diff --git a/Eybler_SperateInDeo_HV41_Instrument_Continuo.ly b/Eybler_SperateInDeo_HV41_Instrument_Continuo.ly
index 6123526b69e52754286c624f6a9b88d6ec4dacfd..390eb568f112198600d80eafe83ae67352f89a21 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_Continuo.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_Continuo.ly
@@ -1,6 +1,9 @@
 \version "2.13.1"
 \include "Eybler_SperateInDeo_HV41_Settings_Instrument.ily"
 
+\paper { page-count = #3 }
+#(set-global-staff-size 17.75)
+
 \header {
   instrument = \ContinuoInstrumentName
   scorenumber = \markup{\scoreNumber \ContinuoNumber}
@@ -8,40 +11,32 @@
 }
 
 \layout {
-  \context {
-    \RemoveEmptyStaffContext
+  \context { \Staff
+    \RemoveEmptyStaves
     % To use the setting globally, uncomment the following line:
-%     \override VerticalAxisGroup #'remove-first = ##t
+    \override VerticalAxisGroup #'remove-first = ##t
     \remove "Instrument_name_engraver"
   }
+  \context { \PianoStaff
+    \remove "Keep_alive_together_engraver"
+  }
+}
+\paper {
+  bookTitleMarkup = \titlePageMarkup
+  scoreTitleMarkup = \titleHeaderMarkup
+  evenHeaderMarkup = \markup \fill-line {
+    \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+    \null
+  }
+  oddFooterMarkup = \markup {
+          \column {
+                  \fill-line {
+                          %% All other pages get the number of the edition centered
+                          \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+                  }
+          }
+  }
 }
-% \paper { page-count = #8 }
-% #(set-global-staff-size 19)
-
-% \layout {
-%   \context { \Staff
-%     \override VerticalAxisGroup #'remove-empty = ##f
-%   }
-% %   \context { \Score
-% %     \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16)
-% %     \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 16)
-% %   }
-% }
-% % \paper {
-% %   systems-per-page = #7
-% %   page-count = #4
-% % }
-
-% BCRealizationExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
-% ContinuoExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
-
-%   \layout {
-%     \context {
-%       \Score
-%       \override SpacingSpanner
-%                 #'base-shortest-duration = #(ly:make-moment 1 8)
-%     }
-%   }
 
 SMIDIInstrumentName = "Accoustic Grand"
 AMIDIInstrumentName = "Accoustic Grand"
@@ -50,5 +45,7 @@ BMIDIInstrumentName = "Accoustic Grand"
 RealizedContinuoMidiInstrument = "church organ"
 BCMidiInstrument = "church organ"
 
-\createScore #"GradualeSperateInDeo" #'("Ch" "RealizedContinuo")
+\allowPageTurn
+\pageBreak
+\createScore #"GradualeSperateInDeo" #'("RealizedContinuo")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_CorI.ly b/Eybler_SperateInDeo_HV41_Instrument_CorI.ly
index 7194f7ad2e794096960e674a96cfe97734c67760..6020ca3fb93a16dedf9473a219e4db005cd979f0 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_CorI.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_CorI.ly
@@ -6,5 +6,13 @@
   scorenumber = \markup{\scoreNumber \CorINumber}
 }
 
+% Add the cue lyrics to the CorI staff:
+GradualeSperateInDeoCorIStaff = \createStaffForContents "GradualeSperateInDeo" "CorI" <<
+  <<
+    \context CueVoice = "cue" {\GradualeSperateInDeoEmpty }
+    \createVoice "GradualeSperateInDeo" "CorI"
+  >>
+  \GradualeSperateInDeoBeginCueLyrics
+>>
 \createScore #"GradualeSperateInDeo" #'("CorI")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_CorII.ly b/Eybler_SperateInDeo_HV41_Instrument_CorII.ly
index 6a8a05f6ea69a2c9c3f4834f29230e11306bdf59..26745fa792959f8d4c6636e7e75393eaa2a9f9db 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_CorII.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_CorII.ly
@@ -6,5 +6,14 @@
   scorenumber = \markup{\scoreNumber \CorIINumber}
 }
 
+% Add the cue lyrics to the CorII staff:
+GradualeSperateInDeoCorIIStaff = \createStaffForContents "GradualeSperateInDeo" "CorII" <<
+  <<
+    \context CueVoice = "cue" {\GradualeSperateInDeoEmpty }
+    \createVoice "GradualeSperateInDeo" "CorII"
+  >>
+  \GradualeSperateInDeoBeginCueLyrics
+>>
+
 \createScore #"GradualeSperateInDeo" #'("CorII")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_FagI.ly b/Eybler_SperateInDeo_HV41_Instrument_FagI.ly
index f5d12704cd62c5100c8cd3f7d882d0bbead04b8e..f1be079989d6ee5c2ca52f7418d604263a17096e 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_FagI.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_FagI.ly
@@ -5,6 +5,15 @@
   instrument = \FagIInstrumentName
   scorenumber = \markup{\scoreNumber \FagINumber}
 }
+\paper {
+  page-count = #1
+
+  % less space in the header and at the bottom, since we are very close on space
+  top-markup-spacing #'minimum-distance = #2
+  markup-system-spacing #'minimum-distance = #2
+  markup-system-spacing #'padding = #1
+  last-bottom-spacing #'padding = #1
+}
 
 \createScore #"GradualeSperateInDeo" #'("FagI")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_ObI.ly b/Eybler_SperateInDeo_HV41_Instrument_ObI.ly
index 77ef12b7a0694549b28e9b4c67496657e752bba0..6410f720fb33e034a224a0405ce9694f2dec7185 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_ObI.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_ObI.ly
@@ -6,5 +6,29 @@
   scorenumber = \markup{\scoreNumber \ObINumber}
 }
 
-\createScore #"GradualeSperateInDeo" #'("ObI")
+\paper {
+  bookTitleMarkup = \titlePageMarkup
+  scoreTitleMarkup = \titleHeaderMarkup
+  #(define page-breaking ly:page-turn-breaking)
+  evenHeaderMarkup = \markup \fill-line {
+    \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+    \null
+  }
+  oddFooterMarkup = \markup {
+          \column {
+                  \fill-line {
+                          %% All other pages get the number of the edition centered
+                          \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+                  }
+          }
+  }
+}
+\layout {
+  \context { \Staff
+    \consists "Page_turn_engraver"
+  }
+}
 
+\allowPageTurn
+\pageBreak
+\createScore #"GradualeSperateInDeo" #'("ObI")
diff --git a/Eybler_SperateInDeo_HV41_Instrument_ObII.ly b/Eybler_SperateInDeo_HV41_Instrument_ObII.ly
index 32fa3ed5ddc5466b9edf3d3f7830e8d1b2f2f193..9e5034e3133bb5c7299d91ed94b4f8d0f54b4e51 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_ObII.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_ObII.ly
@@ -5,6 +5,18 @@
   instrument = \ObIIInstrumentName
   scorenumber = \markup{\scoreNumber \ObIINumber}
 }
+\paper {
+  page-count = #1
+}
+
+% Add the cue lyrics to the ObII staff:
+GradualeSperateInDeoObIIStaff = \createStaffForContents "GradualeSperateInDeo" "ObII" <<
+  <<
+    \context CueVoice = "cue" {\GradualeSperateInDeoEmpty }
+    \createVoice "GradualeSperateInDeo" "ObII"
+  >>
+  \GradualeSperateInDeoBeginCueLyrics
+>>
 
 \createScore #"GradualeSperateInDeo" #'("ObII")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_P.ly b/Eybler_SperateInDeo_HV41_Instrument_P.ly
index 6577d9bd6ccf1a5c48f607ea848f6f2d476d0099..a767c96643a11395874c762a672ecae9ee8f057f 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_P.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_P.ly
@@ -19,10 +19,10 @@
               #'base-shortest-duration = #(ly:make-moment 1 16)
   }
 }
-\paper {
+% \paper {
 %   systems-per-page = #8
-  page-count = #4
-}
+%   page-count = #4
+% }
 
 \createScore #"GradualeSperateInDeo" #'("P")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_Tim.ly b/Eybler_SperateInDeo_HV41_Instrument_Tim.ly
index b6d34c337c7a48fcc6ab44ca7155ed2e11999e0f..ecdbea43c4bb91b6b786afd9ad055fc5600ebb18 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_Tim.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_Tim.ly
@@ -9,6 +9,77 @@
 \paper {
   ragged-last-bottom = ##t
 }
+GradualeSperateInDeoTimMusic = \relative c {
+  R1*2 | % 3
+  c2\trill\f r | % 4
+  r4 c g r | % 5
+  R1*15 | \barNumberCheck #20
+  \namedCueDuringWithClef "GradualeSperateInDeoSMusic" #UP "Sopr." "treble" "" { R1*4 } | \barNumberCheck #24
+  r4 c c c | % 25
+  c r r2 | % 26
+  c2.\trill r4 | % 27
+  R1 | % 28
+  r4 c c c | % 29
+  c r r2 | \barNumberCheck #30
+  R1*2 | % 32
+  r2 c2\trill | % 33
+  R1 | % 34
+  r2 g4 g8[ g] | % 35
+  c4 r r2 | % 36
+  g4 g r2 | % 37
+  R1*3 | \barNumberCheck #40
+  r2 r4 g | % 41
+  c r c r | % 42
+  g r r2 | % 43
+  r c4 c8[ c] | % 44
+  g4 r r2 | % 45
+  R1*3 | % 48
+  g4 r r2 | \barNumberCheck #49
+  R1*4 | % 53
+  r2 c4 c8[ c] | % 54
+  g4 r r2 | \barNumberCheck #55
+  R1*13 | % 68
+  \namedCueDuringWithClef "GradualeSperateInDeoSMusic" #DOWN "Sopr." "treble" "" { R1 } | \barNumberCheck #69
+  r4 g g g | \barNumberCheck #70
+  g r r2 | % 71
+  r4 g g g | % 72
+  g r g2\trill | % 73
+  c4 r r2 | \barNumberCheck #74
+  R1*24 | \barNumberCheck #98
+  \namedCueDuringWithClef "GradualeSperateInDeoTrbIMusic" #UP "Trb." "tenor" "" {\expandFullBarRests R1*6 \compressFullBarRests} | \barNumberCheck #104
+  r4 c c c | % 105
+  c r r2 | % 106
+  r4 c8[ c] c4 c | % 107
+  c r r2 | % 108
+  r4 c8[ c] c4 c | % 109
+  c r r2 | \barNumberCheck #110
+  R1 | % 111
+  r2 g2\trill | % 112
+  c4 r r2 | % 113
+  R1*4 | % 117
+  r2 c2~\startTrillSpan | % 118
+  c4\stopTrillSpan r4 r2 | \barNumberCheck #119
+  R1*3 | % 122
+  r2 r4 c4\f | % 123
+  g r g g | % 124
+  c r r2 \bar"|."
 
+}
+
+
+% Add the cue lyrics to the Tim staff:
+GradualeSperateInDeoTimStaff = \createStaffForContents "GradualeSperateInDeo" "Tim" <<
+  <<
+    \context CueVoice = "cue" {\GradualeSperateInDeoEmpty }
+    \createVoice "GradualeSperateInDeo" "Tim"
+  >>
+  \new Lyrics = "GradualeSperateInDeoCueLyricsTim" \lyricsto "cue" {
+    \tiny
+    Spe -- ra -- te in De -- o, spe -- ra -- te in % De -- o
+    
+    % measure 68
+    De -- us ad-
+  }
+>>
 \createScore #"GradualeSperateInDeo" #'("Tim")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_TrbI.ly b/Eybler_SperateInDeo_HV41_Instrument_TrbI.ly
index 8db6d45050777242892ceebdcd5d08acd828def0..951b65a76a1f10ce229c636b5885548767c9fd08 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_TrbI.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_TrbI.ly
@@ -6,5 +6,13 @@
   scorenumber = \markup{\scoreNumber \TrbINumber}
 }
 
+% Add the cue lyrics to the TrbI staff:
+GradualeSperateInDeoTrbIStaff = \createStaffForContents "GradualeSperateInDeo" "TrbI" <<
+  <<
+    \context CueVoice = "cue" {\GradualeSperateInDeoEmpty }
+    \createVoice "GradualeSperateInDeo" "TrbI"
+  >>
+  \GradualeSperateInDeoBeginCueLyrics
+>>
 \createScore #"GradualeSperateInDeo" #'("TrbI")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_TrbII.ly b/Eybler_SperateInDeo_HV41_Instrument_TrbII.ly
index 600cf8d40558c0199a77a036d76b51f5cc09d7dd..c70fb821f42371e629b8495cf02ae2bd5e80bde7 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_TrbII.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_TrbII.ly
@@ -6,5 +6,13 @@
   scorenumber = \markup{\scoreNumber \TrbIINumber}
 }
 
+% Add the cue lyrics to the TrbII staff:
+GradualeSperateInDeoTrbIIStaff = \createStaffForContents "GradualeSperateInDeo" "TrbII" <<
+  <<
+    \context CueVoice = "cue" {\GradualeSperateInDeoEmpty }
+    \createVoice "GradualeSperateInDeo" "TrbII"
+  >>
+  \GradualeSperateInDeoBeginCueLyrics
+>>
 \createScore #"GradualeSperateInDeo" #'("TrbII")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_VI.ly b/Eybler_SperateInDeo_HV41_Instrument_VI.ly
index 05b2d113043dc484d47096304adc32a2d3443c2e..42a6b0996dd5b3e8e158f22e1641edad4e557114 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_VI.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_VI.ly
@@ -6,5 +6,30 @@
   scorenumber = \markup{\scoreNumber \VINumber}
 }
 
+\paper {
+  bookTitleMarkup = \titlePageMarkup
+  scoreTitleMarkup = \titleHeaderMarkup
+  #(define page-breaking ly:page-turn-breaking)
+  evenHeaderMarkup = \markup \fill-line {
+    \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+    \null
+  }
+  oddFooterMarkup = \markup {
+          \column {
+                  \fill-line {
+                          %% All other pages get the number of the edition centered
+                          \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+                  }
+          }
+  }
+}
+\layout {
+  \context { \Staff
+    \consists "Page_turn_engraver"
+  }
+}
+
+\allowPageTurn
+\pageBreak
 \createScore #"GradualeSperateInDeo" #'("VI")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_VII.ly b/Eybler_SperateInDeo_HV41_Instrument_VII.ly
index b2f4eeeb0ebbedaf41732bca85cea7c309ec0698..8b6d7aea3adb707e342b71fc5a8622564f3eb9d1 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_VII.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_VII.ly
@@ -6,5 +6,30 @@
   scorenumber = \markup{\scoreNumber \VIINumber}
 }
 
+\paper {
+  bookTitleMarkup = \titlePageMarkup
+  scoreTitleMarkup = \titleHeaderMarkup
+  #(define page-breaking ly:page-turn-breaking)
+  evenHeaderMarkup = \markup \fill-line {
+    \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+    \null
+  }
+  oddFooterMarkup = \markup {
+          \column {
+                  \fill-line {
+                          %% All other pages get the number of the edition centered
+                          \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+                  }
+          }
+  }
+}
+\layout {
+  \context { \Staff
+    \consists "Page_turn_engraver"
+  }
+}
+
+\allowPageTurn
+\pageBreak
 \createScore #"GradualeSperateInDeo" #'("VII")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_Va.ly b/Eybler_SperateInDeo_HV41_Instrument_Va.ly
index 4399caf306a26ffc0bbb99cf65c582b802d69322..218a8b77a8a229debf03fb35e3881143209c8e1d 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_Va.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_Va.ly
@@ -6,5 +6,30 @@
   scorenumber = \markup{\scoreNumber \VaNumber}
 }
 
+\paper {
+  bookTitleMarkup = \titlePageMarkup
+  scoreTitleMarkup = \titleHeaderMarkup
+  #(define page-breaking ly:page-turn-breaking)
+  evenHeaderMarkup = \markup \fill-line {
+    \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+    \null
+  }
+  oddFooterMarkup = \markup {
+          \column {
+                  \fill-line {
+                          %% All other pages get the number of the edition centered
+                          \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+                  }
+          }
+  }
+}
+\layout {
+  \context { \Staff
+    \consists "Page_turn_engraver"
+  }
+}
+
+\allowPageTurn
+\pageBreak
 \createScore #"GradualeSperateInDeo" #'("Va")
 
diff --git a/Eybler_SperateInDeo_HV41_Instrument_VcB.ly b/Eybler_SperateInDeo_HV41_Instrument_VcB.ly
index 80c53f8739c27c0689656da64136196738f70512..e16ffb0bb8b08ff244a09aa75ced9137136732dd 100644
--- a/Eybler_SperateInDeo_HV41_Instrument_VcB.ly
+++ b/Eybler_SperateInDeo_HV41_Instrument_VcB.ly
@@ -1,10 +1,36 @@
 \version "2.13.1"
 \include "Eybler_SperateInDeo_HV41_Settings_Instrument.ily"
 
+VcBInstrumentName = "Violoncello e Contrabbasso"
 \header {
   instrument = \VcBInstrumentName
   scorenumber = \markup{\scoreNumber \VcBNumber}
 }
 
+\paper {
+  bookTitleMarkup = \titlePageMarkup
+  scoreTitleMarkup = \titleHeaderMarkup
+  #(define page-breaking ly:page-turn-breaking)
+  evenHeaderMarkup = \markup \fill-line {
+    \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+    \null
+  }
+  oddFooterMarkup = \markup {
+          \column {
+                  \fill-line {
+                          %% All other pages get the number of the edition centered
+                          \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+                  }
+          }
+  }
+}
+\layout {
+  \context { \Staff
+    \consists "Page_turn_engraver"
+  }
+}
+
+\allowPageTurn
+\pageBreak
 \createScore #"GradualeSperateInDeo" #'("VcB")
 
diff --git a/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily b/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily
index b3e3a70518d9ab3abfa4dc3e4f60649432c38dca..5a8a8080bdb564a8db3e16c0860b7f7d1aa65707 100644
--- a/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily
+++ b/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo.ily
@@ -1,5 +1,11 @@
 \version "2.13.1"
 
+GradualeSperateInDeoEmpty = { s1*124 }
+GradualeSperateInDeoBeginCueLyrics = \new Lyrics = "GradualeSperateInDeoCueLyricsI" \lyricsto "cue" {
+    \small
+    Spe -- ra -- te in De -- o, spe -- ra -- te in % De -- o
+  }
+
 GradualeSperateInDeoTempo = "Andante"
 
 GradualeSperateInDeoKey = \key c \major
@@ -10,60 +16,6 @@ GradualeSperateInDeoSettings = \notemode {
   \tempo \GradualeSperateInDeoTempo 2=80
 }
 
-GradualeSperateInDeoTimMusic = \relative c {
-  R1*2 | % 3
-  c2\trill\f r | % 4
-  r4 c g r | % 5
-  R1*19 | \barNumberCheck #24
-  r4 c c c | % 25
-  c r r2 | % 26
-  c2.\trill r4 | % 27
-  R1 | % 28
-  r4 c c c | % 29
-  c r r2 | \barNumberCheck #30
-  R1*2 | % 32
-  r2 c2\trill | % 33
-  R1 | % 34
-  r2 g4 g8[ g] | % 35
-  c4 r r2 | % 36
-  g4 g r2 | % 37
-  R1*3 | \barNumberCheck #40
-  r2 r4 g | % 41
-  c r c r | % 42
-  g r r2 | % 43
-  r c4 c8[ c] | % 44
-  g4 r r2 | % 45
-  R1*3 | % 48
-  g4 r r2 | \barNumberCheck #49
-  R1*4 | % 53
-  r2 c4 c8[ c] | % 54
-  g4 r r2 | \barNumberCheck #55
-  R1*14 | % 69
-  r4 g g g | \barNumberCheck #70
-  g r r2 | % 71
-  r4 g g g | % 72
-  g r g2\trill | % 73
-  c4 r r2 | \barNumberCheck #74
-  R1*30 | \barNumberCheck #104
-  r4 c c c | % 105
-  c r r2 | % 106
-  r4 c8[ c] c4 c | % 107
-  c r r2 | % 108
-  r4 c8[ c] c4 c | % 109
-  c r r2 | \barNumberCheck #110
-  R1 | % 111
-  r2 g2\trill | % 112
-  c4 r r2 | % 113
-  R1*4 | % 117
-  r2 c2~\startTrillSpan | % 118
-  c4\stopTrillSpan r4 r2 | \barNumberCheck #119
-  R1*3 | % 122
-  r2 r4 c4\f | % 123
-  g r g g | % 124
-  c r r2 \bar"|."
-
-}
-
 GradualeSperateInDeoObIMusic = \relative c'' {
   R1*2 | % 3
   e2(\fz f4) r | % 4
@@ -190,7 +142,8 @@ GradualeSperateInDeoObIMusic = \relative c'' {
 GradualeSperateInDeoObIIMusic = \relative c'' {
   R1*2 | % 3
   g2(\fz a4) r | % 4
-  R1*20 | \barNumberCheck #24
+  R1*16 | \barNumberCheck #20
+  \namedCueDuring "GradualeSperateInDeoSMusic" #UP "Sopr." "" { R1*4 } | \barNumberCheck #24
   r4 c,4(\p e g) | % 25
   c2\f h | % 26
   c4 g2 g4 | % 27
@@ -225,7 +178,8 @@ GradualeSperateInDeoObIIMusic = \relative c'' {
   g1 | % 59
   e'2. c4 | \barNumberCheck #60
   h2( a4) r | % 61
-  R1*7 | % 68
+  R1*4 | % 64
+  \tag #'cued {\once \override InstrumentSwitch #'X-offset = #-1 } \namedCueDuring "GradualeSperateInDeoObIMusic" #UP "Ob.1" "" { R1*3 } | % 68
   g2.\f fis4 | % 69
   g1 | \barNumberCheck #70
   g2. a4 | % 71
@@ -242,7 +196,8 @@ GradualeSperateInDeoObIIMusic = \relative c'' {
   a | % 82
   gis4 r8 gis gis4 gis | % 83
   gis4 r r2 | % 84
-  R1*8 | \barNumberCheck #92
+  R1*5 | \barNumberCheck #89
+  \namedCueDuring "GradualeSperateInDeoFagIMusic" #DOWN "Fag.1" "" { R1*3 } | % 92
   r4 e4\p-| e( g) | % 93
   f4\f a2 f4 | % 94
   e4 g c e~ | % 95
@@ -281,13 +236,15 @@ GradualeSperateInDeoFagIMusic = \relative c' {
   R1*2 | % 3
   c2~-\tag #'non-partcombine \fz c4 \partcombineAutomatic r | % 4
   e2(\p \grace {f16[ e]} d4) r | % 5
-  R1*11 | \barNumberCheck #16
-  r4 \cueText "Solo" e4~\fp e8[( d e f]) | % 17
+  R1*9 | % 14
+  \namedCueDuringWithClef "GradualeSperateInDeoObIMusic" #UP "Ob.1" "treble" "" { R1*2 | \barNumberCheck #16
+    r4 }\tag #'cued \context Voice="cue" {s1*0])} \cueText "Solo" e4~\fp e8[( d e f]) | % 17
   g2 e | % 18
   d f | % 19
   e4 r r2 | \barNumberCheck #20
+%   \namedCueDuringWithClef "GradualeSperateInDeoSMusic" #UP "Sopr." "treble" "" { R1*4 } | % 24
   R1*4 | % 24
-  r4 e,4(\p g c) | % 25
+  r4 \tag #'cued \dynamicsX #-3 e,4(\p g c) | % 25
   e2\f d | % 26
   c4 c2 g4 | % 27
   a2 h2\trill | % 28
@@ -315,17 +272,19 @@ GradualeSperateInDeoFagIMusic = \relative c' {
   R1*4 | % 53
   c,2.\f e4 | % 54
   g8[( h c d]) e4 e | % 55
-  d\p cis( d) c | % 56
+  \tag #'cued \dynamicsAllInside #-0.75 #-3.15 d\p cis( d) c | % 56
   h r r g'8[(\f fis]) | % 57
   fis[( e)] e[( d]) c[(\trill h c d]) | % 58
   h1 | % 59
   c2 \partcombineChordsOnce e | \barNumberCheck #60
   d2. r4 | % 61
-  R1*7 | % 68
+  R1*6 | % 67
+  \tag #'cued \once\override InstrumentSwitch #'X-offset = #-4 \namedCueDuringWithClef "GradualeSperateInDeoObIMusic" #UP "Ob.1" "treble" "" { R1 } | % 68
   \partcombineChordsOnce h2\f d4 c | % 69
   h d d2 | \barNumberCheck #70
   \partcombineChords d4 g fis e | % 71
   d \partcombineAutomatic d2 \partcombineChords d4 | % 72
+  \tag #'cued \dynamicsAllInside #-0.75 #-3.15
   d1\fz | % 73
   c2 r | % 74
   r a~ | % 75
@@ -338,7 +297,9 @@ GradualeSperateInDeoFagIMusic = \relative c' {
   c2 a | % 82
   e'4 r8 e, e4 e | % 83
   e r r2 | % 84
-  \partcombineAutomatic R1*5 | % 89
+  \partcombineAutomatic 
+  R1*3 | % 87
+  \namedCueDuringWithClef "GradualeSperateInDeoObIMusic" #UP "Ob.1" "treble" "" { R1*2 } | % 89
   \partcombineSoloI r8 \cueText "Solo" g8[( fis g]) h[( c f e]) | \barNumberCheck #90
   e[( d cis d]) d4 r | % 91
   r8 g,8[( fis g]) h[( d g f]) | % 92
@@ -362,25 +323,26 @@ GradualeSperateInDeoFagIMusic = \relative c' {
   f2-\tag #'non-partcombine \fz e-\tag #'non-partcombine \fz | \barNumberCheck #110
   d4 a2 a4 | % 111
   c4 e2 d4 | % 112
-  c r r2 | % 113
+  c \partcombineAutomatic r r2 | % 113
   R1*4 | % 117
-  c,2-\tag #'non-partcombine \f g'4 c4 | % 118
+  \partcombineApart c,2-\tag #'non-partcombine \f g'4 c4 | % 118
   a8[( cis d e]) f[( cis d f]) | % 119
   e4 dis(-\tag #'non-partcombine \fz e) f!( | \barNumberCheck #120
-  e8-|) \partcombineSoloI \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
+  e8-|) \partcombineSoloI \tag #'cued \once\override InstrumentSwitch #'X-offset = #-1 \cueText "Solo" fis8[( g]) dis[( e]) h[( c a]) | % 121
   g4 \partcombineAutomatic r r2 | % 122
   r4 g'4\f e c | % 123
   g r g r | % 124
   c, r r2 \bar"|."
 }
-\addQuote "GradualeSperateInDeoFagIMusic" { \GradualeSperateInDeoFagIMusic }
+\addQuote "GradualeSperateInDeoFagIMusic" {  \removeWithTag #'cued \GradualeSperateInDeoFagIMusic }
 
 GradualeSperateInDeoFagIIMusic = \relative c {
   R1*2 | % 3
   b2(\fz a4) r | % 4
   c'2(\p \grace {d16[ c]} h!4) r | % 5
-  R1*11 | \barNumberCheck #16
-  r4 \cueText "Solo" c4~\fp c8[( h c d]) | % 17
+  R1*9 | % 14
+  \namedCueDuringWithClef "GradualeSperateInDeoObIMusic" #UP "Ob.1" "treble" "" { R1*2 | \barNumberCheck #16
+    r4 }\tag #'cued \context Voice="cue" {s1*0])}  \cueText "Solo" c4~\fp c8[( h c d]) | % 17
   e2 c | % 18
   g d' | % 19
   c4 r r2 | \barNumberCheck #20
@@ -436,7 +398,8 @@ GradualeSperateInDeoFagIIMusic = \relative c {
   c2 a | % 82
   e'4 r8 e, e4 e | % 83
   e r r2 | % 84
-  R1*8 | \barNumberCheck #92
+  R1*5 | \barNumberCheck #89
+  \namedCueDuring "GradualeSperateInDeoFagIMusic" #UP "Fag.1" "" { R1*3 } | % 92
   r4 c'4\p c( e) | % 93
   f\f f,2 f'4 | % 94
   c' g e c | % 95
@@ -475,7 +438,8 @@ GradualeSperateInDeoCorIMusic = \relative c'' {
   R1*2 | % 3
   c2.\fz r4 | % 4
   e2\p d4 r | % 5
-  R1*19 | \barNumberCheck #24
+  R1*15 | \barNumberCheck #20
+  \namedCueDuring "GradualeSperateInDeoSMusic" #UP "Sopr." "" { R1*4 } | \barNumberCheck #24
   r4 c\p c c | % 25
   c2\f r | % 26
   c1 | % 27
@@ -548,7 +512,8 @@ GradualeSperateInDeoCorIIMusic = \relative c' {
   R1*2 | % 3
   c2.\fz r4 | % 4
   c'2\p g4 r | % 5
-  R1*19 | \barNumberCheck #24
+  R1*15 | \barNumberCheck #20
+  \namedCueDuring "GradualeSperateInDeoSMusic" #UP "Sopr." "" { R1*4 } | \barNumberCheck #24
   r4 c,\p c c | % 25
   c2\f r | % 26
   c e4 g | % 27
@@ -621,7 +586,8 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
   R1*2 | % 3
   g2\fz a4 r | % 4
   e2\p d4 r | % 5
-  R1*19 | % 24
+  R1*15 | \barNumberCheck #20
+  \namedCueDuringWithClef "GradualeSperateInDeoSMusic" #UP "Sopr." "treble" "" { R1*4 } | \barNumberCheck #24
   r4 c4\p c c | % 25
   c2\f h | % 26
   c1 | % 27
@@ -666,7 +632,8 @@ GradualeSperateInDeoTrbIMusic = \relative c'' {
   a1 | % 82
   gis4 r8 e e4 e | % 83
   e r r2 | % 84
-  R1*9 | \barNumberCheck #93
+  R1*8 | \barNumberCheck #92
+  \namedCueDuringWithClef "GradualeSperateInDeoCorIMusic" #UP "Cor.1" "treble" "" { R1 } | \barNumberCheck #93
   f2.\f r4 | % 94
   r e2 g4~ | % 95
   g f2 e4 | % 96
@@ -700,7 +667,8 @@ GradualeSperateInDeoTrbIIMusic = \relative c' {
   R1*2 | % 3
   c2\fz f4 r | % 4
   c2\p g4 r | % 5
-  R1*19 | \barNumberCheck #24
+  R1*15 | \barNumberCheck #20
+  \namedCueDuringWithClef "GradualeSperateInDeoSMusic" #UP "Sopr." "treble" "" { R1*4 } | \barNumberCheck #24
   r4 c,\p c c | % 25
   c2\f g' | % 26
   c,2 e4 g | % 27
@@ -745,7 +713,8 @@ GradualeSperateInDeoTrbIIMusic = \relative c' {
   c1 | % 82
   h4 r8 e, e4 e | % 83
   e r r2 | % 84
-  R1*9 | % 93
+  R1*8 | \barNumberCheck #92
+  \namedCueDuringWithClef "GradualeSperateInDeoCorIMusic" #UP "Cor.1" "treble" "" { R1 } | \barNumberCheck #93
   f2.\f r4 | % 94
   r c'2 e4~ | % 95
   e d2 c4 | % 96
@@ -1019,7 +988,7 @@ GradualeSperateInDeoVIIMusic = \relative c' {
   d8 d4 d d h8 | % 114
   c8 c4 c c c8 | % 115
   d8 d4 d d d8 | % 116
-  << {c4} {s8 s\cresc}>> g8[( c]) c[( e) e( g]) | % 117
+  << {c4} {s8 s\cresc}>> g8[( c]) c[( e) e( g])\breakDynamicSpan | % 117
   g[(\!\f e c' h]) a[( g f e]) | % 118
   d[( e f e]) d[( cis d f]) | % 119
   e[( g c fis,]) g[( e g f]) | \barNumberCheck #120
@@ -1162,15 +1131,15 @@ GradualeSperateInDeoVaMusic = \relative c' {
 
 
 GradualeSperateInDeoSMusic = \relative c'' {
-  R1*17 |
-  \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \SClef {R1*2 | \barNumberCheck #20
-  r2 r4 } e4\p | % 21
+  R1*16 |
+  \namedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI "" {R1*3 | \barNumberCheck #20
+  r2 r4 } \dynamicsUpInside #-2 e4\p | % 21
   d( c) c f | % 22
   e( d) d f | % 23
   e( d) d g | % 24
   f( e) e r | % 25
   e4.\f c8 f4. d8 | % 26
-  g2~ g8[ d] c g | % 27
+  g2~ g8[ e] c g | % 27
   g2. f4 | % 28
   e4 r r e' | % 29
   a, h8 cis d4 e | \barNumberCheck #30
@@ -1201,7 +1170,8 @@ GradualeSperateInDeoSMusic = \relative c'' {
   e8[( d]) c h h[( a]) c[( e]) | % 55
   g,2.\p( h8[ a]) | % 56
   g4 r r2 | % 57
-  R1*11 | % 68
+  R1*8 | % 65
+  \namedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI "" {R1*3 } | % 68
   g2\f g4 a | % 69
   h2 g | \barNumberCheck #70
   h h4 c | \barNumberCheck #71
@@ -1217,8 +1187,9 @@ GradualeSperateInDeoSMusic = \relative c'' {
   e'1~ | % 81
   e | % 82
   e,2 r | % 83
-  R1*5 | % 88
-  r2 r4 e'4\p | % 89
+  R1*1 | % 84
+  \namedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI "" {R1*4 | \barNumberCheck #88
+  r2 r4 } e'4\p | % 89
   d( c) c f | \barNumberCheck #90
   e( d) d f | % 91
   e( d) d g | % 92
@@ -1300,9 +1271,8 @@ GradualeSperateInDeoSLyrics = \lyricmode {
 }
 
 GradualeSperateInDeoAMusic = \relative c'' {
-  R1*17 |
-  \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \AClef {R1*2 | \barNumberCheck #20
-  r2 r4 } g4\p | % 21
+  R1*19 | \barNumberCheck #20
+  r2 r4 \dynamicsUpInside #-2 g4\p | % 21
   f4( e) e a | % 22
   f2 f4 d | % 23
   g2 g4 g | % 24
@@ -1442,9 +1412,8 @@ GradualeSperateInDeoALyrics = \lyricmode {
 
 
 GradualeSperateInDeoTMusic = \relative c' {
-  R1*17 |
-  \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \TClef {R1*2 | \barNumberCheck #20
-  r2 r4 } g4\p | % 21
+  R1*19 | \barNumberCheck #20
+  r2 r4 \dynamicsUpInside #-2 g4\p | % 21
   h4( c) c c | % 22
   a2 a4 a | % 23
   g( f') f d | % 24
@@ -1581,9 +1550,8 @@ GradualeSperateInDeoTLyrics = \lyricmode {
 
 
 GradualeSperateInDeoBMusic = \relative c' {
-  R1*17 |
-  \cleffedCueDuring "GradualeSperateInDeoObIMusic" #UP \cueObI \ObIClef "" \BClef {R1*2 | \barNumberCheck #20
-  r2 r4 } g4\p | % 21
+  R1*19 | \barNumberCheck #20
+  r2 r4 \dynamicsUpInside #-2 g4\p | % 21
   c,2 c4 c | % 22
   c2 c4 c4 | % 23
   h2 h4 h4 | % 24
@@ -1952,7 +1920,7 @@ GradualeSperateInDeoBCMusic = \relative c {
   f f, f' e | % 102
   d d e f | % 103
   g g g, g | % 104
-  \namedCueDuring #"GradualeSperateInDeoVcBMusic" #UP #"Violone" #"" { c1~  | c1~ | c1~ | c1~ | c1 } | % 109
+  << {\voiceTwo \once \override InstrumentSwitch #'direction = #DOWN \cueText "Organo" c1~  | c1~ | c1~ | c1~ | c1 \oneVoice } \new Voice ="Violone" { \voiceOne \cueText "Vc./Vlne." \quoteDuring #"GradualeSperateInDeoVcBMusic" s1*5 } >> 
   f4\fz f, g\fz g' | \barNumberCheck #110
   f a f d | % 111
   g g g, g | % 112
@@ -1973,7 +1941,7 @@ GradualeSperateInDeoBCMusic = \relative c {
 
 GradualeSperateInDeoBCRealizationMusic = \relative c'' {
   R1*24 | % 25
-  <e c g>2\f <f h, g> | % 26
+  <e c g>2^\f <f h, g> | % 26
   <g e c>4 <e c g>2 <c g>4 | % 27
   <c a g>2 <h g>4 <h f d> | % 28
   <g e c>4 <c g e>2 <c g e>4 | % 29
@@ -2045,9 +2013,10 @@ GradualeSperateInDeoBCRealizationMusic = \relative c'' {
   <e c g> r r2 \bar "|."
 }
 
+ts = #(make-music 'TextScriptEvent 'text "t.s." 'direction UP )
 GradualeSperateInDeoBCFbMusic = \figuremode {\bassFigureStaffAlignmentDown
   \bassFigureExtendersOn
-  s1\solo | % 2
+  s1\ts | % 2
   s1*23 | % 25
   s4\tutti s <6> s | % 26
   <6> s s s | % 27
@@ -2063,7 +2032,7 @@ GradualeSperateInDeoBCFbMusic = \figuremode {\bassFigureStaffAlignmentDown
   <6 4>4 <5 3> s <6\\> | % 37
   <6> s s <6> | % 38
   <4> <4> <3> <3> | % 39
-  <_+> <9 7 _+> \bassFigureExtendersOff <7> <5> | \barNumberCheck #40
+  <\markup {" "} \markup { " " } _+> <9 7 _+> \bassFigureExtendersOff <7> <5> | \barNumberCheck #40
   s1 | % 41
   \bassFigureExtendersOn s4 <3> <4\+> <4\+> | % 42
   s1 | % 43
@@ -2071,11 +2040,11 @@ GradualeSperateInDeoBCFbMusic = \figuremode {\bassFigureStaffAlignmentDown
   s1*2 | % 46
   s2 <5>4 <5>8 <6\\> \bassFigureExtendersOff | % 47
   <6 4>4 s <5 _+> s | % 48
-  s s\solo s2 | % 49
+  s s\ts s2 | % 49
   s1*4 | \barNumberCheck #53
   s2\tutti \bassFigureExtendersOn <5 4\+ 2>4 <6> | % 54
   s s <6> s | % 55
-  s1\solo | % 56
+  s1\ts | % 56
   s1*12 | \barNumberCheck #68
   s2.\tutti <6\\>4 | % 69
   s <0> <0> <0> | \barNumberCheck #70
@@ -2097,7 +2066,7 @@ GradualeSperateInDeoBCFbMusic = \figuremode {\bassFigureStaffAlignmentDown
   <6>4 s2. | % 82
   <_+>4 s2. | % 83
   s1*2 | % 85
-  s1\solo | % 86
+  s1\ts | % 86
   s1*7 | % 93
   s1\tutti | % 94
   s1 | % 95
@@ -2110,182 +2079,19 @@ GradualeSperateInDeoBCFbMusic = \figuremode {\bassFigureStaffAlignmentDown
   <6> s s <6\\> | % 102
   <4> <3> <6\\> \bassFigureExtendersOff <6> | % 103
   <6 4!> \bassFigureExtendersOn <6 4!> <6 3> <5 3> | % 104
-  s1\solo | % 105
+  s1\tsdown | % 105
   s1*4 | % 109
   s2\tutti <4\+>4 s | \barNumberCheck #110
   <6> <_+> <6> <6>\bassFigureExtendersOff | % 111
   <6 4!> \bassFigureExtendersOn <6 4!> <6 4!> <7 3> | % 112
-  s4 s\solo s2 | % 113
+  s4 s\ts s2 | % 113
   s1*4 | % 117
   s4 s4\tutti \bassFigureExtendersOff <6> <6> | % 118
   <6> \bassFigureExtendersOn  <6> <6> <6> | % 119
   \bassFigureExtendersOff <6 4> <6\\ 4\+ 3> <6 4> <7!> | \barNumberCheck #120
   s1 | % 121
-  s4 s4\solo s2 | % 122
+  s4 s4\ts s2 | % 122
   s2 \bassFigureExtendersOn  <6>4\tutti <6> | % 123
   s1*2 \bar "|."
 }
 
-
-
-%%% Klavierauszug:
-
-
-GradualeSperateInDeoPCuesMusic = \notemode {
-  \cueText "Archi" s1*2 | % 3
-  \cueText "Tutti"  s1 | % 3
-  s2. \cueText "Ob.1 Solo, Archi" s4 | % 4
-}
-
-GradualeSperateInDeoPIMusic = \relative c' {
-  c4. h8[( d c f e]) | % 2
-  a2->( g4) r | % 3
-  e'4.\trill d16[ e] f8[( a, f' d]) | % 4
-  <c e,>2( \grace { d16[ c]} <h d,>4) <e g,>( | % 5
-  <d f,>4. <c e,>8) h[( c f e]) | % 6
-  e[( d cis d]) d r <f d>4( | % 7
-  <e g,>4. <d f,>8) cis8[( d <a' f> <g e>]) | % 8
-  <f d>[( <e c> <g e> <f d>)] <e c>8 r r c | % 9
-  c[ a'] a2 h4~ | \barNumberCheck #10
-  h8[( c d e]) d[( c h a]) | % 11
-  g2 f8[( e f g]) | % 12
-  <e c> fis8[( g]) dis[( e]) h[( c e]) | % 13
-  a,4 \twoVoice { a'2 g4 } { h,8[\( cis] \acciaccatura e8 d[ cis d e]\) } | % 14
-  f8 gis[( a]) e[( f]) cis[( d f]) | % 14
-  g,4 \twoVoice { g'2 f4 } { a,8[ h] c[^\trill h c d] } | % 16
-  e8[( d e f]) g4 \twoVoice { r4 } { s4 } | % 17
-  <g, e>2~ \twoVoice { g8[( c e c]) } {e,2} | % 18
-  \twoVoice { h'8[ d] f2 d4 } { <g, d>2 <d' f,>2 } | % 19
-  e8[( g c8.) <h g>16] <a f>8.[ <g e>16 <f d>8. <e c>16] | \barNumberCheck #20
-  <e c>2( \grace { f16[ e] } <d h>4) r | % 21
-  r8 g,8[( fis g]) h[( c f e]) | % 22
-  e[( d cis d]) f,[ a d f] | % 23
-  r g,[ fis g] h[ d g f] | % 24
-  f8[( e g f]) e[ c g e] | % 25
-  c8 <e'g,>4 <c e,>8 <h d,> <f' h,>4 d8 | % 26
-  <c g>8 <e c>4 <g e>8~ <g e>8[ <e c> <c g> <g e>] | % 27
-  <g c, a>8 <g c a>4 <c, a>8 h <d h>4 <f d>8 | % 28
-  <e c>8-| fis'8[( g]) dis[( e]) h[( c e]) | % 29
-  a,8[-| a( h cis]) d[( cis d e]) | \barNumberCheck #30
-  \twoVoice { f8-| gis8[( a]) e[( f]) cis[( d f]) } { d4 f a, f } | % 31
-  g8[-| g( a h]) c[( h c d]) | % 32
-  \twoVoice { e[( d e f]) g[( e c g]) } { <g c>2. r4 } | % 33
-\repeat unfold 2 { s1 } | \barNumberCheck #35
-  \twoVoice { e'8[( g c8. d16]) } { c,4 <e g> } <a, a'>8.[ <g g'>16 <f f'>8. <e e'>16] | % 36
-  <e e'>8[ <g e'> <h d> <h d>] <d, h'>8[ <g h> <fis c'> a] | % 37
-\repeat unfold 11 { s1 } | \barNumberCheck #48
-s4^"TODO"
-  d4~ d8[ g h g] | % 49
-  c[ g fis d] c[ a fis a] | \barNumberCheck #50
-  h8 r g4~ \times 2/3 {g8[ h d]} \times 2/3 {g[ h d]} | % 51
-
-\repeat unfold 5 { s1 } | \barNumberCheck #56
-s4
-  <h g>8[(\f <a fis>]) <a fis>[( <g e>]) <g e>[( <fis d>]) | % 57
-  <fis d>[( <e c>]) <e c>[( <d h>]) \twoVoice { c8[(\trill h c d]) } {a4 a } | % 58
-  h8[( c d e] fis[ g a h]) | % 59
-  e,[( fis gis a]) <h e,>[( <c c,> <e, a,> <a c,>]) | \barNumberCheck #60
-  <g h,>2( \grace { a16[ g] } <fis a,>4)  h4( | % 61
-  a4. g8) fis[( g h, e]) | % 62
-  d[( c h c]) c4 a'4( | % 63
-  c4. a8) fis8[( d a' c,]) | % 64
-  c[( h e d]) d4 r | % 65
-  d2~  d8[( g h d]) | % 66
-  d[( e,]) e4~ e8[( c' h a]) | % 67
-  <g h,>[( d g8. <h d,>16]) <h d,>8[( <a c,> <g h,> <fis a,>]) | % 68
-  <g g,>4
-s2 s4 | % 69
-\repeat unfold 14 { s1 } | \barNumberCheck #83
-s2
-  r2 | % 84
-  r2 r4 e( | % 85
-  d4. c8) h[( c f e]) | % 86
-  e[( d cis d]) d r f4( | % 87
-  e4. d8) cis[( d a' g]) | % 88
-  f[( e g f]) e r r4 | % 89
-  r8 g,8[( fis g]) h[( c f e]) | \barNumberCheck #90
-  e[( d cis d]) \twoVoice { d4 s } { f,8[( a d f]) } | % 91
-  r8 g,8[( fis g]) h[( d g f]) | % 92
-  f[( e
-s s]) s2 | % 93
-\repeat unfold 19 { s1 } | \barNumberCheck #112
-  r4 g4~ g8[( c h a]) | % 113
-  g[( f e d)] c[( h a h]) | % 114
-  c[ e] g,4~ \times 2/3 {g8[ a h]} \times 2/3 {c[ d e]} | % 115
-  \times 2/3 {f[ e d] } \times 2/3 { h'[ a g] } \times 2/3 { d'[ c h] } \times 2/3 { a[ g f]} | % 116
-  e4 g r2 | % 117
-
-\repeat unfold 8 { s1 } \bar"|." \barNumberCheck #125
-}
-
-GradualeSperateInDeoPDynamicsMusic = \notemode {
-  s1\f | % 2
-  s1*2 | % 4
-  s2. s4\p | % 5
-}
-
-GradualeSperateInDeoPIIMusic = \relative c {
-  c4. h8[( d c f e]) | % 2
-  a2->( g4) r | % 3
-  r4 b a f | % 4
-  g g, g' r | % 5
-  r <c, e g> <c e g> r | % 6
-  r <c d \parenthesize f a> <c d \parenthesize f a> r | % 7
-  r <h d f g> <h d f g> r | % 8
-  r <c e g> <c e g> <e g c> | % 9
-  r <f a c> <f a c> <f \parenthesize g h d> | \barNumberCheck #10
-  <e g>4 r r2 | % 11
-  r4 <e g c> <d f a> <d g h> | % 12
-  <c e> r r <e g c> | % 13
-  <f a c>4 <f a c>2 <e a cis>4 | % 14
-  <d f a d>4 r r \twoVoice {f'8[ d]} { f,4 } | % 15
-  <f h d>4 <f d'> <e e'> <d a'> | % 16
-  <c e g> <c' e>4~\fp <c e>8[ <h d> \change Staff = "GradualeSperateInDeoPIaSt" <c e> <d f>] | % 17
-  \change Staff = "GradualeSperateInDeoPIISt" r4 <c, e g> <e g> <c e g> | % 18
-  r4 <d f h> <g, h g'> <h d g> | % 19
-  <c e g> \twoVoice {c'2}{e,4 f} <a fis>4 | \barNumberCheck #20
-  g4 g, g' r | % 21
-  r4 <c, e g> <c e g> r | % 22
-  r <c f a> <c f a> r | % 23
-  r <h d f g> <h d f g> r | % 24
-  r <c e> <e g> <g c> | % 25
-  <c, e g> <c e g> <d g h> <d g h> | % 26
-  <e g c> <g c e> <c, e g> <e g c> | % 27
-  d d g <d g,> | % 28
-  <c g'> <e c'> <g c> <c, e g c> | % 29
-  <f a c> <f a c>2 <e g cis>4 | \barNumberCheck #30
-  <d f a d>4^"TODO" <d f a> <d f a> <f a> | % 31
-  <d f h>4 s^"TODO" s s | % 32
-  <c e> <c e g> <c e > <g c e> | % 33
-  r g' e c | % 34
-\repeat unfold 22 { s1 } | \barNumberCheck #56
-s4
-  r4 r <d h>4\f | % 57
-  <e c> <fis d> <g e> <a fis> | % 58
-  \twoVoice { d2 h } {g4 h e, g} | % 59
-  <a e c> <c e,> a, c | \barNumberCheck #60
-  d <d d'> d r4 | % 61
-  r <g h d> <g h d> r | % 62
-  r <g a c e> <g a c e> r | % 63
-  r <fis a c d> <fis a c d> r | % 64
-  r <g h> <g h> <g a c> | % 65
-  r <h d g> <h d g> r | % 66
-  r <g c e> <g c e>8[
-s8] s4 | % 67
-s1 | % 68
-s1 | % 69
-\repeat unfold 14 { s1 } | \barNumberCheck #83
-s2
-  r2 | % 84
-  R1 | % 85
-  r4 <c, e g>4 <c e g> r | % 86
-  r <c d f a> <c d f a> r | % 87
-  r <h d f g> <h d f g> r | % 88
-  r <c e g> <c e g> r | % 89
-  r <c e g> <c e g> r | \barNumberCheck #90
-  r <c d f a> <c d f a> <c d f a> | % 91
-  r <h d f g> <h d f g> r | % 92
-  r
-s s2 | % 93
-\repeat unfold 32 {s1} \bar"|." \barNumberCheck #125
-}
diff --git a/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo_Piano.ily b/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo_Piano.ily
new file mode 100644
index 0000000000000000000000000000000000000000..b750a1f4d6d40bb9bdd2b0aecd45a08382937e51
--- /dev/null
+++ b/Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo_Piano.ily
@@ -0,0 +1,173 @@
+\version "2.13.1"
+
+GradualeSperateInDeoTempo = "Andante"
+
+GradualeSperateInDeoKey = \key c \major
+GradualeSperateInDeoTimeSignature = \time 2/2
+
+GradualeSperateInDeoSettings = \notemode {
+  \set Score.tempoHideNote = ##t
+  \tempo \GradualeSperateInDeoTempo 2=80
+}
+
+%%% Klavierauszug:
+
+GradualeSperateInDeoPCuesMusic = \notemode {
+  \cueText "Archi" s1*2 | % 3
+  \cueText "Tutti"  s1 | % 3
+  s2. \cueText "Ob.1 Solo, Archi" s4 | % 4
+}
+
+GradualeSperateInDeoPIMusic = \relative c' {
+  c4. h8[( d c f e]) | % 2
+  a2->( g4) r | % 3
+  e'4.\trill d16[ e] f8[( a, f' d]) | % 4
+  <c e,>2( \grace { d16[ c]} <h d,>4) <e g,>( | % 5
+  <d f,>4. <c e,>8) h[( c f e]) | % 6
+  e[( d cis d]) d r <f d>4( | % 7
+  <e g,>4. <d f,>8) cis8[( d <a' f> <g e>]) | % 8
+  <f d>[( <e c> <g e> <f d>)] <e c>8 r r c | % 9
+  c[ a'] a2 h4~ | \barNumberCheck #10
+  h8[( c d e]) d[( c h a]) | % 11
+  g2 f8[( e f g]) | % 12
+  <e c> fis8[( g]) dis[( e]) h[( c e]) | % 13
+  a,4 \twoVoice { a'2 g4 } { h,8[\( cis] \acciaccatura e8 d[ cis d e]\) } | % 14
+  f8 gis[( a]) e[( f]) cis[( d f]) | % 14
+  g,4 \twoVoice { g'2 f4 } { a,8[ h] c[^\trill h c d] } | % 16
+  e8[( d e f]) g4 \twoVoice { r4 } { s4 } | % 17
+  <g, e>2~ \twoVoice { g8[( c e c]) } {e,2} | % 18
+  \twoVoice { h'8[ d] f2 d4 } { <g, d>2 <d' f,>2 } | % 19
+  e8[( g c8.) <h g>16] <a f>8.[ <g e>16 <f d>8. <e c>16] | \barNumberCheck #20
+  <e c>2( \grace { f16[ e] } <d h>4) r | % 21
+  r8 g,8[( fis g]) h[( c f e]) | % 22
+  e[( d cis d]) f,[ a d f] | % 23
+  r g,[ fis g] h[ d g f] | % 24
+  f8[( e g f]) e[ c g e] | % 25
+  c8 <e'g,>4 <c e,>8 <h d,> <f' h,>4 d8 | % 26
+  <c g>8 <e c>4 <g e>8~ <g e>8[ <e c> <c g> <g e>] | % 27
+  <g c, a>8 <g c a>4 <c, a>8 h <d h>4 <f d>8 | % 28
+  <e c>8-| fis'8[( g]) dis[( e]) h[( c e]) | % 29
+  a,8[-| a( h cis]) d[( cis d e]) | \barNumberCheck #30
+  \twoVoice { f8-| gis8[( a]) e[( f]) cis[( d f]) } { d4 f a, f } | % 31
+  g8[-| g( a h]) c[( h c d]) | % 32
+  \twoVoice { e[( d e f]) g[( e c g]) } { <g c>2. r4 } | % 33
+  <e c>8[( c <e c> <g e>]) c[( g <e e'> <e c'>]) | % 34
+  <g h>[( <h d> <d f> <d g,>]) f[(^"TODO" d g, f']) | % 35
+  \twoVoice { e'8[( g c8. d16]) } { c,4 <e g> } <a, a'>8.[ <g g'>16 <f f'>8. <e e'>16] | % 36
+  <e e'>8[ <g e'> <h d> <h d>] <d, h'>8[ <g h> <fis c'> a] | % 37
+\repeat unfold 11 { s1 } | \barNumberCheck #48
+s4^"TODO"
+  d4~ d8[ g h g] | % 49
+  c[ g fis d] c[ a fis a] | \barNumberCheck #50
+  h8 r g4~ \times 2/3 {g8[ h d]} \times 2/3 {g[ h d]} | % 51
+
+\repeat unfold 5 { s1 } | \barNumberCheck #56
+s4
+  <h g>8[(\f <a fis>]) <a fis>[( <g e>]) <g e>[( <fis d>]) | % 57
+  <fis d>[( <e c>]) <e c>[( <d h>]) \twoVoice { c8[(\trill h c d]) } {a4 a } | % 58
+  h8[( c d e] fis[ g a h]) | % 59
+  e,[( fis gis a]) <h e,>[( <c c,> <e, a,> <a c,>]) | \barNumberCheck #60
+  <g h,>2( \grace { a16[ g] } <fis a,>4)  h4( | % 61
+  a4. g8) fis[( g h, e]) | % 62
+  d[( c h c]) c4 a'4( | % 63
+  c4. a8) fis8[( d a' c,]) | % 64
+  c[( h e d]) d4 r | % 65
+  d2~  d8[( g h d]) | % 66
+  d[( e,]) e4~ e8[( c' h a]) | % 67
+  <g h,>[( d g8. <h d,>16]) <h d,>8[( <a c,> <g h,> <fis a,>]) | % 68
+  <g g,>4
+s2 s4 | % 69
+\repeat unfold 14 { s1 } | \barNumberCheck #83
+s2
+  r2 | % 84
+  r2 r4 e( | % 85
+  d4. c8) h[( c f e]) | % 86
+  e[( d cis d]) d r f4( | % 87
+  e4. d8) cis[( d a' g]) | % 88
+  f[( e g f]) e r r4 | % 89
+  r8 g,8[( fis g]) h[( c f e]) | \barNumberCheck #90
+  e[( d cis d]) \twoVoice { d4 s } { f,8[( a d f]) } | % 91
+  r8 g,8[( fis g]) h[( d g f]) | % 92
+  f[( e
+s s]) s2 | % 93
+\repeat unfold 19 { s1 } | \barNumberCheck #112
+  r4 g4~ g8[( c h a]) | % 113
+  g[( f e d)] c[( h a h]) | % 114
+  c[ e] g,4~ \times 2/3 {g8[ a h]} \times 2/3 {c[ d e]} | % 115
+  \times 2/3 {f[ e d] } \times 2/3 { h'[ a g] } \times 2/3 { d'[ c h] } \times 2/3 { a[ g f]} | % 116
+  e4 g r2 | % 117
+
+\repeat unfold 8 { s1 } \bar"|." \barNumberCheck #125
+}
+
+GradualeSperateInDeoPDynamicsMusic = \notemode {
+  s1\f | % 2
+  s1*2 | % 4
+  s2. s4\p | % 5
+}
+
+GradualeSperateInDeoPIIMusic = \relative c {
+  c4. h8[( d c f e]) | % 2
+  a2->( g4) r | % 3
+  r4 b a f | % 4
+  g g, g' r | % 5
+  r <c, e g> <c e g> r | % 6
+  r <c d \parenthesize f a> <c d \parenthesize f a> r | % 7
+  r <h d f g> <h d f g> r | % 8
+  r <c e g> <c e g> <e g c> | % 9
+  r <f a c> <f a c> <f \parenthesize g h d> | \barNumberCheck #10
+  <e g>4 r r2 | % 11
+  r4 <e g c> <d f a> <d g h> | % 12
+  <c e> r r <e g c> | % 13
+  <f a c>4 <f a c>2 <e a cis>4 | % 14
+  <d f a d>4 r r \twoVoice {f'8[ d]} { f,4 } | % 15
+  <f h d>4 <f d'> <e e'> <d a'> | % 16
+  <c e g> <c' e>4~\fp <c e>8[ <h d> \change Staff = "GradualeSperateInDeoPIaSt" <c e> <d f>] | % 17
+  \change Staff = "GradualeSperateInDeoPIISt" r4 <c, e g> <e g> <c e g> | % 18
+  r4 <d f h> <g, h g'> <h d g> | % 19
+  <c e g> \twoVoice {c'2}{e,4 f} <a fis>4 | \barNumberCheck #20
+  g4 g, g' r | % 21
+  r4 <c, e g> <c e g> r | % 22
+  r <c f a> <c f a> r | % 23
+  r <h d f g> <h d f g> r | % 24
+  r <c e> <e g> <g c> | % 25
+  <c, e g> <c e g> <d g h> <d g h> | % 26
+  <e g c> <g c e> <c, e g> <e g c> | % 27
+  d d g <d g,> | % 28
+  <c g'> <e c'> <g c> <c, e g c> | % 29
+  <f a c> <f a c>2 <e g cis>4 | \barNumberCheck #30
+  <d f a d>4^"TODO" <d f a> <d f a> <f a> | % 31
+  <d f h>4 s^"TODO" s s | % 32
+  <c e> <c e g> <c e > <g c e> | % 33
+  r g' e c | % 34
+\repeat unfold 22 { s1 } | \barNumberCheck #56
+s4
+  r4 r <d h>4\f | % 57
+  <e c> <fis d> <g e> <a fis> | % 58
+  \twoVoice { d2 h } {g4 h e, g} | % 59
+  <a e c> <c e,> a, c | \barNumberCheck #60
+  d <d d'> d r4 | % 61
+  r <g h d> <g h d> r | % 62
+  r <g a c e> <g a c e> r | % 63
+  r <fis a c d> <fis a c d> r | % 64
+  r <g h> <g h> <g a c> | % 65
+  r <h d g> <h d g> r | % 66
+  r <g c e> <g c e>8[
+s8] s4 | % 67
+s1 | % 68
+s1 | % 69
+\repeat unfold 14 { s1 } | \barNumberCheck #83
+s2
+  r2 | % 84
+  R1 | % 85
+  r4 <c, e g>4 <c e g> r | % 86
+  r <c d f a> <c d f a> r | % 87
+  r <h d f g> <h d f g> r | % 88
+  r <c e g> <c e g> r | % 89
+  r <c e g> <c e g> r | \barNumberCheck #90
+  r <c d f a> <c d f a> <c d f a> | % 91
+  r <h d f g> <h d f g> r | % 92
+  r
+s s2 | % 93
+\repeat unfold 32 {s1} \bar"|." \barNumberCheck #125
+}
diff --git a/Eybler_SperateInDeo_HV41_Score_Choral.ly b/Eybler_SperateInDeo_HV41_Score_Choral.ly
index bc55d3a72f58eaabc8f48bd8e5e77f70b20a2cbd..8c09dd7f67d4ef732b7f071c1e4cd53d8f663290 100644
--- a/Eybler_SperateInDeo_HV41_Score_Choral.ly
+++ b/Eybler_SperateInDeo_HV41_Score_Choral.ly
@@ -7,6 +7,13 @@
   scoretype = \ChoralScoreTitle
   scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
   ismn = "979-0-50217-017-2"
+  copyright = \markup \abs-fontsize #9 \column{
+	  \line { 2011, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved. ISMN \fromproperty #'header:ismn }
+  }
 }
+SShortInstrumentName = ""
+AShortInstrumentName = ""
+TShortInstrumentName = ""
+BShortInstrumentName = ""
 
 \createScore #"GradualeSperateInDeo" #'("ChoralScore")
diff --git a/Eybler_SperateInDeo_HV41_Score_Full.ly b/Eybler_SperateInDeo_HV41_Score_Full.ly
index fa8c5393ed9d84b2358db7c927f1ba19877d2af6..609307ab16787b76f5f967e942f7bacbc718c9c9 100644
--- a/Eybler_SperateInDeo_HV41_Score_Full.ly
+++ b/Eybler_SperateInDeo_HV41_Score_Full.ly
@@ -8,4 +8,31 @@
   scorenumber = \markup{\scoreNumber \FullScoreNumber}
 }
 
+\paper {
+	page-count = #18
+	footnote-separator-markup = \markup { \fill-line { \override #`(span-factor . 1/4) { \draw-hline } \null }}
+}
+
+BassGroupInstrumentName = \markup{"Organo" "*"} 
+GradualeSperateInDeoBCExtraSettings = { \footnoteGrob #'NoteHead #'(0 . 0) "" "* Generalbass-Aussetzung: R. Kainhofer" }
+BassGroupShortInstrumentName = "Org."
+% ContinuoInstrumentName = \markup{\center-column{"Violoncello" "Violone"}}
+ContinuoInstrumentName = \markup{\center-column{"Cello, Violone"}}
+ContinuoShortInstrumentName = \markup{\center-column{"Vc./Cb."}}
+
 \createNoCuesScore #"GradualeSperateInDeo" #'("FullScore")
+
+% \layout {
+%   \context { \Score
+% 	  \override FootnoteItem #'annotation-balloon = ##t
+% 	  \override FootnoteItem #'annotation-line = ##t
+%   }
+%   \context { \Staff
+% 	  \override FootnoteItem #'annotation-balloon = ##t
+% 	  \override FootnoteItem #'annotation-line = ##t
+%   }
+%   \context { \Voice
+% 	  \override FootnoteItem #'annotation-balloon = ##t
+% 	  \override FootnoteItem #'annotation-line = ##t
+%   }
+% }
\ No newline at end of file
diff --git a/Eybler_SperateInDeo_HV41_Score_Vocal.ly b/Eybler_SperateInDeo_HV41_Score_Vocal.ly
index b14162c1e8bfaf26405946325f5cfc9c9d98e253..d6822c3632e9eda10b0244f9da97768c5d009ea8 100644
--- a/Eybler_SperateInDeo_HV41_Score_Vocal.ly
+++ b/Eybler_SperateInDeo_HV41_Score_Vocal.ly
@@ -1,23 +1,26 @@
 \version "2.13.1"
 \include "Eybler_SperateInDeo_HV41_Settings_VocalScore.ily"
+\include "Eybler_SperateInDeo_HV41_Music_GradualeSperateInDeo_Piano.ily"
+
 \setCreateMIDI ##t
 \setCreatePDF ##t
 
 \header {
-  scoretype = \VocalScoreTitle
+%   scoretype = \VocalScoreTitle
+  scoretype = ##f
   scorenumber = \markup{\scoreNumber \VocalScoreNumber}
 }
 
 PIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
 PIIExtraSettings = \notemode { \override Staff.VerticalAxisGroup #'remove-empty = ##f }
 
-  \layout {
+%{  \layout {
     \context {
       \Score
       \override SpacingSpanner
                 #'base-shortest-duration = #(ly:make-moment 1 8)
     }
-  }
+  }%}
 %   \paper { page-count = #8 }
 
 \createNoCuesScore #"GradualeSperateInDeo" #'("VocalScore")
diff --git a/Eybler_SperateInDeo_HV41_Settings_ChoralScore.ily b/Eybler_SperateInDeo_HV41_Settings_ChoralScore.ily
index ce2cc56ef836a929e141447d5ad8861bce2ddf60..e7012df5db7b5eeae3ce081e4eb69fb5708825ed 100644
--- a/Eybler_SperateInDeo_HV41_Settings_ChoralScore.ily
+++ b/Eybler_SperateInDeo_HV41_Settings_ChoralScore.ily
@@ -1,3 +1,14 @@
 \version "2.13.1"
 \include "orchestrallily/oly_settings_choralscore.ily"
 \include "Eybler_SperateInDeo_HV41_Settings.ily"
+#(set-global-staff-size 16)
+#(ly:set-option 'incipit #f)
+
+SInstrumentName = #f
+AInstrumentName = #f
+TInstrumentName = #f
+BInstrumentName = #f
+SShortInstrumentName = #f
+AShortInstrumentName = #f
+TShortInstrumentName = #f
+BShortInstrumentName = #f
diff --git a/Eybler_SperateInDeo_HV41_Settings_FullScore.ily b/Eybler_SperateInDeo_HV41_Settings_FullScore.ily
index 997b6239344303dd0723b91fd00b19a5ba5db14b..c582d0afce92f1de86286329ff1700a5ef51c199 100644
--- a/Eybler_SperateInDeo_HV41_Settings_FullScore.ily
+++ b/Eybler_SperateInDeo_HV41_Settings_FullScore.ily
@@ -7,3 +7,8 @@ GradualeSperateInDeoTimSettings = {
     \override Staff.StaffSymbol #'staff-space = #(magstep -4)
     \GradualeSperateInDeoSettings 
 }
+#(set-global-staff-size 15)
+VcBInstrumentName = "Violone"
+
+#(oly:modify_score_structure '("BassGroup" "PianoStaff" ("BCRealization" "Continuo")))
+
diff --git a/Eybler_SperateInDeo_HV41_Settings_Global.ily b/Eybler_SperateInDeo_HV41_Settings_Global.ily
index 9ce4880c60e05a3f1135db3869353fd3a6f9b181..1600d475b62748eadd2b84877b5e84c5302d4b58 100644
--- a/Eybler_SperateInDeo_HV41_Settings_Global.ily
+++ b/Eybler_SperateInDeo_HV41_Settings_Global.ily
@@ -11,13 +11,13 @@ scorenumber="EK-1041"
   titlepagesubtitle = "Graduale, HV 41"
   composer = "Joseph Eybler (1765-1846)"
   copyright = \markup \abs-fontsize #9 \column {
-    \line { "© 2010, " \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria.}
+    \line { "© 2011, " \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria.}
   }
 }
 
 %% Possibly adjust the \orchestralScoreStructure here...
 
-#(oly:modify_score_structure '("BassGroup" "StaffGroup" ("Continuo")))
+#(oly:modify_score_structure '("BassGroup" "StaffGroup" ("RealizedContinuo")))
 #(oly:modify_score_structure  '("P" "PianoStaff" ("PIa" "PDynamics" "PII")))
 #(oly:modify_score_structure '("PIa" "ParallelVoicesStaff" ("PI" "PCues")))
 #(oly:modify_score_structure '("PDynamics" "Dynamics" ()))
@@ -27,7 +27,6 @@ CorIIInstrumentName = \markup{\center-column{"Corno II in C" "(ad lib.)"}}
 CorInstrumentName = \markup{\center-column{"Corni in C" "(ad lib.)"}}
 
 VaInstrumentName = "Viole"
-VcBInstrumentName = "Violone"
 
 TrbClef = \clef "alto"
 TrbIClef = \clef "alto"
diff --git a/Eybler_SperateInDeo_HV41_Settings_VocalScore.ily b/Eybler_SperateInDeo_HV41_Settings_VocalScore.ily
index 13de75edf9f412e0c5bc2adb779798c0c8882616..bb7a07c4736d586db288ab9383f2232ea2e88fb9 100644
--- a/Eybler_SperateInDeo_HV41_Settings_VocalScore.ily
+++ b/Eybler_SperateInDeo_HV41_Settings_VocalScore.ily
@@ -1,3 +1,25 @@
 \version "2.13.1"
 \include "orchestrallily/oly_settings_vocalscore.ily"
 \include "Eybler_SperateInDeo_HV41_Settings.ily"
+#(ly:set-option 'incipit #f)
+
+% SClef = \clef "treble"
+% AClef = \clef "treble"
+% TClef = \clef "treble_8"
+
+SInstrumentName = #f
+AInstrumentName = #f
+TInstrumentName = #f
+BInstrumentName = #f
+SShortInstrumentName = #f
+AShortInstrumentName = #f
+TShortInstrumentName = #f
+BShortInstrumentName = #f
+PInstrumentName = #f
+
+% Remove the first line of the choir staff it the choir is quiet
+\layout {
+  \context { \Staff
+    \override VerticalAxisGroup #'remove-first = ##t
+  }
+}
diff --git a/Makefile b/Makefile
index 6e9c5bb4ab573ae72c046731dfe6c624ea439b81..138d25509b732b0c925c74aa80e0f821cbbfee16 100644
--- a/Makefile
+++ b/Makefile
@@ -16,6 +16,7 @@ texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
 texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
      $(OUT)/TeX_$(texbase)_Score_Instruments.pdf
 
+distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(OUT)/$(base)_Score_Choral.pdf $(texpdfs)
 
 additionalscores = $(OUT)/Eybler_SperateInDeo_HV41_Music_AdditionalMeasures.pdf $(OUT)/Eybler_SperateInDeo_HV41_Music_AdditionalMeasures73.pdf
 
@@ -50,6 +51,17 @@ tex: $(additionalscores) latex
 latex: $(pdfs) $(texpdfs)
 latexpdf: $(texpdfs)
 
+VocalScore: $(OUT)/$(base)_Score_Vocal.pdf $(OUT)/TeX_$(base)_Score_Vocal.pdf $(SRCS)
+
+
 $(OUT)/TeX_%.pdf : TeX_%.tex
 	TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex --output-directory=$(OUT)/ $<
 
+zipdir = $(base)_Final
+dist: $(distfiles)
+	mkdir -p $(zipdir)
+	cp -r $(distfiles) $(zipdir)
+	rename 's/TeX_//' $(zipdir)/*
+	rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
+	zip -jr $(base).zip $(zipdir)
+	rm -rf $(zipdir)
diff --git a/TeX_Eybler_SperateInDeo_HV41_Include_About.itex b/TeX_Eybler_SperateInDeo_HV41_Include_About.itex
index 26cbd366dd4a47b7a07e4ecef65f7158ded8596c..5919ba84ba5b9963a71296bde4c249c7dcb06994 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Include_About.itex
+++ b/TeX_Eybler_SperateInDeo_HV41_Include_About.itex
@@ -1,3 +1,4 @@
+\makeatletter
 \addcontentsline{toc}{section}{Vorwort / Preface}
 
 \begin{multicols}{2}
@@ -5,25 +6,32 @@
 
 Dieses Graduale\ifvocalscore\else, im Werkverzeichnis von Herrman als HV 41 katalogisiert,\fi{} wurde
 vom Wiener Hofkapellmeister Josef Eybler im Jahr 1822
-gemeinsam mit der Missa St. Ferdinandi Nr.14 in g (HV 26)
-für die große Festgala anlässlich der Geburtstagsfeier der beiden Majestäten
-(sowohl Kaiser Franz I. als auch seine Gattin Kaiserin Karoline Auguste
-feierten am 8. Februar Geburtstag) komponiert. Nach einer Probe am 4. Februar 1823 fand
-am Sonntag Quinquagesima, dem 9. Febraur 1823, die Uraufführung der Messe (HV 26)
+gemeinsam mit der Missa Sti. Ferdinandi Nr.14 (HV 26)
+für die große Festgala anlässlich der Geburtstagsfeier \q{der beiden Majestäten} komponiert.
+Sowohl Kaiser Franz I. als auch seine Gattin Kaiserin Karoline Auguste
+feierten nämlich am selben Tag -- dem 8. Februar -- Geburtstag, was alljährlich unter 
+anderem durch eine Festmesse am folgenden Sonntag gebührlich gefeiert wurde. 
+\ifvocalscore\else
+Anlässlich dieser Festmesse komponierte Joseph Eybler in den meisten Jahre eigens 
+eine neue Messe, ein Graduale und ein Offertorium.
+\fi
+
+Nach einer Probe am 4. Februar 1823 fand am 9. Februar 1823, dem
+Sonntag Quinquagesima (Sonntag vor dem Aschermittwoch), die Uraufführung der Messe (HV 26)
 gemeinsam mit diesem Graduale \q{Sperate in Deo} (HV 41) und dem Offertorium
 \q{Nos populus tuus} (HV 76), durch die Hofmusikkapelle in der Wiener Hofburgkapelle
 statt.\footnote{Laut den Eintragungen in den Orchesterstimmen und den Bemerkungen
 im Aufführungsspiegel der Wr. Hofburgkapelle,
 siehe R. Steurer: Das Repertoire des Wiener Hofmusikkapelle im neunzehnten Jahrhundert,
 verlegt bei Hans Scheider, Tutzing, 1998.} Auch in den folgenden Jahres des
-19. Jahrhunderts wurde das Werk noch mindestens 30 mal in der Hofburgkapelle
-aufgeführt.
+19. Jahrhunderts wurde das Werk laut den Aufzeichnungen der Hofkapelle 
+noch mindestens 30 mal in der Hofburgkapelle aufgeführt.
 
 \ifvocalscore\else
 Im Gegensatz zu den beiden anderen gleichzeitig aufgeführten Werken wurde
 dieses Graduale -- im Manuskript als das Graduale \textnumero 20 von Eybler
 bezeichnet -- im Jahr 1827 im Musikverlag von Tobias Haslinger als zweites Graduale in Druck verlegt,
-gemeinsam mit der Missa Sti. Mauritii in C (HV 4) und dem Offertorium
+gemeinsam mit der Missa Sti. Mauritii (HV 4) und dem Offertorium
 \q{Si consistant adversum me castra} (HV 86).
 \fi
 
@@ -35,8 +43,47 @@ Sperate in Deo, omnis congregation populi (Andante con moto, C dur, alla breve)
 ist ein ausnehmend gesangreicher, wohlklingender Chor, voll der reinsten Harmonieen,
 welche die concertierende Hoboe wie ein Silberband reizend durchschlängelt.}}
 
+% \vfill
+% \vspace*{\fill}
+
 \columnbreak
+
 \prefacesection{Preface}
-TODO
-\end{multicols}
+
+This gradual -- catalogued as HV 41 by Herrmann -- was composed by the Viennese Hofkapellmeister 
+Joseph Eybler in 1822 together with the Missa Sti. Ferdinandi Nr.14 (HV 26) 
+for the celebration of the birthdays of the two majesties. Both Emperor Franz I. 
+as well as his wife, Empress Karoline Auguste, were born on the same day -- 
+February 8 -- and celebrated the occasion among other festivities with a
+festive mass on the subsequent sunday. As in most years, Hofkapellmeister Eybler
+composed a new mass for this service, together with an appropriate gradual and 
+offertory.
+
+The first performance of the mass HV 26, this gradual ``Sperate in Deo'' HV 41 
+and the offertory ``Nos populus tuus'' HV 76 HV
+took place on February 9, 1823, the Sunday Quinquagesima, i.e. the sunday before 
+Ash Wednesday. According to the archives of the Hofkapelle, the gradual was 
+also performed more than 30 times during the remainder of the 19th century in 
+the Hofkapelle at the imperial court in Vienna.
+
+\ifvocalscore\else
+This gradual was published -- in contrast to the mass and the offertory -- by
+Tobias Haslinger in 1827 as the second of Eybler's graduals. It was engraved
+and sold together with the Missa Sti. Mauritii HV 4 and the offertory ``Si 
+consistant adversum me castra'' HV 86.
+\fi
+
+Several reviews by the leading weekly music magazines of the time testify to its 
+popularity. For instance, the (Leipzig) ``Allgemeine Musikalische Zeitung'' 
+(AMZ No.30, October 3, 1827) wrote:
+{\em \q{The gradual:
+Sperate in Deo, omnis congregation populi (Andante con moto, C dur, alla breve)
+is an exquisitely well-sounding chorus, full of the purest harmonies, through which 
+the oboe concertante is charmingly meandering like a silver ribbon.}}
+
 \vfill
+\vspace*{\fill}
+
+\end{multicols}
+
+% \vfill
diff --git a/TeX_Eybler_SperateInDeo_HV41_Include_Copyrightbox.itex b/TeX_Eybler_SperateInDeo_HV41_Include_Copyrightbox.itex
index 5556f22328eb28028f1fdaec56980bae57c88b63..035cd31d89121d019af1284162c973a3cf624bda 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Include_Copyrightbox.itex
+++ b/TeX_Eybler_SperateInDeo_HV41_Include_Copyrightbox.itex
@@ -1,6 +1,7 @@
 \makeatletter
-\copyrightbox{© \@year, \@publisher\newline
-1. Auflage / 1st Printing \@year\newline
+\copyrightbox{© \@year, \@publisher. 1. Auflage / 1st Printing \@year\newline
+\ifx\@scorenumber\@empty\else\@scorenumber\ifx\@ismn\@empty\else, \fi\fi\ifx\@ismn\@empty\else%
+ISMN \@ismn\fi\newline
 Computersatz mit \@software\newline
 Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
 \makeatother
diff --git a/TeX_Eybler_SperateInDeo_HV41_Include_KritBericht.itex b/TeX_Eybler_SperateInDeo_HV41_Include_KritBericht.itex
index 26ff3df2d4cc2fa275fac93c1b553d766f9eaf65..a82d4b25b6f798fd44ff2be232be3c2ca603732a 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Include_KritBericht.itex
+++ b/TeX_Eybler_SperateInDeo_HV41_Include_KritBericht.itex
@@ -123,7 +123,7 @@ Musikverleger,\sbreak
 am Graben \textnumero 572 im Hause der ersten oesterr. Sparkasse.\sbreak
 Warsow scrips. Pfoehl sculps.
 \end{sourcetitle}
-\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
+Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
 Signatur: F5.Mödling.556/a Mus;
 Signatur: SA.82.A.22 13,2 Mus 21;
 Signatur: HK.2144 Mus;
@@ -148,7 +148,7 @@ WIEN, BEI TOBIAS HASLINGER,\sbreak
 Musikverleger,\sbreak
 am Graben \textnumero 572 im Hause der ersten oesterr. Sparkasse.
 \end{sourcetitle}
-\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
+Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
 Signatur: F24.St.Peter.D98(II) Mus;
 Signatur: F4.Baden.86 Mus;
 Signatur: HK.2504 Mus
@@ -208,8 +208,7 @@ Partitur und das Orchestermaterial auf.
 Der gedruckte Stimmensatz aus dem Archiv der Wiener Peterskirche (jetzt im
 Bestand der Österreichischen Nationalbibliothek in Wien mit Signatur
 F24.St.Peter.D98(II)~Mus) enthält weiters eine handgeschriebene Paukenstimme
-von unbekannter Hand, die in der vorliegenden Ausgabe ebenfalls enthalten ist
-(in der Partitur in kleiner Größe).
+von unbekannter Hand, die in der vorliegenden Ausgabe ebenfalls enthalten ist.
 
 
 \subsubsection*{Nachträglich ausgestrichene Passagen}
@@ -713,6 +712,6 @@ schließlich mit \LaTeX. Die unglaubliche Qualität und Flexibilität dieser
 beiden Programme sowie die tolle LilyPond-Community haben einen enormen Beitrag
 zu dieser Ausgabe geliefert.
 
-Und zu guter Letzt sei noch meiner Freundin Ana Aleksic herzlich gedankt für
+Und zu guter Letzt sei noch meiner Freundin Ana Aleksić herzlich gedankt für
 ihr Verständnis während der Erstellung dieser Ausgabe.
 \end{multicols}
diff --git a/TeX_Eybler_SperateInDeo_HV41_Include_Todo.itex b/TeX_Eybler_SperateInDeo_HV41_Include_Todo.itex
index cba842dee0a694d615fc9e92a31c5f5dcfec6e4c..d074c31fd2a47982c44d8b7cfc561e2c14d97a7c 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Include_Todo.itex
+++ b/TeX_Eybler_SperateInDeo_HV41_Include_Todo.itex
@@ -1,21 +1,8 @@
-\todos{
-\chapter*{Offene Fragen}
-
-\section*{Other Issues (Typesetting?):}
-\begin{itemize}
-\item Tim: Fussnote, dass nicht VON eYBLER
-\item T39 FB: 9-7-\# (extender for \# not on top, but on bottom!)
-\item T39 FB: \# or 9-7-\# as figured bass?
-\item T104 FB: \q{t.s. / Solo} below staff to prevent collision
-\item 105ff BC: Don't remove cue notes in full score!!!
-\end{itemize}
-
-\section*{Handschrift [HS1]:}
-\begin{itemize}
-\item 57 V2: Trill
-\item T80/81 aus der Handschrift in folgenden Instrumenten: Cor1, Cor2
-\item 100 FB: Extender-Lines in FigBass nach Zeilenumbruch nicht mehr vorhanden?
-\item 118 Fag1: Bogen?
-\end{itemize}
-
-}
\ No newline at end of file
+% \todos{
+% \chapter*{Open Issues}
+% 
+% \begin{itemize}
+% \end{itemize}
+% 
+% 
+% }
\ No newline at end of file
diff --git a/TeX_Eybler_SperateInDeo_HV41_Score_Choral.tex b/TeX_Eybler_SperateInDeo_HV41_Score_Choral.tex
index e279598489454d0a3117029387c201f17360aad6..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Score_Choral.tex
+++ b/TeX_Eybler_SperateInDeo_HV41_Score_Choral.tex
@@ -1,24 +0,0 @@
-\documentclass[a4paper,10pt,naustrian,twoside]{report}
-\usepackage[nocolortitle,choralscore]{editionkainhofer}
-\input{TeX_Eybler_SperateInDeo_HV41_Settings.itex}
-
-\hypersetup{
-    pdftitle={\scoreTitle, \ChoralScoreType},
-}
-
-\scoretype{\ChoralScoreType}
-\scorenumber{\scoreNumber\ChoralScoreNumber}
-% \ismn{979-0-50217-017-2}
-
-\begin{document}
-\input{TeX_Eybler_SperateInDeo_HV41_Include_Coverpage.itex}
-\input{TeX_Eybler_SperateInDeo_HV41_Include_Preface_Long.itex}
-
-
-\phantomsection
-\addcontentsline{toc}{section}{\ChoralScoreType}
-\includescore{Score_Choral}
-
-
-\input{TeX_Eybler_SperateInDeo_HV41_Include_Backpage.itex}
-\end{document}
diff --git a/TeX_Eybler_SperateInDeo_HV41_Score_Full.tex b/TeX_Eybler_SperateInDeo_HV41_Score_Full.tex
index ac090f61c8ab844b1cd19f0e0e1cceb30431e785..2a833c6e20327282b8965ea35ed50f429f84aaff 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Score_Full.tex
+++ b/TeX_Eybler_SperateInDeo_HV41_Score_Full.tex
@@ -19,11 +19,12 @@
 \addcontentsline{toc}{section}{\FullScoreType}
 \includescore{Score_Full}
 
-
-\cleardoublepage
-\backmatter
-\appendix
+\clearpage
+% \cleardoublepage
+% \backmatter
+% \appendix
 \input{TeX_Eybler_SperateInDeo_HV41_Include_KritBericht.itex}
+\clearpage
 
 \input{TeX_Eybler_SperateInDeo_HV41_Include_Backpage.itex}
 \end{document}
diff --git a/TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex b/TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex
index 5bb613da60ac56e9ee1fb2e5b2bff77d41afd43c..afddd2587d701782ec8153c3f39fdeb650eef924 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex
+++ b/TeX_Eybler_SperateInDeo_HV41_Score_Instruments.tex
@@ -21,11 +21,12 @@
 \vfill
 \section*{\Huge Inhalt / Contents}
 \begin{Large}
-\ContinuoName\\
-\VIName\\
-\VIIName\\
-\VaName\\
-\VcBName\\
+\OrganName\\
+
+4 $\times$ \VIName\\
+3 $\times$ \VIIName\\
+3 $\times$ \VaName\\
+3 $\times$ \VcBName\\
 
 \ObIName\\
 \ObIIName\\
@@ -34,8 +35,12 @@
 \CorIName\\
 \CorIIName\\
 \TrbIName\\
-\TrbIIName\\
-\TimName\\
+\TrbIIName\\[1em]
+
+\begin{normalsize}
+Zusätzlich (von unbekannter Hand, aus dem Archiv der Peterskirche):\\
+\TimName
+\end{normalsize}
 
 \end{Large}
 \end{center}
@@ -112,7 +117,6 @@
 
 \begin{preface}
 \input{TeX_Eybler_SperateInDeo_HV41_Include_About.itex}
-\input{TeX_Eybler_SperateInDeo_HV41_Include_Bio.itex}
 \input{TeX_Eybler_SperateInDeo_HV41_Include_Text.itex}
 \end{preface}
 
diff --git a/TeX_Eybler_SperateInDeo_HV41_Settings.itex b/TeX_Eybler_SperateInDeo_HV41_Settings.itex
index 5f734dafdeb9d37907ed669669bf05d858eda6f1..aa61989678e072d3938e8aeca4a188f49e348566 100644
--- a/TeX_Eybler_SperateInDeo_HV41_Settings.itex
+++ b/TeX_Eybler_SperateInDeo_HV41_Settings.itex
@@ -3,11 +3,11 @@
 \composer{Joseph Eybler}
 \composerdate{(1765-1846)}
 \description{Per Coro (SATB) e Orchestra}
-\instrumentation{2 Oboi, 2 Fagotti\\2 Corni (o 2 Tromboni), (Timpani ad lib.)\\2 Violini, Viole, Violoncello\\Contrabasso ed Organo}
+\instrumentation{2 Oboi, 2 Fagotti\\2 Corni (o 2 Tromboni), (Timpani ad lib.)\\2 Violini, Viole, Bassi ed Organo}
 \editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
 \publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
 \shortpublisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}}
-\year{2010}
+\year{2011}
 \scoreinfo{Urtext}
 
 \basename{Eybler_SperateInDeo_HV41}
diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_A.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_A.pdf
deleted file mode 100644
index 852f980e87ca82909309ff62ef6d41480fe1b357..0000000000000000000000000000000000000000
Binary files a/out/Eybler_SperateInDeo_HV41_Instrument_A.pdf and /dev/null differ
diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_B.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_B.pdf
deleted file mode 100644
index 0a72b222b0bf22af128f9733dff2f91b11d58e81..0000000000000000000000000000000000000000
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diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_Continuo.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_Continuo.pdf
index fd2a8ace51bfa7fa202113848454f6a6772d7280..9a1f6f248200256edea91fbe0dc0e694711cdeb8 100644
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diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_CorI.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_CorI.pdf
index 774910514b7c3274ca59e888d8ca45363d61797f..0527fb61c9ca9a11ba504074bf0773386a259f32 100644
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diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_CorII.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_CorII.pdf
index 1cdd1a1e8b21da24f645fc83293ab4b1c142d76a..11f87dd203dd736122d3290c9fefe790eb41158d 100644
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diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_FagI.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_FagI.pdf
index 20cab5cb37678f919cd244011e4fda54a426b0ad..82559a582d6b7bcef3d1c7d99c949962f47774b0 100644
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diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_FagII.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_FagII.pdf
index b5053dd48f5fa6e8a9daaee6f40f96461b091cf7..a1820bff2e56176301008ace34ad83dec0bdd89a 100644
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index 1301b97bff674a0fe63f1e77fa8d81619fe950a6..5ae982d1792b2bb84581ce870a9d2d3c41266827 100644
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diff --git a/out/Eybler_SperateInDeo_HV41_Instrument_P.pdf b/out/Eybler_SperateInDeo_HV41_Instrument_P.pdf
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