diff --git a/Schubert_StabatMater_D383_Music_01_Chor.ily b/Schubert_StabatMater_D383_Music_01_Chor.ily
index b9889fac5f2b767bbb570825af631880b79af0f4..4aea2a8dfbd1420ffc4d445e7b4368fefbc34770 100644
--- a/Schubert_StabatMater_D383_Music_01_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_01_Chor.ily
@@ -13,14 +13,15 @@ IChorSettings = \notemode {
}
IChorObIMusic = \relative c' {
+ \once \set Staff.printPartCombineTexts = ##f
f1\accent\fermata\fp | %2
as4.\p as8 b4 b | %3
b4. b8 b4 as | %4
f'4.\fp es8 es4 des | %5
des(\accent c8[ b]) b4( as) | %6
- f4.\< f8\! \slurDown f4(\> e8[ d])\! \slurNeutral | %7
- e2 c4\f c | %8
- c2.\accent r4 |%9
+ \partcombineApart f4.-\tag #'non-partcombine \< f8 \slurDown f4(-\tag #'non-partcombine \> e8[ d])-\tag #'non-partcombine \! \slurNeutral | %7
+ e2 c4-\tag #'non-partcombine \f c | %8
+ c2.\accent \partcombineAutomatic r4 |%9
R1*6 |
\cleffedCueDuring #"IChorTrbIIIQuote" #DOWN #"Tr.III" \TrbIIIClef #"Ob.I" \ObClef { R1*1 | r2 }
as'4.\f as8 | %17
@@ -45,8 +46,8 @@ IChorObIIMusic = \relative c' {
g4. g8 g4 f | %4
c'4.\fp c8 c4 b | %5
b\accent( as8[ g]) g4( f) | %6
- f4.\< f8\! \tieUp << {c'2~} {s4\> s8 s8\!} >> | %7
- c2\tieNeutral c,4\f c | %8
+ f4.\< f8 \tieUp << {c'2~} {s4\> s8 s8\!} >> | %7
+ c2\tieNeutral \tag #'partcombine \dynamicsX #-4 c,4\f c | %8
c2.\accent r4 | %9
R1*6 | %15
\namedCueDuring #"IChorTrbIQuote" #DOWN #"Tr.I/Alto" #"Ob.II" { R1 | r2 } as'4.\f as8 | %17
@@ -71,7 +72,7 @@ IChorTrbIMusic = \relative c' {
des4. des8 c4 c | % 4
f4.\fp ges8 f4 f | % 5
e4. e8 e4( f) | % 6
- f4.\< f8\! f4(\> e8[ d])\! | % 7
+ f4.-\tag #'non-partcombine \< f8 f4(-\tag #'non-partcombine \> e8[ d])-\tag #'non-partcombine \! | % 7
e2 c4\f c | % 8
c2.\accent r4 | % 9
R1*6 |
@@ -98,7 +99,7 @@ IChorTrbIIMusic = \relative c' {
b4. b8 b4 as | %4
c4.\fp c8 c4 des | %5
des4\accent( c8[b]) b4( as) | %6
- c8[(\< es des as])\! as4(\> g8[ f])\! | %7
+ c8[(\< es des as]) as4(\> g8[ f])\! | %7
g2 c,4\f c | %8
c2.\accent r4 | %9
R1*6 | % 16
@@ -125,7 +126,7 @@ IChorTrbIIIMusic = \relative c {
e4. e8 f4 f | %4
as4.\fp a8 b4 b | %5
c,4. c8 des2\accent | %6
- as8[(\< a b h])\! << c2~ {s4\> s8 s\!} >> | %7
+ as8[(\< a b h]) << c2~ {s4\> s8 s\!} >> | %7
c2 c4\f c | %8
c2.\accent r4 | %9
R1*4 |
diff --git a/Schubert_StabatMater_D383_Music_02_Arie.ily b/Schubert_StabatMater_D383_Music_02_Arie.ily
index dc42aa775159eb8ce82b3bdbc62f13bcb81c090b..e80b59b1cc6e667aa8e96a8b535c879a1d5a533e 100644
--- a/Schubert_StabatMater_D383_Music_02_Arie.ily
+++ b/Schubert_StabatMater_D383_Music_02_Arie.ily
@@ -26,9 +26,9 @@ IIArieObIMusic = \relative f'' {
R4.*2 | % 15
r8 as,8([ c8] | % 16
des4) r8 |
- R4.*3 | % 22
+ \partcombineSoloI R4.*3 | % 22
\namedCueDuring #"IIArieSQuote" #UP #"Sop." #"Ob.I" { R4.*2 } | % 5
- r8 r8 f8\p( | % 23
+ r8 r8 \partcombineAutomatic f8\p( | % 23
e4 f8 | % 24
c4) f8( | % 25
e8[ g8 f8] | % 26
@@ -40,7 +40,7 @@ IIArieObIMusic = \relative f'' {
f4.\fz | % 32
e4\fermata\fz f8 | % 33
as,4 g8 | % 34
- f4 r8 | % 35
+ \partcombineApartOnce f4 r8 | % 35
as'4\pp( b16.[ as32]) | % 36
as4( ges8) | % 37
f4 r8 |
@@ -51,13 +51,14 @@ IIArieObIMusic = \relative f'' {
R4.*2 | % 47
r8 des8([ f8] | % 48
ges4) r8 |
+ \partcombineSoloI
R4.*3 | % 54
\namedCueDuring #"IIArieSQuote" #UP #"Sop." #"Ob.I" { R4.*2 | r8 r8 } es8\p | % 55
d4( es8) | % 56
b4 ges'16([ es16)] | % 57
d8[( f8 es8] | % 58
b4) r8 | % 59
- ges'4\fp r8 | \barNumberCheck #60
+ \partcombineAutomatic ges'4\fp r8 | \barNumberCheck #60
f4\fp r8 | % 61
ges4\fp r8 | % 62
f4\fp ges8\f | % 63
@@ -77,7 +78,6 @@ IIArieObIMusic = \relative f'' {
\addQuote "IIArieObIQuote" \IIArieObIMusic
IIArieObIIMusic = \relative a' {
-% \tag #'cues \override Score.SpacingSpanner #'spacing-increment = #1.7
R4.*7 | % 9
\namedCueDuring #"IIArieSQuote" #UP #"Sop." #"Ob.II" { R4.*3 } | % 11
r8 a8([\p b8] | % 12
@@ -122,7 +122,7 @@ IIArieObIIMusic = \relative a' {
IIArieFagIMusic = \relative c' {
R4.*8 | % 9
\cleffedCueDuring #"IIArieSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { R4.*2 } | % 11
- r8 c4~\p | % 12
+ r8 c4~-\tag #'non-partcombine \p | % 12
c4 r8 |
R4.*2 | % 15
r8 f8[( es8] | % 16
@@ -139,14 +139,15 @@ IIArieFagIMusic = \relative c' {
f4 r8 | % 35
R4.*6 | % 41
\cleffedCueDuring #"IIArieSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { R4.*2 } | % 43
- r8 c'4~\pp | % 44
+ r8 c'4~-\tag #'non-partcombine \pp | % 44
c8\staccatissimo r8 r8 |
- R4. |
+ \partcombineSoloI R4. |
R4. \clef "tenor" | % 47
r8 b'8[( as8] | % 48
ges4) r8 | % 49
R4.*8 | % 57
- \cleffedCueDuring #"IIArieSQuote" #UP #"Sop." \SClef #"Fag.I" {} { R4.*2 } |
+ \partcombineAutomatic
+ \cleffedCueDuring #"IIArieSQuote" #UP #"Sop." \SClef #"Fag.I" {} { R4.*2 }
\clef "bass" | % 59
c,4\fp r8 | \barNumberCheck #60
des4\fp r8 | % 61
@@ -213,7 +214,7 @@ IIArieVIMusic = \relative f' {
r16 a16([ c16 a16 b16 c16)] | % 12
a16([ c16 f16 c16 a16 c16)] | % 13
ges16([ b16 ges16 b16 f16\cresc b16)] | % 14
- f16([\! as16 ges16 as16 es16 as16)] | % 15
+ f16([ as16 ges16 as16 es16 as16)] | % 15
f16([ as16 des16 as16 ges16 es16)] | % 16
des4 r8 | % 17
b'16\staccato[\fp b16\staccato b8\staccato] r8 | % 18
@@ -363,7 +364,7 @@ IIArieVaMusic = \relative b {
f8 r8 ges8( | % 12
f8) r8 f8 | % 13
ges4 g8\cresc | % 14
- as4\! as8 | % 15
+ as4 as8 | % 15
des,4.~ | % 16
des4 r8 | % 17
des'16\staccato[\fp des16\staccato des8\staccato] r8 | % 18
@@ -528,7 +529,7 @@ IIArieVcBMusic = \relative b {
f8) r8 f8 | % 13
ges4 g8\cresc | % 14
as4 as8 | % 15
- des,4.\!~ | % 16
+ des,4.~ | % 16
des4 r8 | % 17
des16\staccato[\fp des16\staccato des8\staccato] r8 | % 18
c16\staccato\fp[ c16\staccato c8\staccato] r8 | % 19
diff --git a/Schubert_StabatMater_D383_Music_03_Chor.ily b/Schubert_StabatMater_D383_Music_03_Chor.ily
index a1d88829ccff61760630af99e38f7b8d1c4de53f..b3ff0774a2472684867945d2f6ed4aa1c8e0dae5 100644
--- a/Schubert_StabatMater_D383_Music_03_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_03_Chor.ily
@@ -18,8 +18,8 @@ IIIChorObIMusic = {
g''2.(\accent f''4) | % 6
d''4( es''4 d''4 c''4) | % 7
b'2( c''4 es''4) | % 8
- es'2 g'4( f'4) | % 9
- es'2 r2 |
+ \partcombineApartOnce es'2 g'4( f'4) | % 9
+ \partcombineApartOnce es'2 r2 |
R1*6 |
R1-\fermataMarkup |
R1*11 |
@@ -31,7 +31,7 @@ IIIChorObIMusic = {
c''2.(\accent b'4) | % 36
b'4.( as'8 g'2) | % 37
as'2 f'2 | % 38
- es'1 \bar "|."
+ \partcombineApartOnce es'1 \bar "|."
}
IIIChorObIIMusic = {
@@ -61,8 +61,8 @@ IIIChorObIIMusic = {
IIIChorFagIMusic = {
es'2.\fp(\accent d'4) | % 2
d'4.( c'8 b2) | % 3
- c'2\fp( d'4 es'4) | % 4
- d'2 es'2 | % 5
+ \partcombineApart c'2(-\tag #'non-partcombine \fp d'4 es'4) | % 4
+ \partcombineAutomatic d'2 es'2 | % 5
g'2.(\accent f'4) | % 6
d'4( es'4 d'4 c'4) | % 7
b4( g4 as4 c'4) | % 8
@@ -91,7 +91,7 @@ IIIChorFagIMusic = {
es2 r2 | % 33
es'2.(\accent d'4) | % 34
d'4.( c'8 b2) | % 35
- c'2\accent( d'4 es'4) | % 36
+ \partcombineApart c'2\accent( d'4 es'4) | % 36
d'2 es'2 | % 37
c'2 b2 | % 38
g1 \bar "|."
@@ -137,38 +137,41 @@ IIIChorFagIIMusic = {
}
% Original (display pitch!)
-%{IIIChorCorIMusic = {
- c''4\fp(\staccato c''4\staccato c''4\staccato c''4)\staccato | % 2
- c''4(\staccato c''4\staccato c''4\staccato c''4)\staccato | % 3
- c''4\fp(\staccato c''4\staccato c''4\staccato c''4)\staccato | % 4
- g'4(\staccato g'4\staccato c''4\staccato c''4)\staccato | % 5
- c''2\fp r2 |
+IIIChorCorIMusic = \relative c'' {
+ \transposition es'
+ c4\fp(\staccato c4\staccato c4\staccato c4)\staccato | % 2
+ c4(\staccato c4\staccato c4\staccato c4)\staccato | % 3
+ c4\fp(\staccato c4\staccato c4\staccato c4)\staccato | % 4
+ g4(\staccato g4\staccato c4\staccato c4)\staccato | % 5
+ c2\fp r2 |
R1 | % 7
- c''2 c''2 | % 8
- e''2 e''4( d''4) | % 9
- c''2 r2 |
+ c2 c2 | % 8
+ e2 e4( d4) | % 9
+ c2 r2 |
R1*3 | % 13
- e''2\f d''2 | % 14
- c''2 e''2 | % 15
- c''2. d''4 | % 16
- g'2 g'2\fermata |
+ e2\f d2 | % 14
+ c2 e2 | % 15
+ c2. \partcombineApartOnce d4 | % 16
+ g,2 g2\fermata |
R1*3 | \barNumberCheck #20
- r4 g''2\p g''4 | % 21
- g''1 |
+ r4 g'2\p g4 | % 21
+ g1 |
R1*3 | % 25
- e''2\f d''2 | % 26
- c''2 e''2 | % 27
- c''2 r2 | % 28
- g'2 g'2\fermata |
+ e2\f d2 | % 26
+ c2 e2 | % 27
+ c2 r2 | % 28
+ g2 g2\fermata |
R1*4 | % 33
- c''1\p\accent | % 34
- c''1 | % 35
- c''2(\accent h'4 c''4) | % 36
- g'2 c''2 | % 37
- f''2 d''2 | % 38
- c''1 \bar "|."
+ c1\p\accent | % 34
+ c1 | % 35
+ c2(\accent h4 c4) | % 36
+ \partcombineApart g2 c2 \partcombineAutomatic | % 37
+ f2 d2 | % 38
+ c1 \bar "|."
}
+
IIIChorCorIIMusic = \relative c' {
+ \transposition es'
c4\fp\staccato( c4\staccato c4\staccato c4)\staccato | % 2
c4(\staccato c4\staccato c4\staccato c4)\staccato | % 3
c4\fp(\staccato c4\staccato c4\staccato c4)\staccato | % 4
@@ -199,70 +202,6 @@ IIIChorCorIIMusic = \relative c' {
d2 g,2 | % 38
e1 \bar "|."
}
-%}
-% Correct version: concert pitch
-IIIChorCorIMusic = {
- es'4\fp(\staccato es'\staccato es'\staccato es')\staccato | % 2
- es'(\staccato es'\staccato es'\staccato es')\staccato | % 3
- es'\fp(\staccato es'\staccato es'\staccato es')\staccato | % 4
- b(\staccato b\staccato es'\staccato es')\staccato | % 5
- es'2\fp r | % 6
- R1 | % 7
- es'2 es' | % 8
- g' g'4( f') | % 9
- es'2 r | \barNumberCheck #10
- R1*3 | % 13
- g'2\f f' | % 14
- es' g' | % 15
- es'2. f'4 | % 16
- b2 b\fermata | % 17
- R1*3 | \barNumberCheck #20
- r4 b'2\p b'4 | % 21
- b'1 | % 22
- R1*3 | % 25
- g'2\f f' | % 26
- es' g' | % 27
- es' r | % 28
- b b\fermata | % 29
- R1*4 | % 33
- es'1\p\accent | % 34
- es' | % 35
- es'2(\accent d'4 es') | % 36
- b2 es' | % 37
- as' f' | % 38
- es'1 \bar "|."
-}
-IIIChorCorIIMusic = {
- es4\fp\staccato( es\staccato es\staccato es)\staccato | % 2
- es(\staccato es\staccato es\staccato es)\staccato | % 3
- es\fp(\staccato es\staccato es\staccato es)\staccato | % 4
- b,(\staccato b,\staccato es\staccato es)\staccato | % 5
- es2\fp r | % 6
- R1 | % 7
- es2 es | % 8
- es' b | % 9
- es r | \barNumberCheck #10
- R1*3 | % 13
- es'2\f b | % 14
- g g | % 15
- es2. r4 | % 16
- b,2 b,\fermata | % 17
- R1*3 | \barNumberCheck #20
- r4 b2\p b4 | % 21
- b1 | % 22
- R1*3 | % 25
- es'2\f b | % 26
- g g | % 27
- es r | % 28
- b, b,\fermata | % 29
- R1*4 | % 33
- es1\p\accent | % 34
- es | % 35
- es\accent | % 36
- b2 es' | % 37
- f' b | % 38
- g1 \bar "|."
-}
IIIChorVIMusic = {
es''2.\fp(\accent d''4) | % 2
@@ -577,27 +516,27 @@ IIIChorVcBMusic = {
es,1 \bar "|."
}
-IIIChorCorIStaff = \context Staff = "IIIChorCorISt" \with {
- instrumentName = \IIIChorCorIInstrumentName
- shortInstrumentName = \CorIShortInstrumentName
-} <<
- \context Voice = "IIIChorCorIVoice" \transpose es c' <<
- \transposition c'
- \IIIChorSettings
- \CorIClef
- \IIIChorKey
- \IIIChorCorIMusic
- >>
->>
-IIIChorCorIIStaff = \context Staff = "IIIChorCorIISt" \with {
- instrumentName = \IIIChorCorIIInstrumentName
- shortInstrumentName = \CorIIShortInstrumentName
-} <<
- \context Voice = "IIIChorCorIIVoice" \transpose es c' <<
- \transposition c'
- \IIIChorSettings
- \CorIIClef
- \IIIChorKey
- \IIIChorCorIIMusic
- >>
->>
+% IIIChorCorIStaff = \context Staff = "IIIChorCorISt" \with {
+% instrumentName = \IIIChorCorIInstrumentName
+% shortInstrumentName = \CorIShortInstrumentName
+% } <<
+% \context Voice = "IIIChorCorIVoice" \transpose es c' <<
+% \transposition c'
+% \IIIChorSettings
+% \CorIClef
+% \IIIChorKey
+% \IIIChorCorIMusic
+% >>
+% >>
+% IIIChorCorIIStaff = \context Staff = "IIIChorCorIISt" \with {
+% instrumentName = \IIIChorCorIIInstrumentName
+% shortInstrumentName = \CorIIShortInstrumentName
+% } <<
+% \context Voice = "IIIChorCorIIVoice" \transpose es c' <<
+% \transposition c'
+% \IIIChorSettings
+% \CorIIClef
+% \IIIChorKey
+% \IIIChorCorIIMusic
+% >>
+% >>
diff --git a/Schubert_StabatMater_D383_Music_04_Duett.ily b/Schubert_StabatMater_D383_Music_04_Duett.ily
index c168dc2c91308a2d421e53da0e0d24a02b9235d2..1f12964923861a870ffb9b10948d5312c6fedca2 100644
--- a/Schubert_StabatMater_D383_Music_04_Duett.ily
+++ b/Schubert_StabatMater_D383_Music_04_Duett.ily
@@ -8,7 +8,7 @@ IVDuettKey = \notemode { \key b \major }
IVDuettSettings = \notemode { \tempo \IVDuettTempo \time 2/4 }
IVDuettObIMusic = \relative f'' {
- f2\p~ | % 2
+ f2~-\tag #'non-partcombine \p | % 2
f2~ | % 3
f2~ | % 4
f2 | % 5
@@ -23,13 +23,13 @@ IVDuettObIMusic = \relative f'' {
f2~ | % 14
f2 |
R2*6 | % 22
- \namedCueDuring #"IVDuettSQuote" #UP #"Sop." #"Ob.I" { R2 | r4 } g4(\accent | % 23
+ \namedCueDuring #"IVDuettSQuote" #UP #"Sop." #"Ob.I" {\partcombineChords R2 | r4 \partcombineAutomatic } g4(\accent | % 23
f4. es8 | % 24
c4 d4) | % 25
f4.(\accent es8) | % 26
c8([ b16 c16] d4) |
R2 | % 28
- c4.(\cresc d8\! | % 29
+ c4.(\cresc d8 | % 29
es4 g4) | \barNumberCheck #30
c,4.( d8) | % 31
es8([\p g8] f4 | % 32
@@ -38,10 +38,10 @@ IVDuettObIMusic = \relative f'' {
b8 r8 r4\fermata |
R2*9 | % 44
\namedCueDuring #"IVDuettTQuote" #DOWN #"Ten." #"Ob.I" { R2*2 } | % 46
- f'4\accent\p( g8[ as8] | % 47
+ f'4\accent(-\tag #'non-partcombine \p g8[ as8] | % 47
g4) r4 | % 48
- f4\accent(\cresc g8[ as8]) | % 49
- g4\! r4 | \barNumberCheck #50
+ f4\accent(-\tag #'non-partcombine \cresc g8[ as8]) | % 49
+ g4-\tag #'non-partcombine \! r4 | \barNumberCheck #50
f4(\accent g8[ as8)] | % 51
g4( f4 | % 52
es4 d4) | % 53
@@ -58,13 +58,13 @@ IVDuettObIMusic = \relative f'' {
f2~ | % 65
f2 |
R2*5 | % 71
- \namedCueDuring #"IVDuettSQuote" #UP #"Sop." #"Ob.I" { R2*2 | r8 } c8\p[( f8 a8)] | % 74
+ \namedCueDuring #"IVDuettSQuote" #UP #"Sop." #"Ob.I" { \partcombineChords R2*2 | r8 \partcombineAutomatic } c8\p[( f8 a8)] | % 74
c4.\accent( b8) | % 75
g4( a4) | % 76
c4.\accent( b8) | % 77
g4( a4) |
R2 | % 79
- d,4.(\cresc a8)\! | \barNumberCheck #80
+ d,4.(\cresc a8) | \barNumberCheck #80
b4( d4) | % 81
d4.( a8) | % 82
b8\p([ d8] c4) | % 83
@@ -72,23 +72,23 @@ IVDuettObIMusic = \relative f'' {
d4( c8[ b8)] | % 85
a8 r8 r4\fermata |
R2 | % 87
- e'4\accent(\p f8[ g8] | % 88
+ e'4\accent(-\tag #'non-partcombine \p f8[ g8] | % 88
f4) r4 | % 89
- e4\accent(\cresc f8[ g8] | \barNumberCheck #90
- f4)\! r4 | % 91
+ e4\accent(-\tag #'non-partcombine \cresc f8[ g8] | \barNumberCheck #90
+ f4)-\tag #'non-partcombine \! r4 | % 91
e4\accent( f8[ g8)] | % 92
f4\<( as4\!) | % 93
g4.(\accent es8) | % 94
c8([ d8 es8 f8)] | % 95
d4 r4 |
R2 | % 97
- c4(\p\accent d8[ es8] | % 98
+ c4(\accent-\tag #'non-partcombine \p d8[ es8] | % 98
d4) r4 | % 99
c4(\accent d8[ es8] | \barNumberCheck #100
d4) r4 | % 101
c4\accent( d8[ es8)] | % 102
- d4(\cresc es8[ f8)] | % 103
- g8\!\f r8 f8 r8 | % 104
+ d4(-\tag #'non-partcombine \cresc es8[ f8)]-\tag #'non-partcombine \! | % 103
+ g8\f r8 f8 r8 | % 104
es8 r8 c8 r8 | % 105
d4 r4 | % 106
d4( es8[ f8)] | % 107
@@ -102,8 +102,8 @@ IVDuettObIMusic = \relative f'' {
r4 es'4\p | % 119
r4 d4 | \barNumberCheck #120
r4 c4 | % 121
- r4 b4 | % 122
- d4.(\cresc es8)\! | % 123
+ r4 \partcombineApartOnce b4 | % 122
+ d4.(\cresc es8) | % 123
d8([ es8 f8 g8)] | % 124
as4\f r4 |
R2*4 |
@@ -115,8 +115,8 @@ IVDuettObIMusic = \relative f'' {
r4 es'4\p | % 137
r4 d4 | % 138
r4 c4 | % 139
- r4 b4 | \barNumberCheck #140
- d4.(\cresc es8)\! | % 141
+ r4 \partcombineApartOnce b4 | \barNumberCheck #140
+ d4.(\cresc es8) | % 141
d8[( es8 f8 g8)] | % 142
as4\f r4 |
R2*4 | % 147
@@ -180,8 +180,8 @@ IVDuettObIIMusic = \relative f'' {
g4(\accent fis4 | \barNumberCheck #100
g4) r4 | % 101
g4\accent( fis4) | % 102
- g8(\cresc b4 d8) | % 103
- es8\!\f r8 b8 r8 | % 104
+ g8(\cresc b4 d8)\! | % 103
+ es8\f r8 b8 r8 | % 104
g8 r8 a8 r8 | % 105
b4 r4 | % 106
b4( c8[ d8)] | % 107
@@ -231,23 +231,22 @@ IVDuettObIIMusic = \relative f'' {
}
IVDuettFagIMusic = \relative f' {
- R2 \clef "tenor" |
- R2 | % 3
- f4(\p es8[ d8)] | % 4
- b'4( a4) | % 5
+ R2 \tag #'partcombine \clef "tenor" |
+ \partcombineApart \tag #'partcombine \once\override MultiMeasureRest #'staff-position = #8 R2 \tag #'non-partcombine \clef "tenor" | % 3
+ \partcombineChords f4(-\tag #'non-partcombine \p es8[ d8)] | % 4
+ \partcombineAutomatic b'4( a4) | % 5
g2~ | % 6
g4( f4) | % 7
es8 r8 c8 r8 | % 8
b4 r4 | % 9
R2*11 |
- \cleffedCueDuring #"IVDuettSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { R2 | r4 } \clef "bass" es4(\accent | % 23
- r4 es4(\accent | % 23
+ \cleffedCueDuring #"IVDuettSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { \partcombineSoloI R2*2 | r4 } \clef "bass" \partcombineAutomatic es4(\accent | % 23
d4. c8 | % 24
a4 b4) | % 25
d4.(\accent c8) | % 26
a8([ g16 a16] b4) |
R2 | % 28
- es4.(\cresc h8\! | % 29
+ es4.(\cresc h8 | % 29
c4 g4) | \barNumberCheck #30
es'4.( h8) | % 31
c8([\p es8] d4 | % 32
@@ -271,41 +270,42 @@ IVDuettFagIMusic = \relative f' {
es2 |
R2-\fermataMarkup
R2*11 | % 71
+ \partcombineSoloI
\namedCueDuring #"IVDuettTQuote" #UP #"Ten." #"Fag.I" { R2*2 | r8 } a,8\p[( c8 f8)] | % 74
a4.\accent( g8) | % 75
c,4( f4) | % 76
a4.\accent( g8) | % 77
c,4( f4) |
R2 | % 79
- b,4.(\cresc fis8)\! | \barNumberCheck #80
+ b,4.(\cresc fis8) | \barNumberCheck #80
g4( b4) | % 81
b4.( fis8) | % 82
g8\p([ b8] a4) | % 83
cis4( d4)~ | % 84
d4( e4) | % 85
f8 r8 r4\fermata |
- R2 | % 87
+ \partcombineAutomatic R2 | % 87
e2\p\accent( | % 88
f4) r4 | % 89
e2\accent(\cresc | \barNumberCheck #90
- f4\!) r4 | % 91
+ f4) r4 | % 91
e2(\accent | % 92
<< {f2)} {s4\< s4\!} >> | % 93
g2 | % 94
- f2 | % 95
- b,4 r4 |
+ \partcombineApart f2 | % 95
+ b,4 \partcombineAutomatic r4 |
R2 | % 97
c2\p\accent( | % 98
d4) r4 | % 99
c2\accent( | \barNumberCheck #100
d4) r4 | % 101
c2(\accent | % 102
- d8)([\cresc f8 es8 as8)] | % 103
- g8\!\f r8 f8 r8 | % 104
+ d8)([-\tag #'non-partcombine \cresc f8 es8 as8)]-\tag #'non-partcombine \! | % 103
+ \partcombineChordsOnce g8\f r8 f8 r8 | % 104
es8 r8 c8 r8 | % 105
d4 r4 | % 106
- b2\accent( | % 107
- es,4) r4 | % 108
+ \partcombineApart b2\accent( | % 107
+ es,4) \partcombineAutomatic r4 | % 108
es'4\fz r4 |
R2*3 | % 112
r8 d8\f[ c8 b8] | % 113
@@ -350,10 +350,10 @@ IVDuettFagIMusic = \relative f' {
}
IVDuettFagIIMusic = \relative f' {
- R2 \clef "tenor" | % 2
- f4\p( es4) | % 3
- d4( c8[ b8)] | % 4
- f2 | % 5
+ R2 | % 2
+ \partcombineApart \clef "tenor" f4(\p \partcombineApart es4) | % 3
+ \partcombineChords d4( c8[ b8)] | % 4
+ \partcombineAutomatic f2 | % 5
es'4( d4 | % 6
c4 a8[ b8)] | % 7
es,8 r8 f8 r8 | % 8
@@ -380,7 +380,7 @@ IVDuettFagIIMusic = \relative f' {
cis2\p\accent( | % 88
d4) r4 | % 89
cis2\accent(\cresc | \barNumberCheck #90
- d4\!) r4 | % 91
+ d4) r4 | % 91
cis2(\accent | % 92
<< {d2)} {s4\< s4\!} >> | % 93
es2 | % 94
@@ -392,8 +392,8 @@ IVDuettFagIIMusic = \relative f' {
a2\accent( | \barNumberCheck #100
b4) r4 | % 101
a2\accent( | % 102
- b8)([\cresc as8 g8 f8)] | % 103
- es8\!\f r8 b'8 r8 | % 104
+ b8)([\cresc as8 g8 f8)]\! | % 103
+ es8\f r8 b'8 r8 | % 104
c8 r8 f,8 r8 | % 105
b4 r4 | % 106
b2\accent( | % 107
@@ -456,7 +456,7 @@ IVDuettVIMusic = \relative f' {
d4( es8[ f8)] | % 18
g4\accent( f4) | % 19
e4( es4\decresc | \barNumberCheck #20
- d4\! des4) | % 21
+ d4 des4) | % 21
c8 c4 c8~ | % 22
c4 r4 | % 23
f4.(\accent es8) | % 24
@@ -464,7 +464,7 @@ IVDuettVIMusic = \relative f' {
f4.(\accent es8) | % 26
c8([ b16 c16] d4) | % 27
r8 c8\staccato[ c8(\cresc d8)] | % 28
- r8\! es8\staccato[ es8( h8)] | % 29
+ r8 es8\staccato[ es8( h8)] | % 29
r8 c8\staccato[ c8( d8)] | \barNumberCheck #30
r8 es8\staccato[ es8( h8)] | % 31
c8\staccato[ g'8(\staccato]\p r8 f8\staccato | % 32
@@ -507,7 +507,7 @@ IVDuettVIMusic = \relative f' {
d4( es8[ f8)] | % 69
g4\accent f4 | \barNumberCheck #70
e4( es4\decresc | % 71
- d4 des4)\! | % 72
+ d4 des4) | % 72
c8 c4 c8~ | % 73
c4 r4 | % 74
c4.(\accent d8) | % 75
diff --git a/Schubert_StabatMater_D383_Music_05_Chor.ily b/Schubert_StabatMater_D383_Music_05_Chor.ily
index db431cc234c9e87da7a3ee4183b68f10f07c6d78..726caa5bd7d5fb893ea63fa505e80e63e7664caf 100644
--- a/Schubert_StabatMater_D383_Music_05_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_05_Chor.ily
@@ -17,10 +17,10 @@ VChorFlIMusic = \relative g'' {
d4( c4) b4 | % 8
h4( c4\< cis4)\! | % 9
cis8([ d8]) d2 | \barNumberCheck #10
- es2 d4\cresc | % 11
- g2\!\accent( f4) | % 12
- f4( es4) c4 | % 13
- d2 r4 |
+ es2 \partcombineChords d4\cresc | % 11
+ \partcombineApart g2\accent( f4) | % 12
+ f4( es4) \partcombineAutomatic c4 | % 13
+ d2\! r4 |
R2.*10 | % 24
\namedCueDuring #"VChorTQuote" #DOWN #"Ten./Tr.I" #"Fl.I" { R2.*2 } | % 26
e2 e4 | % 27
@@ -31,8 +31,8 @@ VChorFlIMusic = \relative g'' {
cis8([ d8)] d2 | % 32
d4( c4 h4) | % 33
h8([ c8)] c2 | % 34
- c2\p c4\dim | % 35
- c8[( h8]) b2\!\pp |
+ \partcombineChords c2\p\dim c4 | % 35
+ \partcombineApart c8[( h8]) \partcombineChords b2\!\pp \partcombineAutomatic |
R2.*2 | % 38
as2 as4 | % 39
as8[( g8]) g2 |
@@ -61,9 +61,9 @@ VChorFlIIMusic = \relative d'' {
as4( g4\< b4)\! | % 9
b8[( a8]) a2 | \barNumberCheck #10
b2 b4\cresc | % 11
- b4\!\accent( c4 d4) | % 12
+ b4\accent( c4 d4) | % 12
g,2 a4 | % 13
- b2 r4 |
+ b2\! r4 |
R2.*10 | % 24
\namedCueDuring #"VChorTQuote" #DOWN #"Ten./Tr.I" #"Fl.II" { R2.*2 } | % 26
c2 c4 | % 27
@@ -74,7 +74,7 @@ VChorFlIIMusic = \relative d'' {
b8[( a8]) a2 | % 32
as2 as4 | % 33
as8([ g8)] g2 | % 34
- g2\p g4\dim | % 35
+ g2\p\dim g4 | % 35
g4 g2\!\pp |
R2.*2 | % 38
es2 es4 | % 39
@@ -95,18 +95,18 @@ VChorFlIIMusic = \relative d'' {
VChorObIMusic = \relative b' {
b2.\fermata\espressivo | % 2
- g2\p g4 | % 3
- a4 a2\accent | % 4
- g2 g4 | % 5
- a4 a2\accent | % 6
- g2 a8[( g8]) | % 7
+ \partcombineApart g2-\tag #'non-partcombine \p g4 | % 3
+ \partcombineAutomatic a4 a2\accent | % 4
+ \partcombineApart g2 g4 | % 5
+ \partcombineAutomatic a4 a2\accent | % 6
+ \partcombineApart g2 a8[( g8]) | % 7
fis2 g4 | % 8
- f4( e4\< g4\!) | % 9
+ f4( e4-\tag #'non-partcombine \< g4-\tag #'non-partcombine \!) | % 9
g8[( fis8]) fis2 | \barNumberCheck #10
- g2 f4\cresc | % 11
- g4\!\accent( a4 b4) | % 12
+ g2 f4-\tag #'non-partcombine \cresc | % 11
+ g4\accent( a4 b4) | % 12
g2 f4 | % 13
- f2 r4 |
+ f2-\tag #'non-partcombine \! \partcombineAutomatic r4 |
R2.*10 | % 24
\namedCueDuring #"VChorTQuote" #DOWN #"Ten./Tr.I" #"Ob.I" { R2.*2 } | % 26
e'2 e4 | % 27
@@ -142,9 +142,9 @@ VChorObIIMusic = \relative g' {
f4( e4\< es4\!) | % 9
d4 d2 | \barNumberCheck #10
g2 f4\cresc | % 11
- es2\!\accent( d4) | % 12
+ es2\accent( d4) | % 12
c2 f4 | % 13
- f2 r4 |
+ f2\! r4 |
R2.*10 | % 24
\namedCueDuring #"VChorTQuote" #DOWN #"Ten." #"Ob.II" { R2.*2 } | % 26
a2 a4 | % 27
@@ -184,11 +184,11 @@ VChorFagIMusic = \relative g {
gis4( a4) r4 | % 22
g2 g4 | % 23
f2\cresc e4 | % 24
- d2\!\> d4\! | % 25
- e2 r4 |
+ d2\!\> d4 | % 25
+ e2\! r4 |
R2.*6 | % 32
\cleffedCueDuring #"VChorSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { R2.*2 } | % 34
- es'2\p es4\dim | % 35
+ es'2\p\dim es4 | % 35
d4 d2\!\pp |
R2.*2 | % 38
c2 c4 | % 39
@@ -208,10 +208,11 @@ VChorFagIMusic = \relative g {
}
% Original (display pitch!)
-%{VChorCorIMusic = \relative c'' {
+VChorCorIMusic = \relative c'' {
+ \transposition g'
R2.^\fermataMarkup | % 2
R2.*46 | % 49
- \namedTransposedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" f' { R2.*2 | R2.^\fermataMarkup } \bar "||" % 51
+ \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*2 | R2.^\fermataMarkup } \bar "||" % 51
c8.\pp[( d16 e8 e8 e8 e8]) | % 52
e8.([ f16] g4\accent f8[ d8)] | % 53
c4 g'2~\accent | % 54
@@ -220,9 +221,9 @@ VChorFagIMusic = \relative g {
c4 g'2~\accent | % 57
g2.~ | % 58
g4. g8[( f8 d8)] | % 59
- c4 r4 r4 |
+ \partcombineApartOnce c4 r4 r4 |
R2.*7 | % 67
- \namedTransposedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" f' { R2.*3 } | \barNumberCheck #70
+ \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*3 } | \barNumberCheck #70
c8.([ d16 e8 e8 e8 e8]) | % 71
e8.([ f16] g4\accent f8[ d8)] | % 72
c4 g'2~\accent | % 73
@@ -233,15 +234,18 @@ VChorFagIMusic = \relative g {
g4. d8([ f8 d8)] | % 78
c4 g4 r4 |
R2.*9 | % 89
- \namedTransposedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" f' { R2.*3 } | % 91
+ \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*3 } | % 91
c8.\p([ d16 e8 e8 e8 e8 ]) | % 92
e4( g4 e8.[ d16)] | % 93
c2.\fermata \bar "|."
}
+\addQuote "VChorCorIQuote" \VChorCorIMusic
+
VChorCorIIMusic = \relative e' {
+ \transposition g'
R2.^\fermataMarkup | % 2
R2.*46 | % 49
- \namedTransposedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" f' { R2.*2 | R2.^\fermataMarkup } \bar "||" % 51
+ \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*2 | R2.^\fermataMarkup } \bar "||" % 51
e8.\pp[( g16 c8 c8 c8 c8]) | % 52
c8.[( d16] e4\accent d8[ g,8)] | % 53
e4 g2~\accent | % 54
@@ -252,7 +256,7 @@ VChorCorIIMusic = \relative e' {
g4. g8[( d'8 g,8)] | % 59
c4 r4 r4 |
R2.*7 | % 67
- \namedTransposedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" f' { R2.*3 } | \barNumberCheck #70
+ \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*3 } | \barNumberCheck #70
e,8.([ g16 c8 c8 c8 c8]) | % 71
c8.([ d16] e4\accent d8[ g,8)] | % 72
e4 g2~\accent | % 73
@@ -263,82 +267,12 @@ VChorCorIIMusic = \relative e' {
g4. g8([ d'8 g,8)] | % 78
c,4 g4 r4 |
R2.*9 | % 89
- \namedTransposedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" f' { R2.*3 } | % 91
+ \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*3 } | % 91
e'8.\p([ g16 c8 c8 c8 c8]) | % 92
c4( e4 c8.[ g16)] | % 93
e2.\fermata\bar "|." % 0
}
-%}
-% Correct version: concert pitch
-VChorCorIMusic = {
- \key g \major
- R2.^\fermataMarkup | % 2
- R2.*46 | % 48
- \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*2 | \barNumberCheck #50
- R2.^\fermataMarkup } \bar "||" % 51
- \key g \major
- g'8.\pp[( a'16 h'8 h' h' h'] ) | % 52
- h'8.([ c''16] d''4\accent c''8[ a')] | % 53
- g'4 d''2~\accent | % 54
- d''2.~ | % 55
- d''4. a'8([ c'' a')] | % 56
- g'4 d''2~\accent | % 57
- d''2.~ | % 58
- d''4. d''8[( c'' a')] | % 59
- g'4 r r | \barNumberCheck #60
- R2.*7 | % 67
- \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*3 } | \barNumberCheck #70
- g'8.([ a'16 h'8 h' h' h'] ) | % 71
- h'8.([ c''16] d''4\accent c''8[ a')] | % 72
- g'4 d''2~\accent | % 73
- d''2.~ | % 74
- d''4. a'8([ c'' a')] | % 75
- g'4 d''2~\accent | % 76
- d''2.~ | % 77
- d''4. a'8([ c'' a')] | % 78
- g'4 d' r | % 79
- R2.*9 | % 88
- \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*3 } | % 91
- g'8.\p([ a'16 h'8 h' h' h'] ) | % 92
- h'4( d'' h'8.[ a'16)] | % 93
- g'2.\fermata \bar "|."
-
-}
-VChorCorIIMusic = {
- \key g \major
- R2.^\fermataMarkup | % 2
- R2.*46 | % 48
- \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*2 | \barNumberCheck #50
- R2.^\fermataMarkup } \bar "||" % 51
- \key g \major
- h8.\pp[( d'16 g'8 g' g' g'] ) | % 52
- g'8.[( a'16] h'4\accent a'8[ d')] | % 53
- h4 d'2~\accent | % 54
- d'2.~ | % 55
- d'4. d'8([ a' d')] | % 56
- h4 d'2~\accent | % 57
- d'2.~ | % 58
- d'4. d'8[( a' d')] | % 59
- g'4 r r | \barNumberCheck #60
- R2.*7 | % 67
- \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*3 } | \barNumberCheck #70
- h8.([ d'16 g'8 g' g' g'] ) | % 71
- g'8.([ a'16] h'4\accent a'8[ d')] | % 72
- h4 d'2~\accent | % 73
- d'2.~ | % 74
- d'4. d'8([ a' d')] | % 75
- h4 d'2~\accent | % 76
- d'2.~ | % 77
- d'4. d'8([ a' d')] | % 78
- g4 d r | % 79
- R2.*9 | % 88
- \namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*3 } | % 91
- h8.\p([ d'16 g'8 g' g' g'] ) | % 92
- g'4( h' g'8.[ d'16)] | % 93
- h2.\fermata \bar "|."
-}
-\addQuote "VChorCorIQuote" \VChorCorIMusic
VChorTrbIMusic = \relative d' {
d2.\fermata\espressivo |
@@ -353,9 +287,9 @@ VChorTrbIMusic = \relative d' {
h4( c4 d4) | % 21
d4( c4) r4 | % 22
cis2 cis4 | % 23
- d2\cresc e4 | % 24
- f2\!\> e8[( d8)]\! | % 25
- cis2 r4 |
+ \partcombineChords d2\cresc e4 | % 24
+ f2\!\> \partcombineApart e8[( d8)] \partcombineChords | % 25
+ cis2\! r4 |
R2. | % 27
d2 d4 | % 28
c8([ e8)] e2\accent | % 29
@@ -398,8 +332,8 @@ VChorTrbIIMusic = \relative b {
h4( a4) r4 | % 22
a2 a4 | % 23
a2\cresc a4 | % 24
- a2\!\> gis4\! | % 25
- a2 r4 |
+ a2\!\> gis4 | % 25
+ a2\! r4 |
R2. | % 27
h2 h4 | % 28
a8([ c8)] c2\accent | % 29
@@ -442,8 +376,8 @@ VChorTrbIIIMusic = \relative g {
f2 r4 | % 22
e2 e4 | % 23
d2\cresc c4 | % 24
- b2\!\> b4\! | % 25
- a2 r4 |
+ b2\!\> b4 | % 25
+ a2\! r4 |
R2. | % 27
gis'2 gis4 | % 28
a4 a2\accent | % 29
@@ -802,8 +736,8 @@ VChorTIMusic = \relative d' {
d4 c4 r4 | % 22
cis2 cis4 | % 23
d2\cresc e4 | % 24
- f2\!\> e8[ d8]\! | % 25
- cis2 r4 |
+ f2\!\> e8[ d8] | % 25
+ cis2\! r4 |
R2. | % 27
d2 d4 | % 28
c8[ e8] e2 | % 29
@@ -866,8 +800,8 @@ VChorTIIMusic = \relative b {
h4 a4 r4 | % 22
a2 a4 | % 23
a2\cresc a4 | % 24
- a2\!\> gis4\! | % 25
- a2 r4 |
+ a2\!\> gis4 | % 25
+ a2\! r4 |
R2. | % 27
h2 h4 | % 28
a8[ c8] c2 | % 29
@@ -931,8 +865,8 @@ VChorBIMusic = \relative g {
gis4 a4 r4 | % 22
g2 g4 | % 23
f2\cresc e4 | % 24
- d2\!\> d4\! | % 25
- e2 r4 |
+ d2\!\> d4 | % 25
+ e2\! r4 |
R2. | % 27
gis2 gis4 | % 28
a4 a2 | % 29
@@ -995,8 +929,8 @@ VChorBIIMusic = \relative g {
f4 f4 r4 | % 22
e2 e4 | % 23
d2\cresc c4 | % 24
- b2\!\> b4\! | % 25
- a2 r4 |
+ b2\!\> b4 | % 25
+ a2\! r4 |
R2. | % 27
gis'2 gis4 | % 28
a4 a2 | % 29
@@ -1184,7 +1118,7 @@ VChorBStaff = \context Staff = VChorChBSt \with {
\context Lyrics = VChorBLyrics \lyricsto VChorBIVoice \VChorBLyrics
>>
-
+%{
VChorCorIStaff = \context Staff = "VChorCorISt" \with {
instrumentName = \VChorCorIInstrumentName
shortInstrumentName = \CorIShortInstrumentName
@@ -1208,4 +1142,4 @@ VChorCorIIStaff = \context Staff = "VChorCorIISt" \with {
% \VChorKey
\VChorCorIIMusic
>>
->>
+>>%}
diff --git a/Schubert_StabatMater_D383_Music_06_Arie.ily b/Schubert_StabatMater_D383_Music_06_Arie.ily
index 7b69a1daa56f7d8563732135ebd6419b602892ee..a9d8b3a9b9a51af744b2bd44db36c39a39044079 100644
--- a/Schubert_StabatMater_D383_Music_06_Arie.ily
+++ b/Schubert_StabatMater_D383_Music_06_Arie.ily
@@ -35,7 +35,7 @@ VIArieObIMusic = \relative c'' {
\appoggiatura { f8 } es4 r4 r16 es16([ f16 g16] f16[ es16 d16 es16)] | % 21
d8([ c8)] c4 as'4.( g16[ h16)] | % 22
\appoggiatura { h8 } c4 r4 c,2~\cresc | % 23
- c2~\! c8[ d8(\p] \grace { f16 } es8[ d16 c16)] | % 24
+ c2~ c8[ d8(\p] \grace { f16 } es8[ d16 c16)] | % 24
g'1\fermata \bar "|." % 0
}
\addQuote "VIArieObIQuote" \VIArieObIMusic
@@ -63,7 +63,7 @@ VIArieVIMusic = \relative c' {
es8 r8 es8 r8 g8 r8 g8 r8 | % 21
g8 r8 f8 r8 f8 r8 d8 r8 | % 22
c8 r8 es8 r8 e8\cresc r8 e8 r8 | % 23
- f8\! r8 f8 r8 fis8\p r8 fis8 r8 | % 24
+ f8 r8 f8 r8 fis8\p r8 fis8 r8 | % 24
g1\fermata \bar "|." % 0
}
diff --git a/Schubert_StabatMater_D383_Music_08_Arie.ily b/Schubert_StabatMater_D383_Music_08_Arie.ily
index 3d3ef0016c25e2bfb4b2df8a904e4824da9c2b20..2662878c0c692bc81e33466026a52a7a7918acc8 100644
--- a/Schubert_StabatMater_D383_Music_08_Arie.ily
+++ b/Schubert_StabatMater_D383_Music_08_Arie.ily
@@ -14,38 +14,38 @@ VIIIArieObIMusic = \relative h' {
a16.([ h32) a8\staccato] r8 | % 5
a8[( c8) h8] | % 6
h16[( a16] g8[ fis8]) | % 7
- g4 r8 |
+ \partcombineApartOnce g4 r8 |
R4.*4 | % 12
- \namedCueDuring #"VIIIArieVIQuote" #DOWN #"V.I" #"Ob.I" { R4.} | % 13
+ \namedCueDuring #"VIIIArieVIQuote" #DOWN #"V.I" #"Ob.I" { \partcombineSoloI R4.} | % 13
d'4.\p~ | % 14
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
d8.[ h'16( g16 d16)] | % 15
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
d4.~ | % 16
d4 r8 |
R4. | % 18
- e,8([ c'8 e8)] | % 19
+ \partcombineApart e,8([ c'8 e8)] | % 19
g,4( a8) | \barNumberCheck #20
- a8([ h8)] r8 |
+ \partcombineAutomatic a8([ h8)] r8 |
R4. | % 22
- e,8.([ c'16 e8)] | % 23
+ \partcombineApart e,8.([ c'16 e8)] | % 23
g,4( h16[ a16)] | % 24
- g4 r8 |
+ g4 \partcombineAutomatic r8 |
R4.*4 | % 29
- r8 r16 c16[( dis16 fis16)] | \barNumberCheck #30
+ \partcombineSoloI r8 r16 c16[( dis16 fis16)] | \barNumberCheck #30
e8[( g8]) r8 | % 31
- r8 r16 c,16[( dis16( fis16)]) | % 32
- e8[( g8]) r8 |
+ r8 r16 c,16[( dis16 fis16)]) | % 32
+ e8[( g8]) \partcombineAutomatic r8 |
R4. | % 34
r8 r8 d8\mf | % 35
- d4\accent( cis8\p) | % 36
+ d4\accent( cis8)-\tag #'non-partcombine \p | % 36
d4 r8 | % 37
- a'8([ ais8 h8)] | % 38
- a16.([ g32) fis8]\staccato e8 | % 39
+ \partcombineApart a'8([ ais8 h8)] | % 38
+ a16.([ g32) fis8]\staccato \partcombineAutomatic e8 | % 39
d4 e8 | \barNumberCheck #40
g8([ fis8)] r8 | % 41
- a8([ ais8 h8)] | % 42
- a16.[( g32) fis8\staccato] e8 | % 43
+ \partcombineApart a8([ ais8 h8)] | % 42
+ a16.[( g32) fis8\staccato] \partcombineAutomatic e8 | % 43
d4( \grace { fis16 } e8) | % 44
d4 r8 | % 45
h4\mf h8 | % 46
@@ -54,26 +54,26 @@ VIIIArieObIMusic = \relative h' {
a16.([ h32) a8\staccato] r8 | % 49
a8[( c8) h8] | \barNumberCheck #50
h16([ a16)] g8[ fis8] | % 51
- g4 r8 |
+ \partcombineApartOnce g4 r8 |
R4.*4 | % 56
- \namedCueDuring #"VIIIArieVIQuote" #DOWN #"V.I" #"Ob.I" { R4.} | % 57
+ \namedCueDuring #"VIIIArieVIQuote" #DOWN #"V.I" #"Ob.I" { \partcombineChordsOnce R4.} | % 57
d'4.~\p | % 58
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
d8.[ h'16( g16 d16)] | % 59
d4. ~| \barNumberCheck #60
d8.[ h16( d16 fis16)] | % 61
g4.~\cresc | % 62
- g8.[\! e16( c16 e16)] | % 63
-\set Staff.beatLength = #(ly:make-moment 1 8)
+ g8.[ e16( c16 e16)] | % 63
+\set Staff.baseMoment = #(ly:make-moment 1 8)
g4.~ | % 64
- g4 r8 | % 65
- c,8\p([ e8 g8)] | % 66
+ g4\! r8 | % 65
+ \partcombineApart c,8\p([ e8 g8)] | % 66
g8([ a,8)] f'16([ d16)] | % 67
- c4( d8) | % 68
+ \partcombineAutomatic c4( d8) | % 68
d8([ e8)] r8 | % 69
- c8([ e8 g8)] | \barNumberCheck #70
+ \partcombineApart c8([ e8 g8)] | \barNumberCheck #70
g8([ a,8)] f'16([ d16)] | % 71
- c4( h8) | % 72
+ \partcombineAutomatic c4( h8) | % 72
c4 r8 | % 73
e4( d16[ c16)] | % 74
h16.([ d32)] c16 e,16[( a16 c16)] | % 75
@@ -86,20 +86,20 @@ VIIIArieObIMusic = \relative h' {
R4. | % 82
r8 r8 e8\f | % 83
h4( a8) | % 84
- g4\p r8 | % 85
- d'8\pp([ dis8 e8)] | % 86
- d16.([ c32) h8] \times 2/3 { a16[( c16 e16]) } | % 87
+ \partcombineApartOnce g4-\tag #'non-partcombine \p r8 | % 85
+ \partcombineApart d'8\pp([ dis8 e8)] | % 86
+ d16.([ c32) h8] \partcombineAutomatic \times 2/3 { a16[( c16 e16]) } | % 87
\appoggiatura { e16 } g,8.[ g16] a16([ d16)] | % 88
c8([ h8)] r8 | % 89
- d8([ dis8 e8)] | \barNumberCheck #90
- d16.([ c32) h8] a'8(\pp | % 91
+ \partcombineApart d8([ dis8 e8)] | \barNumberCheck #90
+ d16.([ c32) h8] \partcombineAutomatic a'8(-\tag #'non-partcombine \pp | % 91
g4.)~ | % 92
g8( fis4) | % 93
g4\fermata r8 | % 94
r8 c,8 \mf[ c8] | % 95
c4 r8 | % 96
r8 c8[ c8] | % 97
- c4 e8(\pp | % 98
+ c4 e8(-\tag #'non-partcombine \pp | % 98
d4.)~ | % 99
d4. | \barNumberCheck #100
h4\pp r8 | % 101
@@ -110,6 +110,7 @@ VIIIArieObIMusic = \relative h' {
g4) r8 \bar "|."
}
\addQuote "VIIIArieObIQuote" \VIIIArieObIMusic
+
VIIIArieObIIMusic = \relative g' {
\tag #'cues \override Score.SpacingSpanner #'spacing-increment = #1
g4\mf g8 | % 2
@@ -122,7 +123,8 @@ VIIIArieObIIMusic = \relative g' {
R4.*10 | % 18
\namedCueDuring #"VIIIArieObIQuote" #UP #"Ob.I" #"Ob.II" { R4. | r8 } d8[(\p fis8]) | \barNumberCheck #20
fis8([ g8)] r8 |
- R4.*2 | % 23
+ R4. |
+ R4. | % 23
r8 d8([ fis8)] | % 24
g4 r8 |
R4.*8 | % 33
@@ -178,33 +180,34 @@ VIIIArieObIIMusic = \relative g' {
c'4.)(\accent | % 105
h4) r8 \bar "|."
}
+
VIIIArieFagIMusic = \relative h {
h4 \mf h8 | % 2
h16.([ c32) h8\staccato] r8 | % 3
- r8 e8([ d8)] | % 4
+ r8 \partcombineChords e8([ d8)] \partcombineAutomatic | % 4
cis8\staccato[ cis8]\staccato r8 | % 5
r8 d4 | % 6
c8[ h8 a8] | % 7
g4 r8 |
R4.*4 | % 12
- \namedCueDuring #"VIIIArieBQuote" #UP #"Basso" #"Fag.I" { R4.} | % 13
+ \namedCueDuring #"VIIIArieBQuote" #UP #"Basso" #"Fag.I" { \partcombineSoloI R4.} | % 13
fis4\p a8 | % 14
g16.([ a32) h16\staccato] r16 g16 r16 | % 15
fis8\staccato[ d8\staccato fis8\staccato] | % 16
- g16.([ a32) h16\staccato] r16 r8 |
+ g16.([ a32) h16\staccato] \partcombineChords r16 r8 |
R4.*4 | % 21
- g4 g16[( gis16]) | % 22
+ \partcombineSoloI g4 g16[( gis16]) | % 22
gis8([ a8)] c8 | % 23
h4( d16[ c16)] | % 24
- h4 r8 |
+ h4 \partcombineChords r8 |
R4.*4 | % 29
- r8 r16 c16([ dis16 fis16)] | \barNumberCheck #30
+ r8 r16 \partcombineAutomatic c16([ dis16 fis16)] | \barNumberCheck #30
e8([ g8)] r8 | % 31
r8 r16 c,16([ dis16 fis16)] | % 32
e8([ g8)] r8 |
R4. | % 34
r8 r8 f8\mf | % 35
- fis4\accent( e8\p) | % 36
+ fis4\accent( e8)-\tag #'non-partcombine \p | % 36
d4 r8 |
R4. | % 38
r8 r8 e8 | % 39
@@ -214,21 +217,21 @@ VIIIArieFagIMusic = \relative h {
r8 r8 e8 | % 43
fis4 cis8 | % 44
d4 r8 | % 45
- h4 \mf h8 | % 46
+ \partcombineApart h4-\tag #'non-partcombine \mf h8 | % 46
h16.([ c32) h8\staccato] r8 | % 47
- r8 e8([ d8)] | % 48
- cis8\staccato[ cis8\staccato] r8 | % 49
+ \partcombineChords r8 e8([ d8)] | % 48
+ \partcombineAutomatic cis8\staccato[ cis8\staccato] r8 | % 49
r8 d4 | \barNumberCheck #50
c8[ h8 a8] | % 51
h4 r8 |
R4.*4 | % 56
- \namedCueDuring #"VIIIArieBQuote" #UP #"Basso" #"Fag.I" { R4.} | % 57
+ \namedCueDuring #"VIIIArieBQuote" #UP #"Basso" #"Fag.I" { \partcombineChordsOnce R4.} | % 57
fis4\p a8 | % 58
g16.([ a32) h16\staccato] r16 g16 r16 | % 59
fis8\staccato[ d8\staccato fis8\staccato] | \barNumberCheck #60
g16.([ a32) h16\staccato] g16([ d16 c16)] | % 61
h4\cresc d8 | % 62
- c16.\!([ d32) e16\staccato] r16 c16 r16 | % 63
+ c16.([ d32) e16\staccato] r16 c16 r16 | % 63
h8\staccato[ g8\staccato h8\staccato] | % 64
c16.([ d32) e16\staccato] r16 r8 |
R4.*2 | % 67
@@ -251,17 +254,17 @@ VIIIArieFagIMusic = \relative h {
h4 d8 | % 88
fis8([ g8)] r8 |
R4. | \barNumberCheck #90
- r8 r8 c,8\pp( | % 91
+ r8 r8 c,8(-\tag #'non-partcombine \pp | % 91
d4)( cis8 | % 92
c4.) | % 93
h4\fermata r8 | % 94
r8 c8 \mf[ c8] | % 95
fis4 r8 | % 96
r8 c8[ c8] | % 97
- fis4 g8\pp~ | % 98
+ fis4 g8~-\tag #'non-partcombine \pp | % 98
g4.~ | % 99
g8( fis4) | \barNumberCheck #100
- g4\pp r8 | % 101
+ g4-\tag #'non-partcombine \pp r8 | % 101
r8 r8 es16([ d16)] | % 102
d4 r8 | % 103
r8 r8 es16[( d16]) | % 104
@@ -288,7 +291,7 @@ VIIIArieFagIIMusic = \relative g {
r8 r8 g8 | % 43
a4 a8 | % 44
d,4 r8 | % 45
- r8 g8\mf[( dis8]) | % 46
+ r8-\tag #'partcombine \mf g8[(-\tag #'non-partcombine \mf dis8]) | % 46
e8\staccato[ e8\staccato] r8 | % 47
r8 cis8([ d8)] | % 48
e8\staccato[ e8\staccato] r8 | % 49
@@ -335,9 +338,9 @@ VIIIArieCFagMusic = \relative g {
h8\staccato[ g8\staccato h8\staccato] | % 18
c4 a16([ c16)] | % 19
d4 d8 | \barNumberCheck #20
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
g8.[ g16( d16 c16)] | % 21
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
h8\staccato[ g8\staccato h8\staccato] | % 22
c4 a16([ c16)] | % 23
d4 d8 | % 24
@@ -369,14 +372,14 @@ VIIIArieCFagMusic = \relative g {
\namedCueDuring #"VIIIArieBQuote" #UP #"Basso" #"CFag." { R4. | \barNumberCheck #60
r8 r16 } g'16([\p d16 c16)] | % 61
h4\cresc r8 |
- R4.*2\! | % 64
+ R4.*2 | % 64
r8 r16 c'16([ g16 f16)] | % 65
e8\staccato[\p c8\staccato e8\staccato] | % 66
f8\staccato[ d8\staccato f8\staccato] | % 67
g4 g,8 | % 68
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
c8.[ c'16( g16 f16)] | % 69
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
e8\staccato[ c8\staccato e8\staccato] | \barNumberCheck #70
f8\staccato[ d8\staccato f8\staccato] | % 71
g4 g,8 | % 72
@@ -433,9 +436,9 @@ VIIIArieVIMusic = \relative h' {
d,16([ g16)] g16([ h16)] h16([ d16)] | % 22
d8.([ e,16)] c'16([ a16)] | % 23
g4( h16[ a16)] | % 24
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
g8. fis16[( g16 a16)] | % 25
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
h4 a16([ g16)] | % 26
fis8([ g16]) fis16[( g16 a16)] | % 27
h4 \grace { c32([ h32)] } a16([ g16)] | % 28
@@ -483,9 +486,9 @@ VIIIArieVIMusic = \relative h' {
c'8([ g8 e8)] | \barNumberCheck #70
d8([ f8 a8)] | % 71
e4 d8 | % 72
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
c8.[ e16( a16 c16)] | % 73
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
e16\fp[\staccato e16]\staccato r16 e16 r16 c16 | % 74
d16\fp[\staccato d16]\staccato r16 c16 r16 c16 | % 75
e16\fp[\staccato e16]\staccato r16 e16 r16 c16 | % 76
@@ -533,9 +536,9 @@ VIIIArieVIIMusic = \relative g' {
g8\staccato[ g8\staccato] r8 | % 9
r8 fis8([ g8)] | \barNumberCheck #10
a8\staccato[ g8\staccato] r8 | % 11
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
<< {g8.[} { s16. s32\cresc} >> fis16( e16 d16)]\! | % 12
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
c4( h8) | % 13
d16\p[ d8 d8 d16~] | % 14
d16[ d8 d8 d16~] | % 15
@@ -579,9 +582,9 @@ VIIIArieVIIMusic = \relative g' {
g8\staccato[ g8\staccato] r8 | % 53
r8 fis8([ g8)] | % 54
a8([ g8)] r8 | % 55
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
<< {g8.[} {s8 s16\cresc} >> fis16( e16 d16)]\! | % 56
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
c4( h8) | % 57
d16\p[ d8 d8 d16~] | % 58
d16[ d8 d8 d16~] | % 59
@@ -599,9 +602,9 @@ VIIIArieVIIMusic = \relative g' {
c4 c8 | \barNumberCheck #70
a4 a8 | % 71
c4 h8 | % 72
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
c4 r8 | % 73
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
a'16\fp[\staccato a16]\staccato r16 a16 r16 a16 | % 74
h16\fp[\staccato h16]\staccato r16 a16 r16 a16 | % 75
a16\fp[\staccato a16]\staccato r16 a16 r16 a16 | % 76
@@ -648,9 +651,9 @@ VIIIArieVaMusic = \relative h {
h16.([ c32) h8\staccato] r8 | % 9
r8 d8[ d8] | \barNumberCheck #10
d8\staccato[ d8\staccato] r8 | % 11
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
<< {e8.[} { s16. s32\cresc} >> d16( c16 h16)]\! | % 12
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
a4( g8) | % 13
fis4\p a8 | % 14
g16.([ a32) h16\staccato] r16 g16 r16 | % 15
@@ -694,9 +697,9 @@ VIIIArieVaMusic = \relative h {
h16.([ c32) h8\staccato] r8 | % 53
r8 d8[ d8] | % 54
d8[ d8] r8 | % 55
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
<< {e8.[} {s8 s16\cresc} >> d16( c16 h16)]\! | % 56
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
a4( g8) | % 57
fis4\p a8 | % 58
g16.([ a32) h16\staccato] r16 g16\staccato r16 | % 59
@@ -901,9 +904,9 @@ VIIIArieVcBMusic = \relative g {
e8\staccato[ e8\staccato] r8 | % 9
r8 c'8([ h8)] | \barNumberCheck #10
fis8\staccato[ g8\staccato] r8 | % 11
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
<< {e'8.[} { s16. s32\cresc} >> d16( c16 h16)]\! | % 12
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
d,8([ dis8) e8\staccato] | % 13
fis4\p a8 | % 14
g16.([ a32) h16\staccato] r16 g16 r16 | % 15
@@ -912,9 +915,9 @@ VIIIArieVcBMusic = \relative g {
h8\staccato[ g8\staccato h8\staccato] | % 18
c4 a16([ c16)] | % 19
d4 d8 | \barNumberCheck #20
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
g8.[ g16( d16 c16)] | % 21
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
h8\staccato[ g8\staccato h8\staccato] | % 22
c4 a16([ c16)] | % 23
d4 d8 | % 24
@@ -949,9 +952,9 @@ VIIIArieVcBMusic = \relative g {
e8\staccato[ e8\staccato] r8 | % 53
r8 c'8([ h8)] | % 54
fis8([ g8)] r8 | % 55
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
<< {e'8.[} {s8 s16\cresc} >> d16( c16 h16)]\! | % 56
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
d,8([ dis8) e8\staccato] | % 57
fis4\p a8 | % 58
g16.([ a32) h16\staccato] r16 g16 r16 | % 59
@@ -964,9 +967,9 @@ VIIIArieVcBMusic = \relative g {
e8\staccato[\p c8\staccato e8\staccato] | % 66
f8\staccato[ d8\staccato f8\staccato] | % 67
g4 g,8 | % 68
-\set Staff.beatLength = #(ly:make-moment 3 16)
+\set Staff.baseMoment = #(ly:make-moment 3 16)
c8.[ c'16( g16 f16)] | % 69
-\set Staff.beatLength = #(ly:make-moment 1 8)
+\set Staff.baseMoment = #(ly:make-moment 1 8)
e8\staccato[ c8\staccato e8\staccato] | \barNumberCheck #70
f8\staccato[ d8\staccato f8\staccato] | % 71
g4 g,8 | % 72
diff --git a/Schubert_StabatMater_D383_Music_09_Chor.ily b/Schubert_StabatMater_D383_Music_09_Chor.ily
index cd8f5c3cb522e44630a386b3297a18ceb7920993..60210a88467c1314ff877aa8560d1d84bddf1f96 100644
--- a/Schubert_StabatMater_D383_Music_09_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_09_Chor.ily
@@ -16,20 +16,20 @@ IXChorFlIMusic = \relative h'' {
e'2. dis4 | % 8
cis4. cis8 h4 cis4 | % 9
ais2 h2 | \barNumberCheck #10
- h4 cis4 dis4 h4 | % 11
- e2. e4 | % 12
+ \partcombineApart h4 cis4 dis4 h4 | % 11
+ \partcombineAutomatic e2. e4 | % 12
fis,2\fz fis2\fz | % 13
r4 fis2\p gis4 | % 14
a2. a4\f | % 15
g2. g4\ff | % 16
gis2 fis2 | % 17
- e4 e'2 e4 | % 18
+ \partcombineApartOnce e4 e'2 e4 | % 18
fis,2 fis2 | % 19
r4 fis2\p gis4 | \barNumberCheck #20
a2. a4\f | % 21
g2. g4\ff | % 22
gis2 fis2 | % 23
- e2. a4 | % 24
+ \partcombineApartOnce e2. a4 | % 24
gis2 fis2 | % 25
e2\parenf e2~ | % 26
e2 dis2 | % 27
@@ -62,8 +62,8 @@ IXChorFlIMusic = \relative h'' {
e'2. dis4 | % 64
cis4. cis8 h4 cis4 | % 65
ais2 h2 | % 66
- h4 cis4 dis4 h4 | % 67
- e2. e4 | % 68
+ \partcombineApart h4 cis4 dis4 h4 | % 67
+ \partcombineAutomatic e2. e4 | % 68
fis,2 fis2 | % 69
r4 fis2\p gis4 | \barNumberCheck #70
a2. a4\f | % 71
@@ -75,9 +75,9 @@ IXChorFlIMusic = \relative h'' {
a2. a4\f | % 77
g2. g4\ff | % 78
gis2 fis2 | % 79
- e2. a4 | \barNumberCheck #80
+ \partcombineApartOnce e2. a4 | \barNumberCheck #80
gis2 fis2 | % 81
- e1 \bar "|."
+ \partcombineApartOnce e1 \bar "|."
}
IXChorFlIIMusic = \relative dis'' {
@@ -154,28 +154,28 @@ IXChorFlIIMusic = \relative dis'' {
}
IXChorObIMusic = \relative h' {
- \namedCueDuring #"IXChorFagIQuote" #DOWN #"Ten./Fag.I" "Ob.I" { R1*2 } | % 3
- h2.\f a4 | % 4
- gis4. gis8 gis4 gis4 | % 5
+ \namedCueDuring #"IXChorFagIQuote" #DOWN #"Ten./Fag.I" "Ob.I" { R1 | \partcombineApart R1 } | % 3
+ h2.-\tag #'non-partcombine \f a4 | % 4
+ \partcombineAutomatic gis4. gis8 gis4 gis4 | % 5
a4. a8 a4 a4 | % 6
a2 gis2 | % 7
e'2. dis4 | % 8
cis4. cis8 h4 cis4 | % 9
ais2 h2 | \barNumberCheck #10
- h4 cis4 dis4 h4 | % 11
- e2. e4 | % 12
+ \partcombineApart h4 cis4 dis4 h4 | % 11
+ \partcombineAutomatic e2. e4 | % 12
fis,2\fz fis2\fz | % 13
r4 fis2\p gis4 | % 14
a2. a4\f | % 15
g2. g4\ff | % 16
gis2 fis2 | % 17
- e4 e'2 e4 | % 18
+ \partcombineApartOnce e4 e'2 e4 | % 18
fis,2 fis2 | % 19
r4 fis2\p gis4 | \barNumberCheck #20
a2. a4\f | % 21
g2. g4\ff | % 22
gis2 fis2 | % 23
- e2. a4 | % 24
+ \partcombineApartOnce e2. a4 | % 24
gis2 fis2 | % 25
e2\parenf e'2~ | % 26
e2 dis2 | % 27
@@ -199,18 +199,18 @@ IXChorObIMusic = \relative h' {
g2. g4 | % 45
a2. a4 | % 46
h1\!\ff |
- R1*10 | % 57
- \namedCueDuring #"IXChorFagIQuote" #DOWN #"Fag.I" #"" { R1 } | % 58
- \namedCueDuring #"IXChorObIIQuote" #DOWN #"Ob.II" #"Ob.I" { R1 } | % 59
- h,2.\f a4 | \barNumberCheck #60
+ \partcombineSoloII R1*10 | % 57
+ \namedCueDuring #"IXChorFagIQuote" #DOWN #"Fag.I" #"" { \partcombineChords R1 } | % 58
+ \namedCueDuring #"IXChorObIIQuote" #DOWN #"Ob.II" #"Ob.I" { \partcombineApart R1 } | % 59
+ \partcombineAutomatic h,2.-\tag #'non-partcombine \f a4 | \barNumberCheck #60
gis2 gis4 gis4 | % 61
a2 a4 a4 | % 62
a2 gis2 | % 63
e'2. dis4 | % 64
cis4. cis8 h4 cis4 | % 65
ais2 h2 | % 66
- h4 cis4 dis4 h4 | % 67
- e2. e4 | % 68
+ \partcombineApart h4 cis4 dis4 h4 | % 67
+ \partcombineAutomatic e2. e4 | % 68
fis,2 fis2 | % 69
r4 fis2\p gis4 | \barNumberCheck #70
a2. a4\f | % 71
@@ -222,9 +222,9 @@ IXChorObIMusic = \relative h' {
a2. a4\f | % 77
g2. g4\ff | % 78
gis2 fis2 | % 79
- e2. a4 | \barNumberCheck #80
+ \partcombineApartOnce e2. a4 | \barNumberCheck #80
gis2 fis2 | % 81
- e1 \bar "|."
+ \partcombineApartOnce e1 \bar "|."
}
IXChorObIIMusic = \relative a' {
@@ -274,10 +274,10 @@ IXChorObIIMusic = \relative a' {
e2. e4 | % 45
e2. e4 | % 46
dis1\!\ff |
- R1*9 | % 56
- \namedCueDuring #"IXChorFagIQuote" #DOWN #"Fag.I" #"Ob.II" { R1*2 } | % 59
- a2.\f gis4 | % 59
- fis2. fis4 | \barNumberCheck #60
+ R1*8 | % 56
+ \namedCueDuring #"IXChorFagIQuote" #DOWN #"Fag.I" #"Ob.II" { \partcombineChords R1 R1 R1 } | % 59
+ \partcombineApart a2.\f \partcombineApart gis4 | % 59
+ \partcombineAutomatic fis2. fis4 | \barNumberCheck #60
fis2 e4 e4 | % 61
e2 fis4 fis4 | % 62
fis2 e2 | % 63
@@ -304,18 +304,18 @@ IXChorObIIMusic = \relative a' {
\addQuote "IXChorObIIQuote" \IXChorObIIMusic
IXChorFagIMusic = \relative e' {
- e2.\f dis4 | % 2
+ \partcombineApart \tag #'partcombine \dynamicsX #-4 e2.\f dis4 | % 2
cis2 dis4 e4 | % 3
dis2. dis4 | % 4
- h4. h8 h4 h4 | % 5
+ \partcombineAutomatic h4. h8 h4 h4 | % 5
cis4. cis8 h4 h4 | % 6
h2 h2 | % 7
cis2. his4 | % 8
- cis4. a8 gis4 e'4 | % 9
- cis2 h2 | \barNumberCheck #10
+ cis4. \partcombineApartOnce a8 \partcombineChords gis4 e'4 | % 9
+ \partcombineAutomatic cis2 h2 | \barNumberCheck #10
r2 h4 dis4 | % 11
e4 h4 a4 gis4 | % 12
- c2\fz c2\fz | % 13
+ \partcombineChords c2\fz c2\fz | % 13
r4 cis2\p d4 | % 14
a2. a4\f | % 15
c2. c4\ff | % 16
@@ -328,7 +328,7 @@ IXChorFagIMusic = \relative e' {
h2 a2 | % 23
gis2. a4 | % 24
h2 h2 | % 25
- gis4^"stacc."\staccato\parenf a4\staccato h4\staccato g4\staccato | % 26
+ gis4\staccato\parenf-\tag #'non-partcombine ^"stacc." a4\staccato h4\staccato g4\staccato | % 26
a4\staccato h4\staccato c4\staccato a4\staccato | % 27
h4 c4 d4 h4 | % 28
c4 d4 es4 c4 | % 29
@@ -343,7 +343,7 @@ IXChorFagIMusic = \relative e' {
e4 g4 f4 e4 | % 38
d4 f4 e4 d4 | % 39
c4 e4 d4 c4 | \barNumberCheck #40
- h4 d4 c4 a4 | % 41
+ h4 d4 c4 \partcombineAutomatic a4 | % 41
g4 a4 g4 f4 | % 42
e4 d4 c4 c'4 | % 43
h4 c4 h4 a4\cresc | % 44
@@ -352,21 +352,21 @@ IXChorFagIMusic = \relative e' {
h1\!\ff | % 47
R1*6 | % 53
\cleffedCueDuring #"IXChorSQuote" #DOWN #"Sop./Tr.I" \SClef #"Fag.I" \FagIClef { R1*2 | % 55
- r2 } h'2\ffz~\accent | % 56
+ r2 } \partcombineApart h'2~\accent-\tag #'non-partcombine \ffz | % 56
h4 a4\staccato gis4\staccato fis4\staccato | % 57
- e'2.\f dis4 | % 58
+ e'2.-\tag #'non-partcombine \f dis4 | % 58
cis2 dis4 e4 | % 59
dis2. dis4 | \barNumberCheck #60
- h2\f h4 h4 | % 61
+ \partcombineAutomatic h2-\tag #'non-partcombine \f h4 h4 | % 61
cis2 h4 h4 | % 62
h2 h2 | % 63
cis2. his4 | % 64
- cis4. a8 gis4 e'4 | % 65
+ cis4. \partcombineApartOnce a8 gis4 e'4 | % 65
cis2 h2 | % 66
r2 h4 dis4 | % 67
e4 h4 a4 gis4 | % 68
c2 c2 | % 69
- r4 cis2\p d4 | \barNumberCheck #70
+ r4 \partcombineChords cis2\p d4 | \barNumberCheck #70
a2. a4\f | % 71
c2. c4\ff | % 72
h2 a2 | % 73
@@ -458,7 +458,8 @@ IXChorFagIIMusic = \relative e {
}
% Original (display pitch!)
-%{IXChorCorIMusic = \relative c'' {
+IXChorCorIMusic = \relative c'' {
+ \transposition es'
c1\fz\accent | % 2
c1\accent | % 3
g1\accent | % 4
@@ -466,8 +467,8 @@ IXChorFagIIMusic = \relative e {
c2 g4 g4 | % 6
c2 c2 | % 7
c2. d4 | % 8
- c4. c8 c4 c4 | % 9
- d2 d2 | \barNumberCheck #10
+ c4. c8 c4 \partcombineApart c4 | % 9
+ d2 \partcombineAutomatic d2 | \barNumberCheck #10
r2 d2 | % 11
c2 c4 c4 | % 12
c2\fz c2\fz | % 13
@@ -485,11 +486,11 @@ IXChorFagIIMusic = \relative e {
c2 g2 | % 25
c2\parenf r2 | % 26
R1*14 | % 40
- \namedTransposedCueDuring #"IXChorSQuote" #UP #"Sop./Tr.I" #"Cor.I" as { R1*3 } | % 43
+ \namedCueDuring #"IXChorSQuote" #UP #"Sop./Tr.I" #"Cor.I" { R1*3 } | % 43
d2.\f g4\cresc | % 44
g2. g4 | % 45
- c,2. c4 | % 46
- d1\!\ff | % 47
+ \partcombineApart c,2. c4 | % 46
+ \partcombineAutomatic d1\!\ff | % 47
g,4.\p g8 g4 g4 | % 48
g2 g2 | % 49
c4. c8 c4 c4 | \barNumberCheck #50
@@ -508,7 +509,7 @@ IXChorFagIIMusic = \relative e {
c1 | % 63
c2. e4 | % 64
c2 c4 e4 | % 65
- d2 d2 | % 66
+ \partcombineApartOnce d2 d2 | % 66
r2 d2 | % 67
c2. c4 | % 68
c2 c2 | % 69
@@ -528,6 +529,7 @@ IXChorFagIIMusic = \relative e {
}
IXChorCorIIMusic = \relative c' {
+ \transposition es'
c1\fz\accent | % 2
c1\accent | % 3
g1\accent | % 4
@@ -554,13 +556,13 @@ IXChorCorIIMusic = \relative c' {
c2 g2 | % 25
c2\parenf r2 | % 26
R1*14 | % 40
- \namedTransposedCueDuring #"IXChorSQuote" #UP #"Sop./Tr.I" #"Cor.II" as { R1*3 } | % 43
+ \namedCueDuring #"IXChorSQuote" #UP #"Sop./Tr.I" #"Cor.II" { R1*3 } | % 43
g'2.\f g4\cresc | % 44
c2. c4 | % 45
c2. c4 | % 46
g1\!\ff |
R1*9 | % 56
- \namedTransposedCueDuring #"IXChorFagIQuote" #DOWN #"Fag./Tr. 3" #"Cor.II" as' { R1 } | % 57
+ \namedCueDuring #"IXChorFagIQuote" #DOWN #"Fag./Tr. 3" #"Cor.II" { R1 } | % 57
c,1\ffz | % 58
c1\fz | % 59
g1\fz | \barNumberCheck #60
@@ -587,9 +589,9 @@ IXChorCorIIMusic = \relative c' {
c2 g2 | % 81
c1 \bar "|."
}
-%}
+
% Correct version: concert pitch
-IXChorCorIMusic = {
+%{IXChorCorIMusic = {
e'1\fz\accent | % 2
e'\accent | % 3
h\accent | % 4
@@ -717,10 +719,11 @@ IXChorCorIIMusic = {
e h, | % 81
e1 \bar "|."
}
+%}
IXChorTrbIMusic = \relative a' {
- \namedCueDuring #"IXChorTrbIIQuote" #UP #"Tr.II" #"Tr.I" { R1 } | % 2
- a2.\f gis4 | % 3
+ \namedCueDuring #"IXChorTrbIIQuote" #UP #"Tr.II" #"Tr.I" { \partcombineApart \tag #'partcombine \once\override MultiMeasureRest #'staff-position = #8 R1 } | % 2
+ \partcombineAutomatic a2.-\tag #'non-partcombine \f gis4 | % 3
fis2. fis4 | % 4
fis4. fis8 e4 e4 | % 5
e4. e8 fis4 fis4 | % 6
@@ -743,7 +746,7 @@ IXChorTrbIMusic = \relative a' {
gis2 dis2 | % 23
e2. a4 | % 24
gis2 dis2 | % 25
- e2\parenf e2~ | % 26
+ \partcombineApart e2-\tag #'non-partcombine \parenf e2~ | % 26
e2 dis2 | % 27
e4 r4 g2~ | % 28
g2 fis2 | % 29
@@ -759,7 +762,7 @@ IXChorTrbIMusic = \relative a' {
g2 c,2 | % 39
f2 h,2 | \barNumberCheck #40
e2 a,2 | % 41
- d2. d4 | % 42
+ \partcombineAutomatic d2. d4 | % 42
e1 | % 43
fis2. fis4\cresc | % 44
g2. g4 | % 45
@@ -774,8 +777,9 @@ IXChorTrbIMusic = \relative a' {
gis4. gis8 a4 a4 | % 54
ais2. ais4 | % 55
h1 |
- R1*2 | % 58
- a2.\f gis4 | % 59
+ R1 |
+ \partcombineApart \tag #'partcombine \once\override MultiMeasureRest #'staff-position = #8 R1 | % 58
+ \partcombineAutomatic a2.\f gis4 | % 59
fis2. fis4 | \barNumberCheck #60
fis2 e4 e4 | % 61
e2 fis4 fis4 | % 62
@@ -803,7 +807,7 @@ IXChorTrbIMusic = \relative a' {
\addQuote "IXChorTrbIQuote" \IXChorTrbIMusic
IXChorTrbIIMusic = \relative e' {
- e2.\f dis4 | % 2
+ e2.\f \partcombineApartOnce dis4 | % 2
cis2 dis4 e4 | % 3
dis2. dis4 | % 4
h4. h8 h4 h4 | % 5
@@ -859,7 +863,7 @@ IXChorTrbIIMusic = \relative e' {
e4 fis4 g4 fis8[( e8]) | % 55
dis1 |
R1 | % 57
- e2.\f dis4 | % 58
+ e2.\f \partcombineApartOnce dis4 | % 58
cis2 dis4 e4 | % 59
dis2. dis4 | \barNumberCheck #60
h2 h4 h4 | % 61
@@ -1750,27 +1754,27 @@ IXChorVcBMusic = \relative e' {
e1 \bar "|."
}
-IXChorCorIStaff = \context Staff = "IXChorCorISt" \with {
- instrumentName = \IXChorCorIInstrumentName
- shortInstrumentName = \CorIShortInstrumentName
-} <<
- \context Voice = "IXChorCorIVoice" \transpose e c' <<
- \transposition c'
- \IXChorSettings
- \CorIClef
- \IXChorKey
- \IXChorCorIMusic
- >>
->>
-IXChorCorIIStaff = \context Staff = "IXChorCorIISt" \with {
- instrumentName = \IXChorCorIIInstrumentName
- shortInstrumentName = \CorIIShortInstrumentName
-} <<
- \context Voice = "IXChorCorIIVoice" \transpose e c' <<
- \transposition c'
- \IXChorSettings
- \CorIIClef
- \IXChorKey
- \IXChorCorIIMusic
- >>
->>
+% IXChorCorIStaff = \context Staff = "IXChorCorISt" \with {
+% instrumentName = \IXChorCorIInstrumentName
+% shortInstrumentName = \CorIShortInstrumentName
+% } <<
+% \context Voice = "IXChorCorIVoice" \transpose e c' <<
+% \transposition c'
+% \IXChorSettings
+% \CorIClef
+% \IXChorKey
+% \IXChorCorIMusic
+% >>
+% >>
+% IXChorCorIIStaff = \context Staff = "IXChorCorIISt" \with {
+% instrumentName = \IXChorCorIIInstrumentName
+% shortInstrumentName = \CorIIShortInstrumentName
+% } <<
+% \context Voice = "IXChorCorIIVoice" \transpose e c' <<
+% \transposition c'
+% \IXChorSettings
+% \CorIIClef
+% \IXChorKey
+% \IXChorCorIIMusic
+% >>
+% >>
diff --git a/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily b/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily
index 8239cbfaf75aa68852867f602749b4e85e65494d..c03b57c692f2f30a672211a9e0b24a8673629bfd 100644
--- a/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily
+++ b/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily
@@ -1479,27 +1479,27 @@ XITerzettChVcBMusic = \relative f {
f2.\fermata\! \bar "|."
}
-XITerzettChCorIStaff = \context Staff = "XITerzettChCorISt" \with {
- instrumentName = \XITerzettChCorIInstrumentName
- shortInstrumentName = \CorIShortInstrumentName
-} <<
- \context Voice = "XITerzettChCorIVoice" \transpose f c' <<
- \transposition c'
- \XITerzettChSettings
- \CorIClef
- \XITerzettChKey
- \XITerzettChCorIMusic
- >>
->>
-XITerzettChCorIIStaff = \context Staff = "XITerzettChCorIISt" \with {
- instrumentName = \XITerzettChCorIIInstrumentName
- shortInstrumentName = \CorIIShortInstrumentName
-} <<
- \context Voice = "XITerzettChCorIIVoice" \transpose f c' <<
- \transposition c'
- \XITerzettChSettings
- \CorIIClef
- \XITerzettChKey
- \XITerzettChCorIIMusic
- >>
->>
+% XITerzettChCorIStaff = \context Staff = "XITerzettChCorISt" \with {
+% instrumentName = \XITerzettChCorIInstrumentName
+% shortInstrumentName = \CorIShortInstrumentName
+% } <<
+% \context Voice = "XITerzettChCorIVoice" \transpose f c' <<
+% \transposition c'
+% \XITerzettChSettings
+% \CorIClef
+% \XITerzettChKey
+% \XITerzettChCorIMusic
+% >>
+% >>
+% XITerzettChCorIIStaff = \context Staff = "XITerzettChCorIISt" \with {
+% instrumentName = \XITerzettChCorIIInstrumentName
+% shortInstrumentName = \CorIIShortInstrumentName
+% } <<
+% \context Voice = "XITerzettChCorIIVoice" \transpose f c' <<
+% \transposition c'
+% \XITerzettChSettings
+% \CorIIClef
+% \XITerzettChKey
+% \XITerzettChCorIIMusic
+% >>
+% >>
diff --git a/Schubert_StabatMater_D383_Score_Full.ly b/Schubert_StabatMater_D383_Score_Full.ly
index db9a9687bba7901db683eca30972f812406917b4..40082758b74cb44de10e4a9d0f42435418963ce0 100644
--- a/Schubert_StabatMater_D383_Score_Full.ly
+++ b/Schubert_StabatMater_D383_Score_Full.ly
@@ -4,12 +4,34 @@
\setCreatePDF ##t
% #(set-global-staff-size 16)
+% \paper {
+ % Quart paper format:
+% paper-width = 270\mm
+% paper-height = 340\mm
+% }
\header {
scoretype = \FullScoreTitle
instrumentnr = \FullScoreNumber
}
-\markup \commentsInstrMarkup
+% Clear colla-parte parts!
+VIIChorObIMusic = ##f
+VIIChorObIIMusic = ##f
+VIIChorTrbIMusic = ##f
+VIIChorTrbIIMusic = ##f
+VIIChorTrbIIIMusic = ##f
+VIIChorFagIMusic = ##f
+VIIChorFagIIMusic = ##f
+
+XIIChorObIMusic = ##f
+XIIChorObIIMusic = ##f
+XIIChorTrbIMusic = ##f
+XIIChorTrbIIMusic = ##f
+XIIChorTrbIIIMusic = ##f
+XIIChorFagIMusic = ##f
+XIIChorFagIIMusic = ##f
+
+% \markup \commentsInstrMarkup
\createNoCuesScore #"IChor" #'("FullScore")
\createNoCuesScore #"IIArie" #'("FullScore")
\createNoCuesScore #"IIIChor" #'("FullScore")
diff --git a/Schubert_StabatMater_D383_Settings_Global.ily b/Schubert_StabatMater_D383_Settings_Global.ily
index a1f068366dc99c25e07516175125ae670bc0fdea..d95a4ef8a8b85690de4d8e3f64fe5398f32dc2d5 100644
--- a/Schubert_StabatMater_D383_Settings_Global.ily
+++ b/Schubert_StabatMater_D383_Settings_Global.ily
@@ -68,7 +68,7 @@ commentsInstrMarkupShort = \markup { \fill-line {
CorKey = {
\key c \major
- \transposition c
+% \transposition c
}
CorIKey = \CorKey
CorIIKey = \CorKey
@@ -85,17 +85,56 @@ TClef = \clef "tenor/treble_8"
SSoloClef = \SClef
TSoloClef = \TClef
-IIIChorCorIInstrumentName = \markup { \column { "Corno I" \line{"in Mi"{\smaller\flat}"/Es"} } }
-IIIChorCorIIInstrumentName = \markup { \column { "Corno II" \line{"in Mi"{\smaller\flat}"/Es"} } }
-IIIChorCorInstrumentName = \markup { \column { "Corni" \line{"in Mi"{\smaller\flat}"/Es"} } }
-VChorCorIInstrumentName = \markup { \column { "Corno I" "in Sol/G" } }
-VChorCorIIInstrumentName = \markup { \column { "Corno II" "in Sol/G" } }
-VChorCorInstrumentName = \markup { \column { "Corni" "in Sol/G" } }
-IXChorCorIInstrumentName = \markup { \column { "Corno I" "in Mi/E" } }
-IXChorCorIIInstrumentName = \markup { \column { "Corno II" "in Mi/E" } }
-IXChorCorInstrumentName = \markup { \column { "Corni" "in Mi/E" } }
-XITerzettChCorIInstrumentName = \markup { \column { "Corno I" "in Fa/F" } }
-XITerzettChCorIIInstrumentName = \markup { \column { "Corno II" "in Fa/F" } }
-XITerzettChCorInstrumentName = \markup { \column { "Corni" "in Fa/F" } }
+IIIChorCorIInstrumentName = \markup { \center-column { "Corno I" \line{"in Mi"{\smaller\flat}"/Es"} } }
+IIIChorCorIIInstrumentName = \markup { \center-column { "Corno II" \line{"in Mi"{\smaller\flat}"/Es"} } }
+IIIChorCorInstrumentName = \markup { \center-column { "Corni" \line{"in Mi"{\smaller\flat}"/Es"} } }
+VChorCorIInstrumentName = \markup { \center-column { "Corno I" "in Sol/G" } }
+VChorCorIIInstrumentName = \markup { \center-column { "Corno II" "in Sol/G" } }
+VChorCorInstrumentName = \markup { \center-column { "Corni" "in Sol/G" } }
+IXChorCorIInstrumentName = \markup { \center-column { "Corno I" "in Mi/E" } }
+IXChorCorIIInstrumentName = \markup { \center-column { "Corno II" "in Mi/E" } }
+IXChorCorInstrumentName = \markup { \center-column { "Corni" "in Mi/E" } }
+XITerzettChCorIInstrumentName = \markup { \center-column { "Corno I" "in Fa/F" } }
+XITerzettChCorIIInstrumentName = \markup { \center-column { "Corno II" "in Fa/F" } }
+XITerzettChCorInstrumentName = \markup { \center-column { "Corni" "in Fa/F" } }
+
+VIIChorSInstrumentName = \markup { \center-column { \SInstrumentName \ObInstrumentName }}
+VIIChorAInstrumentName = \markup { \center-column { \AInstrumentName \TrbIInstrumentName }}
+VIIChorTInstrumentName = \markup { \center-column { \TInstrumentName \TrbIIInstrumentName }}
+VIIChorBInstrumentName = \markup { \center-column { \BInstrumentName \TrbIIIInstrumentName }}
+VIIChorVcBInstrumentName = \markup { \center-column { \VcBInstrumentName \FagInstrumentName }}
+VIIChorSShortInstrumentName = \markup { \center-column { \SShortInstrumentName \ObShortInstrumentName }}
+VIIChorAShortInstrumentName = \markup { \center-column { \AShortInstrumentName \TrbIShortInstrumentName }}
+VIIChorTShortInstrumentName = \markup { \center-column { \TShortInstrumentName \TrbIIShortInstrumentName }}
+VIIChorBShortInstrumentName = \markup { \center-column { \BShortInstrumentName \TrbIIIShortInstrumentName }}
+VIIChorVcBShortInstrumentName = \markup { \center-column { "Vc./B." \FagShortInstrumentName }}
+
+XIIChorSInstrumentName = \markup { \center-column { \SInstrumentName \ObInstrumentName }}
+XIIChorAInstrumentName = \markup { \center-column { \AInstrumentName \TrbIInstrumentName }}
+XIIChorTInstrumentName = \markup { \center-column { \TInstrumentName \TrbIIInstrumentName }}
+XIIChorBInstrumentName = \markup { \center-column { \BInstrumentName \TrbIIIInstrumentName }}
+XIIChorVcBInstrumentName = \markup { \center-column { \VcBInstrumentName \FagInstrumentName }}
+XIIChorSShortInstrumentName = \markup { \center-column { \SShortInstrumentName \ObShortInstrumentName }}
+XIIChorAShortInstrumentName = \markup { \center-column { \AShortInstrumentName \TrbIShortInstrumentName }}
+XIIChorTShortInstrumentName = \markup { \center-column { \TShortInstrumentName \TrbIIShortInstrumentName }}
+XIIChorBShortInstrumentName = \markup { \center-column { \BShortInstrumentName \TrbIIIShortInstrumentName }}
+XIIChorVcBShortInstrumentName = \markup { \center-column { "Vc./B." \FagShortInstrumentName }}
+
+% clear TrbIII instrument after assigning the "colla parte" instruction above!!!!
+TrbIIIInstrumentName = ##f
+TrbIIIShortInstrumentName = ##f
+
+% 5. Chor only features bassoon 1
+VChorFagInstrumentName = \FagIInstrumentName
+VChorFagShortInstrumentName = \FagIShortInstrumentName
+% 6. Arie only features Oboe 1 as solo
+VChorObInstrumentName = "Oboe solo"
+% VChorObShortInstrumentName = "Ob."
% ChShortInstrumentName = "Coro"
+
+\layout {
+ \context { \Voice
+ \override DynamicTextSpanner #'style = #'none
+ }
+}
\ No newline at end of file
diff --git a/TeX_Schubert_StabatMater_D383_Include_Todo.itex b/TeX_Schubert_StabatMater_D383_Include_Todo.itex
index 65ff2603479ad42964e0d4a3b476085925383c0a..d3d5e8e5326375cbe112ff6ff812b538a7ea05b9 100644
--- a/TeX_Schubert_StabatMater_D383_Include_Todo.itex
+++ b/TeX_Schubert_StabatMater_D383_Include_Todo.itex
@@ -1,10 +1,24 @@
-% \todos{
-% \chapter*{Offene Fragen}
-%
-% \section*{Literaturvergleich mit dem Autograph:}
+\todos{
+\section*{Offene Aufgaben}
+
+\begin{itemize}
+\item Akzente wie Decrescendo unter der Notenzeile???
+\item \q{Seque ...} am Ende der Stücke, wo es direkt weitergeht...
+\item Kein pageturn nach \q{Seque...} Stücken in den Instrumenten!
+\item Horn-Cues in \q{5. Chor} und \q{9. Chor} auf korrektheit (transposition) checken!
+\item \q{cleffedCueDuring} -> \q{cueDuringWithClef}
+\item \q{5. Chor} Break in full score after bar 50
+\item Colla-Parte Stimmen in Partitur dokumentieren
+\item Colla-Parte Stimmen in den Stimmen markieren
+\end{itemize}
+
+
+\section*{Offene Fragen}
+% \subsection*{Literaturvergleich mit dem Autograph:}
+
% \begin{itemize}
% \item
%
% \end{itemize}
-%
-% }
+
+}
diff --git a/out/Schubert_StabatMater_D383_Instrument_A.pdf b/out/Schubert_StabatMater_D383_Instrument_A.pdf
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