diff --git a/Eybler_LaudaSion_HV102_Music_LaudaSion.ily b/Eybler_LaudaSion_HV102_Music_LaudaSion.ily
index 875d7820cce33d4f7f09de3e5b81ee2fe3b604bb..fd0257de08370f3479008f69219d255aa44d8863 100644
--- a/Eybler_LaudaSion_HV102_Music_LaudaSion.ily
+++ b/Eybler_LaudaSion_HV102_Music_LaudaSion.ily
@@ -214,10 +214,10 @@ LaudaSionSLyrics = \lyricmode {
Su -- munt bo -- ni, su -- munt ma -- li:
sor -- te ta -- men in -- æ -- qua -- li,
- vi -- tæ vel in te -- ri -- tus.
+ vi -- tæ vel in -- te -- ri -- tus.
Mors est ma -- lis, vi -- ta bo -- nis:
- vi -- de pa -- ris sum -- ti -- o -- nis
+ vi -- de pa -- ris sum -- ti -- o -- nis,
quam sit dis -- par ex -- i -- tus,
quam sit dis -- par ex -- i -- tus.
}
@@ -374,7 +374,7 @@ LaudaSionTLyrics = \lyricmode {
vi -- tæ, vi -- tæ vel __ in te -- ri -- tus.
Mors est ma -- lis, vi -- ta bo -- nis:
- vi -- de pa -- ris sum -- ti -- o -- nis
+ vi -- de pa -- ris sum -- ti -- o -- nis,
quam sit dis -- par ex -- i -- tus,
quam sit dis -- par ex -- i -- tus.
}
@@ -474,7 +474,7 @@ LaudaSionBLyrics = \lyricmode {
vi -- tæ, vi -- tæ vel in te -- ri -- tus.
Mors est ma -- lis, vi -- ta bo -- nis:
- vi -- de pa -- ris sum -- ti -- o -- nis
+ vi -- de pa -- ris sum -- ti -- o -- nis,
quam sit dis -- par ex -- i -- tus,
quam sit dis -- par ex -- i -- tus.
}
@@ -686,7 +686,7 @@ EccePanisSMusic = \relative c'' {
\addQuote "EccePanisSMusic" { \EccePanisSMusic }
EccePanisSLyrics = \lyricmode {
- fac -- tus ci -- bus vi -- a -- to -- rum
+ fac -- tus ci -- bus vi -- a -- to -- rum,
ve -- re pa -- nis fi -- li -- o -- rum,
non mit -- ten -- dus ca -- ni -- bus, ca -- ni -- bus,
non __ mit -- ten -- dus ca -- ni -- bus.
@@ -720,7 +720,7 @@ EccePanisAMusic = \relative c'' {
\addQuote "EccePanisAMusic" { \EccePanisAMusic }
EccePanisALyrics = \lyricmode {
- fac -- tus ci -- bus vi -- a -- to -- rum
+ fac -- tus ci -- bus vi -- a -- to -- rum,
ve -- re pa -- nis fi -- li -- o -- rum,
non mit -- ten -- dus ca -- ni -- bus, ca -- ni -- bus,
non mit -- ten -- dus ca -- ni -- bus.
@@ -754,7 +754,7 @@ EccePanisTMusic = \relative c' {
\addQuote "EccePanisTMusic" { \EccePanisTMusic }
EccePanisTLyrics = \lyricmode {
- fac -- tus ci -- bus vi -- a -- to -- rum
+ fac -- tus ci -- bus vi -- a -- to -- rum,
ve -- re pa -- nis fi -- li -- o -- rum,
non mit -- ten -- dus ca -- ni -- bus,
non __ mit -- ten -- dus ca -- ni -- bus.
@@ -788,7 +788,7 @@ EccePanisBMusic = \relative c {
\addQuote "EccePanisBMusic" { \EccePanisBMusic }
EccePanisBLyrics = \lyricmode {
- fac -- tus ci -- bus vi -- a -- to -- rum
+ fac -- tus ci -- bus vi -- a -- to -- rum,
ve -- re pa -- nis fi -- li -- o -- rum,
non mit -- ten -- dus ca -- ni -- bus,
non mit -- ten -- dus ca -- ni -- bus.
@@ -806,7 +806,7 @@ EccePanisBCMusic = \relative c {
fis2 g | \barNumberCheck #10
d1 | % 11
g, | % 12
- \clef "soprano"
+ \SClef
<< { \voiceOne c''2 a | h \oneVoice } \new Voice { \voiceTwo a2 fis | g} >> \clef "bass" e,2 | % 14
f d | % 15
e d4 c | % 16
diff --git a/Eybler_LaudaSion_HV45_Music_BonePastor.ily b/Eybler_LaudaSion_HV45_Music_BonePastor.ily
index f6ea53d8ce4ff76f2ef593a52b3b49feec3f2e67..2f8d3c29a55845fa8477fbd827533ab0216fadbf 100644
--- a/Eybler_LaudaSion_HV45_Music_BonePastor.ily
+++ b/Eybler_LaudaSion_HV45_Music_BonePastor.ily
@@ -262,7 +262,7 @@ BonePastorSMusic = \relative c'' {
BonePastorSLyrics = \lyricmode {
\set stanza = "3."
- Je -- su no -- stri mi -- se -- re -- re
+ Je -- su, no -- stri mi -- se -- re -- re,
tu nos pas -- ce, nos tu -- e -- re,
tu nos bo -- na fac vi -- de -- re
in ter -- ra vi -- ven -- ti -- um,
diff --git a/Eybler_LaudaSion_HV45_Music_LaudaSion.ily b/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
index 2591fb10e7599f5be210eea213b416d435b2c2ab..b254d3df1347f6b7d1fa2eccbe8cb42ffec3349f 100644
--- a/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
+++ b/Eybler_LaudaSion_HV45_Music_LaudaSion.ily
@@ -841,11 +841,11 @@ LaudaSionSMusic = \relative c'' {
\addQuote "LaudaSionSMusic" { \LaudaSionSMusic }
LaudaSionSLyrics = \lyricmode {
- Lau -- da Si -- on Sal -- va -- to -- rem
+ Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da du -- cem et __ pa -- sto -- rem.
Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
- in hym -- nis et can -- ti -- cis in hym -- nis __ et __ can -- ti -- cis.
+ In hym -- nis et can -- ti -- cis in hym -- nis __ et __ can -- ti -- cis.
Al -- le -- lu -- ja, al -- le -- lu -- ja.
@@ -853,15 +853,15 @@ LaudaSionSLyrics = \lyricmode {
Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
- in hym -- nis et can -- ti -- cis,
+ In hym -- nis et can -- ti -- cis,
in hym -- nis et can -- ti -- cis.
- Lau -- da Si -- on Sal -- va -- to -- rem
+ Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da __ du -- cem __ et __ pa -- sto -- rem
in hym -- nis et can -- ti -- cis.
Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
- Lau -- da Si -- on Sal -- va -- to -- rem
+ Lau -- da Si -- on Sal -- va -- to -- rem,
lau -- da du -- cem et __ pa -- sto -- rem.
Al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja, al -- le -- lu -- ja.
diff --git a/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex b/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex
index a6d5487c6bdb2552c609a4c9b49ba071cb2607e4..7ebfbdebba01be5228823f82d5706a5494d93785 100644
--- a/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex
+++ b/TeX_Eybler_LaudaSion_Include_ContentsMaterial.itex
@@ -67,16 +67,16 @@ Zum Offertorium \q{Lauda Sion} HV 102 (EK-1102-...) liegt folgendes Aufführungs
\vfill
\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
-\begin{itemize}
+\begin{hauptquellen}
\item Handschriftlicher Stimmensatz des \q{Lauda Sion}, HV 45, Schreiber: Stanislaus Wenusch, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: Mus.Hs.21573 Mus.
\item Handschriftlicher Stimmensatz des \q{Lauda Sion}, HV 102, Musiksammlung der Österr. Nationalbibliothek, Wien, Signatur: Mus.Hs.22388 Mus.
-\end{itemize}
+\end{hauptquellen}
\vfill
\makeatletter
-\copyrightbox{© \@year, Edition Kainhofer, Vienna\newline
+\copyrightbox{© \@year, \@publisher\newline
1. Auflage / 1st Printing \@year\newline
-Computersatz mit Lilypond 2.13.1, \href{http://www.lilypond.org/}{http://www.lilypond.org/}\newline
+Computersatz mit \@software\newline
Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
diff --git a/TeX_Eybler_LaudaSion_Include_KritBericht.itex b/TeX_Eybler_LaudaSion_Include_KritBericht.itex
index 02e74040500da002a54af78191da037e10f031e9..624f635dbdef782f3c6a9c15b94701ac23dfb4ee 100644
--- a/TeX_Eybler_LaudaSion_Include_KritBericht.itex
+++ b/TeX_Eybler_LaudaSion_Include_KritBericht.itex
@@ -2,7 +2,7 @@
\chapter*{Quellen und Lesarten}
\addcontentsline{toc}{chapter}{Quellen und Lesarten}
-\section*{J. Eybler: Lauda Sion Salvatorem, Graduale, HV 45}
+\section*{Joseph Eybler: Lauda Sion Salvatorem, Graduale, HV 45}
\begin{multicols}{2}
\subsection*{Quellen:}
@@ -370,4 +370,31 @@ Bone Pastor 1 V1: Zwei Viertelnoten zu Beginn nach Sopran auf halbe Note korrigi
\end{vergleich}
-\end{multicols}
\ No newline at end of file
+\end{multicols}
+
+
+
+\section*{Danksagung}
+\begin{multicols}{2}
+An dieser Stelle sei all jenen Personen und Institutionen gedankt, ohne die die
+vorliegende Ausgabe nicht möglich gewesen wäre. Zum einen sei dabei der
+Musiksammlung der \href{http://www.onb.ac.at/}{Österreichischen Nationalbibliothek}
+für die unbürokratische Benutzung des riesigen Fundus und den
+Bediensteten für ihr stetiges Entgegenkommen in allen Belangen herzlich gedankt.
+%
+Auch \href{http://www.koscielny.eu/}{Christoph Koscielny}, einem weiteren
+Bewunderer Eyblers, sei für zahlreiche Diskussionen, Hinweise und
+Hilfestellungen sehr gedankt.
+
+Der Noten- und Textsatz dieser Ausgabe wurde vollständig in freier Software
+erstellt, wobei für den Notensatz LilyPond 2.13
+(\url{http://www.lilypond.org/}) zum Einsatz kam in Verbindung mit den
+OrchestralLily Paket (\url{http://reinhold.kainhofer.com/orchestrallily/}) des
+Editors. Der Textsatz und die Erstellung der druckfertigen Dateien erfolgte
+schließlich mit \LaTeX. Die unglaubliche Qualität und Flexibilität dieser
+beiden Programme sowie die tolle LilyPond-Community haben einen enormen Beitrag
+zu dieser Ausgabe geliefert.
+
+Und zu guter Letzt sei noch meiner Freundin Ana Aleksic herzlich gedankt für
+ihr Verständnis während der Erstellung dieser Ausgabe.
+\end{multicols}
diff --git a/TeX_Eybler_LaudaSion_Include_Text.itex b/TeX_Eybler_LaudaSion_Include_Text.itex
index 4946fb8c0ac7657f1665567d5c1f60b572d8f361..a3a24492a3ad6601a6e482ed59f030f53fb8c0a4 100644
--- a/TeX_Eybler_LaudaSion_Include_Text.itex
+++ b/TeX_Eybler_LaudaSion_Include_Text.itex
@@ -1,73 +1,70 @@
\subsection*{Text des \q{Lauda Sion}: Sequenz des Fronleichnamsfestes, Th. v. Aquin, 1264}
\begin{small}
-\nopagebreak
+\renewenvironment{lyricstable}{\begin{tabular}{p{0.30\textwidth}p{0.33\textwidth}p{0.35\textwidth}}}{\end{tabular}}
\begin{lyricstable}
Lauda Sion Salvatorem, & Deinem Heiland, deinem Lehrer, & Sion lift thy voice and sing, \\
Lauda ducem et pastorem & deinem Hirten und Ernährer, & Praise thy Saviour and thy King, \\
In hymnis et canticis. & Sion, stimm ein Loblied an! & Praise with hymns thy Shepherd true.\\
Alleluja. & Alleluja. & \\[1em]
-Quantum potes, tantum aude, & Preis nach Kräften seine Würde, & \\
-Quia maior omni laude, & da kein Lobspruch, keine Zierde & \\
-Nec laudare sufficis. & seinem Ruhm genügen kann. & \\[1em]
+Quantum potes, tantum aude, & Preis nach Kräften seine Würde, & Dare thy most to praise Him well;\\
+Quia maior omni laude, & da kein Lobspruch, keine Zierde & For He doth all praise excel;\\
+Nec laudare sufficis. & seinem Ruhm genügen kann. & None can ever reach His due. \\[1em]
-Laudis thema specialis & Dieses Brot sollst du erheben, & \\
-Panis vivus et vitalis & welches lebt und gibt das Leben, & \\
-Hodie proponitur. & das man heut‘ den Christen weist. & \\[1em]
+Laudis thema specialis & Dieses Brot sollst du erheben, & Special theme of praise is Thine,\\
+Panis vivus et vitalis & welches lebt und gibt das Leben, & That true living Bread divine,\\
+Hodie proponitur. & das man heut‘ den Christen weist. & That life-giving flesh adored,\\[1em]
-Quem in sacræ mensa cœnæ & Dieses Brot, mit dem im Saale & \\
-Turbæ fratrum duodenæ & Christus bei dem Abendmahle & \\
-Datum non ambigitur. & die zwölf Jünger hat gespeist. & \\[1em]
+Quem in sacræ mensa cœnæ & Dieses Brot, mit dem im Saale & Which the brethren twelve received,\\
+Turbæ fratrum duodenæ & Christus bei dem Abendmahle & As most faithfully believed,\\
+Datum non ambigitur. & die zwölf Jünger hat gespeist. & At the Supper of the Lord. \\[1em]
-Sit laus plena, sit sonora; & Laut soll unser Lob erschallen & \\
-Sit iucunda, sit decora & und das Herz in Freude wallen, & \\
-Mentis iubilatio, & denn der Tag hat sich genaht, & \\[1em]
+Sit laus plena, sit sonora; & Laut soll unser Lob erschallen & Let the chant be loud and high;\\
+Sit iucunda, sit decora & und das Herz in Freude wallen, & Sweet and tranquil be the joy\\
+Mentis iubilatio. & denn der Tag hat sich genaht, & Felt to-day in every breast;\\[1em]
-Dies enim solemnis agitur & Da der Herr zum Tisch der Gnaden & \\
-In qua mensæ prima recolitur & uns zum ersten Mal geladen & \\
-Huius institutio. & und dies Mahl gestiftet hat. & \\[1em]
+Dies enim solemnis agitur, & da der Herr zum Tisch der Gnaden & On this festival divine\\
+In qua mensæ prima recolitur & uns zum ersten Mal geladen & Which recounts the origin\\
+Huius institutio. & und dies Mahl gestiftet hat. & Of the glorious Eucharist.\\[1em]
-In hac mensa novi Regis & Neuer König, neue Zeiten, & \\
-Novum Pascha novæ legis & neue Ostern, neue Freuden, & \\
-Phase vetus terminat. & neues Opfer allzumal! & \\[1em]
+In hac mensa novi Regis & Neuer König, neue Zeiten, & At this table of the King,\\
+Novum Pascha novæ legis & neue Ostern, neue Freuden, & Our new Paschal offering\\
+Phase vetus terminat. & neues Opfer allzumal! & Brings to end the olden rite;\\[1em]
-Vetustatem novitas, & Vor der Wahrheit muss das Zeichen, & \\
-Umbram fugat veritas, & vor dem Licht der Schatten weichen, & \\
-Noctem lux eliminat. & hell erglänzt des Tages Strahl. & \\[1em]
+Vetustatem novitas, & Vor der Wahrheit muss das Zeichen, & Here, for empty shadows fled,\\
+Umbram fugat veritas, & vor dem Licht der Schatten weichen, & Is reality instead;\\
+Noctem lux eliminat. & hell erglänzt des Tages Strahl. & Here, instead of darkness, light. \\[1em]
-% Quod in cœna Christus gessit, & Was von Christus dort geschehen, & \\
-% Faciendum hoc expressit & sollen wir fortan begehen, & \\
-% In sui memoriam: & seiner eingedenk zu sein. & \\[1em]
+% Quod in cœna Christus gessit, & Was von Christus dort geschehen, & His own act, at supper seated,\\
+% Faciendum hoc expressit & sollen wir fortan begehen, & Christ ordained to be repeated,\\
+% In sui memoriam: & seiner eingedenk zu sein. & In His memory divine;\\[1em]
%
-% Docti sacris institutis & Treu dem heiligen Befehle & \\
-% Panem, vinum in salutis & wandeln wir zum Heil der Seele & \\
-% Consecramus hostiam. & in sein Opfer Brot und Wein. & \\[1em]
+% Docti sacris institutis & Treu dem heiligen Befehle & Wherefore now, with adoration,\\
+% Panem, vinum in salutis & wandeln wir zum Heil der Seele & We the Host of our salvation\\
+% Consecramus hostiam. & in sein Opfer Brot und Wein. & Consecrate from bread and wine. \\[1em]
%
-% Dogma datur Christianis, & Doch wie uns der Glaube kündet, & \\
-% Quod in carnem transit panis & der Gestalten Wesen schwindet, & \\
-% Et vinum in sanguinem. & Fleisch und Blut wird Brot und Wein. & \\[1em]
-
-Sumunt boni, sumunt mali, & Gute kommen, Böse kommen, & \\
-Sorte tamen inæquali, & alle haben ihn genommen, & \\
-Vitæ vel interitus. & die zum Leben, die zum Tod. & \\[1em]
-
-Mors est malis, vita bonis, & Bösen wird er Tod und Hölle, & \\
-Vide paris sumptionis & Guten ihres Lebens Quelle, & \\
-Quam sit dispar exitus. & wie verschieden wirkt dies Brot! & \\[1em]
-
-% Fracto demum sacramento, & Wird die Hostie auch gespalten, & \\
-% Ne vacilles, sed memento & zweifle nicht an Gottes Walten, & \\
-% Tantum esse sub fragmento, & dass die Teile das enthalten, & \\
-% Quantum toto tegitur. & was das ganze Brot enthält. & \\[1em]
+% Dogma datur Christianis, & Doch wie uns der Glaube kündet, & Hear what holy Church maintaineth,\\
+% Quod in carnem transit panis & der Gestalten Wesen schwindet, & That the bread its substance changeth\\
+% Et vinum in sanguinem. & Fleisch und Blut wird Brot und Wein. & Into Flesh, the wine to Blood.\\[1em]
+
+Sumunt boni, sumunt mali, & Gute kommen, Böse kommen, & Both the wicked and the good\\
+Sorte tamen inæquali, & alle haben ihn genommen, & Eat of this celestial Food;\\
+Vitæ vel interitus. & die zum Leben, die zum Tod. & But with ends how opposite!\\[1em]
+
+Mors est malis, vita bonis, & Bösen wird er Tod und Hölle, & Here 'tis life; and there 'tis death;\\
+Vide paris sumptionis, & Guten ihres Lebens Quelle, & The same, yet issuing to each\\
+Quam sit dispar exitus. & wie verschieden wirkt dies Brot! & In a difference infinite. \\[1em]
+
+% Fracto demum sacramento, & Wird die Hostie auch gespalten, & Nor a single doubt retain,\\
+% Ne vacilles, sed memento & zweifle nicht an Gottes Walten, & When they break the Host in twain,\\
+% Tantum esse sub fragmento, & dass die Teile das enthalten, & But that in each part remains\\
+% Quantum toto tegitur. & was das ganze Brot enthält. & What was in the whole before;\\[1em]
%
-% Nulla rei fit scissura, & Niemals kann das Wesen weichen, & \\
-% Signi tantum fit fractura, & teilen lässt sich nur das Zeichen, & \\
-% Qua nec status nec statura & Sach‘ und Wesen sind die gleichen, & \\
-% Signati minuitur & beide bleiben unentstellt. & \\[1em]
-
-
-
+% Nulla rei fit scissura, & Niemals kann das Wesen weichen, & Since the simple sign alone\\
+% Signi tantum fit fractura, & teilen lässt sich nur das Zeichen, & Suffers change in state or form,\\
+% Qua nec status nec statura & Sach‘ und Wesen sind die gleichen, & The Signified remaining One\\
+% Signati minuitur & beide bleiben unentstellt. & And the Same forevermore. \\[1em]
{\em[Ecce panis Angelorum,]} & Seht das Brot, die Engelspeise! & Lo! bread of the Angels broken, \\
Factus cibus viatorum, & Auf des Lebens Pilgerreise & For us pilgrims food, and token \\
@@ -83,12 +80,46 @@ Quam sit dispar exitus. & wie verschieden wirkt dies Brot! & \\[1em]
Jesu, nostri miserere, & Jesus, gnädig dich erweise! & Thou thy flock in safety keep, \\
Tu nos pasce, nos tuere, & Nähre uns auf deinen Auen, & Living bread, thy life supply: \\
Tu nos bona fac videre & lass uns deine Wonnen schauen & Strengthen us, or else we die, \\
- In terra viventium. & in des Lebens ewigem Reich! & Fill us with celestial grace. \\[0.5em]
- & {\footnotesize \em Übersetzung: Franz Xaver Riedel (1773)} & {\footnotesize \em Translation: TODO (???)} \\
+ In terra viventium. & in des Lebens ewigem Reich! & Fill us with celestial grace. \\[0.3em]
+
+ & \footnotesize \em{(Franz Xaver Riedel, 1773)} & %\footnotesize\em{(TODO)} \\
\end{lyricstable}
% http://books.google.com/books?id=1V5QUOB-xIkC&pg=PA311&ei=LNx2SrNbqcTOBLnv1N0H&q=Caswall
% http://books.google.com/books?id=1V5QUOB-xIkC&vq=Caswall&hl=de&pg=PA311#v=snippet&q=Caswall&f=false
+
+
+
+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
+
+% http://www.usfamily.net/web/ccprocession/hymns.html#LaudaSion:
+
+% Alternative Übersetzung der letzten 3 Strophen:
+% Lo! upon the Altar lies,
+% Hidden deep from human eyes,
+% Angels' Bread from Paradise
+% Made the food of mortal man:
+% Children's meat to dogs denied;
+% In old types foresignified;
+% In the manna from the skies,
+% In Isaac, and the Paschal Lamb.
+%
+%
+% Jesu! Shepherd of the sheep!
+% Thy true flock in safety keep.
+% Living Bread! Thy life supply;
+% Strengthen us, or else we die;
+% Fill us with celestial grace:
+% Thou, who feedest us below!
+% Source of all we have or know!
+% Grant that with Thy Saints above,
+% Sitting at the Feast of Love,
+% We may see Thee face to face. Amen.
+
+
+% TODO: Source of English translation!!!
+
\end{small}
+
diff --git a/TeX_Eybler_LaudaSion_Settings.itex b/TeX_Eybler_LaudaSion_Settings.itex
index 31342808fb2bfbd6aff1505706e7073ca565c288..9c5cdf26c6b219e0253b871facb34d9d3d02b91a 100644
--- a/TeX_Eybler_LaudaSion_Settings.itex
+++ b/TeX_Eybler_LaudaSion_Settings.itex
@@ -1,30 +1,23 @@
-% Title Page
\composer{Joseph Eybler}
\composerdate{(1765-1846)}
\composerII{Michael Haydn}
\composerdateII{(1737-1806)}
-
-% \poet{}
-% \poetdate{}
\title{Lauda Sion Salvatorem}
\subtitle{Graduale, HV 45\\Offertorium, MH 215 (K IIa:42) / HV 102}
-% \description{Für Chor (SATB) und Orgel oder Orchester}
-% \instrumentation{2 Oboen oder Klarinetten, 2 Hörner\\2 Trompeten, Pauken (nicht obl.)\\2 Violinen, Viola, Cello und Contrabass}
-\editor{Reinhold Kainhofer}
-\publisher{Edition Kainhofer, Vienna}
+\description{Per Coro (SATB) e Orchestra}
+\instrumentation{(Flauto, 2 Clarinetti)\\(2 Corni, 2 Trombe, Timpani)\\2 Violini, (Viola, Violoncello)\\(Contrabasso) ed Organo}
+\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
+\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}, Vienna}
\year{2009}
\scoreinfo{}
+
\basename{Eybler_LaudaSion}
\newcommand{\scoreNumber}[1]{EK-1045-#1}
\newcommand{\scoreTitle}{Joseph Eybler / Michael Haydn: Lauda Sion Salvatorem}
-% \newcites{bio}{Biography}
-% \newcites{sources}{Benutzte Vorlagen}
\geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
\hypersetup{
- colorlinks=true,
- citecolor=black,
pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
}
diff --git a/out/Eybler_LaudaSion_HV102_Instrument_A.pdf b/out/Eybler_LaudaSion_HV102_Instrument_A.pdf
index 5271573c1bd44ea1d6785819c8871783882ab58e..2709b21d0f238b738b7db0cfd517383ea99a13a8 100644
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