diff --git a/Schubert_StabatMater_D383_01_Chor.ly b/Schubert_StabatMater_D383_01_Chor.ly
index 9e5d8c59fd9efc9adf0eb6f6bbbe802a4d82d539..83bef7d3c304f85025ea5fd45911cd14e2f7184c 100644
--- a/Schubert_StabatMater_D383_01_Chor.ly
+++ b/Schubert_StabatMater_D383_01_Chor.ly
@@ -243,14 +243,14 @@ IChorSMusic = \relative c'' {
R1^\fermataMarkup | %2
R1*5 | %7
\namedCueDuring #"IChorVIQuote" #DOWN #"V.I" #"Sop." { R1*2 } |
- as4.\p as8 b4 b | %10
+ \dynamicsX #-2.5 as4.\p as8 b4 b | %10
b4. b8 b4 as | %11
f'4. es8 es4( des8) des | %12
des4( c8) b8 b4 as | %13
f4. f8 ges4. ges8 | %14
f4. f8 e2 | %15
R1 | %16
- r2 as4.\f as8 | %17
+ r2 \dynamicsX #-1 as4.\f as8 | %17
d4 f es d8[ c] | %18
h2 c | %19
des4. des8 c4 f8[ c] | %20
@@ -268,13 +268,13 @@ IChorAMusic = \relative c' {
R1^\fermataMarkup | %2
R1*5 | %7
\namedCueDuring #"IChorVIQuote" #DOWN #"V.I" #"Alt" { R1*2 } |
- f4.\p f8 g4 g | %10
+ \dynamicsX #-2.5 f4.\p f8 g4 g | %10
g4. g8 g4 f | %11
f4. ges8 f4. f8 | %12
e4. e8 e4 f | %13
c4. c8 des4. des8 | %14
d4. d8 c2 | %15
- r2 e4.\f e8 | %16
+ r2 \dynamicsX #-1 e4.\f e8 | %16
f4 f f4. f8 | %17
as4 g g as | %18
g( f) e2 | %19
@@ -292,13 +292,13 @@ IChorTMusic = \relative c' {
R1^\fermataMarkup | %2
R1*5 | %7
\cleffedCueDuring #"IChorVIQuote" #DOWN #"V.I" \VIClef #"Ten." \TClef { R1*2 } |
- c4.\p c8 des4 des | %10
+ \dynamicsX #-2.5 c4.\p c8 des4 des | %10
des4. des8 c4 c | %11
c4. c8 c4( b8) b | %12
b4( as8) g g4 f | %13
as4. c8 b4. b8 | %14
as4. as8 g2 | %15
- r2 g4.\f g8 | %16
+ r2 \dynamicsX #-1 g4.\f g8 | %16
as4 as as4. as8 | %17
f'4 d es f | %18
d2 c | %19
@@ -316,13 +316,13 @@ IChorBMusic = \relative c {
R1^\fermataMarkup | %
R1*5 | %7
\cleffedCueDuring #"IChorVIQuote" #DOWN #"V.I" \VIClef #"Basso" \BClef { R1*2 } |
- f4.\p f8 f4 f | %
+ \dynamicsX #-2.5 f4.\p f8 f4 f | %
e4. e8 f4 f | %
as4. a8 b4. b,8 | %12
c4. c8 des4 des | %13
as4. as8 b4. b8 | %14
h4. h8 c2 | %15
- c4.\f c8 des4 des | %16
+ \dynamicsX #-1 c4.\f c8 des4 des | %16
des2 c | %17
h4 h c f | %18
g2 c, | %19
diff --git a/Schubert_StabatMater_D383_02_Arie.ly b/Schubert_StabatMater_D383_02_Arie.ly
index 8003aa6ab0d9dc6a152cd8314d951b8a634b4dee..933f8b250848c26ba313655a62f7e0184e6a936d 100644
--- a/Schubert_StabatMater_D383_02_Arie.ly
+++ b/Schubert_StabatMater_D383_02_Arie.ly
@@ -429,7 +429,7 @@ IIArieVaMusic = \relative b {
}
IIArieSSoloMusic = \relative f'' {
- \namedCueDuring #"IIArieObIQuote" #UP #"Ob.I" #"Sop." { R4.*4 } | % 5
+ \namedCueDuring #"IIArieObIQuote" #UP #"Ob.I" #"Sop." {\once \override InstrumentSwitch #'X-offset = #-4 \once \override InstrumentSwitch #'Y-offset = #0 R4.*4 } | % 5
f4 ges8 | % 6
f4 es8 | % 7
des4 b8 | % 8
diff --git a/Schubert_StabatMater_D383_03_Chor.ly b/Schubert_StabatMater_D383_03_Chor.ly
index 799282b3568b6f411a8aa96bdd99adfcc76188e3..cda1fa403c3e84c09428710ceb620d3cdf04cd4a 100644
--- a/Schubert_StabatMater_D383_03_Chor.ly
+++ b/Schubert_StabatMater_D383_03_Chor.ly
@@ -394,7 +394,7 @@ IIIChorVaMusic = {
IIIChorSMusic = {
R1*6 | % 9
\namedCueDuring #"IIIChorVIQuote" #DOWN #"V.I" #"Sop." { R1*2 } |
- es''2.\p d''4 | \barNumberCheck #10
+ \dynamicsX #-3 es''2.\p d''4 | \barNumberCheck #10
d''4.( c''8) b'2 | % 11
c''2. b'4 | % 12
b'4( as'4) g'2 | % 13
@@ -424,7 +424,7 @@ IIIChorSMusic = {
IIIChorAMusic = {
R1*6 | % 9
\namedCueDuring #"IIIChorVIQuote" #DOWN #"V.I" #"Alto" { R1*2 } |
- g'2.\p b'4 | \barNumberCheck #10
+ \dynamicsX #-3.5 g'2.\p b'4 | \barNumberCheck #10
b'4.( as'8) g'2 | % 11
as'2. g'4 | % 12
g'4( f'4) es'2 | % 13
@@ -454,7 +454,7 @@ IIIChorAMusic = {
IIIChorTMusic = {
R1*6 | % 9
\cleffedCueDuring #"IIIChorVIQuote" #DOWN #"V.I" \VIClef #"Ten." \TClef { R1*2 } |
- es'2.\p es'4 | \barNumberCheck #10
+ \dynamicsX #-3.5 es'2.\p es'4 | \barNumberCheck #10
es'2 es'2 | % 11
c'2( d'4) es'4 | % 12
d'2 es'2 | % 13
@@ -473,7 +473,7 @@ IIIChorTMusic = {
es'2\f d'2 | % 26
c'2 h2 | % 27
c'2. c'4 | % 28
- b2 b2 | % 29
+ b2 b2\fermata | % 29 % TODO: Fermata added. Missing somewhere???
b2\p h2 | \barNumberCheck #30
c'2. c'4 | % 31
b2 as2 | % 32
@@ -484,7 +484,7 @@ IIIChorTMusic = {
IIIChorBMusic = {
R1*6 | % 9
\cleffedCueDuring #"IIIChorVIQuote" #DOWN #"V.I" \VIClef #"Basso" \BClef { R1*2 } |
- es2.\p es4 | \barNumberCheck #10
+ \dynamicsX #-3.5 es2.\p es4 | \barNumberCheck #10
es2 es2 | % 11
es2. es4 | % 12
b,2 es2 | % 13
diff --git a/Schubert_StabatMater_D383_04_Duett.ly b/Schubert_StabatMater_D383_04_Duett.ly
index cd46c4c2ae1ddc7aaf26c32ccf633b24899d3d3a..d7e9f128c0a22246af2c367d10f2fcf19beb9aa0 100644
--- a/Schubert_StabatMater_D383_04_Duett.ly
+++ b/Schubert_StabatMater_D383_04_Duett.ly
@@ -917,7 +917,7 @@ IVDuettVaMusic = \relative f' {
IVDuettSSoloMusic = \relative f'' {
R2*7 | % 9
\namedCueDuring #"IVDuettVIQuote" #DOWN #"V.I" #"Sop." { R2 } | % 9
- f4\p es4 | \barNumberCheck #10
+ \dynamicsX #-3 f4\p es4 | \barNumberCheck #10
d4 c4 | % 11
b4 \grace { c16[ b16] } a8[ b8] | % 12
d4 c4 | % 13
@@ -1068,7 +1068,7 @@ IVDuettSSoloMusic = \relative f'' {
IVDuettTSoloMusic = \relative f' {
R2*7 |
\cleffedCueDuring #"IVDuettVIQuote" #UP #"V.I" \VIClef #"Ten." \TClef { R2*2 } | \barNumberCheck #10
- f4\p es4 | % 11
+ \dynamicsX #-3 f4\p es4 | % 11
d4 c8[ b8] | % 12
b4( a4) | % 13
b4 \grace { c16[ b16] } a8[ b8] | % 14
diff --git a/Schubert_StabatMater_D383_05_Chor.ly b/Schubert_StabatMater_D383_05_Chor.ly
index 9219fd3436c78e2a1a3e5da9112aa5e00651beeb..34c8ad36349f97622d49d8a24c29eee726f05caf 100644
--- a/Schubert_StabatMater_D383_05_Chor.ly
+++ b/Schubert_StabatMater_D383_05_Chor.ly
@@ -475,7 +475,7 @@ VChorTrIIIMusic = \relative g {
VChorSIMusic = \relative f'' {
R2.^\fermataMarkup | % 2
- d2\p d4 | % 3
+ \dynamicsX #-1.5 d2\p d4 | % 3
d8[ es8] es2\accent | % 4
d2 d4 | % 5
d8[ es8] es2\accent | % 6
@@ -504,7 +504,7 @@ VChorSIMusic = \relative f'' {
as8[ g8] g2 | \barNumberCheck #40
R2. | % 41
R2.-\fermataMarkup | % 42
- es'2\f d4 | % 43
+ \dynamicsX #-1.5 es'2\f d4 | % 43
fis2 g4 | % 44
b,2 a4 | % 45
c2. | % 46
@@ -520,15 +520,15 @@ VChorSIMusic = \relative f'' {
g4. g8 a8 a8 | % 57
h8.[\melisma c16] d4.\melismaEnd c8 | % 58
c8[ h8] a4 r4 | % 59
- e'4\f e2 | \barNumberCheck #60
+ \dynamicsX #-1.5 e'4\f e2 | \barNumberCheck #60
e4\p( fis4) g4 | % 61
d2 d4 | % 62
h2. | % 63
cis4. \setCresc cis8\cresc cis8 cis8 | % 64
d4 d2 | % 65
d4.( e8) f4 | % 66
- e4\endcresc\f e2 | % 67
- e4\p( fis4) g4 | % 68
+ \dynamicsX #-1.5 e4\endcresc\f e2 | % 67
+ \dynamicsX #-1.5 e4\p( fis4) g4 | % 68
d2 d4 | % 69
h2. | \barNumberCheck #70
R2.*3 | % 73
@@ -539,13 +539,13 @@ VChorSIMusic = \relative f'' {
h8.[\melisma c16] d4.\melismaEnd c8 | % 78
c8[ h8] a4 r4 | \barNumberCheck #79
R2.*3 | % 82
- g'4\f g2 | % 83
- g4\p( fis4) e4 | % 84
+ \dynamicsX #-2.5 g'4\f g2 | % 83
+ \dynamicsX #-2.5 g4\p( fis4) e4 | % 84
d2 d4 | % 85
cis2 r4 | % 86
R2.*2 | % 88
- e4\ff e2 | % 89
- e4\p( fis4) g4 | \barNumberCheck #90
+ \dynamicsX #-2.5 e4\ff e2 | % 89
+ \dynamicsX #-2.5 e4\p( fis4) g4 | \barNumberCheck #90
d2 d4 | % 91
h2.~ | % 92
h2.~ | % 93
@@ -553,7 +553,7 @@ VChorSIMusic = \relative f'' {
}
VChorSIIMusic = \relative d'' {
R2.^\fermataMarkup | % 2
- b2\p b4 | % 3
+ \dynamicsX #-1.5 b2\p b4 | % 3
c4 c2\accent | % 4
b2 b4 | % 5
c4 c2\accent | % 6
@@ -582,7 +582,7 @@ VChorSIIMusic = \relative d'' {
d4 d2 | \barNumberCheck #40
s2. | % 41
s2. | % 42
- a'2\f b4 | % 43
+ \dynamicsX #-1.5 a'2\f b4 | % 43
c2 b4 | % 44
g2 fis4 | % 45
g2. | % 46
@@ -598,15 +598,15 @@ VChorSIIMusic = \relative d'' {
d4. d8 fis8 fis8 | % 57
g8.[\melisma a16] h4.\melismaEnd a8 | % 58
a8[ g8] fis4 r4 | % 59
- c'4\f c2 | \barNumberCheck #60
+ \dynamicsX #-1.5 c'4\f c2 | \barNumberCheck #60
c2\p c4 | % 61
h2 a4 | % 62
g2. | % 63
g4. \setCresc g8\cresc a8 b8 | % 64
a8.[ h16] c2 | % 65
h4.( c8) d4 | % 66
- c4\endcresc\f c2 | % 67
- c4\p( d4) e4 | % 68
+ \dynamicsX #-1.5 c4\endcresc\f c2 | % 67
+ \dynamicsX #-1.5 c4\p( d4) e4 | % 68
h2 a4 | % 69
g2. |
s2.*3 | % 73
@@ -617,13 +617,13 @@ VChorSIIMusic = \relative d'' {
g4( a4.) a8 | % 78
a8[ g8] fis4 r4 |
s2.*3 | % 82
- h4\f h2 | % 83
- c2\p c4 | % 84
+ \dynamicsX #-2.5 h4\f h2 | % 83
+ \dynamicsX #-2.5 c2\p c4 | % 84
h2 a4 | % 85
a2 r4 |
s2.*2 | % 88
- c4\ff c2 | % 89
- c4\p( d4) e4 | \barNumberCheck #90
+ \dynamicsX #-2.5 c4\ff c2 | % 89
+ \dynamicsX #-2.5 c4\p( d4) e4 | \barNumberCheck #90
h2 a4 | % 91
g2.~ | % 92
g2.~ | % 93
@@ -633,7 +633,7 @@ VChorSIIMusic = \relative d'' {
VChorAIMusic = \relative g' {
R2.^\fermataMarkup | % 2
- g2\p g4 | % 3
+ \dynamicsX #-1.5 g2\p g4 | % 3
a4 a2\accent | % 4
g2 g4 | % 5
a4 a2\accent | % 6
@@ -662,7 +662,7 @@ VChorAIMusic = \relative g' {
b4 b2 | | \barNumberCheck #40
R2. | % 41
R2.-\fermataMarkup | % 42
- fis'2\f g4 | % 43
+ \dynamicsX #-1.5 fis'2\f g4 | % 43
a2 g4 | % 44
d2 d4 | % 45
es2. | % 46
@@ -679,15 +679,15 @@ VChorAIMusic = \relative g' {
h4. h8 d8 d8 | % 57
g2 fis4 | % 58
g4 d4 r4 | % 59
- g4\f g2 | \barNumberCheck #60
+ \dynamicsX #-1.5 g4\f g2 | \barNumberCheck #60
g2\p g4 | % 61
g2 fis4 | % 62
g2. | % 63
g4. \setCresc g8\cresc g8 g8 | % 64
fis4 a2 | % 65
g2 h4 | % 66
- c4\endcresc\f g2 | % 67
- g4\p( fis4) e4 | % 68
+ \dynamicsX #-1.5 c4\endcresc\f g2 | % 67
+ \dynamicsX #-1.5 g4\p( fis4) e4 | % 68
g2 fis4 | % 69
g2. |
R2.*3 | % 73
@@ -698,13 +698,13 @@ VChorAIMusic = \relative g' {
g4( fis4.) fis8 | % 78
g4 d4 r4 |
R2.*3 | % 82
- g4\f g2 | % 83
- g2\p g4 | % 84
+ \dynamicsX #-1.5 g4\f g2 | % 83
+ \dynamicsX #-1.5 g2\p g4 | % 84
g2 fis4 | % 85
g2 r4 |
R2.*2 | % 88
- g4\ff g2 | % 89
- g4\p( fis4) e4 | \barNumberCheck #90
+ \dynamicsX #-2.5 g4\ff g2 | % 89
+ \dynamicsX #-2.5 g4\p( fis4) e4 | \barNumberCheck #90
g2 fis4 | % 91
g2.~ | % 92
g2.~ | % 93
@@ -712,7 +712,7 @@ VChorAIMusic = \relative g' {
}
VChorAIIMusic = \relative g' {
R2.^\fermataMarkup | % 2
- g2\p g4 | % 3
+ \dynamicsX #-1.5 g2\p g4 | % 3
fis4 fis2\accent | % 4
g2 g4 | % 5
fis4 fis2\accent | % 6
@@ -741,7 +741,7 @@ VChorAIIMusic = \relative g' {
b4 b2 | | \barNumberCheck #40
R2. | % 41
R2.-\fermataMarkup | % 42
- fis'2\f g4 | % 43
+ \dynamicsX #-1.5 fis'2\f g4 | % 43
a2 g4 | % 44
d2 d4 | % 45
es2. | % 46
@@ -757,15 +757,15 @@ VChorAIIMusic = \relative g' {
h4. h8 d8 d8 | % 57
g2 fis4 | % 58
g4 d4 r4 | % 59
- c4\f c2 | \barNumberCheck #60
+ \dynamicsX #-1.5 c4\f c2 | \barNumberCheck #60
c4\p( d4) e4 | % 61
d2 d4 | % 62
e2. | % 63
e4. \setCresc e8\cresc e8 e8 | % 64
fis4 fis2 | % 65
g2 g4 | % 66
- c,4\endcresc\f c2 | % 67
- e4\p( d4) c4 | % 68
+ \dynamicsX #-1.5 c,4\endcresc\f c2 | % 67
+ \dynamicsX #-1.5 e4\p( d4) c4 | % 68
d2 d4 | % 69
g,2. |
R2.*3 | % 73
@@ -776,13 +776,13 @@ VChorAIIMusic = \relative g' {
g4( d4.) d8 | % 78
g4 d4 r4 |
R2.*3 | % 82
- e4\f e2 | % 83
- e4\p ( d4 ) c4 | % 84
+ \dynamicsX #-1.5 e4\f e2 | % 83
+ \dynamicsX #-1.5 e4\p ( d4 ) c4 | % 84
d2 d4 | % 85
e2 r4 |
R2.*2 | % 88
- c4\ff c2 | % 89
- e4\p( d4) c4 | \barNumberCheck #90
+ \dynamicsX #-2.5 c4\ff c2 | % 89
+ \dynamicsX #-2.5 e4\p( d4) c4 | \barNumberCheck #90
d2 d4 | % 91
d2.~ | % 92
d2.~ | % 93
@@ -793,7 +793,7 @@ VChorTIMusic = \relative d' {
R2.^\fermataMarkup | % 2
R2.*10 | % 12
\cleffedCueDuring #"VChorSQuote" #UP #"Sop." \SClef #"Ten." \TClef { R2.*2 }\vOne |
- d2\p d4 | % 15
+ \dynamicsX #-2 d2\p d4 | % 15
d8[ es8] es2 | % 16
d2 d4 | % 17
d8[ es8] es2 | % 18
@@ -819,7 +819,7 @@ VChorTIMusic = \relative d' {
R2.*2 | \barNumberCheck #40
g2 g4 | % 41
g8[ fis8] fis2\fermata | % 42
- es'2\f d4 | % 43
+ \dynamicsX #-1.5 es'2\f d4 | % 43
fis2 g4 | % 44
b,2 a4 | % 45
c2. | % 46
@@ -831,23 +831,23 @@ VChorTIMusic = \relative d' {
\key g \major
R2.*19 | \barNumberCheck #70
\cleffedCueDuring #"VChorCorIQuote" #UP #"Cor.I" \CorClef #"Ten." \TClef { R2.*2 }\vOne | % 72 % TODO: Correct transposition!!!
- g,4.\p g8 a8 a8 | % 73
+ \dynamicsX #-1.5 g,4.\p g8 a8 a8 | % 73
h8.[\melisma c16] d4.\melismaEnd c8 | % 74
h4 a4 r4 | % 75
g4. g8 a8 a8 | % 76
h8.[\melisma c16] d4.\melismaEnd c8 | % 77
h4 a4 r4 | % 78
r4 r4 d4 | % 79
- e4\f e2 | \barNumberCheck #80
- e4\p( fis4) g4 | % 81
+ \dynamicsX #-1.5 e4\f e2 | \barNumberCheck #80
+ \dynamicsX #-1.5 e4\p( fis4) g4 | % 81
d2 d4 | % 82
h2 r4 |
R2.*2 | % 85
- g'4\f g2 | % 86
- fis2\p g4 | % 87
+ \dynamicsX #-2.5 g'4\f g2 | % 86
+ \dynamicsX #-2.5 fis2\p g4 | % 87
d2 d4 | % 88
- e4\ff e2 | % 89
- e4\p( fis4) g4 | \barNumberCheck #90
+ \dynamicsX #-2.5 e4\ff e2 | % 89
+ \dynamicsX #-2.5 e4\p( fis4) g4 | \barNumberCheck #90
d2 d4 | % 91
h2.~ | % 92
h2.~ | % 93
@@ -857,7 +857,7 @@ VChorTIIMusic = \relative b {
R2.^\fermataMarkup | % 2
R2.*10 | % 12
s2.*2 |
- b2\p b4 | % 15
+ \dynamicsX #-2 b2\p b4 | % 15
c4 c2 | % 16
b2 b4 | % 17
c4 c2 | % 18
@@ -883,7 +883,7 @@ VChorTIIMusic = \relative b {
R2.*2 | \barNumberCheck #40
g2 g4 | % 41
es4 es2\fermata | % 42
- a2\f b4 | % 43
+ \dynamicsX #-1.5 a2\f b4 | % 43
c2 b4 | % 44
g2 fis4 | % 45
g2. | % 46
@@ -894,7 +894,7 @@ VChorTIIMusic = \relative b {
R2.-\fermataMarkup \bar "||"
R2.*19 | \barNumberCheck #70
s2.*2 | % 72 % TODO: fix transposition
- g4.\p g8 fis8 fis8 | % 73
+ \dynamicsX #-1.5 g4.\p g8 fis8 fis8 | % 73
g8.[\melisma a16] h4\melismaEnd a4 | % 74
g4 fis4 r4 | % 75
g4. g8 fis8 fis8 | % 76
@@ -906,11 +906,11 @@ VChorTIIMusic = \relative b {
h2 a4 | % 82
g2 r4 | % 83
R2.*2 | % 85
- e'4\f e2 | % 86
- d2\p d4 | % 87
+ \dynamicsX #-2.5 e'4\f e2 | % 86
+ \dynamicsX #-2.5 d2\p d4 | % 87
h2 a4 | % 88
- c4\ff c2 | % 89
- c4\p( d4) e4 | \barNumberCheck #90
+ \dynamicsX #-2.5 c4\ff c2 | % 89
+ \dynamicsX #-2.5 c4\p( d4) e4 | \barNumberCheck #90
h2 a4 | % 91
g2.~ | % 92
g2.~ | % 93
@@ -922,7 +922,7 @@ VChorBIMusic = \relative g {
R2.^\fermataMarkup | % 2
R2.*10 | % 12
\cleffedCueDuring #"VChorSQuote" #UP #"Sop." \SClef #"Basso" \BClef { R2.*2 }\vOne |
- g2\p g4 | % 15
+ \dynamicsX #-2 g2\p g4 | % 15
a4 a2 | % 16
g2 g4 | % 17
a4 a2 | % 18
@@ -948,7 +948,7 @@ VChorBIMusic = \relative g {
R2.*2 | \barNumberCheck #40
d2 d4 | % 41
c4 c2\fermata | % 42
- fis2\f g4 | % 43
+ \dynamicsX #-1.5 fis2\f g4 | % 43
a2 g4 | % 44
d2 d4 | % 45
es2. | % 46
@@ -960,23 +960,23 @@ VChorBIMusic = \relative g {
\key g \major
R2.*19 | \barNumberCheck #70
\cleffedCueDuring #"VChorCorIQuote" #UP #"Cor.I" \CorIClef #"Basso" \BClef { R2.*2 }\vOne | % 72 % TODO: Fix transposition
- d4.\p d8 d8 d8 | % 73
+ \dynamicsX #-1.5 d4.\p d8 d8 d8 | % 73
g2 d4 | % 74
g4 d4 r4 | % 75
d4. d8 d8 d8 | % 76
g2 d4 | % 77
g4 d4 r4 | % 78
r4 r4 fis4 | % 79
- g4\f g2 | \barNumberCheck #80
- g2\p g4 | % 81
+ \dynamicsX #-1.5 g4\f g2 | \barNumberCheck #80
+ \dynamicsX #-1.5 g2\p g4 | % 81
g2 fis4 | % 82
e2 r4 |
R2.*2 | % 85
- cis'4\f cis2 | % 86
- d4\p( a4) g4 | % 87
+ \dynamicsX #-4 cis'4\f cis2 | % 86
+ \dynamicsX #-3 d4\p( a4) g4 | % 87
g2 fis4 | % 88
- g4\ff g2 | % 89
- g4\p( fis4) e4 | \barNumberCheck #90
+ \dynamicsX #-2.5 g4\ff g2 | % 89
+ \dynamicsX #-2.5 g4\p( fis4) e4 | \barNumberCheck #90
g2 fis4 | % 91
g2.~ | % 92
g2.~ | % 93
@@ -986,7 +986,7 @@ VChorBIIMusic = \relative g {
R2.^\fermataMarkup | % 2
R2.*10 | % 12
s2.*2 |
- g2\p g4 | % 15
+ \dynamicsX #-25 g2\p g4 | % 15
fis4 fis2 | % 16
g2 g4 | % 17
fis4 fis2 | % 18
@@ -1012,7 +1012,7 @@ VChorBIIMusic = \relative g {
R2.*2 | \barNumberCheck #40
b2 b4 | % 41
a4 a2\fermata | % 42
- c2\f b4 | % 43
+ \dynamicsX #-1.5 c2\f b4 | % 43
d2 cis4 | % 44
d2 d4 | % 45
es2. | % 46
@@ -1023,7 +1023,7 @@ VChorBIIMusic = \relative g {
R2.-\fermataMarkup \bar "||"
R2.*19 | \barNumberCheck #70
s2.*2 | % 72 % TODO: Fix transposition
- h4.\p h8 d8 d8 | % 73
+ \dynamicsX #-1.5 h4.\p h8 d8 d8 | % 73
g2 d4 | % 74
g4 d4 r4 | % 75
h4. h8 d8 d8 | % 76
diff --git a/Schubert_StabatMater_D383_07_Chor.ly b/Schubert_StabatMater_D383_07_Chor.ly
index ba4ab1314239e32a27dfc03cd30bcbfcccd4c7b5..685b48e89f874336b2d4f2ca6764e1147dffe99c 100644
--- a/Schubert_StabatMater_D383_07_Chor.ly
+++ b/Schubert_StabatMater_D383_07_Chor.ly
@@ -937,7 +937,7 @@ VIIChorTLyrics = \lyricmode { Er --
}
VIIChorBMusic = \relative c {
- c4.\f c8 h8 c8 d8 e8 | % 2
+ \dynamicsX #-1.5 c4.\f c8 h8 c8 d8 e8 | % 2
f2 e8 c8[ d8] e8 | % 3
f8 d8 e8 f8 g8 e8 c'4~ | % 4
c8 c8 h8 a8 g8.[ f16] e8 c'8~ | % 5
@@ -1005,7 +1005,7 @@ VIIChorBMusic = \relative c {
e8[ c'8] h8[ a8] gis2 | \barNumberCheck #70
a4 r4 r2 | % 71
r4 e8.[ f16] g2 | % 72
- c,4.\ff c8 h8 c8 d8 e8 | % 73
+ \dynamicsX #-2.5 c,4.\ff c8 h8 c8 d8 e8 | % 73
f2 e8 c8[ d8] e8 | % 74
f8 d8 e8 f8 g8 e8 c'4~ | % 75
c8 c8 h8 a8 g8.[ f16] e4 | % 76
diff --git a/Schubert_StabatMater_D383_08_Arie.ly b/Schubert_StabatMater_D383_08_Arie.ly
index 48a1e4ce2f7e67d9ea8ee81e2a16557e321d1a55..4d48ae7bf3e54277ba9ab7e11be9ad5fca09624f 100644
--- a/Schubert_StabatMater_D383_08_Arie.ly
+++ b/Schubert_StabatMater_D383_08_Arie.ly
@@ -753,7 +753,7 @@ VIIIArieVaMusic = \relative h {
VIIIArieBSoloMusic = \relative h {
R4.*4 | % 5
\cleffedCueDuring #"VIIIArieVIQuote" #UP #"V.I" \VClef #"Basso" \BClef { R4.*2 } | % 7
- h4\p h8 | % 8
+ \dynamicsX #-2.5 h4\p h8 | % 8
h16.[ c32] h8 r8 | % 9
a4 h8 | \barNumberCheck #10
d16[ c16] h8 d8~ | % 11
diff --git a/Schubert_StabatMater_D383_09_Chor.ly b/Schubert_StabatMater_D383_09_Chor.ly
index 2be2d6792b8b48266063d46cba86800dad7b8137..733db3bdc74afcd652f1ba66e19e61922dfdc9f1 100644
--- a/Schubert_StabatMater_D383_09_Chor.ly
+++ b/Schubert_StabatMater_D383_09_Chor.ly
@@ -1232,13 +1232,13 @@ IXChorSMusic = \relative h' {
e2. e4 | % 12
fis,2 fis2 | % 13
r4 fis2\p gis4 | % 14
- a2. a4\f | % 15
- g2. g4\ff | % 16
+ a2. \dynamicsX #-1.5 a4\f | % 15
+ g2. \dynamicsX #-2 g4\ff | % 16
gis2 fis2 | % 17
e4 e'2 e4 | % 18
fis,2 fis2 | % 19
r4 fis2\p gis4 | \barNumberCheck #20
- a2. a4\f | % 21
+ a2. \dynamicsX #-1.5 a4\f | % 21
g2. g4\ff | % 22
gis2 fis2 | % 23
e2 r2 R1 | % 25
@@ -1285,13 +1285,13 @@ IXChorSMusic = \relative h' {
e2. e4 | % 68
fis,2 fis2 | % 69
r4 fis2\p gis4 | \barNumberCheck #70
- a2. a4\f | % 71
+ a2. \dynamicsX #-1.5 a4\f | % 71
g2. g4\ff | % 72
gis2 fis2 | % 73
gis4 e'2 e4 | % 74
fis,2 fis2 | % 75
r4 fis2\p gis4 | % 76
- a2. a4\f | % 77
+ a2. \dynamicsX #-1.5 a4\f | % 77
g2. g4\ff | % 78
gis2 fis2 | % 79
e2 r2 R1*2 \bar "|."
@@ -1333,7 +1333,7 @@ IXChorSLyrics = \lyricmode { O du
IXChorAMusic = \relative a' {
\namedCueDuring #"IXChorTQuote" #DOWN #"Ten." #"Alto" { R1 } | % 2
- a2.\f gis4 | % 3
+ \dynamicsX #-1.5 a2.\f gis4 | % 3
fis4. fis8 fis4 fis4 | % 4
fis2 e4 e4 | % 5
e4. e8 fis4 fis4 | % 6
@@ -1345,13 +1345,13 @@ IXChorAMusic = \relative a' {
e4 e4 e4 e4 | % 12
e2 e2 | % 13
r4 e2\p e4 | % 14
- e2. e4\f | % 15
- e2. e4\ff | % 16
+ e2. \dynamicsX #-1.5 e4\f | % 15
+ e2. \dynamicsX #-2 e4\ff | % 16
e2 dis2 | % 17
e4 e2 e4 | % 18
e2 e2 | % 19
r4 e2\p e4 | \barNumberCheck #20
- e2. e4\f | % 21
+ e2. \dynamicsX #-1.5 e4\f | % 21
e2. e4\ff | % 22
e2 dis2 | % 23
e2 r2 R1 | % 25
@@ -1387,7 +1387,7 @@ IXChorAMusic = \relative a' {
e4( fis4 g4) fis8[ e8] | % 55
dis1 |
R1*2 | % 58
- a'2.\f gis4 | % 59
+ \dynamicsX #-1.5 a'2.\f gis4 | % 59
fis4. fis8 fis4 fis4 | \barNumberCheck #60
fis2 e4 e4 | % 61
e4. e8 fis4 fis4 | % 62
@@ -1399,13 +1399,13 @@ IXChorAMusic = \relative a' {
e4. e8 e4 e4 | % 68
e2 e2 | % 69
r4 e2\p e4 | \barNumberCheck #70
- e2. e4\f | % 71
+ e2. \dynamicsX #-1.5 e4\f | % 71
e2. e4\ff | % 72
e2 dis2 | % 73
e4 e2 e4 | % 74
e2 e2 | % 75
r4 e2\p e4 | % 76
- e2. e4\f | % 77
+ e2. \dynamicsX #-1.5 e4\f | % 77
e2. e4\ff | % 78
e2 dis2 | % 79
e2 r2 R1*2 \bar "|."
@@ -1458,13 +1458,13 @@ IXChorTMusic = \relative e' {
e4 h4 a4 gis4 | % 12
c2 c2 | % 13
r4 cis2\p d4 | % 14
- a2. a4\f | % 15
- c2. e4\ff | % 16
+ a2. \dynamicsX #-1.5 a4\f | % 15
+ c2. \dynamicsX #-2 e4\ff | % 16
h2 a2 | % 17
gis4 h4( a4) gis4 | % 18
c2 c2 | % 19
r4 cis2\p d4 | \barNumberCheck #20
- a2. a4\f | % 21
+ a2. \dynamicsX #-1.5 a4\f | % 21
c2. e4\ff | % 22
h2 a2 | % 23
gis2 r2 R1 | % 25
@@ -1513,13 +1513,13 @@ IXChorTMusic = \relative e' {
e4. h8 a4 gis4 | % 68
c2 c2 | % 69
r4 cis2\p d4 | \barNumberCheck #70
- a2. a4\f | % 71
+ a2. \dynamicsX #-1.5 a4\f | % 71
c2. e4\ff | % 72
h2 a2 | % 73
gis4 h4( a4) gis4 | % 74
c2 c2 | % 75
r4 cis2\p d4 | % 76
- a2. a4\f | % 77
+ a2. \dynamicsX #-1.5 a4\f | % 77
c2. e4\ff | % 78
h2 a2 | % 79
gis2 r2 R1*2 \bar "|."
@@ -1572,14 +1572,14 @@ IXChorBMusic = \relative e {
a4 gis4 fis4 e8. e16 | % 12
a,2 a2 | % 13
r4 ais2\p h4 | % 14
- cis2. cis4\f | % 15
- c2. c4\ff | % 16
+ cis2. \dynamicsX #-1.5 cis4\f | % 15
+ c2. \dynamicsX #-2.5 c4\ff | % 16
h2 h2 | % 17
e4 gis4( fis4) e4 | % 18
a,2 a2 | % 19
r4 ais2\p h4 | \barNumberCheck #20
- cis2. cis4\f | % 21
- c2. c4\ff | % 22
+ cis2. \dynamicsX #-1.5 cis4\f | % 21
+ c2. \dynamicsX #-2.5 c4\ff | % 22
h2 h2 | % 23
e2 r2 R1 | % 25
e4\parenf fis4 g4 e4 | % 26
@@ -1624,14 +1624,14 @@ IXChorBMusic = \relative e {
a4 gis4 fis4 e4 | % 68
a,2 a2 | % 69
r4 ais2\p h4 | \barNumberCheck #70
- cis2. cis4\f | % 71
- c2. c4\ff | % 72
+ cis2. \dynamicsX #-1.5 cis4\f | % 71
+ c2. \dynamicsX #-2.5 c4\ff | % 72
h2 h2 | % 73
e4 gis4( fis4) e4 | % 74
a,2 a2 | % 75
r4 ais2\p h4 | % 76
- cis2. cis4\f | % 77
- c2. c4\ff | % 78
+ cis2. \dynamicsX #-1.5 cis4\f | % 77
+ c2. \dynamicsX #-2.5 c4\ff | % 78
h2 h2 | % 79
e2 r2 R1*2 \bar "|."
}
diff --git a/Schubert_StabatMater_D383_10_Terzett.ly b/Schubert_StabatMater_D383_10_Terzett.ly
index 26dd11680a25e652fe64ab255ac8e52c96e3a5c2..4b9a72929c2fbeecf9589b40cc9fd273e835c37c 100644
--- a/Schubert_StabatMater_D383_10_Terzett.ly
+++ b/Schubert_StabatMater_D383_10_Terzett.ly
@@ -576,7 +576,7 @@ XTerzettSSoloMusic = \relative e'' {
gis2 fis2 | % 23
e2 r2 | % 24
R1*2 | % 26
- \namedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" #"Sop." { R1*2 } | % 28
+ \namedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" #"Sop." { \once \override InstrumentSwitch #'X-offset = #-4 \once \override InstrumentSwitch #'Y-offset = #0 R1*2 } | % 28
e'4 fis8.[ d16] e4 a,4 | % 29
fis'4 gis4 a4 a,4 | \barNumberCheck #30
d4 cis4 h4. h8 | % 31
@@ -645,7 +645,7 @@ XTerzettTSoloMusic = \relative cis' {
e2 dis2 | % 23
e2 r2 | % 24
R1*2 | % 26
- \cleffedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" \FlIClef #"Ten." \TClef { R1*2 } | % 28
+ \cleffedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" \FlIClef #"Ten." \TClef { \once \override InstrumentSwitch #'X-offset = #-4 \once \override InstrumentSwitch #'Y-offset = #0 R1*2 } | % 28
cis'4 d8.[ h16] cis4 a4 | % 29
fis'4 f4 e4 cis4 | \barNumberCheck #30
a4 a4 a4. a8 | % 31
@@ -745,7 +745,7 @@ XTerzettTSoloLyrics = \lyricmode {
mei -- ne Brü -- der lei -- tet mich. }
XTerzettBSoloMusic = \relative a {
- \cleffedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" \FlIClef #"Basso" \BClef { R1*4 } | % 5
+ \cleffedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" \FlIClef #"Basso" \BClef { R1*4 } | % 5
a4 a4 a4 a,4 | % 6
a'4 d4 cis4 a4 | % 7
fis4 e4 dis4. dis8 | % 8
@@ -766,7 +766,7 @@ XTerzettBSoloMusic = \relative a {
h2 h2 | % 23
e2 r2 | % 24
R1*2 | % 26
- \cleffedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" \FlIClef #"Basso" \BClef { R1*2 } | % 28
+ \cleffedCueDuring #"XTerzettFlIQuote" #UP #"Fl.I" \FlIClef #"Basso" \BClef { \once \override InstrumentSwitch #'X-offset = #-4 \once \override InstrumentSwitch #'Y-offset = #0 R1*2 } | % 28
a4 a4 a4 a,4 | % 29
a'4 d4 cis4 a4 | \barNumberCheck #30
fis4 e4 dis4. dis8 | % 31
diff --git a/Schubert_StabatMater_D383_11_Terzett_Chor.ly b/Schubert_StabatMater_D383_11_Terzett_Chor.ly
index ec6743074f37c6875b700001f8c5453f7451c4a4..f1db76fe76a77175a7a914c1c1faa9ed27eb8fa8 100644
--- a/Schubert_StabatMater_D383_11_Terzett_Chor.ly
+++ b/Schubert_StabatMater_D383_11_Terzett_Chor.ly
@@ -1063,9 +1063,9 @@ XITerzettChorBSoloMusic = \relative a, {
b4 b4 r4 R2. | % 51
r4 b4.\f b8 | % 52
b'2 b,4 R2. | % 54
- c'4.\f c8 c8 c8 | % 55
+ \dynamicsX #-3 c'4.\f c8 c8 c8 | % 55
cis2\accent cis4 | % 56
- d4\p d2 |
+ \dynamicsX #-3 d4\p d2 |
R2. | % 58
r4 d,4. d8 | % 59
es4 es4 r4 | \barNumberCheck #60
@@ -1135,7 +1135,7 @@ XITerzettChorSMusic = \relative a' {
d4.\f\> g,8 g8\! g8 | % 42
a2.\p | % 43
g2. | % 44
- f4 a4.\f a8 | % 45
+ f4 \dynamicsX #-1.5 a4.\f a8 | % 45
g4 g2~ | % 46
g4 g4\p g4 | % 47
g4. g8 g8 g8 | % 48
@@ -1144,10 +1144,10 @@ XITerzettChorSMusic = \relative a' {
c2\f cis4 | % 51
cis8[ d8] d2~ | % 52
d2. | % 53
- g4.\f f8 e8 d8 | % 54
+ \dynamicsX #-2.5 g4.\f f8 e8 d8 | % 54
c2.\p | % 55
b2. | % 56
- a2.\pp | % 57
+ \dynamicsX #-3 a2.\pp | % 57
r4 c4.\f c8\p | % 58
c8[ d8] d2 | % 59
r4 c4.\f c8\p | \barNumberCheck #60
@@ -1161,7 +1161,7 @@ XITerzettChorSMusic = \relative a' {
d4. d8 e8 f8 | % 68
<< {f2.} { s4\> s s\!} >> | % 69
c2.\p | \barNumberCheck #70
- a2.\pp~ | % 71
+ \dynamicsX #-3 a2.\pp~ | % 71
a2.~ | % 72
\setDim a2.~\dim | % 73
a2.~ | % 74
@@ -1216,8 +1216,8 @@ XITerzettChorAMusic = \relative f' {
f2\f g4 | % 51
g8[ f8] f2~ | % 52
f2. | % 53
- g4.\f g8 g8 gis8 | % 54
- a2.\p | % 55
+ \dynamicsX #-1.5 g4.\f g8 g8 gis8 | % 54
+ \dynamicsX #-1.5 a2.\p | % 55
g2. | % 56
f2.\pp | % 57
r4 f4.\f f8\p | % 58
@@ -1283,7 +1283,7 @@ XITerzettChorTMusic = \relative f {
d4 d2~ | % 46
d4 d4\p c4 | % 47
h4. h8 c8 c8 | % 48
- des2.\pp | % 49
+ \dynamicsX #-0.5 des2.\pp | % 49
des2. | \barNumberCheck #50
c2\f e4 | % 51
e8[ d8] d2~ | % 52
@@ -1292,11 +1292,11 @@ XITerzettChorTMusic = \relative f {
f2.\p | % 55
e2. | % 56
f2.\pp | % 57
- r4 a,4.\f a8\p | % 58
+ r4 \dynamicsX #-1 a,4.\f \dynamicsX #-1 a8\p | % 58
a8[ b8] b2 | % 59
- r4 a4.\f a8\p | \barNumberCheck #60
+ r4 \dynamicsX #-1.3 a4.\f \dynamicsX #-1.3 a8\p | \barNumberCheck #60
a8[ b8] b2 | % 61
- r4 a4.\p a8 | % 62
+ r4 \dynamicsX #-1.3 a4.\p a8 | % 62
a8[ b8] b2 | % 63
r4 d4.\f d8 | % 64
d8[ c8] c2 | % 65
@@ -1360,10 +1360,10 @@ XITerzettChorBMusic = \relative f {
a2\f a'4 | % 51
a8[ b8] b2~ | % 52
b2. | % 53
- b4.\f b8 h8 h8 | % 54
- c2.\p | % 55
+ \dynamicsX #-3 b4.\f b8 h8 h8 | % 54
+ \dynamicsX #-3 c2.\p | % 55
cis2. | % 56
- d2.\pp | % 57
+ \dynamicsX #-4.5 d2.\pp | % 57
r4 es,4.\f es8\p | % 58
es8[ d8] d2 | % 59
r4 es4.\f es8\p | \barNumberCheck #60
diff --git a/Schubert_StabatMater_D383_SoloCh.ly b/Schubert_StabatMater_D383_SoloCh.ly
index 46741545f17197429406817e40d0d417fb922fd7..178763150806693c52ad1de55b4a25704fa723cb 100644
--- a/Schubert_StabatMater_D383_SoloCh.ly
+++ b/Schubert_StabatMater_D383_SoloCh.ly
@@ -29,21 +29,23 @@ XITerzettChorBSettings = { \XITerzettChorSettings \override Staff.VerticalAxisGr
\markup \commentsInstrMarkup
\createScore #"IChor" #'("Vocal")
\createScore #"IIArie" #'("Vocal")
-\pageBreak
+% \pageBreak
\createScore #"IIIChor" #'("Vocal")
-% \pageBreak
+% % \pageBreak
\createScore #"IVDuett" #'("Vocal")
-%\pageBreak
+% %\pageBreak
\createNoCuesScore #"VChor" #'("Vocal")
\createScore #"VIArie" #'("Vocal")
\createNoCuesScore #"VIIChor" #'("Vocal")
-% \pageBreak
+% % \pageBreak
\createScore #"VIIIArie" #'("Vocal")
-% \pageBreak
+% % \pageBreak
\createNoCuesScore #"IXChor" #'("Vocal")
-\pageBreak
+% \pageBreak
\createScore #"XTerzett" #'("Vocal")
\createNoCuesScore #"XITerzettChor" #'("Vocal")
-\pageBreak
+% \pageBreak
\createNoCuesScore #"XIIChor" #'("Vocal")
+
+#(ly:set-option 'debug-skylines #t)
diff --git a/schubert_stabatmater_d383.kilepr b/schubert_stabatmater_d383.kilepr
index 1e7dd504fe300af07527add7c0c910f2b342403f..c88d32daa83ac55e3d26b638df63744cb825cb2f 100644
--- a/schubert_stabatmater_d383.kilepr
+++ b/schubert_stabatmater_d383.kilepr
@@ -21,7 +21,7 @@ column=2
encoding=UTF-8
highlight=LaTeX
line=0
-open=true
+open=false
order=1
[item:../../editionkainhofer/oly_defs.tex]
@@ -30,7 +30,7 @@ column=19
encoding=UTF-8
highlight=LaTeX
line=10
-open=true
+open=false
order=0
[item:../../orchestrallily/oly_settings_fullscore.ly]
@@ -53,7 +53,7 @@ order=-1
[item:../../orchestrallily/oly_settings_instrument.ly]
archive=true
-column=3081154928
+column=0
encoding=
highlight=
line=0
@@ -62,7 +62,7 @@ order=-1
[item:../../orchestrallily/oly_settings_names.ly]
archive=true
-column=3081154928
+column=0
encoding=
highlight=
line=0
@@ -71,7 +71,7 @@ order=-1
[item:../../orchestrallily/oly_settings_vocalvoice.ly]
archive=true
-column=3081154928
+column=0
encoding=
highlight=
line=0
@@ -80,7 +80,7 @@ order=-1
[item:../../orchestrallily/orchestrallily.ly]
archive=true
-column=3081154928
+column=0
encoding=
highlight=
line=0
@@ -114,87 +114,6 @@ line=0
open=false
order=-1
-[item:Schubert_StabatMater_D383_00a_Contents.ly]
-archive=true
-column=0
-encoding=
-highlight=
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-
-[item:Schubert_StabatMater_D383_00b_Material.ly]
-archive=true
-column=5
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-[item:Schubert_StabatMater_D383_00c_Copyright.ly]
-archive=true
-column=5
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-highlight=
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-
-[item:Schubert_StabatMater_D383_00d_Biographies.ly]
-archive=true
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-
-[item:Schubert_StabatMater_D383_00d_Einleitung.ly]
-archive=true
-column=5
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-highlight=
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-order=-1
-
-[item:Schubert_StabatMater_D383_00e_Lyrics.ly]
-archive=true
-column=172778600
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-highlight=
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-
-[item:Schubert_StabatMater_D383_00f_Comments.ly]
-archive=true
-column=9
-encoding=
-highlight=
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-archive=true
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-[item:Schubert_StabatMater_D383_00h_QuellenLesearten.ly]
-archive=true
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[item:Schubert_StabatMater_D383_01_Chor.ly]
archive=true
column=0
@@ -314,7 +233,7 @@ order=-1
[item:Schubert_StabatMater_D383_A.pdf]
archive=true
-column=3081154928
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