diff --git a/Schubert_StabatMater_D383_Instrument_CorI.ly b/Schubert_StabatMater_D383_Instrument_CorI.ly
index 8a94bc7de469af7123a58bcf77a013313f2490d0..3487621910a5610c95c2631e04f484c441a39a6d 100644
--- a/Schubert_StabatMater_D383_Instrument_CorI.ly
+++ b/Schubert_StabatMater_D383_Instrument_CorI.ly
@@ -13,6 +13,7 @@
}
}
+CorIShortInstrumentName=""
\markup \commentsInstrMarkupShort
\markup \piece-title { "Nr. 1 - " \IIAriePieceNameTacet }
\createScore #"IIIChor" #'("CorI")
diff --git a/Schubert_StabatMater_D383_Instrument_CorII.ly b/Schubert_StabatMater_D383_Instrument_CorII.ly
index b4f8229d92309346c3efd1fd5ce3a0e4172f82ce..1bd2e04e5f39c58650cf11b68f00e1b6766899ce 100644
--- a/Schubert_StabatMater_D383_Instrument_CorII.ly
+++ b/Schubert_StabatMater_D383_Instrument_CorII.ly
@@ -13,6 +13,7 @@
}
}
+CorIIShortInstrumentName=""
\markup \commentsInstrMarkupShort
\markup \piece-title { "Nr. 1 - " \IIAriePieceNameTacet }
\createScore #"IIIChor" #'("CorII")
diff --git a/Schubert_StabatMater_D383_Instrument_TrbIII.ly b/Schubert_StabatMater_D383_Instrument_TrbIII.ly
index d6d8598461f2d98b6cc366635347de704468aef1..82c627145244f43cecb241af5f3f5a19c64df5c1 100644
--- a/Schubert_StabatMater_D383_Instrument_TrbIII.ly
+++ b/Schubert_StabatMater_D383_Instrument_TrbIII.ly
@@ -15,7 +15,5 @@
\createScore #"VIIIArie" #'("TrbIII")
\createScore #"IXChor" #'("TrbIII")
\markup \piece-title { "Nr. 10 - "\XITerzettChPieceNameTacet }
-% \createScore #"XTerzett" #'("TrbIII")
-% \createScore #"XITerzettCh" #'("TrbIII")
\createScore #"XIIChor" #'("TrbIII")
diff --git a/Schubert_StabatMater_D383_Instrument_TrbI_AltoClef.ly b/Schubert_StabatMater_D383_Instrument_TrbI_AltoClef.ly
index ebfe1237acac1efb087028dd9052a405524219c5..e94e686557c85b5d1d01dfcd30c8695f03551bde 100644
--- a/Schubert_StabatMater_D383_Instrument_TrbI_AltoClef.ly
+++ b/Schubert_StabatMater_D383_Instrument_TrbI_AltoClef.ly
@@ -6,6 +6,7 @@
instrument = \TrbIInstrumentName
instrumentnr = \TrbINumber
}
+TrbIClef = "alto"
\markup\commentsInstrMarkupShort
\createScore #"IChor" #'("TrbI")
diff --git a/Schubert_StabatMater_D383_Music_01_Chor.ily b/Schubert_StabatMater_D383_Music_01_Chor.ily
index f38eeada6e5cc59c2ea00d887763ac32f3a12cc0..488b91f241026332e6d54b5548d1ffa47edcac94 100644
--- a/Schubert_StabatMater_D383_Music_01_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_01_Chor.ily
@@ -12,11 +12,9 @@ IChorSettings = \notemode {
\time 4/4
}
IChorEnd = \notemode {
- \override Score.RehearsalMark.direction = #DOWN
\bar "||"
\time 3/8 \key b \minor
- \mark "seque Aria."
- \noPageTurn
+ \seque "seque Aria."
% s8
}
diff --git a/Schubert_StabatMater_D383_Music_02_Arie.ily b/Schubert_StabatMater_D383_Music_02_Arie.ily
index 7e11f4487ac99485f19bbe2aff284b1766ea0c37..75f74a644d5f6cba020ed4437115a816dc729990 100644
--- a/Schubert_StabatMater_D383_Music_02_Arie.ily
+++ b/Schubert_StabatMater_D383_Music_02_Arie.ily
@@ -126,15 +126,14 @@ IIArieFagIMusic = \relative c' {
R4.*8 | % 9
\cleffedCueDuring #"IIArieSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { R4.*2 } | % 11
r8 c4~-\tag #'non-partcombine \p | % 12
- c4 r8 |
- R4.*2 \partcombineSoloI
- | % 15
- \partcombineUnisonoOnce r8 f8[( es8] | % 16
+ c4 r8 |
+ \partcombineSoloI
+ R4.*2 | % 15
+ r8 f8[( es8] | % 16
des4) r8 | % 17
- \partcombineAutomatic
R4.*8 | % 25
\cleffedCueDuring #"IIArieSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { R4.*2 } | % 27
- c4\accent\fp r8 | % 28
+ \partcombineAutomatic c4\accent\fp r8 | % 28
des4\accent\fp r8 | % 29
c4\accent\fp r8 | \barNumberCheck #30
des4\accent\fp r8 \clef "tenor" | % 31
diff --git a/Schubert_StabatMater_D383_Music_03_Chor.ily b/Schubert_StabatMater_D383_Music_03_Chor.ily
index f905fd4f36c5ad48eb7f0128b5669a5109c1d4fc..0712c7a69887331ef4096bf788d18d5ba6adf0ee 100644
--- a/Schubert_StabatMater_D383_Music_03_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_03_Chor.ily
@@ -28,7 +28,7 @@ IIIChorObIMusic = {
\namedCueDuring #"IIIChorVIQuote" #DOWN #"V.I" #"Ob.I" { R1*2 } |
es''2.(\p\accent d''4) | % 34
d''4.( c''8 b'2) | % 35
- c''2.(\accent b'4) | % 36
+ c''2.(\accent b'4) | % 36
b'4.( as'8 g'2) | % 37
as'2 f'2 | % 38
\partcombineApartOnce es'1 \bar "|."
@@ -138,7 +138,7 @@ IIIChorFagIIMusic = {
% Original (display pitch!)
IIIChorCorIMusic = \relative c'' {
- \transposition es'
+ \transposition es
c4\fp(\staccato c4\staccato c4\staccato c4)\staccato | % 2
c4(\staccato c4\staccato c4\staccato c4)\staccato | % 3
c4\fp(\staccato c4\staccato c4\staccato c4)\staccato | % 4
@@ -171,7 +171,7 @@ IIIChorCorIMusic = \relative c'' {
}
IIIChorCorIIMusic = \relative c' {
- \transposition es'
+ \transposition es
c4\fp\staccato( c4\staccato c4\staccato c4)\staccato | % 2
c4(\staccato c4\staccato c4\staccato c4)\staccato | % 3
c4\fp(\staccato c4\staccato c4\staccato c4)\staccato | % 4
diff --git a/Schubert_StabatMater_D383_Music_04_Duett.ily b/Schubert_StabatMater_D383_Music_04_Duett.ily
index 440cf42c5cb1c0e745ab2297e90d3d753cae1aa4..47ed0a8e5a3bc65d460006d68fd75e5590e61e8a 100644
--- a/Schubert_StabatMater_D383_Music_04_Duett.ily
+++ b/Schubert_StabatMater_D383_Music_04_Duett.ily
@@ -231,8 +231,12 @@ IVDuettObIIMusic = \relative f'' {
}
IVDuettFagIMusic = \relative f' {
- R2 \tag #'partcombine \clef "tenor" |
- \partcombineApart \tag #'partcombine \once\override MultiMeasureRest #'staff-position = #8 R2 \tag #'non-partcombine \clef "tenor" | % 3
+ \tag #'non-partcombine \clef "tenor"
+ R2 \clef "tenor" |
+ \partcombineApart
+ \once\override MultiMeasureRest #'staff-position = #8
+ \tag #'non-partcombine \once\revert MultiMeasureRest #'staff-position
+ \namedCueDuring #"IVDuettFagIIQuote" #UP #"Fag.II" #"Fag.I" { R2 } \tag #'non-partcombine \clef "tenor" | % 3
\partcombineChords f4(-\tag #'non-partcombine \p es8[ d8)] | % 4
\partcombineAutomatic b'4( a4) | % 5
g2~ | % 6
@@ -240,7 +244,7 @@ IVDuettFagIMusic = \relative f' {
es8 r8 c8 r8 | % 8
b4 r4 | % 9
R2*11 |
- \cleffedCueDuring #"IVDuettSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { \partcombineSoloI R2*2 | r4 } \clef "bass" \partcombineAutomatic es4(\accent | % 23
+ \cleffedCueDuring #"IVDuettSQuote" #UP #"Sop." \SClef #"Fag.I" \FagIClef { \partcombineSoloI R2*2 | r4 \once\omit Staff.CueEndClef } \clef "bass" \partcombineAutomatic es4(\accent | % 23
d4. c8 | % 24
a4 b4) | % 25
d4.(\accent c8) | % 26
@@ -441,6 +445,7 @@ IVDuettFagIIMusic = \relative f' {
b4 r4 |
R2 \bar "|."
}
+\addQuote "IVDuettFagIIQuote" \IVDuettFagIIMusic
IVDuettVIMusic = \relative f' {
R2*4 | % 5
@@ -455,7 +460,7 @@ IVDuettVIMusic = \relative f' {
g4\accent f4) | % 17
d4( es8[ f8)] | % 18
g4\accent( f4) | % 19
- e4( es4\decresc | \barNumberCheck #20
+ e4( \setCrescWhiteout es4\decresc | \barNumberCheck #20
d4 des4) | % 21
c8 c4 c8~ | % 22
c4 r4 | % 23
@@ -463,7 +468,7 @@ IVDuettVIMusic = \relative f' {
c4( d4) | % 25
f4.(\accent es8) | % 26
c8([ b16 c16] d4) | % 27
- r8 c8\staccato[ c8(\cresc d8)] | % 28
+ r8 c8\staccato[ \setCrescWhiteout c8(\cresc d8)] | % 28
r8 es8\staccato[ es8( h8)] | % 29
r8 c8\staccato[ c8( d8)] | \barNumberCheck #30
r8 es8\staccato[ es8( h8)] | % 31
@@ -473,7 +478,7 @@ IVDuettVIMusic = \relative f' {
b8 r8 <d, b' b'>8\f r8\fermata | % 35
g'8\p([ es8 d8 es8)] | % 36
es4( d4) | % 37
- g8([ es8 d8\cresc es8)] | % 38
+ g8([ es8 \setCrescWhiteout d8\cresc es8)] | % 38
es4( d4) | % 39
g8([ es8 d8 \!\mf es8)] | \barNumberCheck #40
es4( d4) | % 41
@@ -506,7 +511,7 @@ IVDuettVIMusic = \relative f' {
g4\accent( f4) | % 68
d4( es8[ f8)] | % 69
g4\accent f4 | \barNumberCheck #70
- e4( es4\decresc | % 71
+ e4( \setCrescWhiteout es4\decresc | % 71
d4 des4) | % 72
c8 c4 c8~ | % 73
c4 r4 | % 74
@@ -612,7 +617,7 @@ IVDuettVIIMusic = \relative f' {
es4\accent d4) | % 17
b4( c8[ d8)] | % 18
es4\accent( d4) | % 19
- b4( c4~)\decresc | \barNumberCheck #20
+ b4( \setCrescWhiteout c4~)\decresc | \barNumberCheck #20
c4(\! b4) | % 21
b8 b4 b8( | % 22
a4) r4 | % 23
@@ -620,7 +625,7 @@ IVDuettVIIMusic = \relative f' {
f2) | % 25
r8 f4(\accent g8 | % 26
f2) | % 27
- r8 g8\staccato g4\cresc | % 28
+ r8 g8\staccato \setCrescWhiteout g4\cresc | % 28
r8\! g8\staccato g4 | % 29
r8 g8\staccato g4 | \barNumberCheck #30
r8 g8\staccato g4 | % 31
@@ -629,7 +634,7 @@ IVDuettVIIMusic = \relative f' {
r8 f8[ f8( a8)] | % 34
b8 r8 <d, b' b'>8\f r8\fermata |
R2*2 | % 37
- g8\p([ es8 d8\cresc es8)] | % 38
+ g8\p([ es8 \setCrescWhiteout d8\cresc es8)] | % 38
es4( d4) | % 39
g8([ es8 d8\!\mf es8)] | \barNumberCheck #40
es4( d4) | % 41
@@ -661,7 +666,7 @@ IVDuettVIIMusic = \relative f' {
es4\accent( d4) | % 68
b4( c8[ d8)] | % 69
es4\accent d4 | \barNumberCheck #70
- des4( c4~)\decresc | % 71
+ des4( \setCrescWhiteout c4~)\decresc | % 71
c4( b4)\! | % 72
b8 b4 b8( | % 73
a4) r4 | % 74
@@ -768,7 +773,7 @@ IVDuettVaMusic = \relative f' {
g8([ a8] b4) | % 17
r8 b8([ a8 as8)] | % 18
g8([ a8] b4) | % 19
- g4( a4\decresc | \barNumberCheck #20
+ g4( \setCrescWhiteout a4\decresc | \barNumberCheck #20
f2)\! | % 21
e8 e4 e8( | % 22
f4) r4 | % 23
@@ -776,7 +781,7 @@ IVDuettVaMusic = \relative f' {
f2) | % 25
r8 f4(\accent g8 | % 26
f2) | % 27
- r8 es8\staccato[ es8(\cresc h8)] | % 28
+ r8 es8\staccato[ \setCrescWhiteout es8(\cresc h8)] | % 28
r8 c8\staccato[ c8( d8)]\!\! | % 29
r8 es8\staccato[ es8( h8)] | \barNumberCheck #30
r8 c8\staccato[ c8( d8)] | % 31
@@ -786,7 +791,7 @@ IVDuettVaMusic = \relative f' {
d8 r8 b8\f r8\fermata | % 35
b2:8\p | % 36
a8\staccato[ a8( b8 c8)] | % 37
- << b2:8 { s8 s s8\cresc s8 } >> | % 38
+ << b2:8 { s8 s \setCrescWhiteout s8\cresc s8 } >> | % 38
a8\staccato[ a8( b8 c8)] | % 39
<< b2:8 { s8 s s \!\mf s8 } >> | \barNumberCheck #40
a8\staccato[ a8( b8 c8)] | % 41
@@ -819,7 +824,7 @@ IVDuettVaMusic = \relative f' {
g8[( a8] b4) | % 68
r8 b8([ a8 as8)] | % 69
g8([ a8] b4) | \barNumberCheck #70
- b4( ges4\decresc | % 71
+ b4( \setCrescWhiteout ges4\decresc | % 71
f4 ges4)\! | % 72
e8 e4 e8( | % 73
f4) r4 | % 74
@@ -926,7 +931,7 @@ IVDuettSSoloMusic = \relative f'' {
g4 f4 | % 17
d4 es8[ f8] | % 18
g4 f4 | % 19
- e4 es4\decresc | \barNumberCheck #20
+ e4 \setCrescWhiteout es4\decresc | \barNumberCheck #20
d4\! des4 | % 21
c4. c8 | % 22
c2 | % 23
@@ -1076,7 +1081,7 @@ IVDuettTSoloMusic = \relative f' {
es4 d4 | % 17
b4 c8[ d8] | % 18
es4 d4 | % 19
- g,4 a4\decresc | \barNumberCheck #20
+ g,4 \setCrescWhiteout a4\decresc | \barNumberCheck #20
b4\! b4 | % 21
b4. b8 | % 22
a2 | % 23
@@ -1316,7 +1321,7 @@ IVDuettVcBMusic = \relative f' {
b2 | % 17
\clef "bass" b2 ^"Tutti"~\accent | % 18
b2 | % 19
- c,4( f4\decresc | \barNumberCheck #20
+ c,4( \setCrescWhiteout f4\decresc | \barNumberCheck #20
b,4\! des4) | % 21
ges4( e4) | % 22
f4 r4 |
@@ -1334,7 +1339,7 @@ IVDuettVcBMusic = \relative f' {
b,8 r8 b'8\f r8\fermata | % 35
g8\p[ g g g] | % 36
fis2:8 | % 37
- << g2:8 { s8 s s8\cresc s } >> | % 38
+ << g2:8 { s8 s \setCrescWhiteout s8\cresc s } >> | % 38
fis2:8 | % 39
<< g2:8 { s8 s s\!\mf s } >> | \barNumberCheck #40
fis2:8 | % 41
@@ -1367,7 +1372,7 @@ IVDuettVcBMusic = \relative f' {
b2 | % 68
\clef "bass" b2 ^"Tutti"~\accent | % 69
b2 | \barNumberCheck #70
- g4( a4\decresc | % 71
+ g4( \setCrescWhiteout a4\decresc | % 71
b4 ges4)\! | % 72
e8 e4 e8( | % 73
f4) r4 | % 74
diff --git a/Schubert_StabatMater_D383_Music_05_Chor.ily b/Schubert_StabatMater_D383_Music_05_Chor.ily
index 0e5e39e0d365a9e331ddb238a2446cd8aeb9df86..1d73f7ec6cb0bc50ff363eeb5fd0694fa827adad 100644
--- a/Schubert_StabatMater_D383_Music_05_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_05_Chor.ily
@@ -17,7 +17,7 @@ VChorFlIMusic = \relative g'' {
d4( c4) b4 | % 8
h4( c4\< cis4)\! | % 9
cis8([ d8]) d2 | \barNumberCheck #10
- es2 \partcombineChords d4\cresc | % 11
+ es2 \partcombineChords \setCrescWhiteout d4\cresc | % 11
\partcombineApart g2\accent( f4) | % 12
f4( es4) \partcombineAutomatic c4 | % 13
d2\! r4 |
@@ -60,7 +60,7 @@ VChorFlIIMusic = \relative d'' {
a2 g4 | % 8
as4( g4\< b4)\! | % 9
b8[( a8]) a2 | \barNumberCheck #10
- b2 b4\cresc | % 11
+ b2 \setCrescWhiteout b4\cresc | % 11
b4\accent( c4 d4) | % 12
g,2 a4 | % 13
b2\! r4 |
@@ -103,7 +103,7 @@ VChorObIMusic = \relative b' {
fis2 g4 | % 8
f4( e4-\tag #'non-partcombine \< g4-\tag #'non-partcombine \!) | % 9
g8[( fis8]) fis2 | \barNumberCheck #10
- g2 f4-\tag #'non-partcombine \cresc | % 11
+ g2 \setCrescWhiteout f4-\tag #'non-partcombine \cresc | % 11
g4\accent( a4 b4) | % 12
g2 f4 | % 13
f2-\tag #'non-partcombine \! \partcombineAutomatic r4 |
@@ -141,7 +141,7 @@ VChorObIIMusic = \relative g' {
fis2 g4 | % 8
f4( e4\< es4\!) | % 9
d4 d2 | \barNumberCheck #10
- g2 f4\cresc | % 11
+ g2 \setCrescWhiteout f4\cresc | % 11
es2\accent( d4) | % 12
c2 f4 | % 13
f2\! r4 |
@@ -209,7 +209,7 @@ VChorFagIMusic = \relative g {
% Original (display pitch!)
VChorCorIMusic = \relative c'' {
- \transposition g'
+ \transposition g
R2.^\fermataMarkup | % 2
R2.*46 | % 49
\namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.I" { R2.*2 | R2.^\fermataMarkup } \bar "||" % 51
@@ -243,7 +243,7 @@ VChorCorIMusic = \relative c'' {
\addQuote "VChorCorIQuote" \VChorCorIMusic
VChorCorIIMusic = \relative e' {
- \transposition g'
+ \transposition g
R2.^\fermataMarkup | % 2
R2.*46 | % 49
\namedCueDuring #"VChorSQuote" #UP #"Sop." #"Cor.II" { R2.*2 | R2.^\fermataMarkup } \bar "||" % 51
@@ -512,8 +512,8 @@ VChorSIIMusic = \relative d'' {
b4(\! c4) d4 | % 12
g,2 a4 | % 13
b2 r4 |
- s2.*10 | % 24
- s2.*2 | % 26
+ R2.*10 | % 24
+ R2.*2 | % 26
c2 c4 | % 27
d4 d2 | % 28
c2 c4 | % 29
@@ -524,11 +524,11 @@ VChorSIIMusic = \relative d'' {
as8[( g8]) g2 | % 34
g2 g4 | % 35
g4 g2 |
- s2.*2 | % 38
+ R2.*2 | % 38
es2 es4 | % 39
d4 d2 | \barNumberCheck #40
- s2. | % 41
- s2. | % 42
+ R2. | % 41
+ R2. | % 42
\dynamicsX #-1.5 a'2\f b4 | % 43
c2 b4 | % 44
g2 fis4 | % 45
@@ -537,8 +537,8 @@ VChorSIIMusic = \relative d'' {
c2 b4 | % 48
g2 g4 | % 49
fis2. | \barNumberCheck #50
- s2. \key g\major \bar "||"
- s2.*2 \noBreak | % 53
+ R2.-\fermataMarkup \key g\major \bar "||"
+ R2.*2 \noBreak | % 53
d4.\p d8 fis8 fis8 | % 54
g8.[\melisma a16] h4.\melismaEnd a8 | % 55
a8[ g8] fis4 r4 | % 56
@@ -556,19 +556,19 @@ VChorSIIMusic = \relative d'' {
\dynamicsX #-1.5 c4\p( d4) e4 | % 68
h2 a4 | % 69
g2. |
- s2.*3 | % 73
+ R2.*3 | % 73
d4.\p d8 fis8 fis8 | % 74
g4( a4.) a8 | % 75
g4 d4 r4 | % 76
d4. d8 fis8 fis8 | % 77
g4( a4.) a8 | % 78
a8[ g8] fis4 r4 |
- s2.*3 | % 82
+ R2.*3 | % 82
\dynamicsX #-2.5 h4\f h2 | % 83
\dynamicsX #-2.5 c2-\tag #'non-partcombine \p c4 | % 84
h2 a4 | % 85
a2 r4 |
- s2.*2 | % 88
+ R2.*2 | % 88
\dynamicsX #-2.5 c4\ff c2 | % 89
\dynamicsX #-2.5 c4\p( d4) e4 | \barNumberCheck #90
h2 a4 | % 91
@@ -672,7 +672,7 @@ VChorAIIMusic = \relative g' {
c2 f4 | % 13
b,2 r4 |
R2.*10 | % 24
- s2.*2 | % 26
+ R2.*2 | % 26
a'2 a4 | % 27
h4 h2 | % 28
c2 a4 | % 29
@@ -781,10 +781,11 @@ VChorTIMusic = \relative d' {
R2.-\fermataMarkup \bar "||"
\key g \major
R2.*19 | \barNumberCheck #70
- \partcombineChords
- \cleffedCueDuring #"VChorCorIQuote" #UP #"Cor.I" \CorClef #"Ten." \TClef { R2.*2 } | % 72 % TODO: Correct transposition!!!
- \partcombineAutomatic
- \dynamicsX #-1.5 g,4.\p g8 a8 a8 | % 73
+ \partcombineApart
+ \cleffedCueDuring #"VChorCorIQuote" #UP #"Cor.I" \CorClef #"Ten." \TClef { R2.*2 \cueClefUnset } \cueClefUnset | % 72 % TODO: Correct transposition!!!
+
+ \partcombineAutomatic
+ \dynamicsX #-1.5 g,4.\p g8 a8 a8 | % 73
h8.[\melisma c16] d4.\melismaEnd c8 | % 74
h4 a4 r4 | % 75
g4. g8 a8 a8 | % 76
@@ -809,7 +810,7 @@ VChorTIMusic = \relative d' {
VChorTIIMusic = \relative b {
R2.^\fermataMarkup | % 2
R2.*10 | % 12
- s2.*2 |
+ R2.*2 |
\dynamicsX #-2 b2\p b4 | % 15
c4 c2 | % 16
b2 b4 | % 17
@@ -846,7 +847,7 @@ VChorTIIMusic = \relative b {
a2. | \barNumberCheck #50
R2.-\fermataMarkup \bar "||"
R2.*19 | \barNumberCheck #70
- s2.*2 | % 72 % TODO: fix transposition
+ R2.*2 | % 72 % TODO: fix transposition
\dynamicsX #-1.5 g4.\p g8 fis8 fis8 | % 73
g8.[\melisma a16] h4\melismaEnd a4 | % 74
g4 fis4 r4 | % 75
@@ -942,7 +943,7 @@ VChorBIMusic = \relative g {
VChorBIIMusic = \relative g {
R2.^\fermataMarkup | % 2
R2.*10 | % 12
- s2.*2 |
+ R2.*2 |
\dynamicsX #-25 g2\p g4 | % 15
fis4 fis2 | % 16
g2 g4 | % 17
@@ -979,7 +980,7 @@ VChorBIIMusic = \relative g {
d2. | \barNumberCheck #50
R2.-\fermataMarkup \bar "||"
R2.*19 | \barNumberCheck #70
- s2.*2 | % 72 % TODO: Fix transposition
+ R2.*2 | % 72 % TODO: Fix transposition
\dynamicsX #-1.5 h4.\p h8 d8 d8 | % 73
g2 d4 | % 74
g4 d4 r4 | % 75
@@ -1098,6 +1099,7 @@ VChorTStaff = \context Staff = VChorChTSt \with {
aDueText = #""
} <<
% \context Lyrics = VChorTLyrics \lyricsto VChorTIVoice \VChorTLyrics
+ \new CueVoice = "cues" {}
\new Voice = VChorTVoice {
\VChorSettings
\dynamicUp
diff --git a/Schubert_StabatMater_D383_Music_06_Arie.ily b/Schubert_StabatMater_D383_Music_06_Arie.ily
index edd7f72d56f40440f329cf2f79d49a77684fedb3..5a4beab712d9bc480ec11e6c96c75266b0f1daa4 100644
--- a/Schubert_StabatMater_D383_Music_06_Arie.ily
+++ b/Schubert_StabatMater_D383_Music_06_Arie.ily
@@ -4,19 +4,36 @@ VIAriePieceName = "Nr. 6 Arie: Ach, was hätten wir empfunden"
VIAriePieceNameTacet = "Nr. 6 Arie tacet"
VIArieObIPieceName = "Nr. 6 Arie: Solo"
VIArieObPieceName = "Nr. 6 Arie: Oboe I Solo "
-VIArieObInstrumentName = "Oboe I"
+VIArieObInstrumentName = "Oboe Solo"
VIArieObIInstrumentName = "Oboe Solo"
VIArieObShortInstrumentName = "Ob.I"
VIArieTempo = "Adagio"
+% Solution 2: Using a dynamic script & shifting with
+% \once \override ...X-offset = ..
+% Drawback: \once \override needed for every invocation
+% semppK =
+% #(make-dynamic-script
+% (markup #:line
+% (#:normal-text
+% #:italic "sempre"
+% #:dynamic "pp")))
+semppK = #(make-dynamic-script
+ (markup #:line
+ (#:with-dimensions '(0 . 0) '(0 . 0)
+ #:right-align
+ #:normal-text
+ #:italic "sempre"
+ #:dynamic "pp")))
VIArieKey = \key es \major
-VIArieSettings = { \tempo \VIArieTempo \time 4/4 }
+VIArieSettings = { \tempo \VIArieTempo \time 4/4
+% \once \override DynamicText.X-offset = #-9.2
+}
VIArieEnd = {
- \override Score.RehearsalMark.direction = #DOWN
+% \override Score.RehearsalMark.direction = #DOWN
\bar "||"
\key c \major
- \mark "seque Coro"
- \noPageTurn
+ \seque "seque Coro"
% s8
}
@@ -49,7 +66,7 @@ VIArieObIMusic = \relative c'' {
\addQuote "VIArieObIQuote" \VIArieObIMusic
VIArieVIMusic = \relative c' {
- c8-\sempp r8 c8 r8 c8 r8 c8 r8 | % 2
+ c8-\semppK r8 c8 r8 c8 r8 c8 r8 | % 2
h8 r8 h8 r8 h8 r8 h8 r8 | % 3
c8 r8 c8 r8 c8 r8 c8 r8 | % 4
d8 r8 d8 r8 es8 r8 d8 r8 | % 5
@@ -76,7 +93,7 @@ VIArieVIMusic = \relative c' {
}
VIArieVIIMusic = \relative g {
- g8-\sempp r8 g8 r8 g8 r8 g8 r8 | % 2
+ g8-\semppK r8 g8 r8 g8 r8 g8 r8 | % 2
as8 r8 as8 r8 as8 r8 as8 r8 | % 3
g8 r8 g8 r8 g8 r8 g8 r8 | % 4
as8 r8 as8 r8 c8 r8 h8 r8 | % 5
@@ -103,7 +120,7 @@ VIArieVIIMusic = \relative g {
}
VIArieVaMusic = \relative es {
- es8-\sempp r8 es8 r8 es8 r8 es8 r8 | % 2
+ es8-\semppK r8 es8 r8 es8 r8 es8 r8 | % 2
<d f>8 r8 <d f>8 r8 <d f>8 r8 <d f>8 r8 | % 3
es8 r8 es8 r8 es8 r8 es8 r8 | % 4
f8 r8 f8 r8 g8 r8 g8 r8 | % 5
@@ -171,7 +188,7 @@ VIArieTSoloLyrics = \lyricmode { Ach, was hät -- ten wir em
}
VIArieVcBMusic = \relative c {
- c8-\sempp r8 c8 r8 c8 r8 c8 r8 | % 2
+ c8-\semppK r8 c8 r8 c8 r8 c8 r8 | % 2
c8 r8 c8 r8 c8 r8 c8 r8 | % 3
c8 r8 c8 r8 c8 r8 c8 r8 | % 4
f8 r8 f8 r8 g8 r8 g8 r8 | % 5
diff --git a/Schubert_StabatMater_D383_Music_09_Chor.ily b/Schubert_StabatMater_D383_Music_09_Chor.ily
index 050d86bb46c151fd63d8c6f72a916452f6c40105..e234ea96bbe8fff4aa5fed8a66cb844eee4f18ee 100644
--- a/Schubert_StabatMater_D383_Music_09_Chor.ily
+++ b/Schubert_StabatMater_D383_Music_09_Chor.ily
@@ -1,19 +1,5 @@
\version "2.13.4"
-setCrescWhiteout = \notemode {
- \once \override DynamicTextSpanner.stencil =
- #(lambda (grob)
- (let* ((stencil (ly:text-interface::print grob))
- (x-ext (ly:stencil-extent stencil X))
- (y-ext (ly:stencil-extent stencil Y))
- (y-ext (interval-widen y-ext 0.5)))
- (ly:stencil-add
- (stencil-with-color (ly:round-filled-box x-ext y-ext 0.0)
- white)
- stencil)))
- \once \override DynamicTextSpanner.whiteout = ##t
- }
-
IXChorPieceName = "Nr. 9 Chor: O du herrlicher Vollender"
IXChorPieceNameTacet = "Nr. 9 Chor tacet"
IXChorTempo = "Maestoso"
@@ -473,7 +459,7 @@ IXChorFagIIMusic = \relative e {
% Original (display pitch!)
IXChorCorIMusic = \relative c'' {
- \transposition es'
+ \transposition e
c1\fz\accent | % 2
c1\accent | % 3
g1\accent | % 4
@@ -543,7 +529,7 @@ IXChorCorIMusic = \relative c'' {
}
IXChorCorIIMusic = \relative c' {
- \transposition es'
+ \transposition e
c1\fz\accent | % 2
c1\accent | % 3
g1\accent | % 4
@@ -576,7 +562,7 @@ IXChorCorIIMusic = \relative c' {
c2. c4 | % 46
g1\!\ff |
R1*9 | % 56
- \namedCueDuring #"IXChorFagIQuote" #DOWN #"Fag./Tr. 3" #"Cor.II" { R1 } | % 57
+ \cleffedCueDuring #"IXChorFagIQuote" #UP #"Fag./Tr. 3" \FagIClef #"Cor.II" \CorIIClef { R1 } | % 57
c,1\ffz | % 58
c1\fz | % 59
g1\fz | \barNumberCheck #60
diff --git a/Schubert_StabatMater_D383_Music_10_Terzett.ily b/Schubert_StabatMater_D383_Music_10_Terzett.ily
index 4dc6327803ac1ce127788420a32f5d5b95169e29..45c79cd4647dc966ea895012c3cf8ec383aba067 100644
--- a/Schubert_StabatMater_D383_Music_10_Terzett.ily
+++ b/Schubert_StabatMater_D383_Music_10_Terzett.ily
@@ -7,12 +7,12 @@ XTerzettTempo = "Allegro moderato"
XTerzettKey = \key a \major
XTerzettSettings = { \tempo \XTerzettTempo \time 4/4 }
XTerzettEnd = {
- \override Score.RehearsalMark.direction = #DOWN
+% \override Score.RehearsalMark.direction = #DOWN
\bar "||"
\key f \major
\time 3/4
- \mark "seque Terzetto con coro"
- \noPageTurn
+ \seque "seque Terzetto con coro"
+% \noPageTurn
% s8
}
@@ -261,11 +261,14 @@ XTerzettFagIMusic = \relative e' {
f4 r4 e4 r4 \clef "tenor" | % 53
\partcombineChords << { a2( } { s4 s4\cresc } >> g4 f4) | % 54
e4\!\f \partcombineApart r4 g,4 r4 | % 55
- c,4 \partcombineAutomatic r4 r2 R1*3 | % 59
+ c,4 \partcombineAutomatic r4 r2 |
+ \partcombineSoloI
+ R1*3 | % 59
r2 \clef "bass" f'2\mf\<( | \barNumberCheck #60
e2)( dis2)\! | % 61
e2\p r2 |
R1*3 |
+ \partcombineAutomatic
R1-\fermataMarkup | % 66
e4\p r4 e4 r4 | % 67
f4 r4 e4 r4 | % 68
@@ -277,7 +280,7 @@ XTerzettFagIMusic = \relative e' {
r2 r4 f'4\accent( | % 77
<< {e1)(} {s4 s4\p s2} >> | % 78
<< {f1)} { s4 s\cresc s s} >> | % 79
- << { e1\!~\accent } { s4 s4\p s4 s4 } >> | \barNumberCheck #80
+ << { e1~\accent } { s4 s4\p s4 s4 } >> | \barNumberCheck #80
e1 | % 81
e2( f2)( | % 82
e2)(\dim f2) | % 83
@@ -287,7 +290,7 @@ XTerzettFagIMusic = \relative e' {
XTerzettFagIIMusic = \relative c' {
R1*45 | % 46
- \namedCueDuring #"XTerzettVIQuote" #UP #"V.I" #"Fag.II" { R1*3 } \bar "||"
+ \cleffedCueDuring #"XTerzettVIQuote" #DOWN #"V.I" \VIClef #"Fag.II" "" { R1*3 } \bar "||"
\key c \major | % 49
c4\p r4 c4 r4 | \barNumberCheck #50
d4 r4 c4 r4 | % 51
@@ -297,8 +300,9 @@ XTerzettFagIIMusic = \relative c' {
g4\!\f r4 g4 r4 | % 55
c,4 r4 r2 | % 56
R1*8 |
- \cleffedCueDuring #"XTerzettObIQuote" #DOWN #"Ob.I" \ObIClef #"Fag.II" \FagIIClef { R1 |
- R1-\fermataMarkup } | % 66
+% \clef "bass"
+ \cleffedCueDuring #"XTerzettObIQuote" #DOWN #"Ob.I" \ObIClef #"Fag.II" "" { R1 |
+ R1-\fermataMarkup \once\omit Staff.CueEndClef } | % 66
\clef "bass" c'4\p r4 c4 r4 | % 67
d4 r4 c4 r4 | % 68
c4 r4 c4 r4 | % 69
@@ -310,7 +314,7 @@ XTerzettFagIIMusic = \relative c' {
r2 r4 f4\accent( | % 77
<< {e1)(} {s4 s4\p s2} >> | % 78
<< {f1)} { s4 s4\cresc s4 s4 } >> | % 79
- << { e1\!~\accent } { s4 s4\p s4 s4 } >> | \barNumberCheck #80
+ << { e1~\accent } { s4 s4\p s4 s4 } >> | \barNumberCheck #80
e1 | % 81
c'2( d2)( | % 82
c2)(\dim d2) | % 83
@@ -372,7 +376,7 @@ XTerzettVIMusic = \relative e'' {
c4( h4) f'4.(\accent d8) | % 57
d4(\cresc cis4) g'4.(\accent e8) | % 58
e4( d4)\! g4(\accent f8[ e8)] | % 59
- e8([ f8)] d4 r4 dis4\cresc | \barNumberCheck #60
+ e8([ f8)] d4 r4 \setCrescWhiteout dis4\cresc | \barNumberCheck #60
r4 e4 r4\! fis4 | % 61
h,2\p( d2) | % 62
c2( a2) | % 63
@@ -456,7 +460,7 @@ XTerzettVIIMusic = \relative cis'' {
f2 r8 f8([ g8 a8)] | % 57
g2\cresc r8 g8([ a8 b8)] | % 58
a2\! r8 g8([ a8 b8)] | % 59
- a2 r4 c4\cresc | \barNumberCheck #60
+ a2 r4 \setCrescWhiteout c4\cresc | \barNumberCheck #60
r4 c4 r4 c4 | % 61
h1\!\p | % 62
a2( dis,2) | % 63
@@ -538,7 +542,7 @@ XTerzettVaMusic = \relative a' {
d2 r8 d8([ e8 f8)] | % 57
e2\cresc r8 e8([ f8 g8)] | % 58
f2\! r8 e8([ f8 g8)] | % 59
- f2 r4 a4\cresc | \barNumberCheck #60
+ f2 r4 \setCrescWhiteout a4\cresc | \barNumberCheck #60
r4 a4 r4 a4 | % 61
gis1\!\p | % 62
a2( c,2) | % 63
@@ -885,7 +889,7 @@ XTerzettVcBMusic = \relative a {
d2 r8 d8([ e8 f8)] | % 57
e2\cresc r8 e8([ f8 g8)] | % 58
f2\! r8 e8([ f8 g8)] | % 59
- f2 f4\cresc r4 | \barNumberCheck #60
+ f2 \setCrescWhiteout f4\cresc r4 | \barNumberCheck #60
e4 r4 dis4 r4 | % 61
e1\!\p~ | % 62
e1 | % 63
diff --git a/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily b/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily
index 6bd8068da46c6c8722e73923c97f0145d60f3a32..342c1c91d1bad719a884b4abc8af6409bc8a4ee6 100644
--- a/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily
+++ b/Schubert_StabatMater_D383_Music_11_Terzett_Ch.ily
@@ -7,12 +7,11 @@ XITerzettChTempo = "Andante sostenuto"
XITerzettChKey = \key f \major
XITerzettChSettings = { \tempo \XITerzettChTempo \time 3/4 }
XITerzettEnd = {
- \override Score.RehearsalMark.direction = #DOWN
- \mark "seque Fuga"
\bar "||"
\key f \major
\time 2/2
- \noPageTurn
+ \seque "seque Fuga"
+% \noPageTurn
% s8
}
@@ -65,8 +64,10 @@ XITerzettChFlIMusic = \relative f'' {
\partcombineChords f2.\pp~ | % 71
f2.( | % 72
c2.)(\dim | % 73
- a2.)\! | % 74
- \partcombineApartOnce f2.\fermata \XITerzettEnd
+ a2.)(\! | % 74
+% \partcombineApartOnce
+ \partcombineChordsOnce
+ f2.\fermata) \XITerzettEnd
}
XITerzettChFlIIMusic = \relative c'' {
@@ -106,7 +107,7 @@ XITerzettChFlIIMusic = \relative c'' {
g2.) | % 56
f2.\pp |
R2.*5 | % 62
- \namedCueDuring #"XITerzettChSSQuote" #DOWN #"Sop.Solo" #"Fl.II" { R2. | % 63
+ \namedCueDuring #"XITerzettChSSQuote" #UP #"Sop.Solo" #"Fl.II" { R2. | % 63
r4 } d2\fz | % 64
d8([ c8)] c2\fz | % 65
r4 e2\fz | % 66
@@ -119,8 +120,10 @@ XITerzettChFlIIMusic = \relative c'' {
a2.\pp~ \once\tieDown \tag #'non-partcombine \once\tieNeutral | % 71
a2.~ | % 72
a2.(\dim | % 73
- f2.)\! | % 74
- f2.\fermata \XITerzettEnd
+ \once\tieDown \tag #'non-partcombine \once\tieNeutral
+ f2.)\!~ | % 74
+ << {\tag #'non-partcombine f2.\fermata } { s2.} >>
+ \XITerzettEnd
}
XITerzettChObIMusic = \relative a' {
@@ -138,11 +141,12 @@ XITerzettChObIMusic = \relative a' {
g4.\>( f8[\! e8 d8)] | % 21
c2( e8[ d8)] | % 22
c4 r4 r4 | % 23
- \partcombineSoloI r4 d2~ | % 24
+ r4 d2~ | % 24
d4( g4) r4 | % 25
- r4 << {c,2~} {s8\< s8 s s\!} >> | % 26
- c8([\> e8)] f8([\! e8 d8 c8)] | % 27
- \partcombineAutomatic c2( e8[ d8)] | % 28
+ \partcombineSoloI r4 << {c,2~} {s8\< s8 s s} >> | % 26
+ c8([\> e8)] \partcombineChords << {f8([\!} \context Voice="one" { s8\! } \context Voice="two" { s8\! } >> e8 d8 c8)] | % 27
+ \partcombineAutomatic
+ c2( e8[ d8)] | % 28
c8([ d8 c8 b8 a8 g8)] | % 29
a2.(-\tag #'non-partcombine \pp | \barNumberCheck #30
g2.) | % 31
@@ -207,7 +211,7 @@ XITerzettChObIIMusic = \relative f' {
e2( g8[ f8)] | % 22
e4 r4 r4 |
R2.*3 | % 26
- r4\> a8([\! g8 f8 e8)] | % 27
+ r4 a8([ g8 f8 e8)] | % 27
e2( g8[ f8)] | % 28
e8([ f8 e8 g8 f8 e8)] | % 29
f2.~\pp | \barNumberCheck #30
@@ -364,6 +368,7 @@ XITerzettChFagIIMusic = \relative f {
% Original (display pitch!)
XITerzettChCorIMusic = \relative c'' {
+ \transposition f
\tag #'cues \override Score.SpacingSpanner #'spacing-increment = #2
c2.\fp\fermata |
R2.*25 | % 27
@@ -414,6 +419,7 @@ XITerzettChCorIMusic = \relative c'' {
}
XITerzettChCorIIMusic = \relative e' {
+ \transposition f
\tag #'cues \override Score.SpacingSpanner #'spacing-increment = #1.5
e2.\fp\fermata |
R2.*25 | % 27
diff --git a/Schubert_StabatMater_D383_Score_Full.ly b/Schubert_StabatMater_D383_Score_Full.ly
index f9b6cbe41608fc5c58022d8fc5129357ed101918..f406c8d2fb487fa2ab804a1a590c4ffb9fb5ec59 100644
--- a/Schubert_StabatMater_D383_Score_Full.ly
+++ b/Schubert_StabatMater_D383_Score_Full.ly
@@ -34,6 +34,10 @@ XIIChorTrbIIIMusic = ##f
XIIChorFagIMusic = ##f
XIIChorFagIIMusic = ##f
+TrbIIIInstrumentName = ##f
+TrbIIIShortInstrumentName = ##f
+
+
% \markup \commentsInstrMarkup
\createNoCuesScore #"IChor" #'("FullScore")
\createNoCuesScore #"IIArie" #'("FullScore")
diff --git a/Schubert_StabatMater_D383_Settings_Global.ily b/Schubert_StabatMater_D383_Settings_Global.ily
index eb4e5861182cd7add59b9f4d641f9bd84b980e79..394c7fc8dd3d4ff6e84e0fbc3821131bc19b62e2 100644
--- a/Schubert_StabatMater_D383_Settings_Global.ily
+++ b/Schubert_StabatMater_D383_Settings_Global.ily
@@ -121,15 +121,16 @@ XIIChorBShortInstrumentName = \markup { \center-column { \BShortInstrumentName \
XIIChorVcBShortInstrumentName = \markup { \center-column { "Vc./B." \FagShortInstrumentName }}
% clear TrbIII instrument after assigning the "colla parte" instruction above!!!!
-TrbIIIInstrumentName = ##f
-TrbIIIShortInstrumentName = ##f
+% TrbIIIInstrumentName = ##f
+% TrbIIIShortInstrumentName = ##f
% 5. Chor only features bassoon 1
VChorFagInstrumentName = \FagIInstrumentName
VChorFagShortInstrumentName = \FagIShortInstrumentName
% 6. Arie only features Oboe 1 as solo
-VChorObInstrumentName = "Oboe solo"
-% VChorObShortInstrumentName = "Ob."
+VIArieObInstrumentName = "Oboe solo"
+VIArieObIInstrumentName = "Oboe solosd"
+% VIArieObShortInstrumentName = "Ob."
% ChShortInstrumentName = "Coro"
@@ -140,6 +141,9 @@ VChorObInstrumentName = "Oboe solo"
\context { \Score
\override StaffSymbol.break-align-symbols = #'(time-signature key-cancellation key-signature staff-bar break-alignment)
}
+ \context { \Staff
+ \override InstrumentSwitch #'font-shape = #'italic
+ }
}
%% http://lsr.di.unimi.it/LSR/Item?id=777
@@ -240,3 +244,16 @@ extendExclaim = #(extend "!" 0.3)
extendPeriod = #(extend "." 0.3)
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+seque =
+#(define-music-function
+ (parser location text)
+ (string?)
+ #{
+ \once \override Score.RehearsalMark.direction = #DOWN
+ \once \override Score.RehearsalMark.self-alignment-X = #RIGHT
+ \once \override Score.RehearsalMark.font-shape = #'italic
+ \mark #text
+ \noPageTurn
+ #})
\ No newline at end of file
diff --git a/TeX_Schubert_StabatMater_D383_Include_KritBericht.itex b/TeX_Schubert_StabatMater_D383_Include_KritBericht.itex
index 706a2004e50105c3026115bd0b76023ee96164cf..33b41e160697d4fdf68b8b96531a4ada3595655d 100644
--- a/TeX_Schubert_StabatMater_D383_Include_KritBericht.itex
+++ b/TeX_Schubert_StabatMater_D383_Include_KritBericht.itex
@@ -601,7 +601,7 @@ Die Staccato- sowie die Bogen-Setzung ist in diesem Stück vielfach sehr inkonsi
72/73 V1/2 und Va: \cite{Aut} notiert nur in den Takten 70 und 71 die Staccato-Punkte, die jedoch auch für Takte 72 und 73 zu übernehmen sind. \cite{NSA} unterlässt dies (und notiert im gesamten Stück derartige Staccato-Punkte nur über zwei Takte). In \cite{EK} wollen wir jedoch wie im Rest des Stückes die Punkte explizit notieren
-73/74 Fl: In \cite{Aut} (und daher auch \cite{NSA}) fehlt der Bogen. Nach den anderen Bläserstimmen ergänzen wir ihn jedoch
+73/74 Fl: In \cite{Aut} (und daher auch \cite{NSA}) fehlt der Bogen, während \cite{ASA} ihn ergänzt. Nach den anderen Bläserstimmen ergänzen wir ihn jedoch in der vorliegenden Ausgabe.
\end{vergleich}
diff --git a/TeX_Schubert_StabatMater_D383_Include_Text.itex b/TeX_Schubert_StabatMater_D383_Include_Text.itex
index 06c65706294c3df93b1b23b8a391289053d3300f..46e23f8b4436c48711b2ee816e42142cfc796724 100644
--- a/TeX_Schubert_StabatMater_D383_Include_Text.itex
+++ b/TeX_Schubert_StabatMater_D383_Include_Text.itex
@@ -79,7 +79,7 @@ alleine macht.\newline
Auf dem hohen Todeshügel,\newline
auf der dunklen Schädelstätte,\newline
da lernen wir von dir, Versöhner.\newline
-Dort ruft du mich\newline
+Dort rufst du mich\newline
von der Erde laut gen Himmel,\newline
mich zu jenem Erb' im Licht hinauf!\newline
O du herrlicher,\newline
diff --git a/TeX_Schubert_StabatMater_D383_Include_Todo.itex b/TeX_Schubert_StabatMater_D383_Include_Todo.itex
index 481da01a46406a58ff686ce5c0d9c8c28923e773..01eb2e04582f99583a327c76612531b3f7a9cd45 100644
--- a/TeX_Schubert_StabatMater_D383_Include_Todo.itex
+++ b/TeX_Schubert_StabatMater_D383_Include_Todo.itex
@@ -2,38 +2,21 @@
\section*{Offene Aufgaben}
\begin{itemize}
-\item Kein pageturn nach \q{Seque...} Stücken in den Instrumenten!
-\item Horn-Cues in \q{5. Chor} und \q{9. Chor} auf korrektheit (transposition) checken!
-\item Colla-Parte Stimmen in den Stimmen markieren
-\item Cues in der Fagott-Stimme checken, bzw. in allen Instrumentalstimmen
\item Barlines nach seque etwas über Taktangabe weiter
-\item Whiteout in Partitur checken
\item extendComma und extendExclaim mach Komma und Rufzeichen etwas zu klein
\item In allen Orchesterstimmen Lyrics zu den Cues hinzufügen
-\item TrbIII Stimme hat keine Instrumentenangabe!
-\item TrbIII auf 4 Seiten (statt 5)
-\item II T15 Fag1: Rest Position
-\item V T51 S: Rest position
+\item V T T70: Cor cues => CueEndClef fehlt oder sonstiger Messup
+\item V S T24: Cues to T show double notes
-\item VI T1: sempre\pp Alignment
+\item IX Ob1/Cor T46: cresc wiederholt in neuer Zeile direkt unter clef
+\item X T78-79 Fag1/Fag2 Stimme: cresc p sollte auf gleicher Höhe sein, nicht gestackt.
-\item IX Fag1: Auflösungszeichen von Fag1 soll auch für Fag2 gelten in der Partitur!
-
-\item X T59 Fag: Rest position
-
-\item XI T26 Ob: Decrescendo Keil über partcombine / 2. Stimme
\item XI T37 und T41: Keil wie lange?
-\item XI letzter Takt Flöte: Bogen oder nicht? dokumentieren!!!
\item XI T68 Ob2 Stimme: Decrescendo-Keil zu kurz
\item XI T68 Cor2 Stimme: Decrescendo-Keil zu kurz
-\item IV T2 Fag1 Stimme: Cues fehlen
-\item X T65 Fag2 Stimme: Doppelter Bass-Schlüssel
-\item X T78-79 Fag2/Fag2 Stimme: cresc p sollte auf gleicher Höhe sein, nicht gestackt.
-\item IX T56 Cor2: Cue von Fagott mit Bassschlüssel
-\item Cor Stimme: Sopran cues nach UNTEN
\end{itemize}
@@ -45,9 +28,12 @@
\item Partcombine Texts am Beginn jeder Seite / jedes Systems wiederholen!
\item Vertical spacing / stretching: Find optimal lily config settings
\item clef bei langen Pausen auf Systemwechsel, nicht direkt vor Noten
-\item cue texts kursiv?
+\item Taktzahlen größen, alle 5 Takte
+
+\item \q{Seque ...} jeweils NACH Key/Clef/Time change right-aligned!
-\item \q{Seque ...} am Ende der Stücke, wo es direkt weitergeht, right-aligned... Kursiv?
+\item Überschriften größer
+\item Seitenzahlen der Instrumente kontrollieren
\end{itemize}
}
diff --git a/out/Schubert_StabatMater_D383_Instrument_A.pdf b/out/Schubert_StabatMater_D383_Instrument_A.pdf
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