diff --git a/Eybler_LaudaSion_HV102_Music_LaudaSion.ily b/Eybler_LaudaSion_HV102_Music_LaudaSion.ily
index d235791acb5e5d79fe32c9adaf9c77034fca266f..d98117056b176d49dada020e483430016a1849d0 100644
--- a/Eybler_LaudaSion_HV102_Music_LaudaSion.ily
+++ b/Eybler_LaudaSion_HV102_Music_LaudaSion.ily
@@ -21,13 +21,13 @@ LaudaSionVIMusic = \relative c'' {
   \grace a h4 a a4. c8 | % 8
   \grace c8 h8[ a16 g] a8[ h] \grace h c4 h | % 9
   a4. g8 fis d'4 e8 | \barNumberCheck #10
-  h4 a\trill g16[ g'8 h,16] a16[ c'8 f,16] | % 11
+  h4 a\trill g16[ g'8 h,16] a16[ c'8 fis,16] | % 11
   g8 h,4 cis8 d[ a a h] | % 12
   \grace a8 g4 g e'4. d8 | % 13
   cis8[ h] a[ g] g4 fis | % 14
   e4. d8 cis16[( e) g( h]) a8[ g] | % 15
-  g4 f\trill e16[ a cis a] e'[( c) a'( c,)] | % 16
-  d8 a4 cis8 d[ e f a,] | % 17
+  g4 fis\trill e16[ a cis a] e'[( cis) a'( cis,)] | % 16
+  d8 a4 cis8 d[ e fis a,] | % 17
   a4 g cis4. d8 | % 18
   e[ fis g g,] g4 fis | % 19
   fis4. g8 a4. h8 | \barNumberCheck #20
@@ -41,7 +41,7 @@ LaudaSionVIMusic = \relative c'' {
   \grace d8 c4 c c4. c8 | % 28
   d8[ h h ais] ais[( h]) h4 | % 29
   fis'4. a,8 g[ c h a] | \barNumberCheck #30
-  g4 fis\trill e16[ e'8 g,16] fis16[ a'8 dis,16] | % 31
+  g4 fis!\trill e16[ e'8 g,16] fis16[ a'8 dis,16] | % 31
   e8 g,4 g8 g[ c c e] | % 32
   e4 d f4. \grace e16 d8 | % 33
   \grace c16 h8[ h d f,] f4 e | % 34
@@ -50,12 +50,12 @@ LaudaSionVIMusic = \relative c'' {
   a'4. a8 a[ d d c] | % 37
   \grace c8 b4 b b4. b8 | % 38
   b[ b b b] es4. es8 | % 39
-  es2 d4 d8[ g] | \barNumberCheck #40 % TODO: es nicht wiederholt (kein b)
-  cis,4. cis8 d8[( d]) d16[( h) c( a]) | % 41
-  g4. h8 \grace h16 a8[ g16 fis] g8[ a] | % 42 % TODO: Grace note als Achtel statt sechzehntel notiert
+  es2 d4 d8[ g] | \barNumberCheck #40
+  cis,4. cis8 d8[( d]) d16[( h!) cis( a]) | % 41
+  g4. h8 \grace h8 a8[ g16 fis] g8[ a] | % 42
   \grace a8 h4 a a4. c8 | % 43
-  \grace c8 h8[ a16 g] a8[ h] \grace h8 c4 h | % 44 % TODO: Grace note als Achtel statt sechzehntel notiert
-  e4. c16[ a] \grace {h8 g8} fis4 g8[ d']| % 45 % TODO: Wie gehoeren die grace noten korrekt (in HS beide als achtel knapp nebeneinander!!!)
+  \grace c8 h8[ a16 g] a8[ h] \grace h8 c4 h | % 44
+  e4. c16[ a] \grace {h8 g8} fis4 g8[ d']| % 45
   c4 h\trill a16[( d fis a] g[ d c' fis,]) | % 46
   g4 g,8[ h] h16[ a g fis] g8[ a] | % 47
   \grace a8 h4 a a4. c8 | % 48
@@ -68,7 +68,58 @@ LaudaSionVIMusic = \relative c'' {
 \addQuote "LaudaSionVIMusic" { \LaudaSionVIMusic }
 
 LaudaSionVIIMusic = \relative c' {
-  % TODO
+  h4. d8 c[ a d fis] | % 2
+  \grace fis8 g4 fis fis d | % 3
+  d8[ d c h] \grace h8 a4 g | % 4
+  g4 c8[ e] d4 d8[ a'] | % 5
+  a4 g\trill fis16[( d fis a]) g[( d) d'( fis,]) | % 6
+  g8[ h, d g] e16[( c) c( a]) d8[ fis] | % 7
+  \grace fis8 g4 fis d4. d8 | % 8
+  d8[ d fis g] d4 d | % 9
+  c4. h8 a8[( fis') g,( g')] | \barNumberCheck #10
+  g4 fis\trill g16[ h8 g16] d16[ a'8 c16] | % 11
+  h8 d,4 g8 a[ d, d fis] | % 12
+  e4 e g4. gis8 | % 13
+  a8[ fis e e] e4 d | % 14
+  h2 a8[ g' fis e] | % 15
+  e4\trill d cis16[ cis( e cis)] a[( e') cis!( e)] | % 16
+  d8 d4 e8 fis8[ a a fis] | % 17
+  fis4 e e4. d8 | % 18
+  g[ fis e d] cis4 e | % 19
+  d4. d8 d4. d8 | \barNumberCheck #20
+  d4 cis d16[ fis8 d16] h16[ e8 g16] | % 21
+  fis8 fis4 fis8 f2:8 | % 22
+  e4 e e4. e8 | % 23
+  d8[ d d c] h4 h | % 24
+  gis'4 e e4. h'8 | % 25
+  h4 a gis16[( e') h'( gis]) e16[( h) e( h]) | % 26
+  gis8 e4 gis8 h[ gis e h'] | % 27
+  \grace h8 a4 a a4. a8 | % 28
+  fis8[ fis fis g] fis4 h, | % 29
+  dis4. fis8 e4. e8 | \barNumberCheck #30
+  e4 dis e16[ e'8 g,16] fis16[ a'8 dis,16] | % 31
+  e8 e,4 e8 e[ g g c] | % 32
+  c4 h d,4. d8 | % 33
+  f8[ f f d] d4 c | % 34
+  d4. d8 d8[( fis! g a]) | % 35
+  h4. a16[ g] fis8[ d'16 cis] d8[ d,] | % 36
+  fis4. fis8 fis[ fis a a] | % 37
+  \grace a8 g4 g d4. d8 | % 38
+  g2:8 g4 g | % 39
+  fis2 g4 g8[ d] | \barNumberCheck #40
+  g4. g8 fis d4 d8 | % 41
+  h!4. d8 c[ a d fis] | % 42
+  \grace fis8 g4 fis fis d | % 43
+  d8[ d c h] \grace h8 a4 g | % 44
+  g4 c8[ e] d4 d8[ a'] | % 45
+  a4 g\trill fis16[( d' fis a]) g[ d d c] | % 46
+  h8[ h, d g] e16[( c c a]) d8[ fis] | % 47
+  \grace fis8 g4 fis d4. d8 | % 48
+  d8[ d fis g] d4 d | % 49
+  c4. h8 a8[( fis') g,( g']) | \barNumberCheck #50
+  g4 fis g8[ r16 g] fis16[( g) fis( g]) | % 52
+  g4 e d8[ a'] g4 | % 52
+  g4 fis g r \bar"|."
 }
 \addQuote "LaudaSionVIIMusic" { \LaudaSionVIIMusic }
 
@@ -92,7 +143,7 @@ LaudaSionSMusic = \relative c'' {
   a4 g cis4. d8 | % 18
   e fis g g, g4 fis | % 19
   fis4. g8 a4. h8 | \barNumberCheck #20
-  fis4 e8.( d16) d4 r | % 21 % TODO: Slur added
+  fis4( e8.) d16 d4 r | % 21
   a'4. a8 d c! h a | % 22
   \grace a8 gis4 gis a4. a8 | % 23
   a8 gis gis f'8 \grace e8 d4 d | % 24
@@ -101,7 +152,7 @@ LaudaSionSMusic = \relative c'' {
   h4. h8 h e16 e e8 d | % 27
   d8. c16 c4 c8 c c c | % 28
   c[( h]) h ais ais8. h16 h4 | % 29
-  fis'4. a,8 g[( c]) h[( a]) | \barNumberCheck #30
+  fis'4. a,!8 g[( c]) h[( a]) | \barNumberCheck #30
   g4( fis8.) e16 e4 r | % 31
   g4. g8 g c c e | % 32
   e4 d g!4. \grace e16 d8 | % 33
@@ -110,10 +161,10 @@ LaudaSionSMusic = \relative c'' {
   d4. c16[ h] a4 r | % 36
   a4. a8 a( d4) c8 | % 37
   c8. b16 b4 b4. b8 | % 38
-  b4 b es8. es16 es4 | % 39  % TODO: b not repeated in score, added
-  es4. es8 d4. g8 | \barNumberCheck #40 % TODO: b for es not repeated in score, added
+  b4 b es8. es16 es4 | % 39
+  es4. es8 d4. g8 | \barNumberCheck #40
   cis,4. cis8 d4 r | % 41
-  g,4. h8 \grace h16 a8 g16[ fis] g8 a | % 42
+  g,4. h!8 \grace h16 a8 g16[ fis] g8 a | % 42
   \grace a8 h4 a a4. c8 | % 43
   \grace c8 h a16[ g] a8 h \grace h8 c4 h | % 44
   e4. c16[ a] \grace g8 fis4 g8[ d'] | % 45
@@ -124,27 +175,50 @@ LaudaSionSMusic = \relative c'' {
   a4. g8 fis8( d'4) e8 | \barNumberCheck #50
   h4( a8.) g16 g4 r | % 51
   cis4 g' fis8[ c] h[ e] | % 52
-  h4( a8.) g16 g4 r \bar"|." % TODO: slur added
+  h4( a8.) g16 g4 r \bar"|."
 }
 \addQuote "LaudaSionSMusic" { \LaudaSionSMusic }
 
 LaudaSionSLyrics = \lyricmode {
-  Lau -- da Si -- on sal -- va -- to -- rem,
-  lau -- da du -- cem et pa -- sto -- rem
+  Lau -- da Si -- on Sal -- va -- to -- rem,
+  lau -- da du -- cem et pa -- sto -- rem,
   in hym -- nis et can -- ti -- cis.
-  Quan -- tum  po -- tes tan -- tum au -- de 
-  qui -- a ma -- jor om -- ni lau -- de nec lau -- da -- re suf -- fi -- cis
-  lau -- dis the -- ma spe -- ci -- al -- lis 
-  pa -- nis vi -- vus et vi -- ta -- lis ho -- di -- e pro -- po -- ni -- tur
-  quem in sa -- ra men -- sa coe -- nae tur -- bae fra -- trum du -- o de -- nae da -- tum non am -- bi -- gi -- tur
-  sit laus ple -- na sit so -- no -- ra sit ju -- cun -- da sit de -- co -- ra men -- tis ju -- bi -- la -- ti -- o 
-  di -- es e -- nim so -- lem -- nis a -- gi -- tur, in qua men -- sae pri -- ma re -- co -- li -- tur
-  hu -- jus in -- sti -- tu -- ti -- o 
-  in hac men -- sa no -- vi re -- gis hu -- jus Pas -- cha no -- vae le -- gis Pha -- se ve -- tus
-  ter -- mi -- nat, ve -- tus ta -- tem no -- vi -- tas um -- bram fu -- gat ve -- ri -- ta noc -- tem lux e -- li -- mi -- nat su -- munt bo -- ni su -- munt  ma -- li sor -- te ta -- men in ae -- qua -- li vi -- ta vel in te -- ri -- tus 
-  mors est ma -- lis vi -- ta bo -- nis
-  vi -- de pa -- nis sum -- ti -- o -- nis
-  quam sit dis -- par ex -- i -- tus
+  
+  Quan -- tum  po -- tes, tan -- tum au -- de: 
+  qui -- a ma -- jor om -- ni lau -- de, 
+  nec lau -- da -- re suf -- fi -- cis.
+  
+  Lau -- dis the -- ma spe -- ci -- a -- lis, 
+  pa -- nis vi -- vus et vi -- ta -- lis 
+  ho -- di -- e pro -- po -- ni -- tur.
+  
+  Quem in sa -- cræ men -- sa coe -- næ 
+  tur -- bæ fra -- trum du -- o -- de -- næ 
+  da -- tum non am -- bi -- gi -- tur.
+  
+  Sit laus ple -- na, sit so -- no -- ra,
+  sit ju -- cun -- da, sit de -- co -- ra
+  men -- tis ju -- bi -- la -- ti -- o.
+  
+  Di -- es e -- nim so -- lem -- nis a -- gi -- tur, 
+  in qua men -- sæ pri -- ma re -- co -- li -- tur
+  hu -- jus in -- sti -- tu -- ti -- o.
+  
+  In hac men -- sa no -- vi Re -- gis,
+  no -- vum Pas -- cha no -- væ le -- gis,
+  Pha -- se ve -- tus ter -- mi -- nat.
+  
+  Ve -- tus -- ta -- tem no -- vi -- tas,
+  um -- bram fu -- gat ve -- ri -- tas,
+  noc -- tem lux e -- li -- mi -- nat.
+  
+  Su -- munt bo -- ni, su -- munt  ma -- li:
+  sor -- te ta -- men in -- æ -- qua -- li,
+  vi -- tæ vel in te -- ri -- tus.
+  
+  Mors est ma -- lis, vi -- ta bo -- nis:
+  vi -- de pa -- ris sum -- ti -- o -- nis
+  quam sit dis -- par ex -- i -- tus,
   quam sit dis -- par ex -- i -- tus.
 }
 
@@ -199,8 +273,8 @@ LaudaSionAMusic = \relative c' {
   d d fis g d4 d | % 49
   e4. e8 d8[ fis] g4 | \barNumberCheck #50
   g( fis8.) g16 g4 r | % 51
-  g( e) d8[ a'] g4 | % 52
-  g4( fis8.) g16 g4 r \bar"|." % TODO: Slur added
+  g e d8[ a'] g4 | % 52
+  g4( fis8.) g16 g4 r \bar"|."
 }
 \addQuote "LaudaSionAMusic" { \LaudaSionAMusic }
 
@@ -224,20 +298,20 @@ LaudaSionTMusic = \relative c' {
   a4( h8) h e,4 r | % 16
   a4. a8 a g fis h | % 17
   h4 h a4. a8 | % 18
-  cis8 d e h cis4 cis | % 19
+  cis8 d e h cis!4 cis | % 19
   h4. h8 a4 d8[ h] | \barNumberCheck #20
   a4. a8 a4 r | % 21
   d4 a a8 a d d | % 22
   h4 h a4. a8 | % 23
   h8 h h c h4 h | % 24
-  h4. h8 c8[( d]) e[( h]) | % 25 % TODO: Slur added
+  h4. h8 c8[( d]) e[( h]) | % 25
   h4( a8.) gis16 gis4 r | % 26
   gis4. gis8 gis h16 h h8 e | % 27
   e8. e16 e4 a,8 a c c | % 28
   fis,4 fis8 g fis8. fis16 fis4 | % 29
   fis4 h h8( e4) a,8 | \barNumberCheck #30
   h4. h8 h4 r | % 31
-  h4. h8 c g g c | % 32 % TODO: 2. Takthälfte 32: Text "no -- vum" in Ms, in S: "hu -- jus"
+  h4. h8 c g g c | % 32
   c4 h h4. h8 | % 33
   d8 d h d g,4 g | % 34
   a4. a8 g[ d] d4 | % 35
@@ -246,39 +320,62 @@ LaudaSionTMusic = \relative c' {
   d8. d16 d4 g,4. g8 | % 38
   g4 g c8. c16 c4 | % 39
   c4. c8 b4. b8 | \barNumberCheck #40
-  b4. g8 a4 r | % 41 % TODO: b not repeated
+  b4. g8 a4 r | % 41
   h!4. d8 c a d d | % 42
   d4 d fis,4. fis8 | % 43
   g8 d' c h \grace h a4 g | % 44
   g4. c8 \grace h8 a4 h8 d~ | % 45
   d d e8. e16 a,4 r | % 46
   h4. d8 c a d d | % 47
-  d4 d fis,4. fis8 | % 48
+  d4 d fis,!4. fis8 | % 48
   g8 d' c h \grace h8 a4 g8[ h] | % 49
   c4. h8 a4 g | \barNumberCheck #50
-  g8( d'4) c8 h4 r | % 51 % TODO: Slur added
+  g8( d'4) c8 h4 r | % 51
   e4 cis d g, | % 52
   g8( d'4) d8 h4 r \bar"|."
 }
 \addQuote "LaudaSionTMusic" { \LaudaSionTMusic }
 
 LaudaSionTLyrics = \lyricmode {
-  Lau -- da Si -- on sal -- va -- to -- rem,
-  lau -- da du -- cem et pa -- sto -- rem
+  Lau -- da Si -- on Sal -- va -- to -- rem,
+  lau -- da du -- cem et pa -- sto -- rem,
   in hym -- nis et can -- ti -- cis.
-  Quan -- tum  po -- tes tan -- tum au -- de 
-  qui -- a ma -- jor om -- ni lau -- de nec lau -- da -- re suf -- fi -- cis
-  lau -- dis the -- ma spe -- ci -- al -- lis 
-  pa -- nis vi -- vus et vi -- ta -- lis ho -- di -- e pro -- po -- ni -- tur
-  quem in sa -- ra men -- sa coe -- nae tur -- bae fra -- trum du -- o de -- nae da -- tum non am -- bi -- gi -- tur
-  sit laus ple -- na sit so -- no -- ra sit ju -- cun -- da sit de -- co -- ra men -- tis ju -- bi -- la -- ti -- o 
-  di -- es e -- nim so -- lem -- nis a -- gi -- tur, in qua men -- sae pri -- ma re -- co -- li -- tur
-  hu -- jus in -- sti -- tu -- ti -- o 
-  in hac men -- sa no -- vi re -- gis hu -- jus Pas -- cha no -- vae le -- gis Pha -- se ve -- tus
-  ter -- mi -- nat, ve -- tus ta -- tem no -- vi -- tas um -- bram fu -- gat ve -- ri -- ta noc -- tem lux e -- li -- mi -- nat su -- munt bo -- ni su -- munt  ma -- li sor -- te ta -- men in ae -- qua -- li vi -- ta vi -- ta vel in te -- ri -- tus 
-  mors est ma -- lis vi -- ta bo -- nis
-  vi -- de pa -- nis sum -- ti -- o -- nis
-  quam sit dis -- par ex -- i -- tus
+  
+  Quan -- tum  po -- tes, tan -- tum au -- de: 
+  qui -- a ma -- jor om -- ni lau -- de, 
+  nec lau -- da -- re suf -- fi -- cis.
+  
+  Lau -- dis the -- ma spe -- ci -- a -- lis, 
+  pa -- nis vi -- vus et vi -- ta -- lis 
+  ho -- di -- e pro -- po -- ni -- tur.
+  
+  Quem in sa -- cræ men -- sa coe -- næ 
+  tur -- bæ fra -- trum du -- o -- de -- næ 
+  da -- tum non am -- bi -- gi -- tur.
+  
+  Sit laus ple -- na, sit so -- no -- ra,
+  sit ju -- cun -- da, sit de -- co -- ra
+  men -- tis ju -- bi -- la -- ti -- o.
+  
+  Di -- es e -- nim so -- lem -- nis a -- gi -- tur, 
+  in qua men -- sæ pri -- ma re -- co -- li -- tur
+  hu -- jus in -- sti -- tu -- ti -- o.
+  
+  In hac men -- sa no -- vi Re -- gis,
+  no -- vum Pas -- cha no -- væ le -- gis,
+  Pha -- se ve -- tus ter -- mi -- nat.
+  
+  Ve -- tus -- ta -- tem no -- vi -- tas,
+  um -- bram fu -- gat ve -- ri -- tas,
+  noc -- tem lux e -- li -- mi -- nat.
+  
+  Su -- munt bo -- ni, su -- munt  ma -- li:
+  sor -- te ta -- men in -- æ -- qua -- li,
+  vi -- tæ, vi -- tæ vel __ in te -- ri -- tus.
+  
+  Mors est ma -- lis, vi -- ta bo -- nis:
+  vi -- de pa -- ris sum -- ti -- o -- nis
+  quam sit dis -- par ex -- i -- tus,
   quam sit dis -- par ex -- i -- tus.
 }
 
@@ -303,7 +400,7 @@ LaudaSionBMusic = \relative c' {
   e4 e g4. fis8 | % 18
   e d cis h ais4 ais | % 19
   h h fis4. g8 | \barNumberCheck #20
-  a4. a8 d4 r | % 21
+  a!4. a8 d4 r | % 21
   d4. d8 d d d d  | % 22
   d4 d c4. c8 | % 23
   h8 h h' a gis4 gis | % 24
@@ -324,7 +421,7 @@ LaudaSionBMusic = \relative c' {
   es4 es c8. c16 c4 | % 39
   a4. a8 b4. b8 | \barNumberCheck #40
   es4. es8 d4 r | % 41
-  g4. g,8 c d h d | % 42
+  g4. g,8 c d h! d | % 42
   g4 d d4. d8 | % 43
   g8 h a g fis4 g | % 44
   c,4. a8 d[ c] h r | % 45
@@ -340,38 +437,163 @@ LaudaSionBMusic = \relative c' {
 \addQuote "LaudaSionBMusic" { \LaudaSionBMusic }
 
 LaudaSionBLyrics = \lyricmode {
-  Lau -- da Si -- on sal -- va -- to -- rem,
-  lau -- da du -- cem et pa -- sto -- rem
+  Lau -- da Si -- on Sal -- va -- to -- rem,
+  lau -- da du -- cem et pa -- sto -- rem,
   in hym -- nis et can -- ti -- cis.
-  Quan -- tum  po -- tes tan -- tum au -- de 
-  qui -- a ma -- jor om -- ni lau -- de nec lau -- da -- re suf -- fi -- cis
-  lau -- dis the -- ma spe -- ci -- al -- lis 
-  pa -- nis vi -- vus et vi -- ta -- lis ho -- di -- e pro -- po -- ni -- tur
-  quem in sa -- ra men -- sa coe -- nae tur -- bae fra -- trum du -- o de -- nae da -- tum non am -- bi -- gi -- tur
-  sit laus ple -- na sit so -- no -- ra sit ju -- cun -- da sit de -- co -- ra men -- tis ju -- bi -- la -- ti -- o 
-  di -- es e -- nim so -- lem -- nis a -- gi -- tur, in qua men -- sae pri -- ma re -- co -- li -- tur
-  hu -- jus in -- sti -- tu -- ti -- o 
-  in hac men -- sa no -- vi re -- gis hu -- jus Pas -- cha no -- vae le -- gis Pha -- se ve -- tus
-  ter -- mi -- nat, ve -- tus ta -- tem no -- vi -- tas um -- bram fu -- gat ve -- ri -- ta noc -- tem lux e -- li -- mi -- nat su -- munt bo -- ni su -- munt  ma -- li sor -- te ta -- men in ae -- qua -- li vi -- ta vi -- tae vel in te -- ri -- tus % TODO: vita vitae oder vita vita???
-  mors est ma -- lis vi -- ta bo -- nis
-  vi -- de pa -- nis sum -- ti -- o -- nis
-  quam sit dis -- par ex -- i -- tus
+  
+  Quan -- tum  po -- tes, tan -- tum au -- de: 
+  qui -- a ma -- jor om -- ni lau -- de, 
+  nec lau -- da -- re suf -- fi -- cis.
+  
+  Lau -- dis the -- ma spe -- ci -- a -- lis, 
+  pa -- nis vi -- vus et vi -- ta -- lis 
+  ho -- di -- e pro -- po -- ni -- tur.
+  
+  Quem in sa -- cræ men -- sa coe -- næ 
+  tur -- bæ fra -- trum du -- o -- de -- næ 
+  da -- tum non am -- bi -- gi -- tur.
+  
+  Sit laus ple -- na, sit so -- no -- ra,
+  sit ju -- cun -- da, sit de -- co -- ra
+  men -- tis ju -- bi -- la -- ti -- o.
+  
+  Di -- es e -- nim so -- lem -- nis a -- gi -- tur, 
+  in qua men -- sæ pri -- ma re -- co -- li -- tur
+  hu -- jus in -- sti -- tu -- ti -- o.
+  
+  In hac men -- sa no -- vi Re -- gis,
+  no -- vum Pas -- cha no -- væ le -- gis,
+  Pha -- se ve -- tus ter -- mi -- nat.
+  
+  Ve -- tus -- ta -- tem no -- vi -- tas,
+  um -- bram fu -- gat ve -- ri -- tas,
+  noc -- tem lux e -- li -- mi -- nat.
+  
+  Su -- munt bo -- ni, su -- munt  ma -- li:
+  sor -- te ta -- men in -- æ -- qua -- li,
+  vi -- tæ, vi -- tæ vel in te -- ri -- tus.
+  
+  Mors est ma -- lis, vi -- ta bo -- nis:
+  vi -- de pa -- ris sum -- ti -- o -- nis
+  quam sit dis -- par ex -- i -- tus,
   quam sit dis -- par ex -- i -- tus.
 }
 
 LaudaSionBCMusic = \relative c' {
-  % TODO
+  g8[ g, h g] c[ d h d] | % 2
+  g[ g, d' d,] r d'[ fis d] | % 3
+  g[ h a g] fis[ d g g,] | % 4
+  r8 c16[ h] c8[ a] d[ c h fis] | % 5
+  g[ g' e cis] d[ c h a] | % 6
+  g[ g h g] c[ d h d] | % 7
+  g[ g, d' d,] r d'[ fis d] | % 8
+  g[ h a g] fis[ d g g,] | % 9
+  r c[ c c] c[ c h c] | \barNumberCheck #10
+  d[ c d d,] g[ e' c d] | % 11
+  g,[ g'16 fis] g8[ e] fis[ fis16 e] fis8[ d] | % 12
+  e8[ e, e' d] cis8[ a16 h] cis8[ h] | % 13
+  a[ d cis a] d[ d fis d] | % 14
+  g[ g,] g'4. e8[ fis cis] | % 15
+  d[ d h' gis] a[ a, a' g] | % 16
+  fis8[ d16 e] fis8[ g] fis[ cis d dis] | % 17
+  e[ e,] r e'16[ fis] g8[ g, g' fis] | % 18
+  e[ d cis h] ais[ ais ais ais] | % 19
+  h2:8 fis8[ fis fis g] | \barNumberCheck #20
+  a!8[ g a a] d[ h' g a] | % 21
+  d,2:8 d2:8 | % 22
+  r8 d[ d d] c![ c c' c,] | % 23
+  h[ h h' a] r gis[ gis fis!] | % 24
+  e[ e gis e] a,[ h c gis] | % 25
+  a[ a c a] e'[ e gis h] | % 26
+  e,[ e gis e] r e[ gis e] | % 27
+  a,[ a' c a] r fis[ a fis] | % 28
+  dis[ dis dis e] dis[ dis16 e] dis8[ cis] | % 29
+  h8[ dis16 cis] h8[ dis] e[ a, g c] | \barNumberCheck #30
+  h[ a h h] e[ g, a h] | % 31
+  e[ e g e] r c[ e c] | % 32
+  g8[ g'16 fis] g8[ g,] r g'[ g, g'] | % 33
+  r8 g[ g, h] c[ c'16 h] c8[ c,] | % 34
+  r8 c[ c c] h[ c h a] | % 35
+  g[ a h c] d[ d'16 cis] d8[ d,] | % 36
+  r d[ fis d] r d[ fis d] | % 37
+  g,[ g'16 fis] g8[ g,] r g'[ b g] | % 38
+  es[ es g es] c[ c'16 b] c8[ c,] | % 39
+  a2:8 b2:8 | \barNumberCheck #40
+  es2:8 d8[ c' h! fis] | % 41
+  g[ g, h g] c[ d h c] | % 42
+  g'8[ g, d' d,] r d'[ fis d] | % 43
+  g[ h a g] fis[ d g g,] | % 44
+  r c16[ h] c8[ a] d[ c h fis] | % 45
+  g[ g' e cis] d[ c h a] | % 46
+  g[ g h g] c[ d h d] | % 47
+  g[ g, d' d,] r8 d'[ fis d] | % 48
+  g[ h a g] fis[ d g g,] | % 49
+  c2:8 c8[ c h c] | \barNumberCheck #50
+  d[ c d d] e2:8 | % 51
+  a,2:8 d8[ fis g c,] | % 52
+  d4 d, g r \bar"|."
 }
 \addQuote "LaudaSionContinuoMusic" { \LaudaSionBCMusic }
 
 LaudaSionBCFbMusic = \figuremode {
-  % TODO
+  s2 <6>8 s <6> <5> | % 2
+  <9 4> <3> s4 s s8 <7> | % 3
+  s4 <6> <6 4>8 <7> s4 | % 4
+  s2 <6 4>8 <2> <6> s | % 5
+  <6 4> s \bassFigureExtendersOn <5>8 <5> <3> <3> \bassFigureExtendersOff<6> <6> | % 6
+  s2 <6>8 s <6> <5> | % 7
+  <9 4> <3> s4 s s8 <7>8 | % 8
+  s4 <6> <6 4>8 <7> s4 | % 9
+  s8 <8 6> s <7 5> <2> s s <5> | \barNumberCheck #10
+  <6 4>4 <3> s <6> | % 11
+  s s8 <6\\> <6>8 s s <6> | % 12
+  <4> <3> s s \bassFigureExtendersOn <5> <5>16 <5> s8 \bassFigureExtendersOff <6\\> | % 13
+  <_+>8 <6> <6> <7> <9 7> s <6> s | % 14
+  <6> s <6>4 <5>8 <4\+ 2>8 <6> <6> | % 15
+  <9 4> s \bassFigureExtendersOn <5> <5> \bassFigureExtendersOff <_+> s s s | % 16
+  <6>4 s8 <4\+ 2> <6> s s <6 5> | % 17
+  s <3> s s <4\+ 2> s s <6> | % 18
+  <6\\> s <5> <6> \bassFigureExtendersOn <_ 7 _+>4 <6 5 _+> \bassFigureExtendersOff | % 19 % TODO: Correct ordering of <6 5 #> in the output!!!
+  <5>4 \bassFigureExtendersOn <5>8 <6> <6> s s s | \barNumberCheck #20
+  <6 4>4 <_+> s <6>8 <_+> | % 21
+  \bassFigureExtendersOn s2 <8 _!>8 <7 _!> <6 _!> <5 _!> \bassFigureExtendersOff | % 22
+  s8 <4\+ 2> s s <6> s s s | % 23
+  <7> <6\\> s <6!> s <5> s s | % 24
+  <7> s s <8> s <6\\> <6> s | % 25
+  <9 4> s <6> s \bassFigureExtendersOn <_+> <_+> <_+> <_+> | % 26
+  <_+> <_+> <_+> <_+> <_+> <_+> <_+>  <7> | % 27
+  <9 4> <3> <3> <3> s <5> <5> <5> | % 28
+  <7> <6> s <4\+ 3> <5+> <6> s s | % 29
+  \bassFigureExtendersOff s s s <6 5!> s s <6> <6> | \barNumberCheck #30
+  <6 4> s <_+> s s <6> <6 5> <_+> | % 31
+  s1 | % 32
+  <6 4>4 <3> s8 <7!> s4 | % 33
+  s s <9 4!> s | % 34
+  s8 <4\+ 2>8 s s <6> <2> <6> <6> | % 35
+  s s s <6> s s s s | % 36
+  s2 s4 s8 <7> | % 37
+  <9 4> <_-> s4 s2 | % 38
+  <5>4 s s s | % 39
+  <6\\ 5->2 <6> | \barNumberCheck #40
+  \bassFigureExtendersOn <6\\> <_+>8 <_+> <6> <5> | % 41
+  <_!> s s s <6> s <6> <5> | % 42
+  <9 4> <3> s4 s s8 <7> | % 43
+  \bassFigureExtendersOff  s4 <6>8 s <6 4>8 <7> s4 | % 44
+  s2 <6 4>8 <2> <6> <6> | % 45
+  <9 4> s \bassFigureExtendersOn <5> <5> <3> <3> \bassFigureExtendersOff <6> <6> | % 46
+  s2 <6>4 <6>8 <5> | % 47
+  <9 4> <3> s4 s s8 <7> | % 48
+  s4 <6>8 s <6 4>8 <7> s4 | % 49
+  \bassFigureExtendersOn <8 6>4 <8 6>8 <7 5> <2> s s <5> | \barNumberCheck #50
+  <6 4>4 <3> s2 | % 51
+  <7 _+>2 s8 <5!> s s | % 52
+  <6 4>4 <3> s s \bar"|."
 }
 
 
 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 
-EccePanisPieceName = "Ecce panis"
+EccePanisPieceName = "Ecce panis Angelorum"
 EccePanisPieceNameTacet = "Ecce panis tacet"
 EccePanisTempo = "Allegro"
 
@@ -402,7 +624,7 @@ EccePanisVIMusic = \relative c'' {
   c e~ | % 18
   e d | % 19
   c h | \barNumberCheck #20
-  a1~ | % 21 % TODO: als a1. notiert
+  a1~ | % 21
   a2 a | % 22
   \once\override NoteHead  #'style = #'baroque 
   gis\breve \bar"|."
@@ -423,7 +645,7 @@ EccePanisVIIMusic = \relative c'' {
   d2 g | % 12
   a fis | % 13
   g g | % 14
-  f2. f4 | % 15
+  f!2. f4 | % 15
   e1 | % 16
   d2. d4 | % 17
   e2 e | % 18
@@ -464,9 +686,10 @@ EccePanisSMusic = \relative c'' {
 \addQuote "EccePanisSMusic" { \EccePanisSMusic }
 
 EccePanisSLyrics = \lyricmode {
-  fac -- tus ci -- bus ci -- a -- to -- rum
-  ve -- re pa -- nis fi -- li -- o -- rum non mit -- ten -- dus ca -- ni -- bus ca -- ni -- bus
-  non mit -- ten -- dus ca -- ni -- bus.
+  fac -- tus ci -- bus vi -- a -- to -- rum
+  ve -- re pa -- nis fi -- li -- o -- rum,
+  non mit -- ten -- dus ca -- ni -- bus, ca -- ni -- bus,
+  non __ mit -- ten -- dus ca -- ni -- bus.
 }
 
 EccePanisAMusic = \relative c'' {
@@ -483,7 +706,7 @@ EccePanisAMusic = \relative c'' {
   d2 g( | % 12
   a) fis | % 13
   g g | % 14
-  f2. f4 | % 15
+  f!2. f4 | % 15
   e1 | % 16
   d2. d4 | % 17
   e1 | % 18
@@ -496,7 +719,12 @@ EccePanisAMusic = \relative c'' {
 }
 \addQuote "EccePanisAMusic" { \EccePanisAMusic }
 
-EccePanisALyrics = \EccePanisSLyrics
+EccePanisALyrics = \lyricmode {
+  fac -- tus ci -- bus vi -- a -- to -- rum
+  ve -- re pa -- nis fi -- li -- o -- rum,
+  non mit -- ten -- dus ca -- ni -- bus, ca -- ni -- bus,
+  non mit -- ten -- dus ca -- ni -- bus.
+}
 
 EccePanisTMusic = \relative c' {
   e1 | % 2
@@ -508,17 +736,17 @@ EccePanisTMusic = \relative c' {
   a2 h | % 8
   g a | % 9
   a g | \barNumberCheck #10
-  g( fis) | % 11 % TODO: Slur added
+  g( fis) | % 11
   g1 | % 12
   R1 | % 13
   r2 g2( | % 14
-  a) f | % 15
+  a) f! | % 15
   g2 g | % 16
   g2. g4 | % 17
-  g2 c~ | % 18 % TODO: Remove Tie here or slur in next measure
-  c h( | % 19 % 
-  a) gis | \barNumberCheck #20
-  a1~ | % 21 % TODO: Notated as dotted whole!!!
+  g2 c~ | % 18
+  c h | % 19 % 
+  a gis | \barNumberCheck #20
+  a1~ | % 21
   a2 a | % 22
   \once\override NoteHead  #'style = #'baroque 
   a\breve \bar"|."
@@ -526,9 +754,10 @@ EccePanisTMusic = \relative c' {
 \addQuote "EccePanisTMusic" { \EccePanisTMusic }
 
 EccePanisTLyrics = \lyricmode {
-  fac -- tus ci -- bus ci -- a -- to -- rum
-  ve -- re pa -- nis fi -- li -- o -- rum non mit -- ten -- dus ca -- ni -- bus 
-  non mit -- ten -- dus ca -- ni -- bus.
+  fac -- tus ci -- bus vi -- a -- to -- rum
+  ve -- re pa -- nis fi -- li -- o -- rum,
+  non mit -- ten -- dus ca -- ni -- bus,
+  non __ mit -- ten -- dus ca -- ni -- bus.
 }
 
 EccePanisBMusic = \relative c {
@@ -551,14 +780,19 @@ EccePanisBMusic = \relative c {
   c1 | % 18
   gis2 gis | % 19
   a e' | \barNumberCheck #20
-  f1~ | % 21 % TODO: notiert als punktierte Ganze!
+  f1~ | % 21
   f2 f2 | % 22
   \once\override NoteHead  #'style = #'baroque 
   e\breve \bar"|."
 }
 \addQuote "EccePanisBMusic" { \EccePanisBMusic }
 
-EccePanisBLyrics = \EccePanisTLyrics
+EccePanisBLyrics = \lyricmode {
+  fac -- tus ci -- bus vi -- a -- to -- rum
+  ve -- re pa -- nis fi -- li -- o -- rum,
+  non mit -- ten -- dus ca -- ni -- bus,
+  non mit -- ten -- dus ca -- ni -- bus.
+}
 
 EccePanisBCMusic = \relative c {
   c1( | % 2
@@ -579,8 +813,9 @@ EccePanisBCMusic = \relative c {
   g1 | % 17
   c | % 18
   gis | % 19
-  a2 e'( | \barNumberCheck #20
-  f) f | % 21
+  a2 e' | \barNumberCheck #20
+  f1~ |
+  f2 f | % 21
   \once\override NoteHead  #'style = #'baroque 
   e\breve \bar"|."
 }
@@ -621,7 +856,7 @@ InFigurisPieceNameTacet = "In Figuris: Tacet"
 
 
 
-BonePastorPieceName = "Bone Pastor"
+BonePastorPieceName = "Bone pastor, panis vere"
 
 BonePastorKey = \key c \major
 BonePastorTimeSignature = \time 2/2
@@ -693,10 +928,10 @@ BonePastorSMusic = \relative c'' {
 \addQuote "BonePastorSMusic" { \BonePastorSMusic }
 
 BonePastorSLyrics = \lyricmode {
-  Je -- su nos -- tri mi -- se -- re -- re
-  tu nos pas -- ce nos tu -- e -- re
+  Je -- su, nos -- tri mi -- se -- re -- re:
+  tu nos pas -- ce, nos tu -- e -- re,
   tu nos bo -- na fac vi -- de -- re 
-  in ter -- ra vi -- ven -- ti -- um
+  in ter -- ra vi -- ven -- ti -- um,
   vi -- ven -- ti -- um.
 }
 
@@ -749,11 +984,11 @@ BonePastorTMusic = \relative c' {
 BonePastorTLyrics = \BonePastorSLyrics
 
 BonePastorBMusic = \relative c {
-  c1 c | % 2
+  c2 c | % 2
   c a' | % 3
   f g | % 4
   e c | % 5
-  c'4( h) a( g) | % 6 % TODO: slurs added
+  c'4( h) a( g) | % 6
   f2 f | % 7
   h4( a) g( f) | % 8
   e2 e | % 9
diff --git a/Eybler_LaudaSion_HV102_Settings_Global.ily b/Eybler_LaudaSion_HV102_Settings_Global.ily
index d88574d4942c9c7eb5f1dd4c91acccb8c4292857..603b3d8fb4ffacf1b709b856f7d71484abede62d 100644
--- a/Eybler_LaudaSion_HV102_Settings_Global.ily
+++ b/Eybler_LaudaSion_HV102_Settings_Global.ily
@@ -7,8 +7,9 @@ scorenumber="EK-1102"
 
 \header { 
   title = "Lauda Sion"
-  subtitle = "Offertorium, HV 102"
-  composer = "Joseph Eybler (1765-1846)"
+  subtitle = "Offertorium, MH 215 (K IIa:42)"
+  composer = "Michael Haydn (1737-1806)"
+  poet = "fälschlich Joseph Eybler zugeschrieben als HV 102"
   copyright = \markup \abs-fontsize #9 \column{
       \line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."} 
       \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
diff --git a/Eybler_LaudaSion_HV45_Music_BonePastor.ily b/Eybler_LaudaSion_HV45_Music_BonePastor.ily
index 9f6425f6d25bbb6d632391f972c73e62d2150861..19de69f66c8eb360630a31530a7d8d0e6b2dab16 100644
--- a/Eybler_LaudaSion_HV45_Music_BonePastor.ily
+++ b/Eybler_LaudaSion_HV45_Music_BonePastor.ily
@@ -72,8 +72,7 @@ BonePastorClIIMusic = \relative c' {
   R1 | % 2
   d2 g | % 3
   g g | % 4
-  %g2 g | % 5
-s1 | %%%%%%%%%%%%% TODO: Remove this!!!
+  g1 | % 5
   g1 | % 6
   g2 fis | % 7
   g d~ | % 8
@@ -115,7 +114,7 @@ BonePastorCorIMusic = \relative c'' {
   r d | % 18
   c r | % 19
   R1 | \barNumberCheck #20
-  c1\p | % 21
+  c1 | % 21
   c | % 22
   c4 r r2 | % 23
   e2 d | \barNumberCheck #24
@@ -141,8 +140,8 @@ BonePastorCorIIMusic = \relative c'' {
   r g | % 18
   e r | % 19
   R1 | \barNumberCheck #20
-  c1\p | % 21
-  c\f | % 22
+  c1 | % 21
+  c | % 22
   c4 r r2 | % 23
   c' g | \barNumberCheck #24
   e r \bar"|."
@@ -172,7 +171,7 @@ BonePastorVIMusic = \relative c'' {
   c1 | % 21
   b1 | % 22
   a4( h c d) | % 23
-  e2 d | \barNumberCheck #24
+  c2 h | \barNumberCheck #24
   c2\fermata r \bar"|."
 }
 \addQuote "BonePastorVIMusic" { \BonePastorVIMusic }
@@ -219,7 +218,7 @@ BonePastorVaMusic = \relative c {
   a2 a | % 12
   h1 | % 13
   c2 d | % 14
-  c h4( c) | % 15
+  c h4 c | % 15
   d2 c | % 16
   c h | % 17
   c d | % 18
@@ -256,12 +255,13 @@ BonePastorSMusic = \relative c'' {
   c1 | % 21
   b1 | % 22
   a4( h) c d | % 23
-  e2 d | \barNumberCheck #24
+  c2 h | \barNumberCheck #24
   c\fermata r \bar"|."
 }
 \addQuote "BonePastorSMusic" { \BonePastorSMusic }
 
 BonePastorSLyrics = \lyricmode {
+  \set stanza = "3."
   Je -- su no -- stri mi -- se -- re -- re
   tu nos pas -- ce, nos tu -- e -- re,
   tu nos bo -- na fac vi -- de -- re
@@ -322,7 +322,7 @@ BonePastorTMusic = \relative c' {
   c1 | % 21
   e2( c) | % 22
   c4( f) e d | % 23
-  c2 h | \barNumberCheck #24
+  e2 d | \barNumberCheck #24
   c1 \bar"|."
 }
 \addQuote "BonePastorTMusic" { \BonePastorTMusic }
@@ -380,7 +380,7 @@ BonePastorBCMusic = \relative c {
   c2 e4 f | % 19
   g2 gis | \barNumberCheck #20
   a2 a, | % 21
-  c2( e) | % 22
+  c2 e | % 22
   f4 d e f | % 23
   g2 g, | \barNumberCheck #24
   c2\fermata r \bar"|."
diff --git a/Eybler_LaudaSion_HV45_Music_EccePanis.ily b/Eybler_LaudaSion_HV45_Music_EccePanis.ily
index f5872113a4d70b76a8ee48ebb28806b5a22a11ef..7ca8e42756a7c344897c0b92510230d62d905515 100644
--- a/Eybler_LaudaSion_HV45_Music_EccePanis.ily
+++ b/Eybler_LaudaSion_HV45_Music_EccePanis.ily
@@ -223,6 +223,7 @@ EccePanisSMusic = \relative c'' {
 \addQuote "EccePanisSMusic" { \EccePanisSMusic }
 
 EccePanisSLyrics = \lyricmode {
+  \set stanza = "1."
   Fac -- tus ci -- bus vi -- a -- to -- rum: 
   ve -- re pa -- nis fi -- li -- o -- rum,
   non mit -- ten -- dus ca -- ni -- bus,
diff --git a/Eybler_LaudaSion_HV45_Music_InFiguris.ily b/Eybler_LaudaSion_HV45_Music_InFiguris.ily
index 8a01043c550ac63fb2293fb77fdd513f7594282d..d529f97e11f1f2c11a82bd143a15eaba89cc0095 100644
--- a/Eybler_LaudaSion_HV45_Music_InFiguris.ily
+++ b/Eybler_LaudaSion_HV45_Music_InFiguris.ily
@@ -223,6 +223,7 @@ InFigurisSMusic = \relative c'' {
 \addQuote "InFigurisSMusic" { \InFigurisSMusic }
 
 InFigurisSLyrics = \lyricmode {
+  \set stanza = "2."
   Cum Isa -- ac im -- mo -- la -- tur: 
   A -- gnus pas -- chae de -- pu -- ta -- tur: 
   da -- tur man -- na pa -- tri -- bus, 
diff --git a/Eybler_LaudaSion_HV45_Music_LaudaSion.ily b/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
index 305d2962f92db9808c6d19937366f891725b5b31..3619f3443a8f9c0ee81f661c4a21ff88c20f9b58 100644
--- a/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
+++ b/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
@@ -213,7 +213,7 @@ LaudaSionTbeIMusic = \relative c'' {
   c r8 g | % 14
   c8[ d] e4 | % 15
   r g,8[ e] | % 16
-  c8[ c'\p g e] | % 17
+  c8[ c' g\p e] | % 17
   c4 r | % 18
   R2*7 | \barNumberCheck #25
   d'4\f d | % 26
@@ -223,7 +223,7 @@ LaudaSionTbeIMusic = \relative c'' {
   R2*4 | \barNumberCheck #33
   c8[ c16 c] c8[ c] | % 34
   d4 r | % 35
-  c8[ c16 c] c8[ c] | % 36
+  d8[ d16 d] d8[ d] | % 36
   e4 r | % 37
   c8[ c16 c] c8[ c] | % 38
   c4 r | % 39
@@ -589,9 +589,9 @@ LaudaSionVIIMusic = \relative c' {
   r8 <d h>8[ <d h> <d h>] | % 21
   e4 <d c> | % 22
   <d h> r8 <d h> | % 23
-  e4. d8 | % 24
+  e4. e8 | % 24
   d4 r | % 25
-  d16[\f g( g g)] g[( g h g]) | % 26
+  d16[\f g( h g)] d[( g h g]) | % 26
   d[( a' c a]) d,[( fis) a fis ] | % 27
   g4 d | % 28
   d2 | % 29
@@ -710,8 +710,8 @@ LaudaSionVaMusic = \relative c' {
   g~ | \barNumberCheck #50
   g~ | % 51
   g~ | % 52
-  g~( | % 53
-  f'8) r f r | % 54
+  g | % 53
+  f'8 r f r | % 54
   e r h r | % 55
   c4 r8 d | % 56
   c4 r8 d | % 57
@@ -720,7 +720,7 @@ LaudaSionVaMusic = \relative c' {
   c4 r8 c8\f | \barNumberCheck #60
   f[ d g e] | % 61
   a[ f h g] | % 62
-  c[ d, h g] | % 63
+  c[ c, h g] | % 63
   c[ g h g] | % 64
   c8 c4 h8 | % 65
   c4 r | % 66
@@ -845,7 +845,7 @@ LaudaSionSLyrics = \lyricmode {
   lau -- da du -- cem et pa -- sto -- rem.
   Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
   
-  in hym -- nis et can -- ti -- cis in hym -- nis et can -- ti -- cis.
+  in hym -- nis et can -- ti -- cis in hym -- nis __ et __ can -- ti -- cis.
   
   Al -- le -- lu -- ja, al -- le -- lu -- ja.
   
@@ -856,7 +856,7 @@ LaudaSionSLyrics = \lyricmode {
   in hym -- nis et can -- ti -- cis, 
   in hym -- nis et can -- ti -- cis.
   Lau -- da  Si -- on Sal -- va -- to -- rem
-  lau -- da du -- cem et pa -- sto -- rem
+  lau -- da __  du -- cem __ et pa -- sto -- rem
   in hym -- nis et can -- ti -- cis.
 
   Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
@@ -869,7 +869,7 @@ LaudaSionSLyrics = \lyricmode {
 
 LaudaSionAMusic = \relative c' {
   R2*8 | % 9
-  e4. e8 | \barNumberCheck #10
+  e4.\f e8 | \barNumberCheck #10
   f4 d8 d | % 11
   c[( a']) g[( f]) | % 12
   f4( e) | % 13
@@ -1002,7 +1002,7 @@ LaudaSionBMusic = \relative c {
   R2*18 | % 59
   r4 r8 c | \barNumberCheck #60
   f4 g | % 61
-  a g | % 62
+  a h | % 62
   c h | % 63
   c h( | % 64
   c8) a f[( g]) | % 65
@@ -1024,7 +1024,14 @@ LaudaSionBMusic = \relative c {
 }
 \addQuote "LaudaSionBMusic" { \LaudaSionBMusic }
 
-LaudaSionBLyrics = \LaudaSionALyrics
+LaudaSionBLyrics = \lyricmode {
+  Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
+  Al -- le -- lu -- ja, al -- le -- lu -- ja.
+  Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
+  Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
+  Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
+}
+
 
 LaudaSionBCMusic = \relative c {
   c4\p e | % 2
@@ -1035,15 +1042,15 @@ LaudaSionBCMusic = \relative c {
   e[ d] c4 | % 7
   c8[ e f fis] | % 8
   g[ g,] g'16[ f e d] | % 9
-  c8[ c e c ] | \barNumberCheck #10
+  c8[\f c e c ] | \barNumberCheck #10
   g'4 g, | % 11
   a h | % 12
   c8[ g] c,4 | % 13
   a''8[ g f f] | % 14
   e[ d c c] | % 15
   f[-. d-. g-. e-.] | % 16
-  c[-. c-. e-. g-.] | % 17
-  c4 r | % 18
+  c[-. c-.\> e-. g-.] | % 17
+  c4\!\p r | % 18
   h r | % 19
   a8 r d, r | \barNumberCheck #20
   g r g, r | % 21
@@ -1051,23 +1058,23 @@ LaudaSionBCMusic = \relative c {
   h r g r | % 23
   c4. cis8 | % 24
   d4 r | % 25
-  g4 h | % 26
+  g4\f h | % 26
   d d, | % 27
   e fis | % 28
   g8[ d] g,4 | % 29
-  e'4 g | \barNumberCheck #30
+  e'4\p g | \barNumberCheck #30
   h h, | % 31
   cis dis | % 32
   e e, | % 33
-  c'8[ c e c] | % 34
+  c'!8[\f c e c] | % 34
   g'[ g g, g] | % 35
   g'[ g h g] | % 36
   c4 c, | % 37
   f8[ f a f ] | % 38
-  c4-. d8[-. e-.] | % 39
+  c4 d8[-. e-.] | % 39
   f[-. d-. g-. e-.] | \barNumberCheck #40
-  c-.[ c-. e-. g-.] | % 41
-  b4 r | % 42
+  c-.[ c-.\> e-. g-.] | % 41
+  b4\!\p r | % 42
   a r | % 43
   e r | % 44
   f r | % 45
@@ -1075,7 +1082,7 @@ LaudaSionBCMusic = \relative c {
   e r c r | % 47
   h r c r | % 48
   g4 r | % 49
-  g r | \barNumberCheck #50
+  g\pp r | \barNumberCheck #50
   c r | % 51
   g r | % 52
   c r | % 53
@@ -1084,9 +1091,9 @@ LaudaSionBCMusic = \relative c {
   c4 r8 g | % 56
   c4 r8 g | % 57
   c4 r | % 58
-  g'8[ g g, g] | % 59
+  g'8[\< g g,\! g] | % 59
   c[ c e c] | \barNumberCheck #60
-  f[ f g g] | % 61
+  f[\f f g g] | % 61
   a[ a h h] | % 62
   c[ c h g] | % 63
   c[ c h g] | % 64
@@ -1100,7 +1107,7 @@ LaudaSionBCMusic = \relative c {
   e8[ d] c4 | % 72
   c8[ e f fis] | % 73
   g[ g,] g'16[ f e d] | % 74
-  c8[ c e c] | % 75
+  c8[\f c e c] | % 75
   g'4 g, | % 76
   a h | % 77
   c8[ g] c,4 | % 78
@@ -1109,7 +1116,7 @@ LaudaSionBCMusic = \relative c {
   f[-. d-. g-. e-.] | % 81
   c[ c' a a] | % 82
   f[ f g g] | % 83
-  c[ c a a] | % 84
+  c[\ff c a a] | % 84
   f[ f g g] | % 85
   c,4 r | % 86
   c'4-. g8-.[ e]-. | % 87
@@ -1121,18 +1128,18 @@ LaudaSionBCMusic = \relative c {
 LaudaSionBCFbMusic = \figuremode {
   \bassFigureExtendersOn
   s4 <6> | % 2
-  <4 7>8 <3 7> <9 5 3> <8 5 3> | % 3
+  <4 7>8 <3 7> \bassFigureExtendersOff <9 5 3> \bassFigureExtendersOn<8 5 3> | % 3
   <7> <6> <4 > <3> | % 4
   <9 4>4 <8 3> | % 5
-  <3> s8 <4 2> | % 6
-  \bassFigureExtendersOff <6> <8 6> <3>4 | % 7
-  \bassFigureExtendersOn <5 3>8 <5 3> <8 6> <7 5> | % 8
+  \bassFigureExtendersOff <3> s8 <4 2> | % 6
+  <6> <8 6> <3>4 | % 7
+  <5 3>8 \bassFigureExtendersOn <5 3> <8 6> <7 5> | % 8
   <6 4> <6 4> <5 3>16 <5 3> <5 3> <5 3> | % 9
   s4\tutti <6> | \barNumberCheck #10
-  <4 7>8 <3 7> <9 5 3> <8 5 3> | % 11
+  <4 7>8 <3 7> \bassFigureExtendersOff <9 5 3> \bassFigureExtendersOn <8 5 3> | % 11
   <7> <6> <4> <3> | % 12
-  <9 4> <9 3> <8 3>4 | % 13
-  \bassFigureExtendersOff <6>8  <6 4> <3> <4 2> | % 14
+  <9 4> <9 3> \bassFigureExtendersOff <8 3>4 | % 13
+  <6>8  <6 4> <3> <4 2> | % 14
   <6> <6> s s | % 15
   s2*3 | % 18
   <6>4 s | % 19
@@ -1143,16 +1150,16 @@ LaudaSionBCFbMusic = \figuremode {
   <6>4. <6 5>8 | % 24
   <_+>4 s | % 25
   s4\tutti <6> | % 26
-  <4 7+> <9 _+>8 <8 _+> | % 27
+  <4 7+> \bassFigureExtendersOn <9 _+>8 <8 _+> | % 27
   <7> <6> <4 > <3> | % 28
   \bassFigureExtendersOn <9 4> <9 4> <8 3>4 | % 29
   s4\solo <6> | \barNumberCheck #30
   <4+ 5>4 <9 _+>8 <8 _+> | % 31
-  <7>8 <6> <4+>4 | % 32
+  \bassFigureExtendersOff <7>8 <6> <4+>4 | % 32
   <9+ 7! 4>4 <8 3> | % 33
   s4\tutti <6> | % 34
   <4>8 <3> s4 | % 35
-  s <6 5>8 <6 5> | % 36
+  \bassFigureExtendersOn s <6 5>8 <6 5> | % 36
   <4> <3> s4 | % 37
   s <6> | % 38
   s <6> | % 39
@@ -1186,9 +1193,9 @@ LaudaSionBCFbMusic = \figuremode {
   <7 4>8 <7 3> <9> <8> | % 68
   <7> <6> <4 > <3> | % 69
   <9 4>4 <8 3> | \barNumberCheck #70
-  <3> s8 <4 2> | % 71
-  \bassFigureExtendersOff <6> <8 6> <3>4 | % 72
-  <5 3>8 <5 3> <8 6> <7 5> | % 73
+  \bassFigureExtendersOff <3> s8 <4 2> | % 71
+  <6> <8 6> <3>4 | % 72
+  <5 3>8 \bassFigureExtendersOn <5 3> <8 6> <7 5> | % 73
   <6 4> <6 4> <5 3>16 <5 3>16 <5 3>16 <5 3>16 | % 74
   s4\tutti <6> | % 75
   <4 7>8 <3 7> <9> <8> | % 76
@@ -1199,7 +1206,7 @@ LaudaSionBCFbMusic = \figuremode {
   <6>8 <6 4> <3> <4 2> | % 79
   <6> <8 6> <3> s | \barNumberCheck #80
   s2 | % 81
-  s4 <5> | % 82
+  <0>16<0> s8 <5>4 | % 82
   <6 5> <7> | % 83
   s <3> | % 84
   <6 5> <7> | % 85
diff --git a/TeX_Eybler_LaudaSion_Include_KritBericht.itex b/TeX_Eybler_LaudaSion_Include_KritBericht.itex
index 8ada5b77a349ceccc8fdd7e455b43cd93974bc13..7d2f400a934ae7cbf61989bf810e65c75611774e 100644
--- a/TeX_Eybler_LaudaSion_Include_KritBericht.itex
+++ b/TeX_Eybler_LaudaSion_Include_KritBericht.itex
@@ -54,41 +54,87 @@ DISKUSSION DER QUELLEN
 
 
 \begin{enumerate}
-\item
-TODO
+\item Im \q{Ecce panis}, dem \q{In figuris} und dem {Bone Pastor} sind in 
+\cite{HS1} in der Orgelstimme zahlreiche Melismen-Bögen aus den Vokalstimmen 
+übernommen. Da diese Bögen in den Vokalstimmen nur für die Textaufteilung 
+intendiert sind, nicht jedoch als Legatobögen zu verstehen sind, werden in dieser
+Ausgabe die Bögen nicht in die Orgelstimme (und die VcB-Stimme) übernommen. 
+Ein weiterer Indikator dafür ist auch das beinahe gänzliche Fehlen der Bögen 
+in der VcB-Stimme, die exakt mit dem Continuo übereinstimmt.
+
+\item Im \q{Lauda Sion} fehlen in \cite{HS1} in der VcB-Stimme sämtliche 
+Dynamikangaben mit Ausnahme der anfänglichen p. Diese wurden nach dem Continuo
+auch in die VcB-Stimme übernommen.
 \end{enumerate}
 
 
-\subsubsection*{LaudaSion}
+\subsubsection*{Lauda Sion Salvatorem}
 
 \begin{vergleich}
-T13-16 Vln/Org: In Organo jeweils zwei, in Vln jeweils vier Achtelnoten mit Balken verbunden.
+T13-16 Vln/Org: In Organo \cite{HS1} jeweils zwei, in Vln jeweils vier Achtelnoten mit Balken verbunden.
+
+T38 VcB: Staccato-Punkt auf die Viertelnote in VcB in \cite{HS1} entfernt wie in Continuo.
+
+52/53 Va: Haltebogen in \cite{HS1} von g auf f' entfernt.
+55 V2: Das obere g' ist in der Handschrift \cite{HS1} nur sehr blass zu erkennen, jedoch 
+auch aus den vorhergehenden Oktaven offensichtlich.
 TODO
 \end{vergleich}
 
-\subsubsection*{EccePanis}
+\subsubsection*{Ecce panis Angelorum}
 
 \begin{vergleich}
-TODO
+T1 VcB: Staccato-Punkte aus der Orgelstimme in \cite{HS1} übernommen.
 \end{vergleich}
 
-\subsubsection*{InFiguris}
+\subsubsection*{In figuris praesignatur}
 
 \begin{vergleich}
-TODO
+T1 VcB: Staccato-Punkte aus der Orgelstimme in \cite{HS1} übernommen.
 \end{vergleich}
 
-\subsubsection*{BonePastor}
+\subsubsection*{Bone Pastor, panis vere}
 
 \begin{vergleich}
-TODO
+T4 Cl2: Takt 4 fehlt in der Handschrift \cite{HS1}, aufgrund der colla-Parte-Führung von 
+Cl.2 und Vl.2 mit dem Alt ergänzt als ganze Note
+
+T20/21 Cor1/2: p in Takt 20 und f in Takt 21 Cor.2 entfernt. Dynamikangaben 
+sind sonst in diesen drei Strophen in \cite{HS1} nirgends zu finden, daher auch 
+hier nicht angebracht.
 \end{vergleich}
 
 \end{multicols}
 
 
 
-\section*{Lauda Sion Salvatorem, Offertorium, HV 102}
+\section*{Michael Haydn: Lauda Sion Salvatorem, Offertorium, MH 215}
+
+Dieses Werk wird Eybler im Werkverzeichnis von Herrman zugeschrieben als 
+Offertorium HV 102. Als einzige Fundstelle wird dazu der unten angegebene 
+nichtautographe handschriftliche Stimmensatz \cite{HS2} im Besitz der Österreichischen 
+Nationalbibliothek in Wien angeführt. Der musikalische Inhalt und auch die
+Besetzung stimmen jedoch exakt mit dem \q{Lauda Sion} MH 215 von Michael Haydn
+überein, dessen Autograph in der Bayrischen Staatsbibliothek in München verwahrt
+ist.
+
+Die Titelseite der Handschrift der ÖNB
+bezeichnet das Werk zwar als \q{Offertorium Lauda Sion von Eibler}, jedoch ist
+bereits auf der Titelseite links unten \q{M. Haydn} eingetragen, weshalb
+die versehentliche Zuschreibung an Eybler zwar zu verstehen ist, jedoch
+ganz eindeutig als falsch anzusehen ist.
+
+Da das Ziel der vorliegenden Ausgabe eine Edition der Werke Eyblers ist, 
+wird dieses als HV 102 zugeschriebene Werk in exakt dieser zugeschriebenen 
+Fassung in der Besetzung SATB, Vl.1, Vl.2, Org hier reproduziert.
+
+Die Besetzung des Werkes in Michael Haydns Autograph ist an sich neben dem 
+Chor SATB durch 2 Violinen, Continuo, 2 Oboen, 2 Trompeten, 2 Hörner und Pauken
+gegeben, jedoch existieren zahlreiche zeitgenössische Handschriften in anderer
+Begleitung (z.B. 2 Vl., Continuo, Cor. ad lib.; oder 2 Vl., Va, Continuo; etc.).
+In München existieren auch zwei Handschriften in der vorliegenden Besetzung 
+2 Vl. und Continuo, die hier fälschlich Eybler zugeschrieben wird.
+
 
 \begin{multicols}{2}
 \subsection*{Quellen:}
@@ -113,24 +159,30 @@ Fußnote im Katalog der ÖNB: \q{K. Dr. Collins 14. 10. 40.}
 
 \end{thebibliography}
 
-DISKUSSION DER QUELLEN
+\subsubsection*{Bemerkungen und Korrekturen}
 
+\begin{itemize}
+\item In den Vokalstimmen ist an zahlreichen Stellen kein Melisma-Bogen gesetzt, an vielen Parallelstellen jedoch schon (z.B. S T.5, 10, 15, 20, 30, etc.). Diese Melismabögen werden in dieser Ausgabe konsistent ergänzt: Takte 20, 52 S; 25, 50 T; Ecce Panis T10 T; Bone Pastor T5, 9 B
 
+\item Der Text ist in der Handschrift großteils ohne Interpunktion und mit inkonsistenter Bindestrichsetzung notiert (tw. fehlt der Bindestrich bei zusammengehörigen Silben, tw. ist ein Bindestrich zwischen Silben verschiedener Wörter gesetzt). Ebenso finden sich zahlreiche Rechtschreibfehler (z.B. \q{evitalis} statt \q{et vitalis} in T13 A oder \q{æquala} statt \q{æquali} in T43 A) im lateinischen Text. Die Schreibweise und Interpunktion wird an den modernen Usus (Liber Usualis) ohne weitere Bemerkung angepasst.
 
-\subsubsection*{Allgemeine Bemerkungen}
+\item Endet ein Takt mit einer versetzten Note und beginnt der folgende Takt mit derselben versetzten Note, wird im neuen Takt in der Handschrift \cite{HS2} kein Versetzungszeichen mehr gesetzt, was der modernen Konvention wiederspricht. Die vorliegende Ausgabe setzt diese Versetzungszeichen in neuen Takt konsequent. Dies ist der Fall in folgenden Takten: 38, 39 S; 40 T; 38, 39 V1, 
 
+\end{itemize}
 
-\begin{enumerate}
-\item
-TODO
-\end{enumerate}
+\begin{vergleich}
+T32 S/A: Text in \cite{HS2} falsch \q{hu--jus} statt \q{no--vum}.
 
+T 38 Org: $\flat$ des b (drittletzte Note des Taktes) fehlt in \cite{HS2}.
 
-\subsubsection*{Einzelbemerkungen}
+T51 A: In \cite{HS2} Bogen über die beiden Viertelnoten, dafür im Text kein \q{sit}. Korrigiert auf zwei ungebundene Viertelnoten mit Text \q{sit} auf der zweiten Viertelnote.
 
-\begin{vergleich}
-TODO
-\end{vergleich}
+Ecce Panis T18/19 T: Die Handschrift \cite{HS2} setzt einen Bogen über den Taktwechsel (sehr dünn geschrieben), wobei jedoch beide Noten eine Textsilbe zugewiesen bekommen. Dieser falsche Bogen wurde in dieser Ausgabe entfernt.
 
+Ecce Panis T20: In allen Stimmen \cite{HS2} punktierte ganze Note, in der vorliegenden Ausgabe notiert in moderner Notation als ganze Note mit gebundener halben Note.
+
+Ecce Panis T19/20 Org: In der Handschrift \cite{HS2} fehlt ein Takt (f nur als halbe Note statt punktierter ganzen Note notiert), dafür Bogen über Taktwechsel. In der vorliegenden Ausgabe wurde zur halben Note eine zusätzliche ganze Note eingefügt und hinzugebunden, der Bogen von T19 zu T20 jedoch entfernt.
+
+\end{vergleich}
 
 \end{multicols}
\ No newline at end of file
diff --git a/TeX_Eybler_LaudaSion_Include_Todo.itex b/TeX_Eybler_LaudaSion_Include_Todo.itex
index ca76e421c45ecafc8d43158fd990e7ffc8659efe..bdf60edee96adfa85df66ecce69868f3430d7bc1 100644
--- a/TeX_Eybler_LaudaSion_Include_Todo.itex
+++ b/TeX_Eybler_LaudaSion_Include_Todo.itex
@@ -5,13 +5,24 @@
 \begin{itemize}
 \item Von wem stammt die Engl. Übersetzung???
 \item Übersetzung von Caswall: \url{http://books.google.com/books?id=1V5QUOB-xIkC&pg=PA311}
+\end{itemize}
 
+\section*{HV 45}
+\begin{itemize}
+\item Lyrics: Extender und Bindestriche oft zwischen allen Silben oder tw. ganz fehlend
+\item Lyrics: Keine Beistriche gesetzt
+\item Lyrics: Worte tw. falsch zusammengeschrieben, z.B. \q{in -- terravi ventium}
+\item Rechts unten am Ende jeder Stimme \q{collatio}
+\item T43 FB: is the figure really \q{6 -- $\flat$}?
+\item T81 FB: Write the empty extender over the first eighth note
+\item Bone Pastor T16 FB: \q{6 - 4} als akkord oder hintereinander???
+\item T19/21 V2: Wirklich Akkord \textless{}c d\textgreater{}?
+\item Bone Pastor Va: Bg in T14 und 22 nach Ecce panis ergänzen? Oder dort entfernen?
+\end{itemize}
+
+\section*{HV 102}
+\begin{itemize}
+\item T18 FB: Correct ordering of \textless{}6 5 \#\textgreater{} in the output!!!
 \end{itemize}
-% 
-% \section*{Literaturvergleich mit dem Autograph:}
-% \begin{itemize}
-% \item 
-% 
-% \end{itemize}
 
 }
diff --git a/TeX_Eybler_LaudaSion_Settings.itex b/TeX_Eybler_LaudaSion_Settings.itex
index dc7a0e6575f61ed0d17fec7965f79b4b6b237213..31342808fb2bfbd6aff1505706e7073ca565c288 100644
--- a/TeX_Eybler_LaudaSion_Settings.itex
+++ b/TeX_Eybler_LaudaSion_Settings.itex
@@ -1,20 +1,23 @@
 % Title Page
 \composer{Joseph Eybler}
 \composerdate{(1765-1846)}
+\composerII{Michael Haydn}
+\composerdateII{(1737-1806)}
+
 % \poet{}
 % \poetdate{}
 \title{Lauda Sion Salvatorem}
-\subtitle{Graduale, HV 45\\Offertorium, HV 102}
+\subtitle{Graduale, HV 45\\Offertorium, MH 215 (K IIa:42) / HV 102}
 % \description{Für Chor (SATB) und Orgel oder Orchester}
 % \instrumentation{2 Oboen oder Klarinetten, 2 Hörner\\2 Trompeten, Pauken (nicht obl.)\\2 Violinen, Viola, Cello und Contrabass}
 \editor{Reinhold Kainhofer}
 \publisher{Edition Kainhofer, Vienna}
 \year{2009}
-\scoreinfo{\textbf{Erstdruck / First Edition}}
+\scoreinfo{}
 \basename{Eybler_LaudaSion}
 
 \newcommand{\scoreNumber}[1]{EK-1045-#1}
-\newcommand{\scoreTitle}{Joseph Eybler (1765-1846): Lauda Sion Salvatorem}
+\newcommand{\scoreTitle}{Joseph Eybler / Michael Haydn: Lauda Sion Salvatorem}
 % \newcites{bio}{Biography}
 % \newcites{sources}{Benutzte Vorlagen}
 
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