diff --git a/.gitignore b/.gitignore
index 8c3f9400544f9150b9934ff278325713ed96f59e..5317b388db21383a2c0dd2c942ee90797c73bec1 100644
--- a/.gitignore
+++ b/.gitignore
@@ -1,3 +1,4 @@
+*.new
 *.aux
 *.blg
 *.log
diff --git a/Makefile b/Makefile
index f6a640028a130c05faa881b045172c7bd72a632d..126130a019732cc9c3a891d2b7db1e69310a422c 100644
--- a/Makefile
+++ b/Makefile
@@ -1,27 +1,37 @@
-SRCS = Mozart_BenedictusSitDeus_KV117_Settings.ly Mozart_BenedictusSitDeus_KV117_01_Allegro.ly  Mozart_BenedictusSitDeus_KV117_02_Andante.ly Mozart_BenedictusSitDeus_KV117_03_Allegro.ly 
+base = Mozart_BenedictusSitDeus
+SRCS = Mozart_BenedictusSitDeus_Music_01_Allegro.ily Mozart_BenedictusSitDeus_Music_02_Andante.ily Mozart_BenedictusSitDeus_Music_03_Allegro.ily $(base)_Settings.ily
+OUT=out
 
-instruments = FlI FlII TbeI TbeII CorI CorII Tim VI VII Va VaI VaII VcB BassoContinuo
-vocal = S A T B SSolo
-scores = ChoralScore VocalScore OrchestralScore LongScore
-extensions = $(instruments) $(vocal) $(scores)
-#  Cl Wd Cor Tre Br V Str StrQ ChStrQ
+instruments = FlI FlII CorI CorII TbeI TbeII Tim VI VII Va SSolo S A T B Continuo VcB
+scores = Long Full Vocal Particell Choral Original
+
+pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) $(scores:%=$(OUT)/$(base)_Score_%.pdf)
+texs = $(scores:%=TeX_$(base)_Score_%.tex)
+texpdfs = $(scores:%=$(OUT)/TeX_$(base)_Score_%.pdf) $(OUT)/TeX_$(base)_Score_Instruments.pdf
 
-pdfs = %(extensions:%=Mozart_BenedictusSitDeus_KV117_%.pdf) Mozart_BenedictusSitDeus_KV117_%.pdf
 
 .PHONY: all clean
-all: $(extensions)
+all: $(OUT) $(instruments) $(scores) tex
 instruments: $(instruments)
-vocal: $(vocal)
 scores: $(scores)
 
-clean: 
-	for i in $(extensions); do \
-	  rm -f Mozart_BenedictusSitDeus_KV117_$${i}.pdf Mozart_BenedictusSitDeus_KV117_$${i}.ps; \
-	done; \
-	rm -f Mozart_BenedictusSitDeus_KV117.ps Mozart_BenedictusSitDeus_KV117.pdf;
+clean:
+	rm -rf $(OUT)
+
+$(OUT) :
+	mkdir -p $(OUT)
+
+$(instruments): % : $(OUT)/$(base)_Instrument_%.pdf $(SRCS)
+$(scores): % : $(OUT)/$(base)_Score_%.pdf $(SRCS)
+
+$(OUT)/%.pdf : %.ly $(SRCS)
+	lilypond -o $(basename $@) $<
 
-$(extensions): % : Mozart_BenedictusSitDeus_KV117_%.pdf $(SRCS)
+$(OUT)/%.mp3 : %.midi
+	timidity -c /etc/timidity/fluidr3_gm.cfg -OwM $< -o $@
 
-%.pdf : %.ly
-	lilypond $< 
+tex: latex
+latex: $(texpdfs)
 
+$(OUT)/TeX_%.pdf : TeX_%.tex
+	TEXINPUTS=$(OUT): latex --output-directory=$(OUT)/ $<
diff --git a/Mozart_BenedictusSitDeus_Instrument_A.ly b/Mozart_BenedictusSitDeus_Instrument_A.ly
new file mode 100644
index 0000000000000000000000000000000000000000..9920f3dc76592a03b06db50b0d0c3e60ce5b60b2
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_A.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalVoice.ily"
+
+\header {
+  instrument = \AInstrumentName
+  scorenumber = \markup{\scoreNumber \ANumber}
+}
+
+\createScore #"IAllegro" #'("A")
+\createScore #"IIAndante" #'("A")
+\createScore #"IIIAllegro" #'("A")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_B.ly b/Mozart_BenedictusSitDeus_Instrument_B.ly
new file mode 100644
index 0000000000000000000000000000000000000000..d5fc67a93e3e93d4ae7ca89c47bb653785180c01
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_B.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalVoice.ily"
+
+\header {
+  instrument = \BInstrumentName
+  scorenumber = \markup{\scoreNumber \BNumber}
+}
+
+\createScore #"IAllegro" #'("B")
+\createScore #"IIAndante" #'("B")
+\createScore #"IIIAllegro" #'("B")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_Continuo.ly b/Mozart_BenedictusSitDeus_Instrument_Continuo.ly
new file mode 100644
index 0000000000000000000000000000000000000000..e5cf2e9bc8eeb2833254a2651fa854c4a778cf82
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_Continuo.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \ContinuoInstrumentName
+  scorenumber = \markup{\scoreNumber \ContinuoNumber}
+}
+
+\createScore #"IAllegro" #'("Continuo")
+\createScore #"IIAndante" #'("Continuo")
+\createScore #"IIIAllegro" #'("Continuo")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_CorI.ly b/Mozart_BenedictusSitDeus_Instrument_CorI.ly
new file mode 100644
index 0000000000000000000000000000000000000000..d61baca9b2cd27da6c720b80cc4d22bda94f487f
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_CorI.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \CorIInstrumentName
+  scorenumber = \markup{\scoreNumber \CorINumber}
+}
+
+\createScore #"IAllegro" #'("CorI")
+\createScore #"IIAndante" #'("CorI")
+\createScore #"IIIAllegro" #'("CorI")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_CorII.ly b/Mozart_BenedictusSitDeus_Instrument_CorII.ly
new file mode 100644
index 0000000000000000000000000000000000000000..2f1f7c481a37f4ba420f32c3728eb3f2d51e01dd
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_CorII.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \CorIIInstrumentName
+  scorenumber = \markup{\scoreNumber \CorIINumber}
+}
+
+\createScore #"IAllegro" #'("CorII")
+\createScore #"IIAndante" #'("CorII")
+\createScore #"IIIAllegro" #'("CorII")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_FlI.ly b/Mozart_BenedictusSitDeus_Instrument_FlI.ly
new file mode 100644
index 0000000000000000000000000000000000000000..249eb77da8ed71d3eb3e6747f916ba9ab2902c2b
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_FlI.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \FlIInstrumentName
+  scorenumber = \markup{\scoreNumber \FlINumber}
+}
+
+\createScore #"IAllegro" #'("FlI")
+\createScore #"IIAndante" #'("FlI")
+\createScore #"IIIAllegro" #'("FlI")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_FlII.ly b/Mozart_BenedictusSitDeus_Instrument_FlII.ly
new file mode 100644
index 0000000000000000000000000000000000000000..a8b5a43c36b8ab1867a57fc459606c35c2d857ad
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_FlII.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \FlIIInstrumentName
+  scorenumber = \markup{\scoreNumber \FlIINumber}
+}
+
+\createScore #"IAllegro" #'("FlII")
+\createScore #"IIAndante" #'("FlII")
+\createScore #"IIIAllegro" #'("FlII")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_S.ly b/Mozart_BenedictusSitDeus_Instrument_S.ly
new file mode 100644
index 0000000000000000000000000000000000000000..5fa64166845c6b90215803800c7dda9ea60195b8
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_S.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalVoice.ily"
+
+\header {
+  instrument = \SInstrumentName
+  scorenumber = \markup{\scoreNumber \SNumber}
+}
+
+\createScore #"IAllegro" #'("S")
+\createScore #"IIAndante" #'("S")
+\createScore #"IIIAllegro" #'("S")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_SSolo.ly b/Mozart_BenedictusSitDeus_Instrument_SSolo.ly
new file mode 100644
index 0000000000000000000000000000000000000000..8ba744bf92d40543062385179efbe434dfc26178
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_SSolo.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalVoice.ily"
+
+\header {
+  instrument = \SSoloInstrumentName
+  scorenumber = \markup{\scoreNumber \SSoloNumber}
+}
+
+\createScore #"IAllegro" #'("SSolo")
+\createScore #"IIAndante" #'("SSolo")
+\createScore #"IIIAllegro" #'("SSolo")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_T.ly b/Mozart_BenedictusSitDeus_Instrument_T.ly
new file mode 100644
index 0000000000000000000000000000000000000000..f6d095f198160d351a9f3b9f59c1dd72241970cb
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_T.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalVoice.ily"
+
+\header {
+  instrument = \TInstrumentName
+  scorenumber = \markup{\scoreNumber \TNumber}
+}
+
+\createScore #"IAllegro" #'("T")
+\createScore #"IIAndante" #'("T")
+\createScore #"IIIAllegro" #'("T")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_TbeI.ly b/Mozart_BenedictusSitDeus_Instrument_TbeI.ly
new file mode 100644
index 0000000000000000000000000000000000000000..1efec86835661ab6c100d57797ccd5328ae4caac
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_TbeI.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \TbeIInstrumentName
+  scorenumber = \markup{\scoreNumber \TbeINumber}
+}
+
+\createScore #"IAllegro" #'("TbeI")
+\createScore #"IIAndante" #'("TbeI")
+\createScore #"IIIAllegro" #'("TbeI")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_TbeII.ly b/Mozart_BenedictusSitDeus_Instrument_TbeII.ly
new file mode 100644
index 0000000000000000000000000000000000000000..99cebd37176d6ef758cc43ef327a5a1be15e41c1
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_TbeII.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \TbeIIInstrumentName
+  scorenumber = \markup{\scoreNumber \TbeIINumber}
+}
+
+\createScore #"IAllegro" #'("TbeII")
+\createScore #"IIAndante" #'("TbeII")
+\createScore #"IIIAllegro" #'("TbeII")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_Tim.ly b/Mozart_BenedictusSitDeus_Instrument_Tim.ly
new file mode 100644
index 0000000000000000000000000000000000000000..ba5032b24df76a3e96ce8cd44fd55b0ab090b5e8
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_Tim.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \TimInstrumentName
+  scorenumber = \markup{\scoreNumber \TimNumber}
+}
+
+\createScore #"IAllegro" #'("Tim")
+\createScore #"IIAndante" #'("Tim")
+\createScore #"IIIAllegro" #'("Tim")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_VI.ly b/Mozart_BenedictusSitDeus_Instrument_VI.ly
new file mode 100644
index 0000000000000000000000000000000000000000..f1f2e9fe37520b2d6d6794300f7543cb508dd1ac
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_VI.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \VIInstrumentName
+  scorenumber = \markup{\scoreNumber \VINumber}
+}
+
+\createScore #"IAllegro" #'("VI")
+\createScore #"IIAndante" #'("VI")
+\createScore #"IIIAllegro" #'("VI")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_VII.ly b/Mozart_BenedictusSitDeus_Instrument_VII.ly
new file mode 100644
index 0000000000000000000000000000000000000000..5c6627aaeb43183c84c5aa3a03ed28f220e8ec75
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_VII.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \VIIInstrumentName
+  scorenumber = \markup{\scoreNumber \VIINumber}
+}
+
+\createScore #"IAllegro" #'("VII")
+\createScore #"IIAndante" #'("VII")
+\createScore #"IIIAllegro" #'("VII")
+
diff --git a/Mozart_BenedictusSitDeus_Instrument_Va.ly b/Mozart_BenedictusSitDeus_Instrument_Va.ly
new file mode 100644
index 0000000000000000000000000000000000000000..2e27ce0c930e2618074189e176022ec517e5973d
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_Va.ly
@@ -0,0 +1,13 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+% Vas is SimultaneousMusic[ Va, StaffGroup[ VaI, VaII ] ]!
+
+\header {
+  instrument = \VaInstrumentName
+  scorenumber = \markup{\scoreNumber \VaNumber}
+}
+
+\createScore #"IAllegro" #'("Vas")
+\createScore #"IIAndante" #'("Vas")
+\createScore #"IIIAllegro" #'("Vas")
+
diff --git a/Mozart_BenedictusSitDeus_KV117_VaI.ly b/Mozart_BenedictusSitDeus_Instrument_VaI.ly
similarity index 100%
rename from Mozart_BenedictusSitDeus_KV117_VaI.ly
rename to Mozart_BenedictusSitDeus_Instrument_VaI.ly
diff --git a/Mozart_BenedictusSitDeus_KV117_VaII.ly b/Mozart_BenedictusSitDeus_Instrument_VaII.ly
similarity index 100%
rename from Mozart_BenedictusSitDeus_KV117_VaII.ly
rename to Mozart_BenedictusSitDeus_Instrument_VaII.ly
diff --git a/Mozart_BenedictusSitDeus_Instrument_VcB.ly b/Mozart_BenedictusSitDeus_Instrument_VcB.ly
new file mode 100644
index 0000000000000000000000000000000000000000..2ad9b743215a3a4308af6a57e88d62071b0ac6fb
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Instrument_VcB.ly
@@ -0,0 +1,12 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_Instrument.ily"
+
+\header {
+  instrument = \VcBInstrumentName
+  scorenumber = \markup{\scoreNumber \VcBNumber}
+}
+
+\createScore #"IAllegro" #'("VcB")
+\createScore #"IIAndante" #'("VcB")
+\createScore #"IIIAllegro" #'("VcB")
+
diff --git a/Mozart_BenedictusSitDeus_KV117_00a_Contents.ly b/Mozart_BenedictusSitDeus_KV117_00a_Contents.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_00b_Material.ly b/Mozart_BenedictusSitDeus_KV117_00b_Material.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_00c_Copyright.ly b/Mozart_BenedictusSitDeus_KV117_00c_Copyright.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_00d_Einleitung.ly b/Mozart_BenedictusSitDeus_KV117_00d_Einleitung.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_00e_Lyrics.ly b/Mozart_BenedictusSitDeus_KV117_00e_Lyrics.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_00f_Comments.ly b/Mozart_BenedictusSitDeus_KV117_00f_Comments.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_00g_Sources.ly b/Mozart_BenedictusSitDeus_KV117_00g_Sources.ly
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/Mozart_BenedictusSitDeus_KV117_A.ly b/Mozart_BenedictusSitDeus_KV117_A.ly
deleted file mode 100644
index 40f8a55d5eba56e35e6963cde7bdec27c1d12cc3..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_A.ly
+++ /dev/null
@@ -1,8 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-
-\header { instrument = \AInstrumentName }
-
-\createScore #"IAllegro" #'("A")
-\pageBreak
-\createScore #"IIAndante" #'("A")
-\createScore #"IIIAllegro" #'("A")
diff --git a/Mozart_BenedictusSitDeus_KV117_A.pdf b/Mozart_BenedictusSitDeus_KV117_A.pdf
deleted file mode 100644
index f9aea90e1efa53fe30ece690598e5ca42e747266..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_A.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_B.ly b/Mozart_BenedictusSitDeus_KV117_B.ly
deleted file mode 100644
index 39164a67c8bc9a528f17c0af4adf813103cc72a9..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_B.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-
-\header { instrument = \BInstrumentName }
-
-\createScore #"IAllegro" #'("B")
-\createScore #"IIAndante" #'("B")
-\createScore #"IIIAllegro" #'("B")
diff --git a/Mozart_BenedictusSitDeus_KV117_B.pdf b/Mozart_BenedictusSitDeus_KV117_B.pdf
deleted file mode 100644
index 11eeadfb1f135085493fa490df1fca3a348dc348..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_B.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_BassoContinuo.ly b/Mozart_BenedictusSitDeus_KV117_BassoContinuo.ly
deleted file mode 100644
index fb3f15f78ddb47b3e7cff44579303a4dabfd49ab..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_BassoContinuo.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Basso Continuo" }
-
-\createScore #"IAllegro" #'("VceB")
-\createScore #"IIAndante" #'("VceB")
-\createScore #"IIIAllegro" #'("VceB")
diff --git a/Mozart_BenedictusSitDeus_KV117_BassoContinuo.pdf b/Mozart_BenedictusSitDeus_KV117_BassoContinuo.pdf
deleted file mode 100644
index 5ec43364312acfa47521ff5310afe141720df41a..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_BassoContinuo.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_ChoralScore.ly b/Mozart_BenedictusSitDeus_KV117_ChoralScore.ly
deleted file mode 100644
index defd0fa2597fcd6e6fe94dde21e4dba649bb7a42..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_ChoralScore.ly
+++ /dev/null
@@ -1,17 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-#(set-global-staff-size 16)
-
-\header { 
-  instrument = \ChInstrumentTitle
-  scoretype = "Chorpartitur / Vocal Score"
-}
-
-\paper {
-  ragged-bottom = ##f
-  ragged-last-bottom = ##f
-  #(define (page-post-process layout pages) (oly:create-toc-file layout pages))
-}
-
-\createScore #"IAllegro" #'("Ch")
-\createScore #"IIAndante" #'("Ch")
-\createScore #"IIIAllegro" #'("Ch")
diff --git a/Mozart_BenedictusSitDeus_KV117_ChoralScore.pdf b/Mozart_BenedictusSitDeus_KV117_ChoralScore.pdf
deleted file mode 100644
index e1701adb03687ec48890ae9982c57a351671c2c0..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_ChoralScore.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_CorI.ly b/Mozart_BenedictusSitDeus_KV117_CorI.ly
deleted file mode 100644
index a87d659de69e9f39749a4fc92f852bd4e19b462b..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_CorI.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Corno I in Fa/F" }
-
-\createScore #"IAllegro" #'("CorI")
-\createScore #"IIAndante" #'("CorI")
-\createScore #"IIIAllegro" #'("CorI")
diff --git a/Mozart_BenedictusSitDeus_KV117_CorI.pdf b/Mozart_BenedictusSitDeus_KV117_CorI.pdf
deleted file mode 100644
index 1b5d3b6b26bc21bd4a30fa258e42aba1f501689b..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_CorI.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_CorII.ly b/Mozart_BenedictusSitDeus_KV117_CorII.ly
deleted file mode 100644
index ef4da68be93ec365db53822ec1be00a3895c88f3..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_CorII.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Corno II in Fa/F" }
-
-\createScore #"IAllegro" #'("CorII")
-\createScore #"IIAndante" #'("CorII")
-\createScore #"IIIAllegro" #'("CorII")
diff --git a/Mozart_BenedictusSitDeus_KV117_CorII.pdf b/Mozart_BenedictusSitDeus_KV117_CorII.pdf
deleted file mode 100644
index 74ff8903033b49348ef73083c5189ced30dc25c7..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_CorII.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_FlI.ly b/Mozart_BenedictusSitDeus_KV117_FlI.ly
deleted file mode 100644
index 06bd91d866ced9f032a9056b176ff589942093a7..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_FlI.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = \FlIInstrumentName }
-
-\createScore #"IAllegro" #'("FlI")
-\createScore #"IIAndante" #'("FlI")
-\createScore #"IIIAllegro" #'("FlI")
diff --git a/Mozart_BenedictusSitDeus_KV117_FlI.pdf b/Mozart_BenedictusSitDeus_KV117_FlI.pdf
deleted file mode 100644
index c3e533456bf4bc0972f555760246ce05427c92df..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_FlI.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_FlII.ly b/Mozart_BenedictusSitDeus_KV117_FlII.ly
deleted file mode 100644
index 542e42b21d30375f0bb514242307294dbef0f0ed..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_FlII.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = \FlIIInstrumentName }
-
-\createScore #"IAllegro" #'("FlII")
-\createScore #"IIAndante" #'("FlII")
-\createScore #"IIIAllegro" #'("FlII")
diff --git a/Mozart_BenedictusSitDeus_KV117_FlII.pdf b/Mozart_BenedictusSitDeus_KV117_FlII.pdf
deleted file mode 100644
index cc19ae94229eea97b9792d9c2bf6a91888e8ee05..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_FlII.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_LongScore.ly b/Mozart_BenedictusSitDeus_KV117_LongScore.ly
deleted file mode 100644
index faae2d40b8e17cea20b144c18642d5aacfac64bf..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_LongScore.ly
+++ /dev/null
@@ -1,10 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_FullScore.ly"
-
-\header { 
-  scoretype = "Partitur / Full Score"
-  scorenumber = \markup{\scoreNumber \FullScoreNumber}
-}
-
-\createScore #"IAllegro" #'("LongScore")
-\createScore #"IIAndante" #'("LongScore")
-\createScore #"IIIAllegro" #'("LongScore")
diff --git a/Mozart_BenedictusSitDeus_KV117_LongScore.pdf b/Mozart_BenedictusSitDeus_KV117_LongScore.pdf
deleted file mode 100644
index 2cad007dd51b865a589beade38081e79df92d783..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_LongScore.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_OrchestralScore.ly b/Mozart_BenedictusSitDeus_KV117_OrchestralScore.ly
deleted file mode 100644
index ecac34cf39cfb8992e692b8a1be500b7ebdec85b..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_OrchestralScore.ly
+++ /dev/null
@@ -1,11 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_FullScore.ly"
-
-% #(set-global-staff-size 17)
-\header { 
-  instrument = "Coro e orchestra"
-  scoretype = "Orchesterpartitur / Orchestral Score"
-}
-
-\createScore #"IAllegro" #'("OrchestralScore")
-\createScore #"IIAndante" #'("OrchestralScore")
-\createScore #"IIIAllegro" #'("OrchestralScore")
diff --git a/Mozart_BenedictusSitDeus_KV117_OrchestralScore.pdf b/Mozart_BenedictusSitDeus_KV117_OrchestralScore.pdf
deleted file mode 100644
index b0248edae5f2cda92d16103e491c5f7d54ab0cdd..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_OrchestralScore.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_S.ly b/Mozart_BenedictusSitDeus_KV117_S.ly
deleted file mode 100644
index 62ae4521bd4a54d592056c66823ed3aab078a5ab..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_S.ly
+++ /dev/null
@@ -1,8 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-
-\header { instrument = \SInstrumentName }
-
-\createScore #"IAllegro" #'("S")
-\pageBreak
-\createScore #"IIAndante" #'("S")
-\createScore #"IIIAllegro" #'("S")
diff --git a/Mozart_BenedictusSitDeus_KV117_S.pdf b/Mozart_BenedictusSitDeus_KV117_S.pdf
deleted file mode 100644
index 08ba8ff320a6126777a22ed163ce48c8376b5f7f..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_S.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_SSolo.ly b/Mozart_BenedictusSitDeus_KV117_SSolo.ly
deleted file mode 100644
index b251f266894d0f7d34677e3afb8359dcf50543e2..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_SSolo.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-
-\header { instrument = \SSoloInstrumentName }
-
-\createScore #"IAllegro" #'("SSolo")
-\createScore #"IIAndante" #'("SSolo")
-\createScore #"IIIAllegro" #'("SSolo")
diff --git a/Mozart_BenedictusSitDeus_KV117_SSolo.pdf b/Mozart_BenedictusSitDeus_KV117_SSolo.pdf
deleted file mode 100644
index 1921c953f75d33b620ccc677602267faf470662e..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_SSolo.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_Settings.ly b/Mozart_BenedictusSitDeus_KV117_Settings.ly
deleted file mode 100644
index 7822c9e375e40fcb1bcb018545b93e319b2a8dfc..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Settings.ly
+++ /dev/null
@@ -1,9 +0,0 @@
-#(set-default-paper-size "a4")
-#(ly:set-option 'point-and-click #f)
-
-% \include "deutsch.ly"
-
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Global.ly"
-\include "Mozart_BenedictusSitDeus_KV117_01_Allegro.ly"
-\include "Mozart_BenedictusSitDeus_KV117_02_Andante.ly"
-\include "Mozart_BenedictusSitDeus_KV117_03_Allegro.ly"
diff --git a/Mozart_BenedictusSitDeus_KV117_Settings_FullScore.ly b/Mozart_BenedictusSitDeus_KV117_Settings_FullScore.ly
deleted file mode 100644
index bc1356eabea70e7539045a1ffa81aa3e4c939cd7..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Settings_FullScore.ly
+++ /dev/null
@@ -1,51 +0,0 @@
-% changes to the global score settings for single-instrument sheets
-\include "Mozart_BenedictusSitDeus_KV117_Settings.ly"
-
-#(set-default-paper-size "a4")
-#(set-global-staff-size 14)
-
-% #(set! 'copyright-page #4)
-% #(set-copyright-page 4)
-
-\paper {
-  systemSeparatorMarkup = \slashSeparator
-  #(define (page-post-process layout pages) (oly:create-toc-file layout pages))
-}
-
-\layout {
-  \context {
-    \Score
-    \override VerticalAlignment #'max-stretch = #10000000
-  }
-%   \context {
-%     \FiguredBass
-%     \override VerticalAlignment #'max-stretch = #0
-%   }
-  \context {
-    \ChoirStaff
-    \override VerticalAlignment #'max-stretch = #0
-  }
-}
-
-\paper {
-%   bookTitleMarkup = \titlePageMarkup
-  
-%   page-limit-inter-system-space = ##t
-%   page-limit-inter-system-space-factor = 1.0
-}
-
-
-
-\header { 
-  titlepagetitle = \markup \center-align { "Benedictus sit Deus" }
-  publisher = \markup \center-align { "Edition Kainhofer, 2008" \line{\scoreNumber \FullScoreNumber}}
-  ensemble = \markup { \fill-line { "Coro (SATB) ed Orchestra o Organo" } }
-  instruments = \markup { \column { 
-    \line {"2 Flauti, 2 Trombe, 2 Corni,"} 
-    \line {"Timpani, 2 Violini, 2 Viole,"}
-    \line {"Violoncello ed Contrabbasso"}} }
-  scoretype = "Partitur / Full Score"
-  subtitle = \markup { \center-align{"Offertorium, KV 117"}}
-%   subsubtitle = \markup{ \medium \fontsize #1 "KV 117" }
-}
-
diff --git a/Mozart_BenedictusSitDeus_KV117_Settings_Global.ly b/Mozart_BenedictusSitDeus_KV117_Settings_Global.ly
deleted file mode 100644
index 12c5ca24eb5e7346b8bd8b565d314686d8997ec8..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Settings_Global.ly
+++ /dev/null
@@ -1,116 +0,0 @@
-\version "2.11.35"
-
-\include "orchestrallily/orchestrallily.ly"
-\include "orchestrallily/oly_settings_names.ly"
-
-EKnumber="EK-022"
-
-\header { 
-  title = "Benedictus sit Deus"
-  subtitle = "Offertorium, KV 117 (66a = 47b)"
-%   subsubtitle = "KV 117"
-  composer = "Wolfgang Amadeus Mozart (1756-1791)"
-  enteredby = "Reinhold Kainhofer"
-  maintainer = "R. Kainhofer"
-  maintainerEmail = "reinhold@kainhofer.com"
-  lastupdated = "May 2009"
-  copyright = \markup \column{ 
-      \line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."} 
-      \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
-  }
-}
-
-\include "deutsch.ly"
-
-\orchestralScoreStructure #'(
-; Part-combined staves for full score
-  ("Fl" "GrandStaff" ("FlI" "FlII"))
-  ("Wd" "StaffGroup" ("Fl"))
-  ("Cor" "PartCombinedStaff" ("CorI" "CorII"))
-  ("Tbe" "PartCombinedStaff" ("TbeI" "TbeII"))
-  ("Br" "StaffGroup" ("Cor" "Tbe"))
-; long score; no part-combined staves, but GrandStaves instead
-  ("FlLong" "GrandStaff" ("FlI" "FlII"))
-  ("WdLong" "StaffGroup" ("FlLong"))
-  ("CorLong" "GrandStaff" ("CorI" "CorII"))
-  ("TbeLong" "GrandStaff" ("TbeI" "TbeII"))
-  ("BrLong" "StaffGroup" ("CorLong" "TbeLong"))
-; Strings, they are the same in long and short full score  
-  ("V" "GrandStaff" ("VI" "VII"))
-  ("VaGroup" "GrandStaff" ("VaI" "VaII"))
-  ("Vas" "SimultaneousMusic" ("Va" "VaGroup"))
-  ("Str" "StaffGroup" ("V" "Vas"))
-  ("VceB" "ParallelVoicesStaff" ("VcB" "FiguredBass"))
-  ("VcBGroup" "StaffGroup" ("VcB"))
-  ("BassoContinuo" "StaffGroup" ("VceB"))
-  ("FullStr" "StaffGroup" ("V" "Vas" "VcB"))
-; Choral score
-  ("Solo" "SimultaneousMusic" ("SSolo"))
-  ("Ch" "ChoirStaff" ("S" "A" "T" "B"))
-; Organ score
-; Full scores: Orchestral score and long score including organ
-  ("ChStrQ" "SimultaneousMusic" ("Str" "Solo" "Ch" "VcBGroup"))
-  ("OrchestralScore" "SimultaneousMusic" ("Wd" "Br" "Tim" "Str" "Solo" "Ch" "BassoContinuo"))
-  ("LongScore" "SimultaneousMusic" ("WdLong" "BrLong" "Tim" "Str" "Solo" "Ch" "BassoContinuo"))
-)
-  
-\orchestralVoiceTypes #'(
-  ("FiguredBass" "FiguredBass")
-)
-
-
-% \include "deutsch.ly"
-
-
-
-% TbeKey = {
-%   \key c \major
-%   \transposition c
-% }
-% TbeIKey = \TbeKey
-% TbeIIKey = \TbeKey
-
-CorKey = {
-  \key c \major
-  \transposition f
-}
-CorIKey = \CorKey
-CorIIKey = \CorKey
-
-% TimKey = {
-%   \key c \major
-% }
-
-
-
-CorInstrumentName = \markup{\column{"Corno I,II" "in Fa/F"}}
-CorIInstrumentName = \markup{\column{"Corno I" "in Fa/F"}}
-CorIIInstrumentName = \markup{\column{"Corno II" "in Fa/F"}}
-TbeInstrumentName = \markup{\column{"Trombe I,II" "in Do/C"}}
-TbeIInstrumentName = \markup{\column{"Tromba I" "in Do/C"}}
-TbeIIInstrumentName = \markup{\column{"Tromba II" "in Do/C"}}
-TimInstrumentName = \markup{\column{"Timpani" "in Do/C"}}
-
-%{SClef = \newOrOldClef #"treble" #"soprano"
-AClef = \newOrOldClef #"treble" #"alto"
-TClef = \newOrOldClef #"treble_8" #"tenor"%}
-SClef = \clef #"soprano"
-AClef = \clef #"alto"
-TClef = \clef #"tenor"
-SSoloClef = \SClef
-TSoloClef = \TClef
-
-
-\layout {
-  \context { \Staff 
-    \override VerticalAxisGroup #'minimum-Y-extent = #'(-3.5 . 3.5)
-    \override VerticalAxisGroup #'remove-empty = ##f
-  }
-  \context { \Lyrics
-    \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.7 . 0.3)
-  }
-  \context { \Score
-    \override BarNumber #'self-alignment-X = #0
-%     \override BarNumber #'outside-staff-priority = #10
-  }
-}
diff --git a/Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly b/Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly
deleted file mode 100644
index ec6723ae316d08210d14c2a7d08350cdf569f4c3..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly
+++ /dev/null
@@ -1,47 +0,0 @@
-% changes to the global score settings for single-instrument sheets
-\include "Mozart_BenedictusSitDeus_KV117_Settings.ly"
-
-#(set-default-paper-size "a4")
-% #(set-global-staff-size 21)
-
-\paper {
-    ragged-bottom = ##f
-    ragged-last-bottom = ##f
-  % Allow line-breaks only at rests!
-  #(define page-breaking ly:page-turn-breaking)
-}
-\paper { 
-  foot-separation = #2
-  between-system-padding = #0.5
-}
-\paper {
-  left-margin = 1.5\cm
-  right-margin = 1.5\cm
-  line-width = 18\cm
-  bottom-margin = 0.5\cm
-  top-margin = 0.5\cm
-%   after-title-space = 0.5\cm
-  ragged-bottom = ##f
-  ragged-last-bottom = ##f
-}
-\layout {
-  \context {  \Staff
-    % No instrument names, they are already in the title/header!
-    \remove "Instrument_name_engraver"
-    \override VerticalAxisGroup #'remove-empty = ##f
-  }
-  \context {
-      \RemoveEmptyStaffContext 
-      % No instrument names, they are already in the title/header! (Removing 
-      % the engraver only from the \Staff context is not sufficient!)
-      \remove "Instrument_name_engraver"
-  }
-}
-
-\layout {
-  \context { \Staff
-    % line breaks only at rests for page turning
-    \consists "Page_turn_engraver"
-    minimumPageTurnLength = #(ly:make-moment 9 8)
-  } 
-}
diff --git a/Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly b/Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly
deleted file mode 100644
index eaaf6b0b124725be14ddd4ae3d22950640a17e79..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly
+++ /dev/null
@@ -1,26 +0,0 @@
-% changes to the global score settings for single-instrument sheets
-\include "Mozart_BenedictusSitDeus_KV117_Settings.ly"
-
-#(set-default-paper-size "a4")
-% #(set-global-staff-size 21)
-
-\paper {
-  ragged-bottom = ##f
-  ragged-last-bottom = ##f
-}
-\layout {
-  \context {  \Staff
-    % No instrument names, they are already in the title/header!
-    \remove "Instrument_name_engraver"
-    % line breaks only at rests for page turning
-%     \consists "Page_turn_engraver"
-    \override VerticalAxisGroup #'remove-empty = ##f
-  }
-%   \context {
-%     \RemoveEmptyStaffContext 
-    % No instrument names, they are already in the title/header! (Removing 
-    % the engraver only from the \Staff context is not sufficient!)
-%     \remove "Instrument_name_engraver"
-%   }
-}
-
diff --git a/Mozart_BenedictusSitDeus_KV117_T.ly b/Mozart_BenedictusSitDeus_KV117_T.ly
deleted file mode 100644
index 17300d1a05c3a076daae01dc14bb3611159bc8b8..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_T.ly
+++ /dev/null
@@ -1,8 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-
-\header { instrument = \TInstrumentName }
-
-\createScore #"IAllegro" #'("T")
-\pageBreak
-\createScore #"IIAndante" #'("T")
-\createScore #"IIIAllegro" #'("T")
diff --git a/Mozart_BenedictusSitDeus_KV117_T.pdf b/Mozart_BenedictusSitDeus_KV117_T.pdf
deleted file mode 100644
index 83ae730fd243b402e123ec5e44aa4974312f2910..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_T.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_TbeI.ly b/Mozart_BenedictusSitDeus_KV117_TbeI.ly
deleted file mode 100644
index 460777f03310c78ca42b75800e248ac1f4f1f5ea..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_TbeI.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Tromba I  in Do/C" }
-
-\createScore #"IAllegro" #'("TbeI")
-\createScore #"IIAndante" #'("TbeI")
-\createScore #"IIIAllegro" #'("TbeI")
diff --git a/Mozart_BenedictusSitDeus_KV117_TbeI.pdf b/Mozart_BenedictusSitDeus_KV117_TbeI.pdf
deleted file mode 100644
index 21111875f2f245342d044dc0b426734b52e498f2..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_TbeI.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_TbeII.ly b/Mozart_BenedictusSitDeus_KV117_TbeII.ly
deleted file mode 100644
index 2e10cda89e6d45af41703aff554b290f6daebddd..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_TbeII.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Tromba II in Do/C" }
-
-\createScore #"IAllegro" #'("CorII")
-\createScore #"IIAndante" #'("CorII")
-\createScore #"IIIAllegro" #'("CorII")
diff --git a/Mozart_BenedictusSitDeus_KV117_TbeII.pdf b/Mozart_BenedictusSitDeus_KV117_TbeII.pdf
deleted file mode 100644
index 2a60107013454537e1a52ea0c10c5502cb397303..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_TbeII.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_Tim.ly b/Mozart_BenedictusSitDeus_KV117_Tim.ly
deleted file mode 100644
index 187d5d8f54e7ee37a36734c827c010f094f3bd42..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Tim.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Timpani in Do/C" }
-
-\createScore #"IAllegro" #'("Tim")
-\createScore #"IIAndante" #'("Tim")
-\createScore #"IIIAllegro" #'("Tim")
diff --git a/Mozart_BenedictusSitDeus_KV117_Tim.pdf b/Mozart_BenedictusSitDeus_KV117_Tim.pdf
deleted file mode 100644
index 9bc3cd47e862e87c4730b516af25b56100e453a2..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_Tim.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_VI.ly b/Mozart_BenedictusSitDeus_KV117_VI.ly
deleted file mode 100644
index b15a27df08279270d00c294d79fbe90512dc5cf6..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_VI.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = \VIInstrumentName }
-
-\createScore #"IAllegro" #'("VI")
-\createScore #"IIAndante" #'("VI")
-\createScore #"IIIAllegro" #'("VI")
diff --git a/Mozart_BenedictusSitDeus_KV117_VI.pdf b/Mozart_BenedictusSitDeus_KV117_VI.pdf
deleted file mode 100644
index a1524b6d57cfa114000f50245cc28c9e48aab1f4..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_VI.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_VII.ly b/Mozart_BenedictusSitDeus_KV117_VII.ly
deleted file mode 100644
index b965e444c9b13fc6d7c401b2c5cbb81a38143861..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_VII.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = \VIIInstrumentName }
-
-\createScore #"IAllegro" #'("VII")
-\createScore #"IIAndante" #'("VII")
-\createScore #"IIIAllegro" #'("VII")
diff --git a/Mozart_BenedictusSitDeus_KV117_VII.pdf b/Mozart_BenedictusSitDeus_KV117_VII.pdf
deleted file mode 100644
index 74faf36a2ddb03fadec22f672188fa16e880b277..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_VII.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_Va.ly b/Mozart_BenedictusSitDeus_KV117_Va.ly
deleted file mode 100644
index 8132544ac8dd733f9616f621f059cdeed0954033..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_Va.ly
+++ /dev/null
@@ -1,8 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = \VaInstrumentName }
-
-% Vas is SimultaneousMusic[ Va, StaffGroup[ VaI, VaII ] ]!
-\createScore #"IAllegro" #'("Vas")
-\createScore #"IIAndante" #'("Vas")
-\createScore #"IIIAllegro" #'("Vas")
diff --git a/Mozart_BenedictusSitDeus_KV117_Va.pdf b/Mozart_BenedictusSitDeus_KV117_Va.pdf
deleted file mode 100644
index d9fe1ca65da806c49b590000da059fdd37da5723..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_Va.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_VaI.pdf b/Mozart_BenedictusSitDeus_KV117_VaI.pdf
deleted file mode 100644
index c97b532e0b8b2ec38dffba1d432026abcf1031ba..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_VaI.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_VaII.pdf b/Mozart_BenedictusSitDeus_KV117_VaII.pdf
deleted file mode 100644
index 8770709e6212be04ee71bad39ff9c8c6e31cf8dd..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_VaII.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_VcB.ly b/Mozart_BenedictusSitDeus_KV117_VcB.ly
deleted file mode 100644
index b63d249f16bc6e86a64fe347cf3352a4bdc26aca..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_VcB.ly
+++ /dev/null
@@ -1,7 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Instrument.ly"
-
-\header { instrument = "Violoncello e Contrabbasso" }
-
-\createScore #"IAllegro" #'("VcB")
-\createScore #"IIAndante" #'("VcB")
-\createScore #"IIIAllegro" #'("VcB")
diff --git a/Mozart_BenedictusSitDeus_KV117_VcB.pdf b/Mozart_BenedictusSitDeus_KV117_VcB.pdf
deleted file mode 100644
index e28fdc880ffb9d432b88600a29aaa8f13ef294dd..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_VcB.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_VocalScore.ly b/Mozart_BenedictusSitDeus_KV117_VocalScore.ly
deleted file mode 100644
index c61955de0770b940cc81d0513322608b88e6026e..0000000000000000000000000000000000000000
--- a/Mozart_BenedictusSitDeus_KV117_VocalScore.ly
+++ /dev/null
@@ -1,17 +0,0 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Vocal.ly"
-#(set-global-staff-size 16)
-
-\header { 
-  instrument = \ChInstrumentTitle
-  scoretype = "Chorpartitur mit Solo / Vocal Score with Solo"
-}
-
-\paper {
-  ragged-bottom = ##f
-  ragged-last-bottom = ##f
-  #(define (page-post-process layout pages) (oly:create-toc-file layout pages))
-}
-
-\createScore #"IAllegro" #'("SSolo" "Ch")
-\createScore #"IIAndante" #'("SSolo" "Ch")
-\createScore #"IIIAllegro" #'("SSolo" "Ch")
diff --git a/Mozart_BenedictusSitDeus_KV117_VocalScore.pdf b/Mozart_BenedictusSitDeus_KV117_VocalScore.pdf
deleted file mode 100644
index 6db2691445c325ed6f1fd5b1c4774b59c9f6c55d..0000000000000000000000000000000000000000
Binary files a/Mozart_BenedictusSitDeus_KV117_VocalScore.pdf and /dev/null differ
diff --git a/Mozart_BenedictusSitDeus_KV117_01_Allegro.ly b/Mozart_BenedictusSitDeus_Music_01_Allegro.ily
similarity index 96%
rename from Mozart_BenedictusSitDeus_KV117_01_Allegro.ly
rename to Mozart_BenedictusSitDeus_Music_01_Allegro.ily
index e0e6eb1c38e8b98ef09be591ce94109eb0728f96..516bce4363178af5a99a8a98925d04492c4feea7 100644
--- a/Mozart_BenedictusSitDeus_KV117_01_Allegro.ly
+++ b/Mozart_BenedictusSitDeus_Music_01_Allegro.ily
@@ -1,15 +1,14 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Global.ly"
+\version "2.13.1"
 
 IAllegroPieceName = "Coro"
 IAllegroPieceNameTacet = "Coro tacet (Allegro, 45 Takte)"
 IAllegroTempo = "Allegro."
 
-IAllegroKey = \notemode {
-	\key c\major
-}
-IAllegroSettings = \notemode {	
+IAllegroKey = \key c \major
+IAllegroTimeSignature = \time 4/4
+
+IAllegroSettings = \notemode {
   \tempo \IAllegroTempo
-  \time 4/4
 }
 
 
@@ -56,6 +55,7 @@ IAllegroTbeIMusic = \relative c'' {
   r2 d4 e | % 44
   d2 c4 r \bar"|."
 }
+\addQuote "IAllegroTbeIMusic" { \IAllegroTbeIMusic }
 
 IAllegroTbeIIMusic = \relative c' {
   e4 r8 g8 e4 r | % 2
@@ -96,6 +96,7 @@ IAllegroTbeIIMusic = \relative c' {
   r2 g4 c~ | % 44
   c g e r \bar"|."
 }
+\addQuote "IAllegroTbeIIMusic" { \IAllegroTbeIIMusic }
 
 IAllegroTimMusic = \relative c {
   c4 r8 g8 c4 r | % 2
@@ -123,6 +124,7 @@ IAllegroTimMusic = \relative c {
   r2 g4 g8[ g] | % 44
   g4 g c r \bar"|."
 }
+\addQuote "IAllegroTimMusic" { \IAllegroTimMusic }
 
 IAllegroVIMusic = \relative c'' {
   c8[ c, e g] c[ e16 f] g8[ c,] | % 2
@@ -174,6 +176,7 @@ IAllegroVIMusic = \relative c'' {
   g[ f a a,] f'[ f e e] | % 44
   d[ c' d, h'] c8[ \once \override Stem #'direction = #UP c,,] r4 \bar"|."
 }
+\addQuote "IAllegroVIMusic" { \IAllegroVIMusic }
 
 IAllegroVIIMusic = \relative c'' {
   c8[ c, e g] c c,4 g'8 | % 2
@@ -225,6 +228,7 @@ IAllegroVIIMusic = \relative c'' {
   c[ c f f] d[ d c c] | % 44
   c[ d h d] \once \override Stem #'direction = #DOWN e[ c,] r4 \bar"|."
 }
+\addQuote "IAllegroVIIMusic" { \IAllegroVIIMusic }
 
 IAllegroVaMusic = \relative c'' {
   c8[ c, e g] c[ g] r c, | % 2
@@ -270,6 +274,7 @@ IAllegroVaMusic = \relative c'' {
   a8[ a d d] g[ g g g] | % 44
   g[ g g g] g[ c,] r4 \bar"|."
 }
+\addQuote "IAllegroVaMusic" { \IAllegroVaMusic }
 
 IAllegroSMusic = \relative c'' {
   c4. h8 c16[( h]) c8 r c | % 2
@@ -319,6 +324,45 @@ IAllegroSMusic = \relative c'' {
   
   
 }
+\addQuote "IAllegroSMusic" { \IAllegroSMusic }
+
+IAllegroSLyrics = \lyricmode {
+  Be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  sit De -- us, De -- us, De -- us pa -- ter, 
+  u -- ni -- ge -- ni -- 
+  % 5
+  tus -- que, 
+  u -- ni -- ge -- ni -- tus -- que De -- i fi -- li -- us, 
+  san -- ctus quo -- que Spi -- ri -- tus, 
+  san -- ctus quo -- que Spi -- ri -- tus, 
+  % 10
+  qui -- a fe -- cit, 
+  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am
+  % 15
+  su -- am. 
+  Be -- ne -- di -- ctus, 
+  be -- ne -- di -- ctus sit De -- us, De -- us, 
+  De -- us pa -- 
+  % 20
+  ter, be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  be -- ne -- di -- ctus sit De -- us fi -- li -- us, 
+  be -- ne -- di -- ctus
+  % 25
+  sit san -- ctus Spi -- ri -- tus, 
+  be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  u -- ni -- ge -- ni -- tus -- que, u -- ni -- ge -- ni --
+  % 30
+  tus -- que De -- i fi -- li -- us, 
+  san -- ctus quo -- que, 
+  san -- ctus quo -- que Spi -- ri -- tus, 
+  % 35
+  qui -- a fe -- cit, 
+  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- cor -- di -- am 
+  % 40
+  su -- am, mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- cor -- di -- am su -- am.
+}
 
 IAllegroAMusic = \relative c'' {
   g4. g8 g g r g | % 2
@@ -366,6 +410,45 @@ IAllegroAMusic = \relative c'' {
   g8 f a4 g2~ | % 44
   g2 g4 r \bar"|."
 }
+\addQuote "IAllegroAMusic" { \IAllegroAMusic }
+
+IAllegroALyrics = \lyricmode {
+  Be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  sit De -- us, De -- us pa -- ter, 
+  u -- ni -- ge -- ni -- 
+  % 5
+  tus -- que, 
+  u -- ni -- ge -- ni -- tus -- que De -- i fi -- li -- us, 
+  san -- ctus quo -- que Spi -- ri -- tus, 
+  % 10
+  qui -- a fe -- cit,
+  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- cor -- di -- am
+  % 15
+  su -- am. 
+  Be -- ne -- di -- ctus, 
+  be -- ne -- di -- ctus sit De -- us, 
+  De -- us pa -- 
+  % 20
+  ter, be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  be -- ne -- di -- ctus sit De -- us fi -- li -- us, 
+  be -- ne -- di -- ctus
+  % 25
+  sit san -- ctus Spi -- ri -- tus, 
+  be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  u -- ni -- ge -- ni -- tus -- que, u -- ni -- ge -- ni --
+  % 30
+  tus -- que De -- i fi -- li -- us, 
+  san -- ctus quo -- que, 
+  san -- ctus quo -- que, __ san -- ctus quo -- que Spi -- ri -- tus, 
+  % 35
+  qui -- a fe -- cit, 
+  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- cor -- di -- am, mi -- se -- ri -- cor -- 
+  % 40
+  di -- am su -- am, mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- cor -- di -- am su -- am.
+}
 
 IAllegroTMusic = \relative c' {
   e4. d8 e16[( d]) e8 r c | % 2
@@ -411,6 +494,42 @@ IAllegroTMusic = \relative c' {
   a a d d d4 c8 c | % 44
   c4( h) c4 r \bar"|."
 }
+\addQuote "IAllegroTMusic" { \IAllegroTMusic }
+
+IAllegroTLyrics = \lyricmode {
+  Be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  sit De -- us, De -- us pa -- ter, 
+  u -- ni -- ge -- ni -- 
+  % 5
+  tus -- que, 
+  u -- ni -- ge -- ni -- tus -- que De -- i fi -- li -- us, 
+  san -- ctus, san -- ctus quo -- que Spi -- ri -- tus, 
+  % 10
+  qui -- a fe -- cit mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- 
+  % 15
+  cor -- di -- am su -- am. 
+  Be -- ne -- di -- ctus, 
+  be -- ne -- di -- ctus sit De -- us, De -- us,
+  De -- us pa -- 
+  % 20
+  ter, be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  be -- ne -- di -- ctus sit De -- us fi -- li -- us, 
+  be -- ne -- di -- ctus
+  % 25
+  sit san -- ctus Spi -- ri -- tus, 
+  be -- ne -- di -- ctus sit De -- us pa -- ter, 
+  u -- ni -- ge -- ni -- tus -- que, u -- ni -- ge -- ni -- tus -- que De -- i 
+  % 30
+  fi -- li -- us, De -- i  fi -- li -- us,
+  san -- ctus, san -- ctus quo -- que Spi -- ri -- tus, 
+  % 35
+  qui -- a fe -- cit, 
+  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
+  % 40
+  su -- am, mi -- se -- ri -- cor -- di -- am, 
+  mi -- se -- ri -- cor -- di -- am su -- am.
+}
 
 IAllegroBMusic = \relative c' {
   c4. g8 c8 c, r e | % 2
@@ -457,117 +576,7 @@ IAllegroBMusic = \relative c' {
   f8 f f f g4 g8 g | % 44
   g,2 c4 r \bar"|."
 }
-
-IAllegroSLyrics = \lyricmode {
-  Be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  sit De -- us, De -- us, De -- us pa -- ter, 
-  u -- ni -- ge -- ni -- 
-  % 5
-  tus -- que, 
-  u -- ni -- ge -- ni -- tus -- que De -- i fi -- li -- us, 
-  san -- ctus quo -- que Spi -- ri -- tus, 
-  san -- ctus quo -- que Spi -- ri -- tus, 
-  % 10
-  qui -- a fe -- cit, 
-  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am
-  % 15
-  su -- am. 
-  Be -- ne -- di -- ctus, 
-  be -- ne -- di -- ctus sit De -- us, De -- us, 
-  De -- us pa -- 
-  % 20
-  ter, be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  be -- ne -- di -- ctus sit De -- us fi -- li -- us, 
-  be -- ne -- di -- ctus
-  % 25
-  sit san -- ctus Spi -- ri -- tus, 
-  be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  u -- ni -- ge -- ni -- tus -- que, u -- ni -- ge -- ni --
-  % 30
-  tus -- que De -- i fi -- li -- us, 
-  san -- ctus quo -- que, 
-  san -- ctus quo -- que Spi -- ri -- tus, 
-  % 35
-  qui -- a fe -- cit, 
-  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- cor -- di -- am 
-  % 40
-  su -- am, mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- cor -- di -- am su -- am.
-}
-
-IAllegroALyrics = \lyricmode {
-  Be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  sit De -- us, De -- us pa -- ter, 
-  u -- ni -- ge -- ni -- 
-  % 5
-  tus -- que, 
-  u -- ni -- ge -- ni -- tus -- que De -- i fi -- li -- us, 
-  san -- ctus quo -- que Spi -- ri -- tus, 
-  % 10
-  qui -- a fe -- cit,
-  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- cor -- di -- am
-  % 15
-  su -- am. 
-  Be -- ne -- di -- ctus, 
-  be -- ne -- di -- ctus sit De -- us, 
-  De -- us pa -- 
-  % 20
-  ter, be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  be -- ne -- di -- ctus sit De -- us fi -- li -- us, 
-  be -- ne -- di -- ctus
-  % 25
-  sit san -- ctus Spi -- ri -- tus, 
-  be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  u -- ni -- ge -- ni -- tus -- que, u -- ni -- ge -- ni --
-  % 30
-  tus -- que De -- i fi -- li -- us, 
-  san -- ctus quo -- que, 
-  san -- ctus quo -- que, __ san -- ctus quo -- que Spi -- ri -- tus, 
-  % 35
-  qui -- a fe -- cit, 
-  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- cor -- di -- am, mi -- se -- ri -- cor -- 
-  % 40
-  di -- am su -- am, mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- cor -- di -- am su -- am.
-}
-
-IAllegroTLyrics = \lyricmode {
-  Be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  sit De -- us, De -- us pa -- ter, 
-  u -- ni -- ge -- ni -- 
-  % 5
-  tus -- que, 
-  u -- ni -- ge -- ni -- tus -- que De -- i fi -- li -- us, 
-  san -- ctus, san -- ctus quo -- que Spi -- ri -- tus, 
-  % 10
-  qui -- a fe -- cit mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- 
-  % 15
-  cor -- di -- am su -- am. 
-  Be -- ne -- di -- ctus, 
-  be -- ne -- di -- ctus sit De -- us, De -- us,
-  De -- us pa -- 
-  % 20
-  ter, be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  be -- ne -- di -- ctus sit De -- us fi -- li -- us, 
-  be -- ne -- di -- ctus
-  % 25
-  sit san -- ctus Spi -- ri -- tus, 
-  be -- ne -- di -- ctus sit De -- us pa -- ter, 
-  u -- ni -- ge -- ni -- tus -- que, u -- ni -- ge -- ni -- tus -- que De -- i 
-  % 30
-  fi -- li -- us, De -- i  fi -- li -- us,
-  san -- ctus, san -- ctus quo -- que Spi -- ri -- tus, 
-  % 35
-  qui -- a fe -- cit, 
-  qui -- a fe -- cit no -- bis -- cum mi -- se -- ri -- cor -- di -- am, 
-  % 40
-  su -- am, mi -- se -- ri -- cor -- di -- am, 
-  mi -- se -- ri -- cor -- di -- am su -- am.
-}
+\addQuote "IAllegroBMusic" { \IAllegroBMusic }
 
 IAllegroBLyrics = \lyricmode {
   Be -- ne -- di -- ctus sit De -- us pa -- ter, 
@@ -605,7 +614,7 @@ IAllegroBLyrics = \lyricmode {
 }
 
 
-IAllegroVcBMusic = \relative c' {
+IAllegroBCMusic = \relative c' {
   c8[ c, e g] c[ c,16 d] e8[ e] | % 2
   f[ g a h] c[ c,16 d] e8[ c] | % 3
   d4. d8 e4. f8 | % 4
@@ -644,16 +653,14 @@ IAllegroVcBMusic = \relative c' {
   d8[ d d d] h[ h h h] | % 39
   h[ h c c] g'[ g c, c] | \barNumberCheck #40
   \override Stem #'direction = #DOWN
-  g'[ g 
-  \revert Stem #'direction 
-  g, g] c[ c d e] | % 41
+  g'[ g \revert Stem #'direction g, g] c[ c d e] | % 41
   f4. e8 d4. c8 | % 42
   h4 a8[ g] e'[ e e e] | % 43
   f[ f f f] g[ g g g] | % 44
   g,[ g g g] c4 r \bar"|."
 }
 
-IAllegroFiguredBassMusic = \figuremode {
+IAllegroBCFbMusic = \figuremode {
   s4 < 6 >8 s s s \set useBassFigureExtenders = ##t <6> <6> \set useBassFigureExtenders = ##f | % 2
   <6> <6 4> <6> <6 5> s4 <6>8 s | % 3
   \set useBassFigureExtenders = ##t <7 3> <6 3> <8 3> <8 3> <9 7> <8 6> <8 6> <6\!>16 <5> | % 4
@@ -696,3 +703,5 @@ IAllegroFiguredBassMusic = \figuremode {
   <9 5\!> <8 5> <8 6> <8 6> <7 5> <7 5> <6 4> <6 4> | % 44
   <5 4> <5 4> <5 3> <5 3> s4 s \bar"|."
 }
+
+IAllegroVcBMusic = \IAllegroBCMusic
diff --git a/Mozart_BenedictusSitDeus_KV117_02_Andante.ly b/Mozart_BenedictusSitDeus_Music_02_Andante.ily
similarity index 97%
rename from Mozart_BenedictusSitDeus_KV117_02_Andante.ly
rename to Mozart_BenedictusSitDeus_Music_02_Andante.ily
index 061f1105267ff9f020391a37d532b8979ae773b2..ce19bba254ffbc0727211dfb98393e2c6de69167 100644
--- a/Mozart_BenedictusSitDeus_KV117_02_Andante.ly
+++ b/Mozart_BenedictusSitDeus_Music_02_Andante.ily
@@ -1,15 +1,14 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Global.ly"
+\version "2.13.1"
 
 IIAndantePieceName = "Aria"
 IIAndantePieceNameTacet = "Aria tacet (Andante, 96 Takte)"
-IIAndanteTempo = "Andante." 
+IIAndanteTempo = "Andante."
+
+IIAndanteKey = \key f \major
+IIAndanteTimeSignature = \time 2/4
 
-IIAndanteKey = \notemode {
-  \key f \major
-}
 IIAndanteSettings = \notemode {
   \tempo \IIAndanteTempo
-  \time 2/4
 }
 
 IIAndanteCueLabels = \notemode {
@@ -96,6 +95,7 @@ IIAndanteFlIMusic = \relative c'' {
   a4 g\trill | % 96
   f8[ c'32( b a g]) f4 \bar"|."
 }
+\addQuote "IIAndanteFlIMusic" { \IIAndanteFlIMusic }
 
 IIAndanteFlIIMusic = \relative c'' {
   R2*2 | % 3
@@ -175,6 +175,7 @@ IIAndanteFlIIMusic = \relative c'' {
   f4. e8 | % 96
   f8[ a32( g f e]) f4 \bar"|."
 }
+\addQuote "IIAndanteFlIIMusic" { \IIAndanteFlIIMusic }
 
 IIAndanteCorIMusic = \relative c'' {
   \transposition f'
@@ -265,6 +266,7 @@ IIAndanteCorIMusic = \relative c'' {
   e4 d\trill | % 96
   c8[ c] c4 \bar"|."
 }
+\addQuote "IIAndanteCorIMusic" { \IIAndanteCorIMusic }
 
 IIAndanteCorIIMusic = \relative c'' {
   \transposition f'
@@ -355,6 +357,7 @@ IIAndanteCorIIMusic = \relative c'' {
   c'4. g8 | % 96
   e8[ e] e4 \bar"|."
 }
+\addQuote "IIAndanteCorIIMusic" { \IIAndanteCorIIMusic }
 
 IIAndanteVIMusic = \relative c'' {
   c4. f8 | % 2
@@ -454,6 +457,7 @@ IIAndanteVIMusic = \relative c'' {
   c,4 g''8.[\trill f32 g] |
   f8[ c32( b a g)] f4 \bar"|."
 }
+\addQuote "IIAndanteVIMusic" { \IIAndanteVIMusic }
 
 IIAndanteVIIMusic = \relative c' {
   c16[ f a f] c[ f a f] | % 2
@@ -556,6 +560,7 @@ IIAndanteVIIMusic = \relative c' {
   c,16[ f' f f] f[ f e e] | % 96
   f8[ a,32( g f e]) f4 \bar"|."
 }
+\addQuote "IIAndanteVIIMusic" { \IIAndanteVIIMusic }
 
 IIAndanteVaIMusic = \relative c' {
   c4. f8 | % 2
@@ -655,6 +660,7 @@ IIAndanteVaIMusic = \relative c' {
   c8[ c] c4 \bar "|." 
   
 }
+\addQuote "IIAndanteVaIMusic" { \IIAndanteVaIMusic }
 
 IIAndanteVaIIMusic = \relative c' {
   R2*2 | % 3
@@ -750,6 +756,7 @@ IIAndanteVaIIMusic = \relative c' {
   c4:16 c16[ c b b] | % 96
   a8[ f] f4 \bar"|."
 }
+\addQuote "IIAndanteVaIIMusic" { \IIAndanteVaIIMusic }
 
 IIAndanteSSoloMusic = \relative c'' {
   R2*16 | % 17
@@ -822,6 +829,7 @@ IIAndanteSSoloMusic = \relative c'' {
   f4 r | % 89
   R2*8 \bar"|."
 }
+\addQuote "IIAndanteSSoloMusic" { \IIAndanteSSoloMusic }
 
 IIAndanteSSoloLyrics = \lyricmode {
   In -- tro -- i -- bo, 
@@ -865,7 +873,7 @@ IIAndanteSSoloLyrics = \lyricmode {
   % 90
 }
 
-IIAndanteVcBMusic = \relative c {
+IIAndanteBCMusic = \relative c {
   r8 f8[ a f] | % 2 
   c'8[ b] a4 | % 3
   r8 f16[ g] a8[ f] | % 4
@@ -964,9 +972,6 @@ IIAndanteVcBMusic = \relative c {
   f[ f,] f'4 \bar"|."
 }
 
-
-
-
 IIAndanteFiguredBassMusic = \figuremode {
   \IIAndanteSettings
   s4 <6>8 s | % 2
@@ -1064,3 +1069,6 @@ IIAndanteFiguredBassMusic = \figuremode {
   <6 4> <6 4> <5 4> <5 3> | % 96
   s2 \bar"|."
 }
+
+IIAndanteVcBMusic = \IIAndanteBCMusic
+\addQuote "IIAndanteVcBMusic" { \IIAndanteVcBMusic }
diff --git a/Mozart_BenedictusSitDeus_KV117_03_Allegro.ly b/Mozart_BenedictusSitDeus_Music_03_Allegro.ily
similarity index 96%
rename from Mozart_BenedictusSitDeus_KV117_03_Allegro.ly
rename to Mozart_BenedictusSitDeus_Music_03_Allegro.ily
index 37be8a49b4a76f5f505ea8c82e1f9d0732533928..ce91b7c6423d95f4977af9a2e3a2a29a6628b1a9 100644
--- a/Mozart_BenedictusSitDeus_KV117_03_Allegro.ly
+++ b/Mozart_BenedictusSitDeus_Music_03_Allegro.ily
@@ -1,15 +1,14 @@
-\include "Mozart_BenedictusSitDeus_KV117_Settings_Global.ly"
+\version "2.13.1"
 
 IIIAllegroPieceName = "Coro"
 IIIAllegroPieceNameTacet = "Coro tacet (Allegro, 48 Takte)"
 IIIAllegroTempo = "Allegro."
 
-IIIAllegroKey = \notemode {
-    \key c\major
-}
-IIIAllegroSettings = \notemode {  
+IIIAllegroKey = \key c \major
+IIIAllegroTimeSignature = \time 4/4
+
+IIIAllegroSettings = \notemode {
   \tempo \IIIAllegroTempo
-  \time 4/4
 }
 
 
@@ -58,6 +57,7 @@ IIIAllegroTbeIMusic = \relative c'' {
   c4 d c d | % 48
   c8.[ c16] c8[ c] c2 \bar "|."
 }
+\addQuote "IIIAllegroTbeIMusic" { \IIIAllegroTbeIMusic }
 
 IIIAllegroTbeIIMusic = \relative c' {
   c4 c c r | % 2
@@ -100,6 +100,7 @@ IIIAllegroTbeIIMusic = \relative c' {
   e8 c'4 g8 e8 c'4 g8 | % 48
   e8.[ e16] e8[ e] e2 \bar"|."
 }
+\addQuote "IIIAllegroTbeIIMusic" { \IIIAllegroTbeIIMusic }
 
 IIIAllegroTimMusic = \relative c {
   c4 r4 r2 | % 2
@@ -130,6 +131,7 @@ IIIAllegroTimMusic = \relative c {
   c4 r8 g c4 r8 g8 | % 48
   c8.[ c16] c8[ c] c2 \bar"|."  
 }
+\addQuote "IIIAllegroTimMusic" { \IIIAllegroTimMusic }
 
 IIIAllegroVIMusic = \relative c'' {
   c8[ c'16 h] c8[ c,16 h] c16[ d e f] g[ e d c] | % 2
@@ -177,6 +179,7 @@ IIIAllegroVIMusic = \relative c'' {
   c[ e g c] d,[ c' d, h'] c[ g e c] d[ c' d, h'] |
   c4 <c, e, g,>8[ <c e, g,>] <c e, g,>4 r4 \bar"|."
 }
+\addQuote "IIIAllegroVIMusic" { \IIIAllegroVIMusic }
 
 IIIAllegroVIIMusic = \relative c' {
   e8[ e' f f,] g c,4 c'8~ | % 2
@@ -224,6 +227,7 @@ IIIAllegroVIIMusic = \relative c' {
   c[ e g c] d,[ c' d, h'] c[ g e c] d[ c' d, h'] |
   c4 <c, e, g,>8[ <c e, g,>] <c e, g,>4 r4 \bar"|."
 }
+\addQuote "IIIAllegroVIIMusic" { \IIIAllegroVIIMusic }
 
 IIIAllegroVaMusic = \relative c' {
   c8[ c d d] e16[ f g f] e8[ g] | % 2
@@ -317,6 +321,46 @@ IIIAllegroSMusic = \relative c'' {
   c8 e r8 d16 d e8 c r d16 h | % 48
   c8 c r4 r2 \bar"|."
 }
+\addQuote "IIIAllegroSMusic" { \IIIAllegroSMusic }
+
+IIIAllegroSLyrics = \lyricmode {
+  Ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te De -- o o -- mnis ter -- ra,
+  % 5
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  Psal -- mum di -- ci -- te no -- mi -- ni e -- jus, 
+  da -- te
+  % 10
+  glo -- ri -- am lau -- di e -- jus.
+  Ju -- bi -- la -- te.
+  % 15
+  Ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  % 20
+  ju -- bi -- la -- te De -- o o -- mnis ter -- ra, 
+  % 25
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 30
+  Ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 35
+  Ju -- bi -- la -- te,
+  % 40
+  ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la --
+  % 45
+  te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te.
+}
 
 IIIAllegroAMusic = \relative c' {
   e4 f g16[( f]) e[( f]) g8 g | % 2
@@ -362,6 +406,47 @@ IIIAllegroAMusic = \relative c' {
   g8 g r g16 g g8 g r g16 g | % 48
   g8 g r4 r2 \bar"|."
 }
+\addQuote "IIIAllegroAMusic" { \IIIAllegroAMusic }
+
+IIIAllegroALyrics = \lyricmode {
+  Ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te De -- o o -- mnis ter -- ra,
+  % 5
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 10
+  Ju -- bi -- la -- te.
+  % 15
+  Ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te,
+  ju -- bi -- la -- te,
+  ju -- bi -- 
+  % 20
+  la -- te, 
+  ju -- bi -- la -- te De -- o o -- mnis ter -- 
+  % 25
+  ra, 
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 30
+  Ju -- bi -- la -- te.
+  % 35
+  Psal -- mum di -- ci -- te no -- mi -- ni e -- jus, 
+  da -- te glo -- ri -- am lau -- di e -- jus.
+  Ju -- bi -- la -- te,
+  % 40
+  ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la --
+  % 45
+  te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te.
+}
 
 IIIAllegroTMusic = \relative c' {
   r2 r4 c8 c8 | % 2
@@ -406,6 +491,50 @@ IIIAllegroTMusic = \relative c' {
   e c r h16 h c8 e r f16 d | % 48
   e8 e r4 r2 \bar"|."
 }
+\addQuote "IIIAllegroTMusic" { \IIIAllegroTMusic }
+
+IIIAllegroTLyrics = \lyricmode {
+  Ju -- bi -- la -- te, 
+  ju -- bi -- la -- te
+  % 5
+  De -- o o -- mnis ter -- ra, 
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 10
+  Ju -- bi -- la -- te.
+  Psal -- mum di -- ci -- te no -- mi -- ni e -- jus, 
+  da -- te
+  % 15
+  glo -- ri -- am lau -- di e -- jus.
+  Ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te,
+  ju -- bi -- la -- te,
+  ju -- bi -- 
+  % 20
+  la -- te, 
+  ju -- bi -- la -- te De -- o o -- mnis ter -- ra, 
+  % 25
+  ju -- bi -- la -- te, ju -- bi -- la -- te,
+  ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 30
+  Ju -- bi -- la -- te, ju -- bi -- la -- te.
+  % 35
+  Ju -- bi -- la -- te, ju -- bi -- la -- te,
+  ju -- bi --
+  % 40
+  la -- te,
+  ju -- bi -- la -- te,
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la --
+  % 45
+  te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te, 
+  ju -- bi -- la -- te.
+}
 
 IIIAllegroBMusic = \relative c {
   c4 d e16[( d]) c[( d]) e8 e | % 2
@@ -450,128 +579,7 @@ IIIAllegroBMusic = \relative c {
   c,8 c r g'16 g c8 c, r g'16 g | % 48
   c8 c, r4 r2 \bar"|."
 }
-
-IIIAllegroSLyrics = \lyricmode {
-  Ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te De -- o o -- mnis ter -- ra,
-  % 5
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  Psal -- mum di -- ci -- te no -- mi -- ni e -- jus, 
-  da -- te
-  % 10
-  glo -- ri -- am lau -- di e -- jus.
-  Ju -- bi -- la -- te.
-  % 15
-  Ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  % 20
-  ju -- bi -- la -- te De -- o o -- mnis ter -- ra, 
-  % 25
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 30
-  Ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 35
-  Ju -- bi -- la -- te,
-  % 40
-  ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la --
-  % 45
-  te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te.
-}
-
-IIIAllegroALyrics = \lyricmode {
-  Ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te De -- o o -- mnis ter -- ra,
-  % 5
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 10
-  Ju -- bi -- la -- te.
-  % 15
-  Ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te,
-  ju -- bi -- la -- te,
-  ju -- bi -- 
-  % 20
-  la -- te, 
-  ju -- bi -- la -- te De -- o o -- mnis ter -- 
-  % 25
-  ra, 
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 30
-  Ju -- bi -- la -- te.
-  % 35
-  Psal -- mum di -- ci -- te no -- mi -- ni e -- jus, 
-  da -- te glo -- ri -- am lau -- di e -- jus.
-  Ju -- bi -- la -- te,
-  % 40
-  ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la --
-  % 45
-  te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te.
-}
-
-IIIAllegroTLyrics = \lyricmode {
-  Ju -- bi -- la -- te, 
-  ju -- bi -- la -- te
-  % 5
-  De -- o o -- mnis ter -- ra, 
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 10
-  Ju -- bi -- la -- te.
-  Psal -- mum di -- ci -- te no -- mi -- ni e -- jus, 
-  da -- te
-  % 15
-  glo -- ri -- am lau -- di e -- jus.
-  Ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te,
-  ju -- bi -- la -- te,
-  ju -- bi -- 
-  % 20
-  la -- te, 
-  ju -- bi -- la -- te De -- o o -- mnis ter -- ra, 
-  % 25
-  ju -- bi -- la -- te, ju -- bi -- la -- te,
-  ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 30
-  Ju -- bi -- la -- te, ju -- bi -- la -- te.
-  % 35
-  Ju -- bi -- la -- te, ju -- bi -- la -- te,
-  ju -- bi --
-  % 40
-  la -- te,
-  ju -- bi -- la -- te,
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la --
-  % 45
-  te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te, 
-  ju -- bi -- la -- te.
-}
+\addQuote "IIIAllegroBMusic" { \IIIAllegroBMusic }
 
 IIIAllegroBLyrics = \lyricmode {
   Ju -- bi -- la -- te, 
@@ -623,7 +631,7 @@ IIIAllegroBLyrics = \lyricmode {
 }
 
 
-IIIAllegroVcBMusic = \relative c {
+IIIAllegroBCMusic = \relative c {
   c8[ c d d] e16[ d c d] e8[ e] | % 2
   f[ g a h] c[ c, e g] | % 3
   c4 r r2 | % 4
@@ -671,9 +679,7 @@ IIIAllegroVcBMusic = \relative c {
   c8.[ c'16] g16.[ c32 g16. e32] c2 \bar"|."  
 }
 
-
-
-IIIAllegroFiguredBassMusic = \figuremode {
+IIIAllegroBCFbMusic = \figuremode {
   \IIIAllegroSettings
   \set useBassFigureExtenders = ##t 
   <8 3>8 <5 3>8 <5 3\!> <5 3> <6> <6> <6> <6> | % 2
@@ -719,4 +725,5 @@ IIIAllegroFiguredBassMusic = \figuremode {
   s s <5 4> <5 3> s s <5 4> <5 3> | % 48
   s1 \bar"|."
 }
-% IIIAllegroFiguredBassStaff = \new FiguredBass \IIIAllegroFiguredBassMusic
+
+IIIAllegroVcBMusic = \IIIAllegroBCMusic
\ No newline at end of file
diff --git a/Mozart_BenedictusSitDeus_Score_Choral.ly b/Mozart_BenedictusSitDeus_Score_Choral.ly
new file mode 100644
index 0000000000000000000000000000000000000000..91498d4922b92703f1272ef4316063231ed5db84
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Score_Choral.ly
@@ -0,0 +1,14 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalScore.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \ChoralScoreTitle
+  scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
+}
+
+\createNoCuesScore #"IAllegro" #'("ChoralScore")
+\createNoCuesScore #"IIAndante" #'("ChoralScore")
+\createNoCuesScore #"IIIAllegro" #'("ChoralScore")
+
diff --git a/Mozart_BenedictusSitDeus_Score_Full.ly b/Mozart_BenedictusSitDeus_Score_Full.ly
new file mode 100644
index 0000000000000000000000000000000000000000..2ff136b8a0b447910ee2629dc95a30f2ce85e50b
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Score_Full.ly
@@ -0,0 +1,14 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_FullScore.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \FullScoreTitle
+  scorenumber = \markup{\scoreNumber \FullScoreNumber}
+}
+
+\createNoCuesScore #"IAllegro" #'("FullScore")
+\createNoCuesScore #"IIAndante" #'("FullScore")
+\createNoCuesScore #"IIIAllegro" #'("FullScore")
+
diff --git a/Mozart_BenedictusSitDeus_Score_Long.ly b/Mozart_BenedictusSitDeus_Score_Long.ly
new file mode 100644
index 0000000000000000000000000000000000000000..12190af8a130dd90229d0c13241c6a81ffcbefe9
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Score_Long.ly
@@ -0,0 +1,14 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_FullScore.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \LongScoreTitle
+  scorenumber = \markup{\scoreNumber \LongScoreNumber}
+}
+
+\createNoCuesScore #"IAllegro" #'("LongScore")
+\createNoCuesScore #"IIAndante" #'("LongScore")
+\createNoCuesScore #"IIIAllegro" #'("LongScore")
+
diff --git a/Mozart_BenedictusSitDeus_Score_Original.ly b/Mozart_BenedictusSitDeus_Score_Original.ly
new file mode 100644
index 0000000000000000000000000000000000000000..57530562db592d9aa12709e0eef7f1db9fe3afa9
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Score_Original.ly
@@ -0,0 +1,14 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_FullScore.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \OriginalScoreTitle
+  scorenumber = \markup{\scoreNumber \OriginalScoreNumber}
+}
+
+\createNoCuesScore #"IAllegro" #'("OriginalScore")
+\createNoCuesScore #"IIAndante" #'("OriginalScore")
+\createNoCuesScore #"IIIAllegro" #'("OriginalScore")
+
diff --git a/Mozart_BenedictusSitDeus_Score_Particell.ly b/Mozart_BenedictusSitDeus_Score_Particell.ly
new file mode 100644
index 0000000000000000000000000000000000000000..80cb68637675866d5797bd4fece60d2cb6e37ebe
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Score_Particell.ly
@@ -0,0 +1,14 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_FullScore.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \ParticellTitle
+  scorenumber = \markup{\scoreNumber \ParticellNumber}
+}
+
+\createNoCuesScore #"IAllegro" #'("Particell")
+\createNoCuesScore #"IIAndante" #'("Particell")
+\createNoCuesScore #"IIIAllegro" #'("Particell")
+
diff --git a/Mozart_BenedictusSitDeus_Score_Vocal.ly b/Mozart_BenedictusSitDeus_Score_Vocal.ly
new file mode 100644
index 0000000000000000000000000000000000000000..e3fb57422d3f7a301941ff40034f31183a01c070
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Score_Vocal.ly
@@ -0,0 +1,14 @@
+\version "2.13.1"
+\include "Mozart_BenedictusSitDeus_Settings_VocalScore.ily"
+\setCreateMIDI ##t
+\setCreatePDF ##t
+
+\header {
+  scoretype = \VocalScoreTitle
+  scorenumber = \markup{\scoreNumber \VocalScoreNumber}
+}
+
+\createNoCuesScore #"IAllegro" #'("VocalScore")
+\createNoCuesScore #"IIAndante" #'("VocalScore")
+\createNoCuesScore #"IIIAllegro" #'("VocalScore")
+
diff --git a/Mozart_BenedictusSitDeus_Settings.ily b/Mozart_BenedictusSitDeus_Settings.ily
new file mode 100644
index 0000000000000000000000000000000000000000..e4beb5e8e9f1aad4ed5425094ae4fbf347269821
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Settings.ily
@@ -0,0 +1,10 @@
+#(set-default-paper-size "a4")
+#(ly:set-option 'point-and-click #f)
+
+\include "deutsch.ly"
+
+\include "Mozart_BenedictusSitDeus_Settings_Global.ily"
+\include "Mozart_BenedictusSitDeus_Music_01_Allegro.ily"
+\include "Mozart_BenedictusSitDeus_Music_02_Andante.ily"
+\include "Mozart_BenedictusSitDeus_Music_03_Allegro.ily"
+
diff --git a/Mozart_BenedictusSitDeus_Settings_FullScore.ily b/Mozart_BenedictusSitDeus_Settings_FullScore.ily
new file mode 100644
index 0000000000000000000000000000000000000000..db7e03d30f9d1e77ae0b5a543a4e46074d481131
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Settings_FullScore.ily
@@ -0,0 +1,2 @@
+\include "orchestrallily/oly_settings_fullscore.ily"
+\include "Mozart_BenedictusSitDeus_Settings.ily"
diff --git a/Mozart_BenedictusSitDeus_Settings_Global.ily b/Mozart_BenedictusSitDeus_Settings_Global.ily
new file mode 100644
index 0000000000000000000000000000000000000000..b68c6b39b7acb55cbcad9f924b683d82f04f2c6a
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Settings_Global.ily
@@ -0,0 +1,45 @@
+\version "2.13.1"
+
+\include "orchestrallily/orchestrallily.ily"
+\include "orchestrallily/oly_settings_names.ily"
+
+scorenumber="EK-0004"
+
+\header {
+  title = "Benedictus sit Deus"
+  subtitle = "Offertorium, KV 117 (66a = 47b)"
+%   subsubtitle = "KV 117"
+  composer = "Wolfgang Amadeus Mozart (1756-1791)"
+  copyright = \markup \abs-fontsize #9 \column{
+      \line { "2009, Edition Kainhofer, Vienna. Alle Rechte vorbehalten / All rights reserved / Printed in Austria."}
+      \line {"Die Ausgabe darf kopiert und ohne Einschränkungen aufgeführt werden. / May be copied and performed without restriction."}
+  }
+}
+
+% Possibly adjust the \orchestralScoreStructure here...
+
+#(oly:modify_score_structure '("VaGroup" "GrandStaff" ("VaI" "VaII")))
+#(oly:modify_score_structure '("Vas" "SimultaneousMusic" ("Va" "VaGroup")))
+#(oly:modify_score_structure '("Str" "StaffGroup" ("V" "Vas" "VcB")))
+
+CorKey = {
+  \key c \major
+  \transposition f
+}
+CorIKey = \CorKey
+CorIIKey = \CorKey
+
+
+CorInstrumentName = \markup{\column{"Corno I,II" "in Fa/F"}}
+CorIInstrumentName = \markup{\column{"Corno I" "in Fa/F"}}
+CorIIInstrumentName = \markup{\column{"Corno II" "in Fa/F"}}
+TbeInstrumentName = \markup{\column{"Trombe I,II" "in Do/C"}}
+TbeIInstrumentName = \markup{\column{"Tromba I" "in Do/C"}}
+TbeIIInstrumentName = \markup{\column{"Tromba II" "in Do/C"}}
+TimInstrumentName = \markup{\column{"Timpani" "in Do/C"}}
+
+SClef = \clef #"soprano"
+AClef = \clef #"alto"
+TClef = \clef #"tenor"
+SSoloClef = \SClef
+TSoloClef = \TClef
diff --git a/Mozart_BenedictusSitDeus_Settings_Instrument.ily b/Mozart_BenedictusSitDeus_Settings_Instrument.ily
new file mode 100644
index 0000000000000000000000000000000000000000..1d37c85850379e6a52d90afbedde83258d238c27
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Settings_Instrument.ily
@@ -0,0 +1,2 @@
+\include "orchestrallily/oly_settings_instrument.ily"
+\include "Mozart_BenedictusSitDeus_Settings.ily"
diff --git a/Mozart_BenedictusSitDeus_Settings_VocalScore.ily b/Mozart_BenedictusSitDeus_Settings_VocalScore.ily
new file mode 100644
index 0000000000000000000000000000000000000000..72fa9dd34e446db3bedd1ea9bdd2a433fb1cf4d2
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Settings_VocalScore.ily
@@ -0,0 +1,2 @@
+\include "orchestrallily/oly_settings_vocalscore.ily"
+\include "Mozart_BenedictusSitDeus_Settings.ily"
diff --git a/Mozart_BenedictusSitDeus_Settings_VocalVoice.ily b/Mozart_BenedictusSitDeus_Settings_VocalVoice.ily
new file mode 100644
index 0000000000000000000000000000000000000000..79c9e86268f39237360b0444e4836aa05663eb85
--- /dev/null
+++ b/Mozart_BenedictusSitDeus_Settings_VocalVoice.ily
@@ -0,0 +1,2 @@
+\include "orchestrallily/oly_settings_vocalvoice.ily"
+\include "Mozart_BenedictusSitDeus_Settings.ily"
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_About.itex b/TeX_Mozart_BenedictusSitDeus_Include_About.itex
new file mode 100644
index 0000000000000000000000000000000000000000..e163082927bfdf9c940b9fc21855a3a49f391234
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_About.itex
@@ -0,0 +1,9 @@
+\addcontentsline{toc}{section}{Vorwort / Preface}
+\chapter*{Vorwort / Preface}
+
+\begin{multicols}{2}
+TODO
+\columnbreak
+TODO
+\end{multicols}
+\vfill
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex b/TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex
new file mode 100644
index 0000000000000000000000000000000000000000..88855cb1384145403e7476713afaf424939a3545
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex
@@ -0,0 +1,2 @@
+\cleardoublepage
+\makebackpage
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_ContentsMaterial.itex b/TeX_Mozart_BenedictusSitDeus_Include_ContentsMaterial.itex
new file mode 100644
index 0000000000000000000000000000000000000000..e525b131842766bb55aea62b32dc0fd3f7595070
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_ContentsMaterial.itex
@@ -0,0 +1,61 @@
+\begin{center}
+
+\begin{minipage}{0.5\textwidth}
+\tableofcontents
+\end{minipage}
+\vfill
+\vfill
+
+\end{center}
+
+
+
+\begin{center}
+
+\scorelistbox{
+Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
+
+\LongScoreName{} (-\LongScoreNumber),
+\FullScoreName{} (-\FullScoreNumber),
+\VocalScoreName{} (-\VocalScoreNumber),
+\ParticellScoreName{} (-\ParticellScoreNumber),
+\ChoralScoreName{} (-\ChoralScoreNumber),
+\OriginalScoreName{} (-\OriginalScoreNumber),
+\InstrumentsName{} (-\InstrumentsNumber),
+\FlIName{} (-\FlINumber),
+\FlIIName{} (-\FlIINumber),
+\CorIName{} (-\CorINumber),
+\CorIIName{} (-\CorIINumber),
+\TbeIName{} (-\TbeINumber),
+\TbeIIName{} (-\TbeIINumber),
+\TimName{} (-\TimNumber),
+\VIName{} (-\VINumber),
+\VIIName{} (-\VIINumber),
+\VaName{} (-\VaNumber),
+\SSoloName{} (-\SSoloNumber),
+\SName{} (-\SNumber),
+\AName{} (-\ANumber),
+\TName{} (-\TNumber),
+\BName{} (-\BNumber),
+\ContinuoName{} (-\ContinuoNumber),
+\VcBName{} (-\VcBNumber),
+
+}
+\end{center}
+
+\vfill
+\section*{Hauptquellen der Ausgabe / Main sources of this Edition}
+\begin{hauptquellen}
+\item [BH1880] Offertorium pro omni tempore: \q{Benedictus sit Deus}. In: Wolfgang Amadeus Mozart's Werke, Kritisch durchgesehene Gesammtausgabe. Serie 3. Kleinere geistliche Gesangwerke. Zweiter Band, Nr. 20. Breitkopf and Härtel, Leipzig, 1880. (Primary)\\[0em]
+\item [Bä1963] Benedictus sit Deus, Offertorium, Bärenreiter, 1963. Internationale Stiftung Mozarteum, Online Publications (2006). (Secondary)
+\end{hauptquellen}
+
+\vfill
+
+\makeatletter
+\copyrightbox{© \@year, \@publisher\newline
+1. Auflage / 1st Printing \@year\newline
+Computersatz mit \@software\newline
+Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
+
+
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex b/TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex
new file mode 100644
index 0000000000000000000000000000000000000000..af96c15963a1392e597cb3525d02e95ef4b4e6b3
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex
@@ -0,0 +1 @@
+\makefrontpage
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex b/TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex
new file mode 100644
index 0000000000000000000000000000000000000000..cd19c65329a6e990b65b9aa0f9efcbeb04c03ce1
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex
@@ -0,0 +1,286 @@
+\footnotesize
+\chapter*{Quellen und Lesarten}
+\addcontentsline{toc}{section}{Quellen und Lesarten}
+
+\begin{multicols}{2}
+\subsection*{Quellen:}
+
+\begin{thebibliography}{AA}
+
+\bibitem[A]{Aut}
+Autographe Partitur, im Besitz des Musikarchiv des Schottenstiftes, Wien. Signatur: TODO
+\newblock TODO
+
+\bibitem[B]{HS1}
+Handschriftlicher Stimmensatz (aus dem Hofmusikkapellenarchiv) im Besitz der
+Musiksammlung der Österreichischen Nationalbibliothek (Signatur: HK TODO Mus);
+Sämtliches Material ist aufbewahrt zwischen zwei Pappdeckeln:
+\begin{sourcetitle}
+TODO
+\textnumero 21\sbreak
+Offertorium in C\sbreak
+de Nativitate Domini nostri J.Chr.\sbreak
+a\sbreak
+4 Voci\sbreak
+2 Violini\sbreak
+Viola\sbreak
+2 Clarinetti\sbreak
+2 Corni\sbreak
+2 Fagotti\sbreak
+Clarini e Tympani\sbreak
+con\sbreak
+Organo e Violone.\sbreak
+Del Sig\textsuperscript{re} Gius. Eybler, M.di C.\textsuperscript{la} di Corte I. e R.\sbreak
+1827.\sbreak
+Part. 40.
+\end{sourcetitle}
+TODO Aufführungsdaten auf Umschlags-Innenseite: Erster Eintrag
+\q{TODO}, letzter Eintrag \q{TODO}
+
+Vollständiger Stimmensatz von einer Hand (TODO, Schreiber Perschl\footnote{lt. Katalog der
+ÖNB; selber Schreiber wie des Großteils des
+Bestandes des ehem. Hofmusikkapellen-Archivs.}):
+5 S, 5 A, 5 T, 5 B; 3 Vl.1, 3 Vl.2, Va, Vc, Vlne, Vc+Cb; Cl.1, Cl.2, Fg. 1+2
+(auf einer Akkolade mit zwei Systemen); Cor.1, Cor.2, Clno.1, Clno.2; Tym; Org.; M.D.C.;
+
+Alle Stimmen mit \q{K.k.Hofmusikkapellen=\textbar{}Archiv}
+gestempelt und großteils am Ende des Stückes versehen mit \q{Jos. Eybler comp. 1827}.
+
+
+\bibitem[C]{THPart}
+Originalausgabe (Partitur), Wien, Tobias Haslinger, T.H.TODO, TODO S., Reihe Musica Sacra, erschienen TODO.
+\newblock Titel:
+\begin{sourcetitle}
+TODO
+OFFERTORIUM\sbreak
+von\sbreak
+Joseph Eybler\sbreak
+k.k. erstem Hofcapellmeister.\sbreak
+\textnumero 5245 --- \textnumero TODO --- Preis \preisfrac{f 1.30 C.M.}{{\em[Rthl.]} 1.\_ gr.}\sbreak
+Partitur\sbreak
+WIEN, BEI TOBIAS HASLINGER,\sbreak
+Musikverleger,\sbreak
+am Graben \textnumero 572 im Hause der ersten oesterr. Sparkasse.\sbreak
+Warsow Scrips. Pfoehl sculps.
+\end{sourcetitle}
+\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
+Signatur: TODO
+
+
+
+\bibitem[D]{THSti}
+Originalausgabe (Stimmen), Wien, Tobias Haslinger, T.H.TODO, Reihe Musica Sacra, erschienen TODO.
+\newblock Titel:
+\begin{sourcetitle}
+TODO
+Offertorium\sbreak
+(Tui sunt coeli, et tua est terra)\sbreak
+für 4 Singstimmen,\sbreak
+2 Violinen, Viola, Violoncello und Contrabass,\sbreak
+2 Clarinetten, 2 Fagotte, 2 Hörner, 2 Trompeten,\sbreak
+Pauken und Orgel\sbreak
+von\sbreak
+JOS. EYBLER,\sbreak
+k.k. erstem Hofkapellmeister.\sbreak
+\textnumero. 4.\sbreak
+\textnumero 5248 --- Eigenthum des Verlegers. --- Preis \preisfrac{fl 2.\_ C.M.}{{\em[Rthl]}\,1.8\,gr.}\sbreak
+Wien, bei Tobias Haslinger,\sbreak
+Musikverleger,\sbreak
+im Hause der ersten österr. Sparkasse.
+\end{sourcetitle}
+\newblock Benutzte Exemplare: Wien, Österreichische Nationalbibliothek, Musiksammlung,
+Signatur: TODO
+
+
+\end{thebibliography}
+
+\subsection*{Quellendiskussion}
+
+Als Primärquellen dieser Ausgabe dienen der Autograph \cite{Aut},
+der handschriftliche Stimmensatz der Hofkapelle \cite{HS1} (laut obigen
+Aufführungsdaten dürfte die Uraufführung mit diesem Material stattgefunden
+haben und der Stimmensatz von Eybler selbst in der Hofkapelle benutzt
+worden sein) sowie die von Eybler autorisierten und korrigierten Drucke
+\cite{THPart,THSti} bei Tobias Haslinger.
+
+Bei Unterschieden stimmen meist jeweils die Einzelstimmen \cite{HS1,THSti}
+sowie die Partituren \cite{Aut,THPart} überein. So sind etwa klassische
+Abschreibfehler in \cite{HS1} oft in den Druck der Einzelstimme
+übernommen, nicht jedoch in die Partitur.
+Dies lässt vermuten, dass der Autograph \cite{Aut} die unmittelbare Druckvorlage
+für die Partitur \cite{THPart} und der handschriftliche Stimmensatz \cite{HS1}
+für die Stimmen \cite{THSti} darstellen.
+
+Als einzige autographe Quelle erhält der Autograph entsprechend den
+höchsten Stellenwert, die restlichen Quellen erhalten aber beinahe denselben
+Wert als ebenfalls von Eybler benutzte Quellen.
+Entsprechende Unterschiede werden in den  Einzelbemerkungen diskutiert.
+
+TODO
+
+
+\subsubsection*{Allgemeine Bemerkungen}
+
+Diese Ausgabe versucht das Stück so nahe wie möglich an die Notation und
+Intentionen Eyblers zurückzuführen, an manchen Stellen unterscheidet sich jedoch
+die moderne Notationspraxis von der Notation Eyblers. Konkret wurden (strichliert
+gekennzeichnete) Melismabögen in allen Vokalstimmen ergänzt, wenn eine Silbe
+auf mehrere Noten zu singen ist. Ergänzte Dynamikangaben und sonstige
+Ergänzungen (abgesehen von Warnakzidenzien) des Herausgebers sind
+in eckige Klammern gesetzt bzw. strichliert gedruckt und in den Einzelbemerkungen
+aufgeführt, ebenso sind alle Unterschiede zum Autograph \cite{Aut} (auch
+wenn sie durch eine oder alle anderen Quellen eindeutig belegt werden)
+gekennzeichnet. Unterschiede in den Quellen werden -- wenn die Version des
+Autographs übernommen wurde -- nicht explizit gekennzeichnet, allerdings
+in den Einzelbemerkungen erwähnt.
+
+Notenschlüssel und die Stimmung von transponierenden Instrumenten wurden
+an den modernen Usus angepasst.
+
+
+\paragraph*{Vokalstimmen, Text und Melismen}
+
+\begin{enumerate}
+\item Alle Quellen vernachlässigen zahlreiche Beistrich. Die
+vorliegende Ausgabe setzt (ohne weitere Kennzeichnung) Beistriche und Punkte
+dort, wo sie grammatikalisch korrekt sind.
+
+\item In den Vokalstimmen sind in allen Quellen \cite{Aut,HS1,THPart,THSti}
+Melismen teilweise nicht durch die moderne Konvention eines
+Bogens gekennzeichnet. Folgende Bögen wurden gemäß der modernen
+Konvention zur visuellen Verdeutlichung von Melismen ergänzt:
+TODO
+
+Bögen, die sich nicht im Autograph finden, sind strichliert ergänzt.
+
+\item In den Vokalstimmen sind in allen Quellen \cite{Aut,HS1,THPart,THSti} teilweise
+Legatobögen an Stellen gesetzt, wo keine Melismen stattfinden. Die
+vorliegende Ausgabe unterbricht die Bögen wie von der Silbenzuteilung vorgegeben
+und hält sich nicht an die (für Sänger ungewohnte) Version der ursprünglichen
+Ausgabe. Dies ist der Fall an folgenden Stellen:
+TODO
+
+\item In den Vokalstimmen sind bei zahlreichen durch einen Balken verbundenen
+Achtelnoten in der Partitur \cite{THPart} zusätzlich Bögen gesetzt, in den
+Einzelstimmen \cite{THSti}, den hs. Stimmen \cite{HS1} und dem Autograph
+\cite{Aut} jedoch nicht.
+Diese  Bögen werden nicht übernommen in den Takten TODO.
+
+\end{enumerate}
+
+
+
+
+
+\paragraph*{Akzidenzien}
+
+\begin{enumerate}
+\item Warnakzidenzien sind gemäß dem Autograph \cite{Aut} gesetzt, jedenfalls
+sind Auflösungszeichen im folgenden Takt aber immer gesetzt (ohne Kennzeichnung).
+Außerdem werden in den Quellen tw. Akzidenzien nicht neu gesetzt, wenn der
+neue Takt mit derselben versetzten Note beginnt. Diese Akzidenzien werden in
+der vorliegenden Ausgabe ohne weitere Kennzeichnung ergänzt.
+
+\item In den Quellen sind tw. Akzidenzien nicht
+gesetzt, wenn im selben Takt bereits in einer anderen Oktav vorhanden:
+\begin{itemize}
+\item[\cite{Aut}:] TODO
+\item[\cite{HS1}:] TODO
+\item[\cite{THPart}:] TODO
+\item[\cite{THSti}:] TODO
+\end{itemize}
+Diese Akzidenzien werden in der vorliegenden Ausgabe konsistent ohne
+Kennzeichnung ergänzt.
+
+\item Ebenso sind tw. Akzidenzien in einem neuen Takt nicht
+wiederholt, wenn der vorhergehende Takt mit derselben versetzten Note geendet
+hat. Diese Akzidenzien wurden nach moderner Konvention konsistent ergänzt:
+TODO
+
+\end{enumerate}
+
+
+\paragraph*{Diverses}
+
+\begin{enumerate}
+\item Bögen über Vierergruppen sind in den Handschriften \cite{Aut,HS1} oft
+undeutlich nur über drei Noten gesetzt, vor allem wenn die erste Note einer
+Vierergruppe einen Triller erhält. Wenn die Intention einer gebundenen
+Vierergruppe in zumindest einer der Quellen eindeutig zu erkennen ist und der
+Bogen im Autograph vorkommt, wird ohne weitere Kennzeichnung ein Bogen über
+die gesamte Gruppe gesetzt.
+
+\item In den beiden Partituren \cite{Aut,THPart} sind zahlreiche
+Instrumentalstimme in colla-parte mit anderen Instrumenten oder Vokalstimmen
+(V2 mit V1, Va mit VcB/Org, etc.) mittels Faulenzer notiert. Die vorliegende
+Ausgabe schreibt die entsprechenden Passagen explizit aus.
+
+\item Die Triller-Erweiterungsinien in den Pauken sind in der vorliegenden
+Ausgabe vereinheitlich und nur auf mehreren gebundenen Noten mit Triller
+gesetzt. Teilweise sind in den Quellen auch bei Trillern auf einer einzigen
+Note Erweiterungslinien eingezeichnet, teilweise auch bei Trillern über
+gebundenen Noten keine Linien.
+
+\item Die verschiedenen Quellen benutzen tw. Tremolo-Schreibweise für
+aufeinanderfolgende Achtel- oder Sechzehntelnoten derselben Tonhöhe in den
+Streicherstimmen. Die vorliegende Ausgabe hält sich dabei an den Autograph
+und benutzt diese Notation in denselben Takten wie der Autograph \cite{Aut}.
+
+\end{enumerate}
+
+
+\subsubsection*{Einzelbemerkungen}
+
+\subsubsection*{Coro}
+
+\begin{vergleich}
+TODO
+\end{vergleich}
+
+\subsubsection*{Aria}
+
+\begin{vergleich}
+TODO
+\end{vergleich}
+
+\subsubsection*{Coro}
+
+\begin{vergleich}
+TODO
+\end{vergleich}
+
+
+
+\end{multicols}
+
+
+\section*{Danksagung}
+\begin{multicols}{2}
+An dieser Stelle sei all jenen Personen und Institutionen gedankt, ohne die die
+vorliegende Ausgabe nicht möglich gewesen wäre. Zum einen sei dabei der
+Musiksammlung der \href{http://www.onb.ac.at/}{Österreichischen Nationalbibliothek}
+für die unbürokratische Benutzung des riesigen Fundus und den
+Bediensteten für ihr stetiges Entgegenkommen in allen Belangen herzlich gedankt.
+%
+Zum anderen wäre eine Urtext-Ausgabe nicht möglich ohne Zugang zum Autograph,
+der im Archiv des \href{http://www.schottenstift.at/}{Wiener Schottenstifts}
+verwahrt ist. Dabei sei Herrn Dr. Martin Czernin, Archivar des Schottenstifts,
+herzlich gedankt für die Möglichkeit der Einsichtnahme in und des
+Quellenvergleichs mit dem Originalautograph Eyblers.
+%
+Auch \href{http://www.koscielny.eu/}{Christoph Koscielny}, einem weiteren
+Bewunderer Eyblers, sei für zahlreiche Diskussionen, Hinweise und
+Hilfestellungen sehr gedankt.
+
+Der Noten- und Textsatz dieser Ausgabe wurde vollständig in freier Software
+erstellt, wobei für den Notensatz LilyPond 2.13
+(\url{http://www.lilypond.org/}) zum Einsatz kam in Verbindung mit den
+OrchestralLily Paket (\url{http://reinhold.kainhofer.com/orchestrallily/}) des
+Editors. Der Textsatz und die Erstellung der druckfertigen Dateien erfolgte
+schließlich mit \LaTeX. Die unglaubliche Qualität und Flexibilität dieser
+beiden Programme sowie die tolle LilyPond-Community haben einen enormen Beitrag
+zu dieser Ausgabe geliefert.
+
+Und zu guter Letzt sei noch meiner Freundin Ana Aleksic herzlich gedankt für
+ihr Verständnis während der Erstellung dieser Ausgabe.
+\end{multicols}
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Leben.itex b/TeX_Mozart_BenedictusSitDeus_Include_Leben.itex
new file mode 100644
index 0000000000000000000000000000000000000000..64aaf286b99bbf0982644b1e03441926b1a4ab42
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Leben.itex
@@ -0,0 +1,14 @@
+\section*{Das Leben von Wolfgang Amadeus Mozart (1756-1791)}
+
+\begin{multicols}{2}
+TODO
+\end{multicols}
+
+\section*{The life of Wolfgang Amadeus Mozart (1756-1791)}
+
+\begin{multicols}{2}
+TODO
+\end{multicols}
+
+Quellen / Sources:\\[0em]
+TODO
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex b/TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex
new file mode 100644
index 0000000000000000000000000000000000000000..a3731062863ae28694bddd0b38eb5c8515602d02
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex
@@ -0,0 +1,12 @@
+\frontmatter
+\maketitle
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_ContentsMaterial.itex}
+\cleardoublepage
+\input{TeX_Mozart_BenedictusSitDeus_Include_About.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Text.itex}
+\pagebreak
+\input{TeX_Mozart_BenedictusSitDeus_Include_Leben.itex}
+
+\mainmatter
+\cleardoublepage
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Preface_Short.itex b/TeX_Mozart_BenedictusSitDeus_Include_Preface_Short.itex
new file mode 100644
index 0000000000000000000000000000000000000000..f52651231fdfc931fa8483ed186f436a0fa1579a
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Preface_Short.itex
@@ -0,0 +1,5 @@
+\frontmatter
+\maketitle
+
+\mainmatter
+\cleardoublepage
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Text.itex b/TeX_Mozart_BenedictusSitDeus_Include_Text.itex
new file mode 100644
index 0000000000000000000000000000000000000000..90d90b709b307bb3e1e625e2d6abe4678f0394b9
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Text.itex
@@ -0,0 +1,34 @@
+\section*{Text des Offertoriums / Text of the Offertory}
+
+\begin{small}
+% \newenvironment{lyricstable}{\begin{supertabular}{p{0.26\textwidth}p{0.33\textwidth}p{0.33\textwidth}}}{\end{supertabular}}
+
+
+\subsubsection*{Allegro, nach Tobit 12:6}
+\begin{lyricstable}
+Benedictus sit Deus pater,  & Gelobt sei Gott, der Vater,  & Blessed be God the Father \\
+unigenitusque Dei filius,   & der eingeborene Sohn Gottes, & and the only-begotten Son of God, \\
+sanctus quoque Spiritus,    & und der heilige Geist:       & and the Holy Spirit; \\
+quia fecit nobiscum         & denn er ließ uns             & for he has dealt with us \\
+misericordiam suam.         & seine Güte erfahren.         & according to his mercy.
+\end{lyricstable}
+
+\subsubsection*{Andante, nach Psalm 66(67):13f}
+\begin{lyricstable}
+Introibo domum tuam, Domine, & Ich will in dein Haus treten, Herr,  & I will go into Your house \\
+in holocaustis,              & zum Brandopfer,                      & with burnt offerings; \\
+reddam tibi vota mea,        & ich will dir meine Gelübde bezahlen  & I will pay You my vows, \\
+quae distinxerunt labia mea. & wie meine Lippen gesprochen haben.   & Which my lips have uttered.
+\end{lyricstable}
+
+\subsubsection*{Allegro, nach Psalm 66(67):1f}
+\begin{lyricstable}
+Jubilate Deo omnis terra.   & Jubelt dem Herrn, alle Welt.          & Shout with joy to God, all the earth! \\
+Psalmum dicite nomini ejus, & Betet den Psalm in seinem Namen,      & Sing the glory of his name; \\
+date gloriam laudi ejus.    & gebt Ehre seinem Lob.                 & make his praise glorious! \\
+Jubilate.                   & Jubelt.                               & Shout with joy. \\[0.5em]
+\end{lyricstable}
+
+
+\end{small}
+
diff --git a/TeX_Mozart_BenedictusSitDeus_Include_Todo.itex b/TeX_Mozart_BenedictusSitDeus_Include_Todo.itex
new file mode 100644
index 0000000000000000000000000000000000000000..92fdae45a54be235d13fef1abcbbcbfc34374dd4
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Include_Todo.itex
@@ -0,0 +1,10 @@
+% \todos{
+% \chapter*{Offene Fragen}
+%
+% \section*{Literaturvergleich mit dem Autograph:}
+% \begin{itemize}
+% \item
+%
+% \end{itemize}
+%
+% }
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Choral.tex b/TeX_Mozart_BenedictusSitDeus_Score_Choral.tex
new file mode 100644
index 0000000000000000000000000000000000000000..22aff55602af8c301b5f2bed432cc3e99d91c4d9
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Choral.tex
@@ -0,0 +1,27 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \ChoralScoreType},
+}
+
+\scoretype{\ChoralScoreType}
+\scorenumber{\scoreNumber\ChoralScoreNumber}
+\ChoralScoreSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\ChoralScoreType}
+\includescore{Score_Choral}
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Full.tex b/TeX_Mozart_BenedictusSitDeus_Score_Full.tex
new file mode 100644
index 0000000000000000000000000000000000000000..08cd9418db5dabc873cea447a29c6b4189f95d0d
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Full.tex
@@ -0,0 +1,27 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \FullScoreType},
+}
+
+\scoretype{\FullScoreType}
+\scorenumber{\scoreNumber\FullScoreNumber}
+\FullScoreSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\FullScoreType}
+\includescore{Score_Full}
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Instruments.tex b/TeX_Mozart_BenedictusSitDeus_Score_Instruments.tex
new file mode 100644
index 0000000000000000000000000000000000000000..7fe7aba8274e2f89d1fce7d22f1358c0376e8cea
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Instruments.tex
@@ -0,0 +1,76 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \InstrumentalPartsType},
+}
+
+\scoretype{\InstrumentalPartsType}
+\scorenumber{\scoreNumber\InstrumentalPartsNumber}
+\InstrumentalPartsSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\FlIName}
+\includescore{Instrument_FlI}
+\phantomsection
+\addcontentsline{toc}{section}{\FlIIName}
+\includescore{Instrument_FlII}
+\phantomsection
+\addcontentsline{toc}{section}{\CorIName}
+\includescore{Instrument_CorI}
+\phantomsection
+\addcontentsline{toc}{section}{\CorIIName}
+\includescore{Instrument_CorII}
+\phantomsection
+\addcontentsline{toc}{section}{\TbeIName}
+\includescore{Instrument_TbeI}
+\phantomsection
+\addcontentsline{toc}{section}{\TbeIIName}
+\includescore{Instrument_TbeII}
+\phantomsection
+\addcontentsline{toc}{section}{\TimName}
+\includescore{Instrument_Tim}
+\phantomsection
+\addcontentsline{toc}{section}{\VIName}
+\includescore{Instrument_VI}
+\phantomsection
+\addcontentsline{toc}{section}{\VIIName}
+\includescore{Instrument_VII}
+\phantomsection
+\addcontentsline{toc}{section}{\VaName}
+\includescore{Instrument_Va}
+\phantomsection
+\addcontentsline{toc}{section}{\SSoloName}
+\includescore{Instrument_SSolo}
+\phantomsection
+\addcontentsline{toc}{section}{\SName}
+\includescore{Instrument_S}
+\phantomsection
+\addcontentsline{toc}{section}{\AName}
+\includescore{Instrument_A}
+\phantomsection
+\addcontentsline{toc}{section}{\TName}
+\includescore{Instrument_T}
+\phantomsection
+\addcontentsline{toc}{section}{\BName}
+\includescore{Instrument_B}
+\phantomsection
+\addcontentsline{toc}{section}{\ContinuoName}
+\includescore{Instrument_Continuo}
+\phantomsection
+\addcontentsline{toc}{section}{\VcBName}
+\includescore{Instrument_VcB}
+
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Long.tex b/TeX_Mozart_BenedictusSitDeus_Score_Long.tex
new file mode 100644
index 0000000000000000000000000000000000000000..02ca94012adaec73aff90cdfd74777bb654765df
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Long.tex
@@ -0,0 +1,27 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \LongScoreType},
+}
+
+\scoretype{\LongScoreType}
+\scorenumber{\scoreNumber\LongScoreNumber}
+\LongScoreSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\LongScoreType}
+\includescore{Score_Long}
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Original.tex b/TeX_Mozart_BenedictusSitDeus_Score_Original.tex
new file mode 100644
index 0000000000000000000000000000000000000000..3b9fe3acfb035f9e3c9d6dc7400f8062e7ae56b0
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Original.tex
@@ -0,0 +1,27 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \OriginalScoreType},
+}
+
+\scoretype{\OriginalScoreType}
+\scorenumber{\scoreNumber\OriginalScoreNumber}
+\OriginalScoreSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\OriginalScoreType}
+\includescore{Score_Original}
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Particell.tex b/TeX_Mozart_BenedictusSitDeus_Score_Particell.tex
new file mode 100644
index 0000000000000000000000000000000000000000..f8e8bf3c04b58a5e7b73cf50c9274d0b3fb58b3c
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Particell.tex
@@ -0,0 +1,27 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \ParticellScoreType},
+}
+
+\scoretype{\ParticellScoreType}
+\scorenumber{\scoreNumber\ParticellScoreNumber}
+\ParticellScoreSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\ParticellScoreType}
+\includescore{Score_Particell}
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TeX_Mozart_BenedictusSitDeus_Score_Vocal.tex b/TeX_Mozart_BenedictusSitDeus_Score_Vocal.tex
new file mode 100644
index 0000000000000000000000000000000000000000..c2580ae78e7dd33971418f7e482a903fef1cd74b
--- /dev/null
+++ b/TeX_Mozart_BenedictusSitDeus_Score_Vocal.tex
@@ -0,0 +1,27 @@
+\documentclass[a4paper,10pt,naustrian,twoside]{report}
+\usepackage{orchestrallily/editionkainhofer}
+\input{TeX_Mozart_BenedictusSitDeus_Settings.itex}
+
+\hypersetup{
+    pdftitle={\scoreTitle, \VocalScoreType},
+}
+
+\scoretype{\VocalScoreType}
+\scorenumber{\scoreNumber\VocalScoreNumber}
+\VocalScoreSettings
+
+\begin{document}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Coverpage.itex}
+\input{TeX_Mozart_BenedictusSitDeus_Include_Preface_Long.itex}
+
+\phantomsection
+\addcontentsline{toc}{section}{\VocalScoreType}
+\includescore{Score_Vocal}
+
+\cleardoublepage
+\backmatter
+\appendix
+\input{TeX_Mozart_BenedictusSitDeus_Include_KritBericht.itex}
+
+\input{TeX_Mozart_BenedictusSitDeus_Include_Backpage.itex}
+\end{document}
diff --git a/TexPages_Settings.tex b/TeX_Mozart_BenedictusSitDeus_Settings.itex
similarity index 64%
rename from TexPages_Settings.tex
rename to TeX_Mozart_BenedictusSitDeus_Settings.itex
index 9284bd77556ae892dd04e6b05a44cfaa4cb19541..b475edaeeea6a518a849200fd1e179d4f1523b4e 100644
--- a/TexPages_Settings.tex
+++ b/TeX_Mozart_BenedictusSitDeus_Settings.itex
@@ -10,21 +10,17 @@
 Timpani, 2 Violini, 2 Viole,\\
 Violoncello ed Contrabbasso}
 \editor{Reinhold Kainhofer}
-\publisher{Edition Kainhofer}
+\publisher{Edition Kainhofer, Vienna}
 \year{2009}
+% \scoreinfo{Urtext \& Erstdruck}
+\basename{Mozart_BenedictusSitDeus}
 
-\basename{Mozart_BenedictusSitDeus_KV117}
-
-
-\newcommand{\scoreNumber}[1]{EK-022-#1}
-\newcites{bio}{Biography}
-\newcites{sources}{Benutzte Vorlagen}
-
+\newcommand{\scoreNumber}[1]{EK-0004-#1}
+\newcommand{\scoreTitle}{Wolfgang Amadeus Mozart (1756-1791): Benedictus sit Deus}
 
 \geometry{left=1.5cm,right=1.5cm,top=1.5cm,bottom=1.5cm}
 \hypersetup{
-    colorlinks=true,
-    citecolor=black,
     pdfauthor={Reinhold Kainhofer <reinhold@kainhofer.com>}
 }
 
+\input{TeX_Mozart_BenedictusSitDeus_Include_Todo.itex}
diff --git a/TexPages_About.tex b/TexPages_About.tex
deleted file mode 100644
index 5bfb5670f74e502af28e4f89af1f2584e4794c20..0000000000000000000000000000000000000000
--- a/TexPages_About.tex
+++ /dev/null
@@ -1,13 +0,0 @@
-\section*{Bemerkungen zum Werk}
-
-\begin{multicols}{2}
-    TODO
-\end{multicols}
-
-
-\section*{About the Offertory}
-
-
-\begin{multicols}{2}
-    TODO
-\end{multicols}
diff --git a/TexPages_ContentsMaterial.tex b/TexPages_ContentsMaterial.tex
deleted file mode 100644
index bdae4db6cf3ba19e46cc9868960d298705c2cf67..0000000000000000000000000000000000000000
--- a/TexPages_ContentsMaterial.tex
+++ /dev/null
@@ -1,55 +0,0 @@
-\begin{center}
-
-\begin{minipage}{0.5\textwidth}
-\tableofcontents
-\end{minipage}
-\vfill
-\vfill
-
-\scorelistbox{
-Zu diesem Werk (\scoreNumber{...}) liegt folgendes Aufführungsmaterial vor:
-
-Partitur (-\FullScoreNumber),
-Klavier-/Orgelauszug (-\PianoScoreNumber), 
-Chorpartitur (-\ChoirScoreNumber),
-Orgelstimme (-\ONumber);
-
-
-Soprano (-\SNumber),
-Alto (-\ANumber),
-Tenore (-\TNumber),
-Basso (-\BNumber),
-Soprano Solo (-\SSoloNumber);
-
-
-Harmoniestimmen (-\InstrumentsNumber),
-Violino I (-\VINumber), 
-Violino II (-\VIINumber), 
-Viola (-\VaNumber),
-Violoncello / Contrabbasso (-\VcBNumber), 
-Flauto (-\FlINumber),
-Clarinetto I (-\ClINumber),
-Clarinetto II (-\ClIINumber),
-Corno I (-\CorINumber),
-Corno II (-\CorIINumber),
-Tromba I (-\TrbINumber),
-Tromba II (-\TrbIINumber),
-Timpani (-\TimNumber).
-}
-
-\end{center}
-
-\vfill
-
-\section*{Quellen der Ausgabe / Sources of the Edition}
-\begin{Hauptquellen}
-\item [BH1880] Offertorium pro omni tempore: \q{Benedictus sit Deus}. In: Wolfgang Amadeus Mozart's Werke, Kritisch durchgesehene Gesammtausgabe. Serie 3. Kleinere geistliche Gesangwerke. Zweiter Band, Nr. 20. Breitkopf and Härtel, Leipzig, 1880. (Primary)\\[0em]
-\item [Bä1963] Benedictus sit Deus, Offertorium, Bärenreiter, 1963. Internationale Stiftung Mozarteum, Online Publications (2006). (Secondary)
-\end{hauptquellen}
-
-\vfill
-\makeatletter
-\copyrightbox{© \@year, \@publisher\newline
-1. Auflage / 1st Printing \@year\newline
-Computersatz mit \@software\newline
-Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
diff --git a/TexPages_KritBericht.tex b/TexPages_KritBericht.tex
deleted file mode 100644
index e69de29bb2d1d6434b8b29ae775ad8c2e48c5391..0000000000000000000000000000000000000000
diff --git a/TexPages_Leben.tex b/TexPages_Leben.tex
deleted file mode 100644
index a5dd98b4a45819ff3d7dca54094389dd36fc806e..0000000000000000000000000000000000000000
--- a/TexPages_Leben.tex
+++ /dev/null
@@ -1,76 +0,0 @@
-% \section*{Das Leben von Franz Schubert (1797-1828)}
-% 
-% \begin{multicols}{2}
-% TODO
-% \end{multicols}
-% 
-% 
-% \section*{Das Leben von Friedrich Gottfried Klopstock (1724-1803)}
-% 
-% \begin{multicols}{2}
-% Der deutsch Dichter Friedrich Gottfried Klopstock (geb. 2. Juli 1724 in 
-% Quedlinburg, gest. 14. März 1803 in Hamburg) verbrachte seine Kindheit in
-% der von seinem Vater, einem Rechtsanwalt, gepachteten Grafschaft Mansfeld.
-% Nach humanistischer Schulbildung studierte er Theologie in Jena und Leipzig,
-% wo er durch seinen \q{Messias} den Hexameter in die deutsche Dichtung 
-% einführte. Eine enttäuschte
-% leidenschaftliche Liebe spiegelt sich in seinen vielbejubelten Oden aus 
-% dieser Zeit wieder.
-% 
-% Nach einigen Monaten in Zürich, wohin ihn sein Bewunderer Johann Jakob 
-% Bodmer einlud, der sich allerdings bald von Klopstocks weltlicher Lebensart 
-% enttäuscht von ihm anwendete, reiste Klopstock auf Einladung von König 
-% Friedrich V. nach Dänemark, wo er bei einer Lebensrente von 400 (später 
-% 800) Talern drei Jahre verbrachte.
-% 
-% Der Tod seiner Gattin bei einer Entbindung 1758 traf Klopstock schwer und 
-% er besang sie in vielen seiner Elegien der nächsten 30 Jahre. Nach Aufenthalten
-% in Quedlinburg, Braunschweig und Halberstadt verbrachte er die Jahre 1762 bis
-% 1771 in Kopenhaben und übte einen großen Einfluss auf das dortige kulturelle 
-% Leben aus. Seine letzten Jahre verbrachte er in Hamburg, wo er 1803 
-% verstarb und unter  großer Anteilnahme der Bevölkerung beigesetzt wurde.
-% 
-% Klopstocks Begeisterung für die französische Revolution führte zur 
-% Ehrenbürgerschaft durch die französche Nationalversammlung, die der von den 
-% weiteren Auswirkungen der Revolution enttäuschte Klopstock jedoch ausschlug.
-% Klopstocks politische Ansichten gipfelten in seiner Gelehrtenrepublik, in 
-% der die gebildete Elite als einzige die Macht im Staat haben sollte. 
-% 
-% Durch die Einführung des Hexameters bereitete Klopstock den Weg für die 
-% freien Rhythmen Goethes und Hölderlins. Seine Wertschätzung zeugten ihm nicht
-% zulegt Goethe im Werther oder der junge Lessing. Auch auf Komponisten wie 
-% Gluck oder Schubert machte Klopstock großen Eindruck. Auf seiner parodistischen
-% Übersetzung des traditionellen \q{Stabat Mater} ins Deutsche basiert 
-% auch Schuberts Stabat Mater.
-% \end{multicols}
-% 
-% % \vfill
-% 
-% % TODO: Use proper indentation!
-% \subsubsection*{Quellen:}
-% \nocitebio{WP08}
-% \renewcommand*{\refnamebio}{}
-% \bibliographystylebio{alpha}
-% \bibliographybio{Schubert_StabatMater_D383_Bibliography}
-% 
-% \pagebreak
-% 
-% 
-% 
-% \section*{The life of Franz Schubert (1797-1828)}
-% 
-% \begin{multicols}{2}
-%     Yet to come...
-% \end{multicols}
-% 
-% 
-% \section*{The life of Friedrich Gottfried Klopstock (1724-1803)}
-% 
-% \begin{multicols}{2}
-% After some months in Zurich, where he was invited by an admirer, who was then
-% disappointed by Klopstocks short In 1750, king Friedrich V. of Denmark invited Klopstock to 
-% TODO
-% \end{multicols}
-% 
-% \vfill
-% 
diff --git a/TexPages_Text.tex b/TexPages_Text.tex
deleted file mode 100644
index 6a469b2a18ae69174b74d6a0d8b1f17ae8ae1c03..0000000000000000000000000000000000000000
--- a/TexPages_Text.tex
+++ /dev/null
@@ -1,43 +0,0 @@
-\section*{Text des Offertoriums / Text of the Offertory}
-
-% \begin{small}
-\newenvironment{lyricstable}{\begin{supertabular}{p{0.26\textwidth}p{0.33\textwidth}p{0.33\textwidth}}}{\end{supertabular}}
-
-
-\subsection*{Allegro, Tob 12,6}
-\nopagebreak
-\begin{lyricstable}
-Benedictus sit Deus pater, & Gelobt sei Gott, der Vater, & Blessed be God the Father \\
-unigenitusque Dei filius, & der eingeborene Sohn Gottes, & and the only-begotten Son of God, \\
-sanctus quoque Spiritus, & und der heilige Geist: & and the Holy Spirit; \\
-quia fecit nobiscum & denn er ließ uns & for he has dealt with us \\
-misericordiam suam. & seine Güte erfahren. & according to his mercy. \\[1em]
-\end{lyricstable}
-
-\subsection*{Andante, Ps 66,13f}
-\nopagebreak
-\begin{lyricstable}
-Introibo domum tuam, Domine, & Ich will in dein Haus treten, Herr, & I will go into Your house \\
-in holocaustis, & zum Brandopfer, & with burnt offerings; \\
-reddam tibi vota mea, & ich will dir meine Gelübde bezahlen & I will pay You my vows, \\
-quae distinxerunt labia mea. & wie meine Lippen gesprochen haben. & Which my lips have uttered. \\[1em]
-\end{lyricstable}
-
-\subsection*{Allegro, Ps 66,1f}
-\nopagebreak
-\begin{lyricstable}
-Jubilate Deo omnis terra. & Jubelt dem Herrn, alle Welt. & Shout with joy to God, all the earth! \\
-Psalmum dicite nomini ejus, & Betet den Psalm in seinem Namen, & Sing the glory of his name; \\
-date gloriam laudi ejus. & gebt Ehre seinem Lob. & make his praise glorious! \\
-Jubilate. & Jubelt. & Shout with joy. \\[1em]
-\end{lyricstable}
-
-Übersetzung teilweise basierend auf / Translation partially based on:
-
-\begin{itemize}
- \item CPDL, \href{http://www.cpdl.org/wiki/index.php/Benedictus_sit_Deus}{http://www.cpdl.org/wiki/index.php/Benedictus\_sit\_Deus}, 29. Mai 2008
- \item Online-Bibeln, \href{http://www.bibelwissenschaft.de/online-bibeln/}{http://www.bibelwissenschaft.de/online-bibeln/}, 29. Mai 2008
- \item King James Version, \href{http://www.biblegateway.com/versions/}{http://www.biblegateway.com/versions/}, 29. Mai 2008
-\end{itemize}
-
-% \end{small}
\ No newline at end of file
diff --git a/Tex_Mozart_BenedictusSitDeus_KV117_ChoralScore.pdf b/Tex_Mozart_BenedictusSitDeus_KV117_ChoralScore.pdf
deleted file mode 100644
index 3fe863ef03e7c5c8895592687a9717ceb125eed5..0000000000000000000000000000000000000000
Binary files a/Tex_Mozart_BenedictusSitDeus_KV117_ChoralScore.pdf and /dev/null differ
diff --git a/Tex_Mozart_BenedictusSitDeus_KV117_ChoralScore.tex b/Tex_Mozart_BenedictusSitDeus_KV117_ChoralScore.tex
deleted file mode 100644
index 7466537051240e24c0ae83e0a9bba0a1ae63562a..0000000000000000000000000000000000000000
--- a/Tex_Mozart_BenedictusSitDeus_KV117_ChoralScore.tex
+++ /dev/null
@@ -1,39 +0,0 @@
-\documentclass[a4paper,10pt,naustrian,twoside]{report}
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