diff --git a/1040 - Eybler - Omnes de Saba venient HV40.def b/1040 - Eybler - Omnes de Saba venient HV40.def
new file mode 100644
index 0000000000000000000000000000000000000000..299b103d6ebd0e02ac66dd1c76ba0a2283cbbe15
--- /dev/null
+++ b/1040 - Eybler - Omnes de Saba venient HV40.def
@@ -0,0 +1,52 @@
+{
+ "output_dir": "1040 - Eybler - Omnes de Saba venient HV40",
+ "version": "2.13.1",
+ "template": "EK_Full",
+ "language": "Latin",
+ "additionalscores": ["Eybler_OmnesDeSabaVenient_HV40_Music_FagAlternatives"],
+ "options": ["optimal-breaking"],
+
+ "defaults": {
+ "title": "Omnes de Saba venient",
+ "subtitle": "Graduale, HV 40",
+ "composer": "Joseph Eybler",
+ "composerdate": "1765-1846",
+
+ #"arranger": u"<<arranger>>",
+ "opus": u"HV 40",
+ "key": u"C-Dur",
+ #"language": u"<<language>>",
+ #"duration": u"<<duration>>",
+ "composition_year": u"1807",
+ "score_information": u"Urtext",
+ #"genre": u"<<genre>>",
+
+ "year": "2010",
+ "publisher": "Edition Kainhofer, Vienna",
+ "shortpublisher": "Edition Kainhofer",
+ "publisherurl": "http://www.edition-kainhofer.com/",
+ "editor": "Reinhold Kainhofer",
+ "editorurl": "http://reinhold.kainhofer.com/",
+ "editormail": "reinhold@kainhofer.com",
+ "scorenumber": "EK-1040",
+ "scoreinfo": "Urtext",
+ "basename": "Eybler_OmnesDeSabaVenient_HV40",
+
+ "instruments": [
+ "ObI", "ObII", "FagI", "FagII",
+ "CorI", "CorII", "ClnoI", "ClnoII",
+ "Tim",
+ "VI", "VII", "Va",
+ "SSolo", "S", "A", "T", "B",
+ "Continuo", "VcB",
+ "TrbI", "TrbIII", "P"],
+ "vocalvoices": ["SSolo", "S", "A", "T", "B"],
+ "noscore_instruments": ["SSolo", "S", "A", "T", "B", "P"],
+ "scores": ["Full", "Vocal", "Choral"],
+ },
+
+ "scores": ["OmnesDeSabaVenient"],
+ "latex": {
+ "tex_options": ["nocolortitle"]
+ },
+}
diff --git a/979-0-50217-072-1.pdf b/979-0-50217-072-1.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..b226af1a11c947ed6f2a6ac0c25aa7045cb8476a
Binary files /dev/null and b/979-0-50217-072-1.pdf differ
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_A.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_A.ly
index 6d4fdadf281de2eddc5315bb9225db9dc869452c..63d170255ef297b3206594126f8fe0901d205504 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_A.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_A.ly
@@ -3,7 +3,7 @@
\header {
instrument = \AInstrumentName
- scorenumber = \markup{\scoreNumber \ANumber}
+ instrumentnr = \ANumber
}
\createScore #"OmnesDeSabaVenient" #'("A")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_B.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_B.ly
index 9f9c9758c1aef512e6b6f5e4b57402111bae7615..d8fb975b62bde1fad0f80b9b9f4e6e3c738b783f 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_B.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_B.ly
@@ -3,7 +3,7 @@
\header {
instrument = \BInstrumentName
- scorenumber = \markup{\scoreNumber \BNumber}
+ instrumentnr = \BNumber
}
\createScore #"OmnesDeSabaVenient" #'("B")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_BC.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_BC.ly
index 368fde44d0983bc7fa102b7bf53f4869a9a680b5..c04e46b39319809fc4d9f0617f408a0e35905081 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_BC.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_BC.ly
@@ -3,7 +3,7 @@
\header {
instrument = \BCInstrumentName
- scorenumber = \markup{\scoreNumber \BCNumber}
+ instrumentnr = \BCNumber
}
\paper {
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoI.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoI.ly
index 99df7e65d2cbfb1b82050bf3ac8e20342e84691a..d1c9d06a7a92f87d10e5c1c8fc622b917880cc92 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoI.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ClnoIInstrumentName
- scorenumber = \markup{\scoreNumber \ClnoINumber}
+ instrumentnr = \ClnoINumber
}
OmnesDeSabaVenientClnoIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientClnoIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientClnoIVoice"{
\OmnesDeSabaVenientSettings
- \ClnoIClef
+ \clef \ClnoIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\transpose d' c' \OmnesDeSabaVenientClnoIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoII.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoII.ly
index 0ce6f7b0088a4de38eb87a8a114b577a1c77d9b5..31321d154dde6e7633d5a399dd9101d2d9b1b8c6 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoII.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ClnoIIInstrumentName
- scorenumber = \markup{\scoreNumber \ClnoIINumber}
+ instrumentnr = \ClnoIINumber
}
OmnesDeSabaVenientClnoIIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientClnoIIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientClnoIIVoice"{
\OmnesDeSabaVenientSettings
- \ClnoIIClef
+ \clef \ClnoIIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\transpose d' c' \OmnesDeSabaVenientClnoIIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_Continuo.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_Continuo.ly
index abd2cc8c6d17b9d818c3e687db1e59fadf7531e5..c269ce9687e6df19e0579b4600903022928f4801 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_Continuo.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_Continuo.ly
@@ -1,20 +1,47 @@
\version "2.13.1"
\include "Eybler_OmnesDeSabaVenient_HV40_Settings_Instrument.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
\header {
instrument = "Organo"
- scorenumber = \markup{\scoreNumber \ContinuoNumber}
+ instrumentnr = \ContinuoNumber
arranger = "Generalbassaussetzung: R. Kainhofer"
}
+OmnesDeSabaVenientOIaMusic = \XXXOmnesDeSabaVenientOIaMusic
+OmnesDeSabaVenientOIIaMusic = \XXXOmnesDeSabaVenientOIIaMusic
\layout {
- \context { \Staff
- \override VerticalAxisGroup #'remove-empty = ##f
+ \context { \PianoStaff
+ \remove "Keep_alive_together_engraver"
}
}
-% \createScore #"OmnesDeSabaVenient" #'("Ch" "RealizedContinuo")
-\createScore #"OmnesDeSabaVenient" #'("RealizedContinuo")
+#(oly:modify_score_structure '("Continuo" "ParallelVoicesStaff" ("VcB" "BCFb" "FiguredBass")))
+
+OmnesDeSabaVenientContinuoStaff = <<
+ \new Staff = "OmnesDeSabaVenientContinuoStaff" \with {
+ instrumentName = \ContinuoInstrumentName
+ shortInstrumentName = \ContinuoShortInstrumentName
+ } <<
+ \context CueVoice = "cue" {s1*100 }
+ \new Voice = "OmnesDeSabaVenientVcBVoice" {
+ \OmnesDeSabaVenientSettings
+ \clef \VcBClef
+ \OmnesDeSabaVenientKey
+ \OmnesDeSabaVenientTimeSignature
+ \OmnesDeSabaVenientVcBMusic
+ }
+ \new Voice = "OmnesDeSabaVenientBCFbVoice" {
+ \OmnesDeSabaVenientSettings
+ \OmnesDeSabaVenientBCFbMusic
+ }
+ >>
+ \new Lyrics = "OmnesDeSabaVenientContinuoCueLyricsAbove" \lyricsto "cue" {
+ \small
+ Sur -- ge et il -- lu -- mi-
+ ad -- o -- ra -- re Do -- mi-
+ }
+>>
+
+% \createScore #"OmnesDeSabaVenient" #'("O" "RealizedContinuo")
+\createScore #"OmnesDeSabaVenient" #'("RealizedContinuo")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorI.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorI.ly
index f066608a03bc38549764fd791bee185c729641c4..7977dfeb8e5c5b5cf493c05332669de838b47035 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorI.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \CorIInstrumentName
- scorenumber = \markup{\scoreNumber \CorINumber}
+ instrumentnr = \CorINumber
}
OmnesDeSabaVenientCorIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientCorIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientCorIVoice"{
\OmnesDeSabaVenientSettings
- \CorIClef
+ \clef \CorIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\transpose g c' \OmnesDeSabaVenientCorIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorII.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorII.ly
index 5b07e3cd7ecddc248d3075249ce5a6f5d5efad32..68199480b6af59087a897ab5d08ea1a029f77ed8 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorII.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_CorII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \CorIIInstrumentName
- scorenumber = \markup{\scoreNumber \CorIINumber}
+ instrumentnr = \CorIINumber
}
OmnesDeSabaVenientCorIIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientCorIIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientCorIIVoice" {
\OmnesDeSabaVenientSettings
- \CorIIClef
+ \clef \CorIIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\transpose g c' \OmnesDeSabaVenientCorIIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagI.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagI.ly
index 80578c706735247643d786c9de43e1b33d27388f..d23820cf8275cc78ca13554c9ba61e5a3e512302 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagI.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \FagIInstrumentName
- scorenumber = \markup{\scoreNumber \FagINumber}
+ instrumentnr = \FagINumber
}
\createScore #"OmnesDeSabaVenient" #'("FagI")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagII.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagII.ly
index 20169f78da765b213ad244ec3e1b2d681c151965..ee436d82a42800f21d9c852b1584694b0911ca48 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagII.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_FagII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \FagIIInstrumentName
- scorenumber = \markup{\scoreNumber \FagIINumber}
+ instrumentnr = \FagIINumber
}
\createScore #"OmnesDeSabaVenient" #'("FagII")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_O.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_O.ly
index b99ac58ab48f79341355363767f7592f64ed941d..bafb903dbde7263065b3aced7f8b0fb199dd1cb7 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_O.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_O.ly
@@ -1,20 +1,14 @@
\version "2.13.1"
\include "Eybler_OmnesDeSabaVenient_HV40_Settings_Instrument.ily"
-\setCreateMIDI ##t
-\setCreatePDF ##t
\header {
instrument = \OInstrumentName
- scorenumber = \markup{\scoreNumber \ONumber}
- arranger = \markup{Generalbass-Aussetzung: Manfred Hößl / Reinhold Kainhofer}
+ instrumentnr = \ONumber
+ arranger = "Generalbassaussetzung: Reinhold Kainhofer"
}
OmnesDeSabaVenientOIaMusic = \XXXOmnesDeSabaVenientOIaMusic
OmnesDeSabaVenientOIIaMusic = \XXXOmnesDeSabaVenientOIIaMusic
\layout {
- \context {
- \Staff
- ignoreFiguredBassRest = ##f
- }
\context {
\PianoStaff
\remove "Keep_alive_together_engraver"
@@ -32,7 +26,7 @@ OmnesDeSabaVenientContinuoStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientVcBVoice" {
\OmnesDeSabaVenientSettings
- \VcBClef
+ \clef \VcBClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientVcBMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObI.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObI.ly
index 156262150a62d5fc54eb405434a01d83f231b876..35f26fb8d4b3dbe67488abfce27b2571388da5ef 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObI.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ObIInstrumentName
- scorenumber = \markup{\scoreNumber \ObINumber}
+ instrumentnr = \ObINumber
}
OmnesDeSabaVenientObIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientObIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientObIVoice" {
\OmnesDeSabaVenientSettings
- \ObIClef
+ \clef \ObIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientObIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObII.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObII.ly
index 22af3811fd72cc69195d6f1ed5bbbf961596554d..d068b26a697caf66221f3681dd2373b9eabb189d 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObII.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_ObII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ObIIInstrumentName
- scorenumber = \markup{\scoreNumber \ObIINumber}
+ instrumentnr = \ObIINumber
}
OmnesDeSabaVenientObIIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientObIIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientObIIVoice" {
\OmnesDeSabaVenientSettings
- \ObIIClef
+ \clef \ObIIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientObIIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_P.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_P.ly
index f9ed26eb06dc1f31984aa92d1ebcc2d3249eceeb..d6754ac44cfbb55a21afb0b29bf80782dfb503d8 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_P.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_P.ly
@@ -3,7 +3,7 @@
\header {
instrument = \PInstrumentName
- scorenumber = \markup{\scoreNumber \PNumber}
+ instrumentnr = \PNumber
}
\createScore #"OmnesDeSabaVenient" #'("P")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_S.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_S.ly
index 176fc1f9330cfb8087f9de38888a574e628d646a..f6bfef5a57eef26f4e677e89a6e3fcba0d2f8010 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_S.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_S.ly
@@ -3,7 +3,7 @@
\header {
instrument = \SInstrumentName
- scorenumber = \markup{\scoreNumber \SNumber}
+ instrumentnr = \SNumber
}
\createScore #"OmnesDeSabaVenient" #'("S")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_SSolo.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_SSolo.ly
index db831570f76101ebbbab5e966fab8837aa22b0d6..383c1ed1f80c5b90ceb3a26781b463d28596bb04 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_SSolo.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_SSolo.ly
@@ -3,7 +3,7 @@
\header {
instrument = \SSoloInstrumentName
- scorenumber = \markup{\scoreNumber \SSoloNumber}
+ instrumentnr = \SSoloNumber
}
\paper {
ragged-last-bottom = ##t
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_T.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_T.ly
index f3054c065cdd11433967f18dfd3fbd4dc2784b90..c46a1a00a90b5440854b50952013963085c226e7 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_T.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_T.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TInstrumentName
- scorenumber = \markup{\scoreNumber \TNumber}
+ instrumentnr = \TNumber
}
\createScore #"OmnesDeSabaVenient" #'("T")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_Tim.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_Tim.ly
index 36cdfaf67a654b2958f13453830ea3dc519bed5e..3a9502c209562892a3961f7a3eaa12b5ed1fe598 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_Tim.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_Tim.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TimInstrumentName
- scorenumber = \markup{\scoreNumber \TimNumber}
+ instrumentnr = \TimNumber
}
OmnesDeSabaVenientTimStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientTimStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientTimVoice" {
\OmnesDeSabaVenientSettings
- \TimClef
+ \clef \TimClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientTimMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbI.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbI.ly
index f4693e8cd8fd8198ef0fb5ad855da3412f0e2437..fc672f42b46c5cb1112d40537c08e4d4d7712eda 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbI.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbI.ly
@@ -3,12 +3,12 @@
\header {
instrument = \TrbIInstrumentName
- scorenumber = \markup{\scoreNumber \TrbINumber}
+ instrumentnr = \TrbINumber
arranger = "Zusatzstimme des Hofmusikkapellen-Archivs"
}
OmnesDeSabaVenientTrbIMusic = \AlternativeOmnesDeSabaVenientTrbIMusic
-TrbIClef = \clef "alto"
+TrbIClef = "alto"
\createScore #"OmnesDeSabaVenient" #'("TrbI")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbIII.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbIII.ly
index 8f232b61c0db0a197291687cb6a63f6145579937..82be87ffa383505dd32e983d6de621032864b94e 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbIII.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_TrbIII.ly
@@ -3,12 +3,12 @@
\header {
instrument = "Trombone Basso "
- scorenumber = \markup{\scoreNumber \TrbIIINumber}
+ instrumentnr = \TrbIIINumber
arranger = "Zusatzstimme aus der Sammlung Winkler"
}
OmnesDeSabaVenientTrbIIIMusic = \AlternativeOmnesDeSabaVenientTrbIIIMusic
-TrbIIIClef = \clef "bass"
+TrbIIIClef = "bass"
\createScore #"OmnesDeSabaVenient" #'("TrbIII")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_VI.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_VI.ly
index 825636be8bfa69c4486197e5978efd9540fa760b..4e683d237bedbb7777258c91e2c70cff9addc793 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_VI.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_VI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \VIInstrumentName
- scorenumber = \markup{\scoreNumber \VINumber}
+ instrumentnr = \VINumber
}
OmnesDeSabaVenientVIStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientVIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientVIVoice" {
\OmnesDeSabaVenientSettings
- \VIClef
+ \clef \VIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientVIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_VII.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_VII.ly
index c1914eba28703ae7efdca21367e276821bc84d2f..90f8173e3280d63f55845b956af01185563f4458 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_VII.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_VII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \VIIInstrumentName
- scorenumber = \markup{\scoreNumber \VIINumber}
+ instrumentnr = \VIINumber
}
\paper {
@@ -27,7 +27,7 @@ OmnesDeSabaVenientVIIStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientVIIVoice" {
\OmnesDeSabaVenientSettings
- \VIIClef
+ \clef \VIIClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientVIIMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_Va.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_Va.ly
index 3af476f025eba4c0c4a3484c546a9f031b3f1ef9..6cec190232fd6842f972fd206864ca2c2e99350d 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_Va.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_Va.ly
@@ -3,7 +3,7 @@
\header {
instrument = \VaInstrumentName
- scorenumber = \markup{\scoreNumber \VaNumber}
+ instrumentnr = \VaNumber
}
\paper {
@@ -17,7 +17,7 @@ OmnesDeSabaVenientVaStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientVaVoice" {
\OmnesDeSabaVenientSettings
- \VaClef
+ \clef \VaClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientVaMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Instrument_VcB.ly b/Eybler_OmnesDeSabaVenient_HV40_Instrument_VcB.ly
index 407c2ffc8499d92643defdc261acec1323d7cad0..3131531eedd68755c8a6f5ba8eb5aefb7b300230 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Instrument_VcB.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Instrument_VcB.ly
@@ -3,7 +3,7 @@
\header {
instrument = \VcBInstrumentName
- scorenumber = \markup{\scoreNumber \VcBNumber}
+ instrumentnr = \VcBNumber
}
OmnesDeSabaVenientVcBStaff = <<
@@ -14,7 +14,7 @@ OmnesDeSabaVenientVcBStaff = <<
\context CueVoice = "cue" {s1*100 }
\new Voice = "OmnesDeSabaVenientVcBVoice" {
\OmnesDeSabaVenientSettings
- \VcBClef
+ \clef \VcBClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
\OmnesDeSabaVenientVcBMusic
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Music_OmnesDeSabaVenient.ily b/Eybler_OmnesDeSabaVenient_HV40_Music_OmnesDeSabaVenient.ily
index bd8d48b9ebdc942f7fbec657e3694f5c89914bdc..fc58ac317e59a14ab71e1fd3b2c7bcead763df1a 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Music_OmnesDeSabaVenient.ily
+++ b/Eybler_OmnesDeSabaVenient_HV40_Music_OmnesDeSabaVenient.ily
@@ -10,6 +10,9 @@ OmnesDeSabaVenientSettings = \notemode {
\tempo \OmnesDeSabaVenientTempo 4=120
}
+OmnesDeSabaVenientNewSpacing = \notemode {
+ \newSpacingSection
+}
% Quoting a voice with << ... \new Voice {...} >> does not work, so this is
% a workaround to be able to quote the first measure of VcB:
@@ -43,6 +46,7 @@ OmnesDeSabaVenientObIMusic = \relative c'' {
g4 d8.[ d16] e4 e8.[ e16] | % 16
d4 h'8.[ h16] c4 c8.[ c16] | % 17
h4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
r4 d,8.[-\tag #'non-partcombine \solo\bracketp d16] d4 dis4 | % 19
e4 r4 r2 | \barNumberCheck #20
R1*2 | % 22
@@ -135,6 +139,7 @@ OmnesDeSabaVenientObIIMusic = \relative c' {
h4 h8.[ h16] c4 c8.[ c16] | % 16
h4 d8.[ d16] e4 e8.[ e16] | % 17
d4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
r4 h8.[\solo\bracketp h16] h4 a4 | % 19
gis4 r4 r2 | \barNumberCheck #20
R1*2 | % 22
@@ -227,6 +232,7 @@ OmnesDeSabaVenientFagIMusic = \relative c' {
d d8.[ d16] e4 e8.[ e16] | % 16
d4 d8.[ d16] e4 e8.[ e16] | % 17
d4 r r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
r4 g,8.[-\tag #'non-partcombine \solo\bracketp g16] g4 f! | % 19
e r r2 | \barNumberCheck #20
R1*2 | % 22
@@ -325,6 +331,7 @@ OmnesDeSabaVenientFagIIMusic = \relative c {
h4 g8.[ g16] c4 c8.[ c16] | % 16
g4 h8.[ h16] c4 c8.[ c16] | % 17
h4 r r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
r4 g,8.[\solo\bracketp g16] g4 f! | % 19
e r r2 | \barNumberCheck #20
R1*2 | % 22
@@ -424,6 +431,7 @@ OmnesDeSabaVenientCorIMusic = \relative g' {
a4 a8.[ a16] h4 h8.[ h16] | % 16
a4 a8.[ a16] h4 h8.[ h16] | % 17
a4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*6 | % 24
\namedCueDuring "OmnesDeSabaVenientSSoloMusic" #DOWN "Solo" "" { R1*2 |
r4 } a8.\p[ a16] a4 a4 | % 27
@@ -523,6 +531,7 @@ OmnesDeSabaVenientCorIIMusic = \relative h {
d4 d8.[ d16] g4 g8.[ g16] | % 16
d4 d8.[ d16] g4 g8.[ g16] | % 17
d4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*6 | % 24
\namedCueDuring "OmnesDeSabaVenientSSoloMusic" #DOWN "Solo" "" { R1*2 |
r4 } d8.\p[ d16] d4 d4 | % 27
@@ -618,6 +627,7 @@ OmnesDeSabaVenientClnoIMusic = \relative d'' {
R1*2 | % 16
r4 e8.[ e16] fis4 fis8.[ fis16] | % 17
e4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*8 | % 26
\namedCueDuring "OmnesDeSabaVenientCorIMusic" #UP \cueCorI "" { R1*2 } | % 28
r4 a,8.\p[ a16] a4 a4 | % 29
@@ -682,6 +692,7 @@ OmnesDeSabaVenientClnoIIMusic = \relative d' {
R1*2 | % 16
r4 a8.[ a16] d4 d8.[ d16] | % 17
a4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*8 | % 26
\namedCueDuring "OmnesDeSabaVenientCorIMusic" #UP \cueCorI "" { R1*2 } | % 28
r4 d,8.\p[ d16] d4 d4 | % 29
@@ -746,6 +757,7 @@ AlternativeOmnesDeSabaVenientTrbIMusic = \relative c'' {
g1~ | % 16
g2. g4 | % 17
g r r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*32 | \barNumberCheck #50
g4\f g8[ g] g4 g | \barNumberCheck #51
a2 a4 a | % 52
@@ -810,6 +822,7 @@ AlternativeOmnesDeSabaVenientTrbIIIMusic = \relative c {
g g' e c | % 16
g g'8.[ g16] e8.[ e16] c8.[ c16] | % 17
g4 r r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*2 | \barNumberCheck #20
c4\p r r2 | % 21
R1 | % 22
@@ -907,6 +920,7 @@ OmnesDeSabaVenientTimMusic = \relative c {
R1*2 | % 16
r4 g8.[ g16] c4 c8.[ c16] | % 17
g4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*9 | % 27
\cleffedCueDuring "OmnesDeSabaVenientSSoloMusic" #UP "Solo" \SSoloClef "" \TimClef { R1 | % 28
r4 } c8.\p[ c16] c4 c4 | % 29
@@ -977,6 +991,7 @@ OmnesDeSabaVenientVIMusic = \relative c' {
g16[ fis16 g16 fis16] g16[ d16 h16 g16] c16[ h16 c16 d16] e16[ d16 e16 fis16] | % 16
g16[ fis16 g16 a16] h16[ g16 a16 h16] c16[ h16 a16 g16] f16[ e16 d16 c16] | % 17
g'4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1 | % 19
\namedCueDuring "OmnesDeSabaVenientSSoloMusic" #UP "Solo" "" { R1 } | \barNumberCheck #20
% \dynamicsX #-3
@@ -1090,6 +1105,7 @@ OmnesDeSabaVenientVIIMusic = \relative g {
g16[ fis16 g16 fis16] g16[ d16 h16 g16] c16[ h16 c16 d16] e16[ d16 e16 fis16] | % 16
g16[ fis16 g16 a16] h16[ g16 a16 h16] c16[ h16 a16 g16] f16[ e16 d16 c16] | % 17
g'4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1 | % 19
\namedCueDuring "OmnesDeSabaVenientSSoloMusic" #UP "Solo" "" { R1 } | \barNumberCheck #20
r8 c,8\p r8 c8 r8 e8 r8 c'8 | % 21
@@ -1202,6 +1218,7 @@ OmnesDeSabaVenientVaMusic = \relative e {
h4 <h, d>8.[ <h d>16] <c e>4 <c e>8.[ <c e>16] | % 16
<h d>4 <g g'>8.[ <g g'>16] <g g'>4 <g g'>8.[ <g g'>16] | % 17
<g g'>4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1 | % 19
\cleffedCueDuring "OmnesDeSabaVenientSSoloMusic" #UP "Solo" \SSoloClef "" \VaClef { R1 } | \barNumberCheck #20
r8 a8\p r8 a8 r8 a8 r8 a8 | % 21
@@ -1302,13 +1319,16 @@ OmnesDeSabaVenientStrMusicBeginn = \relative c' { <c g>8 <c g>4 <c g> <c g> <c g
% Split solo and choir
TmpOmnesDeSabaVenientSSoloMusic = \relative c'' {
- \transposition c'
- s1*16 | % 17
-% \once \override InstrumentSwitch #'self-alignment-X = #1
+ \transposition c'
+ R1*16 | % 17
+ \once \override InstrumentSwitch #'self-alignment-X = #1
\once \override InstrumentSwitch #'X-offset = #-5.75
- \cueText "Solo"
- \voiceOne g'1\fermata\espressivo | % 18
- \oneVoice g,4\! r4 r2 | % 19
+ \tag #'non-cued \cueText "Solo"
+% \voiceOne
+ g'1\fermata\espressivo | % 18
+ \OmnesDeSabaVenientNewSpacing
+% \oneVoice
+ g,4\! r4 r2 | % 19
e'4 e8 e8 e4 e8 e8 | \barNumberCheck #20
a2 a,4 c4 | % 21
e2. d4 | % 22
@@ -1326,17 +1346,19 @@ TmpOmnesDeSabaVenientSSoloMusic = \relative c'' {
g2. h,4 | % 34
c4 r4 r2 | % 35
% \cueText "Tutti"
- \dynamicsX #-4.5
- d2\pp d8[ f8] e8[ d8] | % 36
- c2 r2 | % 37
- g'2 g8[ f8] e8[ d8] | % 38
- c2 r4 c8. d16 | % 39
- e2 c4 e8. f16 | \barNumberCheck #40
- g2 e4 r4 | % 41
- f2 e8[ d8] e8[ f8] | % 42
- d4 r4 r2 | % 43
- s1*69 \bar "|." % 112
+ R1*77 \bar"|."
+% \dynamicsX #-4.5
+% d2\pp d8[ f8] e8[ d8] | % 36
+% c2 r2 | % 37
+% g'2 g8[ f8] e8[ d8] | % 38
+% c2 r4 c8. d16 | % 39
+% e2 c4 e8. f16 | \barNumberCheck #40
+% g2 e4 r4 | % 41
+% f2 e8[ d8] e8[ f8] | % 42
+% d4 r4 r2 | % 43
+% s1*69 \bar "|." % 112
}
+OmnesDeSabaVenientSSoloMusic = \TmpOmnesDeSabaVenientSSoloMusic
\addQuote "OmnesDeSabaVenientSSoloMusic" { \TmpOmnesDeSabaVenientSSoloMusic }
@@ -1360,18 +1382,29 @@ OmnesDeSabaVenientSMusic = \relative c' {
c4 d4 e4 fis4 | % 15
g1~ | % 16
g2. g,4 | % 17
- \voiceTwo g4 r r2\fermata | % 18
+% \voiceTwo
+ g4 r r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
s1*17 | % 35
\cueText "Tutti"
- h2 h4 h | % 36
- c2 r | % 37
- d2 h4 h | % 38
- c2 r4 e,8. g16 | % 39
- c2 e,4 c'8. d16 | \barNumberCheck #40
- e2 c4 r | % 41
- d2 c8[ h] c[ d] | % 42
- h4 r r2 | % 43
+ \twoVoice {
+ \dynamicsX #-4.5
+ d'2\pp d8[ f8] e8[ d8] | % 36
+ c2 r2 | % 37
+ g'2 g8[ f8] e8[ d8] | % 38
+ c2
+ } {
+ h2 h4 h | % 36
+ c2 r | % 37
+ d2 h4 h | % 38
+ c2
+ }
\oneVoice
+ r4 <c e,>8. <d g,>16 | % 39
+ <e c>2 <c e,>4 <e c>8. <f d>16 | \barNumberCheck #40
+ <g e>2 <e c>4 r4 | % 41
+ <f d>2 <e c>8[ <d h>8] <e c>8[ <f d>8] | % 42
+ <d h>4 r r2 | % 43
R1*11 | % 54
\cueText "Tutti"
\dynamicsUpInside #-3
@@ -1485,19 +1518,19 @@ OmnesDeSabaVenientSSoloLyrics = \lyricmode {
% 31
glo -- ri -- a Do -- mi -- ni su -- per te.
- Al -- le -- lu -- ja,
- al -- le -- lu -- ja,
- al -- le -- lu -- ja,
- al -- le -- lu -- ja,
- al -- le -- lu -- ja.
+% Al -- le -- lu -- ja,
+% al -- le -- lu -- ja,
+% al -- le -- lu -- ja,
+% al -- le -- lu -- ja,
+% al -- le -- lu -- ja.
}
-OmnesDeSabaVenientSStaffContents = <<
+CombOmnesDeSabaVenientSStaffContents = <<
\new Voice = "OmnesDeSabaVenientSSoloInSVoice" {
\dynamicUp
\OmnesDeSabaVenientSettings
- \SClef
+ \clef \SClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
s1*16 | % 17
@@ -1508,7 +1541,7 @@ OmnesDeSabaVenientSStaffContents = <<
\new Voice = "OmnesDeSabaVenientSSoloAllelujaInSVoice" {
\dynamicUp
\OmnesDeSabaVenientSettings
- \SClef
+ \clef \SClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
s1*34 | % 17
@@ -1519,7 +1552,7 @@ OmnesDeSabaVenientSStaffContents = <<
\new Voice = "OmnesDeSabaVenientSVoice" {
\dynamicUp
\OmnesDeSabaVenientSettings
- \SClef
+ \clef \SClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
% \quoteDuring #"OmnesDeSabaVenientSMusic" { s1*111 }
@@ -1530,11 +1563,11 @@ OmnesDeSabaVenientSStaffContents = <<
\new Lyrics = "OmnesDeSabaVenientSSoloInSLyricsBelow" \lyricsto "OmnesDeSabaVenientSSoloInSVoice" \OmnesDeSabaVenientSSoloLyrics
\new Lyrics = "OmnesDeSabaVenientSLyrics" \lyricsto "OmnesDeSabaVenientSVoice" \OmnesDeSabaVenientSLyrics
>>
-OmnesDeSabaVenientSStaff = \new Staff = "OmnesDeSabaVenientSStaff" \with {
+CombOmnesDeSabaVenientSStaff = \new Staff = "OmnesDeSabaVenientSStaff" \with {
instrumentName = \SInstrumentName
shortInstrumentName = \SShortInstrumentName
midiInstrument = \SMidiInstrument
-} \OmnesDeSabaVenientSStaffContents
+} \CombOmnesDeSabaVenientSStaffContents
TmpOmnesDeSabaVenientSSoloStaff = <<
\new Staff = "OmnesDeSabaVenientSSoloStaff" \with {
@@ -1545,19 +1578,19 @@ TmpOmnesDeSabaVenientSSoloStaff = <<
\new Voice = "OmnesDeSabaVenientSSoloVoice" {
\dynamicUp
\OmnesDeSabaVenientSettings
- \SClef
+ \clef \SClef
\OmnesDeSabaVenientKey
\OmnesDeSabaVenientTimeSignature
R1*12 | % 14
\namedCueDuring #"OmnesDeSabaVenientSMusic" #UP "Coro" "" { R1*4 } | % 17
\cueDuring #"OmnesDeSabaVenientSMusic" #DOWN { \quoteDuring #"OmnesDeSabaVenientSSoloMusic" {s1} } | % 18
+ \OmnesDeSabaVenientNewSpacing
\quoteDuring #"OmnesDeSabaVenientSSoloMusic" {s1*17 } | % 35
- \cueText "Tutti"
+% \cueText "Tutti"
\quoteDuring #"OmnesDeSabaVenientSSoloMusic" {s1*8 } | % 43
R1*69 \bar "|."
}
>>
-% \new Lyrics = "OmnesDeSabaVenientSCueLyricsAbove" \with { alignAboveContext = #"OmnesDeSabaVenientSSoloStaff" } \lyricsto "cue" {
\new Lyrics = "OmnesDeSabaVenientSCueLyricsAbove" \with {
\override VerticalAxisGroup #'inter-staff-spacing = #'((space . 0) (minimum-distance . 1) (padding . 0.25))
} \lyricsto "cue" {
@@ -1590,6 +1623,7 @@ OmnesDeSabaVenientAMusic = \relative c' {
g2. g4 | % 17
g4 r4 r2\fermata | % 18
\endUnremovableSection
+ \OmnesDeSabaVenientNewSpacing
R1*17 \startUnremovableSection | % 35
\cueText "Tutti"
\dynamicsX #-4.5
@@ -1731,6 +1765,7 @@ OmnesDeSabaVenientTMusic = \relative e {
g2. g,4 | % 17
g4 r4 r2\fermata | % 18
\endUnremovableSection
+ \OmnesDeSabaVenientNewSpacing
<< {R1*28 } { % s1*24
s1*17 | \startUnremovableSection s1*4 } >> | % 46
\dynamicsUpInside #-3
@@ -1750,7 +1785,7 @@ OmnesDeSabaVenientTMusic = \relative e {
r2 f'4 d4 | \barNumberCheck #60
h4 gis4 r2 | % 61
a4 a8 a8 a4 a4 | % 62
- h2 h4 h4 | % 63
+ h2 h4 h4 | % 63_
d4 d4 d2 | % 64
cis4 e4 a,4 cis4 | % 65
d4 d8[ e8] f8[ e8] d8[ c8] | % 66
@@ -1860,6 +1895,7 @@ OmnesDeSabaVenientBMusic = \relative c {
g2. g4 | % 17
g4 r4 r2\fermata | % 18
\endUnremovableSection
+ \OmnesDeSabaVenientNewSpacing
<< {R1*24 | % 44
} {s1*17 | % 35
\startUnremovableSection
@@ -1993,6 +2029,7 @@ XXXOmnesDeSabaVenientOIaMusic = \relative g {
<h d g>2 <c e g>2 | % 16
<h d g>4 <d, g h>8.[ <d g h>16] <e g c>4 <e g c>8.[ <e g c>16] | % 17
<d g h>4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
r4 <g h d>8.[ <g h d>16] <g h d>4 <f a dis>4 | % 19
<e gis e'>4 r4 r2 | \barNumberCheck #20
e8\p[ a8 c8 a8] e8[ a8 c8 a8] | % 21
@@ -2110,6 +2147,7 @@ XXXOmnesDeSabaVenientOIIaMusic = \relative c {
g4 g'8.[ g16] e4 c8.[ c16] | % 16
g4 g'8.[ g16] e8.[ e16 c8. c16] | % 17
g4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*2 | \barNumberCheck #20
c8 r8 e8 r8 c8 r8 a8 r8 | % 21
gis8 r8 h'8 r8 gis8 r8 e8 r8 | % 22
@@ -2223,6 +2261,7 @@ OmnesDeSabaVenientVcBOCommon = \relative c {
g4 g'8.[ g16] e4 c8.[ c16] | % 16
g4 g'8.[ g16] e4 c8.[ c16] | % 17
g4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1 | % 19
\cleffedCueDuring "OmnesDeSabaVenientSSoloMusic" #UP "Solo" \SSoloClef "" \VcBClef { R1 } | \barNumberCheck #20
c8\p r8 e8 r8 c8 r8 a8 r8 | % 21
@@ -2293,7 +2332,7 @@ OmnesDeSabaVenientVcBOCommon = \relative c {
e4 e'4 c4 a4 | % 86
e4 r4 e'4 r4 | % 87
R1*5 | % 92
- \cleffedCueDuring "OmnesDeSabaVenientSMusic" #DOWN "Coro" \SClef "" \VcBClef { R1*3 } | % 95
+ \namedCueDuringWithClef "OmnesDeSabaVenientSMusic" #DOWN "Coro" \SClef "" { R1*3 } | % 95
c,4^\pizz r4 c'4 r4 | % 96
g,4 r4 g'4 r4 | % 97
c,4 r4 c'4 r4 | % 98
@@ -2339,6 +2378,7 @@ OmnesDeSabaVenientBCRealizationMusic = \relative c'' {
<g d h>2 <e c g> | % 16
<d h g>4 <g d h> <g e c> <g e c> | % 17
<g d h g> r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*24 | \barNumberCheck #42
<h, g d>4 <h g d> r <h g d> | % 43
<a g e> <c g e> r <c g e> | % 44
@@ -2529,6 +2569,7 @@ OmnesDeSabaVenientPIMusic = \relative c' {
<g d h g> <d h g>8.[ <d h g>16] <e c g>4 <e c g>8.[ <e c g>16] | % 16
<d h g>4 <g d h>8.[ <g d h>16] <g e c>4 <g e c>8.[ <g e c>16] | % 17
<g d h g>4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
r4 <d h g>8.[ <d h g>16] <d h g>4 <dis a f!>4 | % 19
<e gis, e>4 r r2 | \barNumberCheck #20
r8 <e, c a> r <a c,> r <c e,> r <e c> | % 21
@@ -2727,6 +2768,7 @@ OmnesDeSabaVenientPIIMusic = \relative c {
g4 g'8.[ g16] e4 c8.[ c16] | % 16
g4 g'8.[ g16] e4 c8.[ c16] | % 17
g4 r4 r2\fermata | % 18
+ \OmnesDeSabaVenientNewSpacing
R1*2 | \barNumberCheck #20
c8 r8 e8 r8 c8 r8 a8 r8 | % 21
gis8 r8 h'8 r8 gis8 r8 e8 r8 | % 22
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Score_Choral.ly b/Eybler_OmnesDeSabaVenient_HV40_Score_Choral.ly
index a851c63e6a36de17806d0b0a84a10ff8fc0ce6ee..4d6c591070f1989ea3fce07cf07668f2a594fb5e 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Score_Choral.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Score_Choral.ly
@@ -5,7 +5,7 @@
\header {
scoretype = \ChoralScoreTitle
- scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
+ instrumentnr = \ChoralScoreNumber
ismn = "979-0-50217-005-9"
copyright = \markup \abs-fontsize #9 \column{
\line { 2010, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved. ISMN \fromproperty #'header:ismn }
@@ -19,11 +19,16 @@ OmnesDeSabaVenientSStaff = \new Staff = "OmnesDeSabaVenientSStaff" \with {
instrumentName = \SInstrumentName
shortInstrumentName = \SShortInstrumentName
midiInstrument = \SMidiInstrument
-} \OmnesDeSabaVenientSStaffContents
+} \CombOmnesDeSabaVenientSStaffContents
+% CombOmnesDeSabaVenientSStaffContents
\layout {
\context { \ChoirStaff
\override SystemStartBracket #'collapse-height = #5
+ \remove "Keep_alive_together_engraver"
+ }
+ \context { \Score
+ \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 8)
}
}
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Score_Full.ly b/Eybler_OmnesDeSabaVenient_HV40_Score_Full.ly
index d987a9aa797b76e97bf61201ec4cf4ae4724fc6b..c3277bd348960958672a8396b028232086799878 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Score_Full.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Score_Full.ly
@@ -3,15 +3,12 @@
\setCreateMIDI ##t
\setCreatePDF ##t
-#(set-global-staff-size 13)
-
-\paper {
- system-system-spacing #'minimum-distance = #20
-}
-
\header {
scoretype = \FullScoreTitle
- scorenumber = \markup{\scoreNumber \FullScoreNumber}
+ instrumentnr = \FullScoreNumber
}
+BassGroupInstrumentName = "Organo *"
+OmnesDeSabaVenientVIExtraSettings = { \footnote "" #'(0 . 0) "* Generalbass-Aussetzung: R. Kainhofer" Stem }
+
\createNoCuesScore #"OmnesDeSabaVenient" #'("FullScore")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Score_Organ.ly b/Eybler_OmnesDeSabaVenient_HV40_Score_Organ.ly
index bb829a50b5362cdadda87e948b6030a7a0b7bff9..21f5c3f0a0d5cb8e99bb4afd2b3924425b6f57ed 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Score_Organ.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Score_Organ.ly
@@ -5,7 +5,7 @@
\header {
scoretype = \OrganScoreTitle
- scorenumber = \markup{\scoreNumber \OrganScoreNumber}
+ instrumentnr = \OrganScoreNumber
instrument = \OrganScoreTitle
arranger = "Orgelstimme: Manfred Hößl"
}
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.ly b/Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.ly
index 2976c85aade27b875cf1200a52101e154d68bfa7..3b26073429cd8b9de3231bd4d106f7cda9a476bb 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.ly
+++ b/Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.ly
@@ -4,10 +4,14 @@
\setCreatePDF ##t
\header {
- scoretype = \VocalScoreTitle
- scorenumber = \markup{\scoreNumber \VocalScoreNumber}
+% scoretype = \VocalScoreTitle
+% instrumentnr = \VocalScoreNumber
+ instrument = #f
arranger = \markup{Klavierauszug: R. Kainhofer}
}
+% \paper {
+% page-count = #9
+% }
\layout {
\context { \ChoirStaff
\override SystemStartBracket #'collapse-height = #5
@@ -17,10 +21,6 @@ SShortInstrumentName = ""
AShortInstrumentName = ""
TShortInstrumentName = ""
BShortInstrumentName = ""
-OmnesDeSabaVenientSStaff = \new Staff = "OmnesDeSabaVenientSStaff" \with {
- instrumentName = \SInstrumentName
- shortInstrumentName = \SShortInstrumentName
- midiInstrument = \SMidiInstrument
-} \OmnesDeSabaVenientSStaffContents
+SSoloShortInstrumentName = ""
-\createScore #"OmnesDeSabaVenient" #'("VocalScore")
+\createNoCuesScore #"OmnesDeSabaVenient" #'("VocalScore")
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Settings_ChoralScore.ily b/Eybler_OmnesDeSabaVenient_HV40_Settings_ChoralScore.ily
index f1fcdb93dab0c2ffe8252a1b7ecb3e7c82270faf..533440ae1cb2440b69730741af00a35770a35396 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Settings_ChoralScore.ily
+++ b/Eybler_OmnesDeSabaVenient_HV40_Settings_ChoralScore.ily
@@ -1,4 +1,4 @@
\version "2.13.1"
\include "orchestrallily/oly_settings_choralscore.ily"
\include "Eybler_OmnesDeSabaVenient_HV40_Settings.ily"
-#(set-global-staff-size 15.5)
+#(set-global-staff-size 16)
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Settings_FullScore.ily b/Eybler_OmnesDeSabaVenient_HV40_Settings_FullScore.ily
index 2cfdf2955d3a5b39d7fb435e7cb4f31ef408b4ef..2bc6af07cc5ddcb332d541c85418d9cae8ba8e43 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Settings_FullScore.ily
+++ b/Eybler_OmnesDeSabaVenient_HV40_Settings_FullScore.ily
@@ -1,3 +1,83 @@
\version "2.13.1"
\include "orchestrallily/oly_settings_fullscore.ily"
\include "Eybler_OmnesDeSabaVenient_HV40_Settings.ily"
+#(set-global-staff-size 15)
+
+% #(oly:modify_score_structure '("BassGroup" "StaffGroup" ("Continuo")))
+%
+#(oly:modify_score_structure '("BassGroup" "PianoStaff" ("BCRealization" "Continuo")))
+% ("Continuo" "ParallelVoicesStaff" ("BCFb" "BC" "FiguredBass"))
+% ("RealizedContinuo" "PianoStaff" ("BCRealization" "Continuo"))
+BassGroupInstrumentName = "Organo"
+BassGroupShortInstrumentName = "Org."
+
+ContinuoInstrumentName = \markup{\center-column{"Cello, Basso"}}
+ContinuoShortInstrumentName = \markup{\center-column{"Vc./Cb."}}
+ \layout {
+ \context {
+ \Score
+ \override SpacingSpanner #'shortest-duration-space = #1.5
+% \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 4)
+% \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 3 16)
+ }
+ }
+\paper {
+% markup-system-spacing #'minimum-distance = #5
+% markup-system-spacing #'space = #4
+% markup-system-spacing #'padding = #1
+ markup-system-spacing #'stretchability = #50
+% system-system-spacing #'minimum-distance = #0
+% system-system-spacing #'space = #5
+% system-system-spacing #'padding = #2
+% system-system-spacing #'stretchability = #40
+% top-system-spacing #'minimum-distance = #7
+% top-system-spacing #'space = #5
+% top-system-spacing #'padding = #2
+% top-system-spacing #'stretchability = #70
+% top-markup-spacing #'minimum-distance = #5
+% top-markup-spacing #'space = #4
+% top-markup-spacing #'padding = #2
+ top-markup-spacing #'stretchability = #50
+% last-bottom-spacing #'minimum-distance = #2
+% last-bottom-spacing #'space = #5
+% last-bottom-spacing #'padding = #2.5
+% last-bottom-spacing #'stretchability = #50
+
+% score-markup-spacing #'minimum-distance = #0
+% score-markup-spacing #'space = #5
+% score-markup-spacing #'padding = #2
+% score-markup-spacing #'stretchability = #50
+
+% markup-markup-spacing #'space = #5
+% markup-markup-spacing #'stretchability = #30
+}
+
+\layout {
+ \context { \PianoStaff
+% \override StaffGrouper #'staff-staff-spacing #'space = 5
+ \override StaffGrouper #'staff-staff-spacing #'stretchability = #2.5
+ }
+ \context { \StaffGroup
+% \override StaffGrouper #'staff-staff-spacing #'space = 5
+ \override StaffGrouper #'staff-staff-spacing #'stretchability = #3.5
+ }
+ \context { \GrandStaff
+% \override StaffGrouper #'staff-staff-spacing #'space = 5
+ \override StaffGrouper #'staff-staff-spacing #'stretchability = #3.5
+ }
+ \context { \ChoirStaff
+% \override StaffGrouper #'staff-staff-spacing #'space = 5
+ \override StaffGrouper #'staff-staff-spacing #'stretchability = #3
+ }
+ \context { \Staff
+% \override StaffGrouper #'staff-staff-spacing #'space = 1
+ \override StaffGrouper #'staff-staff-spacing #'stretchability = #4.9
+ }
+ \context { \Score
+% \override StaffGrouper #'staff-staff-spacing #'space = 5
+ \override StaffGrouper #'staff-staff-spacing #'stretchability = #5.5
+ }
+% \context { \Lyrics
+% \override VerticalAxisGroup #'nonstaff-nonstaff-spacing #'minimum-distance = ##f
+% }
+}
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Settings_Global.ily b/Eybler_OmnesDeSabaVenient_HV40_Settings_Global.ily
index 1183ebb1db9a15becf425ab2e6b2e7a55aa3488d..030ed00ecf733086124263edfacc5292a4a1f3e6 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Settings_Global.ily
+++ b/Eybler_OmnesDeSabaVenient_HV40_Settings_Global.ily
@@ -2,17 +2,19 @@
\include "orchestrallily/oly_settings_names.ily"
-scorenumber="EK-1040"
\header {
+ scorenumberbase="EK-1040"
title = "Omnes de Saba venient"
titlepagetitle = "Omnes de Saba venient"
subtitle = "Graduale, HV 40"
titlepagesubtitle = "Graduale, HV 40"
composer = "Joseph Eybler (1765-1846)"
+ shortcomposer = "J. Eybler"
copyright = \markup \abs-fontsize #9 \column {
\line { "© 2010, " \concat{\with-url #"http://www.edition-kainhofer.com/" {"Edition Kainhofer, Vienna"},} \concat{\fromproperty #'header:scorenumber .} "Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
}
+ logo = ##f
}
%% Possibly adjust the \orchestralScoreStructure here...
@@ -29,9 +31,9 @@ TimInstrumentName = \markup{\center-column{"Timpani" "in Do-Sol/C-G"}}
VCombinedShortInstrumentName = "V.I,II"
-SClef = \clef "soprano/treble"
-AClef = \clef "alto/treble"
-TClef = \clef "tenor/treble_8"
+SClef = "soprano/treble"
+AClef = "alto/treble"
+TClef = "tenor/treble_8"
#(oly:modify_score_structure '("P" "PianoStaff" ("PIa" "PDynamics" "PII")))
#(oly:modify_score_structure '("PIa" "ParallelVoicesStaff" ("PI" "PCues")))
diff --git a/Eybler_OmnesDeSabaVenient_HV40_Settings_VocalScore.ily b/Eybler_OmnesDeSabaVenient_HV40_Settings_VocalScore.ily
index 468b1d9762ccb9e6239d52f444c50adef78f5cd1..37dac9c712f7c6ce32061107dcaf3986bf5a19e0 100644
--- a/Eybler_OmnesDeSabaVenient_HV40_Settings_VocalScore.ily
+++ b/Eybler_OmnesDeSabaVenient_HV40_Settings_VocalScore.ily
@@ -1,3 +1,10 @@
\version "2.13.1"
\include "orchestrallily/oly_settings_vocalscore.ily"
\include "Eybler_OmnesDeSabaVenient_HV40_Settings.ily"
+
+\layout {
+ \context {
+ \Staff
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+}
diff --git a/Makefile b/Makefile
index bc9323be88625d80ddda8bb74369686c752c8fbd..ffa2fc64672963176a571a2f72c85460b456084a 100644
--- a/Makefile
+++ b/Makefile
@@ -16,6 +16,7 @@ texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
$(OUT)/TeX_$(texbase)_Score_Instruments.pdf
+distfiles = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(OUT)/$(base)_Score_Choral.pdf $(texpdfs)
additionalscores = $(OUT)/Eybler_OmnesDeSabaVenient_HV40_Music_FagAlternatives.pdf
@@ -51,5 +52,17 @@ latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
- TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex --output-directory=$(OUT)/ $<
-
+ TEXINPUTS=$(OUT):orchestrallily/:.//: xelatex -interaction=batchmode --output-directory=$(OUT)/ $<
+
+zipdir = $(base)_Final
+dist: $(distfiles)
+ mkdir -p $(zipdir)
+ cp -r $(distfiles) $(zipdir)
+ rename 's/TeX_//' $(zipdir)/*
+ rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
+ zip -jr $(base).zip $(zipdir)
+ rm -rf $(zipdir)
+
+#webshop: $(distfiles)
+webshop:
+ python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "1040 - Eybler - Omnes de Saba venient HV40.def" $(distfiles)
diff --git a/TeX_Eybler_OmnesDeSabaVenient_HV40_Include_Copyrightbox.itex b/TeX_Eybler_OmnesDeSabaVenient_HV40_Include_Copyrightbox.itex
index 5556f22328eb28028f1fdaec56980bae57c88b63..9c9fa3ea0326d322818a5c5ff991ba2854e47a5c 100644
--- a/TeX_Eybler_OmnesDeSabaVenient_HV40_Include_Copyrightbox.itex
+++ b/TeX_Eybler_OmnesDeSabaVenient_HV40_Include_Copyrightbox.itex
@@ -1,6 +1,6 @@
\makeatletter
-\copyrightbox{© \@year, \@publisher\newline
-1. Auflage / 1st Printing \@year\newline
+\copyrightbox{© \@yearpublished, \@publisher\newline
+1. Auflage / 1st Printing \@yearpublished\newline
Computersatz mit \@software\newline
Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
\makeatother
diff --git a/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Instruments.tex b/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Instruments.tex
index 6ece0481d6d7160a795507b30c8a5ec597d2c40a..c7743815fbb6de4cf1f2b4529ed63d3c8479891e 100644
--- a/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Instruments.tex
+++ b/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Instruments.tex
@@ -57,7 +57,7 @@
\makefrontpage
% Remove the \iffalse if you want all instrumental parts to be included here
-\iffalse
+% \iffalse
\phantomsection
@@ -132,7 +132,7 @@
\addcontentsline{toc}{section}{\TrbIIIName, Zusatzstimme aus der Sammlung Winkler}
\includescore{Instrument_TrbIII}
-\fi
+% \fi
\cleardoublepage
\pagestyle{empty}
diff --git a/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.tex b/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.tex
index 0a490ea0894f18d07fea0f087ad352893c57c754..2b9c94f0eae2958263ec6779fdf189ab0b26722d 100644
--- a/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.tex
+++ b/TeX_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal.tex
@@ -8,7 +8,7 @@
\scoretype{\VocalScoreType}
\scorenumber{\scoreNumber\VocalScoreNumber}
-% \ismn{......}
+\ismn{979-0-50217-072-1}
\begin{document}
\input{TeX_Eybler_OmnesDeSabaVenient_HV40_Include_Coverpage.itex}
diff --git a/TeX_Eybler_OmnesDeSabaVenient_HV40_Settings.itex b/TeX_Eybler_OmnesDeSabaVenient_HV40_Settings.itex
index 8765250c53b2f9b1e3164e6b0e3ba11618f33c6c..181d91e74a091dc9291b55ffa51385ea06fcb129 100644
--- a/TeX_Eybler_OmnesDeSabaVenient_HV40_Settings.itex
+++ b/TeX_Eybler_OmnesDeSabaVenient_HV40_Settings.itex
@@ -7,8 +7,9 @@
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
\shortpublisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}}
-\year{2010}
+\yearpublished{2010}
\scoreinfo{Urtext}
+\date{}
\basename{Eybler_OmnesDeSabaVenient_HV40}
diff --git a/out/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoI.pdf b/out/Eybler_OmnesDeSabaVenient_HV40_Instrument_ClnoI.pdf
new file mode 100644
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new file mode 100644
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diff --git a/webshop/EditionKainhofer_CSVI_01_Products.csv b/webshop/EditionKainhofer_CSVI_01_Products.csv
new file mode 100644
index 0000000000000000000000000000000000000000..3f1a363bac5b7602bf074448e137cd6940049f3d
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_01_Products.csv
@@ -0,0 +1,51 @@
+product_sku,product_parent_sku,slug,product_name,product_s_desc,product_desc,product_price,product_currency,category_path,custom_title,custom_value,min_order_level,max_order_level,published
+"EK-1040",,joseph-eybler-omnes-de-saba-venient,"Joseph Eybler: Omnes de Saba venient, Graduale, HV 40","Sehr bildhaftes Graduale für Dreikönig des Wiener Hofkapellmeisters Joseph Eybler, eines seiner bekanntesten Werke.","<p>Das vorliegende Graduale des Wiener Hofkapellmeisters Joseph Eybler (1765--1846)
+ist eines seiner bekanntesten kirchenmusikalischen Werke
+und hat sich - im Gegensatz zu den meisten anderen seiner Werke - in zahlreichen
+Kirchen Wiens teilweise bis heute fix als Bestandteil des Hochamtes am 6. Jänner
+etabliert. Zahlreiche CD-Einspielungen des Werkes, selbst von den Wiener
+Sängerknaben, zeugen von seiner Beliebtheit.</p>
+
+<p>Dieses Stück, das einen Text des Propheten Jesaja sowie die Stelle aus dem
+Matthäus-Evangelium über die Huldigung des neugeborenen Jesuskindes durch die
+Weisen aus dem Morgenland vertont, wurde im Jahr 1807 komponiert und
+ in der Wiener Hofburgkapelle bis 1922 zu fast allen
+Hochämtern am 6. Jänner aufgeführt.</p>
+
+<p>Wie für Eybler üblich ist das Stück sehr lautmalerisch, wobei der Rhythmus am
+Beginn des Stückes bei gleich bleibender Harmonie die Wanderung der Karawane sehr schön
+in Musik kleidet bis zum ersten Höhepunkt "annuntiantes laudem Domino".
+Die folgende Sopran-Arie "Surge et illuminare Jerusalem", die während einer
+Generalpause des gesamten Orchesters mit einem langen "Surge!"-Ruf des Soprans
+beginnt, ist nur mit vereinzelten Einwürfen des Orchesters anstatt voller Begleitung versehen.
+Der vierstimmige engelhafte "Alleluja"-Damenchor bereitet schließlich die
+lange Chorfuge "Vidimus stellam ejus in oriente}" im klassischen Stil mit dem
+Bass (als Personifizierung der Weisen) als Dux vor, die als
+Hauptaussage des zweiten Teils die Phrase "Wir haben seinen Stern gesehen im
+Morgenland" vorträgt. Der folgende kurze a cappella Chor führt
+schließlich zum großen Finale durch die auch im Orchester schön auskomponierte
+Steigerung der "Alleluja"-Rufe des Chors, bevor das Stück schließlich nach
+einem Orgelpunkt im Continuo und einem abschließenden leisen "Alleluja" des
+Chors im Nichts und die Karawane in der Ferne verschwindet.</p>",,,"Kirchenmusik/Chor und Orchester","Composer|Title|Subtitle|Catalogue number|Arranger|Poet|Scoring|Key|Editor|Publisher|Textsprache|Duration|Year of Composition|Score Information|Genre|Available Editions","Joseph Eybler (1765-1846)|Omnes de Saba venient|Graduale, HV 40|HV 40|||Solo S, Coro SATB, Org., 2Vl., Va., Vc., Cb., 2Ob., 2Fag., 2Cor., 2Clni., Tim.|C-Dur|Reinhold Kainhofer|Edition Kainhofer, Vienna|Latin||1807|Urtext||",,,"Y"
+"EK-1040-1","EK-1040","joseph-eybler-omnes-de-saba-venient-partitur","Joseph Eybler: Omnes de Saba venient, Partitur","Partitur","",14.9,"EUR",,"Score Type|Comment|Pages|ISMN","Partitur||36|979-0-50217-013-4",,,"Y"
+"EK-1040-2","EK-1040","joseph-eybler-omnes-de-saba-venient-klavierauszug","Joseph Eybler: Omnes de Saba venient, Klavierauszug","Klavierauszug","",9.9,"EUR",,"Score Type|Comment|Pages|ISMN","Klavierauszug||20|979-0-50217-072-1",,,"N"
+"EK-1040-10","EK-1040","joseph-eybler-omnes-de-saba-venient-chorstimmen","Joseph Eybler: Omnes de Saba venient, Chorstimmen","Chorstimmen","",0.75,"EUR",,"Score Type|Comment|Pages|ISMN","Chorstimmen|Solo S, Coro SATB|4|979-0-50217-005-9",,,"Y"
+"EK-1040-25","EK-1040","joseph-eybler-omnes-de-saba-venient-orchesterstimmen","Joseph Eybler: Omnes de Saba venient, Orchesterstimmen","Orchesterstimmen","",21.9,"EUR",,"Score Type|Comment|Pages|ISMN","Orchesterstimmen|Org., 4 Vl.1, 3 Vl.2, 3 Va., 3 Vc/Cb., Ob.1, Ob.2, Fag.1, Fag.2, Cor.1, Cor.2, Clno.1, Clno.2||979-0-50217-015-8",,,"Y"
+"EK-1040-21","EK-1040","joseph-eybler-omnes-de-saba-venient-organo","Joseph Eybler: Omnes de Saba venient, Organo","Organo","",2.5,"EUR",,"Score Type|Comment|Pages|ISMN","Organo|GENERALBASS_KAINHOFER|2|",,,"Y"
+"EK-1040-30","EK-1040","joseph-eybler-omnes-de-saba-venient-violino-i","Joseph Eybler: Omnes de Saba venient, Violino I","Violino I","",1.8,"EUR",,"Score Type|Comment|Pages|ISMN","Violino I||3|",,,"Y"
+"EK-1040-31","EK-1040","joseph-eybler-omnes-de-saba-venient-violino-ii","Joseph Eybler: Omnes de Saba venient, Violino II","Violino II","",1.8,"EUR",,"Score Type|Comment|Pages|ISMN","Violino II||2|",,,"Y"
+"EK-1040-32","EK-1040","joseph-eybler-omnes-de-saba-venient-viola","Joseph Eybler: Omnes de Saba venient, Viola","Viola","",1.8,"EUR",,"Score Type|Comment|Pages|ISMN","Viola||2|",,,"Y"
+"EK-1040-33","EK-1040","joseph-eybler-omnes-de-saba-venient-violoncello-e-contrabbasso","Joseph Eybler: Omnes de Saba venient, Violoncello e Contrabbasso","Violoncello e Contrabbasso","",1.8,"EUR",,"Score Type|Comment|Pages|ISMN","Violoncello e Contrabbasso||2|",,,"Y"
+"EK-1040-42","EK-1040","joseph-eybler-omnes-de-saba-venient-oboe-i","Joseph Eybler: Omnes de Saba venient, Oboe I","Oboe I","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Oboe I||2|",,,"Y"
+"EK-1040-43","EK-1040","joseph-eybler-omnes-de-saba-venient-oboe-ii","Joseph Eybler: Omnes de Saba venient, Oboe II","Oboe II","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Oboe II||2|",,,"Y"
+"EK-1040-46","EK-1040","joseph-eybler-omnes-de-saba-venient-fagotto-i","Joseph Eybler: Omnes de Saba venient, Fagotto I","Fagotto I","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Fagotto I||1|",,,"Y"
+"EK-1040-47","EK-1040","joseph-eybler-omnes-de-saba-venient-fagotto-ii","Joseph Eybler: Omnes de Saba venient, Fagotto II","Fagotto II","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Fagotto II||1|",,,"Y"
+"EK-1040-50","EK-1040","joseph-eybler-omnes-de-saba-venient-corno-i","Joseph Eybler: Omnes de Saba venient, Corno I","Corno I","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Corno I||1|",,,"Y"
+"EK-1040-51","EK-1040","joseph-eybler-omnes-de-saba-venient-corno-ii","Joseph Eybler: Omnes de Saba venient, Corno II","Corno II","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Corno II||1|",,,"Y"
+"EK-1040-52","EK-1040","joseph-eybler-omnes-de-saba-venient-clarino-i","Joseph Eybler: Omnes de Saba venient, Clarino I","Clarino I","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Clarino I||1|",,,"Y"
+"EK-1040-53","EK-1040","joseph-eybler-omnes-de-saba-venient-clarino-ii","Joseph Eybler: Omnes de Saba venient, Clarino II","Clarino II","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Clarino II||1|",,,"Y"
+"EK-1040-54","EK-1040","joseph-eybler-omnes-de-saba-venient-trombone-i","Joseph Eybler: Omnes de Saba venient, Trombone I","Trombone I","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Trombone I||1|",,,"Y"
+"EK-1040-56","EK-1040","joseph-eybler-omnes-de-saba-venient-trombone-iii","Joseph Eybler: Omnes de Saba venient, Trombone III","Trombone III","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Trombone III||1|",,,"Y"
+"EK-1040-60","EK-1040","joseph-eybler-omnes-de-saba-venient-timpani","Joseph Eybler: Omnes de Saba venient, Timpani","Timpani","",1.1,"EUR",,"Score Type|Comment|Pages|ISMN","Timpani||1|",,,"Y"
+
+
diff --git a/webshop/EditionKainhofer_CSVI_02_Products_en.csv b/webshop/EditionKainhofer_CSVI_02_Products_en.csv
new file mode 100644
index 0000000000000000000000000000000000000000..64ad9e8c330d24d1a231e6618c7055d1f8874856
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_02_Products_en.csv
@@ -0,0 +1,56 @@
+product_sku,slug,product_name,product_s_desc,product_desc,published
+"EK-1040",joseph-eybler-omnes-de-saba-venient,"Joseph Eybler: Omnes de Saba venient, Gradual, HV 40","Pictoresque gradual for Epiphany, written by the Viennese Hofkapellmeister Joseph Eybler, featuring a Soprano solo, chorus and a large orchestra","<p>This gradual of the Viennese Hofkapellmeister Joseph Eybler (1765-1846)
+is one of his best known sacral works and has become an integral part of the solemn service on
+Epiphany (January 6) in Vienna. Composed in 1807, this gradual
+was performed in the Vienna Hofburgkapelle almost every year on Epiphany until
+far into the 20th century. Several recordings also testify to the
+popularity of the piece.</p>
+
+<p>In this gradual, Eybler sets to music a text of Isaiah and a verse from the
+Gospel of Matthew about the adoration of the Magi.</p>
+
+<p>Due to Eybler's position as Hofkapellmeister, an excellent orchestra of professional
+musicians was available, so his compositions - and this piece is no
+exception - typically feature a large
+orchestra, although the full range of instruments is always utilized very thoughtfully.
+This gradual also exhibits several different vocal styles, like an almost completely
+unaccompanied soprano solo, a four-part female choir, an a cappella choral or a classical fugue.</p>
+
+<p>Like most of Eybler's works, it is also very onomatopoeic:
+The rhythm of the first few measures cleverly pictures the approaching caravan,
+while maintaining harmony until the first peak "annuntiantes laudem Domino"
+(to preach the praise of the Lord).
+The following soprano aria "Surge et illuminare Jerusalem", which develops
+from a long high "Surge!" (Arise!) call during a general pause of the
+whole orchestra, features only sporadic interjections of the orchestra rather
+than full orchestral accompaniment.
+The four-part "Hallelujah" chorus by the female voices prepares the
+long fugue "Vidimus stellam ejus in oriente" in classical style, with
+the bass leading as the personified Magi ("Vidimus stellam ejus in oriente" -
+"We have seen his star in the East").
+A brief a cappella choral eventually leads to the grand finale
+with increasing "Hallelujah" calls, before the piece vanishes into nothing
+and the caravan disappears in the distance.</p>
+","Y"
+"EK-1040-1","joseph-eybler-omnes-de-saba-venient-full-score","Joseph Eybler: Omnes de Saba venient, Full score","Full score","","Y"
+"EK-1040-2","joseph-eybler-omnes-de-saba-venient-vocal-score","Joseph Eybler: Omnes de Saba venient, Vocal score","Vocal score","","N"
+"EK-1040-10","joseph-eybler-omnes-de-saba-venient-choral-score","Joseph Eybler: Omnes de Saba venient, Choral score","Choral score","","Y"
+"EK-1040-25","joseph-eybler-omnes-de-saba-venient-orchestra-parts","Joseph Eybler: Omnes de Saba venient, Orchestra parts","Orchestra parts","","Y"
+"EK-1040-21","joseph-eybler-omnes-de-saba-venient-organo","Joseph Eybler: Omnes de Saba venient, Organo","Organo","","Y"
+"EK-1040-30","joseph-eybler-omnes-de-saba-venient-violino-i","Joseph Eybler: Omnes de Saba venient, Violino I","Violino I","","Y"
+"EK-1040-31","joseph-eybler-omnes-de-saba-venient-violino-ii","Joseph Eybler: Omnes de Saba venient, Violino II","Violino II","","Y"
+"EK-1040-32","joseph-eybler-omnes-de-saba-venient-viola","Joseph Eybler: Omnes de Saba venient, Viola","Viola","","Y"
+"EK-1040-33","joseph-eybler-omnes-de-saba-venient-violoncello-e-contrabbasso","Joseph Eybler: Omnes de Saba venient, Violoncello e Contrabbasso","Violoncello e Contrabbasso","","Y"
+"EK-1040-42","joseph-eybler-omnes-de-saba-venient-oboe-i","Joseph Eybler: Omnes de Saba venient, Oboe I","Oboe I","","Y"
+"EK-1040-43","joseph-eybler-omnes-de-saba-venient-oboe-ii","Joseph Eybler: Omnes de Saba venient, Oboe II","Oboe II","","Y"
+"EK-1040-46","joseph-eybler-omnes-de-saba-venient-fagotto-i","Joseph Eybler: Omnes de Saba venient, Fagotto I","Fagotto I","","Y"
+"EK-1040-47","joseph-eybler-omnes-de-saba-venient-fagotto-ii","Joseph Eybler: Omnes de Saba venient, Fagotto II","Fagotto II","","Y"
+"EK-1040-50","joseph-eybler-omnes-de-saba-venient-corno-i","Joseph Eybler: Omnes de Saba venient, Corno I","Corno I","","Y"
+"EK-1040-51","joseph-eybler-omnes-de-saba-venient-corno-ii","Joseph Eybler: Omnes de Saba venient, Corno II","Corno II","","Y"
+"EK-1040-52","joseph-eybler-omnes-de-saba-venient-clarino-i","Joseph Eybler: Omnes de Saba venient, Clarino I","Clarino I","","Y"
+"EK-1040-53","joseph-eybler-omnes-de-saba-venient-clarino-ii","Joseph Eybler: Omnes de Saba venient, Clarino II","Clarino II","","Y"
+"EK-1040-54","joseph-eybler-omnes-de-saba-venient-trombone-i","Joseph Eybler: Omnes de Saba venient, Trombone I","Trombone I","","Y"
+"EK-1040-56","joseph-eybler-omnes-de-saba-venient-trombone-iii","Joseph Eybler: Omnes de Saba venient, Trombone III","Trombone III","","Y"
+"EK-1040-60","joseph-eybler-omnes-de-saba-venient-timpani","Joseph Eybler: Omnes de Saba venient, Timpani","Timpani","","Y"
+
+
diff --git a/webshop/EditionKainhofer_CSVI_03_Productimages.csv b/webshop/EditionKainhofer_CSVI_03_Productimages.csv
new file mode 100644
index 0000000000000000000000000000000000000000..0646a623b345ce3a1d96f2d510369f66c5761c24
--- /dev/null
+++ b/webshop/EditionKainhofer_CSVI_03_Productimages.csv
@@ -0,0 +1,15 @@
+product_sku,file_url,file_url_thumb,file_description,published,file_mimetype,file_title,file_type,file_is_product_image, file_is_downloadable,file_is_forsale
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-06.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-06.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-07.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-07.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-08.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-08.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-27.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-27.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-28.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score-28.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal-06.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal-06.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal-07.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Vocal-07.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Choral-00.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Choral-00.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Choral-01.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Score_Choral-01.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Instrument_Continuo-00.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Instrument_Continuo-00.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Instrument_VI-00.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Instrument_VI-00.png",,1,"image/png",,product,0,0,0
+"EK-1040","images/stories/virtuemart/product/EK-1040/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Instrument_VI-01.png","images/stories/virtuemart/product/EK-1040/thumb/EK-1040_Eybler_OmnesDeSabaVenient_HV40_Instrument_VI-01.png",,1,"image/png",,product,0,0,0
+
+
diff --git a/webshop_descriptions.def b/webshop_descriptions.def
new file mode 100644
index 0000000000000000000000000000000000000000..4e52f31cdd99fef61d415c7fbf66eada5a4d8246
--- /dev/null
+++ b/webshop_descriptions.def
@@ -0,0 +1,114 @@
+{
+ #"title": u"Joseph Eybler: Omnes de Saba venient, Graduale, HV 40",
+ "subtitle_en": u"Gradual, HV 40",
+
+ "Short_Description_de": u"Sehr bildhaftes Graduale für Dreikönig des Wiener Hofkapellmeisters Joseph Eybler, eines seiner bekanntesten Werke.",
+ "Short_Description_en": u"Pictoresque gradual for Epiphany, written by the Viennese Hofkapellmeister Joseph Eybler, featuring a Soprano solo, chorus and a large orchestra",
+
+ "Description_de": u'''<p>Das vorliegende Graduale des Wiener Hofkapellmeisters Joseph Eybler (1765--1846)
+ist eines seiner bekanntesten kirchenmusikalischen Werke
+und hat sich - im Gegensatz zu den meisten anderen seiner Werke - in zahlreichen
+Kirchen Wiens teilweise bis heute fix als Bestandteil des Hochamtes am 6. Jänner
+etabliert. Zahlreiche CD-Einspielungen des Werkes, selbst von den Wiener
+Sängerknaben, zeugen von seiner Beliebtheit.</p>
+
+<p>Dieses Stück, das einen Text des Propheten Jesaja sowie die Stelle aus dem
+Matthäus-Evangelium über die Huldigung des neugeborenen Jesuskindes durch die
+Weisen aus dem Morgenland vertont, wurde im Jahr 1807 komponiert und
+ in der Wiener Hofburgkapelle bis 1922 zu fast allen
+Hochämtern am 6. Jänner aufgeführt.</p>
+
+<p>Wie für Eybler üblich ist das Stück sehr lautmalerisch, wobei der Rhythmus am
+Beginn des Stückes bei gleich bleibender Harmonie die Wanderung der Karawane sehr schön
+in Musik kleidet bis zum ersten Höhepunkt "annuntiantes laudem Domino".
+Die folgende Sopran-Arie "Surge et illuminare Jerusalem", die während einer
+Generalpause des gesamten Orchesters mit einem langen "Surge!"-Ruf des Soprans
+beginnt, ist nur mit vereinzelten Einwürfen des Orchesters anstatt voller Begleitung versehen.
+Der vierstimmige engelhafte "Alleluja"-Damenchor bereitet schließlich die
+lange Chorfuge "Vidimus stellam ejus in oriente}" im klassischen Stil mit dem
+Bass (als Personifizierung der Weisen) als Dux vor, die als
+Hauptaussage des zweiten Teils die Phrase "Wir haben seinen Stern gesehen im
+Morgenland" vorträgt. Der folgende kurze a cappella Chor führt
+schließlich zum großen Finale durch die auch im Orchester schön auskomponierte
+Steigerung der "Alleluja"-Rufe des Chors, bevor das Stück schließlich nach
+einem Orgelpunkt im Continuo und einem abschließenden leisen "Alleluja" des
+Chors im Nichts und die Karawane in der Ferne verschwindet.</p>''',
+
+
+ "Description_en": u'''<p>This gradual of the Viennese Hofkapellmeister Joseph Eybler (1765-1846)
+is one of his best known sacral works and has become an integral part of the solemn service on
+Epiphany (January 6) in Vienna. Composed in 1807, this gradual
+was performed in the Vienna Hofburgkapelle almost every year on Epiphany until
+far into the 20th century. Several recordings also testify to the
+popularity of the piece.</p>
+
+<p>In this gradual, Eybler sets to music a text of Isaiah and a verse from the
+Gospel of Matthew about the adoration of the Magi.</p>
+
+<p>Due to Eybler's position as Hofkapellmeister, an excellent orchestra of professional
+musicians was available, so his compositions - and this piece is no
+exception - typically feature a large
+orchestra, although the full range of instruments is always utilized very thoughtfully.
+This gradual also exhibits several different vocal styles, like an almost completely
+unaccompanied soprano solo, a four-part female choir, an a cappella choral or a classical fugue.</p>
+
+<p>Like most of Eybler's works, it is also very onomatopoeic:
+The rhythm of the first few measures cleverly pictures the approaching caravan,
+while maintaining harmony until the first peak "annuntiantes laudem Domino"
+(to preach the praise of the Lord).
+The following soprano aria "Surge et illuminare Jerusalem", which develops
+from a long high "Surge!" (Arise!) call during a general pause of the
+whole orchestra, features only sporadic interjections of the orchestra rather
+than full orchestral accompaniment.
+The four-part "Hallelujah" chorus by the female voices prepares the
+long fugue "Vidimus stellam ejus in oriente" in classical style, with
+the bass leading as the personified Magi ("Vidimus stellam ejus in oriente" -
+"We have seen his star in the East").
+A brief a cappella choral eventually leads to the grand finale
+with increasing "Hallelujah" calls, before the piece vanishes into nothing
+and the caravan disappears in the distance.</p>
+''',
+
+ "Category": u"Kirchenmusik/Chor und Orchester",
+ "instrumentation": u"Solo S, Coro SATB, Org., 2Vl., Va., Vc., Cb., 2Ob., 2Fag., 2Cor., 2Clni., Tim.",
+
+ "published": "Y",
+
+
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