSion_Include_Coverpage.itex}
diff --git a/TeX_Eybler_LaudaSion_Settings.itex b/TeX_Eybler_LaudaSion_Settings.itex
index d9a3769c72761a9226bb84c52147899a91d2d630..f11627e3f46853f80f7d9ce537c0152212b054d0 100644
--- a/TeX_Eybler_LaudaSion_Settings.itex
+++ b/TeX_Eybler_LaudaSion_Settings.itex
@@ -1,6 +1,6 @@
\title{Lauda Sion Salvatorem}
\subtitle{Graduale, HV 45\\Offertorium, MH 215 (K IIa:42) / HV 102}
-\composer{Joseph Eybler}
+\composer{Joseph Eybler?}
\composerdate{(1765-1846)}
\composerII{Michael Haydn}
\composerdateII{(1737-1806)}
@@ -8,12 +8,12 @@
\instrumentation{(Flauto, 2 Clarinetti)\\(2 Corni, 2 Trombe, Timpani)\\2 Violini, (Viola, Violoncello)\\(Contrabasso) ed Organo}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
-\year{2009}
+\yearpublished{2009}
\basename{Eybler_LaudaSion}
\newcommand{\scoreNumber}[1]{EK-1045-#1}
-\newcommand{\scoreTitle}{Joseph Eybler / Michael Haydn: Lauda Sion Salvatorem}
+\newcommand{\scoreTitle}{Joseph Eybler? / Michael Haydn: Lauda Sion Salvatorem}
\geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
\hypersetup{
diff --git a/out/Eybler_LaudaSion_HV102_Score_Choral.toc b/out/Eybler_LaudaSion_HV102_Score_Choral.toc
new file mode 100644
index 0000000000000000000000000000000000000000..392e82905440ff8fbc0410b0c7117a9f33ad8cf2
--- /dev/null
+++ b/out/Eybler_LaudaSion_HV102_Score_Choral.toc
@@ -0,0 +1,4 @@
+1, section, 1, {Lauda Sion}, toc55,
+3, section, 1, {Ecce panis Angelorum}, toc56,
+3, section, 1, {In Figuris: Tacet}, toc57,
+3, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
diff --git a/out/Eybler_LaudaSion_HV102_Score_Full.toc b/out/Eybler_LaudaSion_HV102_Score_Full.toc
new file mode 100644
index 0000000000000000000000000000000000000000..3f44cf2d8212526d394bc95f39664504e3d6b593
--- /dev/null
+++ b/out/Eybler_LaudaSion_HV102_Score_Full.toc
@@ -0,0 +1,4 @@
+1, section, 1, {Lauda Sion}, toc55,
+6, section, 1, {Ecce panis Angelorum}, toc56,
+7, section, 1, {In Figuris: Tacet}, toc57,
+7, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
diff --git a/out/Eybler_LaudaSion_HV102_Score_Original.toc b/out/Eybler_LaudaSion_HV102_Score_Original.toc
new file mode 100644
index 0000000000000000000000000000000000000000..3f44cf2d8212526d394bc95f39664504e3d6b593
--- /dev/null
+++ b/out/Eybler_LaudaSion_HV102_Score_Original.toc
@@ -0,0 +1,4 @@
+1, section, 1, {Lauda Sion}, toc55,
+6, section, 1, {Ecce panis Angelorum}, toc56,
+7, section, 1, {In Figuris: Tacet}, toc57,
+7, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
diff --git a/out/Eybler_LaudaSion_HV102_Score_Vocal.toc b/out/Eybler_LaudaSion_HV102_Score_Vocal.toc
new file mode 100644
index 0000000000000000000000000000000000000000..392e82905440ff8fbc0410b0c7117a9f33ad8cf2
--- /dev/null
+++ b/out/Eybler_LaudaSion_HV102_Score_Vocal.toc
@@ -0,0 +1,4 @@
+1, section, 1, {Lauda Sion}, toc55,
+3, section, 1, {Ecce panis Angelorum}, toc56,
+3, section, 1, {In Figuris: Tacet}, toc57,
+3, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
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new file mode 100644
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diff --git a/out/Eybler_LaudaSion_HV45_Score_Choral.toc b/out/Eybler_LaudaSion_HV45_Score_Choral.toc
new file mode 100644
index 0000000000000000000000000000000000000000..6914e5bd2bcfe306f7cdeadb409e8ea826b87ca5
--- /dev/null
+++ b/out/Eybler_LaudaSion_HV45_Score_Choral.toc
@@ -0,0 +1,4 @@
+1, section, 1, {Lauda Sion Salvatorem}, toc55,
+3, section, 1, {Ecce panis Angelorum}, toc56,
+4, section, 1, {In figuris praesignatur}, toc57,
+4, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
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index 0000000000000000000000000000000000000000..1400c15ba12f3e0f5ffb27b5d60f1b4f3ccbf54d
--- /dev/null
+++ b/out/Eybler_LaudaSion_HV45_Score_Full.toc
@@ -0,0 +1,4 @@
+1, section, 1, {Lauda Sion Salvatorem}, toc55,
+9, section, 1, {Ecce panis Angelorum}, toc56,
+11, section, 1, {In figuris praesignatur}, toc57,
+13, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
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+1, section, 1, {Lauda Sion Salvatorem}, toc55,
+10, section, 1, {Ecce panis Angelorum}, toc56,
+12, section, 1, {In figuris praesignatur}, toc57,
+14, section, 1, {Bone pastor, panis vere}, toc58
\ No newline at end of file
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+1, section, 1, {Lauda Sion Salvatorem}, toc55,
+10, section, 1, {Ecce panis Angelorum}, toc56,
+12, section, 1, {In figuris praesignatur}, toc57,
+14, section, 1, {Bone pastor, panis vere}, toc58
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+3, section, 1, {Ecce panis Angelorum}, toc56,
+4, section, 1, {In figuris praesignatur}, toc57,
+4, section, 1, {Bone pastor, panis vere}, toc58
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index 0000000000000000000000000000000000000000..5ea442fcfb70e747f697975113bf9da0af05610a
--- /dev/null
+++ b/webshop_descriptions.def
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+{
+ #"title": u"Joseph Eybler: Lauda Sion, ",
+
+ "Short_Description_de": u"",
+ "Short_Description_en": u"",
+
+ "Description_de": u'''<p></p>''',
+ "Description_en": u'''<p></p>''',
+
+ "Category": u"",
+
+ #"published": "Y",
+
+ "Child_Products": [
+ {"sku": "EK-1045-0", "ismn": "", "comment": "", "price": 0.0}, # Originalpartitur
+ {"sku": "EK-1045-0", "ismn": "", "comment": "", "price": 0.0}, # Originalpartitur
+ {"sku": "EK-1045-1", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1045-1", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1045-1a", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-1045-2", "ismn": "", "comment": "", "price": 0.0}, # Klavierauszug / Vocal score
+ {"sku": "EK-1045-2", "ismn": "", "comment": "", "price": 0.0}, # Klavierauszug / Vocal score
+ {"sku": "EK-1045-10", "ismn": "", "comment": "", "price": 0.0}, # Chorstimmen / Choral score
+ {"sku": "EK-1045-10", "ismn": "", "comment": "", "price": 0.0}, # Chorstimmen / Choral score
+ {"sku": "EK-1045-11", "ismn": "", "comment": "", "price": 0.0}, # Soprano
+ {"sku": "EK-1045-11", "ismn": "", "comment": "", "price": 0.0}, # Soprano
+ {"sku": "EK-1045-12", "ismn": "", "comment": "", "price": 0.0}, # Alto
+ {"sku": "EK-1045-12", "ismn": "", "comment": "", "price": 0.0}, # Alto
+ {"sku": "EK-1045-13", "ismn": "", "comment": "", "price": 0.0}, # Tenore
+ {"sku": "EK-1045-13", "ismn": "", "comment": "", "price": 0.0}, # Tenore
+ {"sku": "EK-1045-14", "ismn": "", "comment": "", "price": 0.0}, # Basso
+ {"sku": "EK-1045-14", "ismn": "", "comment": "", "price": 0.0}, # Basso
+ {"sku": "EK-1045-21", "ismn": "", "comment": "", "price": 0.0}, # Organo
+ {"sku": "EK-1045-21", "ismn": "", "comment": "", "price": 0.0}, # Organo
+ {"sku": "EK-1045-25", "ismn": "", "comment": "", "price": 0.0}, # Orchesterstimmen / Orchestra parts
+ {"sku": "EK-1045-25", "ismn": "", "comment": "", "price": 0.0}, # Orchesterstimmen / Orchestra parts
+ {"sku": "EK-1045-30", "ismn": "", "comment": "", "price": 0.0}, # Violino I
+ {"sku": "EK-1045-30", "ismn": "", "comment": "", "price": 0.0}, # Violino I
+ {"sku": "EK-1045-31", "ismn": "", "comment": "", "price": 0.0}, # Violino II
+ {"sku": "EK-1045-31", "ismn": "", "comment": "", "price": 0.0}, # Violino II
+ {"sku": "EK-1045-32", "ismn": "", "comment": "", "price": 0.0}, # Viola
+ {"sku": "EK-1045-33", "ismn": "", "comment": "", "price": 0.0}, # Violoncello e Contrabbasso
+ {"sku": "EK-1045-40", "ismn": "", "comment": "", "price": 0.0}, # Flauti
+ {"sku": "EK-1045-44", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto I
+ {"sku": "EK-1045-45", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto II
+ {"sku": "EK-1045-50", "ismn": "", "comment": "", "price": 0.0}, # Corno I
+ {"sku": "EK-1045-51", "ismn": "", "comment": "", "price": 0.0}, # Corno II
+ {"sku": "EK-1045-52", "ismn": "", "comment": "", "price": 0.0}, # Tromba I
+ {"sku": "EK-1045-53", "ismn": "", "comment": "", "price": 0.0}, # Tromba II
+ {"sku": "EK-1045-60", "ismn": "", "comment": "", "price": 0.0}, # Timpani
+ ],
+ "Productimages": [
+ ],
+}