diff --git a/0003 - Schubert - Stabat Mater D175.def b/0003 - Schubert - Stabat Mater D175.def
new file mode 100644
index 0000000000000000000000000000000000000000..bf3592ee4d2878244f7cb6475688d5826f69235d
--- /dev/null
+++ b/0003 - Schubert - Stabat Mater D175.def
@@ -0,0 +1,47 @@
+{
+ "output_dir": "0003 - Schubert - Stabat Mater D175",
+ "version": "2.13.35",
+ "template": "EK_Full",
+ "language": "deutsch",
+ "additionalscores": [],
+ "options": [],
+
+ "defaults": {
+ "title": "Stabat Mater",
+ "subtitle": "D 175",
+ "composer": "Franz Schubert",
+ "composerdate": "1797-1828",
+
+ "opus": u"D 175",
+ #"instrumentation": u"<<instrumentation>>",
+ #"key": u"<<key>>",
+ #"duration": u"<<duration>>",
+ #"composition_year": u"<<composition_year>>",
+ #"genre": u"<<genre>>",
+
+ "year": "2010",
+ "publisher": "Edition Kainhofer, Vienna",
+ "publisherurl": "http://www.edition-kainhofer.com/",
+ "editor": "Reinhold Kainhofer",
+ "editorurl": "http://reinhold.kainhofer.com/",
+ "editormail": "reinhold@kainhofer.com",
+ "scorenumber": "EK-0003",
+ "basename": "Schubert_StabatMater_D175",
+
+ "instruments": [
+ "ObI", "ObII", "ClI", "ClII", "FagI", "FagII",
+ "TrbI", "TrbII", "TrbIII",
+ "VI", "VII", "Va",
+ "S", "A", "T", "B",
+ "Continuo", "VcB"
+ ],
+ "vocalvoices": ["S", "A", "T", "B"],
+ "noscore_instruments": ["S", "A", "T", "B"],
+ "scores": ["Full", "Vocal", "Choral"],
+ },
+
+ "scores": ["StabatMater"],
+ "latex": {
+ "tex_options": ["nocolortitle"]
+ },
+}
diff --git a/979-0-50217-077-6.pdf b/979-0-50217-077-6.pdf
new file mode 100644
index 0000000000000000000000000000000000000000..9717af390f97a8937cad7460926927bc65d32aaf
Binary files /dev/null and b/979-0-50217-077-6.pdf differ
diff --git a/Makefile b/Makefile
index 7972545c2985c45a1ce37437c5608b97b8dc3f25..0146a67936554213b8de26fd181d87db81ba0049 100644
--- a/Makefile
+++ b/Makefile
@@ -10,8 +10,8 @@ pdfs = $(instruments:%=$(OUT)/$(base)_Instrument_%.pdf) \
texbase = Schubert_StabatMater_D175
-texscores = Full
-# Vocal Choral
+texscores = Full Vocal
+# Choral
texs = $(texscores:%=TeX_$(texbase)_Score_%.tex)
texpdfs = $(texs:%.tex=$(OUT)/%.pdf) \
$(OUT)/TeX_$(texbase)_Score_Instruments.pdf
@@ -52,7 +52,7 @@ latex: $(pdfs) $(texpdfs)
latexpdf: $(texpdfs)
$(OUT)/TeX_%.pdf : TeX_%.tex
- TEXINPUTS=$(OUT):orchestrallily/:.//: pdflatex --output-directory=$(OUT)/ $<
+ TEXINPUTS=$(OUT):orchestrallily/:.//: xelatex -interaction=batchmode --output-directory=$(OUT)/ $<
zipdir = $(base)_Final
dist: $(distfiles)
@@ -62,3 +62,6 @@ dist: $(distfiles)
rename 's/Score_(Full|Long)\./Score./' $(zipdir)/*
zip -jr $(base).zip $(zipdir)
rm -rf $(zipdir)
+
+webshop: $(distfiles)
+ python ../../Diverses/Webshop/EditionKainhofer_CSVI_Generate.py "0003 - Schubert - Stabat Mater D175.def" $(distfiles)
diff --git a/Schubert_StabatMater_D175_Instrument_A.ly b/Schubert_StabatMater_D175_Instrument_A.ly
index 1917ead157bc64bca8297140288a7f550041be84..d4f77e2c90c13f5e6d47a4b282c182f09cda776d 100644
--- a/Schubert_StabatMater_D175_Instrument_A.ly
+++ b/Schubert_StabatMater_D175_Instrument_A.ly
@@ -3,7 +3,7 @@
\header {
instrument = \AInstrumentName
- scorenumber = \markup{\scoreNumber \ANumber}
+ instrumentnr = \ANumber
}
\createScore #"StabatMater" #'("A")
diff --git a/Schubert_StabatMater_D175_Instrument_B.ly b/Schubert_StabatMater_D175_Instrument_B.ly
index ab310fa4ee29194bb2cacc0bd3a9203ea93fb971..712bc0a7465851ab2d5f67f64b9292bcc9992bd9 100644
--- a/Schubert_StabatMater_D175_Instrument_B.ly
+++ b/Schubert_StabatMater_D175_Instrument_B.ly
@@ -3,7 +3,7 @@
\header {
instrument = \BInstrumentName
- scorenumber = \markup{\scoreNumber \BNumber}
+ instrumentnr = \BNumber
}
\createScore #"StabatMater" #'("B")
diff --git a/Schubert_StabatMater_D175_Instrument_ClI.ly b/Schubert_StabatMater_D175_Instrument_ClI.ly
index a8143c7c7abfa719cbb74f8cde59cb81c7102bff..4d833fa66da6bfcb7063803073d0aba53120d583 100644
--- a/Schubert_StabatMater_D175_Instrument_ClI.ly
+++ b/Schubert_StabatMater_D175_Instrument_ClI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ClIInstrumentName
- scorenumber = \markup{\scoreNumber \ClINumber}
+ instrumentnr = \ClINumber
}
\createScore #"StabatMater" #'("ClI")
diff --git a/Schubert_StabatMater_D175_Instrument_ClII.ly b/Schubert_StabatMater_D175_Instrument_ClII.ly
index 56de71c387ccc2caf191a6350848609b14183059..6811ec18ff4096aa67a27a234a4b18bc4d6367f5 100644
--- a/Schubert_StabatMater_D175_Instrument_ClII.ly
+++ b/Schubert_StabatMater_D175_Instrument_ClII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ClIIInstrumentName
- scorenumber = \markup{\scoreNumber \ClIINumber}
+ instrumentnr = \ClIINumber
}
\createScore #"StabatMater" #'("ClII")
diff --git a/Schubert_StabatMater_D175_Instrument_Continuo.ly b/Schubert_StabatMater_D175_Instrument_Continuo.ly
index e658824f51ceb24e5caedfd667ca2c21213b6f8c..97170ed6ca8445739023849950ac30fe75223505 100644
--- a/Schubert_StabatMater_D175_Instrument_Continuo.ly
+++ b/Schubert_StabatMater_D175_Instrument_Continuo.ly
@@ -3,9 +3,40 @@
\header {
instrument = \ContinuoInstrumentName
- scorenumber = \markup{\scoreNumber \ContinuoNumber}
+ instrumentnr = \ContinuoNumber
+}
+% \paper {
+% % % systems-per-page = #9
+% page-count = #3
+% }
+\paper {
+ #(define page-breaking ly:optimal-breaking)
+}
+\paper {
+ bookTitleMarkup = \titlePageMarkup
+ scoreTitleMarkup = \titleHeaderMarkup
+ evenHeaderMarkup = \markup \fill-line {
+ \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+ \null
+ }
+ oddFooterMarkup = \markup {
+ \column {
+ \fill-line {
+ %% All other pages get the number of the edition centered
+ \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+ }
+ }
+ }
}
+\pageBreak
+\allowPageTurn
+
StabatMaterBCExtraSettings = { \dynamicUp }
-\createScore #"StabatMater" #'("Continuo")
+\createScore #"StabatMater" #'("Ch" "RealizedContinuo")
+\layout {
+ \context { \Score
+ \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 8)
+ }
+}
diff --git a/Schubert_StabatMater_D175_Instrument_FagI.ly b/Schubert_StabatMater_D175_Instrument_FagI.ly
index cd99f0ebb0b8ab13f492808fb74141f272e8afbd..d522dca6a881f2c38d6c925921428bc12c274fab 100644
--- a/Schubert_StabatMater_D175_Instrument_FagI.ly
+++ b/Schubert_StabatMater_D175_Instrument_FagI.ly
@@ -3,8 +3,28 @@
\header {
instrument = \FagIInstrumentName
- scorenumber = \markup{\scoreNumber \FagINumber}
+ instrumentnr = \FagINumber
}
+% \paper {
+% bookTitleMarkup = \titlePageMarkup
+% scoreTitleMarkup = \titleHeaderMarkup
+% evenHeaderMarkup = \markup \fill-line {
+% \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+% \null
+% }
+% oddFooterMarkup = \markup {
+% \column {
+% \fill-line {
+% %% All other pages get the number of the edition centered
+% \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+% }
+% }
+% }
+% }
+%
+% \pageBreak
+% \allowPageTurn
+
\createScore #"StabatMater" #'("FagI")
diff --git a/Schubert_StabatMater_D175_Instrument_FagII.ly b/Schubert_StabatMater_D175_Instrument_FagII.ly
index f374ef7da0911194b9a74fe86d916b6a02c3e68f..3aed3679ebb0dbb52ea276e5d1eccb6ad1d4dfc0 100644
--- a/Schubert_StabatMater_D175_Instrument_FagII.ly
+++ b/Schubert_StabatMater_D175_Instrument_FagII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \FagIIInstrumentName
- scorenumber = \markup{\scoreNumber \FagIINumber}
+ instrumentnr = \FagIINumber
}
\createScore #"StabatMater" #'("FagII")
diff --git a/Schubert_StabatMater_D175_Instrument_O.ly b/Schubert_StabatMater_D175_Instrument_O.ly
index 8229179fa552204b2408e4e07b184b977ebb6374..24c289eae705a69848520a7877b1e8003f74e000 100644
--- a/Schubert_StabatMater_D175_Instrument_O.ly
+++ b/Schubert_StabatMater_D175_Instrument_O.ly
@@ -3,8 +3,11 @@
\header {
instrument = \OInstrumentName
- scorenumber = \markup{\scoreNumber \ONumber}
+ instrumentnr = \ONumber
}
+\paper {
+ #(define page-breaking ly:optimal-breaking)
+}
\createScore #"StabatMater" #'("BC")
diff --git a/Schubert_StabatMater_D175_Instrument_ObI.ly b/Schubert_StabatMater_D175_Instrument_ObI.ly
index db2a07ea9fa1aac86a75738b88826ec95b2073a8..85174494dfec14fa1fc38cc69b29acd43ef1ebd4 100644
--- a/Schubert_StabatMater_D175_Instrument_ObI.ly
+++ b/Schubert_StabatMater_D175_Instrument_ObI.ly
@@ -3,8 +3,28 @@
\header {
instrument = \ObIInstrumentName
- scorenumber = \markup{\scoreNumber \ObINumber}
+ instrumentnr = \ObINumber
}
+% \paper {
+% bookTitleMarkup = \titlePageMarkup
+% scoreTitleMarkup = \titleHeaderMarkup
+% evenHeaderMarkup = \markup \fill-line {
+% \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+% \null
+% }
+% oddFooterMarkup = \markup {
+% \column {
+% \fill-line {
+% %% All other pages get the number of the edition centered
+% \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+% }
+% }
+% }
+% }
+%
+% \pageBreak
+% \allowPageTurn
+
\createScore #"StabatMater" #'("ObI")
diff --git a/Schubert_StabatMater_D175_Instrument_ObII.ly b/Schubert_StabatMater_D175_Instrument_ObII.ly
index 1e6d05ed0858a7bdbfb7cd9bf73aecdccc30fd1a..8695497ffc546760c816405553b8846e5c45175e 100644
--- a/Schubert_StabatMater_D175_Instrument_ObII.ly
+++ b/Schubert_StabatMater_D175_Instrument_ObII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \ObIIInstrumentName
- scorenumber = \markup{\scoreNumber \ObIINumber}
+ instrumentnr = \ObIINumber
}
\createScore #"StabatMater" #'("ObII")
diff --git a/Schubert_StabatMater_D175_Instrument_S.ly b/Schubert_StabatMater_D175_Instrument_S.ly
index ad648641a5094785a74f97a541c915a8c2fc795e..6af0b685346a3d1528e336f777cd1627ad73e64d 100644
--- a/Schubert_StabatMater_D175_Instrument_S.ly
+++ b/Schubert_StabatMater_D175_Instrument_S.ly
@@ -3,7 +3,7 @@
\header {
instrument = \SInstrumentName
- scorenumber = \markup{\scoreNumber \SNumber}
+ instrumentnr = \SNumber
}
\createScore #"StabatMater" #'("S")
diff --git a/Schubert_StabatMater_D175_Instrument_T.ly b/Schubert_StabatMater_D175_Instrument_T.ly
index 3197661b3b97674b20a6fd676a41b57421458d80..cee5c11675c65f7d26a4963c6b1ba886df1a4583 100644
--- a/Schubert_StabatMater_D175_Instrument_T.ly
+++ b/Schubert_StabatMater_D175_Instrument_T.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TInstrumentName
- scorenumber = \markup{\scoreNumber \TNumber}
+ instrumentnr = \TNumber
}
\createScore #"StabatMater" #'("T")
diff --git a/Schubert_StabatMater_D175_Instrument_TbeI.ly b/Schubert_StabatMater_D175_Instrument_TbeI.ly
index 04d7473c7a10d8401ef7c635d965588e37a3dbcc..e1e0e9489497a8ac01ac472fce2db1df4d61098c 100644
--- a/Schubert_StabatMater_D175_Instrument_TbeI.ly
+++ b/Schubert_StabatMater_D175_Instrument_TbeI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TbeIInstrumentName
- scorenumber = \markup{\scoreNumber \TbeINumber}
+ instrumentnr = \TbeINumber
}
\createScore #"StabatMater" #'("TbeI")
diff --git a/Schubert_StabatMater_D175_Instrument_TbeII.ly b/Schubert_StabatMater_D175_Instrument_TbeII.ly
index 93fcaeb2e9e5f5d2ef6caddbd01d58027c42caed..450c34b3d9aa6a5574c1c430f0cfbd523a29dd4f 100644
--- a/Schubert_StabatMater_D175_Instrument_TbeII.ly
+++ b/Schubert_StabatMater_D175_Instrument_TbeII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TbeIIInstrumentName
- scorenumber = \markup{\scoreNumber \TbeIINumber}
+ instrumentnr = \TbeIINumber
}
\createScore #"StabatMater" #'("TbeII")
diff --git a/Schubert_StabatMater_D175_Instrument_TbeIII.ly b/Schubert_StabatMater_D175_Instrument_TbeIII.ly
index 5679d5a316704dab6d0f23968243b5987afd7e9f..340f57975de610352710ee23ac1c79237ee11dc3 100644
--- a/Schubert_StabatMater_D175_Instrument_TbeIII.ly
+++ b/Schubert_StabatMater_D175_Instrument_TbeIII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TbeIIIInstrumentName
- scorenumber = \markup{\scoreNumber \TbeIIINumber}
+ instrumentnr = \TbeIIINumber
}
\createScore #"StabatMater" #'("TbeIII")
diff --git a/Schubert_StabatMater_D175_Instrument_TrbI.ly b/Schubert_StabatMater_D175_Instrument_TrbI.ly
index 6202e19982162fbb7e4b28023bfa913b506e5ec4..5f6be0f5cabe373258dfbb4b4d30f2b8cff2c651 100644
--- a/Schubert_StabatMater_D175_Instrument_TrbI.ly
+++ b/Schubert_StabatMater_D175_Instrument_TrbI.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TrbIInstrumentName
- scorenumber = \markup{\scoreNumber \TrbINumber}
+ instrumentnr = \TrbINumber
}
\createScore #"StabatMater" #'("TrbI")
diff --git a/Schubert_StabatMater_D175_Instrument_TrbII.ly b/Schubert_StabatMater_D175_Instrument_TrbII.ly
index 66215f880a88cfe8295b31d9ceffcfdcdf579212..ca5269a3b986f2054625a22db8527097dc16ae12 100644
--- a/Schubert_StabatMater_D175_Instrument_TrbII.ly
+++ b/Schubert_StabatMater_D175_Instrument_TrbII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TrbIIInstrumentName
- scorenumber = \markup{\scoreNumber \TrbIINumber}
+ instrumentnr = \TrbIINumber
}
\createScore #"StabatMater" #'("TrbII")
diff --git a/Schubert_StabatMater_D175_Instrument_TrbIII.ly b/Schubert_StabatMater_D175_Instrument_TrbIII.ly
index c64c7fe35af3d836389145e2c5d5b97ba64b0eba..af6dd7db2b4683dc44fcb1761b043c6daaef4219 100644
--- a/Schubert_StabatMater_D175_Instrument_TrbIII.ly
+++ b/Schubert_StabatMater_D175_Instrument_TrbIII.ly
@@ -3,7 +3,7 @@
\header {
instrument = \TrbIIIInstrumentName
- scorenumber = \markup{\scoreNumber \TrbIIINumber}
+ instrumentnr = \TrbIIINumber
}
\createScore #"StabatMater" #'("TrbIII")
diff --git a/Schubert_StabatMater_D175_Instrument_VI.ly b/Schubert_StabatMater_D175_Instrument_VI.ly
index 1824be7ab763220897650daa218ea72b54b1fe4e..03ad8fb404da4db9fdab4622c0bcc76cca5f1c3d 100644
--- a/Schubert_StabatMater_D175_Instrument_VI.ly
+++ b/Schubert_StabatMater_D175_Instrument_VI.ly
@@ -3,8 +3,29 @@
\header {
instrument = \VIInstrumentName
- scorenumber = \markup{\scoreNumber \VINumber}
+ instrumentnr = \VINumber
}
-\createScore #"StabatMater" #'("VI")
+\header {
+% bookTitleMarkup = ##f
+% scoreTitleMarkup = ##f
+ bookTitleMarkup = \titlePageMarkup
+ scoreTitleMarkup = \titleHeaderMarkup
+ evenHeaderMarkup = \markup \fill-line {
+ \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+ \null
+ }
+ oddFooterMarkup = \markup {
+ \column {
+ \fill-line {
+ %% All other pages get the number of the edition centered
+ \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+ }
+ }
+ }
+}
+\pageBreak
+\allowPageTurn
+
+\createScore #"StabatMater" #'("VI")
diff --git a/Schubert_StabatMater_D175_Instrument_VII.ly b/Schubert_StabatMater_D175_Instrument_VII.ly
index feefa3590a3074b9f3741d0125e9294e30f4fd02..f74b7890e1ccc0ce1e77bf41a407c9874a817a91 100644
--- a/Schubert_StabatMater_D175_Instrument_VII.ly
+++ b/Schubert_StabatMater_D175_Instrument_VII.ly
@@ -3,8 +3,28 @@
\header {
instrument = \VIIInstrumentName
- scorenumber = \markup{\scoreNumber \VIINumber}
+ instrumentnr = \VIINumber
}
+\paper {
+ bookTitleMarkup = \titlePageMarkup
+ scoreTitleMarkup = \titleHeaderMarkup
+ evenHeaderMarkup = \markup \fill-line {
+ \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+ \null
+ }
+ oddFooterMarkup = \markup {
+ \column {
+ \fill-line {
+ %% All other pages get the number of the edition centered
+ \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+ }
+ }
+ }
+}
+
+\pageBreak
+\allowPageTurn
+
\createScore #"StabatMater" #'("VII")
diff --git a/Schubert_StabatMater_D175_Instrument_Va.ly b/Schubert_StabatMater_D175_Instrument_Va.ly
index 63e0e1dcaede00b52e0f31a5e574d60a5c048b67..da54e9c3d7a14d39c35d52517e36964aa7fb7a0c 100644
--- a/Schubert_StabatMater_D175_Instrument_Va.ly
+++ b/Schubert_StabatMater_D175_Instrument_Va.ly
@@ -3,8 +3,28 @@
\header {
instrument = \VaInstrumentName
- scorenumber = \markup{\scoreNumber \VaNumber}
+ instrumentnr = \VaNumber
}
+\paper {
+ bookTitleMarkup = \titlePageMarkup
+ scoreTitleMarkup = \titleHeaderMarkup
+ evenHeaderMarkup = \markup \fill-line {
+ \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+ \null
+ }
+ oddFooterMarkup = \markup {
+ \column {
+ \fill-line {
+ %% All other pages get the number of the edition centered
+ \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+ }
+ }
+ }
+}
+
+\pageBreak
+\allowPageTurn
+
\createScore #"StabatMater" #'("Va")
diff --git a/Schubert_StabatMater_D175_Instrument_VcB.ly b/Schubert_StabatMater_D175_Instrument_VcB.ly
index 65777314e4388b294735548b656b8fcef5bf7988..7accf23503d019502b736602d2e7eb4737a4ff81 100644
--- a/Schubert_StabatMater_D175_Instrument_VcB.ly
+++ b/Schubert_StabatMater_D175_Instrument_VcB.ly
@@ -1,11 +1,32 @@
\version "2.13.35"
\include "Schubert_StabatMater_D175_Settings_Instrument.ily"
+VcBInstrumentName = \markup { \center-column { "Violoncello e" "Contrabbasso"}}
\header {
instrument = \VcBInstrumentName
- scorenumber = \markup{\scoreNumber \VcBNumber}
+ instrumentnr = \VcBNumber
}
StabatMaterVcBMusic = \StabatMaterBCMusic
+\paper {
+ bookTitleMarkup = \titlePageMarkup
+ scoreTitleMarkup = \titleHeaderMarkup
+ evenHeaderMarkup = \markup \fill-line {
+ \on-the-fly #is-header-page \fromproperty #'page:page-number-string
+ \null
+ }
+ oddFooterMarkup = \markup {
+ \column {
+ \fill-line {
+ %% All other pages get the number of the edition centered
+ \on-the-fly #is-footer-page \fromproperty #'header:scorenumber
+ }
+ }
+ }
+}
+
+\pageBreak
+\allowPageTurn
+
\createScore #"StabatMater" #'("VcB")
diff --git a/Schubert_StabatMater_D175_Music_StabatMater.ily b/Schubert_StabatMater_D175_Music_StabatMater.ily
index b4210370e1488e46de06fe6110e7cc875a491b13..dd5ba8796638898be141ca8b1d43e6f8110910fe 100644
--- a/Schubert_StabatMater_D175_Music_StabatMater.ily
+++ b/Schubert_StabatMater_D175_Music_StabatMater.ily
@@ -10,6 +10,7 @@ StabatMaterSettings = \notemode {
}
StabatMaterObIMusic = \relative c'' {
+ \tag #'cued \override Hairpin #'bound-padding = #0.25
R2.*4 | % 5
r4 d4\p(-. d4)-. | % 6
d2-> r4 | % 7
@@ -83,7 +84,7 @@ StabatMaterObIMusic = \relative c'' {
h2.-> | % 81
h8([ c8)] c4 r4 | % 82
r4 d4 d4 | % 83
- es2 g,4 | % 84
+ es2( g,4) | % 84
f2( b4) | % 85
\partcombineApartOnce es,2 r4 | % 86
r4 f'4~ g4~ | % 87
@@ -226,7 +227,7 @@ StabatMaterObIIMusic = \relative c' {
as'2.-> | % 81
as8([ g8)] g4 r4 | % 82
r4 as4 as4 | % 83
- b4( g4) es4 | % 84
+ b4( g4 es4) | % 84
es4( d2) | % 85
es2 r4 | % 86
r4 b'2 | % 87
@@ -1389,7 +1390,7 @@ StabatMaterVIMusic = \relative a {
g8[ g8] g8\ff[ g8 g8 g8] | % 114
g8[ g8 g8 g8 a8 a8] | % 115
b8[ b8 b8 b8 a8 a8] | % 116
- as4 d,4\f d4 | % 117 % TODO: Add \fz on first beat???
+ as4\fz d,4\f d4 | % 117
f2 h,4 | % 118
r4 d4 d4 | % 119
g2 cis,4 | \barNumberCheck #120
@@ -1518,7 +1519,7 @@ StabatMaterVIIMusic = \relative d' {
g8([ b8] es4 g4) | % 86
b4.( as8 g4) | % 87
g8([ f8] es4 d4) | % 88
- es8\ff([ b8 g8 b8 g8 b8)] | % 89
+ \dynamicsX #-2 es8\whiteoutff([ b8 g8 b8 g8 b8)] | % 89
\repeat tremolo 3 { g8( b8) } | \barNumberCheck #90
\repeat tremolo 3 { as8( c8) } | % 91
\repeat tremolo 3 { a8( c8) } | % 92
@@ -1543,7 +1544,7 @@ StabatMaterVIIMusic = \relative d' {
r8 b8\f[ b8 b8 b8 b8] | % 111
es8[ es8 g8 g8 es8 es8] | % 112
d8-.[ b'8-. g8-. b8-. c,8-. a'8-.] | % 113
- c,8[ b'8] b8\ff[ b8 b8 b8] | % 114
+ b,8[ b'8] b8\ff[ b8 b8 b8] | % 114
h8[ h8 c8 c8 cis8 cis8] | % 115
d8[ d8 d8 d8 d8 c8] | % 116
d8\fz as4\f as4 as8~ | % 117
@@ -1651,11 +1652,11 @@ StabatMaterVaMusic = \relative b {
h8 h4 a8[( c8]) c8( | % 62
b8) b4 b8[( g8]) g8( | % 63
a8) d,4 d4 d8 | % 64
- c2.\ff\>( | % 65
- es2.)\! | % 66
- c2.\ff\>( | % 67
- es2.)\! | % 68
- as'2.\ff\fermata | % 69
+ c2.\ff\>~ | % 65
+ c2.\! | % 66
+ c2.\ff\>~ | % 67
+ c2.\! | % 68
+ as''2.\ff\fermata | % 69
es,2.\ff\fermata | \barNumberCheck #70
d2.\pp~ | % 71
d2. | % 72
@@ -1938,7 +1939,7 @@ StabatMaterAMusic = \relative g' {
a2 g4 | % 25
a2 a4 | % 26
a2 g4 | % 27
- as2 g4 | % 28
+ as2 as4 | % 28
g2\cresc g4\! | % 29
f2\f\>( b4)~ | \barNumberCheck #30
b4(\!\p g4) a4 | % 31
@@ -2370,10 +2371,8 @@ StabatMaterBCMusic = \relative g {
g4) r4 r4 | % 27
f'!2 f4 | % 28
es2\cresc e4\! | % 29
- % TODO: Vc smaller in following measure?
-% << { \voiceTwo f2.~\f\> | f2.\!\p | b,2 } \\ { \voiceOne s2. | c'2. | b2 } >> \oneVoice r4 | % 32
- f2.~\f\> | <c' f,>2.\!\p | <b b,>2 r4 | % 32
- fis2.(\fz-> | % 33
+ \twoVoice { s2. | c' | b2 } { f2.~\f\> | f2.\!\p | b,2 } r4 | % 32
+ fis'2.(\fz-> | % 33
g4) r4 r4 | % 34
fis2.(-> | % 35
g4) r4 r4 | % 36
@@ -2429,7 +2428,7 @@ StabatMaterBCMusic = \relative g {
es2 r4 | % 86
r4 d4( es4) | % 87
as,4( b4) b4-. | % 88
- es2.\ff\fz | % 89 % TODO: Merge \f and \fz
+ << {\dynamicsAllInside #-3 #-5 es2._\ff} \new Voice { s2.^\fz } >> | % 89
e2.\fz | \barNumberCheck #90
f2.\fz | % 91
fis2.\fz | % 92
@@ -2465,7 +2464,7 @@ StabatMaterBCMusic = \relative g {
r4 fis4 fis4 | % 122
fis2 fis4 | % 123
r4 g4 g4 | % 124
- << {as2.( | g2.) } \\ { h,2 h4 | c2 c4 } >> | % 126
+ \twoVoice {as2.( | g2.) } { h,2 h4 | c2 c4 } | % 126
d2 d4 | % 127
es2 r4 | % 128
es2.\fz | % 129
@@ -2476,12 +2475,10 @@ StabatMaterBCMusic = \relative g {
c( b) b | % 134
r h h | % 135
h( c) c\fermata | % 136
-% << {\voiceOne <fis a,>2.( | <g b,>2) c,4 } \\ {\voiceTwo a2.\p( b2)( c4)} >> \oneVoice | % 138
- <fis a,>2.(\p | <g b,>2)_( c,4) | % 138
+ \twoVoice {fis2.( | g2) c,4 } { \dynamicsX #-3 a2.\p( | b2)( c4)} | % 138
d2. | % 139
es2 r4 | \barNumberCheck #140
-% << { \voiceTwo h2.( | c2) c4 } \\ { \voiceOne as'2.( | g2) c,4 } >> \oneVoice | % 142
- <as h,>2.( | <g c,>2) c,4 | % 142
+ \twoVoice { as2.( | g2) c,4 } { h2.( | c2) c4 } | % 142
d2 d4 | % 143
g,2 r4 | % 144
c2.~\fz-> | % 145
@@ -2500,7 +2497,7 @@ StabatMaterBCMusic = \relative g {
}
-%%% TODO: Workaround for broken quoting when instrument contains subvoice:
+%%% Workaround for broken quoting when instrument contains subvoice:
StabatMaterVcBMusicTmp = \relative g {
\tag #'cued \override Hairpin #'bound-padding = #0.25
R2.*4 | % 5
@@ -2528,8 +2525,6 @@ StabatMaterVcBMusicTmp = \relative g {
g4) r4 r4 | % 27
f'!2 f4 | % 28
es2\cresc e4\! | % 29
- % TODO: Vc smaller in following measure?
- % << { \voiceTwo f2.~\f\> | f2.\!\p | b,2 } \\ { \voiceOne s2. | c'2. | b2 } >> \oneVoice r4 | % 32
f2.~\f\> | <c' f,>2.\!\p | <b b,>2 r4 | % 32
fis2.(\fz-> | % 33
g4) r4 r4 | % 34
@@ -2587,7 +2582,7 @@ StabatMaterVcBMusicTmp = \relative g {
es2 r4 | % 86
r4 d4( es4) | % 87
as,4( b4) b4-. | % 88
- es2.\ff\fz | % 89 % TODO: Merge \f and \fz
+ es2.\fz | % 89
e2.\fz | \barNumberCheck #90
f2.\fz | % 91
fis2.\fz | % 92
@@ -2658,6 +2653,11 @@ StabatMaterVcBMusicTmp = \relative g {
}
\addQuote "StabatMaterVcBMusic" { \StabatMaterVcBMusicTmp }
+StabatMaterBCRealizationMusic = \relative c'' {
+ % TODO
+ s2.*156 \bar "|."
+}
+
StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
\set figuredBassAlterationDirection = #RIGHT
\set figuredBassPlusDirection = #RIGHT
@@ -2705,22 +2705,22 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
\parenthesize <9>8 \parenthesize <8> s4 s | % 46
\bassFigureExtendersOn <5+> <6> <6\\> | % 47
<6 4>2 s4 | % 48
- <3+ 9->4 <4 9-> <5! 8>8 <7> | % 49
+ <3+ 9->4 <4 9-> <5! 8>8 <0 7> | % 49
<8>4 s s | \barNumberCheck #50
<5+> <6> <6\\\!> | % 51
- <6\! 4>2 <_+>4 | % 52
+ \bassFigureExtendersOff <6\! 4>2 <_+>4 | % 52
<8 _+> s s | % 53
- <6 4\+ 3->4 <4\+> <4\+> | % 54
+ \bassFigureExtendersOn <6 4\+ 3->4 <4\+> <4\+> | % 54
<4\+>2 <4\+>4 | % 55
<6>4 <6> <6> | % 56
\bassFigureExtendersOff
- <6 4 2!>2 <4>4 \bassFigureExtendersOn | % 57
+ <6\! 4 2!>2 \bassFigureExtendersOn <4>4 | % 57
<6>4 <6> <6> | % 58
<6\!>4 <6>8 <6> <6\! 4>4 | % 59
- <5 4\!> <4> < _!> | \barNumberCheck #60
+ <5 4\!> <4> <0 _!> | \barNumberCheck #60
<6 4! 3->2 <4! 3->4 | % 61
<7 5! 3>4 <5!> <6> | % 62
- <6\!>2 <6->4 | % 63
+ <6\\>2 <6\\\!>4 | % 63
<_+>8 s4 s4 s8 | % 64
<6 4\+ 3>2. | % 65
<6 4\+ 2>2. | % 66
@@ -2728,9 +2728,9 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
<6 4\+ 2>2. | % 68
<7- 5 3> | % 69
<6\\ 5\!> | \barNumberCheck #70
- \once \set useBassFigureExtenders = ##f
+ \bassFigureExtendersOff
<"Tasto">2. |
- s2.*3 | % 74
+ \bassFigureExtendersOn s2.*3 | % 74
<8>4 s s | % 75
<6>4. <7>8 <6> <5> | % 76
s4 s <6> | % 77
@@ -2741,7 +2741,7 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
s8 <6>8 s4 s | % 82
<6 3->2 s4 | % 83
<6>2 <7>4 | % 84
- <5 4> <_ 3> <7-> | % 85 % TODO: Shift the 3 (2nd beat) down!
+ <5 4> <5 3> <7-> | % 85
s2. | % 86
s4 <6 5-> <8> | % 87
<6> <6\! 4> <5> | % 88
@@ -2751,8 +2751,8 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
<7>4 <7>8 <7> <6>4 | % 92
<_!>2. | % 93
<4! 3->2. | % 94
- \bassFigureExtendersOff <6>2 <5 6\!>4 \bassFigureExtendersOn | % 95
- s8 <3> s4 s | % 96
+ <6>2 <6\! 5>4 | % 95
+ <6>8 <3> s4 s | % 96
<6- 3->8 s4 s s8 | % 97
s2. | % 98
<6 4>2 <_!>4 | % 99
@@ -2774,9 +2774,9 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
<5!> <6> <6\\> | % 115
<6 4>2 <_+>4 | % 116
<7- 5 3>2 s4 | % 117
- <6! 5- 3>4 <5-> <5-> | % 118
+ <_ 5- 3>4 <5-> <6! 5-> | % 118
<5->2 <5->4 | % 119
- <6\\ 5 3>4 <5> <5> | \barNumberCheck #120
+ <_ 5 3>4 <5> <6\\ 5> | \barNumberCheck #120
<5>2 <5>4 | % 121
<6 5\!>4 <6> <6> | % 122
<7>2 <6>4 | % 123
@@ -2788,7 +2788,7 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
<6\\ 5>2. | % 129
<6 4>2. | \barNumberCheck #130
<6\! 4\! 2>2. | % 131
- <7 _!>2. | % 132
+ <7>4 <_!>2 | % 132
<6 4\+ 3>4 <6> <6> | % 133
<6> <6\!> s | % 134
<7- 5 3> <7-> <7-> | % 135
@@ -2810,6 +2810,7 @@ StabatMaterBCFbMusic = \figuremode { \bassFigureStaffAlignmentDown\dynamicUp
\once \set useBassFigureExtenders = ##f
<\markup{"Tasto"}> | % 151
s2.*3 | % 154
+ \set useBassFigureExtenders = ##t
<8>2 <8>4 | % 155
<8>2 <8>4 | % 156
<8>2. \bar "|."
diff --git a/Schubert_StabatMater_D175_Score_Choral.ly b/Schubert_StabatMater_D175_Score_Choral.ly
index 8d629e7b6bf8f2f48e73bba8f442e4abb8a30e03..e88655f87a24417340a8e7da930f5d8d5a6d4f3c 100644
--- a/Schubert_StabatMater_D175_Score_Choral.ly
+++ b/Schubert_StabatMater_D175_Score_Choral.ly
@@ -5,7 +5,7 @@
\header {
scoretype = \ChoralScoreTitle
- scorenumber = \markup{\scoreNumber \ChoralScoreNumber}
+ instrumentnr = \ChoralScoreNumber
ismn = "979-0-50217-041-7"
copyright = \markup \abs-fontsize #9 \column{
\line { 2010, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved. ISMN \fromproperty #'header:ismn }
@@ -16,15 +16,16 @@ AShortInstrumentName = ""
TShortInstrumentName = ""
BShortInstrumentName = ""
\paper {
- systems-per-page = #4
+% systems-per-page = #4
page-count = #4
% ragged-last-bottom = ##t
}
\paper {
% Allow line-breaks only at rests!
#(define page-breaking ly:optimal-breaking)
+% #(define page-breaking ly:page-turn-breaking)
}
-#(set-global-staff-size 15)
+#(set-global-staff-size 14.5)
\layout {
diff --git a/Schubert_StabatMater_D175_Score_Full.ly b/Schubert_StabatMater_D175_Score_Full.ly
index 9d33d9f3b12401ac4aa0b54d59f5aa618d5d2d9d..ae8d55bd3e9df60cde6ba553c229f363e280a202 100644
--- a/Schubert_StabatMater_D175_Score_Full.ly
+++ b/Schubert_StabatMater_D175_Score_Full.ly
@@ -5,7 +5,24 @@
\header {
scoretype = \FullScoreTitle
- scorenumber = \markup{\scoreNumber \FullScoreNumber}
+ instrumentnr = \FullScoreNumber
}
+% \paper {
+% page-count=#18
+% top-markup-spacing #'minimum-distance = #0
+% top-markup-spacing #'space = #5
+% top-markup-spacing #'padding = #2
+% top-markup-spacing #'stretchability = #15
+% }
+#(set-global-staff-size 15)
+BassGroupInstrumentName = "Organo *"
+BassGroupShortInstrumentName = "Org."
+StabatMaterBCExtraSettings = { \footnote "" #'(0 . 0) #'Stem "* Generalbass-Aussetzung: R. Kainhofer" \default \dynamicUp }
+
+BCInstrumentName = "Violoncello, Basso"
+BCShortInstrumentName = "Vc. e B."
+
+
+% StabatMaterBCExtraSettings = { \dynamicUp }
\createNoCuesScore #"StabatMater" #'("FullScore")
diff --git a/Schubert_StabatMater_D175_Score_Vocal.ly b/Schubert_StabatMater_D175_Score_Vocal.ly
index 4cb1145fd66cdec4119e611ff642453da55e07f7..7f826a4cfa2fec8209cfbb3be192bf8ca4a93e84 100644
--- a/Schubert_StabatMater_D175_Score_Vocal.ly
+++ b/Schubert_StabatMater_D175_Score_Vocal.ly
@@ -4,12 +4,29 @@
\setCreatePDF ##t
\header {
- scoretype = \VocalScoreTitle
- scorenumber = \markup{\scoreNumber \VocalScoreNumber}
+% scoretype = \VocalScoreTitle
+ scoretype = ""
+ instrument = ##f
+ instrumentnr = \VocalScoreNumber
}
SShortInstrumentName = ""
AShortInstrumentName = ""
TShortInstrumentName = ""
BShortInstrumentName = ""
+SClef = \clef "treble"
+AClef = \clef "treble"
+TClef = \clef "treble_8"
-\createScore #"StabatMater" #'("VocalScore")
+StabatMaterPIMusic = \notemode { \expandFullBarRests s2.*156 }
+StabatMaterPIIMusic = \notemode {\expandFullBarRests s2.*156 }
+
+\layout {
+ \context { \Score
+ \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 32)
+ \override VerticalAxisGroup #'remove-empty = ##f
+ }
+ \context { \Staff
+ \override VerticalAxisGroup #'remove-empty = ##f
+ }
+}
+\createNoCuesScore #"StabatMater" #'("VocalScore")
diff --git a/Schubert_StabatMater_D175_Settings_Global.ily b/Schubert_StabatMater_D175_Settings_Global.ily
index 82b8afb75c1c1d11eadf2ce69caaab0ebbced81b..3d374d50a939ed14e6fd96b6697980b6cfd87a62 100644
--- a/Schubert_StabatMater_D175_Settings_Global.ily
+++ b/Schubert_StabatMater_D175_Settings_Global.ily
@@ -2,16 +2,18 @@
\include "orchestrallily/oly_settings_names.ily"
-scorenumber="EK-0003"
\header {
- title = "Stabat Mater, D 175"
- titlepagetitle = "Stabat Mater, D 175"
- subtitle = "für Chor, Orchester und Orgel"
- titlepagesubtitle = "für Chor, Orchester und Orgel"
- composer = "Franz Schubert (1797-1828)"
- copyright = \markup \abs-fontsize #9 \column{
- \line { 2010, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
+ scorenumberbase="EK-0003"
+ title = \markup {Stabat Mater \normal-text{ in g, D 175}}
+ titlepagetitle = "Stabat Mater in g, D 175"
+ subtitle = "für Chor, Orchester und Orgel"
+ titlepagesubtitle = "für Chor, Orchester und Orgel"
+ composer = "Franz Schubert (1797-1828)"
+ shortcomposer = "F. Schubert"
+ copyright = \markup \abs-fontsize #9 \column{
+ \line { © 2010, \with-url #"http://www.edition-kainhofer.com/" {Edition Kainhofer, Vienna,} \concat{\fromproperty #'header:scorenumber .} Herausgeber: Reinhold Kainhofer }
+ \line { Alle Rechte vorbehalten / All rights reserved / Printed in Austria. }
}
}
@@ -68,16 +70,19 @@ OClef = \clef "bass"
#(oly:modify_score_structure '("Trb" "GrandStaff" ("TrbTop" "TrbIII")))
#(oly:modify_score_structure '("TrbTop" "PartCombinedStaff" ("TrbI" "TrbII")))
+#(oly:modify_score_structure '("Continuo" "SimultaneousMusic" ("BC" "BCFb")))
+
+
TrbInstrumentName = \markup\null
-TrbTopInstrumentName = "Trombone I,II"
+TrbTopInstrumentName = \markup{\center-column{ \line {Tromboni} \line{ I,II }}}
TrbIIIInstrumentName = "Trombone III"
-TrbShortInstrumentName = "Trn."
+TrbShortInstrumentName = "Trb."
TrbTopShortInstrumentName = \markup\null
TrbIIIShortInstrumentName = \markup\null
-ContinuoInstrumentName = \markup { \center-column { \line{Violoncello, Basso} \line{ ed Organo}}}
-ContinuoShortInstrumentName = \markup { \center-column { \line{Vc. e B.} \line{Org.}}}
+BCInstrumentName = \markup { \center-column { \line{Violoncello, Basso} \line{ ed Organo}}}
+BCShortInstrumentName = \markup { \center-column { \line{Vc. e B.} \line{Org.}}}
ClIInstrumentName = \markup { \center-column { "Clarinetto I" \line{"in Si"{\smaller\flat}"/B"} } }
ClIIInstrumentName = \markup { \center-column { "Clarinetto II" \line{"in Si"{\smaller\flat}"/B"} } }
diff --git a/Schubert_StabatMater_D175_Settings_Instrument.ily b/Schubert_StabatMater_D175_Settings_Instrument.ily
index f613f1c5da16c80d8fdfd03936c77d252b17659c..dd8fbf063b7d8574b8e3eba69c287380fd57387a 100644
--- a/Schubert_StabatMater_D175_Settings_Instrument.ily
+++ b/Schubert_StabatMater_D175_Settings_Instrument.ily
@@ -1,7 +1,7 @@
\version "2.13.35"
\include "orchestrallily/oly_settings_instrument.ily"
\include "Schubert_StabatMater_D175_Settings.ily"
-\paper {
+% \paper {
% Allow line-breaks only at rests!
- #(define page-breaking ly:optimal-breaking)
-}
+% #(define page-breaking ly:optimal-breaking)
+% }
diff --git a/TeX_Schubert_StabatMater_D175_Include_About.itex b/TeX_Schubert_StabatMater_D175_Include_About.itex
index 2d199ed49c35931b12af910dce94b1915ae9527b..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391 100644
--- a/TeX_Schubert_StabatMater_D175_Include_About.itex
+++ b/TeX_Schubert_StabatMater_D175_Include_About.itex
@@ -1,10 +0,0 @@
-\addcontentsline{toc}{section}{Vorwort / Preface}
-
-\begin{multicols}{2}\raggedcolumns
-\prefacesection{Vorwort}
-TODO
-\columnbreak
-\prefacesection{Preface}
-TODO
-\end{multicols}
-\vfill
diff --git a/TeX_Schubert_StabatMater_D175_Include_Bio.itex b/TeX_Schubert_StabatMater_D175_Include_Bio.itex
index 047867b694b1bec32e98a2853946981ffd91fedb..e69de29bb2d1d6434b8b29ae775ad8c2e48c5391 100644
--- a/TeX_Schubert_StabatMater_D175_Include_Bio.itex
+++ b/TeX_Schubert_StabatMater_D175_Include_Bio.itex
@@ -1,14 +0,0 @@
-\section*{Das Leben von Franz Schubert (1797-1828)}
-
-\begin{multicols}{2}
-TODO
-\end{multicols}
-
-\section*{The life of Franz Schubert (1797-1828)}
-
-\begin{multicols}{2}
-TODO
-\end{multicols}
-
-Quellen / Sources:\\[0em]
-TODO
diff --git a/TeX_Schubert_StabatMater_D175_Include_Copyrightbox.itex b/TeX_Schubert_StabatMater_D175_Include_Copyrightbox.itex
index f3609d1250e1decaf656d6e6b55e300fb5192907..41c733f872d5ac6358bbd87786235b113b0391f7 100644
--- a/TeX_Schubert_StabatMater_D175_Include_Copyrightbox.itex
+++ b/TeX_Schubert_StabatMater_D175_Include_Copyrightbox.itex
@@ -1,6 +1,6 @@
\makeatletter
-\copyrightbox{© \@year, \@publisher\ifx\@publisherurl\@empty\else, \href{\@publisherurl}{\@publisherurl}\fi\newline
-1. Auflage / 1st Printing \@year\newline
+\copyrightbox{© \@yearpublished, \@publisher\ifx\@publisherurl\@empty\else, \href{\@publisherurl}{\@publisherurl}\fi\newline
+1. Auflage / 1st Printing \@yearpublished\newline
Computersatz mit \@software\newline
Alle Rechte vorbehalten / All rights reserved. Printed in Austria.}
\makeatother
diff --git a/TeX_Schubert_StabatMater_D175_Include_KritBericht.itex b/TeX_Schubert_StabatMater_D175_Include_KritBericht.itex
index 459ecd01e6edc9aa6c6c38a11ac49bf2d55973a6..55ba67520d93a014f762ac857a0c9096e3d36fbf 100644
--- a/TeX_Schubert_StabatMater_D175_Include_KritBericht.itex
+++ b/TeX_Schubert_StabatMater_D175_Include_KritBericht.itex
@@ -1,9 +1,11 @@
\footnotesize
-\chapter*{Quellen und Lesarten}
-\addcontentsline{toc}{section}{Quellen und Lesarten}
+\renewcommand{\thesection}{\arabic{section}}
+${}$\vspace{0.3cm}
+\section*{\Huge Quellen und Lesarten}
+\addcontentsline{toc}{chapter}{Quellen und Lesarten}
\begin{multicols}{2}
-\subsection*{Quellen:}
+\section{Quellen:}
\begin{thebibliography}{AA}
@@ -64,22 +66,43 @@ damals noch im Besitz von Nikolaus Dumba befunden hatte.
\end{thebibliography}
-\subsection*{Quellendiskussion}
+\subsubsection{Quellendiskussion}
Als Primärquelle dieser Ausgabe dient der Autograph \cite{Aut},
-der in der Wiener Stadt- und Landesbibliothek aufbewahrt wird, jedoch in
+der in der Wiener Stadt- und Landesbibliothek aufbewahrt wird, jedoch auch
elektronisch (als Scans) im Internet verfügbar ist unter \url{http://www.schubert-online.at/}.
Der Autograph lag auch der alten Schubert-Ausgabe \cite{Br} zu Grunde,
-wie in den dortigen Anmerkungen festgehalten wird. Daher kann der Quelle
-\cite{Br} nur untergeordneten Stellenwert eingeräumt werden und wird
-hauptsächlich zur Korrektur von Fehlern im Autograph benutzt.
-
-
-\subsection*{Bemerkungen}
-
-
+wie in den dortigen Anmerkungen im Kritischen Bericht festgehalten wird.
+Daher kann der Quelle \cite{Br} nur untergeordneten Stellenwert eingeräumt
+werden und wird hauptsächlich zur Korrektur von Fehlern im Autograph benutzt.
+Teilweise sind jedoch auch in \cite{Br} Fehler des Autographs nicht korrigiert,
+bzw. sogar neue Fehler enthalten (z.B. in der Viola in den Takten 65 und 67).
+
+\columnbreak
+\section{Bemerkungen}
+\paragraph{Benutzte Abkürzungen}
+\nobreak
+\begin{tabbing}
+Ob... \quad \= Oboe/i\\
+Cl... \> Clarinetto/i\\
+Fag... \> Fagotto/i\\
+Trb... \> Trombone/i\\
+V... \> Violino\\
+Va... \> Viola\\
+Vc... \> Violoncello\\
+Cb... \> Contrabasso\\
+VcB... \> Cello\&Contrabasso\\
+Org... \> Organo\\
+BC... \> Basso continuo (Bassbezifferung)\\
+S... \> Soprano\\
+A... \> Alto\\
+T... \> Tenore\\
+B... \> Basso
+\end{tabbing}
+
+\subsection{Allgemeine Bemerkungen}
Schubert notiert Akzente und Decrescendo-Pfeile praktisch ident in
unterschiedlicher Länge und unterschiedlicher Neigung (......). Wie in
[...] bemerkt haben für Schubert beide Zeichen offensichtlich ähnliche
@@ -99,7 +122,7 @@ diese Ausgabe an die Grammatik und notiert stattdessen Beistriche
(wie auch in der seitens der katholischen Kirche approbierten liturgische
Version im Graduale Romanum von 1973/79).
-\subsubsection*{Versetzungszeichen}
+\subsubsection{Versetzungszeichen}
Warnakzidentien für Auflösungen werden in dieser Ausgabe in den zwei
auf ein Versetzungs- oder Auflösungszeichen folgenden Takten angegeben.
@@ -112,19 +135,18 @@ es dem modernen Notensatz entsprechend allerdings erneut gesetzt.
-\subsubsection*{1. Einzelbemerkungen / Ergänzungen}
+\subsection{Einzelbemerkungen / Ergänzungen}
\begin{vergleich}
+3 Cl: \q{cresc} in \cite{Aut} und \cite{Br} erst am Ende des Taktes, parallel
+zum Keil. Angepasst an Fag
+
12 Ob1 / S: Auflösungszeichen ergänzt
12 Ob2 / A: b ergänzt
12: Bogen über die ersten Achtelnoten ergänzt in Cl, Fag und Trb
-20 V1: Tenuto-Bogen ergänzt (analog zu T9) ?????
-
-20 V2: Tenuto-Bogen (oder nichts? Oder Staccato-Punkte????)
-
14 Ob2: Bogen ergänzt
15 Va: \cite{Aut} setzt zwei Bögen, die in dieser Ausgabe zu einem vereinheitlicht
@@ -132,7 +154,11 @@ werden
16 B: Im Autograph \cite{Aut} Akzent
-19 Ob: Unnötiges p nicht übernommen
+19 Ob: Unnötiges p aus Autograph \cite{Aut} nicht übernommen
+
+20 V1: Tenuto-Bogen ergänzt (analog zu T9)
+
+20 V2: Tenuto-Bogen ergänzt
22 Cl1: \cite{Aut} notiert den Bogen undeutlich, im Vergleich zu Ob1 wird jedoch
klar, dass der Bogen über den gesamten Takt gesetzt werden soll.
@@ -142,6 +168,12 @@ klar, dass der Bogen über den gesamten Takt gesetzt werden soll.
24, 26 Trb2: \cite{Aut} notiert den Bogen nur über die ersten beiden
Viertelnoten, analog zu V1, V2, Va, Ob und Cl auf den ganzen Takt ergänzt.
+27 A: In allen Vorlagen \cite{Aut, Br} letzte Viertel g, was eine klare
+Dissonanz mit dem as in den parallel laufenden Instrumenten Ob2/Cl2/Trb2 und
+dem h in Ob1/Cl1/Vl1/Vl2 darstellt und auch nicht als Vorhalt interpretiert
+werden kann. Korrigiert auf as wie auf den ersten beiden Schlägen und den
+parallel laufenden Cl2/Ob2.
+
30 A: \cite{Aut} setzt den Bogen irrtümlich zu weit (über alle drei Viertelnoten).
Korrigiert auf die ersten beiden Viertelnoten.
@@ -174,6 +206,8 @@ Parallelstelle in T7
82 VcB: Akzent aus Va und Cl übernommen (in \cite{Br} ebenso, dort allerdings auch in V1)
+83 Ob: Bogen in Ob1 nach Cl1 ergänzt, in Ob2 über ganzen Takt gesetzt statt nur über die ersten beiden Noten wie in \cite{Aut}.
+
83/84 Trb: Der Haltebogen über den Umbruch findet sich in \cite{Aut} nur im
neuen System, nicht jedoch am Ende des alten Systems.
@@ -224,7 +258,7 @@ den restlichen Stimmen (Streicher und Trb) kein derartiges Decrescendo
eingetragen ist, unterlassen wir dies auch in den Holzbläsern.
\end{vergleich}
-\subsubsection*{2. Generalbass}
+\subsection{Generalbass}
\begin{vergleich}
21: \cite{Aut} notiert \bfig{5/6}, \cite{Br} \bfig{6/5}, was wir übernehmen
@@ -237,7 +271,9 @@ eingetragen ist, unterlassen wir dies auch in den Holzbläsern.
52: \cite{Aut} notiert \bfig{8/\#}, während \cite{Br} den Generalbass nur in Oktavlage setzt
-61: \cite{Br} setzt irrtümlich den Extender bis zum dritten Schlag, auf dem jedoch nur korrekt nur \bfig{6} gesetzt sein sollte.
+61: \cite{Br} setzt irrtümlich den Extender bis zum dritten Schlag, auf dem jedoch korrekt nur \bfig{6} gesetzt sein sollte.
+
+62: \cite{Aut} notiert am Taktanfang nur \bfig{6} statt \bfig{\bcancel{6}}, auf den dritten Schlag korrekt (jedoch schwer zu erkennen) \bfig{\bcancel{6}}, was \cite{Br} ignoriert.
64/65: \cite{Aut} wiederholt \bfig{6/4+} in T65. Angesichts des Taktes 67 notieren wir dies mittels Extender.
@@ -254,8 +290,12 @@ Bereits \cite{Br} korrigiert dies.
109: \cite{Aut} notiert irrtümlich \bfig{6 5/$\natural$}, was korrekterweise
\bfig{6/$\natural$5} sein sollte. Dies ist bereits in \cite{Br} korrigiert.
+117, 119: \bfig{$\natural$6} und \bfig{\cancel{6}} in \cite{Aut} bereits auf den ersten Schlag notiert, tritt in der Harmonie jedoch tatsächlich erst auf den dritten Schlag auf. Daher auch erst auf dem dritten Schlag übernommen.
+
123: \cite{Aut} notiert einen unnötigen Extender.
+131: \cite{Aut} und \cite{Br} notieren \bfig{7/$\natural$}, wogegen das \bfig{$\natural$} korrekt erst auf dem zweiten Schlag in der Harmonie erscheint.
+
144/145: \cite{Aut} wiederholt \bfig{6/4+} in Takt 145 (wie auch \cite{Br} inkonsistent
im Vergleich zu Takt 64/65!). Angesichts von Takt 147 notieren wir dies
mittels Extender.
@@ -263,7 +303,7 @@ mittels Extender.
-\subsubsection*{3. Ergänzte Rahmendynamik}
+\subsection{Ergänzte Rahmendynamik}
Akzente in der Rahmendynamik werden in dieser Ausgabe nicht in den Chor
übernommen, wenn sich der Akzent ohnehin aus der natürlichen Phrasierung
@@ -297,7 +337,7 @@ Rahmendynamik gehört und daher nicht ergänzt wird. Ebenso soll der Akzent in C
nicht wiederholt werden wie in \cite{Br}
-20: cresc. aus Ob in Rahmendynamik übernommen (???)
+20: cresc. aus Ob in Rahmendynamik übernommen
21: In \cite{Aut}: f in Ob/Fag, fz in Trb, fp in BC; vereinheitlicht zu fz in Trb, sonst f
@@ -364,10 +404,10 @@ Viertel) (V2, Va, Cl, Chor); in B und BC erst in T53. Im Alt in \cite{Aut} jedoc
88/89: ff (V1, V2, Va, Chor in T88 jeweils zu Beginn der musikalischen
Phrase; Ob, Cl, Trb in T89)
-89: Akzent (V1, Ob)????
+89: Akzent (V1, Ob)
96: In \cite{Aut} ist ein klares Decrescendo in V1/BC zu finden, welches hier
-der Rahmendynamik entsprechend auch in die anderen Stimmen übernommen wird.?????
+der Rahmendynamik entsprechend auch in die anderen Stimmen übernommen wird.
96: Decrescendo-Pfeil (V2, Va, Trb, Chor) und fz (V2, Va, Ob, Cl, Fag, Trb)
@@ -381,7 +421,7 @@ der Rahmendynamik entsprechend auch in die anderen Stimmen übernommen wird.????
113: ff (V2, Va, Trb)
-116: f (V2, Va, Ob, Cl, Chor; In B, BC, Fag, Trb3 in T117)
+116: f (V2, Va, Ob, Cl, Chor; In B, BC, Fag, Trb3 in T117), fz (V1)
127: ff (V2, Va; In Chor in T128)
@@ -402,7 +442,7 @@ der Rahmendynamik entsprechend auch in die anderen Stimmen übernommen wird.????
\end{vergleich}
-\subsection*{Vergleiche der Quellen}
+\subsection{Vergleiche der Quellen}
\paragraph{Korrekturen im Autograph}
\begin{vergleich}
@@ -452,6 +492,10 @@ der Rahmendynamik entsprechend auch in die anderen Stimmen übernommen wird.????
59/60 Trb: \cite{Aut} notiert die Bögen am Zeilenende, setzt sie aber am folgenden Zeilenbeginn in Takt 60 nicht fort. \cite{Br} unterlässt den Bogen fälschlicherweise ganz.
+62 BC: In \cite{Br} Bassbezifferung des dritten Schlages falsch \bfig{6$\flat$} statt \bfig{\bcancel{6}}.
+
+65/67 Va: In \cite{Br} falsch es statt c. Der Autograph notiert die Note zwar nur knapp unter der Notenzeile, setzt aber klar eine Hilfslinie und meint somit ein c.
+
74: \cite{Br} fügt hier ein p ein, welches sich in \cite{Aut} nicht findet.
75/76 Cl2 und Fag: \cite{Br} unterlässt den Bogen, der sich in \cite{Aut} findet
@@ -488,8 +532,9 @@ der Rahmendynamik entsprechend auch in die anderen Stimmen übernommen wird.????
\end{vergleich}
-\section*{Danksagung}
-\begin{multicols}{2}
+
+\section{Danksagung}
+% \begin{multicols}{2}
An dieser Stelle sei all jenen Personen und Institutionen gedankt, ohne die die
vorliegende Ausgabe nicht möglich gewesen wäre.
diff --git a/TeX_Schubert_StabatMater_D175_Include_Settings.itex b/TeX_Schubert_StabatMater_D175_Include_Settings.itex
index 13d22063cd1029b2aa43baec3658c6bf92100dc9..b81bc281e1fdf5586f1595f51916e53659ea42fa 100644
--- a/TeX_Schubert_StabatMater_D175_Include_Settings.itex
+++ b/TeX_Schubert_StabatMater_D175_Include_Settings.itex
@@ -12,7 +12,7 @@
Violoncello, Contrabasso ed Organo}
\editor{Reinhold Kainhofer}
\publisher{Edition Kainhofer}
-\year{2009}
+\yearpublished{2009}
\basename{Schubert_StabatMater_D175}
diff --git a/TeX_Schubert_StabatMater_D175_Include_Todo.itex b/TeX_Schubert_StabatMater_D175_Include_Todo.itex
index b64649f97a2c65b96418dcc2356429e75d513659..288d601b97ccad51d9ff4e997b2f558fc60becc5 100644
--- a/TeX_Schubert_StabatMater_D175_Include_Todo.itex
+++ b/TeX_Schubert_StabatMater_D175_Include_Todo.itex
@@ -1,11 +1,8 @@
-\todos{
-\chapter*{Offene Fragen}
-
-% \section*{Literaturvergleich mit dem Autograph:}
-\begin{itemize}
-\item Bass figures collide with accents/fermatas
-\item VcB T88: Need both ff and fz!
-
-\end{itemize}
-
-}
+% \todos{
+% \chapter*{Offene Fragen}
+%
+% \begin{itemize}
+%
+% \end{itemize}
+%
+% }
diff --git a/TeX_Schubert_StabatMater_D175_Score_Full.tex b/TeX_Schubert_StabatMater_D175_Score_Full.tex
index 4f0a1382dca4d7927c852553d19439e5ba82bfe3..424780745e960d1fd9ae072df741b7b9ecb1c7f6 100644
--- a/TeX_Schubert_StabatMater_D175_Score_Full.tex
+++ b/TeX_Schubert_StabatMater_D175_Score_Full.tex
@@ -9,6 +9,10 @@
\scoretype{\FullScoreType}
\scorenumber{\scoreNumber\FullScoreNumber}
\ismn{979-0-50217-040-0}
+\setcounter{tocdepth}{0}
+\makeatletter
+\renewcommand{\l@chapter}{\@dottedtocline{0}{0em}{3em}}
+\makeatother
\begin{document}
\input{TeX_Schubert_StabatMater_D175_Include_Coverpage.itex}
@@ -16,7 +20,7 @@
\phantomsection
-\addcontentsline{toc}{section}{\FullScoreType}
+\addcontentsline{toc}{chapter}{\FullScoreType}
\includescore{Score_Full}
@@ -24,6 +28,7 @@
\backmatter
\appendix
\input{TeX_Schubert_StabatMater_D175_Include_KritBericht.itex}
+\pagebreak
\input{../../EditionKainhofer_Titelliste.itex}
\input{TeX_Schubert_StabatMater_D175_Include_Backpage.itex}
diff --git a/TeX_Schubert_StabatMater_D175_Score_Instruments.tex b/TeX_Schubert_StabatMater_D175_Score_Instruments.tex
index 1d8ffc03b5f7b65bddf3ac47e053b66694d78aa3..8889453aff336811475c8e8bac872f017d066fc3 100644
--- a/TeX_Schubert_StabatMater_D175_Score_Instruments.tex
+++ b/TeX_Schubert_StabatMater_D175_Score_Instruments.tex
@@ -124,6 +124,7 @@
\begin{preface}
+${}$\vfill
\input{TeX_Schubert_StabatMater_D175_Include_About.itex}
\input{TeX_Schubert_StabatMater_D175_Include_Bio.itex}
\input{TeX_Schubert_StabatMater_D175_Include_Text.itex}
diff --git a/TeX_Schubert_StabatMater_D175_Score_Vocal.tex b/TeX_Schubert_StabatMater_D175_Score_Vocal.tex
index 6706d59a2a74639df4f249afc2c9ed25736246bd..b2d9b6603344be3b86d7cb3be265c548bad94cb6 100644
--- a/TeX_Schubert_StabatMater_D175_Score_Vocal.tex
+++ b/TeX_Schubert_StabatMater_D175_Score_Vocal.tex
@@ -8,7 +8,7 @@
\scoretype{\VocalScoreType}
\scorenumber{\scoreNumber\VocalScoreNumber}
-% \ismn{......}
+\ismn{979-0-50217-077-6}
\begin{document}
\input{TeX_Schubert_StabatMater_D175_Include_Coverpage.itex}
diff --git a/TeX_Schubert_StabatMater_D175_Settings.itex b/TeX_Schubert_StabatMater_D175_Settings.itex
index 8e967042eae283224f6c254e2a649d7856728c37..56140fdd12863ee4647c94f4739e143b4957696c 100644
--- a/TeX_Schubert_StabatMater_D175_Settings.itex
+++ b/TeX_Schubert_StabatMater_D175_Settings.itex
@@ -1,14 +1,14 @@
-\title{Stabat Mater}
+\title{Stabat Mater\;{\smaller{}in g}}
\subtitle{D 175}
\composer{Franz Schubert}
\composerdate{(1797-1828)}
-% \description{Per Coro (SATB) ed Organo o Orchestra}
+\description{Per Coro (SATB), Orchestra ed Organo}
\instrumentation{2 Oboi, 2 Clarinetti, 2 Fagotti\\3 Tromboni\\2 Violini, Viola, Violoncello\\e Basso Continuo (Organo e Bassi)}
\editor{\href{http://reinhold.kainhofer.com/}{Reinhold Kainhofer}}
\publisherurl{http://www.edition-kainhofer.com/}
\publisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer, Vienna}}
\shortpublisher{\href{http://www.edition-kainhofer.com/}{Edition Kainhofer}}
-\year{2010}
+\yearpublished{2010}
\scoreinfo{Urtext}
\basename{Schubert_StabatMater_D175}
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diff --git a/webshop_descriptions.def b/webshop_descriptions.def
new file mode 100644
index 0000000000000000000000000000000000000000..1ed1b21af45b6ae843728d1c0d44d748025a1a11
--- /dev/null
+++ b/webshop_descriptions.def
@@ -0,0 +1,34 @@
+{
+ "title": u"Franz Schubert: Stabat Mater, D 175",
+
+ "Short_Description_en": u"",
+ "Short_Description_de": u"",
+
+ "Description_de": u'''<p></p>''',
+ "Description_en": u'''<p></p>''',
+
+ "Category": u"Kirchenmusik/Chor und Orchester",
+
+ "Child_Products": [
+ {"sku": "EK-0003-1", "ismn": "", "comment": "", "price": 0.0}, # Partitur / Full score
+ {"sku": "EK-0003-2", "ismn": "", "comment": "", "price": 0.0}, # Klavierauszug / Vocal score
+ {"sku": "EK-0003-10", "ismn": "", "comment": "", "price": 0.0}, # Chorstimmen / Choral score
+ {"sku": "EK-0003-25", "ismn": "", "comment": "", "price": 0.0}, # Orchesterstimmen / Orchestra parts
+ {"sku": "EK-0003-21", "ismn": "", "comment": "", "price": 0.0}, # Organo
+ {"sku": "EK-0003-30", "ismn": "", "comment": "", "price": 0.0}, # Violino I
+ {"sku": "EK-0003-31", "ismn": "", "comment": "", "price": 0.0}, # Violino II
+ {"sku": "EK-0003-32", "ismn": "", "comment": "", "price": 0.0}, # Viola
+ {"sku": "EK-0003-33", "ismn": "", "comment": "", "price": 0.0}, # Violoncello e Contrabbasso
+ {"sku": "EK-0003-42", "ismn": "", "comment": "", "price": 0.0}, # Oboe I
+ {"sku": "EK-0003-43", "ismn": "", "comment": "", "price": 0.0}, # Oboe II
+ {"sku": "EK-0003-44", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto I
+ {"sku": "EK-0003-45", "ismn": "", "comment": "", "price": 0.0}, # Clarinetto II
+ {"sku": "EK-0003-46", "ismn": "", "comment": "", "price": 0.0}, # Fagotto I
+ {"sku": "EK-0003-47", "ismn": "", "comment": "", "price": 0.0}, # Fagotto II
+ {"sku": "EK-0003-54", "ismn": "", "comment": "", "price": 0.0}, # Trombone I
+ {"sku": "EK-0003-55", "ismn": "", "comment": "", "price": 0.0}, # Trombone II
+ {"sku": "EK-0003-56", "ismn": "", "comment": "", "price": 0.0}, # Trombone III
+ ],
+ "Productimages": [
+ ],
+}